Two years after Chávez Ravine, My Name Is Buddy was a return to folk and dustbowl blues. In other words, to the kind of music Cooder had begun his career with. It is a song cycle set in the 1930s, but with clear references to the present – another California opus that would become the middle part of a full-fledged trilogy. Needless to say, it was another masterpiece.
This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.
Written, produced and edited by Frank Schnelle
Theme and background music by Chris Haugen
Voices produced with text-to-speech AI
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