The Vinyl District’s Radar with Evan Toth
Much of the music we listen to today comes from different generations. It may be an old favorite like Led Zeppelin, or it might be a group that was under the radar for many years before finally having their hey-day long after they’d ceased to exist as a group, like Big Star. Behind the contemporary music scenes, there is a full-blown industry involved in keeping popular records in print and releasing albums that deserve a second chance.
Meet Gordon Anderson who has spent much of his life doing both things. He was the co-founder of the ubiquitous Collector’s Choice label in the 1990s which - long before streaming - was the easiest and most sonically pleasing way to track down classics from the 50s and 60s. After leaving Collector’s Choice, Anderson - and his business partner Gabby Castellana - have created Real Gone Music, which is - as they describe it - “a reissue label dedicated to serving both the collector community and the casual music fan with a robust release schedule combining big-name artists with esoteric cult favorites.”
With nearly ten releases per month, Real Gone Music probably has something in their catalog that will appeal to everyone, in fact, it’s this populist, all-encompassing acceptance that gives the label its unique spin: if enough people want it, Real Gone Music will try to find a way to serve it up.
Anderson and I take a deep dive into the world of running a record label, the business of music reissues, and the vinyl comeback. We also question what’s going on with our old buddy, the CD and learn about the origins of Real Gone’s celebrated Black Jazz label reissues. It seems difficult to comprehend, but if it weren’t for guys like Gordon Anderson keeping vintage music catalogs alive, you might not even know that some of your favorite music ever existed.