DAVID BYRNE’S AMERICAN UTOPIA is a fairly traditional concert film — at least as traditional as a collaboration between David Byrne and Spike Lee can be — which differentiates it from Byrne’s vignette-based 1986 ramble TRUE STORIES, but both projects are indelibly marked by the musician’s mindset, clearly the products of someone who works intuitively and metaphorically. This week we attempt to parse how the “David Byrne” character has evolved over the decades separating the two films, and how TRUE STORIES and AMERICAN UTOPIA echo each other’s interests in American stories, collective celebration through music, and how technology can foster human connection. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your radar.
Please share your comments, thoughts, and questions about TRUE STORIES, AMERICAN UTOPIA, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
Your Next Picture Show:
Genevieve: Marielle Heller’s WHAT THE CONSTITUTION MEANS TO ME
Keith: Costa Gavras’ Z
Tasha: Michael O’Shea’s THE TRANSFIGURATION
Scott: John Huston’s FAT CITY
Outro Music: “Burning Down the House” from DAVID BYRNE’S AMERICAN UTOPIA
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