Have you ever thought about drawing inspiration for your characters, from your own family? How do you accomplish that in a way that protects them while also being true to the story?
In this episode, No Film School’s GG Hawkins and director of Wildflower, Matt Smukler, discuss:
- Taking a documentary piece and turning it into a narrative feature
- Being as authentic as possible while not losing his family in the process
- Knowing immediately who would be casted as the main character
- Leaning on the screenwriter and main actress to help him tell a young girl’s story
- Not wanting the audience to recognize his director’s hand
- Using a feature editor versus a commercial editor
- The things he wish he knew before making a feature film
- How a game of tennis helped him find a producer
- Having his teenage daughter write songs for the film
Memorable Quotes
- “I got really really lucky. I had all my first choices in this movie.” [15:05]
- “I do feel like, as a family unit, they are all individually these wildflowers who can exist with very little in terms of human intervention in some ways.” [16:13]
- “I did want this to feel like it was just happening in sort of real time, in front of us.” [20:02]
- “I’d rather be in business with someone who's got the hustle than a bunch of credits.” [33:33]
- “Figure out a story that’s got a beginning, middle, and end that you love and just go do it.” [44:20]
Mentioned Resources:
Wildflower is Now Available for Streaming
Find No Film School everywhere:
On the Web
https://nofilmschool.com/
Facebook
https://www.facebook.com/nofilmschool
Twitter
https://twitter.com/nofilmschool
YouTube
https://www.youtube.com/user/nofilmschool
Instagram
https://www.instagram.com/nofilmschool
Get your questions answered on the podcast by emailing [email protected]!
Learn more about your ad choices. Visit megaphone.fm/adchoices