The Art Bystander

In this episode of The Art Bystander, our host Roland-Philippe Kretzschmar meets with Simon de Pury.

Simon de Pury @simondepury is a pivotal figure in the art world, celebrated as an auctioneer, art dealer, curator, photographer, and DJ. Known for his legendary auction performances, which have earned him the moniker ‘the Mick Jagger of auctions,’ de Pury combines charisma with profound knowledge of the global art market. His role as an auctioneer and art advisor has positioned him as a leading figure internationally, celebrated for his dynamic presence and exceptional expertise.

Throughout his illustrious career, de Pury has been instrumental in championing the careers of many contemporary artists, photographers, and designers. He curated the prestigious Thyssen-Bornemisza Collection, now housed in its own museum in Madrid, showcasing his keen eye for art curation. His influence extends to securing and auctioning some of the most legendary art collections, both at public auctions and through private treaty sales.

De Pury’s career includes significant tenures as Chairman Europe and Chief Auctioneer Worldwide at Sotheby’s, and later as Owner, Chairman, and Chief Auctioneer Worldwide at Phillips de Pury & Company. In these roles, he elevated the profiles of these institutions and played a crucial role in shaping the modern art auction landscape. His auctioneering style, marked by energy and flair, has set him apart as a distinctive and influential figure in the industry.

Beyond auctions, Simon de Pury is known for his contributions as a curator, where his exhibitions have brought contemporary art to new audiences. Additionally, his work as a photographer and DJ highlights his versatility and deep engagement with the arts in various forms. De Pury’s influence on the art market and his dedication to fostering artistic talent have made him a pivotal figure in contemporary art.

In 2020, Simon de Pury further expanded his impact on the art world by launching de PURY @depury , an innovative auction house and digital platform. 

#simondepury #depury 

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In this unique episode of The Art Bystander, the host Roland-Philippe Kretzschmar meets with the world famous sculptors Joel Shapiro and Ugo Rondinone. They are part of a group show at Carling Dalenson Gallery together with Michael Craig-Martin, who unfortunately couldn't participate in the conversation. In the relaxed and intimate dialogue with Joel and Ugo, they touch on their role as artists, influences, background and the process of making art.

Joel Shapiro is an American sculptor celebrated for his dynamic, abstract sculptures, often resembling human figures and constructed from geometric shapes. His work is characterized by a sense of movement and balance, using materials such as wood, bronze, and cast iron. Shapiro's sculptures range in scale from small, intimate pieces to large public installations. He gained prominence in the 1970s and has since exhibited widely, including at the Museum of Modern Art in New York and the Whitney Museum of American Art. His contributions to the field have been recognized with numerous awards and honors, solidifying his reputation as a leading figure in contemporary sculpture.

Ugo Rondinone is a Swiss-born, New York-based artist known for his diverse and multimedia approach to contemporary art, incorporating sculpture, painting, video, sound, and photography. His work explores themes of nature, time, and the human condition with a poetic and meditative quality. Notable pieces include "Seven Magic Mountains" and immersive installations using light and color. Gaining recognition in the 1990s, he has exhibited internationally in major venues like the New Museum in New York and the Venice Biennale. Rondinone's blend of personal emotion with universal experiences has made him a prominent figure in contemporary art.

Established in 1994 in Stockholm, Sweden, Carling Dalenson is a private family run gallery that specializes in well-established contemporary artists from around the world.

The gallery is privileged to among the founders, Caroline D. Anchér and Isabella Dalenson, have Theodor Dalenson with more than 30 years experience from the institutional art world and a former board member of Guggenheim Foundation and Museum, Aspen Art Museum, Americans for the Arts, and who together with Isabella Dalenson was co-chairman of the National Art Awards for a number of years. More recently Theodor is the head of Moderna Museets advisory board. 

Exhibitions include artists that the Carling Dalenson family has collected and supported such as Robert Rauschenberg and Andy Warhol, as well as living artists such as Frank Stella, Vera Lutter, Robert Mangold, Joel Shapiro, Michael Craig-Martin, Ian Davenport and Ross Bleckner.

A limited number of curated exhibitions within contemporary art, are shown in Carling Dalensons Stockholm Gallery at Sibyllegatan 49.

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In this episode of The Art Bystander, our host Roland-Philippe Kretzschmar meets with Nicolas Hugo, the now leader of Ateliers Hugo.

Ateliers Hugo, nestled in Aix en Provence, France, has been a bastion of creativity since the early 1950s, crafting exquisite jewelry and limited-edition objects in gold. Their legacy intertwines with history, embracing tradition, skilled craftsmanship, and collaboration with legendary artists, sparking a renaissance in artist-made jewelry.

In the aftermath of World War II, François and Monique Hugo founded Ateliers Hugo, initially focusing on crafting enamel and metal buttons and objects for fashion and commercial ventures, collaborating with esteemed designers like Chanel and Elsa Schiaparelli. Surrounded by the artistic milieu of the South of France, Hugo cultivated friendships with luminaries such as Picasso, Derain, and Ernst, igniting a movement where artists experimented with jewelry as an art form.

The journey continued as Picasso and others sought collaborations with Hugo, laying the foundation for a pioneering era in jewelry artistry from 1956 to 1961. This period witnessed artists like Cocteau infusing their distinctive visions into small, gold objects, transcending commercial considerations for pure artistic exploration.

A "second wave" emerged in the late 1960s and 1970s under Pierre Hugo's stewardship, marrying experimentation with commercial viability. Collaborations with artists like Arman, César, and Salvador Dali birthed masterpieces that adorned museums and galleries worldwide, elevating jewelry to coveted collectibles.

Despite soaring demand, Ateliers Hugo remained a closely-knit family business, cherishing tradition and familial bonds. The studio's ethos, deeply entrenched in familial heritage, fosters a culture where lunchtime gatherings are as sacred as the craft itself.

In the contemporary era, under the leadership of Nicolas Hugo, Ateliers Hugo continues its legacy, collaborating with artists like Ugo Rondinone and Eric Croes, bridging the past with the present. Upholding tradition while embracing modernity, they maintain their unique stamp, rooted in time-honored techniques passed down through generations. With a commitment to serving artists and bearing witness to the zeitgeist, Ateliers Hugo preserves its legacy while illuminating the artistic landscape of today, embodying a timeless mission of creativity and cultural stewardship.

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In this episode, Roland-Philippe Kretzschmar, is entering an inspiring and insightful conversation with Scandinavian art world legend Björn Wetterling.

1984, in the heart of Stockholm, at the iconic Kungsträdgården 3, something remarkable happened; Wetterling Gallery opened its doors. This moment marked the beginning of what would become a cornerstone in Sweden's contemporary art scene.

Under the visionary leadership of Björn Wetterling, the gallery became the gateway for seminal American artists of the time, artists whose names are now synonymous with modern art greatness— Robert Rauschenberg, Frank Stella, Jasper Johns, James Rosenquist, Helen Frankenthaler, and Ed Ruscha, just to name a few.

But the Wetterling Gallery's journey didn't stop with the icons of the 80s. Over the decades, it has evolved, embracing a wide spectrum of artistic expressions and stages of career development. Today, while still honoring its roots and the artists who laid its foundation, the gallery is a vibrant platform for both emerging and established talents, particularly those from Scandinavia or based in the region.

At the core of the Wetterling Gallery's mission, guided by Björn Wetterling and his dedicated team, is a profound respect for the unique vision and instinct of each artist they represent. It's a place where art is not just seen; it's experienced, where every exhibition is a testament to the gallery's commitment to diversity, innovation, and the unwavering belief in the power of art to inspire and transform.

So, join us as we explore the legacy of the Wetterling Gallery, its impact on the art world, and the stories of the artists who have called it home. It's a journey through four decades of artistic excellence, and we're just getting started.

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In this episode of The Art Bystander, Roland-Philippe Kretzschmar meets with Camelia Esmaili the founder and managing director of l’Atelier Camelia, a research-based art advisory and collection management firm based in Paris and Dubai having catered to some of the major art collectors in the Middle East and France, she caters to both the private and public sector for investment value art collections in modern and contemporary art, innovative emerging art acquisitions, sales and art strategy and oversee regularly curated art exhibions in art foundations on behalf of her clients. 

A post-war modern and contemporary art specialist and expert in modern and contemporary art from the Middle East and North-Africa she developed and diversified major art collections in the Middle East and France with key acquisitions and more than 2.000 pieces. 

She is born and grew up in Paris and studied at Université Paris Diderot Languages and Literature, then lived ten years in Dubai and gain an exclusive insights from Arabic peninsula contemporary and modern art scenes intertwined with art from India and Pakistan, Iran and Turkey, Arab world and North Africa working for some of the biggest household names. 

Camelia offers expert guidance on curating and diversifying modern art collections with blue chip works fork major art scenes (mainstream and Middle East but also source form china and indian art scenes) connecting with new artists and new histories from emerging markets for new narratives. Her art investment acquisition caters to banks and sovereign funds which she is a regularly contributor (BNP Parisbas France, Mirabaux Swiss, Mubadallah Abu Dhabi etc) and has on her collector list some of the top 200 art collectors in the world . 

Camelia’s mission is to bridge the gap between the museum and commercial worlds through scientific art advisory services for private and public art collections with a plural art history perspective

Her public clients includes : Farjam art foundation, Dubai Airports, Mubadallah group, Jumeirah Creekside hotel (largest corporate art collection of middle eastern contemporary Art in the Middle East) owned by Jumeirah group and and Dubai Duty Free and Mirabeau Bank among many others 

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In this episode of The Art Bystander our host Roland-Philippe Kretzschmar meets none other than the legendary Sharon Stone. Known worldwide for her illustrious career in film, Stone has also carved a unique space for herself in the world of art, a facet we are excited to explore in this conversation.

Sharon Stone's journey in the arts extends beyond her iconic roles in cinema. Her engagement with the art world is multifaceted, encompassing art collection, creation, and advocacy. In our exclusive interview, we delve into how her passion for art has shaped her life and career.

Stone's art collection, known for its eclectic and discerning nature, reflects her deep appreciation for creativity and expression. She has often spoken about the joy and inspiration she derives from being surrounded by art, whether it be contemporary pieces, classic works, or emerging talents. Our conversation explores how she curates her collection and the stories behind some of her favorite pieces.

Moreover, Sharon Stone's own artistic practice is a topic of great intrigue. While details about her personal creations are relatively private, our conversation offers a rare glimpse into this personal side of Stone, discussing her artistic processes, inspirations, and how her experience in film has influenced her artistry.

Join us for this enlightening conversation, where we uncover the artistic soul of one of Hollywood's most enduring stars.

Sharon Stone will also exhibit at Gallery Deschler in Berlin, opening Saturday, 17 February 2024 at 5 pm

TOTEM by Sharon Stone

at the Gallery Deschler

Auguststraße 61, 10117 Berlin, Germany

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In this episode of ‘The Art Bystander’ our host Roland-Philippe Kretzschmar meets with Silvana Lagos in a relaxed conversation to discuss art curating, how to price art, the role of art in democracies and her latest ventures in art across the globe.

Silvana Lagos is a curator and writer based between London, UK, and Stockholm, Sweden. She is the artistic director of Meridian Creative Center – El Anatsui. An independent art professional, with a strong background in curating, project management, and strategic consulting. Demonstrated wide multidisciplinary experience in the field of museums and public art as a project director and curator, with delivered projects in Europe, The United States, Latin America, China, and the Middle East, managing large-scale multi-national projects.

Delivered projects include - macLYON, Mfa Boston, Ludwig Museum, SF MoMa, University of Greenwich, Hauser & Wirth, Zurich, Fondazione Prada, Prada Double Club Miami, Museo Tamayo, Luma Foundation Arles, Qatar Museums, Gagosian NYC, Massimo de Carlo, Milan, Noor Light Festival, Riyadh, “All the World’s Futures” 56th Edition of Venice Biennale, Galleria Continua Beijing, and simultaneous co-running exhibitions at Copenhagen Contemporary and KUNSTEN Museum of Modern Art Aalborg, Denmark. As a curator, Silvana has worked with the development of the Norberg Festival art program and artwork commissions. Notable artists included Christine Sun Kim (US), Romain Tardy (FR), Farvash Razavi (SE), and Anna Sagstrom (DE/SE). She co-curated Silver Sehnsucht as a b-side exhibition during Frieze London. She is on the board of Amalgama, a cultural program and digital platform devoted to exhibiting, promoting and publishing the work of women artists from Latin America. Her recent public program: TRAMA saw conversations between Rosana Antoli, and Marti Manen, Director of Index, Paola Torrez Núñez de Prado, with Dr. Giuliana Borea and Cecilia Vicuña and Camila Marambio, curator and Director of the nomadic research program Ensayos. As well as a set of artists conversations during Frieze NYC (2023) at the Standard Hotel with Tschabalala Self and Sanford Biggers.

Member of AWITA

Advisory Board Art and Theory Publishing

Contributor to Elephant Magazine

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In this episode of the Art Bystander our host Roland-Philippe Kretzschmar meets with Sammi Liu of Tabula Rasa Gallery and Gunia Nowik of her namesake gallery to discuss the current state of the art world in Poland and China - and their participation at the group show CMA in Stockholm.

CMA (Contemporary Myths and Artifacts) is an ambitious project that brings together a group of international galleries and twenty-four artists to exhibit in a unique historical setting at Stockholms Stads Gasverk (Stockholms City Gashouse), built on Torsgatan in 1904. The exhibition focuses on contemporary artist practices that use the tradition of storytelling, myth making, and the artefact as tools to address current issues, ranging from human relationships, digital technologies, and AI to urgent ecological questions.

November 9th - 19th 2023

Regular opening hours: 12 am to 6 pm

Stockholm Gasverket, Torsgatan 22-24

Galleries:

Andréhn-Schiptjenko (FR)(SE)

Coulisse Gallery (SE)

Gunia Nowik Gallery (PL)

Piktogram Gallery (PL)

Tabula Rasa Gallery (CN)(UK)

Tabula Rasa Gallery is a leading contemporary art gallery founded by Sammi Liu in Beijing's 798 art district in 2015. In April 2021, Tabula Rasa Gallery opened its second space in Hoxton, London, providing a wider platform for artistic exchange globally.  The gallery name is Latin for 'blank state'. In philosophical discourse, it refers to the idea that our knowledge comes from experiences and education; we are all born in a Tabula Rasa state. We hope the exhibitions Tabula Rasa presents can subvert viewers’ preconceptions, creating conditions for fresh artistic experiments.

Gunia Nowik Gallery was opened in Warsaw, Poland in July 2021. The artists represented by GNG are its owner’s peers – artists born in the 1970s and 80s, including Agata Bogacka, Jakub Gliński, Katarzyna Korzeniecka, Anna Orłowska, Daniel Rycharski, and Iza Tarasewicz. Teresa Gierzyńska (born 1947), a feminist photographer, and Krzysztof Jung (1951–1998), a key member of Poland’s queer scene in the 1980s and 90s, enrich the program. However different, the artists’ voices all express a concern with the human condition in the modern world. GNG is committed to the Polish art scene but is also open to the international one. In 2023, the German sculptor Hannah Sophie Dunkelberg and the Ukrainian painter Sana Shahmuradova Tanska held solo shows and joined the gallery as represented artists, showing how GNG seeks to function as a bridge between the art scenes in Berlin, Warsaw, and Kyiv. Gunia Nowik is also co-founder of Hotel Warszawa Art Fair. 

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Peder Lund, a seasoned figure in the world of art, started his career in the 1990s as an art dealer, curator, and gallerist. In 2009, he took a bold step after two decades in the art dealership industry by establishing his own gallery. His primary goal was to foster a more engaging dialogue with the Norwegian and Scandinavian public while enhancing Oslo's global prominence in the art scene. This vision revolved around showcasing modern and contemporary art crafted by internationally acclaimed artists. The gallery's exhibition program is meticulously crafted and executed through close collaboration with the artists themselves, their main galleries, and artist estates.

The exhibition lineup at Peder Lund is remarkably diverse, encompassing photography, installations, sculptures, and paintings. Notably, Lund has collaborated with an impressive roster of artists, including Wolfgang Tillmans, Louise Bourgeois, Isa Genzken, Roni Horn, Ed Ruscha, Catherine Opie, Paul McCarthy, Mike Kelley, and Ida Ekblad, among others. With this wide array of artists, Peder Lund aims to provide a comprehensive and multifaceted view of contemporary art to the Scandinavian audience.

This episode is brought to you by Colekt, a Stockholm-based clean beauty, fragrance, skincare and lifestyle brand. Gender free, vegan and inspired by Scandi nature, the cultural heritage and seasonal mood. Colekt has an open eye for freedom, impressions and expressions around the world, in arts, fashion, design and architecture. Colekt your creation, anytime anywhere. Explore the world of Colekt www.colekt.com

More information on www.theartbystander.com

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In this special episode, our host Roland-Philippe Kretzschmar is meeting with Sergio Sancho and Sara Coriat of CAN Ibiza.

This summer Ibiza is once again the epicenter of contemporary art thanks to CAN Art Fair, which repeats its edition for the second consecutive year and brings together the latest in contemporary creation by hosting up to 37 galleries and more than 150 artists coming from Hong Kong, Sydney, London or Los Angeles. Directed by Sergio Sancho, collector and founder of UVNT Art Fair Madrid (Urvanity), it is curated by critic Saša Bogojev and brings together from July 12 to 16 prominent international collectors.

About Sergio Sancho, director and founder: 

Sergio Sancho (Madrid, 1978) left the world of advertising to devote himself to his passion for art, specifically New Contemporary Art that did not have a platform in Spain. Sancho created UVNT Art Fair in Madrid as a response to this lack of representation. After seven editions held annually in February, the fair has established itself as an important meeting point for artistic proposals in the field. In parallel, Sancho has worked as a cultural agitator with artistic projects for companies such as Caleido, Las Rozas Village, Iberia, Swatch, Mahou, NYX Hotels... bringing art closer to the business world and the general public. In 2022, Sancho launched CAN Ibiza (Contemporary Art Now). 

About Sara Coriat, Galleries and Communications Director: 

Sara Coriat (Madrid, 1989), former journalist, is Galleries & Communications Director at Contemporary Art Now Ibiza (CAN) and UVNT Madrid art fairs, and coordinates artistic projects at Urvanity Projects. She has worked as an editor for Elle Spain magazine for four years and collaborated with El Mundo, AD magazine or Tapas. It was the AECID cultural management fellowship that took her to Miami to enter the art and culture scene, working as Exhibitions Coordinator at CCEMiami (Spanish Cultural Center in Miami) for two years, carrying exhibitions with artists such as Eugenio Ampudia, Rocío García, Angela Valella, Susana Guerrero or Elio Rodriguez, before returning to Madrid in 2019 to work at UVNT and CAN.

This episode is brought to you by Colekt, a Stockholm-based clean beauty, fragrance, skincare and lifestyle brand. Gender free, vegan and inspired by Scandi nature, the cultural heritage and seasonal mood. Colekt has an open eye for freedom, impressions and expressions around the world, in arts, fashion, design and architecture. Colekt your creation, anytime anywhere. Explore the world of Colekt www.colekt.com

More information on www.theartbystander.com and www.contemporaryartnow.com

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In this episode of The Art Bystander, our host Roland-Philippe Kretzschmar, talks to Julie Quottrup Silbermann who during 2022 was appointed as the new director of CHART in Copenhagen, one of the most prominent contemporary art fairs in Northern Europe.

CHART has always been known for its groundbreaking exhibitions and cutting-edge presentations, and with this new directorship, Julie Quottrup Silbermann brings with her a wealth of experience and a fresh perspective. She is responsible for laying out the organization’s future course and strategic development as the primary platform for the Nordic art community. Julie Quottrup Silbermann has significant experience from different positions within the international art scene. She has previously worked as gallery director, art advisor, cultural communicator and curator.

Julie Quottrup Silbermann received her Master’s Degree of Arts in Modern Culture and Cultural Communication from the University of Copenhagen. She has worked as Senior Director at Galleri Nils Stærk, Copenhagen, Director at David Risley Gallery, Copenhagen, and Director at Martin Asbæk Gallery, Copenhagen. In recent years Quottrup Silbermann was active as an art advisor for COLLABORATIONS, Copenhagen, where she has advised private clients and institutions.

During the conversation we not only talk about CHART and the role it plays on the Scandinavian art market, but touch upon her background, how she got into art and what she's collecting.

For more information about CHART please visit https://chartartfair.com/

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In this episode of ‘The Art Bystander’ our host Roland-Philippe Kretzschmar meet with Erik Tortensson to discuss his relationship to art, both professionally in the intersection between art and fashion, but also his own ventures as an emerging artist. Be ready for an engaging discussion.

Erik Torstensson is FRAME co-founder and chief creative director. The retail brand he describes as a hybrid of ‘Behaving like a Parisian fashion house but with the modernity of a California start-up”.

Grew up in rural Sweden, moved to London at the age of nineteen to embark on his career. After working at Wallpaper magazine, Erik and Jens Grede [co-founder of FRAME] built Saturday Group; the leading global fashion and beauty marketing group that served some of the world’s most famous brands such as Louis Vuitton, Calvin Klein, Moncler, and H&M.

At the same time, Erik became Editor in Chief of Man About Town magazine, and is credited for the launch of GQ Style. A short time later, he debuted Industrie Magazine, while building a successful career photographing leading fashion campaigns and art directing shoots.

During this exciting chapter, Erik and Jens launched FRAME; a passion project that quickly evolved into a globally successful brand. A decade later, FRAME is defining the culture of every day dressing, spearheaded by Erik’s formidable leadership and creative vision.

Alongside FRAME, Erik continues to work as an esteemed photographer as well as providing strategy and creative direction to other agencies and brands. He is also an investor in Good American and Skims, amongst many other brands. He’s been recognized as part of the BOF 500 [BOF annual list of the most influential people in the world of fashion]. He’s passionate about harnessing his influence and wisdom to invest in the next young group of creatives.

Outside of his professional ventures, Erik enjoys the art of furniture design and has a keen eye for interiors and an ever growing collection of art and photography.

Erik now resides in NYC with his partner Natalie Massenet and son, where he can focus on his business pursuits, interests, and endeavors, regularly traveling between FRAME LA, NY, and London headquarters.

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In this episode our host Roland-Philippe Kretzschmar will be delving into the fascinating world of Kate Bryan, Director of Art at Soho House, and a renowned art historian, curator, and television presenter who is passionate about making art accessible to everyone. Kate shares her extensive knowledge and experiences with a global audience.

Kate often says that she talks about art, even when no one is listening. Fortunately, her passion has found a broad audience through her work on various television programs, including Sky Arts, Sky Arte Italia, BBC2's Culture Show, and her role as a judge on Sky Arts Portrait Artist of the Year and Landscape Artist of the Year. In 2020, she began hosting Inside Arts, a new series on Sky Arts that explores exhibitions across the UK.

Kate holds the prestigious position of Director of Art at Soho House globally, connecting with artists around the world to acquire and champion their work. With a background that resonates with the majority of the country, Kate strives to break down the barriers of elitism in the art world. She believes that everyone, regardless of their upbringing, has an innate ability to appreciate and love art.

She is also an arts mentor, empowering young women in the arts to reach their full potential. As an accomplished author, she has published two books: The Art of Love, which profiles 34 artist couples throughout history, and Bright Stars, which examines the lives of 30 talented artists who tragically died too young.

Join us on this podcast as we explore Kate Bryan's remarkable journey and her unique perspective on the world of art. Get ready to be inspired and enlightened!

www.katebryanart.com and www.sohohouse.com for more info about Kate Bryan and Soho House. www.theartbystander.com all rights reserved.

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In this episode of The Art Bystander, our host Roland-Philippe Kretzschmar, meets with Aleksandar Stojanovski and Peter Gerdman of Public Service Gallery.

Public Service was founded in 2022 by Peter Gerdman, Aleksandar Stojanovski and Axel Söderberg. Sprung from a shared passion for the mechanisms of the art world and collecting patterns, they want to accompany a new generation of Scandinavian collectors in engaging with highly talented artists, from around the world, and at a pivotal moment in their careers. 

Public Service is dedicated to shaping an innovative program with a global outlook and central to the gallery’s programme is to showcase the most exciting young- to mid-career international artists to a Scandinavian audience.

In the episode, we also talk about the current show of Sally Kindberg at the gallery, a Swedish-born artist with a vast international presence both in group and solo shows.

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In this episode of The Art Bystander, our host Roland-Philippe Kretzschmar meets with Ashik and Koshik Zaman.

They are brothers and founders of C-Print. C-print started as a non-commercial initiative with the objective of popularizing contemporary art and highlighting diversity in artistic practices. Initially an online publication with a very active and daily presence on social media, it later over the years has come to inform a nomadic exhibition platform where a number of curated exhibitions are carried out each year. 

We talk about their background and deep engagement in the art industry but also about the latest exhibition they curate, called YOU WERE BIGGER THAN THE SKY, YOU WERE MORE THAN JUST A SHORT TIME, featuring artists Sally J Han, Nam Kim, Sahana Ramakrishnan, Ming Wang, Caroline Wong, Justin Yoon and Rachel Youn.

Belenius, Stockholm, Sweden Exhibition dates: March 16 - April 15, 2023

"As curators, we’ve had a long-standing love and interest for figurative painting that we have been monitoring since coming into art. A resurgence of contemporary figurative painting has been concerning the international art world since the last decade with a previously unprecedented spotlight on the work and everyday narratives of BIPOC and queer painters. This current focus in art, however, isn’t properly reflected and represented in the art scene of Sweden just yet, and this exhibition is an act of impacting that change and having that conversation.

”The title You Were Bigger Than the Sky, You Were More Than Just A Short Time is a title that both is a nod to the moment the figurative painting is having and enjoying and one that personally also references our trajectory and very first exhibition almost a decade ago about fleeting moments and joie de vivre; Yesterday We Wanted to Be the Sky (words that were then inspired by a Cat Power song. The new title is extracted from Taylor Swift's new album).

”Thematically and in the selection of the paintings, the exhibition will emphasize longing, lust, love and reverie and possibly have an air of coming of age in some parts. Some of those angles are sought to be a common denominator between the artworks and at the core we hope to present an exhibition that feels fresh and novel, in particular for the Stockholm audience.”

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In this episode our host Roland-Philippe Kretzschmar talks with artist Brittney Leanne Williams and gallerist Katharine Kostyál.

Brittney Leeanne Williams (b. 1990, Pasadena, CA) transforms Southern California vistas into what she calls “emotional landscapes: representations of psychological states, memories, and emotional ties,” often staging a red, bent figure in tableaux where the natural world and architecture blend and reflect each other. Williams’ female forms become conduits for her exploration of feminine and Black identities.

Today she lives and works in Chicago, IL and her work has recently been exhibited at Alexander Berggruen, New York, NY; The Hole, New York, NY; Zevitas Marcus, Los Angeles, CA; Monique Meloche, Chicago, IL; Mamoth, London, UK; Carl Kostyál, Milan, IT and Stockholm, SE

Katharine Kostyál is a curator, director, and dealer running the renowned art gallery Carl Kostyál founded by her husband. 

Carl Kostyál opened his eponymous gallery at no. 12A Savile Row, London W1 in 2010 after a decade of private dealing and advising. He launched his first Stockholm space, Isbrytaren, at Igeldammsgatan 20, Stockholm in 2013 and in 2016 moved to the former German Embassy at Artellerigatan.

In May 2021 the gallery opened a new exhibition space, Hospitalet, in the 18th century mental asylum formerly known as Danvikens Hospital in Nacka, Stockholm, in collaboration with Gullringsbo Konstsamling.

In addition to the London and Stockholm programme, Kostyál commissions artist projects at his home in Milan. The gallery regularly stages offsite exhibitions in the UK and Sweden. It runs invitational artist residency programmes at Masseria Fontana di Vite, Matera and, in collaboration with artist Canyon Castator, at Mohilef Studios, Los Angeles. Each summer Kostyál hosts an invitational Draw Jam in the south of Italy.

Stora Sundby is one of Sweden’s most beautiful castles and was completed in 1848, now boasting four large towers symbolising the seasons, 12 smaller turrets for the months, 52 rooms for the weeks of the year, and 365 windows - one for each day in the calendar. Today, Stora Sundby is the home of Mauritz and Ida-Sofia Klingspor, and the estate has been in the Klinsgspor family since 1888. The preservation of cultural and historical assets is of great importance in the management of the estate.

In addition to maintaining the castle and its accompanying buildings, they work actively with nature conservation and gamekeeping to promote a richly diversified flora and fauna.

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In this episode our host Roland-Philippe Kretzschmar talks with LA-based Swedish art dealer Carl Larsson about how to do art business. Larsson is not only an acclaimed art advisor running one of the most inspiring art accounts on Instagram The Art Reporter — but he's also a very nice and humble guy. Talking points are:

• Running an art dealership for three generations.
• Helping Tim ”Avicii” Bergling build his art collection.
• The difference between Scandinavian and international collectors.
• How to build a presence on social media.
• A roundup of our favourite art events in 2022, and what we're looking forward to in 2023.

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In this episode, our host Roland-Philippe Kretzschmar talks about the hyped Coulisse Gallery with owners Filip Zieciak and Jeanette Gunnarsson. We’re also guested by Hank Grüner, who debuts his shamanistic art at the gallery on November 4. 

If the last episode was about running a gallery for 30-plus years, this conversation is about setting up a new space and how to build relevance. In this episode of KONST, the host Roland-Philippe Kretzschmar meets with Filip Zieciak, founder of the much-hyped Coulisse Gallery. They are joined by Jeanette Gunnarsson, a freelance curator running the gallery with Filip, and Hank Grüner, an artist who will soon have his first solo show in Stockholm.

Coulisse Gallery focuses on presenting young, cutting-edge artists and designers, from Scandinavia and beyond. With a collaborative approach at its core, the gallery aims to bring a vibrant new energy to the Stockholm art scene, connecting artists and creatives from different disciplines who have common visual and conceptual threads in their practices. Coulisse Gallery is run by founder Filip Zieciak together with freelance curator Jeanette Gunnarsson. Filip is a Konstfack graduate, having previously worked as a furniture and set designer and architect in the Netherlands and Sweden. Jeanette previously worked as a freelance curator with various galleries in London and New York before moving to Stockholm at the end of 2021. 

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In today's episode, our host Roland-Philippe Kretzschmar is joined by Marina Schiptjenko, art gallery legend, pop star and actor. 

Marina Schiptjenko was born in 1965 in Malmö, Sweden. In 1986 she moved to Stockholm to study comparative literature and theatre at Stockholm University. Parallel to her studies she worked for Swedish Radio, hosting her own program series on electronic music and related topics.

In 1988 she started working as a director at a gallery focusing on constructivist art. After completing her studies, she was recruited by Ciléne Andréhn to Arton A, a contemporary art gallery in Stockholm. After a brief period of working together, they decided to open their own gallery; Andréhn-Schiptjenko Gallery was founded in 1991. Since its inception, Andréhn-Schiptjenko has consistently been committed to working in an international arena and to the long-term representation of emerging and established contemporary artists from all over the world working with painting, sculpture, photography, film and digital media as well as installation-based and site-specific work. The gallery is located in Stockholm and Paris.

With a profound interest in the exhibition as form, the gallery has presented shows that have become seminal, successfully launching the careers of Scandinavian artists such as Cajsa von Zeipel, Gunnel Wåhlstrand, Annika von Hausswolff and Matts Leiderstam, and giving artists such as Uta Barth, Cecilia Bengolea, José León Cerrillo, Martín Soto Climent, Ridley Howard, Tony Matelli, and Xavier Veilhan their first European or Scandinavian one-person exhibition. In recent years the gallery has also exhibited work by deceased artists such as Francesca Woodman and Siri Derkert, successfully renewing critical and public interest in their work.

Over the years, Marina Schiptjenko has lectured on contemporary art and music in the digital age, invited by a slew of Swedish companies and universities. For six years, she was chairperson for the Swedish Gallery Association and has been on the board of the Friends of the Moderna Museet in Stockholm. She has been a lecturer at the Umeå Academy of Fine Arts and served as an examiner at the School of Photography at Gothenburg University and the University College of Arts, Crafts and Design in Stockholm. She has often served as a jury member in contexts such as music, literature, design and art. She also worked as a master of ceremonies at several award ceremonies in the field of music, architecture and design.

Fun facts:

Marina has played the keyboard in different pop groups since 1980, the most famous one was Bodies Without Organs with Alexander Bard.

She acted in the Palm d’Or winner The Square alongside Claes Bang in 2017. They have continued the collaboration and are now making music together

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Saskia Neuman Gallery represents Nordic as well as internationally based artists. The exhibition program reflects a strong focus on early and mid-career artists, often previously not exhibited in Sweden’s commercial gallery sphere. In addition, the gallery aims to host a variety of happenings, including talks, performances and other events.

Prior to opening the gallery Saskia Neuman held the position of CEO of Market Art Fair. Saskia was previously the Director of the Absolut Art Award (The Absolut Company) for seven years. During her career she has worked at neugerriemschneider gallery, KW Institute of Contemporary Art, Berlin, and the Venice Biennale, 2009. She is a monthly contributing writer to Vogue Scandinavia and contributed to publications including The New Era, Scandinavian Mind, Artlover and The Forumist, along with having written for Monocle, LOFT Magazine, 032c, Honoré Magazine and Berlin Art Journal in the past.

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