Robert Yeoman has worked with Wes Anderson since his very first film Bottle Rocket and shares the ins and outs of what it takes to get those very specific Wes Anderson shots...
In this episode, we talk about…
- Robert’s entry into the world of being a cinematographer
- Robert’s experience shooting low budget commercials and 25 day, $2 million movies
- How Wes and Robert ignored the studio about what lens to use in filming Bottle Rocket
- What it’s like to work on a Wes Anderson film: small crews, storyboarding, specificity, stress, and schedules
- Shooting French Dispatch and Wes’ extensive movie prep, film library, and testing film stocks
- The value of shooting on film, especially in black and white
Links to Resources:
The French Dispatch: https://www.searchlightpictures.com/thefrenchdispatch/
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