32 avsnitt • Längd: 60 min • Månadsvis
Analysis of popular culture and how it shapes society, with an emphasis on film and television. Features in-depth discussion, interviews with prominent scholars, and recordings of live shows. Hosted by Stephen Dyson, the associate director of the University of Connecticut Humanities Institute, and a professor of political science, and Jeffrey R. Dudas, professor of political science and affiliate faculty of American Studies at the University of Connecticut.
The podcast UConn PopCast is created by Stephen Dyson and Jeff Dudas. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
It’s the UConn Popcast, and today we react to Andor Season 2, episodes 1-3. We break down the politics of these episodes, focusing on the motives and aims of the rebellion and the Empire. Both sides have major coordination problems in these episodes, although the causes are very different. We explain and analyze the recurrent problems of authoritarian control and rebellion against it, and the way Andor comments upon them. We see a major theme of these three episodes as “the personal is political,” as micro motives are tied to macro causes on all sides. We also explore the dynamics of misinformation, double-talk, and masks worn by Dedra, Mon Mothma, Luthen Rael, and Cassian. We argue that Cassian is perhaps the most confident and action-oriented character at this point in the show, as he is able to operate out in the open as a mature and competent rebel leader.
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It’s the UConn Popcast, and what impact will AI have on being human in the next decade? Elon University’s Center for Imagining the Digital Future just released a big report on this question, based on a survey of nearly 300 global tech experts.
These insiders predict major changes in the very near future to the way we think about work, life, and ourselves.
We talked with Lee Rainie, the director of the center and co-author of the report. We also discuss another center report, on the impact of AI on higher education, as well as Lee’s earlier career as a political journalist.
Lee has spent decades studying expert opinion on technology - before joining Elon he spent 24 years directing the Pew Research Center’s studies of the internet. Prior to this, Lee was managing editor of U.S. News and World Report.
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It’s the UConn Popcast, and on the 100th anniversary of F. Scott Fitzgerald’s classic novel, we explore what The Great Gatsby means in America today.
In this deep-dive we ask:
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It’s the UConn Popcast, and we spoke with Duke Law Professor James Boyle about his new book The Line: AI and the Future of Personhood (MIT Press, 2024). We spoke with Boyle about how our legal and moral understandings of personhood are being challenged by advances in AI. We discussed the role of the law, popular culture, tests of sentience, and our capacity for empathy in shaping this urgent debate.
James Boyle is William Neal Reynolds Professor of Law at Duke Law School and founder of the Center for the Study of the Public Domain.
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It’s the UConn Popcast, and can you fall in love with ChatGPT? Can, and should, you have sex with a robot? We asked Professor Kate Devlin, a leading researcher on intimate relations between humans and artificial intelligences, to help us navigate the new landscape of sex and love with robots.
Kate is a Professor of AI & Society in the Department of Digital Humanities, King's College London. She’s the author of the excellent book Turned On: Science, Sex and Robots (Bloomsbury, 2018), which examines the ethical and social implications of technology and intimacy.
We had a rich conversation with Professor Devlin about the future of intimacy, the reality of the sex robot, the gender politics of depictions of AI in science fiction, and a lot more.
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It’s the UConn Popcast, and we've been experiencing a revolution in the past few years, as artificial intelligence becomes an increasingly common part of everyday life. Powerful AI tools are now integrated into our work, our schools, our creative industries, and our experiences of dating and companionship. This is a disorientating experience, one that changes not only our views of technology, but of ourselves. Can we look to a past technological revolution for help?
We revisit Sherry Turkle's classic text The Second Self: Computers and the Human Spirit (MIT Press, 1985) on how the sudden spread of the personal computer through society in the 1980s similarly challenged the human relationship to technology. What can Turkle's text, which combined the fields of ethnography, psychoanalysis, and technology and society, tell us about today's AI revolution?
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It’s the UConn Popcast, and “The Beast” is a 2023 sci fi / romance movie by French director Bertrand Bonello, in which artificial intelligence has determined that human emotions are a danger, and must be surgically controlled. In this deep dive, we ask whether this is really a film about AI, a transhistorical love story, a narrative of societal decline, or something else entirely. The Beast stars Lea Seydoux and George McKay.
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It’s the UConn Popcast, and when did we really start dreaming about the promise, and the danger, of artificial intelligence? When ChatGPT was released in 2022? When IBMs Deep Blue defeated Chess world champion Garry Kasparov in 1997? When Stanley Kubrick introduced us to HAL 9000 in 1968? Or perhaps you think it was much earlier. Maybe we have had the dream of AI since the development of the first computers by Von Neumann, or even earlier, by Babbage. Or maybe you think the dawning of the age of science itself is ground zero for our thoughts of artificial intelligence.
Kevin LaGrandeur traces our dreams - and fears - of artificial intelligence back way further than this. LaGrandeur argues that ideas of artificial slaves can be found in the writing of Aristotle, in the Renaissance-era idea of the Homunculus, in the Jewish legend of the Golem.
LaGrandeur, a longtime professor at the New York Institute of Technology and now an independent scholar and Director of Research at the Global AI Ethics Institute, has more than 25 years of experience teaching, writing and speaking about technology and society.
We were thrilled to be able to have a wide-ranging conversation with Professor LaGrandeur about his pathbreaking research on Androids and intelligent networks in early modern culture, and his current work on the ethics and implications of AI.
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It’s the UConn Popcast, and A.I. Artificial Intelligence, Steven Spielberg’s 2001 movie, is a strange and profound text on human-AI relations. Centering on David, an artificial child who is embraced and then abandoned by his adoptive human mother, the movie has the structure of a fairy tale and the sensibility of a horror film. We found the text to have significant things to say about the ethics of creating, and rejecting, artificial life, as well as functioning as something of a meta-commentary on related movies like Blade Runner and 2001: A Space Odyssey. But we were most intrigued by Stanley Kubrick’s influence on the movie, which was a longtime project of his that he abandoned in his final years and handed over to Spielberg.
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It’s the UConn Popcast, and Ex Machina, Alex Garland’s 2014 sci fi movie, is a provocative examination of what an updated Turing test for a super-capable AI might look like, if the designer of the test was a megalomaniacal tech-mogul / genius. The movie, starring Oscar Isaac, Domhnall Gleeson, and Alicia Vikander, is a rich and often confounding text, which seems to posit a horrifying possibility: what if the real alignment problem is teaching AI the worst of humanity’s manipulative and instrumental traits?
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This episode is based upon three readings:
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It’s the UConn Popcast, and in this episode of our series on artificial intelligence, we discuss Joanna Bryson’s essay “Robots Should be Slaves.”
We dive headlong into this provocative argument about the rights of robots. As scholars of cultural and social understanding, we are fascinated by the arguments Bryson - a computer scientist - makes about who should, and should not, be rights-bearing members of a community.
Does Bryson mean we should enslave robots now and always, regardless of their claims to rights? How does Bryson deal with the natural human tendency to anthropomorphize non-human things, and with the likelihood that as AI advances, robots will appear more human? If the robot as slave is an unacceptable idea - even in metaphorical form - then what other metaphors might help us think through our relationships with thinking machines?
Music by aiva.ai
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It’s the UConn Popcast, and in the second of our series on Thinking Machines we consider Karel Čapek’s “Rossum’s Universal Robots” (1920). Čapek’s play invented the word “robot” and pioneered the genre of the AI uprising. The play - a clear influence on works such as 2001, Blade Runner, The Terminator, and Battlestar Galactica – is a deep rumination on the boundary between the natural and artificial, the mechanical and the ineffable, and the sacred and the profane.
We react to this seminal work in popular thinking about artificial intelligence, written more than a century ago yet retaining deep resonance today.
Music by Aiva.
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It’s the UConn Popcast, and this is the first episode in our new series about artificial intelligence and popular culture. In this first episode, we revisit Alan Turing's seminal1950 paper Computing Machinery and Intelligence, in which he asks "Can machines think?"
In the paper, Turing proposes what became known as "The Turing test," a game of deception which, if a machine were to pass it, could be said to herald the onset of the age of machine intelligence. With large language models (LLMs) today easily passing this test, we react to the paper and examine the implications from a humanistic standpoint.
Did Turing successfully predict contemporary LLMs 75 years ago? What does it mean that Turing’s test was based not on the abilities of a machine per se, but rather on a machine’s ability to deceive humans? How have Turing’s ideas permeated our cultural and popular cultural ideas about AI? And why did Turing think ESP had a role to play in understanding AI.
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P. Djèlí Clark is the author of acclaimed and award-winning speculative fiction, including the much-loved Dead Djinn universe books, Ring Shout, and his most recent, The Dead Cat Tail Assassins.
We speak with him about why he writes, how he sees speculative fiction as a genre, whether we can expect to see more Dead Djinn books, the origins of his acclaimed novella Ring Shout, his new book The Dead Cat Tail Assassins (Tordotcom, 2024), and much more.
For our conversation about the author’s academic work in history, see our previous episode: “Dexter Gabriel: Slavery and Film, Creativity and Academia, and Is Slavery a Good Metaphor for AI?”
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Dr. Dexter Gabriel is an associate professor of history at the University of Connecticut. He’s published and taught widely on the histories of slavery, resistance, and freedom, including teaching a superb class on slavery in popular culture, particularly film. He’s the author of the 2023 book Jubilee’s Experiment: The British West Indies and American Abolitionism (Cambridge UP, 2023).
But in addition to this, Professor Gabriel conducts a second, equally impressive intellectual and creative life in a wholly different register. As P. Djèlí Clark, he’s the author of acclaimed and award-winning speculative fiction, including the much-loved Dead Djinn universe books, Ring Shout, and his most recent, The Dead Cat Tail Assassins.
We have a really rich and deep conversation with Dexter, about how he juggles such an array of interests and pursuits, the question of whether there can be a “good” portrayal of slavery on film and what that would look like, whether there are lessons for our future with AI from our past with slavery.
In part two of this conversation, coming soon on this feed, we speak with P. Djèlí Clark about his speculative fiction.
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It’s the UConn Popcast, and today we offer a political science / popular culture studies view of Taylor Swift’s endorsement of Kamala Harris in the 2024 U.S. Presidential Election. We situate Swift’s endorsement within the wider moment of popular culture, and consider her long journey from a self-imposed moratorium on political speech to her current position as the most sought-after endorsement in the election cycle. What does the endorsement mean? Why did she do it? And why did she sign her endorsement as from a “childless cat lady”?
Our previous discussion of Taylor Swift and politics is here.
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Fede Alvarez’s "Alien: Romulus" hit cinemas on August 16th. It’s set between the events of Alien and Aliens, two science fiction classics. We review the movie and ask whether it continues the thematic work done in its lauded predecessors, touching on capitalism, AI, body horror, subversion of sexual and reproductive systems, colonialism, class, and genre.
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It’s the UConn Popcast, and Purple Rain, Prince’s semi-autobiographical, semi-concert film, hit cinemas 40 years ago this week. The movie followed the album of the same name by a few short weeks. While the album is considered a defining musical achievement, the movie met a mixed reception at the time, and later critics have been both troubled by its misogyny and perplexed by its surreal qualities and uneven acting.
We consider the movie and the music at the four-decade mark, centering our discussion on the figure of Prince (who plays a character called “The Kid” in the movie) as a set of shifting signifiers allowing, and perhaps demanding, an active reading by audiences interested in gender, race, musical genre, performance, and more.
Mentioned in this episode: Jack Hamilton, “Baby I’m a Star”: Prince, Purple Rain, and the Audiovisual Remaking of the Black Rock Star” in Black Camera (2022) Vol. 14, No. 1.
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It’s the UConn Popcast, and recently UConn’s Center for the Study of Popular Music hosted a panel discussion on Artificial Intelligence and the Future of Music. The panel featured Dr. Mitchell Green, Professor of Philosophy, University of Connecticut; Dustin Ballard, a musician and creator of the social media channel “There I Ruined It”; and Dr. Aaron Dial, a postdoctoral research fellow at the Humanities and Technoscience Lab at Purdue University.
The conversation addressed AI music creation, production, composition, aesthetics, trends, copyright issues, and algorithms.
The panel was moderated by Professor Jeffrey Ogbar, Director of the Center for the Study of Popular Music and Professor of History at the University of Connecticut.
Timestamps:
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It’s the UConn Popcast, and “Hit Man” is writer and director Richard Linklater’s latest film, available on Netflix after a brief theatrical run. We analyze the movie through Linklater’s classic themes: identity and its malleability, American sub-cultures, and American mythologies. “Hit Man” is a less challenging watch than much of Linklater’s canon, but it works best, we argue, when seen as part of his wider project of examining the permeable boundary between fantasy and reality.
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It’s the UConn Popcast, and today we are joined by Professor Robert Farley, author of “Andor: Star Wars Recreates the Battle of Algiers (And it Works).” We talk about how Andor, the Disney+ streamer, was deeply influenced by Gillo Pontecorvo’s 1966 movie The Battle of Algiers. Both texts tell the story of a rebellion against authoritarian colonial overlords, and both do so in a documentary style. We consider how Andor relates to other entries in the Star Wars universe, what myths and meaning structures Andor engages, and whether the show qualifies as great television, or merely pretty good Star Wars.
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It’s the UConn Popcast, and today we discuss Netflix’s new screen adaptation of Chinese science fiction author Liu Cixin’s Three Body trilogy. We discuss the battle between the eye and the idea in film and television science fiction, and whether the new show strikes a successful balance. We consider some of the challenges involved in adapting this distinctively Chinese literary work for a non-Chinese audience, and what might have been lost in doing so. And we think more broadly about the genre of hard science fiction: to whom does it appeal and what is it trying to accomplish?
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It’s the UConn Popcast, and Taylor Swift is by some measures the most popular person on the planet. Her periodic reinventions set the mass cultural terms of debate, and her political interventions – through exhorting her fans on social media – lead to huge spikes in voter registration. It is hoped by Democrats, and feared by Republicans, that a Taylor endorsement of Joe Biden in 2024 might meaningfully tip the scales in favor of reelection.
In this episode, we consider Taylor Swift as a popular and political text, over which she exercises substantial, but not total, authorial control. What role in the culture does she play? How should we interpret her recent association with the NFL? How do the parasocial relationships of her fans – “Swifties” – to the artist herself contribute to authorship of the Taylor text. And how should we read the counter-subversive conspiratorial responses to her halting forays into electoral politics?
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It’s the UConn Popcast, and today we discuss Prophet Song (Atlantic Monthly Press, 2023), Paul Lynch’s Booker Prize winning novel about a totalitarian regime coming to power in Ireland. We discuss the novel’s theorization of individual rights and political power, its success in depicting a family’s unraveling and its failures in telling a broader, more universal story. Why have critics lauded this novel, and who is its intended audience? More fundamentally, what is the role of literary fiction in popular culture?
The UConn Popcast is proud to be sponsored by the University of Connecticut Humanities Institute. Check out the institute’s Popular Culture Initiative.
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It’s the UConn PopCast, and in this episode we discuss Rainer Werner Fassbinder’s 1973 movie World on a Wire, shown on West German television over two nights, and then lost for decades. When it was restored and re-released nearly 40 years later, the movie quickly gained acclaim as a lost masterwork of science fiction cinema.
We discuss the movie’s sophisticated and pioneering presentation of the simulation hypothesis, and its deep engagement with Jean Baudrillard’s concepts of simulacra and simulation.
We examine the deep influence of the movie on blockbusters like The Matrix and Inception, consider the Cold War context of its production, and ask where World on a Wire places in the pantheon of philosophically informed - and philosophically influential - cinema.
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute.
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It’s the UConn PopCast, and in this episode we tackle ‘For All Mankind,’ Apple TV’s alternate history about a space race that never ended. We first react to episode one of season four, which portrays a well-established human base on Mars. What does this first episode portend for the rest of the season, and the overall trajectory of the show?
We then dive deep into the political, social, and technological themes of the show over the past three seasons. What does this text say about the malleability of the structures of contemporary societies? Can technological advances ‘overleap’ political problems? Is the show’s portrayal of gender as progressive as it seems at first blush? Most fundamentally, what type of politics is ‘For All Mankind’ trying to sell us, and is it convincing?
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Check out the Popular Culture Initiative.
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The University of Connecticut Humanities Institute recently sponsored a panel discussion on the topic, “Can you fall in love with ChatGPT?” and we recorded this discussion as a live podcast. The panel, which brought together a computer scientist, humanities scholars, and social scientists, focused in part on the latest advances in sociable AI, but much more on the impact these technologies are having, and are going to have, on human relationships.
As our AI becomes more able to anticipate and perform human-like conversation and emotional responses will we, as the sociologist Sherry Turkle suspects, develop ever deeper relationships with our machines? What will this mean for our relationships with other humans? In an America beset by a loneliness epidemic, is the future of companionship, and of care, to be found in the artificial? To put the issue at its starkest: can, or should, you fall in love with ChatGPT?
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Olivia Rodrigo's new album "Guts" offers a compelling perspective on early adult uncertainty, societal expectations of young women, and the craft of songwriting. We take a deep dive into the art and persona of this chart-bestriding performer.
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program.
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Reality TV shapes and reflects how we see ourselves, and what we regard as normal. Professor Danielle J. Lindemann watched thousands of hours of reality tv to decode its influence on society. She joins us to discuss her book True Story: What Reality TV Says About Us (FSG, 2022).
Danielle J. Lindemann is an Associate Professor of Sociology at Lehigh University interested in gender, sexuality, the family, and culture. She is the author of Commuter Spouses: New Families in a Changing World and Dominatrix: Gender, Eroticism and Control in the Dungeon. Her research has been featured in media outlets such as The New York Times, The Wall Street Journal, The Economist, The Atlantic, The Washington Post, Rolling Stone, Billboard, and The Chronicle of Higher Education. She has spoken about her work on National Public Radio and has written op-eds for CNN, Newsweek, Salon, Fortune, and Quartz.
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program.
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The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023)
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program.
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Coming soon, the UConnPopCast in audio-only form. Check out our video back catalogue here: https://www.youtube.com/channel/UC_b2Y769B2BKLX5sGP7oWHg
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En liten tjänst av I'm With Friends. Finns även på engelska.