The Sopranos Show

Though this episode has its faults, (one too many philosophical discussions, an implausible Bobby Baccala subplot), Gavin and Hannibal agree that Tony Sirico is in top form, impressively revealing a vulnerable new side of Paulie Walnuts. Your hosts also point out how ‘The Fleshy Part of the Thigh’ links to an episode from the first season (with some improvements), and comment on how this story painfully teaches several of its central characters that life just isn’t fair.

The intentionally misspelled title is a hint that this laugh filled episode is a wild ride. Gavin and Hannibal point out what makes the explosive ‘Scarface’ style opening such an entertaining change of pace, and describe how this relatively Tony-light story depicts what the show might have been like without James Gandolfini. Plus Maureen Van Zandt (Gabriella Dante) returns! ‘Mayham’ shows us the Dantes as we’ve never seen them before, and Mrs. Van Zandt shares her perspective on shooting scenes with her husband, celebrating the 20th anniversary of the premiere, and the upcoming Sopranos movie.

Gavin and Hannibal join Tony in “Finnertyland,” discussing an episode that propels The Sopranos to dramatic new heights of symbolism and poignancy. Your hosts focus on the not-exactly-a-dream sequence that gives James Gandolfini the opportunity to portray a Clark Kent version of Tony journeying through a purgatory-like plane of reality. Also of note, is a definitive performance by Edie Falco, which features the delivery of an unforgettable monologue, sensitively crafted by David Chase.

The premiere of Season Six throws a LOT at the audience and climaxes with one of the most shocking moments in series history. It can’t be a surprise then, that it takes Gavin and Hannibal nearly 90 minutes to unpack it all. Your hosts hone in on the themes of health, aging and misplaced trust that dominate this episode, and describe how it places Tony and Carmela in a position to embark on journeys more complex and dangerous than ever before.

Gavin and Hannibal agree that ‘All Due Respect’ is a fitting and fulfilling conclusion to Season 5. This finale manages to do an incredible job of bringing Season 5 full circle, and in typically understated fashion, sets up the climactic seasons to come. Your hosts describe how this episode presents a fresh examination of Tony’s role as a leader, as well as a couple surprising twists, and the establishment of a potential new Mafia supervillain.

Gavin and Hannibal work their way through an episode that no true ‘Sopranos’ fan will ever forget. This is the one where they get back together. This is the one where a new King of New York is crowned. This is the one where she dies. This is ‘Long Term Parking,’ and it’s the ultimate penultimate season chapter. Your hosts break down the rapid fire plot developments that lead to Chris and Ade’s moment of truth, and how that moment is a conclusive statement on our main characters’ twisted pursuit of the American dream.

Dream analysis is always tricky, especially in “The Test Dream” - one of the more experimental episodes of “The Sopranos” ever produced. Gavin and Hannibal do their best to identify and explain the many symbols, cameos and references that make this story such a trippy and meta journey into Tony’s subconscious.

‘Cold Cuts’ is an unnerving exploration of how little things change over time. Gavin and Hannibal cover an episode that presents Tony at his most unlikable, and note the unexpected sympathy felt towards the traditionally unlikable Chris and Janice. Also explored: the occasionally unorthodox directorial choices of Mike Figgis, and the perils of recording a podcast after the consumption of several margaritas... Happy Holidays from ‘The Sopranos Show!’

When writers Matthew Weiner and Terence Winter join forces, the outcome is about as monumental as you’d expect. Gavin and Hannibal unpack the revelatory ‘Unidentified Black Males.’ This episode is filled with shocking developments, social commentary, the most powerful Tony-Melfi scene yet, and yes, a lot of Meadow and Finn... but it all works! The result is one of the true highlights not just of Season 5, but the whole series.

‘Marco Polo’ is the last of five scripts Michael Imperioli wrote for ‘The Sopranos,’ and he definitely ends his run on a high note. Gavin and Hannibal examine the factors that push Tony B past the point of no return, and Carmela and Tony S into the pool. Plus your hosts point out how this great story gives Gandolfini, Falco and Buscemi ample opportunity to display subtle new dimensions of their characters.

The past looms large ‘In Camelot.’ Gavin and Hannibal focus on Tony’s inability to forgive Livia, and Chris’ Tony-like Scorpion-Frog dynamic with a civilian. Featuring the creepiest rendition of ‘Happy Birthday Mr. President’ ever performed, and the most deaths of any Sopranos episode ever (*really), ‘In Camelot’ is another Steve Buscemi directed tour de force.

It’s another special episode of ‘The Sopranos Show!’ Gavin and Hannibal have a fascinating chat about all things Sopranos with Allen Coulter, director of such legendary episodes as ‘College,’ ‘The Night in White Satin Armor,’ and many more! Plus your hosts delve into ‘Sentimental Education’ which takes Carmela and Tony B on tragic yet thematically linked journeys. Gavin and Hannibal address the episode’s fable like qualities, and how it manages to quietly shift Season 5 into a whole new gear.

It’s easy to see why this one got both Michael Imperioli and Drea de Matteo Emmys. Writers Robin Green and Mitchell Burgess also shine with their first contribution to Season 5, the extremely intense, ‘Irregular Around the Margins.’ Gavin and Hannibal explain what makes this episode ‘irregular’ (from a storytelling point of view) and shocking (though in a very plausible way). Plus Gavin shares his spot on Steve Buscemi impersonation, and your hosts announce their next ‘The Sopranos Show’ guest!

‘All Happy Families...’ continues Season 5’s streak of near perfection. Gavin and Hannibal talk popularity contests, AJ at his worst, and share a ‘conspiracy theory’ about actor Robert Loggia. Also discussed is what The Sopranos has in common with other huge series like ‘Game of Thrones’ and ‘Lost,’ and this episode’s important parallels with Season 2.

Uncle Junior takes center stage in this, funny, tragic, and unexpectedly moving episode. Gavin and Hannibal spot the key callback to the series pilot and examine its outsized impact on Tony. Also discussed? Paulie’s hilarious application of ‘The Art of War,’ the trouble with having Janice as a stepmom, and the shortcomings of ‘New Barb.’

There are many ways to interpret the title of this episode, which focuses on the many rats employed by the Feds, to bring Tony down. Gavin and Hannibal discuss the series acting debut of Sopranos directing vet Steve Buscemi, and the highly emotional way his character, Tony B, seems to affect Tony. Plus your hosts contrast Adriana’s deep soul searching with Ray Curto’s hilarious nonchalance, and settle on the definitive pronunciation of ‘Soprano.’

‘Two Tonys’ arrived in 2004 after an extremely lengthy hiatus following the Season 4 finale. The creators of the show ensured the wait was worth it with an episode that wastes no time setting very high stakes. Gavin and Hannibal explore Tony’s difficulties with facing rejection, the evolution of Christopher Moltisanti, and the symbolic significance of the bear in the back yard.

Today, Gavin and Hannibal host a truly special episode of The Sopranos Show, in which they interview former Sopranos staff writer and executive producer, Frank Renzulli! Frank is responsible for penning some of the greatest episodes from the first three seasons including ‘Nobody Knows Anything,’ ‘The Happy Wanderer,’ and ‘Amour Fou.’ In a conversation that covers all aspects of the making of the series, Frank details what it was like to grow up surrounded by real wiseguys, and how this informed characters and scenes in the show. Plus he recalls the hilarious experience of meeting David Chase for the first time, and highlights the invaluable contributions of the show’s actors. A huge thanks to Frank for joining us today, and Gavin and Hannibal will be back next week to cover the premiere of Season 5!

‘Whitecaps’ is the longest episode of The Sopranos. Is it the greatest episode of the series up to this point? Probably. Gavin and Hannibal focus on James Gandolfini and Edie Falco, whose Emmy winning performances in this Season 4 finale, raise the bar for what can be achieved in the medium of television. ‘Whitecaps’ also displays once again, the writers’ sophisticated understanding of psychology and mastery of storytelling. Plot points quietly set up throughout the season are decisively paid off in this episode, resulting in an epic climax that delivers on all levels.

Gavin and Hannibal interpret this episode as a story of heartbreak... and its consequences. Carmela without warning loses the love of someone very close, and Paulie unexpectedly finds that a friendship he depended on isn’t quite what he thought it was. Your hosts call attention to the many funny, suspenseful and even tragic moments that define another typically strong script from Terence Winter. ‘Eloise’ is special for delivering the traditional penultimate episode of the season fireworks... but in a much quieter and menacing way than usual.

‘Calling All Cars’ is bookended with ominous dream sequences that suggest Tony is in greater danger than he knows. Gavin and Hannibal examine the symbols in this tension heavy, occasionally hilarious, and somewhat spooky episode. Plus your hosts explain why this is the worst time for Tony to quit therapy, and question whether the ends justify the means, when it comes to Janice’s aggressive pursuit of Bobby.

It’s not easy to be “the strong, silent type” if you’re Tony, Christopher or Furio. Gavin and Hannibal address Tony’s emotionally complex dynamic with cute animals, Chris at rock bottom, and Furio’s increasingly risky forbidden love. Plus your hosts get caught up in the logistics of one legged sex, identify their favorite props from the series, and arrive at the first Sopranos storyline that Hannibal just doesn’t understand.

‘Whoever Did This’ is one of the best episodes The Sopranos ever did. Of course, Gavin and Hannibal spend much of their time praising Joe Pantoliano’s Emmy winning performance, which convincingly reveals a side of Ralph Cifaretto never before displayed. Plus, Burgess and Green’s flawless script delivers surprises large and small, culminating in some of the most unanticipated and graphic violence the series has ever depicted. Ultimately, a fitting and unforgettable exit for one of the series’ most memorable characters, in a story that still has the power to shock, years after its initial airing.

‘Mergers and Acquisitions’ is a great example of how The Sopranos often finds hilarity in unexpected places. The various funny dilemmas in this episode keep Gavin and Hannibal laughing - from Paulie’s response to senior citizen bullying, to Tony’s investigation of Ralphie’s sex life in the hopes of finding a way to rationalize cuckolding his capo. Plus, your hosts parse the nuances of an amusing and masterful final scene that says everything that can be said about the state of Tony and Carmela’s marriage, and the price of infidelity.

Gavin and Hannibal tackle ‘Watching Too Much Television,’ discussing the desperation that leads Adriana to fast track her marriage for all the wrong reasons, and the unexpected emotional fallout that results when Tony and his business partners join forces on what should be a straightforward real estate scam. This episode emphasizes the costs of doing business with Tony, and forever leaves your hosts unable to think of The Chi Lites’ ‘Oh Girl,’ without also thinking of Tony’s belt...

Michael Imperioli once again pulls double duty, delivering what Gavin and Hannibal agree, is his best Sopranos script yet. In this episode, Tony, Artie, AJ and Carmela have plenty to be “hurt” about, and your hosts delve into the various sources of their pain. This story has a lot to say about income inequality (in unexpected places), guilt motivated altruism, and the toxicity of the mob world. Plus, it features a very young Paul Dano in a small but memorable role!

Today, we literally interrupt your regularly scheduled The Sopranos Show to bring you Gavin and Hannibal’s quick chat with Maureen Van Zandt, who portrayed Silvio Dante’s wife Gabriella! A huge thank you to Mrs. Van Zandt for a fun, and fascinating glimpse into the making of The Sopranos, and her role in it. Of course, your hosts also delve into this week’s episode ‘Pie-O-My’ discussing the truly great work done by James Gandolfini and Joe Pantoliano, who memorably find the tension in their characters’ friendship rise over a horse, and Drea De Matteo, who gives us an emotional look at what it’s like to be torn between two sides.

Gavin and Hannibal view ‘The Weight’ as a highly entertaining return to the urgent and emotional high stakes storytelling that makes The Sopranos what it is. Terence Winter’s script convincingly depicts how the fallout from a single mean joke can escalate to a near bloodbath, while giving Vincent Curatola the opportunity to take full ownership of the character Johnny Sack, with a performance that is both chilling and sympathetic.

‘Christopher,’ is the widely agreed upon fan ‘least favorite,’ of the series. Gavin and Hannibal attempt to get to the root of just what exactly went wrong here. Low dramatic stakes, a misleading title, and a few too many cheesy jokes make ‘Christopher’ infamous, though it’s not a complete loss! This third installment of the season is redeemed at times with laugh out loud moments and politically relevant cultural observations.

Gavin and Hannibal examine the many well written and acted confrontations of “No Show,” an episode which culminates in one of the more powerful scenes ever performed between James Gandolfini, Edie Falco, and Jamie-Lynn Sigler. Your hosts also discuss the implications of the choices made by Silvio, Christopher, Adriana and Paulie in this episode, and how they may or may not prove to have major consequences for all involved, as Season 4 continues to unfold.

“Everything comes to an end,” Carmela declares in the fourth season premiere of The Sopranos. Gavin and Hannibal discuss the weighty implications of that statement, as well as the episode’s gripping focus on security and vengeance, in a post 9/11 America. Your hosts also delve into the chillingly ambiguous event that cements Tony and Christopher’s bond, and the far less chilling but hotly debatable riddle of the Icelandic Air Flight Attendants...

Gavin and Hannibal arrive at the official midpoint of the series! The third season of The Sopranos concludes with some thoughtful commentary on parenthood, an intentionally anti climactic death, and some notably great acting by Robert Iler. Plus, Gavin explains what makes this otherwise solid episode feel scattered in its final scenes, and Hannibal attempts to finally get to the bottom of just what exactly is going on with Paulie‘s hair.

In a trademark Sopranos move, the penultimate episode of the season comes fully loaded with thrilling moments of climax and catharsis. Gavin and Hannibal’s latest discussion centers on the incredibly well executed script by Frank Renzulli (his last for the series), which contains scenes that specifically give actors James Gandolfini, Edie Falco, Joe Pantoliano and Annabella Sciorra, ample opportunity to put the full breadth of their talents on display.

Gavin and Hannibal almost get lost in the woods raving about ‘Pine Barrens,’ arguably the most popular episode of The Sopranos, and one that is a source of endless fascination to its fans. Flawlessly directed by Steve Buscemi, and featuring one of Tony Sirico’s all time great performances as Paulie, this is a landmark chapter of the series filled with tension, hilarity, mystery, and a Russian that just won’t die... or did he?

In our first Yuletide set Sopranos episode, we get several revealing flashbacks in which Tony is haunted by ghosts of Christmas past. As Gavin and Hannibal observe, “To Save Us All From Satan’s Power” displays tremendous depth in its approach to referencing past events, and setting up future ones. It also gives insight into how mobsters emotionally process the experience of being betrayed by one of their own.

With uncharacteristic use of broad comedy, awkward staging, and scenes that feel just a little too long, “The Telltale Moozadell” is not one of Season 3’s finest hours. Despite its shortcomings, Gavin and Hannibal agree that this episode still has interesting moments - particularly in relation to the evolving dynamic between Tony and Jackie Jr.

At times, this one feels like an old Western, which it turns out, is the perfect way to frame the escalating conflict between Tony and Ralphie. Gavin and Hannibal examine the way “He is Risen” depicts the dangers of petty social insults in the mob world, as well as the episode’s approach to subtly introducing a major new character, not long before hilariously killing off an established one.

Gavin and Hannibal agree that ‘Second Opinion’ is a welcome respite from the brutality depicted in the several episodes leading up to it. Driven largely by the always brilliant Edie Falco and Dominic Chianese, this midpoint of Season 3 is thematically filled with threats, warnings, and a fairly decent share of comedy, courtesy of ‘kinky’ (HBO’s word, not ours), Paulie.

‘University,' as Gavin and Hannibal point out, is brilliantly structured in the way it weaves together the contrasting experiences of the two young women central to its plot. Your hosts also bid good riddance to Noah (yeah he didn’t deserve Tony’s racism, but c’mon he’s really annoying), and commend the series’ overall willingness to go to the dark but honest places other shows won’t.

From its surprising opening to its enigmatic conclusion, ‘Another Toothpick’ is yet another well written, highly tragicomic, chapter of Season 3. Gavin and Hannibal praise the work of the solid character actors that put in guest appearances, discuss the continued exploration of Tony’s racism, and cringe at the hilariously pitiful antics of that ultimate lovable loser, Artie Bucco.

This is a tough one to discuss, as it’s largely defined by a graphic depiction of sexual assault that’s difficult to shake. Gavin and Hannibal explain what make the pivotal scenes of this Emmy winning episode so challenging and impactful, and also pinpoint the surprising instances of levity which often accompany or follow some of its darkest moments.

Don’t let all the pagers fool you, this episode is timeless, and represents a subtle evolution in craft for The Sopranos. As Gavin and Hannibal discover, it’s about several “fortunate sons” and profound in the way it insightfully weaves its themes of responsibility, identity and inheritance, through every last scene.

Gavin and Hannibal reflect on the poignant yet unsentimental way that The Sopranos chooses to address the passing of Nancy Marchand. This episode is beautifully crafted from a number of angles, with further allusions to Shakespeare, hilarious observations about the hypocrisy of mourners, and the introduction of Ralph Cifaretto, portrayed by the iconic Joe Pantoliano.

Gavin and Hannibal deconstruct The Sopranos’ most unique season opener yet. Your hosts note how this episode balances genuine tension and unexpected hilarity as it views Tony’s two families almost purely from the Feds’ perspective. It’s another great premiere that truly showcases the series’ deep commitment to innovative storytelling.

The fun never stops with Gavin and Hannibal’s take on this classic finale. Your hosts pull apart Tony’s eerie fever dreams rich with symbolism, and discuss the dramatic payoffs of several season long threads. One payoff in particular happens to occur at sea, in what is probably one of the most complex, suspenseful, and emotional “goodbye” scenes ever filmed for a TV show.

This legendary episode is a storytelling masterclass that should probably be in everyone’s top five. Gavin and Hannibal praise the excellent use of music in the opening and closing scenes, the show’s Shakespearean overtones, and the unpredictable twist in the closing act which offers this simple tip: “don’t hit Janice.”

Hannibal’s favorite Sopranos writer is back to deliver one of Gavin’s favorite Season 2 episodes. ‘House Arrest’ is very strong in the character arc department, taking Tony, Junior and Melfi on significant and at times subtle, emotional journeys. This one also gives us the “official” term for Richie’s unblinking stare, more priceless reactions from Bobby Baccala, and Gavin’s amusement at Hannibal’s “appreciation” of older women.

This episode stands out in strange ways. Maybe, as Gavin and Hannibal observe, it’s the fact that we see Tony in a state of fear and desperation for the first time, or it could simply be that this is our first Green-Burgess penned episode without a proper family dinner scene! Whatever the case may be, ‘Bust Out’ works well and quietly sets up the final act of Season 2.

Gavin and Hannibal journey down to the underworld with Chris, analyzing all the humor, terror and existential crises that cast regular (and first time Sopranos writer) Michael Imperioli, mines in this rollercoaster ride of an episode. Plus your hosts share their excitement over last weeks’s huge and unexpected Sopranos announcement!

The major developments in this hour of TV are so numerous, they’re almost hard to keep track of. Gavin and Hannibal share their takes on the least romantic marriage proposal of all time, Carmela in gangster mode, Sean’s disgusting burglary ritual, the unexpected turn of events that cap the episode, and last but definitely not least, “the jackettttttt.”

D-Girl is definitely one of the more intentionally silly Sopranos episodes. That doesn’t make it bad though! Gavin and Hannibal discuss this cameo rich sendup of Hollywood culture and the philosophical crossroads that greet AJ, Big Pussy, and Christopher.

Escalating tensions between Tony and Richie and high stakes poker define this memorable chapter of Season 2. Your favorite Happy Wanderers, Gavin and Hannibal, discuss the series debut  of actor Robert Patrick, Steven Van Zandt’s greatest performance yet, and Meadow’s further loss of innocence, in an episode that exemplifies why it’s a really bad idea to go into debt to The Soprano crew.

It’s debatable which character the title refers to and Chris’ acting subplot unfortunately prompts Gavin to relive unhappy memories of drama classes past. Still, this episode is another great one, filled with classic moments of rage, violence and tears. It also marks The Sopranos scripting debut of Hannibal’s favorite series staff writer, Terence Winter!

Gavin and Hannibal travel to Italy with Tony, discussing “Commendatori’s” core themes of disappointment, culture shock and female empowerment. Things get lively as your hosts debate potential phallic symbolism (in shrimp) and Tony’s satisfaction (or lack thereof) with the trip’s outcome.

It’s funny how a new character can alter the overall character of an entire series. The introduction of Richie Aprile presents Gavin and Hannibal with much to discuss as they analyze what makes him so extraordinarily terrifying. They also address Meadow’s powers of manipulation and of course, whether or not “toodle-oo” is an acceptable form of “goodbye.”

This might be a relatively quiet episode, but it’s bookended by two pretty significant twists. Gavin and Hannibal discuss the ramifications of those twists, while also taking time to applaud the introduction of the great Steve Schirripa, the handling of Tony and Junior’s reconciliation, and the clever scenes that showcase Livia’s return to the top of her game.

Gavin and Hannibal weigh in on the memorable new characters and dilemmas introduced in the Season 2 premiere! Though decidedly less intense than the finale which preceded it, this key episode plants the seeds for explosive confrontations to come.

Gavin and Hannibal may have gone a little overboard with this one, as they bring you nearly 90 minutes of podcast glory talking about the spectacularly climactic Season 1 finale. So many questions! Is Livia genuinely going senile, or is this simply her most devious chess move yet? Is Jimmy really a rat? Does Tony actually care about Artie deep down, or is he just a sociopath? Your hosts will “remember the little moments like this, that were good,” and more, on this week’s The Sopranos Show!

‘Isabella’ has multiple levels of funny, emotional, and action packed brilliance. Like the breathtaking ‘girl next door’ it’s named after, this episode’s writing and performances are basically too good to be true. Gavin and Hannibal note how the series takes its cinematic storytelling to another level, with memorable choices in editing, sound effects and camera movement.

It’s the beginning of the end for Season 1! Gavin and Hannibal admire this well plotted episode which features a stand out performance from John Heard, a tense but funny showdown between Paulie and Pussy, and intriguing layers of ambiguity.

‘A Hit is a Hit’ is a rare miss for The Sopranos. Nevertheless, Gavin and Hannibal have fun discussing what is easily their least favorite episode of Season 1. Though it has a few bright spots, Episode 10 is a real case study in how low stakes, plot holes and curious wardrobe choices can make for a disappointing viewing experience!

Join Gavin and Hannibal ‘south of the border,’ as they cover what is arguably Dominic Chianese’s finest hour in Season 1. This week’s podcast finds your hosts discussing the timely nature of the dilemma facing Meadow’s soccer team, the hilarious significance of Tony’s bicep tattoo, and of course, Uncle Junior’s sweet skills in the sack.

Being Los Angeles residents, Gavin and Hannibal know people impacted by the wildfires. If you can, please take the time to donate. A little goes a long way.

Links:

American Red Cross 

Thomas Fire Fund

In Episode 8 of The Sopranos Show, Gavin and Hannibal debate the fairness of Dr. Melfi’s cancellation policy, track Christopher as Christopher tracks his own arc and spot an unexpected bakery cameo and Goodfellas reference along the way.

‘Down Neck’ finds Tony taking a trip down memory lane. Of course if you’re Tony Soprano ‘memory lane’ involves being 8 years old and witnessing your dad beating the crap out of a guy that owes money, your mom threatening to stick a fork in your eye, and a clown named ‘Clarabell’ in handcuffs. Gavin and Hannibal pour over an episode filled with amazingly well cast flashback sequences, stand out comedic beats from Robert Iler, and killer placement of Jefferson Airplane’s coolest song.

In “Pax Soprana,” Tony’s having a hard time, (though not where it counts). His wife and mistress are unsatisfied with his performance in the bedroom, and his capos are unsatisfied with his uncle’s performance as boss. This episode gives Gavin and Hannibal A LOT to talk about as it does an excellent job setting the stage for the remainder of Season 1, includes some killer lines from Livia and Irina (NOT to be confused), the first appearance of Johnny Sack, and Tony’s declaration of love for Dr. Melfi… 

"College" is a landmark episode of The Sopranos. Probably the most adored chapter of Season 1, it received widespread acclaim from fans and critics and won the series its first Primetime Emmys. So what is it that makes "College" just so damned good? Gavin and Hannibal will try to break it down...

"Meadowlands" prompts Gavin and Hannibal's first disagreement about The Sopranos! The fascinating fourth episode of the series features a dream (or two?), a significant transfer of power in the family, and the moment AJ Soprano realizes that his dad is a gangster. G & H also get into the coolness of the show's costume choices, and the legendary heavy breathing of James Gandolfini. 

There's a lot to unpack in this one, as Tony grieves over the declining health of his friend, acting boss, Jackie Aprile. "Denial, Anger, Acceptance" features a number of good matchups: Silvio and Paulie vs. a Hasidic motel manager, Carmela vs. Charmaine, and Meadow vs. high stakes academic pressure. Gavin and Hannibal explore it all and much more in Episode 3 of The Sopranos Show!

Two down, eighty-four to go! In this episode, Gavin and Hannibal talk the second episode of Season 1, “46 Long.” The one and only episode of the series that features a pre credits teaser, sees Tony confronting his feelings of ambivalence towards Livia, Christopher’s misguided attempts to gain respect, and Paulie Walnuts’ hatred of coffee shop chains. G & H also discuss the ABCs of TV storytelling and correct Gavin's excitement of a big non-cameo in only the second episode of the series.

From ducks, to depression, to degenerate gamblers, Gavin and Hannibal cover the themes, key scenes, best lines and notable creative choices that make the pilot such a fitting introduction to the world of The Sopranos. Visit us at tsspodcast.com!