Elocution and Taking Women Seriously with Marian Wilson Kimber

What if feminist music history isn't just about elevating composers like Amy Beach and Clara Wieck Schumann, but also about understanding how everyday women made music? What is elocution, and how did a now-obscure genre of musical readings represent a cornerstone of American women performing in the nineteenth century? A conversation with Marian Wilson Kimber, professor of music at the University of Iowa.

Show notes and more over at soundexpertise.org

Questions? Thoughts? Share them with Will on Twitter @seatedovation