Paul McCartney's first solo project, other than judging beauty contests, was the score for The Family Way, a 1966 comedy-drama in which a northern English community have an invasive interest in the non-consummation of Hywel Bennett and Hayley Mills' marriage. Is Paul really the chief composer of the score for which he won the Ivor Novello award, or did George Martin do more than "supervise and arrange" it?
There's a lot going on in The Family Way in terms of changing attitudes in the sixties, and of course the Beatles were at the forefront of this. Intellectualism, sexual freedom and men being allowed to be sensitive and artistic. We look at how the film handles these things. Plus! A bonus (if you like that sort of thing) Kula Shaker connection!
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on:
Hosted on Acast. See acast.com/privacy for more information.