The INDIANA JONES AND THE DIAL OF DESTINY editing team of McCusker, Buckland and Westervelt have been amping up the action in the cutting room for a while now. First joining up for James Mangold's LOGAN (2017); the team would collaborate once more on Mangold's FORD V FERRARI (2019) before finding themselves at the editorial helm of the fifth, and most likely final, installment of the Indiana Jones franchise.
INDANA JONES AND THE DIAL OF DESTINY sees daredevil archaeologist Indiana Jones race against time to retrieve a legendary dial that can change the course of history. Accompanied by his goddaughter, he soon finds himself squaring off against Jürgen Voller, a former Nazi who works for NASA.
MIKE McCUSKER, ACEAside from his Oscar®-winning turn in Mangold's FORD v FERRARI (2019), Mike McCusker is known for a wide variety of films including; WALK THE LINE (2005), AUSTRALIA (2008), THE AMAZING SPIDER-MAN (2012) and THE GREATEST SHOWMAN (2017)
ANDREW BUCKLAND, ACEAlso an Oscar®-winner for FORD v FERRARI (2019), Andrew "Don't call me Andy" Buckland is a frequent editorial collaborator with Mike McCusker on films like; 3:10 TO YUMA (2007), THE WOLVERINE (2013) and THE GIRL ON THE TRAIN (2016).
DIRK WESTERVELT, ACEWhen he's not cutting for James Mangold on projects such as; LOGAN (2017) and FORD v FERRARI (2019), Dirk's editing chops can be seen in DEADPOOL 2 (2018) and ZOMBIELAND: DOUBLE TAP (2019).
Editing INDIANA JONES AND THE DIAL OF DESTINYIn our discussion with Mike, Andrew and Dirk, we talk about:
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Learn about Avid's new Media Composer for Students program
See Dirk present the Avid timelines from DIAL OF DESTINY
Listen to Mike and Andrew talk about their work on FORD v FERRARI
Hear Dirk discuss cutting ZOMBIELAND: DOUBLE TAP
Watch Dirk present a behind the scenes tour of DEADPOOL 2
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