Daniel Abraham—Attorney at Law—talks to Giuseppe Castellano about his career protecting the rights of artists.
He shares how he and his small team reversed a 1986 tax law that destroyed an artists’s ability to deduct expenses; how gatekeepers attempt to separate artists from their art; why illustrators need to know the difference between “specs and terms”; how illustrators can protect—and make money from—their “authorship”; and so much more.
To learn more about Daniel, copyright law, and the services he provides for artists, visit legaleasel.com. To email Daniel, click here.
Artists mentioned in this episode include: Bill Mauldin, Herb Block, Keith Haring, and Kenny Sharf
Daniel shared a lot of information about protecting your art. He was kind enough to provide his advice in writing—including links. From Daniel:
The link for the Copyright Office website in general is: copyright.gov
The link for registering copyrights is: copyright.gov/registration
The direct link for logging into the ECO—the online registration system—is: eco.copyright.gov. To register works on the ECO site, one must first provide a username and password. I recommend that people also take a look at the Copyright Office circulars for guidance in the registration process. The link to the Copyright Office circulars is: copyright.gov/circs.
To repeat what I probably touched on, but did not go into detail on, in our conversation, it is possible to register up to 10 unpublished works as a “collection” (NOT a “collective work!”—To get INDIVIDUAL coverage of unpublished material, the works MUST be a “collection”!), but works, once published, must GENERALLY be registered individually, which can get expensive. It is better to register works when they are still UNpublished. One CANNOT mix published and unpublished work in a registration.
There are TWO major exceptions regarding group registration of PUBLISHED work:
All this may sound confusing, but it really is not. Briefly:
A copyright CANNOT be enforced if it is not registered.
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