Where Olive Trees Weep: Processing the Trauma of Occupation | The Chris Hedges Report

The world has failed Palestine. The United States and European Union pay lip service to principles of human rights and democracy while providing limitless support to Israel’s genocidal project of ethnic cleansing and apartheid. Western media outlets censor reporting of Israeli atrocities, and international humanitarian organizations require that Palestinians prove their victimhood over and over again. Arab states, on the whole, remain silent and complicit. 

In the context of so much injustice, the new documentary Where the Olive Trees Weep offers a rare view into the everyday experience and psychological ramifications of occupation. Filmed in 2022 in the West Bank, the film follows Palestinian journalist and therapist Ashira Darwish, Israeli journalist Amira Haas, activist Ahed Tamimi, Dr. Gabor Maté, and others. On this episode of The Chris Hedges Report, Chris Hedges speaks with Ashira Darwish and with the film’s directors and producers, Zaya Ralitza Benazzo and Maurizio Benazzo. 

Zaya & Maurizio’s intention for the project was to explore the cycles of trauma inflicted by the Zionist occupation. Since long before the present genocide, Israeli forces have been using violence with impunity to punish popular and nonviolent resistance, and to inflict terror on Palestinian men, women, and children going about everyday activities such as attending school. Consequently, the Palestinian experience is marked ubiquitously by violence and loss, and by the constant fear of further violence. 

Darwish, who herself has been detained and seriously injured by Israeli soldiers while participating in nonviolent protest, observes how the violence of everyday life shapes attitudes towards death. For children in Gaza and the West Bank, “being in the hands of the divine” becomes a safer, easier option than life under occupation. Amidst endless loss, “death is a celebration also because you’re going home to your beloveds.” 

As Palestinians embrace death, so do they embrace life. While filming in the West Bank, Maurizio and Zaya were moved by Palestinians’ joyful celebrations of life, deep sense of community, and fearless commitment to fighting for their freedom. Faith, community, and resistance are deeply intertwined, and integral to the process of healing collective trauma. As Darwish affirms, “the liberation of Palestine is our healing.”