80 avsnitt • Längd: 70 min • Månadsvis
New York Times columnist Jamelle Bouie and freelance writer John Ganz delve into the world of 90s post-Cold War thrillers with Unclear and Present Danger, a podcast that explores America in an age of transition to lone superpower, at once triumphant and unsure of its role in the world.
The podcast Unclear and Present Danger is created by Jamelle Bouie and John Ganz. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
In The Saint, Kilmer plays Simon Templar, a professional thief known as “The Saint” for using Catholic saints as aliases. He steals a microchip from a Russian oil company but is caught by the owner’s son. He is then hired by the owner, a billionaire oligarch named Tretiak, to steal a cold fusion formula discovered by Emma Russell, an American chemist. Tretiak plans to use the formula to monopolize the Russian energy market. Once he obtains the formula, he also plans to kill Simon.
Simon seduces Emma but falls for her. He abandons his plan to steal from her until Tretiak threatens to kidnap her.
At this point the plot becomes a little convoluted to me but here’s what I think happens.
Simon does end up stealing the formula but when analyzed, Tretiak finds that it is useless to him. His plan now is to sell the incomplete formula to the Russian president and then attack him for spending billions on worthless technology, using the resulting chaos to make himself president.
Emma finishes the formula, Simon delivers it to a scientist who hopes to use it for good, and in a confrontation in Red Square, Tretiak is exposed as a fraud when it becomes clear that the formula works. Emma and Simon reunite, they start a relationship and it is revealed that Simon has donated billions to charity using money from Tretiak’s accounts.
All ends well!
The taglines for The Saint were “A man without a name, can never be identified. A man who doesn't exist, can never be caught. A man who doesn't love, can never truly be alive.” And “Never reveal your name. Never turn your back. Never surrender your heart.”
You can find The Saint to stream on demand on Amazon Prime or for rent or purchase on Amazon and Apple TV.
The Saint was released on April 4, 1997, so let’s check out the New York Times for that day.
Don’t forget our Patreon, where we watch the films of the Cold War and try to unpack them as political and historical documents! For $5 a month, you get two bonus episodes every month as well as access to the entire back catalog — we’re almost two years deep at this point. Sign up at patreon.com/unclearpod.
The latest episode of our Patreon podcast is on the 1979 thriller Hardcore.
Connor Lynch produced this episode. Artwork by Rachel Eck.
On this week’s episode of Unclear and Present Danger, we watched the The Second Civil War, a 1997 satirical film directed by Joe Dante for HBO.
Starring James Earl Jones, Elizabeth Peña, Denis Leary, Beau Bridges, Phil Hartman and James Coburn, The Second Civil War takes place in a future where rapid, unlimited immigration has produced a balkinized society of ethnic enclaves. California is essentially been re-absorbed into Mexico and Rhode Island is home to millions of Chinese migrants.
When an international relief organization makes plans to bring Pakistani refugees into Idaho, the state’s governor, played by Beau Bridges, orders the its national guard to close the borders, sparking a stand-off with the federal government. As both sides escalate, Americans start to choose sides, with other western states joining Idaho in its pushback against Washington.
Eventually, the war of words becomes an actual war, as shooting starts between the U.S. Army and the various national guards now allied with Idaho.
As viewers, we see all of this unfold through the eyes of a news network, whose anchors and reporters are on the scene, covering developments as they occur.
The tagline for The Second Civil War was “A Very Uncivil Comedy.”
You can find The Second Civil War streaming for free on YouTube.
Our next episode will be on The Saint, the 1997 thriller adapted from the television show of the same name, directed by Phillip Noyce and starring Val Kilmer and Elizabeth Shue.
And don’t forget our Patreon, where we watch the films of the Cold War and try to unpack them as political and historical documents! For $5 a month, you get two bonus episodes every month as well as access to the entire back catalog — we’re almost two years deep at this point. Sign up at patreon.com/unclearpod.
The latest episode of our Patreon podcast is on the 1979 thriller Hardcore.
Connor Lynch produced this episode. Artwork by Rachel Eck.
On this week’s episode of Unclear and Present Danger, we watched the 1997 thriller The Devil’s Own, directed by Alan J. Pakula and starring Brad Pitt and Harrison Ford.
In The Devil’s Own, Pitt plays Frankie McGuire, an IRA soldier who travels to the United States to obtain advanced weapons for the fight in Ireland. He is put up in the home of NYPD Sergeant Tom O’Meara, played by Ford, who does not know McGuire’s mission. The two develop an easy rapport and McGuire becomes a part of O’Meara’s family, of sorts. When McGuire’s mission begins to intrude on the O’Mearas, however, the relationship — along with the family’s safety — is threatened.
The tagline for The Devil’s Own was “One man trapped by destiny, and another bound by duty. They're about to discover what they're willing to fight, and to die for.”
You can find The Devil’s Own available to rent or purchase on Amazon and Apple TV.
For the next episode, we will watch “The Second Civil War,” 1997 HBO film starring Phil Hartman. You can find it on YouTube.
And don’t forget our Patreon, where we watch the films of the Cold War and try to unpack them as political and historical documents! For $5 a month, you get two bonus episodes every month as well as access to the entire back catalog — we’re almost two years deep at this point. Sign up at patreon.com/unclearpod.
The latest episode of our Patreon podcast is on the 1974 exploitation film Death Wish.
Connor Lynch produced this episode. Artwork by Rachel Eck.
In this week's episode of Unclear and Present Danger, Jamelle and John watched Absolute Power, the 1997 conspiracy thriller directed by Clint Eastwood from a screenplay by William Goldman and based off of a David Baldacci novel of the same name. In addition to Eastwood, Absolute Power stars Gene Hackman, Ed Harris, Laura Linney, Judy Davis, Scott Glenn and Dennis Haysbert.
In Absolute Power, Eastwood plays Luther Whitney, a master thief who makes the fateful decision to rob billionaire Walter Sullivan, a close friend and ally of the president of the United States. During the burglary, Whitney sees President Alan Richmond assault Sullivan's wife, Christy, with whom he is having an affair. When she fights back, the president's security detail kills her. Sullivan, who witnesses the altercation, escapes with evidence of the killing. When he becomes prime suspect in an investigation led by local police, Whitney devotes himself to exposing the president's misdeed while evading Sullivan's hired assassin — who believes Whitney is responsible — as well as a secret service agent who wants to silence the only witness.
The tagline for Absolute Power was "Corrupts Absolutely."
You can find Absolute Power to rent or purchase on Amazon Prime and Apple TV.
For the next episode of Unclear and Present Danger, Jamelle and John will watch the 1997 thriller The Devil's Own, directed by Alan J. Pakula and starring Harrison Ford and Brad Pitt. It's available to stream on Netflix or for rent or purchase from Amazon or Apple TV.
On this week’s episode of Unclear and Present Danger, Jamelle and John watched Shadow Conspiracy, the 1997 political thriller directed by George P. Cosmatos and starring Charlie Sheen, Linda Hamilton, Donald Sutherland and Sam Waterston.
In Shadow Conspiracy, a young White House aide uncovers a plot to assassinate the president, making him a target of the conspirators. What follows is a race to evade the assassin, expose those responsible, and save constitutional government from a shadowy group of deep state operators. If this sounds generic, that’s because it is! The movie feels like it was written by ChatGPT. Despite the total absence of anything original, Jamelle and John do find much to discuss in the film, including the ways in which it is rooted in the anti-political ethos of the 1990s.
The tagline for Shadow Conspiracy was “Life, liberty and the pursuit of absolute power.”
You can find Shadow Conspiracy available to rent or buy on Amazon or Apple TV+.
Episodes come out every two weeks so we’ll see you then with an episode on Absolute Power, the 1997 political thriller directed by — and starring — Clint Eastwood.
And don’t forget our Patreon, where we watch the films of the Cold War and try to unpack them as political and historical documents! For $5 a month, you get two bonus episodes every month as well as access to the entire back catalog — we’re almost two years deep at this point. Sign up at patreon.com/unclearpod.
The latest episode of our Patreon podcast is on the 1973 Walking Tall, starring Joe Don Baker.
Connor Lynch produced this episode. Artwork by Rachel Eck.
On this week’s episode of the podcast, we watched Tim Burton’s 1996 sci-fi comedy Mars Attacks!, starring Jack Nicholson, Glenn Close, Annette Bening, Pierce Brosnan, Sarah Jessica Parker, Michael J. Fox, Martin Short Pam Grier, Rod Steiger, Jim Brown, Lukas Haas, Danny DeVito and Natalie Portman.
Mars Attacks! was based off of the 1960s-era trading card series by Topps. In the series, Earth is invaded by cruel, hideous Martians who hope to colonize the planet and enslave its population.
In the movie, Earth is invaded by cruel hideous Martians. But they don’t seem to want to colonize the planet as much as engage in wanton destruction for its own sake. To the extent that the film has a plot, it follows several groups of people. There is President James Dale, played by Nicholson, his wife and daughter. There is a young donut shop employee and his family in Nevada. There is an aging boxer turned casino employee, his ex-wife and their children. And there are a pair of talk show hosts.
The film shows first contact followed by the Martian war on Earth. Most of the characters are either weak and incompetent, like President Dale and the American military, vain and oblivious, like the various members of the media, or outright rubes, like some of the more ordinary people in the film.
The Martians rampage across the country, killing everyone they see including the president and the first lady. They are eventually stopped when two characters, the young donut shop employee and his grandmother, discover that the yodeling on Slim Whitman’s “Indian Love Call” is enough to cause their heads to explode. They defeat the Martian invasion and are awarded the Congressional Medal of Honor for their exploits.
The taglines for Mars Attacks were “Nice planet. We’ll take it!” and “Yikes! They’ve landed!”
Mars Attacks is available for rent or purchase either Amazon or Apple TV.
Episodes come out every two weeks so we’ll see you then with an episode on Shadow Conspiracy, a 1997 conspiracy thriller directed by George P. Cosmatos and starring Charlie Sheen, Linda Hamilton, Stephen Lang and the great (and much-missed) Donald Sutherland.
You can find Shadow Conspiracy on Amazon Prime and Apple TV for rent or purchase.
And don’t forget our Patreon, where we watch the films of the Cold War and try to unpack them as political and historical documents! For $5 a month, you get two bonus episodes every month as well as access to the entire back catalog — we’re almost two years deep at this point. Sign up at patreon.com/unclearpod.
The latest episode of our Patreon podcast is on Rambo, the 2008 sequel written and directed by Sylvester Stallone.
Connor Lynch produced this episode. Artwork by Rachel Eck.
In Independence Day, humanity makes its first contact with an alien race. What follows is one day of destruction, one of despair, and one day where the human race, led by the United States, fights back. Jamelle and John use the film to discuss the triumphalist American optimism of the 1990s as well as the political afterlife of the imagery of the film, which extends into the post-9/11 era.
Some of the taglines for Independence Day were “We’ve always believed we weren’t alone. On July 4th, we’ll wish we were,” “The day we fight back!” and “Welcome to earth.”
Independence Day is available to buy or rent on Amazon Prime or Apple TV. You can also stream it on demand at Hulu.
Episodes come out roughly every two weeks, and we’ll see you then with an episode on Mars Attacks, Tim Burton’s satirical counterpoint to Roland Emmerich’s earnest blockbuster.
And don’t forget our Patreon, where we watch the films of the Cold War and try to unpack them as political and historical documents! For $5 a month, you get two bonus episodes every month as well as access to the entire back catalog — we’re almost two years deep at this point. Sign up at patreon.com/unclearpod.
The latest episode of our Patreon podcast is on Rambo, the 2008 legacy sequel written and directed by Stallone.
Connor Lynch produced this episode. Artwork by Rachel Eck.
For this week’s episode of Unclear and Present Danger, Jamelle and John watched Star Trek: First Contact, the eighth movie in the Star Trek film series and the first film in that series to focus solely on the cast of Star Trek: The Next Generation.
First Contact stars Patrick Stewart, Jonathan Frakes, Levar Burton, Gates McFadden, Brent Spiner Marina Sartis, Michael Dorm, Alfrie Woodard, Alice Krige and James Cromwell. It was directed by Frakes with a score by Jerry Goldsmith.
In First Contact, Captain Jean-Luc Picard and the crew of Enterprise races through time to Earth’s past to confront the Borg, a cybernetic hivemind that has gone back to humanity’s moment of first contact with an alien species in order to destroy the Federation and change the future. Picard and his team must fight two battles. On Earth, they must ensure First Contact. On the Enterprise, they must defeat the Borg, who have taken root on the ship.
The tagline for Star Trek: First Contact is “Resistance is futile.”
You can find Star Trek: First Contact to rent or buy on demand on Apple TV or Amazon Prime.
Episodes come out roughly every two weeks, and we’ll see you then with an episode on Independence Day, the 1996 blockbuster directed by Roland Emmerich and starring Will Smith, Jeff Goldblum, Bill Pullman and many others.
And don’t forget our Patreon, where we watch the films of the Cold War and try to unpack them as political and historical documents! For $5 a month, you get two bonus episodes every month as well as access to the entire back catalog — we’re almost two years deep at this point. Sign up at patreon.com/unclearpod.
The latest episode of our Patreon podcast is on Rambo: First Blood Part II, the second film in the Rambo franchise starring Sylvester Stallone.
Connor Lynch produced this episode. Artwork by Rachel Eck.
For this week’s episode of Unclear and Present Danger, Jamelle and John watched Courage Under Fire, a 1996 war drama directed by Edward Zwick and starring Denzel Washington and Meg Ryan, as well as Lou Diamond Phillips, Matt Damon, Michael Moriarty and Bronson Pinchot.
In Courage Under Fire, Denzel Washington plays Lieutenant Colonel Nathaniel Serling, an army tank commander who accidentally fires on and destroys one of his own tanks during a nighttime battle in the closing days of the Persian Gulf War, killing his best friend in the process. The Army covers up the details and assigns Serling to a desk job, where he is tasked with investigating and determining whether a solider should receive the award for which they were recommended.
He is assigned the case of Captain Karen Walden, the commander of a Medevac Huey helicopter sent to rescue the crew of a Black Hawk helicopter. She was killed in the line of duty, saving both the lives of her crew and those of the downed helicopter. The Army, and the White House, wants to give her the Medal of Honor.
As Serling interviews the men involved in the incident, he notices inconsistencies in the testimonies of Walden’s crew. Some praise her strongly, others say she was a coward. Still others testify to events that cannot be confirmed.
Under pressure from both the White House and his commanding officer to authorize the award — and struggling with PTSD from his experiences on the battlefield — Serling resolves to discover the truth of the matter, even if it costs him his career.
The tagline for Courage Under Fire was “In wartime, the first casualty is always truth.”
You can find Courage Under Fire to rent or buy on demand at Amazon and iTunes.
Episodes come out roughly every two weeks, and we’ll see you then with an episode on Star Trek: First Contact, the second film starring the cast of Star Trek: The Next Generation. Here is a brief plot summary:
The Borg, a relentless race of cyborgs, are on a direct course for Earth. Violating orders to stay away from the battle, Captain Picard and the crew of the newly-commissioned USS Enterprise E pursue the Borg back in time to prevent the invaders from changing Federation history and assimilating the galaxy.
Star Trek: First Contact is available to rent or buy on demand and it is available for streaming on HBO Max and Paramount+.
And don’t forget our Patreon, where we watch the films of the Cold War and try to unpack them as political and historical documents! For $5 a month, you get two bonus episodes every month as well as access to the entire back catalog — we’re almost two years deep at this point. Sign up at patreon.com/unclearpod.
The latest episode of our Patreon podcast is on First Blood, the first film in the Rambo franchise starring Sylvester Stallone.
Connor Lynch produced this episode. Artwork by Rachel Eck.
On this week’s episode of Unclear and Present Danger, we watched the 1996 science fiction conspiracy action thriller Chain Reaction, directed by Andrew Davis — whose previous UnclearPod films are The Package, Under Siege and The Fugitive — and starring Keanu Reeves, Morgan Freeman, Rachel Weisz, Fred Ward, Kevin Dunn and Brian Cox.
Chain Reaction revolves around a group of scientists at the University of Chicago who are working to convert hydrogen from water into clean energy. They find their breakthrough when their machinist, Eddie Kasalivich (played by Reeves), discovers the secret — a sound frequency that stabilizes the process. Later that evening, a group of mysterious assailants kill the lead scientist and destroy the laboratory. Kasalivich, who had returned to retrieve his motorcycle after escorting Dr. Lily Sinclair (Weisz) home, is the only witness.
When the FBI arrives to investigate, they zero in on Kasalivich and Sinclair as their chief suspects, goaded along by the mysterious presence of advanced technology in Kasalivich’s apartment and evidence of espionage in Sinclair’s. With the help of Paul Shannon, the leader of the Chicago project, they escape the clutches of law enforcement only to find themselves fleeing the armed agents of a secretive industrial group.
As Kasalivich and Sinclair race against time to uncover the mystery of the explosion, and clear their names of wrongdoing, they realize that their scientific breakthrough is a threat to some very powerful people, and that their friends aren’t who they seem to be.
You can find Chain Reaction to watch on demand on HBO Max and also to rent or buy on Amazon and Apple TV.
We’ll see you next in two weeks when an episode on Courage Under Fire, the 1996 legal drama directed by Edward Zwick and starring Denzel Washington, Meg Ryan, Lou Diamond Phillips and Matt Damon.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And don’t forget our Patreon, where we watch the films of the Cold War and try to unpack them as political and historical documents! For $5 a month, you get two bonus episodes every month as well as access to the entire back catalog — we’re almost two years deep at this point. Sign up at patreon.com/unclearpod.
On this week’s episode of Unclear and Present Danger, Jamelle and John watched “A Time to Kill,” Joel Schumacher’s 1996 adaptation of a 1989 John Grisham novel by the same name.
Starring Sandra Bullock, Samuel L. Jackson and Matthew McConaughey, with supporting performances from Kevin Spacey, Oliver Platt, Charles S. Dutton, Ashley Judd, Donald Sutherland, Kiefer Sutherland and Chris Cooper, “A Time to Kill” concerns the trial of Carl Lee Hailey, a black man on trial for capital murder after killing the two men who assaulted his 10-year-old daughter.
When Jake Brigance, a white lawyer who previously defended Hailey’s brother, takes the job to keep Carl Lee out of the execution’s chamber, the small Mississippi town of Canton, where the film takes place, is plunged into chaos. Brigance and his team must navigate national attention, a skilled and ambitious prosecutor, and a revitalized Ku Klux Klan, willing, able and eager to derail the trail and stop Brigance by any means necessary. All the while, Brigance must handle the strain on his family and his marriage.
The official tagline for “A Time to Kill” was: “A lawyer and his assistant fighting to save a father on trial for murder. A time to question what they believe. A time to doubt what they trust. And no time for mistakes.”
You can find “A Time to Kill” to rent or buy on demand at iTunes and Amazon.
For our next episode, we’re watching “Chain Reaction,” a science-fiction thriller directed by Andrew Davis and starring Morgan Freeman and Keanu Reeves.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the patreon is on the 1995 cyberpunk film, “Virtuosity.”
For this week’s episode of Unclear and Present Danger, we watched “Johnny Mnemonic,” a 1995 cyberpunk action film directed by Robert Longo and adapted from a William Gibson short story of the same name, by Gibson himself. “Johnny Mnemonic” stars Keanu Reeves, Dolph Lundgren, Takeshi Kitano, Ice-T and Dina Meyer.
In “Johnny Mnemonic,” Keanu Reeves plays Johnny, a “mnemonic courier” who transports sensitive data for corporations via storage implant in his brain. He takes a job that requires him to store too much memory, threatening his life if he can’t make the delivery as quickly as possible. While getting the data, his clients are attacked and killed by the yakuza. Johnny goes on the run, where he is betrayed by his handler, befriended by Jane, a cybernetically-enhanced bodyguard, and brought to the attention of the Lo-Teks, an anti-establishment group.
They discover that the data Johnny holds is a stolen cure to a technological disease that afflicts much of the planet. The creator, a mega-corporation called Pharmakom, refuses to release the cure because they are profiting off of the treatments. As Johnny is hunted by hired assassins for Pharmakom, he and his allies fight to disseminate the cure and save Johnny’s life.
The tagline for “Johnny Mnemonic” was “The hottest data on Earth, in the coolest head in town.” You can find “Johnny Mnemonic” to rent or buy on demand at iTunes and Amazon.
For our next episode, we are watching “A Time to Kill,” directed by Joel Schumacher.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War. Our next episode, on “Virtuosity,” will be a companion to this one.
On this week’s episode of Unclear and Present Danger, Jamelle, John and special guest Laura Hudson (formerly of Wired and The Verge) watched the 1995 cyber-thriller “Hackers,” directed by Ian Softley and starring Jonny Lee Miller, Angelina Jolie, Fisher Stevens and Lorraine Bracco, with supporting roles for Matthew Lillard, Penn Jillette, Wendell Pierce, Marc Anthony and Felicity Huffman.
“Hackers” centers on Dade Murphy, alias “Zero Cool,” who made hacking history 7 years before the events of the film when he crashed 1,507 computer systems and was banned from owning or operating computers and touch-tone telephones until his 18th birthday.
On his 18th birthday, he finds himself living in New York with his mother and attending a new high school, where he falls into a crowd of teen hacker. There’s Ramon, the Phantom Phreak. Emmanuel “Cereal Killer” Goldstein, Paul “Lord Nikon” Cook and Kate “Acid Burn” Libby, Dade’s hacking rival and romantic interest.
One night, one of the youngest hackers in the group, Joey, breaks into a supercomputer owned by a large energy company. He is noticed and arrested by the US Secret Service, which is working with the company’s security officer. Unbeknownst to the Secret Service or anyone else for that matter, the security officer — Eugene “The Plague” Belford — has essentially orchestrated a scheme in which Joey and other hackers are to be blamed for a virus he created, whose purpose is to extort millions from the company into a private account.
Thus begins a race: Belford is desperate to get the only evidence of the virus, downloaded by Joey before he was arrested, and our teen hacker heroes are trying to clear their names and get to the bottom of this conspiracy.
The tagline for “Hackers” was, of course, “Hack the planet!”
You can find “Hackers” to rent or buy on iTunes and Amazon.
Our next film is the 1995 cyberpunk thriller, “Johnny Mnemonic.”
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the patreon is on the 1964 nuclear war farce, “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.”
In this week’s episode of the Patreon we discussed Sidney Lumet’s heady Cold War thriller Fail Safe, based on a novel of the same name by Eugene Burdick and Harvey Wheeler, published in 1962 during the Cuban Missile Crisis. Fail Safe stars Henry Fonda, Dan O’Herlihy, Walter Matthau, Frank Overton and Larry Hagman with cinematography by Gerald Hirschfeld.
The story moves between three characters: U.S Air Force General Black who has been having a recurring dream in which a Spanish matador kills a bull before a cheering crowd, Dr. Groeteschele, a hard-line anti-communist and political scientist who believes it is possible to fight a limited nuclear war, and the President of the United States.
When a computer error causes a U.S. bomber group to erroneously receive valid orders for a nuclear strike on Moscow — and Soviet countermeasures jam U.S. radio communications, preventing Strategic Air Command from rescinding the command — General Black, the president, the Pentagon and eventually Soviet command scrambles to prevent a full scale nuclear exchange.
Working together, they manage to stop some of the bombers, but one fateful aircraft makes it through Soviet defenses to release its weapon. Faced with the unimaginable, the president and General Black decide to make a compensatory sacrifice, in the hopes of avoiding war.
The tagline for Fail Safe was “It will have you sitting on the brink of eternity!”
To listen to the whole episode, subscribe to the Patreon at patreon.com/unclearpod.
For this week’s episode of the podcast, we watched Michael Bay’s weirdly prescient action thriller, “The Rock,” released in 1996 and starring Sean Connery, Nicholas Cage, Ed Harris, Michael Biehn and William Forsythe. The supporting cast is also chock full of compelling character actors, including John Spencer, Philip Baker Hall, John C. McKinley, Tony Todd and Bokeem Woodbine.
In “The Rock,” Ed Harris plays General Francis Hummel, a disillusioned Vietnam War vet who is angry with the American government for abandoning its soldiers to die behind enemy lines with little to no recognition or compensation. To get his revenge, and to get compensation for his men and their families, he leads his force of rogue Marines in a raid on a naval weapons depot, where they steal a stockpile of VX gas-loaded rockets. They then seize control of Alcatraz Island, off the coast of San Francisco, and hold the area hostage. Either the U.S. government pays him $100 million from a military slush fund, or he launches the rockets, killing hundreds of thousands of people.
To disarm the rockets and stop Hummel, the Pentagon and the FBI organize a joint-task force of Navy Seals, special agents and a former convict at Alcatraz. Nic Cage plays FBI agent Stanley Goodspeed, a chemical weapons expert asked with identifying and disarming the weapons. Sean Connery plays John Patrick Mason, a former MI6 officer and current maximum security inmate who was the only person to successfully escape from Alcatraz. The FBI has brought Mason out of prison to aid the mission.
The team successfully infiltrates Alcatraz, but then the plan falls apart. The Seals are killed, and Goodspeed and Mason are left trapped in Alcatraz. Their only hope of escape, and survival, is to complete the mission before an airstrike — ordered as a last resort — destroys the island and everyone on it.
The tagline for “The Rock” was “Alcatraz. Only one man has ever broken out. Now five million lives depend on two men breaking in.”
You can find “The Rock” to rent or buy on demand on iTunes and Amazon.
Our next episode will be on the 1995 film “Hackers.”
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the patreon is on the 1964 nuclear war thriller, “Fail Safe.”
For this week’s episode of the podcast, we watched director Brian De Palma’s 1996 adaptation of Mission: Impossible, starring Tom Cruise, Jon Voight, Henry Czerny (Kittridge!), Emmanuelle Béart, Jean Reno, Ving Rhames, Kristin Scott Thomas and Vanessa Redgrave. It was shot by frequent De Palma collaborator Stephen H. Burum and edited by Paul Hirsch. Screenplay by David Koepp and Robert Towne.
Mission: Impossible, based on the television series, was the inaugural project of Tom Cruise’s production company, and the Mission: Impossible franchise has become a core part of Cruise’s celebrity career. The film was generally well-received by critics, although there were complaints about its convoluted plot, and was one of the biggest hits of 1996, grossing nearly $181 million on a budget of $45 million.
In Mission: Impossible, Cruise plays Ethan Hunt, a member of the Impossible Missions Force who is on the run after his entire team — including its leader, Jim Phelps, played by John Voight — is killed in a failed mission to obtain a secretive list of every undercover CIA agent. When Hunt learns that the mission was actually a staged hunt for a mole within the IMF — and that the real mole is still out there, seeking the list — he goes on the run in an effort to obtain the list for himself, expose the mole, and regain his freedom. To do so, he recruits his own Impossible Mission Team — comprised of Ving Rhames, Jean Reno and Emmanuelle Beart — and stages a break-in at CIA headquarters in Langley. What unfolds next is a series of twists, turns, surprises and betrayals.
The tagline for Mission: Impossible was “Expect the Impossible.”
You can Mission: Impossible to rent or buy on Amazon and iTunes, and to stream on Amazon Prime Video and Paramount Plus.
Our next episode is Michael Bay’s action thriller, The Rock.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The latest episode of the Patreon is on the 1961 film “Judgment at Nuremberg.”
For this week’s episode of the podcast, we watched the 1996 action thriller slash high school drama The Substitute, directed by Robert Mandel — a prolific television director — and starring Tom Berenger, Ernie Hudson, Diane Venora, Marc Anthony, Luis Guzmàn and William Forsythe.
In The Substitute, Berenger plays Jonathan Shale, a Vietnam veteran and mercenary who takes a break from the business of wet work after a botched operation in Cuba where several of his men were killed. He returns home to Miami to stay with his girlfriend, Jane Hetzko played by Venora, who is a teacher at a local, troubled high school.
Jane becomes a target of the largest and most dangerous gang at the school, Kings of Destruction, and its leader Juan, played by Anthony, directs his men to attack her. She is seriously injured and while in the hospital, Shale maneuvers to become her substitute. His plan? To take down the gang, which is using the school as essentially an open air drug market.
As he moves to confront Juan, Jonathan discovers that the gang is working with the school’s ambitious and corrupt principal, played by Ernie Hudson, to move and distribute ever larger shipments of drugs from foreign supplies. Eager for revenge after a friendly teacher is killed by Juan, Jonathan gathers his men to make an assault on the gang, its suppliers and their allies.
The tagline for The Substitute is “The most dangerous thing about school used to be the students.” You can watch The Substitute for free on Amazon Prime or on Tubi or Pluto or one of those services.
Our next episode will on Brian DePalma’s 1996 espionage thriller, Mission: Impossible.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
For this week's Patreon episode, we watched the 1976 thriller "Marathon Man," directed by John Schlesinger, written by William Goldman, and starring Dustin Hoffman, Laurence Olivier, Roy Scheider, William Devane and Marthe Keller. In "Marathon Man," Hoffman plays a graduate student who becomes entangled in a plot by a Nazi war criminal — and his U.S. government allies — to recover stolen diamonds.
The film reflects an of-the-time fascination with the afterlife of the Nazi regime, and especially those Nazis who escaped to South America. We have nothing but positive things to say about this movie and our conversation was interesting as well. You can find "Marathon Man" for rent or purchase on iTunes and Amazon and for streaming on Paramount+. There is also a new 4K blu ray to check out, if you're so inclined.
Welcome back to Unclear and Present Danger! It’s our first episode of the new year and we’re here with a pretty fun movie — “Executive Decision,” directed by Stuart Baird, produced by Joel Silver and starring Kurt Russell, Halle Berry, John Leguizamo, Oliver Platt, Joe Morton, Steven Seagal and many others. Music by, as you might expect, Jerry Goldsmith.
In “Executive Decision,” an intelligence analyst played by Russell and a group of commandos, led by Seagal, must infiltrate a passenger jet bound for Washington DC that has been hijacked by a terrorist group. On board the jet is enough nerve toxin to kill everyone on the eastern seaboard. Most of the film is a tense standoff on the airliner, as the commandos try to defuse the nerve bomb and take down the terrorists, while the terrorists move forward with their mission.
The tagline for Executive Decision was “Five miles above the earth, an elite team of six men must make an air to air transfer, in order to save 400 lives on board a 747... and 40 million below.”
You can find Executive Decision to rent or buy on iTunes and Amazon.
Our next episode of the podcast will be on “The Substitute,” otherwise known as “Stand and Deliver if the teacher body-slammed the students.”
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The latest episode of the Patreon is on “Marathon Man.”
On this week’s episode of Unclear and Present Danger — the last episode of the year! — we watched Tony Scott’s 1995 submarine action thriller, “Crimson Tide,” starring Denzel Washington, Gene Hackman, Viggo Mortenson and James Gandolfini, among many others.
And to discuss “Crimson Tide,” we have an esteemed guest! Tony Gilroy, who you may know from his work on the Bourne films, political thrillers like “State of Play,” “Beirut,” legal thrillers like “Michael Clayton” or the recent Star Wars Disney Plus series “Andor.”
Now, if you haven’t watched “Crimson Tide” — and you should, stop this episode and go put it on — here’s the score. In “Crimson Tide,” the crew of the USS Alabama, a nuclear submarine, is put on high alert as civil war breaks out in post-Soviet Russia. Military units loyal to the ultra-nationalist rebel have taken control of a nuclear missile installation and have threatened nuclear war if threatened.
The USS Alabama is commanded by Captain Frank Ramsey, a career veteran of the submarine corps. He has chosen the cerebral and inexperienced Lieutenant Commander Ron Hunter to serve as his new executive officer. The two clash, eventually coming to an impasse over an Emergency Action Message order a missile launch against the Russian base. Ramsey wants to move forward while Hunter wants to delay action until the USS Alabama can clarify a second message received but interrupted as the crew confronted an enemy submarine.
What follows is a confrontation, a mutiny, and a race to confirm the Alabama’s true orders lest they fire the shot that starts a nuclear conflagration.
The tagline for “Crimson Tide” was “Danger Runs Deep.”
You can find “Crimson Tide” for rent or purchase on iTunes and Amazon.
Our next episode will be on “Executive Decision,” directed by Stuart Baird and starring Kurt Russell, Halle Berry and John Leguizamo.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the patreon is on the 1984 Robert Altman drama on Richard Nixon, “Secret Honor.”
On this week’s episode of the podcast, Jamelle and John watched “City Hall,” a 1996 political drama directed by Harold Becker and starring Al Pacino, John Cusack, Danny Aiello, Bridget Fonda, David Paymer and Martin Landau. You’ll also notice a beardless Richard Schiff, Lauren Velez, and Senator Fritz Hollings of South Carolina.
In “City Hall,” Cusack plays Kevin Calhoun, the loyal deputy to Mayor John Pappas, played by Al Pacino. After a young boy and a police detective are killed in a sting gone wrong, Calhoun has to navigate a tense political situation in effort to bring the crisis to a resolution without harming the rising prospects of his boss. Unfortunately, as he soon discovers with the help of Marybeth Cogan, a lawyer for the slain cop played by Fonda, behind the deaths are a tangled web of corruption that reaches from the political machine to the courts to the mayor’s office itself.
The tagline for “City Hall” is “It started with a shootout on a rainswept street and ended in a scandal that shattered New York.”
You can get “City Hall” for rent or purchase on Amazon and iTunes.
Our next episode will be on “Crimson Tide.”
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
On this week’s podcast, Jamelle and John watched the legendary Hong Kong director John Woo’s 1996 action thriller “Broken Arrow,” starring John Travolta, Christian Slater, Samantha Mathis, Delroy Lindo and Howie Long.
In “Broken Arrow,” a rogue pilot, Air Force Major Vic Deakins, played by Travolta, steals two nuclear weapons with the intent to sell them back to the United States government for a profit. His co-pilot, Captain Riley Hale, played by Christian Slater, is left for dead during the theft of the weapons. When Hale is found by park ranger Terry Carmichael, Samantha Mathis, the two race to stop Deakins, who eventually decides that he is going to detonate one of the weapons and irradiate the Southwest.
The tagline for “Broken Arrow” was “Prepare to go ballistic.”
You can find “Broken Arrow” to rent or buy on Amazon and iTunes.
Our next episode will be on the 1996 drama “City Hall.”
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
This week on the Patreon, Jamelle and John were joined by Beverly Gage — a professor of history at Yale University and author of "G-Man: J. Edgar Hoover and the Making of the American Century" — to discuss Clint Eastwood's 2011 J. Edgar Hoover biopic, simply titled "J. Edgar." We had such a good time discussing the movie with Professor Gage that we thought we should share this episode on the main feed as a bonus! We hope you enjoy it and we hope you consider signing up for the Patreon if you haven’t already.
"J. Edgar" stars eonardo DiCaprio in the title role, with supporting performances from Armie Hammer, Naomi Watts, Josh Lucas and Judi Dench. The movie is available for rental or purchase on iTunes and Amazon.
You can find Beverly's book at a bookstore near you.
This episode was produced by Connor Lynch. Our artwork is by Rachel Eck.
For this week’s episode, Jamelle and John watched Oliver Stone’s 1995 dramatization of the life and career of President Richard M. Nixon, appropriately titled “Nixon.” Like Stone’s other mid-century political film, “JFK,” it stars a murderer’s row of A-listers and character actors: Anthony Hopkins, Joan Allen, Ed Harris, Bob Hoskins, Paul Sorvino, Mary Steenburgen, James Woods, Powers Boothe, Tony Goldwyn, J.T. Walsh and many, many others.
To talk “Nixon” we were joined by the great Nicole Hemmer, an associate professor of history and director of the Rogers Center for the American Presidency at Vanderbilt University, the author of two great books on conservative politics, and one of the co-hosts of the PastPresent podcast.
You can find “Nixon” to rent or stream on iTunes or Amazon Prime. The tagline for “Nixon” is “Triumphant in Victory, Bitter in Defeat. He changed the world, but lost a nation.”
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
The next episode of the podcast will be on John Woo’s first American feature, “Broken Arrow.”
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War. Our latest episode is on “The Private Files of J. Edgar Hoover,” written and directed by Larry Cohen.
For this week’s episode of Unclear and Present Danger, Jamelle and John watched “The Enemy Within,” a 1994 remake of John Frankenheimer’s “Seven Days in May,” starring Forest Whitaker and Jason Robards.
Like the original film, “The Enemy Within” concerns a military plot to depose the president and take control of the U.S. government. Like the original film, our hero is an Army advisor who would rather defend the Constitution than his superiors. And like the original film, the story is a race against the clock as the president and his allies try to stop their adversary, the Chairman of the Joint Chiefs of Staff, from executing his plan.
“The Enemy Within” stars Forest Whitaker as Colonel “Mac” Casey, Sam Waterston as President William Foster, Dana Delany as his chief of staff Betsy Corcoran, and Jason Robards as General R. Pendleton Lloyd.
The tagline for “The Enemy Within” is “You never know who your enemies are.”
You can stream the movie on HBO Max or rent it on iTunes and Amazon.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The latest episode of our Patreon is on “Seven Days in May.” So you can listen to these two episodes to compare and contrast the two movies.
For this week’s episode of Unclear and Present Danger, Jamelle and John watched “Hidden Assassin” — also released under the name “The Shooter” — a 1995 action drama directed by Ted Kotcheff and starring Dolph Lundgren and Maruschka Detmers.
In “Hidden Assassin,” Lundgren plays a U.S. Marshall, Michael Dane, tasked with arresting a woman, played by Detmers, suspected of assassinating the Cuban ambassador to the United States. Time is of the essence; the Secretary of State will meet with his Cuban counterpart in Prague — where the movie takes place — in an attempt to ease tensions between the two nations. But Lundgren isn’t so sure that Detmers’ character, Simone Rosset, is the shooter. What unfolds is a conspiracy that threatens Dane’s life and implicates some of his closest allies.
The tagline for “Hidden Assassin” is “Seduction is a deadly weapon!” Which doesn’t have much to do with the actual movie.
You can find “Hidden Assassin” to watch on Amazon Prime or for free on YouTube.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. he latest episode of our Patreon podcast is on the 1979 film “Winter Kills.”
Our next episode of the main freed podcast will be on “The Enemy Within,” a 1994 remake of John Frankenheimer’s “Seven Days in May.” And we’ll watch the original film for the Patreon as well.
Links from the episode!
For this week’s episode of Unclear and Present Danger, Jamelle and John watched “12 Monkeys,” the 1995 science fiction film from Terry Gilliam starring Bruce Willis, Madeline Stowe, Brad Pitt and Christopher Plummer.
“12 Monkeys” is an adaptation of sorts of a 1962 French short film “La Jetée,” in which scientists in a post-nuclear apocalypse future send a man back and forward through time in an effort to save their present. The man eventually succeeds in his mission, only to be killed — his death being an image he had seen again and again in his dreams.
And in the film “12 Monkeys,” Bruce Willis plays James Cole, a prisoner living in an underground compound beneath Philadelphia, in a future where the human race has been nearly wiped out by viral plague. He is selected to go back in time to find the original virus to help scientists in his present develop a cure.
During multiple trips back in time, he encounters people — a patient at a mental health institution played by Pitt, a psychologist played by Stowe — who all seem to have a role in the events that will end the human race. Cole struggles to resolve whether his life and experiences are real or not, but comes to understand that the virus is real, and that the man responsible is in his orbit. He attempts to stop him but is shot and killed, fulfilling the vision he had seen, in his dreams, of his own death.
The tagline for “12 Monkeys” is “The Future is history.”
“12 Monkeys” is available for rent or purchase on Amazon and iTunes.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the Patreon is on “A Face in the Crowd.”
For this week’s episode, Jamelle and John were joined by Linda Holmes of NPR’s Pop Culture Happy Our to discuss the 1995 political romantic comedy “The American President,” directed by Rob Reiner, written by — you guessed it — Aaron Sorkin, and starring Michael Douglas, Annette Bening, Martin Sheen, David Paymer, Samantha Mathis and Michael J. Fox, among others.
“The American President” stars Michael Douglas as President Andrew Shepherd, a widow, who falls in love with an environmental lobbyist, played by Annette Bening, while he also runs for re-election and attempts to pass major legislation. The film is both a romantic comedy, depicting the president’s courtship, and a political drama, depicting the effort to win votes, dodge criticism and shore up the White House’s political position.
The tagline for “The American President” is “Why can’t the most powerful man in the world have the one thing he wants most?”
“The American President” is available for rent or purchase on Amazon and iTunes.
Our next episode will on the 1995 science-fiction thriller, “Twelve Monkeys.”
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The latest episode of our Patreon podcast is on the 1970 film “The Conformist.” Our next episode will be on Elia Kazan’s 1957 political drama “A Face in the Crowd.”
For this week’s episode, Jamelle and John were joined by Isaac Chotiner of the New Yorker magazine to watch and discuss 1995’s GoldenEye, the first James Bond film of the 1990s and the first James Bond film of the post-Cold War era. GoldenEye is the seventeenth film in the James Bond series and the first to star Pierce Brosnan, who would go on to star in three subsequent pictures, all of which we will eventually cover on the podcast: Tomorrow Never Dies, The World is Not Enough and Die Another Day.
Directed by Martin Campbell and starring, in addition to Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen, Alan Cumming, Judi Dench and Joe Don Baker, Goldeneye was something of a reboot for the Bond franchise, which had been on a six-year hiatus since the previous entry, License to Kill starring Timothy Dalton.
The plot of GoldenEye is as straightforward as one of these movies can manage: Bond is tasked with stopping the mysterious Janus syndicate from stealing and using a Soviet-era space weapon capable of causing an electro-magnetic pulse blast anywhere on the planet. Complicating this mission is the fact that the leader of Janus, Alec Trevelayn, is a former MI6 agent who was supposed to have died on a mission with Bond, nine years earlier. There’s the usual adventures and explosions and casual sexual encounters, culminating in a final showdown between Bond and Trevelayn on a massive satellite.
GoldenEye, if you’ve somehow never seen it, is available for rental and purchase on iTunes and Amazon.
For our next episode, we’re covering the 1995 romantic-political comedy, “The American President,” starring Michael Douglas and Annette Benning.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The most recent episode of the Patreon is on the 1970 Italian political drama, “The Conformist.”
For this week’s episode, we watched the 1995 coming-of-age tale slash Vietnam War movie slash crime thriller “Dead Presidents,” produced and directed by Albert and Allen Hughes. It stars Larenz Tate, Keith David, Chris Tucker, N’Bushe Wright, Freddy Rodriguez and Bokeem Woodbine.
“Dead Presidents” is the story of Anthony Curtis, a soon-to-be high school graduate from the Bronx who chooses to join the Marines in search of his own destiny. The year is 1969 and he is sent to Vietnam, leaving his family, his girlfriend Juanita and his friends behind. He experiences the worst of the war and returns home, angry and alienated, to his old girlfriend and his daughter. His friends, who also went to war, have also had their own trials. Each desperate for meaning and for money, they devise a plan to rob an armored car. As you might expect, things get quickly out of hand.
In the course of the episode, Jamelle and John discuss the experience of Black veterans in America’s wars, the role of Vietnam in American national memory and the way race shapes our understanding of crime.
The tagline for “Dead Presidents” is “The only color that counts is green.” You can find the move for rent on iTunes and Amazon.
Episodes come out every two weeks, so we will see you then with an episode on the first James Bond film of the 1990s, “Goldeneye.”
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest Patreon episode is on the 1975 German political thriller, “The Lost Honor of Katharina Blum.”
For this week’s episode, Jamelle and John watched Kathryn Bigelow’s 1995 cult favorite Strange Days, a collaboration with James Cameron inspired by the political and social turmoil of the late 1980s and early 1990s. Although not quite “cyberpunk” — it isn’t a William Gibson pastiche like its contemporary Johnny Mnemonic — Strange Days borrows heavily from the genre and its various conceits. Strange Days stars Ralph Fiennes as protagonist Lenny Nero, Angela Bassett as “Mace,” Juliette Lewis as Faith and Tom Sizemore as Max, with appearances from Vincent D’Onofrio, Michael Wincott, William Fichtner and Richard Edson.
Here is a brief plot synopsis:
Set in the year 1999 during the last days of the old millennium, the movie tells the story of Lenny Nero, an ex-cop who now deals with data-discs containing recorded memories and emotions. One day he receives a disc which contains the memories of a murderer killing a prostitute. Lenny investigates and is pulled deeper and deeper in a whirl of blackmail, murder and rape. Will he survive and solve the case?
The tagline for Strange Days is “New Year’s Eve 1999. Anything is possible. Nothing is forbidden.”
Strange Days is available to stream on HBO Max and is available for rent or purchase on iTunes and Amazon. Our next episode is on the Hughes brother’s crime thriller Dead Presidents.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the patreon is on The Battle of Algiers.
This week, Jamelle and John were joined by scholar and author Sam Goldman to watch and discuss the1994 alt-history thriller “Fatherland,” a made-for-HBO adaptation of Robert Harris’ 1992 novel of the same name.
Both the novel and the film take place in a 1964 where Nazi Germany won the war in Europe. In the week leading up to the 75th birthday of Adolf Hitler, and the opening up of diplomatic relations with the United States, an investigator in the SS looks into the suspicious death of a high-ranking Nazi official. He soon discovers that a cadre of senior Nazis are being murdered under unusual circumstances to cover up something of great importance. Our detective, along with an American journalist, eventually discover the “something” in question: evidence of the Holocaust.
“Fatherland” is not available for streaming on HBO Max, but you can find a free copy of decent quality on YouTube.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the Patreon is on “The Battle of Algiers.” It was a great conversation and you should check it out.
In this week’s episode of Unclear and Present Danger, Jamelle and John are joined by the Josie Duffy Rice of the Unreformed podcast to discuss “The Net,” a 1995 techno-thriller, directed by Irwin Winkler and starring Sandra Bullock, Jeremy Northam and Dennis Miller. The Net was one of several films in a mini-genre that you can describe as, “What if computer technology was used for evil?” Contemporaries include Hackers and Enemy of the State, both films we will eventually cover on this podcast.
Here is a brief plot synopsis:
Angela Bennett is a freelance software engineer who lives in a world of computer technology. When a cyber friend asks Bennett to debug a new game, she inadvertently becomes involved in a conspiracy that will soon turn her life upside down and make her the target of an assassination.
The tagline for The Net is: “NO DRIVER’S LICENSE, NO CREDIT CARDS, NO PASSPORT, NO ACCESS TO HER BANK ACCOUNTS IN A FOREIGN COUNTRY … SHE FINDS HER IDENTITY STOLEN.”
The Net is available to rent on Amazon and iTunes.
Our next episode will on the 1994 adaptation of the novel “Fatherland,” starring Rutger Hauer and Miranda Richardson. You can watch it on YouTube.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the patreon is on the 1982 Costa-Gavras film “Missing.”
In this week’s episode of Unclear and Present Danger, Jamelle and John watch the satirical sci-fi action thriller “Demolition Man,” starring Sylvester Stallone as “John Spartan,” a Los Angeles city police officer who is cryogenically frozen as punishment for a failed rescue attempt; Wesley Snipes as “Simon Phoenix,” his primary antagonist; Sandra Bullock as a cop in the sterile, Brave New World-esque future society in which the film takes place; and Nigel Hawthorne as the leader of that future society.
In addition to their usual look at the headlines and news of the day, Jamelle and John discuss “Demolition Man” as one of the quintessentially conservative blockbusters of the 1990s, with a critique of liberalism as both permissive — and thus prone to disorder — and highly restrictive, and thus antagonistic to traditional ideas of manhood and masculinity. They also look at what the movie says about the role of violence in society, and try to place the film within the “end of history” context of the immediate post-Cold War period.
Episodes come out every two weeks, so we’ll see you then with an episode on “The Net,” starring Sandra Bullock.
“The Net” is available to rent on iTunes and Amazon.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. We are currently doing a mini-series on the films of the French-Greek director Costa-Gavras.
In this week’s episode of Unclear and Present Danger, Jamelle and John are joined by David Sims of The Atlantic magazine and the Blank Check podcast to discuss the 1995 comic book adaptation “Judge Dredd.” Made in the era when Hollywood had no idea what to do with comics and science fiction properties, “Judge Dredd” is, in most respects, a failure. But within that failure is interesting glimpse into one of the major political preoccupations of the 1990s — crime. As such, the conversation touches on the crime discourse of the decade, as well as the culture of American policing. They also talk a bit about Sylvester Stallone.
It’s a good episode, even if you disagree with us about the strength of the movie itself. We realized that we skipped an important entry in Stallone’s 1990s output, so our next episode will be on the 1993 film “Demolition Man.” We’ll see you then.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode is on the 1970 political thriller “The Confession,” directed by Costa-Gavras.
In this week’s episode of Unclear and Present Danger, Jamelle and John watch “True Lies,” James Cameron’s tonally-incoherent (but hugely successful) spy thriller starring Arnold Schwarzenegger and Jamie Lee Curtis. They discuss the film as a straightforward take on the American crisis of masculinity in the 1990s, as a depiction of American beliefs and ideologies around sex and power, and as the beginning of a significant turn in the cultural depiction of America’s enemies. They also talk about American interventions into Haiti, welfare reform and James Cameron’s marriages.
You can watch “True Lies” on Apple TV Plus or Paramount Plus.
Episodes are released every two weeks, so join Jamelle and John later this month for an episode on the 1995 adaptation of “Judge Dredd,” starring Sylvester Stallone.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The latest episode of the Patreon is on the 1969 political thriller “Z,” directed by Costa-Gavras.
This week on Unclear and Present Danger, Jamelle and John watched “Canadian Bacon,” a 1995 political comedy written, produced and directed by Michael Moore, which takes aim at American politics in the wake of the Cold War. It stars an ensemble cast of John Candy (in his last film role), Alan Alda as the president of the United States, Bill Nunn, Kevin J. O’Connor, Rhea Perlman, Kevin Pollak and Rip Torn.
In their conversation, Jamelle and John discuss Michael Moore’s work and impact (especially on their political awareness), post-Cold War demobilization, deindustrialization and the ways that race and class work together in American life. New episodes come out every two weeks, so join the podcast then when we discuss James Cameron’s “True Lies.”
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
On this week’s episode of Unclear and Present Danger, we watched “Die Hard with a Vengeance,” the 1995 threequel to the original 1988 “Die Hard.” Directed by John McTiernan, who helmed the first film, it was written by prolific Holllywood screenwriter Jonathan Hensleigh based on an original screenplay and stars Bruce Willis as recurring hero John McClane, Samuel L. Jackson as “Zeus,” and Jeremy Irons as Simon Gruber, brother of Hans.
In the episode, Jamelle and John discuss Rudy Giuliani’s New York, the racial and class politics of the film and how this movie seems to anticipate the imagery of the 9/11 era.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
Our next episode is on the 1995 political satire “Canadian Bacon,” directed by Michael Moore and starring an ensemble cast of John Candy, Alan Alda, Bill Nunn and many others. You can find it to rent on iTunes and Amazon.
On this week’s episode of Unclear and Present Danger, Jamelle and John discuss Wolfgang Petersen’s medical thriller slash action movie “Outbreak.” We spend the bulk of the episode discussing the experience of watching this movie having lived through a pandemic, as well as the pandemic fears of the 1990s that might have inspired this film. Unfortunately, a few technical difficulties meant the audio quality isn’t as high as it should be, but we did our best to compensate and we appreciate your patience.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our most recent episode of the Patreon is on Alan J. Pakula’s paranoia thriller “The Parallax View.”
On our next episode of Unclear and Present Danger, we cover “Die Hard: With a Vengeance.”
This week, Jamelle and John are joined by Soraya Roberts of Defector and Pipe Wrench magazine to talk “Drop Zone,” a quintessentially 1990s action film starring Wesley Snipes and Gary Busey. They talk Snipes' career and his fall into “sovereign citizenship,” the 90s obsession with “extreme” sports, and race and Hollywood.
In our next episode, we’ll discuss the (ridiculous) disaster thriller “Outbreak,” directed by Wolfgang Petersen and starring Dustin Hoffman and Rene Russo. It’s available to rent or purchase on Amazon and iTunes.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our most recent episode is on the Clint Eastwood film “The Eiger Sanction,” and our next episode will be on the Alan J. Pakula paranoia thriller, “The Parallax View.”
In this week’s episode of Unclear and Present Danger, Jamelle and John watch “Toys,” a largely-forgotten fantasy-comedy film from director Barry Levinson. Despite its myriad flaws, the boys have a productive conversation about the film’s obvious themes — the military-industrial complex and the rise of remote and drone warfare — and its less obvious themes, specifically the bourgeois vision of family capitalism and industrial harmony at the heart of the film.
“Toys” is virtually impossible to watch if you don’t have a physical disc, but there is a low-quality version available to stream here.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
We are concluding our Graham Greene series with an obscure spy drama from director Otto Preminger, the 1979 film "The Human Factor." It is of a piece with "Tinker Tailor Soldier Spy" and to that point, Jamelle and John spend this episode discussing the connections between the two works and the similarities (and differences) between how Le Carre and Greene view betrayal and deception.
"The Human Factor" is pretty good — Preminger was a master — so we both recommend that you check it out. It's available to view for rent on iTunes and Amazon Prime.
To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well a monthly entry into a movie raffle, and whatever else we can think of.
Connor Lynch produced this episode. Artwork by Rachel Eck.
In this week’s episode, Jamelle and John watch Disney’s “The Rocketeer,” a throwback action-adventure film starring Billy Campbell, Alan Arkin, Jennifer Connelly, Paul Sorvino and Timothy Dalton. They discuss the 1930s revival of the late 80s and early 90s, the real-life conspiracies that might have inspired the plot of “The Rocketeer,” and the political power of nostalgia for Americans on the left and the right.
Episodes come out every other Friday, so we’ll see you two weeks from now with the 1992 film “Toys”" directed by Barry Levinson and starring Robin Williams. “Toys”" is basically impossible to find, so don’t worry about watching this one!
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
In this week’s episode, Jamelle and John discuss “Without Warning,” a made-for-television science fiction film from 1994, produced as if it were an actual breaking news event, with “reports” from on-the-ground correspondents from around the world. They discuss the inspiration for this “docudrama” genre as well as the general wave of “asteroid attack” films in the 1990s. They also talk the psychology behind the idea that a global disaster would bring humanity together (under American leadership, of course).
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
We’ll see you in two weeks with “The Rocketeer,” a science-fiction adventure film from 1991, directed by Joe Johnston and starring Billy Campbell and Jennifer Connelly. It’s available to rent on Amazon and iTunes and available on Disney Plus.
New Episode
This week, Jamelle and John are joined by historian Gillet Rosenblith to discuss the 1994 action thriller “Surviving the Game,” a loose adaptation of “The Most Dangerous Game” and a glimpse into anxieties and fears regarding poverty, homelessness and urban decay in the 1990s. They also discuss other, similar films of the era, like John Woo’s “Hard Target,” and they discuss further what distinguishes the action movies of the 1990s from their predecessors in the 70s and 80s.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
Happy New Year! In this week’s episode of Unclear and Present Danger, we watch “The Puppet Masters,” an adaptation of a 1951 Robert Heinlein novel that feels aimless in the absence of the original Cold War context. Jamelle and John discuss, among other things, the “Body Snatcher” genre, science fiction as a vehicle for allegory, and the war on drugs.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
What do you get when you mix Boston, bad accents and a lot of explosions? The 1994 thriller “Blown Away” starring Jeff Bridges and Tommy Lee Jones! Jamelle and John are joined by Clare Malone of The New Yorker to talk Irish-American identity, Irish nationalism, the racial politics of Boston and much, much more.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
Hello listeners! This on the Patreon week we continued our journey into the work of Graham Greene and Carol Reed with the 1949 British noir “The Third Man.” It suffices to say that this is one of the most famous and acclaimed movies of all time, so Jamelle and John had a lot to say about its production, its writing and its themes. They also spoke a great deal about Orson Welles, the politics of postwar Europe, existentialism, and the career of star Joseph Cotten.
Connor Lynch produced this episode. Artwork by Rachel Eck.
To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well special mailbag episodes, monthly entry into a movie raffle, and whatever else we can think of.
In this week’s episode, Jamelle and John scrape the bottom of the cinematic barrel with the 1994 environmentalist action flick, “On Deadly Ground,” directed by and starring Steven Seagall. It’s not a good movie, but they had a good conversation covering Seagall’s political trajectory, right-wing misogyny, and the psychological origins of authoritarian politics.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
Links from the episode!
New York Times front-page for February 18, 1994
A Variety review of “On Deadly Ground”
Siskel and Ebert review “On Deadly Ground”
Next week, Jamelle and John will be joined by The New Yorker’s Clare Malone to discuss “Blown Away” with Jeff Bridges and Tommy Lee Jones.
For this week’s Patreon episode, Jamelle and John cover the 1959 film “Our Man in Havana,” an adaptation of a 1958 Graham Greene novel by the same name. We talk Graham Greene, director Carol Reed, and Alec Guinness, the star, as well as esoteric topics like motivated reasoning, the nature of intelligence work, and the power and peril of propaganda. We also, as always, looked at the news for the day the film was released, December 30, 1959.
Connor Lynch produced this episode. Artwork by Rachel Eck.
To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well special mailbag episodes, monthly entry into a movie raffle, and whatever else we can think of.
In this week’s episode of Unclear and Present Danger, Jamelle, John and special guest Jay Willis of Balls and Strikes discuss the 1993 adaptation of John Grisham’s “The Pelican Brief,” and ask whether anything about the movie’s plot actually makes any sense. They also discuss the early days of the conservative legal movement, the political hegemony of capital, and Stanley Tucci.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Last week, we covered the 1979 BBC adaptation of “Tinker Tailor Soldier Spy.”
Links from the episode!
New York Times front-page for December 17, 1993
Kirkus book review of “The Pelican Brief.”
The Rise of the Conservative Legal Movement: The Battle or Control of the Law
We have another Patreon episode for you and this week, it’s a John favorite: the 1979 BBC adaptation of “Tinker Tailor Soldier Spy.” We go deep into the character of George Smiley, John le Carre’s critique of the British ruling class, and the idea of national “decadence.” Jamelle also spends a little time talking about the American constitutional system, so it’s basically an episode where everyone is on brand.
Connor Lynch produced this episode. Artwork by Rachel Eck.
To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well special mailbag episodes, monthly entry into a movie raffle, and whatever else we can think of.
Jamelle and John are joined by Michael Liroff of the Five Four podcast to discuss “The Fugitive,” a masterpiece of Dad cinema. They talk the liberal politics of the 1990s, the surprisingly nuanced racial politics of the film, and complain, as always, that they just don’t make them like this anymore.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.
Links from the episode!
The New York Times front-page for August 6, 1993
Wikipedia entry on Harold Washington, the 51st mayor of Chicago
Also, a quick note: Jamelle said this was the 27th episode of the podcast, ti is actually the 28th! Our apologies for the mistake.
Episode 26 — The Hunt for Red October (Take Two)
In this one year anniversary episode of Unclear and Present Danger, Jamelle and John return to the film that started it all, “The Hunt for Red October.” They discuss the film as an elegy for the Cold War era, and further explore the dilemma of American power and identity in the post-Soviet world.
Next week’s episode…”The Fugitive.”
Sign up for our Patreon show on the films of the Cold War!
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
Links from the episode!
Episode 25 — The Firm
In this episode of Unclear and Present Danger, John and Jamelle discuss the 1993 John Grisham film adaptation “The Firm.” They use the genre of the legal thriller to discuss the legalization of American life in the 1990s and the turn from politics in crucible of history to management at its putative end. They also talk about Wilford Brimley, so there’s that too.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
Links from the episode!
New York Times front-page for June 30, 1993
Barack Obama’s lost manuscript
“Two Cheers for Politics: Why Democracy is Flawed, Frightening—and Our Best Hope”
Next time on Unclear and Present Danger…Jamelle and John return to “The Hunt for Red October.”
In this episode of Unclear and Present Danger, Jamelle and John are joined by Amanda Smith of the Disaster Girls podcast to discuss the Wesley Snipes vehicle “Passenger 57,” which features an extremely charismatic Snipes facing off against an off-band Hannibal Lecter and also, casual racism.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
Links from the episode!
• New York Times front-page for November 6, 1992
• Interview with Stewart Raffill, one of the writers for Passenger 57
Somehow, a crime thriller starring Willem Dafoe, Mary Elizabeth Mastrantonio and Mickey Rourke set in the New Mexico desert isn’t especially good. Still, the 1992 film “White Sands” gave Jamelle and John a little bit to discuss for this week’s episode of Unclear and Present Danger.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
Links from the episode!
Jamelle, John and special guest Adam Serwer of The Atlantic watch one of the great crime movies of the 1990s — Bill Duke’s “Deep Cover” — and talk about post-Cold War anxiety over the drug trade, Black “tough on crime” politics, and the war on drugs.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
Links from the episode!
New York Times front-page for April 15, 1992
James Forman’s book on the Black politics of the early 1990s, “Locking Up Our Own: Crime and Punishment in Black America.”
“THE 1992 CAMPAIGN: Candidates' Records; Four Years of Bush’s Drug War: New Funds but an Old Strategy”
Welcome to episode 22 of Unclear and Present Danger. This week, we watched “Die Hard 2: Die Harder,” the sequel — of course — to “Die Hard.” In this conversation, Jamelle and John talk the 1990s panic over violence in pop culture, the working-class qualities of John McClane, and the lost days of American suspicion of, even hostility to, the military.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
Links from the episode!
On episode 21 of Unclear and Present Danger, Jamelle and John discuss the horrifically problematic 1993 thriller “Rising Sun” starring Wesley Snipes and Sean Connery. It’s lurid, salacious and incredibly racist, which makes it fertile ground for a discussion of the anti-Japanese panic of the late 1980s and early 1990s. Additional topics include Wesley Snipes' career, Michael Crighton’s whole deal, and the question of whether it is even possible to forge a unifying national narrative.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
Links from the episode!
The Washington Post on the protests against the release of “Rising Sun.”
Hobart Rowen on Japan-bashing in the 1980s.
In this, our twentieth episode of Unclear and Present Danger, Jamelle and John watched the hit 1993 thriller “In the Line of Fire,” directed by Wolfgang Petersen and starring Clint Eastwood, Rene Russo and John Malkovich. They discuss Eastwood’s career and star persona, the anti-political apathy of the 1990s, and the “end of history” vibes of Eastwood and Malkovich’s characters.
Follow us on Twitter!
Links from the episode!
New York Times front-page for July 9, 1993
For episode 19 of Unclear and Present Danger, Jamelle and John watch “In the Line of Duty: Ambush in Waco,” a ripped-from-the-headlines-style movie about the siege at Waco. They use the movie as an occasion to discuss right-wing extremism, abuse and overreach among federal law enforcement, and how both played themselves out in American culture.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
Links from the episode!
New York Times front-page for May 23, 1993
“Bring the War Home: The White Power Movement and Paramilitary America” by Kathleen Belew
American Experience: Ruby Ridge
“Waco: The Rules of Engagement,” a 1997 documentary on the siege and its fallout.
Jamelle, for one, has been very excited about this episode, an analysis of Joel Schumacher’s 1993 film “Falling Down.” In the conversation, Jamelle and John discuss the populist moment of the early 1990s, the discourse around the “angry white man,” the class politics (or lack thereof) of the film, and the erosion of the post-war anti-fascist consensus.
Connor Lynch produced this episode. Artwork by Rachel Eck.
Follow us on Twitter!
Links from the episode!
New York Times front-page for February 26, 1993
Carol Clover on “Falling Down” in Sight and Sound magazine.
A New York Time story on the “race to win over the angry white male” from 1995.
In this episode of Unclear and President Danger, Jamelle and John discuss “Sniper,” a delightful piece of genre trash that also happens to speak to some of the paranoias and prejudices of the era. To that point, their conversation veers from the anti-Bill Clinton conspiracy theories of the early 1990s to the militia aesthetic that emerged later in the decade.
Follow us on Twitter!
Links from the episode!
New York Times front page for January 29, 1993
For episode 16 of Unclear and Present Danger, Jamelle and John discuss “Under Siege,” 1992 action thriller directed by Andrew Davis and starring Steven Seagal in what is clearly his best role. We talk about Seagal’s career, Hollywood’s view of the American military in this era of filmmaking, and the strange, almost left-wing politics of this movie in particular. Jamelle also attempts a bad impression of Seagal. It’s a good time.
“Under Siege” is available for rent on Amazon and iTunes.
Our logo, as always, is courtesy of the great Rachel Eck, who you can find on Instagram.
Follow us on Twitter!
Links from the episode!
New York Times frontpage for October 9, 1992
Steven Seagal’s infamously unwatchable appearance on Saturday Night Live.
Scene in “Austin Powers” where Austin learns the Cold War is over.
On episode 15 of Unclear and Present Danger, Jamelle and John are joined by Mike Duncan (Revolutions podcast, “Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution”) to discuss the delightful 1992 thriller Sneakers. It’s a movie about a tech mogul who hopes to stage an information revolution and, not surprisingly, John, Jamelle and Mike discuss the internet, social revolutions, and the challenge of building something out of nothing.
Our logo, as always, is courtesy of the great Rachel Eck, who you can find on Instagram.
Follow us on Twitter!
Links from the episode!
It’s episode 14 of Unclear and Present Danger and we’re talking Oliver Stone’s ridiculous yet incredibly-compelling conspiracy thriller, JFK. Jamelle and John are joined by the historian Alexis Coe to discuss the film, as well as the real John F. Kennedy, his life and legacy. This is a long and fruitful conversation, that covers everything from the Boomer wish-fulfillment which animates the movie to the political consequences of conspiracy-thinking.
Once again, our new logo is courtesy of the great Rachel Eck! You can find her on Instagram.
Follow us on Twitter!
Links from the episode!
New York Times front-page for December 20, 1991
Oliver Stone’s New York Times op-ed defending the film.
Miller Center of Public Affairs page on the Kennedy presidency.
Politico Magazine on John F. Kennedy and Margaret Coit
Once Upon a Secret: My Affair with President John F. Kennedy and Its Aftermath by Mimi Alford
Is a Star Trek movie a political and military thriller? We think so! Which is why, for this thirteenth episode of Unclear and Present Danger, Jamelle and John (and their guest, Sam Adler-Bell of the “Know Your Enemy” podcast) discussed Star Trek VI: The Undiscovered Country. They talked about the nature of Star Trek’s utopianism, questioned whether the Federation is actually a good thing, and gave a close reading of the film’s Cold War allegory.
Our new logo is courtesy of the great Rachel Eck! You can find her on Instagram.
Follow us on Twitter!
Links from the episode!
New York Times front-page for December 6, 1991
On episode 12 of Unclear and Present and Danger, Jamelle and John talk about, and puzzle over, the 1991 action comedy (comedic thriller?) “Company Business.” They have an extended discussion of Gene Hackman’s career, talk Mikhail Gorbachev and the collapse of the Soviet Union, and think about the surge of populism that struck American politics in the early 1990s.
Our new logo is courtesy of the great Rachel Eck! You can find her on Instagram.
Follow us on Twitter!
Links from the episode!
New York Times front-page for September 6, 1991
Martin Chilton’s 2020 profile of Gene Hackman
“Collapse: The Fall of the Soviet Union” by Vladislav M. Zubok
On this 11th episode of Unclear and Present Danger, Jamelle and John are joined by the journalist and author Jonathan Katz to talk John Milius' 1991 Vietnam drama, “Flight of the Intruder.” Among many other things, they talk Milius' work and career, the place of Vietnam in American’s historical memory, the political impact of the Gulf War, and the search for meaning through conflict.
Our logo is courtesy of the great Rachel Eck! You can find her on Instagram.
Follow us on Twitter!
Links from the episode!
In this tenth episode of Unclear and Present Danger, Jamelle and John talk a little about this week’s movie, the 1991 submarine farce “Going Under,” but devote most of the episode to discussing the war in Ukraine, Vladimir Putin’s regime in Russia, and the way the world has underestimated the power of democracy.
Also, you might notice that we have a new logo. That is courtesy of the great Rachel Eck! You can find her on Instagram.
Follow us on Twitter!
Links from the episode!
New York Times for Friday, August 23, 1991
A comprehensive explainer of Russia’s invasion of Ukraine at Jewish Currents magazine.
On this week’s episode of Unclear and Present Danger, Jamelle and John talk the 1990 John Le Carré adaptation “The Russia House,” starring Sean Connery and Michelle Pfeiffer. They discuss the social base for intelligence work during the Cold War, the period of glasnost and perestroika in the Soviet Union, the politics of nostalgia and the film’s excellent wardrobe. You can rent “The Russia House” on iTunes or on Amazon.
Also, you might notice that we have a new logo. That is courtesy of the great Rachel Eck! You can find her on Instagram.
Follow us on Twitter!
Links from the episode!
The New York Times for December 25, 1990
Wikipedia article for glasnost and perestroika
John D. Skrentny’s “The Minority Rights Revolution” on the impact of the Cold War on liberal reforms in the United States.
In this week’s episode of Unclear and Present Danger, Jamelle and John tackle yet another movie about the Troubles, the 1990 film “Hidden Agenda.” This one, however, is more concerned with British politics than the well-being of the Irish people. They discuss Margaret Thatcher, talk a little about colonialism and the intra-European origins of racism, and complain about the dearth of well-made political thrillers. You can watch “Hidden Agenda” for free on Tubi.
Follow us on Twitter!
Links from the episode!
The New York Times for Wednesday November 21, 1990.
Cedric Robinson’s “Black Marxism: The Making of the Black Radical Tradition”
Alan J. Pakula’s 1974 film “The Parallax View.”
In this episode of Unclear and Present Danger, Jamelle and John discuss the 1990 made-for-TV movie “By Dawn’s Early Light.” Their conversation centers on the politics of nuclear weapons, what they mean for constitutional democracy, and how fear of nuclear weapons has been a potent political tool since the end of the Second World War.
“By Dawn’s Early Light” is available to stream for free on Amazon and YouTube, and is available for rent on iTunes.
Follow us on Twitter!
Links from the episode!
In the sixth episode of Unclear and Present Danger, John and Jamelle discuss “The Fourth War,” a late-period John Frankenheimer film about two crusty bastards who almost start the third world war over a personal grudge match. It looks like a TV movie and it’s not that interesting, but it was good fodder for a fruitful and fascinating conversation. Jamelle brings some 19th century American political history to the table, and John uses Francis Fukuyama’s “The End of History” to get at some of the ideas in the film.
Follow us on Twitter!
Links from the episode!
New York Times front page for Friday, March 23, 1990
Janet Maslin’s New York Times review
Roger Ebert’s Chicago Sun-Times review
A book worth reading: The Slave Power: The Free North and Southern Domination, 1780–1860
In this week’s episode, Jamelle and John talk “The Package,” the 1989 conspiracy thriller from Andrew Davis, and the first of many Andrew Davis movies to come on this podcast. They talk class tensions within the military, the age-old American fear of standing armies and military bureaucracies, the anti-politics inherent in conspiracy theorizing, the role of ideology in shaping the actions of key actors, and how the shadow of the JFK assassination hangs over this movie.
Follow us on Twitter!
Links from the episode!
The New York Times frontpage for August 25, 1989.
An information page for the 1987 Intermediate-Range Nuclear Forces Treaty.
The Wikipedia entry for “The Day of the Jackal.”
On this week's episode, Jamelle and John discuss the strange, surprisingly sleazy 1987 thriller No Way Out, starring Kevin Costner, Gene Hackman and Sean Young. Topics of discussion include Costner's strikingly bland persona, the contradictions within Reaganite conservatism, the futile quest for national unity, and the late 1980s as the last hurrah for the idea of the carefree white man.
Follow us on Twitter!
Links from the episode!
In this week’s episode of Unclear and Present Danger, Jamelle and John discuss the show’s namesake, “Clear and Present Danger,” the third and final “Jack Ryan” movie of the 1990s, whose politics are one part arch-cynicism about American foreign policy and one part naive liberal optimism about the integrity of the national security bureaucracy. Other topics include the film’s connection to the Iran-Contra scandal, the way that it touches on American memory of the Vietnam War, the fantasy of unlimited American power that animates this and other movies in the Tom Clancy oeuvre and, of course, Harrison Ford.
Follow us on Twitter!
Links from the episode!
New York Times frontpage for August 3, 1994
1994 Entertainment Weekly feature on “Clear and Present Danger”
In this week’s episode of Unclear and Present Danger, Jamelle and John are joined by Will Rahn of Yahoo News to talk “Patriot Games,” the second Jack Ryan movie of the 1990s and the first to star Harrison Ford. They discuss Ross Perot and the 1992 presidential election, Irish nationalism (and Irish bars), the film’s unambiguously pro-C.I.A politics, WASP triumphalism and the politics of George H.W. Bush.
Follow us on Twitter!
Links from the episode!
New York Times for June 6, 1992
This is the first episode of Unclear and Present Danger, a new podcast by Jamelle Bouie of the New York Times and John Ganz, a freelance journalist writing a book on American politics in the 1990s. It is a podcast about the political thrillers of that decade, and what they said — or did not say — about the United States in the last years and immediate aftermath of the Cold War. We’re going to cover a wide range of movies, but we thought we would begin with a paradigmatic example of the genre, John McTiernan’s The Hunt for Red October, based on the best-selling Tom Clancy novel.
A quick correction: In the episode, Jamelle said that McTiernan went to jail for tax evasion. This was incorrect. He actually went to prison for lying to the FBI.
En liten tjänst av I'm With Friends. Finns även på engelska.