Identity Politics and Experimental Music with George E. Lewis

What happens when classical music takes seriously the work of Black avant-garde composers? What would a creolized musical world look like? And what is the relationship between scholarship and composing? A conversation with George E. Lewis, Edwin H. Case Professor of American Music at Columbia University.

Show notes and more over at soundexpertise.org

Questions? Thoughts? Share them with Will on Twitter @seatedovation