In the fifth episode, we’ll talk about the High Court, the first building to be constructed within the Capitol Complex. We discuss its likeness to an umbrella, its weightlessness and the experience of the uncanny. We also discuss the interiors and specifically the tapestries of the high court as well as Corbusier’s flexible approach to executing his vision.
TIMESTAMPS:
1:19 - Why was the High Court the first building to come up?
1:50 - The ‘umbrella’ analogy: visual, literary, mythological
5:35 - Making it look structural: The visual trickery of the roof and arches of the high court
9:02 - Cooling the air by compressing and releasing the prevailing winds
10:27 - A building in which Corbusier engages all the elements
14:28 - Weightlessness of the high court building ; plan-elevation interplay
19:36 - ‘Doubling’ of the facade in the reflecting pools; horizontal symmetry
25:04 - The experience of the ‘uncanny’ & the Barcelona Pavilion
32:38 - Multiplicity of readings in works of art
33:39 - The pylons marking a ‘ramp in the sky’
35:24 - The hidden extension to the high court
38:52 - The tapestries and the symbols of law, balance and harmony
42:21 - Rough texture of ‘hand-poured’ concrete
44:37 - Corbusier’s flexible approach to execution and foreseeing future changes
48:59 - The ramp as architectural promenade