Why Should Screenwriters Care About Public Domain

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For screenwriters, the Public Domain can be a treasure trove of inspiration and material. Hollywood is obsessed with Intellectual Property (IP) and buying the rights to the latest hit book or graphic novel can be expensive and out of reach for most screenwriters. By tapping into the public domain, screenwriters can find stories, characters, and themes that are already known and loved, and put their own spin on them. On January 1, 2024, a version of Mickey Mouse will enter the public domain in the United States, after almost a century of copyright protection. The public domain refers to all creative works for which no exclusive intellectual property rights apply, either due to copyright expiration, copyright loss because of loopholes and mistakes, death of the copyright owner, or failure of the copyright owner to file for the rights or extension to those rights. Since no one holds exclusive rights, anyone can legally use or reference those works without permission. For example, starting in 2024, the Steam Boat version of Mickey Mouse can be utilized.

REARCH INCLUDED:

Wikipedia

IMDB
 http://web.law.duke.edu/cspd/mickey/

 https://historydaily.org/steamboat-willie-facts-stories-trivia-mickey/3

The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.
Executive Producer Kristin Overn
Producer Sandy Adomaitis
Producer Terry Sampson
Music by Ethan Stoller

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