Vinyl Emergency

While most music-focused kids picked up guitars or drums in the 60's and 70's, John Flansburgh says he was pulled toward the machinery that made art possible. With a reel-to-reel in hand before age 10 and an early love of graphic design, the detailed processes of printmaking, photography and analog recording seemed downright magical to his captivated, creative young mind. Once he reconnected with fellow singer/songwriter and high school pal John Linnell in the early 80's, the duo were off to the races as They Might Be Giants: an indescribable mix of surrealist humor, snappy history lessons, and power-pop sweetness. On today's show, John F. recounts catching one of Elvis Costello's earliest performances, inheriting a "profoundly haunted" record collection from a deceased cousin, and how a broken wrist and a ransacked apartment led to the groundbreaking launchpad for TMBG's storied career: Dial-A-Song. For tour dates, social media and more, visit theymightbegiants.com. 

"I don't have stage fright, I have life fright." Indiana native Timothy Showalter -- the mind and voice behind the moniker Strand of Oaks -- has pulled no punches when it comes to combatting his own childhood trauma and lifelong anxieties through music. And while he says that touring and performing puts him in his most zen state, he has experienced a death or sorts with the guitar-centered music Strand of Oaks has done until now. His upcoming album Miracle Focus finds him piloting synthesizers and crafting, what he calls, "a manual for my life. A soundtrack to connection." And despite a drastic instrumental shift, the core of Miracle Focus is still within the hopeful sonic palette that Showalter is known for. On today's second visit to Vinyl Emergency, he also discusses having a song go #1 in Belgium, what got him kicked out of Moby's restaurant, and his recent TV role on the Sons of Anarchy spin-off, Mayans MC. Visit strandofoaks.net for social media, tour dates and to pre-order Miracle Focus before it drops June 7th.

Esquire editor-at-large and former MTV VJ Dave Holmes discusses how his ADHD allowed him to embrace the chaos of live television, why hitting up a NYC vinyl listening bar with The Mandalorian didn't go exactly as planned, and his new podcast docuseries examining MTV's cultural impact. Subscribe to Who Killed the Video Star?: The Story of MTV wherever you get podcasts, and follow @daveholmes on Instagram and Threads.

Hello! For my day job, I host and produce Looped In: Chicago, a podcast for WBBM Newsradio. And this week, they allowed me to make an episode all about the city's ties, past and present, to the record industry. So while it's different from your typical Vinyl Emergency episode, I hope you'll find this one to be an equally engaging listen, with guests including Evan Weiss of Into It. Over It., Smashed Plastic Record Pressing co-owner Steve Polutnik, Chicago Reader columnist Steve Krakow and music history TikTok sensation Patrick Hicks. Subscribe to Looped In: Chicago wherever you get podcasts, and new VE episodes will come your way soon.

This is an encore presentation of a previous episode, originally airing in December 2020.

On today's show, keyboardist Derry deBorja (of Jason Isbell and the 400 Unit) talks about the musical influence of his older brother, his time as a member of Son Volt, how experimenting with a modular synth has changed how he views composition, and the 400 Unit's relationship with David Letterman. Visit jasonisbell.com for updates, and follow Derry on Instagram, @tin_pony.

Since his last visit to Vinyl Emergency in August 2020, Nashville singer/songwriter Ruston Kelly has narrowly escaped a fiery bus explosion, sold off nearly every physical stage piece from his last tour, and rehabbed an old Victorian bungalow with his own two hands. And while all of these experiences are worth talking about, today he says that being a better listener has been a focused priority as of late. This deliberate intention to say less and observe more has led to a run of rewarding collaborations over the last several years: Duets with Caitlyn Smith and Judah & the Lion, co-producing an LP for John Prine's son Tommy, and touring with the massively-popular Noah Kahan. On this week's episode, Ruston dives deep into the first album he remembers as a child, why he sequences songs specifically for vinyl, and his upcoming EP -- Weakness, Etc. -- a combination of new material and reworkings from his third full-length The Weakness, released last year. Plus, anecdotes on sharing toast with Jackson Browne, and debating Pop-Tarts with his fans. Ruston's upcoming solo acoustic tour begins later this month. Tickets, social media and more are at rustonkelly.com, with Weakness, Etc. dropping March 22.

At just 16 years old, Amy Fleisher Madden was contributing to her surrounding Florida punk rock scene like a wily veteran. Through booking and promoting national bands visiting the panhandle -- as well as her DIY zine Fiddler Jones -- she had introduced, connected and championed emo, pop-punk and hardcore bands from all over, eventually leading to the start of Fiddler Records, which gave us the first releasees from Dashboard Confessional and New Found Glory. Most recently, Amy is the author of a hefty book documenting a decade of the scene, titled "Negatives: A Photographic Archive of Emo (1996-2006)." Filled with stunning visuals, emphatic essays and more -- plus contributions from various photographers and musicians -- it's a must-have for anyone who spent time in this particular genre during these particular years, or since. Purchase "Negatives" via Amazon or wherever you get literature. More info can be found via @amyxmadden on Instagram, or at amy-madden.com.

Starting as an NBC page in the mid-80’s, Jim Pitt eventually landed a dream job, for many: music booker for Saturday Night Live. From Nirvana’s debut on network television to Sinead O’Connor’s impactful and headline-making performance, Pitt booked it all starting in 1990, including mega-star appearances from Whitney Houston, Bruce Springsteen and Neil Young. Three years in, Pitt took his talents to David Letterman’s replacement at Late Night, a young upstart named Conan O’Brien. There, not only would Pitt give future Rock Hall inductees like Radiohead, Green Day and Sheryl Crow their first-ever US TV performances, but O’Brien’s unique wit often led to household names like David Bowie and U2 participating in hilariously scripted bits. On today’s show, Pitt recalls all of this and more, walking us through decades of amazing television memories, as well as his move from Conan to Jimmy Kimmel Live! in 2017, and when exactly hosts began holding up vinyl again for the home audience, versus compact discs. Follow Jim on Instagram @jimpitt13, and watch Jimmy Kimmel Live! on your local ABC affiliate.

Logistically and artistically, R.E.M.'s 1998 album Up marked a fork in the road for their trajectory: Prior to its recording, drummer and founding member Bill Berry had amicably left the band, having suffered a brain aneurysm while on stage three years earlier, leading the remaining trio of Michael Stipe, Mike Mills and Peter Buck -- for the first time in their career -- to create without a key piece of their dynamic. In the end, Up didn't sound like any of the group's previous eras, using keyboards, electronics, chamber-pop and white noise as a backdrop for some of the band's sweetest melodies and Stipe's most direct lyrics to date, the latter of which were finally printed for fans to comb over -- a first for any previous R.E.M. project, after ten albums of ambiguity. This week, we celebrate the 25th anniversary reissue of Up (available this Friday, November 10th) with returning guest Josh Modell (formerly of the AV Club, now of the Talkhouse Podcast Network) who wrote the package's liner notes. Together we examine how R.E.M.'s existential crisis without Berry, according to Modell, "gave everything (on the album) an undercarriage of vulnerability, sadness, and edge," making it Modell's favorite album in the group's catalog. Purchase the Up reissue at remhq.com or wherever you find music, and catch Modell moderating a live Q&A with Wilco's Jeff Tweedy in Milwaukee on Saturday, November 11th, with tickets available here.

North Carolina-based label Merge Records, inarguably one of America's most influential and prolific purveyors of indie-rock, is on the cusp of turning 35 -- a landmark that co-founders Laura Ballance and Mac McCaughan likely couldn't fathom when they started the label in 1989. Then, Merge was simply a DIY avenue to release tunes by their scrappy quartet Superchunk. But along the way, as the band's jangly but caffeinated power-pop caught on with an international audience, Merge evolved from a modest method of putting out music by Mac and Laura's friends into the beloved home of cult acts like Neutral Milk Hotel, Spoon, The Magnetic Fields and countless others, eventually becoming the first indie label to garner an Album of the Year Grammy, for Arcade Fire's 'The Suburbs' in 2011. On this week's show, Mac reflects on Merge's early years, the label's new vinyl-centric web series Digging For Something, as well as Superchunk's latest compilation of singles, demos and other oddities dropping this week, titled 'Misfits & Mistakes.' Visit mergerecords.com to shop for your favorite releases, and follow @macsuperchunk or @mergerecords on Instagram.

The two sounds Tommy Prine says he remembers most growing up were having the AM radio on or his father (renowned singer/songwriter John Prine) workshopping tunes at the kitchen table. Journeying through adolescence, his eclecticism later manifested through acts like Outkast and System of a Down. But now, on the heels of This Far South — his debut album that dropped earlier this summer — Tommy has found his own unique voice that marries his mom’s Irish wisdom and his dad’s dry Midwestern/Southern wit. On today’s show, Tommy shares why Radiohead’s “Videotape” speaks to him, his experiences working with Nashville talents Ruston Kelly and Gena Johnson on This Far South, and how the artwork for this album feels like both an ending and a beginning. Visit tommyprine.com for your dates, socials and more.

In her family, Louise Post says that there have been three usual career paths: Join the clergy, practice medicine or become an artist. Thankfully she followed the latter. In 1992, Louise co-founded Veruca Salt with fellow vocalist/songwriter Nina Gordon, and the quartet became one of Chicago's biggest exports of the alternative-rock era. The duo's buzzsaw guitars pushed hit singles like "Seether," "All Hail Me" and "Volcano Girls" into the stratosphere, and despite some years apart, the full original lineup reunited for the much-heralded 2015 full-length Ghost Notes. This week, currently on tour promoting her new solo album Sleepwalker, Louise talks about harmonizing with her dad growing up, gravitating toward the women in her favorite bands, why she continually has "dreams of songs," and the inspiration for Veruca Salt's ode to vinyl, "Victrola." Stop by LouisePost.com for more info on Sleepwalker, social media and more.

As a child of the 1970's, vinyl records were intrinsic to Ben Harper's understanding of and approach to music. “If somebody came to the house and said 'We're gonna repossess either your refrigerator or your turntable,'" he states today, "they would've been hauling out the fridge.” Growing up, the 3x Grammy-winner and heralded lap steel guitarist/vocalist's taste jumped from Ozzy Osbourne to Robert Johnson to Funkadelic to Jackson Browne on any given day. To get to those places, he points to varied avenues of discovery, from the underground world of skateboarding to his family’s folk music shop and museum. That same diverse recipe eventually led to an equally unique list of collaborators over the years, including Ringo Starr, Eddie Vedder, Harry Styles, Natalie Maines and The Blind Boys of Alabama. On today’s program, Ben recounts an emotional day spent with soul legend Solomon Burke, finding the blues buried in hip-hop, and the importance of communicating with our former selves. Ben's latest album Wide Open Light is out now, wherever you get physical or digital music. Visit benharper.com for tour dates, socials and more.

Prior to releasing some of the most memorable songs to come out of the 90’s, San Francisco’s Counting Crows were subject to a major-label bidding war, thanks in part to something rather unheard of in the industry: a massive, 15-song demo tape. Not only did this show a deep well for vocalist and lead songwriter Adam Duritz to pull from, but this prototype already came with early versions of future bonafide hits like "Mr. Jones" and "Round Here." To an alt-rock audience who didn't necessarily grow up with Van Morrison, The Band or R.E.M., Adam and company filled that void and then some, with their first three albums selling over 10 million copies between them. Today, Adam spills why their upcoming co-headlining tour with Dashboard Confessional has been 20 years in the making, which records he spun every morning while recording the band's landmark debut album August and Everything After, and how that title track (which never made the original 1993 release) is now finally available, specifically for vinyl lovers. Counting Crows' latest -- Butter Miracle: Suite One -- is available wherever you find music. Visit countingcrows.com for live dates, socials and more. 

On his second album released earlier this year, Love You Anyway, Grammy-nominated and Nashville-based R&B artist Devon Gilfillian sets today's political activism against a backdrop of stunning soul music that finds inspiration both from the past and the future. Having gained acclaim touring with a genre-spanning list of icons (from Mavis Staples to Michael McDonald), he recently told NPR that his music could be viewed as "a pill wrapped in peanut butter": Sneaking in a message, while calling everyone out to the dancefloor. Before hitting the road this month on separate tours with My Morning Jacket, Grace Potter and Trombone Shorty, Devon spends today discussing his obsession with Pharrell's production work, why his love for vinyl flourished in his teens, and his recent performance in support of the Tennessee Three, on the steps of the state capitol. We also learn how a conversation with Chaka Khan led to him recording Marvin Gaye's legendary album What's Going On front-to-back, for a special vinyl-only release. You can find Love You Anyway wherever you get music, and visit devongilfillion.com for tour dates, socials and more.

Whether you hailed from Gainesville, Grand Forks or Green Bay in the late 90's, it wasn't rare to hear criss-crossing vocal shouts, razor-sharp guitars and drums with jazz-like precision, all blasting out of your local VFW hall. That's partly thanks to Braid, four modest Midwesterners who funneled their obsessions with Fugazi, Jawbox and Gauge through a roulette wheel of glorious rhythmic shifts and six-string swan dives. During their original run, the quartet were known to be workhorses, releasing new songs as immediately as they wrote them, and putting thousands of tour miles on the odometer. The culmination of these efforts took the shape of Frame & Canvas, their third album, released in 1998. Recorded and mixed in just five days, it became much more than a benchmark for Braid's then brethren; these twelve tracks grew to influence each punk rock generation (and variation) that followed, with Rolling Stone even listing it as one of the top five emo albums of all-time. On today's show, returning guests Bob Nanna (vocalist/guitarist), J. Robbins (engineer/producer) and Polyvinyl Records co-founder Matt Lunsford discuss the album sessions and original release, as well as the new 25th anniversary remix and remaster, along with mastering engineer Dan Coutant of Sun Room Audio. For social media, upcoming F&C anniversary tour dates, and to purchase this latest reissue, visit polyvinylrecords.com/artist/braid.

Ahead of the March 31st release of their latest record -- Continue as a Guest -- New Pornographers ringleader and vocalist/songwriter A.C. Newman talks about imposter syndrome, finally putting out an album with the much-beloved Merge label, why his songwriting approach lies somewhere between The Pixies and Burt Bacharach, and how one particular garage sale set the stage for their critically-acclaimed debut LP, Mass Romantic. Follow @acnewman on Twitter and Instagram, and visit thenewpornographers.com for tour dates, music and more.

If any band personified a record collection with ADHD, it was The Dismemberment Plan. Connecting the dots between soul, post-punk and experimentalism, the quartet also brought dark humor, deep grooves and an appreciation for music history to the forefront, over five albums and millions of miles on the road. On today's show, vocalist Travis Morrison delves into the go-go scene of Washington DC, the artists that influenced his improvisational nature on stage, and a long-lost reel-to-reel that connected Travis' parents during the Vietnam War. The Dismemberment Plan's 2001 album Change will be reissued on sky blue vinyl for this year's Record Store Day, April 22nd. Follow both @travismmorrison and @thedplan on Instagram, and visit recordstoreday.com for more details.

NPR has separately crowned both Jaimee Harris and Mary Gauthier with some well-deserved accolades over the last few years: The former was recently referred to as "the next queen of Americana-folk" (thanks to a new album, Boomerang Town, dropping on February 17th), while the latter's "The War After The War" (from her record Rifles & Rosary Beads, co-written entirely with U.S. veterans and their families) won the organization's coveted Song of the Year prize in 2018. Together, they've forged an artistic and romantic relationship that has helped their individual careers thrive. On this episode, the pair discuss their appreciation for vinyl, supporting each other in sobriety, and how artificial intelligence will change the future of songwriting. 

After a number of years in small-market television journalism, 7x Emmy-winner Anthony Mason joined CBS News in 1986 and has quite literally done it all: from being a chief correspondent in London and Moscow, to handling Q&A's with American presidents. But maybe most notably, Anthony has now become a go-to confidant for musicians of all stripes. Carving his own path on the network thanks to a lifelong passion for songwriting, he's profiled legends like Elton John, Mick Jagger, Patti Smith, Joni Mitchell and Aretha Franklin. Plus, for up-and-comers seeking credibility, an interview with Anthony can rival a glowing review from Pitchfork or Rolling Stone, so non-household names like Charley Crockett and King Princess are given a new, nationwide audience courtesy of a conversation with today's guest. On this episode, Anthonly divulges how UPS once lost his entire record collection, what momento he took from a then-shuttering Tower Records in the late 2000's, and how he's navigated some incredibly personal moments with the likes of Bruce Springsteen, Neil Diamond and John Mellancamp. Follow @anthonymasoncbs on Twitter and Instagram. 

With razor-sharp guitars, breakneck rhythms, unrivaled harmonies and a socio-political worldview that disavows much of punk rock's anarchistic nature, Bad Religion has inspired countless bands over their 40+ year existence. Even their iconic logo, known by fans worldwide as "the cross-buster," has become synonymous with the genre itself. This is all without mentioning the inspirational trajectory of vocalist/songwriter Greg Graffin, who is seen as one of the genre's most vibrant and educated minds, earning a PhD in zoology from Cornell University and having written multiple books on evolution and theology. On this episode, Greg discusses the influence of his parents' divorced record collections, refining his vocal delivery over the years, and why he classifies his latest book, Punk Paradox: A Memoir (available now, wherever you get literature) as a "novelistic biography." The band also released their own collaborative autobiography, Do What You Want, in 2020.

Even during their 90's heyday -- with popular singles like "Fall Down," "Walk on the Ocean," "Something's Always Wrong" and "All I Want" ruling the radio -- Toad the Wet Sprocket vocalist and songwriter Glen Phillips recognized that they weren't "the cool kids," often being the least edgy band on any alt-rock marquee. But Glen says it's that same overt self-awareness that has both kept Toad fans around and stirred his current creativity: Releasing a new album based solely on minimal songwriting prompts, and leading a community choir made up of all genders, ages and backgrounds. On this episode, Glen discusses an early love of disco, the visual aesthetics of the 4AD label, his brother's forensic devotion to synthesizers, and why the cover art for Toad's second album Pale is still being studied in graphic design classes. Visit glenphillips.com for social media, tour dates and to get his latest solo release, There Is So Much Here.

Influenced equally by Elizabethan composers and pop radio, Dessa consistently dissects the human condition, while deftly defying genre tags. A member of the Minneapolis indie-rap collective Doomtree (and championed by playwright Lin-Manuel Miranda), her interest in examining behavioral science has fueled multiple careers in creative writing, music and live poetry, as well as spawned TED Talks and her own BBC Radio program on not just how our brains work, but why. During this episode, Dessa shares the impetus for her latest book, previous and upcoming collaborations with the Minnesota Orchestra, the myriad of condiments that travel with her on tour, and the 30-year impact of Liz Phair’s groundbreaking album Exile in Guyville. Visit dessawander.com for literature, vinyl, tour dates, social media and more. Her aforementioned radio series Deeply Human is available however you listen to podcasts.

"People ask us, 'What's your favorite record?' Our answer is 'The one we're going to hear next week.'" That anecdote on today's show from Greg Kot is why he and his Sound Opinions co-host Jim DeRogatis have inspired legions of music journalists for decades: Between emotional reactions to pop music and intellectual analysis of art-rock, they consistently remain curious. As former critics at the Chicago Tribune and Sun-Times respectively, they have seen weird fads, legendary careers and physical media come and go, documenting it all -- whether in print, via the web or on the air. On this episode, Greg and Jim dive into their own early obsessions with vinyl, whether or not we can truly judge someone by their record collection, and why music criticism shouldn't be a solo project. Find Sound Opinions wherever you hear podcasts, or at soundopinions.org.

Counting himself as part of the last pre-internet music generation, North Carolina native and singer/songwriter Caleb Caudle believes the things that matter take time -- whether sending handwritten postcards randomly to fans or making sure a vinyl release invites listeners fully into his world through artwork. And that kind of dedication ultimately creates hope in a post-pandemic music industry. On this week's episode, Caleb discusses renting his first turntable from his high school library, record shopping in nearby Winston-Salem, how being an avid history buff turned him into a pro wrestling fan, and recording his new album Forsythia -- which, in some ways, he originally projected as being his final release -- in a cabin built by Johnny Cash. Forsythia is available everywhere Friday, October 7th with unique vinyl variants available via indie record stores, Amazon and calebcaudle.com, where you can also find tour dates, social media and more.

From the first moment of S.G. Goodman's latest album Teeth Marks, one hears a voice and a lyrical wisdom that feel perfectly worn in -- like that of an artist who's been crafting decades worth of masterful, soul-baring material. What's all the more astounding is that Teeth Marks is only her second record. Amongst many accolades since that album's release, the publication Bitter Southerner defines it as "driven by love, sometimes by defiance, but always by a delight in singing out... like the declaration of an artist who knows exactly who she is, backed by a band that blows the roof off the studio." On today's show, S.G. shares her affection for Herb Alpert's "Ladyfingers," some candid struggles with diagnosed OCD, the unique way in which her Marantz receiver was acquired, and the underappreciated comforts of house slippers. Find tour dates, social media and more at sggoodman.net.

Enjoy this encore presentation of the podcast with Motion City Soundtrack drummer -- and host of the podcast Bizarre Albums -- Tony Thaxton, from early in 2021. We will be back with new episodes soon!

Enjoy this encore presentation of the podcast with singer/songwriter Emma Swift from August 2020. We will be back with new episodes soon!

Enjoy this encore presentation of Episode 101, with accomplished graphic designer Aaron Draplin.

While stepping outside of Death Cab for Cutie and The Postal Service - inarguably two of the most influential names that indie rock has birthed in the last two decades - lead singer/songwriter Ben Gibbard has acquired a stunningly diverse range of collaborators, from The Monkees to Chance the Rapper. On today’s show — as DCFC approaches the fall release of their tenth album, Asphalt Meadows — Ben describes why the pandemic changed his vinyl listening habits, how he’s fallen randomly into some of the aforementioned collaborations, and the band’s explosive (literally) new video, directed by Lance Bangs. We also discuss Yoko Ono, AC/DC, Pharoah Sanders, and Ben’s soft spot for former Milwaukee Brewer Gorman Thomas. Pre-order Asphalt Meadows, via deathcabforcutie.com or wherever you get music, prior to its release September 16th.

Enjoy this encore presentation of Episode 110 with guest Matt Earley, president of acclaimed vinyl pressing plant Gotta Groove Records in Cleveland. PLUS a sneak peek on next week's guest!

Popular female country artists like Kacey Musgraves and Maren Morris have scored major pop crossover hits, made huge splashes in the vinyl market and perform for sold-out crowds across the United States, yet barely have a blip on country radio. Though far from a new phenomenon, it’s one that has drawn battle lines over the last two decades between gatekeepers of a genre dominated by white males and a rightfully fervent opposition seeking accountability, diversity and equal representation. On this week’s episode, music journalist Marissa R. Moss (Rolling Stone, Billboard) explains how she tackles these issues and more in her new book, “Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be” (available today, May 10th). We also dive into why Sturgill Simpson’s latest record is best enjoyed on vinyl, the rise of Nashville’s Black Opry, and how life events influence how we hear and appreciate music. Visit marissarmoss.com for more information about “Her Country,” and follow her on Instagram and Twitter @marissarmoss.

Despite not setting out to make concept albums 100% of the time, Tim Kasher — leader of influential indie-rock mainstay Cursive — realizes that artwork, connecting songs in post-production, and other methods have made his LP’s feel like sweeping, thematic gestures to his fans for twenty-five years. This week, hot off the release of his new solo full-length Middling Age, Tim recalls the days of commercials for albums on television, the importance of beloved Omaha record store The Antiquarium, and his recent stint on the TV game show Chain Reaction. Plus, whether the community aspect of Saddle Creek’s heyday could survive today’s landscape, and why he’s attracted to songs about songwriting.

Much of what we love about vinyl records is separate from the vinyl itself: Photographers, illustrators and more play an important role in helping fans connect emotionally or otherwise with their favorite recording artists, especially in the age of social media. Today, three accomplished individuals — portrait photographer Alysse Gafkjen, muralist Kim Radford and live photographer Josh Weichman — discuss their first big breaks in the music industry and specific methods used to capture their best work, as well as advice for the next generation of visual artists.

As co-hosts of the podcast Who Cares About the Rock Hall?, comedians Kristen Studard and Joe Kwaczala examine the history, politics, annual inductions and just-as-annual snubs within the Rock and Roll Hall of Fame. Originally launched as a simple way for two friends to discuss music, the show has gotten the duo unprecedented access to those behind-the-scenes and in the know -- even arguably swaying a vote or two. This week, Joe and Kristen discuss the hall's controversial start, this year's nominations, how doing the podcast has influenced their views on music fandom, and why voting for less total inductees speaks volumes. Follow @rockhallpod on Twitter and Instagram, plus subscribe to Who Cares About the Rock Hall? wherever you get podcasts.

With 25th anniversaries occurring or looming for some of his earliest work with Alkaline Trio, Slapstick and Tuesday, Dan Andriano is set to release yet another chapter in a storied career next month -- Dear Darkness, his first LP with backing band The Bygones. On today's show, Dan discusses the importance the suburbs play in the story of Chicago punk rock, what kickstarted his interest in writing songs in the studio, and how some of Alkaline Trio’s most visceral album artwork came from both organic and practical means. Dear Darkness is out everywhere February 11th on Epitaph Records. Visit danandriano.com for social media, album pre-orders and more.

Championed by some today’s biggest names on the fringes of country music, singer/songwriter Amythyst Kiah released her most recent album, Wary + Strange, last year to rave reviews. Upon its release, Pitchfork dubbed the record “an intensely personal document (that) examines the realities of being a Southern Black LGBTQ+ woman in songs both defiant and vulnerable.” One of those tracks in particular, the Grammy-nominated “Black Myself,” matches a hypnotic groove and gritty distortion with lyrics addressing the horrors of chattel slavery and the Brown Paper Bag Test, making for an unforgettable statement that channels both Odetta and Public Enemy. On today’s episode, Amythyst discusses “Black Myself” in detail, as well as growing up with an audiophile father, being intrigued as a kid by a particular Santana album cover, and how an a cappella Tori Amos song inspired her to share her most personal struggles. Visit amythystkiah.com for tour dates, social media and more.

This year, the record industry hit arguably its greatest bottleneck yet: Though Taylor Swift and Adele have recently delivered two of the largest vinyl sales weeks of the modern era (with revenue on an incline for physical indie retailers during the pandemic), COVID-19 has made materials like PVC, cardboard, dyes, shrink wrap, paper for inner sleeves and even wood pallets increasingly harder to find, afford and ship around the world. Thus, an album by your favorite artist that comes out digitally today may not see a physical vinyl release for months. On this week's episode, Billy Fields (VP of Sales, Account Management for an arm of Warner Music Group), Eric Astor (President/CEO of Furnace Record Pressing) and Dustin Currier (an independent, Chicago-area musician whose latest album on vinyl has been delayed due to the aforementioned circumstances) participate in a roundtable discussion separating fact from fiction around these headaches, and how their own personal stake in promoting, releasing or pressing music has been affected. 

Here's a brief update on what you can expect for our final episode of 2021, airing next week, and what's coming up in early 2022!

Over six proper studio albums and a slew of EP's and seven-inches within 15+ years, Seattle's Minus the Bear established themselves as one of indie-rock's most unique, shape-shifting bands. On today's episode, vocalist/guitarist Jake Snider discusses the band's new triple-LP live set recorded over several shows of their last tour in 2018, and how the band focused on the quality of the vinyl master with each recording. 

Nashville-based producer/singer/songwriter Jon Randall has collaborated with a who's-who list of country royalty for two decades, from Emmylou Harris, Reba McEntire and Dwight Yoakam to Maren Morris, Little Big Town and Lyle Lovett. But this past year has brought Jon a bit more out from behind-the-scenes: He’s got his first solo album in 15 years available now, as well as The Marfa Tapes — a joint project with long-time friends Miranda Lambert and Jack Ingram — which captures the trio’s lo-fi, single-take performances under the stars of the Texas desert. On top of astounding songs and rich three-part harmonies, The Marfa Tapes’ genuine intimacy and lack of studio gloss are unheard of for mainstream country music in 2021, and the approach suggests why Pitchfork championed the LP as “a late-night love letter” to the genre’s myths. On this episode, Jon muses about ZZ Top's early cover art, his family’s bluegrass background, and how approving vinyl test pressings recently gave him hope that in the age of the digital streaming, listening to music at home can once again become a communal experience. Stop by jonrandallmusic.com for everything regarding Jon's projects.

Enjoy this episode of the podcast Rock And Roll Brunch, with guest Jim Hanke of Vinyl Emergency, from August 2021. Follow @rockandrollbrunch on Instagram and subscribe to the show on YouTube (with full video of every episode), or however you get podcasts!

Natalie Hemby has earned the type of career most Nashville artists dream of, without necessarily being a household name. She signed her first publishing deal before the age of 21, and has co-written hits for superstars like Kacey Musgraves, Carrie Underwood, Miranda Lambert, Sheryl Crow and Lady Gaga, the latter of which nabbed Natalie her first Grammy. Natalie’s friendships with fellow singer/songwriters Brandi Carlile, Maren Morris and Amanda Shires led to the formation of The Highwomen, and their hit debut record, in 2019. Despite the pandemic not allowing them to tour in 2020, the supergroup has spawned legions of fans and another Grammy for Natalie’s co-write on the heartwarming single “Crowded Table.” Today, Natalie talks about an early Prince obsession, a recent collaboration with Alicia Keys, the traits one needs to be a great co-writing partner, and The Highwomen’s influence on a fierce, flourishing generation of new songwriters. Pre-order Natalie’s new solo album Pins and Needles on vinyl (out October 8th) at nataliehemby.com. 

Enjoy this encore presentation from February 2020 with guest Jason Narducy of Split Single. His new album Amplificado is out now! 

The child of two professional singers who gigged heavily within their local nightclub scene, Chris DeMakes grew up surrounded by 45's, primarily so his mom and dad could keep up with (and cover) new music. That consistent rotation of entertainment in the house fueled Chris' collector habits early on: Memorizing liner notes and label logos, as well as keeping at least one copy of every record or piece of merchandise that his influential ska/punk band Less Than Jake has put out over their career, three decades long and counting. On this week's episode, Chris dives into his recent book, the fascinating songwriting podcast he launched during quarantine, and a slew of outlandish LTJ vinyl rarities throughout the years, some of which came in pizza boxes and pie tins. Visit lessthanjake.com and chrisdemakes.com for news updates and social media, and hear Chris DeMakes A Podcast wherever you listen. 

Born in Scotland but moving to Australia by the age of 14, Colin Hay grew up around a music shop owned and operated by his parents, who sold everything from pianos to LP’s. Finding worldwide success and a Grammy win in the early 80’s with Men At Work, Colin has penned some of the most endearing songs of that decade (“Down Under,” “Who Could It Be Now?,” “Overkill”) as well as unassuming yet emotionally resonant tracks since then, like “Waiting for My Real Life to Begin” and “I Just Don’t Think I’ll Ever Get Over You.” His charm has always lied in crafting bleakly beautiful melodies, blanketed by lyrics that somehow find comfort in isolation or discomfort in new surroundings. On June 4th, Compass Records will release a 20th anniversary vinyl pressing of Colin’s album Going Somewhere, and on today’s show, Colin discusses the process in revisiting that material, how moving from Scotland to Australia was like changing “from black-and-white into technicolor,” and how he became a member of Ringo Starr’s All-Starr Band. Pre-order Going Somewhere from compassrecords.com and follow @ColinHay on Instagram for updates.

Over the last twenty-five years with acclaimed acts like Nickel Creek, I'm With Her and Watkins Family Hour (as well as her own solo material), Sara Watkins has become one of the most prolific musicians in folk and bluegrass. Dig into your record collection, and you'll also find her work on albums from Steve Earle, The Decemberists, Mandy Moore, Kris Kristofferson, Lyle Lovett and Father John Misty, to boot. Her latest solo release is Under the Pepper Tree, an album of lullabies, hopeful songs from kids films and tender melodies that have otherwise served her into adulthood. Today, Sara discusses the origins of Under the Pepper Tree (especially how she envisioned the album on vinyl from the very beginning), how her dad crafted a makeshift turntable out of a sewing needle and paper, and how one Nickel Creek fan went from the front row on the band's recently-released live album to testing the trio for COVID. Under the Pepper Tree is available now on New West Records, wherever you get music. Find Sara's socials, upcoming live dates and more info at SaraWatkins.com.

Beginning strictly as a dance-a-long live show, Koo Koo Kanga Roo has exploded over the last decade -- thanks to digital streaming and word of mouth from elementary teachers -- becoming a hugely popular duo amongst toddlers and grade school kids. Whether rapping about the unbridled joys of pizza, rainbows, monsters or fanny packs, Bryan Atchison and Neil Ostad are approaching 150 million views on YouTube as of this recording, and have collaborated or toured with Frank Turner, the Aquabats, the Harlem Globetrotters and members of Doomtree. Today, Bryan and Neil discuss Koo Koo's history, lessons they absorbed from Asian Man Records founder Mike Park, getting spoofed by Ryan Seacrest and Kelly Ripa this past Halloween, and the logistical nightmare of traveling with vinyl overseas for the first time. Plus, Jim's son George makes his first official appearance on the podcast as he meets his favorite band! You can pre-order Koo Koo Kanga Roo's new album Slow Clap on vinyl and find videos + social media at kookookangaroo.com. Bryan and Neil's podcast Banter Buddies can also be found wherever you listen.

Enjoy this encore presentation of Episode 46, recorded live 01/14/17 at Pinwheel Records (Chicago) with vocalists/guitarists Bob Nanna and Chris Broach from Braid. 

A songwriter and record collector since the age of 8, Patterson Hood's musical education was through his father's record collection. But what separates David Hood from a lot of dads is the fact that he's a renowned session bassist and producer who has worked with anyone from Aretha Franklin to Willie Nelson -- appearing on classics like The Staple Singers' "I'll Take You There" and Etta James' "Tell Mama." Patterson eventually formed Drive-By Truckers in 1997 and despite a rotating cast through the years, including Jason Isbell and Spooner Oldham, his partnership with co-songwriter/vocalist Mike Cooley has spanned nearly four decades and has fueled DBT's cult-like following. On this episode, Patterson describes his love for the test pressing process, playing it cool when you're neighbors with R.E.M.'s Peter Buck, why the band has been so prolific within the last year, and how the Truckers recorded their first seven-inch on their very first day as a band. Follow Patterson @dbtph on Instagram, and visit drivebytruckers.com for news and updates.

What do Hulk Hogan, Ed McMahon, the Pink Panther and Hamm's Beer all have in common? Tony Thaxton, host of the podcast Bizarre Albums, joins us today to discuss the unique, obscure or oddly legendary records these pop culture icons created, as well as other LP's put out by actors, athletes, fictional characters and auto companies over the last half-century. Plus, we talk about our mutual fascination with the documentary film Bathtubs Over Broadway, a must-watch for any record collector. Find Bizarre Albums however you listen to podcasts, and follow the show on Instagram, @bizarrealbums. 

In celebration of his debut album's 20th anniversary, this year has seen a massive vinyl reissue/remastering campaign for much of Chris Carrabba's early Dashboard Confessional catalog. This includes two LP's that the majority of his fanbase discovered him with (The Swiss Army Romance and The Places You Have Come To Fear The Most), plus the band's 2002 MTV Unplugged performance and several 10" EP's, the latter pressed by popular specialty label Mondo. On our last broadcast of 2020, Chris discusses his road to recovery after a debilitating motorcycle crash earlier this year, his own vinyl collecting habits, a new canned wine company he's partnered with, and the time Marilyn Manson sold him a Fugazi record. Plus, some stories behind rare gems in his collection from the Beach Boys, Less Than Jake and Christie Front Drive. Visit store.dashboardconfessional.com or your favorite local indie retailer to pick up the above reissues. 

With touring off the table during the pandemic, Grammy-winning singer/songwriter Jason Isbell and his band the 400 Unit have still kept their momentum: The group's latest album Reunions was released to physical indie record stores prior to digital services earlier this spring, they've played a string of socially-distanced outdoor shows, as well as continue to post archival performances via Bandcamp. On today's show, keyboardist Derry deBorja talks about all of the above, plus the musical influence of his older brother, his time as a member of Son Volt, how experimenting with a modular synth has changed how he views composition, and the 400 Unit's relationship with David Letterman. Visit jasonisbell.com for updates, and follow Derry on Instagram, @tin_pony.

Though it already cemented his legacy as one of the world's greatest songwriters, Tom Petty originally intended 1994's Wildflowers to be a double-album. Now over 25 years later, fans can finally hear these long-buried tracks, along with home demos, alternate takes, live cuts, new liner notes from Rick Rubin and more as part of Wildflowers & All The Rest, a mammoth archival undertaking that ranges from 2 CD's to 9 LP's, depending on your budget and fandom. On today's show, we'll talk with Nick Steinhardt, one of the art directors and package designers on this massive reissue about his connection to Tom Petty's music, his role as the release took shape, and his diverse catalog of work, ranging from Paul McCartney to Britney Spears to Minus The Bear. Follow @nicksteinhardt on Instagram, and visit smogdesign.com and 23in.com to view Nick's work. You can find the Wildflowers reissue, as well as the new album Lament from Nick's band Touché Amoré, wherever you get music.

This is an encore presentation of our 100th episode with Pat Sansone of Wilco. The band will be reissuing their third album Summerteeth as a 5LP/4CD box set this Friday, Nov. 6th.

Enjoy this encore presentation from January 2020, featuring our conversation with drummer Daru Jones. You may have seen him recently on SNL backing up Jack White, and his latest collaboration with Pete Rock titled PeteStrumentals 3 drops on December 11.

Kansas City native Nathan Ellis joined the pioneering experimental outfit Coalesce in the late 90's, as they made a name across the globe for intricate dynamics partnered with the fervency of hardcore punk and a live show that bordered on chaos. He later formed The Casket Lottery with more dialed-in, yet equally engaging songwriting, pointing to area bands like Boys Life, Kill Creek and Giants Chair as influences. A few years ago saw the vinyl reissue of the band's first three full-lengths, and today's wide-ranging conversation with Nathan takes us from Vincent Price to baseball, as well as obscure Robert Smith side-project The Glove to The Casket Lottery's truly-collaborative split EP with longtime friends Small Brown Bike. The band's new album Short Songs For End Times comes out November 6th, and can be pre-ordered at wiretaprecords.limitedrun.com. Visit @thecasketlottery on Instagram for further updates.

4x Grammy-winning producer, engineer and mixer Vance Powell has worked with a wide range of artists and bands including Chris Stapleton, Buddy Guy and Phish. For vinyl collectors, he's arguably most known for being a consistent studio go-to for Jack White, not only being involved with proper studio releases from Jack and his various projects (The Dead Weather, The Raconteurs) but Vance is behind the boards of most every Live At Third Man Records LP, where bands record short sets in front of a couple hundred fans, direct-to-acetate. On this episode, Vance points to his favorite Third Man sessions he's recorded (including some Radiohead demos), how Chris Stapleton's famous cover of "Tennessee Whiskey" almost didn't happen, and why Vance's own barbecue kept him from his dream of recording U2. Visit sputniksound.com for more info on Vance's work, and follow him on Instagram and Twitter @vancalot. 

Early in his musical development, Dan Wilson was sure his true calling was to be a songwriter-for-hire, similar to his heroes like Carole King. And this drive continued despite the rise of his own Minneapolis-based band Semisonic in the late 90's and early 2000's, whose massive hit "Closing Time" remains one of the most recognizable singles of the late 20th century. As the trio's pace slowed, Wilson began accumulating co-writing gigs, eventually leading to a full-on second career behind the scenes, hitting a new peak by partnering with Adele on her smash "Someone Like You," which eerily enough turned out to be one of the most recognizable singles of the next century. On the cusp of a new Semisonic EP titled You're Not Alone dropping September 18th -- featuring their first new music in nearly two decades -- Dan chats about being blown away by the 20th anniversary vinyl pressing of Semisonic's Feeling Strangely Fine, how losing the band's original master tapes in the now-infamous Universal fire actually inspired a recent song, and coming full circle by co-writing with the aforementioned Carole King. Follow @danwilsonmusic as well as @semisonicband on Twitter and Instagram. 

From the first time she ever put a Kylie Minogue cassette in her pink Sony stereo, Australia native Emma Swift has been a music obsessive. Her songwriting prowess brought her to Nashville in 2013 and she recently dropped the terrific LP Blonde On The Tracks, an album of Bob Dylan covers ranging from 1965's "Queen Jane Approximately" all the way to this year's "I Contain Multitudes" (which Dylan released as a single only just a few months ago), backed up by partner Robyn Hitchcock and Wilco's Pat Sansone. On this episode, Emma talks about Gram Parsons being a sort of "gateway drug" to country music, splurging on 7" Smiths singles while in Japan and why her dad was "a record collector's worst nightmare." Follow her on socials @emmaswiftsings, and get Blonde On The Tracks digitally or on vinyl from emmaswift.bandcamp.com.

Long before his flawless debut album Dying Star in 2018, Ruston Kelly had been loud and clear about metal and punk rock shaping his brand of Americana songwriting. But last year's covers EP, Dirt Emo Vol. 1, cemented that fact and laid out a confessional throughline between Taylor Swift and Saves The Day. On this episode, we’ll hear how vinyl played an important role in Ruston’s childhood, his attraction to authenticity -- be it from Eminem or the Carter Family -- and after overcoming addiction, what event made him realize "the universe is not out to get me, it’s out to show me what things are worth." Ruston’s new album Shape & Destroy is available August 28th, wherever you get physical or digital music. Visit RustonKelly.com for vinyl pre-orders and more. 

For more than 20 years, Kentucky quintet My Morning Jacket has continually shifted and grown its sound — embracing folk, soul and psychedelia — leading to three Grammy nominations and a reputation as one of the best live acts working today. Half a decade after releasing their seventh studio album The Waterfall, ten more tracks from those same sessions emerged earlier this month with the surprise announcement of The Waterfall II, giving fans fresh material to digest while concerts are off the table during the current pandemic. On today’s show, bassist and founding MMJ member Tom Blankenship (aka Two-Tone Tommy) chats about thrash metal, playing 1st century coliseums while on tour in Italy, and why now was the right time to let fans know that there was more Waterfall material to be had. Visit MyMorningJacket.com for band news and vinyl pre-orders of The Waterfall II, and follow Tom on Instagram and Twitter, @sometomguy.

Los Angeles native Robert Fisher has designed records for some of the most popular acts since the alternative rock boom, including Beck, Weezer and No Doubt. But starting with 'Nevermind' onward -- including all posthumous releases following Kurt Cobain's death -- Robert is most recognized for being Nirvana's sole art director, creating iconic album covers, sleeves for singles, box set packaging and anything else relating to arguably the most important band of the last 30 years. Recently, Robert launched the @NirvanaBucket Instagram feed, dedicated to his body of work for the group and showcasing rare flyers, tapes, scrapped ideas and even items Kurt provided him for inspiration throughout their partnership. 

On today's show, Robert discusses how the final version of 'Nevermind' came to be, as well as stories surrounding Beck's 'Odelay' and Urge Overkill's 'Saturation'. HIs latest work for Nirvana is on the 'Live & Loud' 2LP set, released last summer, capturing the band's 1993 performance in Seattle for MTV. Visit flyingfishstudio.us to check out more of Robert's work.

Music on today's show is from 'Every Sun, Every Moon,' the new album from I'm Glad It's You, available from 6131Records.com.

First emerging from Minneapolis in the mid-80's, The Jayhawks have become one of the most noteworthy and influential bands within Americana/folk-rock, releasing a pair of albums between 1992 and 1995 (Hollywood Town Hall and Tomorrow the Green Grass) that are cited by fans and critics alike as touchstones of their genre. Today, lead singer/guitarist Gary Louris dives into his love of Krautrock, touring the Acoustic Sounds pressing plant, hunting for weird Italian or French LP's, and the one record that cost him a speeding ticket. The Jayhawks' new album XOXO comes out July 10th. Visit jayhawksofficial.com for social media, Gary's acoustic streaming performances during quarantine and more.

Raised in Virginia, Caroline Spence grew up experiencing vinyl mainly through her dad's taped collection of Beatles records, and later absorbed that collection - along with her aunt's LP's - as she began to make a name for herself as a singer/songwriter both in and outside of Nashville. Rolling Stone heralded her 2019 full-length Mint Condition as "a gorgeous reflection on finding peace amid upheaval and confusion," delivering "deft chronicles of interpersonal complexity." This week, Caroline talks about her debut performance at Nashville's famed Ryman Auditorium, the current value of her vinyl releases from before she got signed, having Emmylou Harris contribute to Mint Condition's airy brilliance, and why her first face-to-face interactions with Dave Matthews were as a pissed-off seven-year-old on Rollerblades. For news, social media and more, visit carolinespencemusic.com. Watch her appearance on Craft Recordings' new record-shopping video series at craftrecordings.com/pages/shoplifting.

Influenced heavily by The Smithereens, The Replacements and R.E.M., Arizona mainstays Gin Blossoms became one of the biggest bands of the early and mid-90's. Single after single from their major label debut New Miserable Experience -- "Hey Jealousy," "Found Out About You," "Until I Fall Away" and more -- caught fire on MTV as well as on pop, alternative and college radio. Now recognized as a modern power-pop classic, the record eventually sold over five million copies and spent a remarkable three years on the charts. The quintet found additional success with their follow-up LP, 1996's Congratulations I'm Sorry, and hits like "Follow You Down" and "Til I Hear It From You." In 2017, both full-lengths were finally pressed to vinyl for the first time, in honor of former album's 25th anniversary. Today, Gin Blossoms lead vocalist Robin Wilson talks about working at record stores through the 80's, his obsession with Urge Overkill, fronting his childhood heroes Kiss on Letterman, and fighting for what became New Miserable Experience's now iconic album art. Keep up on band news, music, social media and more at ginblossoms.net.

An accomplished producer and multi-instrumentalist who has worked with everyone from The Shins to The Chieftains, Chris Funk is a founding member of beloved Pacific Northwest quintet The Decemberists, who mark their 20th anniversary this year. Known for a narrative heart that's half-Morrissey, half-Herman Melville, Rolling Stone has called their work "a triumph of theatrical imagination." On today's show, we discuss the formation of the band, how Chris recorded the entirety of their epic song cycle The Tain with a broken leg, and how Carson Ellis' visual components have played into the band's mystique for over two decades. We also get into Chris' production of the latest Stephen Malkmus LP and his globetrotting video series Funk Plus One, which exposed him to culture on a broader level through shared musical experiences. Visit thedecemberists.com for 20th anniversary tour dates and more. Get Chris' new solo album The Painted Porch via chrisfunk.bandcamp.com, with an exclusive vinyl variant limited to 250 copies and proceeds benefitting The Jeremy Wilson Foundation. You can also follow Chris on Twitter, @mrchrisfunk.

Nashville singer/songwriter Lilly Hiatt returns to Vinyl Emergency to discuss the loss of the legendary John Prine, her new album Walking Proof, records she added to her collection since her last time on the show and the positivity she's finding between Nashville's recent destructive tornado and the current pandemic crisis. Dig back to Episode 75 for Lilly's first appearance. Then, Soul Asylum leader Dave Pirner joins us to talk about the band's new album Hurry Up And Wait, the lasting impact of the revolutionary music video for "Runaway Train" and which Soul Asylum vinyl release -- of which there's only one sole copy in existence -- he owns. Dave's new book of lyrics spanning his career, Loud Fast Words, is available wherever you buy literature. For music, social media and updates visit lillyhiatt.com and soulasylum.com.

Formed in Evansville, IN during the late 90's, Mock Orange gained a devoted following amongst indie-rock circles for progressive, whiplash time signatures, buoyed by sentimental yet urgent lyrics. Though the quartet's debut album Nines & Sixes provided an addictive and aggressive spark, 2000's The Record Play delivered a deeper and more nuanced emotional payout: Singer/guitarist Ryan Grisham's wordplay (drenched in poetic metaphors on time and distance), drummer Heath Metzger's prog-like precision and the clear, masterful production style of Mark Trombino made the album somewhat of an underground touchstone for early 2000's emo. On today's show, Ryan talks about piecing together the thematic nature of The Record Play two decades later, why turning 40 gave him a new outlook on the band's first album and how he managed -- long before iPods -- to play his beloved 7" collection on the road. This episode also features the WORLD PREMIERE of the band's new single "So Maybe," from their upcoming EP The Bridge, their first release in nearly four years. Vinyl for both The Bridge, as well as a 20th anniversary repress of The Record Play, will be available for pre-order via mockorange.net later this month. Follow @mockorange on Facebook, Twitter and Instagram for updates.

For over 25 years, Texas native Rhett Miller has fronted the Old 97's, recognized as one of the most acclaimed staples within Americana or alt-country music. Still, he's found plenty of time over that span to step out on his own: Hosting the podcast Wheels Off, writing children's books and recording seven solo records containing collaborations with Jon Brion, Aimee Mann, R.E.M.'s Peter Buck, longtime session drummer Jim Keltner and members of the Decemberists. Recorded at Vance Powell's renowned Sputnik Sound in Nashville (as the Old 97's began work on their 12th proper album), Rhett muses on his early fascinations with Joan Jett, the Kingston Trio and ZZ Top, pumping quarters into the vinyl jukeboxes of his local diner, how patterns in genre fiction influence his solo albums and what Wheels Off has taught him about the creative process. Visit old97s.com and rhettmiller.com for tour dates, music, social media and more. Plus, subscribe to Wheels Off however you get podcasts.

Since opening its doors in 1999, Grimey's New & Preloved Music has become one of the most beloved record stores in existence -- a beacon to its native Nashville, and the music world at large, for a focus on live performances, fair pricing and meeting the needs of eccentric and avant-garde music aficionados in a town mainly known for its country roots. Founded by Mike Grimes as a way to sell off product he acquired while working in the industry, his humble vision was to create "the Floyd's Barbershop of record stores," a community-oriented meeting place for eclectic music lovers to obtain and share their obsessions, no matter how under-the-radar. He partnered with friend and fellow music fanatic Doyle Davis a few years later (himself a veteran of Nashville chain The Great Escape) and the pair have run Grimey's as co-owners for close to two decades. With the renowned Ryman Auditorium being known as Music City's "Mother Church," Grimey’s has taken up the moniker of the "Other Church" among its devotees, after converting a previous house of worship into its current location in 2018. Today, Mike and Doyle pontificate on the shop's early days, the women who helped shape their love of vinyl growing up, the important roll that cut-out bins played in exposing them to new sounds, and which artist would be the in-store booking of their dreams. They'll also describe how the Avett Brothers' own in-store performance was more insanely dangerous and hardcore than even Metallica's. Plus we  get to current hot button record industry issues like the ramifications of the recent Apollo Masters fire, and Direct Shot's distribution nightmares since last Record Store Day. For upcoming events, promotions, social media and more, hit up grimeys.com and while in Nashville, visit them at 1060 E. Trinity Lane.

Garnering comparisons to other iconic duos like Simon & Garfunkel or The Everly Brothers, Joey Ryan and Kenneth Pattengale have effortlessly sewn together a timeless aura around their fragile, emotionally-resonant songs as Grammy-nominated folk duo The Milk Carton Kids. Since their start nearly a decade ago, their acoustic guitar mastery and impeccable vocal harmonies have led to collaborations or shared stages with legends of the craft like T Bone Burnett, Gillian Welch and John Prine. Joined today by Old Crow Medicine Show bassist Morgan Jahnig and recorded backstage at Nashville's Schermerhorn Symphony Center, Joey and Kenneth discuss reinterpreting Pink Floyd, the supportive community hub of in-store performances at record shops, and the merit of something we'll call -- for this episode -- the artistic vision of "yellow shorts." PLUS learn how you could win a copy of their latest release, The Only Ones, on 10" vinyl. For tour dates, social media and more, visit themilkcartonkids.com.

At just 12 years old in the early 80's, young guitarist Jason Narducy already knew about the emotional roller coaster of starting and ending a band. In this case, that band was Verböten, who exploded onto Chicago's punk scene but folded before Jason became a teenager. Over 35 years later -- with Jason establishing himself since as a terrific singer/songwriter via his band Split Single and collaborating with Bob Mould, Robert Pollard and Superchunk among others -- Verböten is now the subject of a full-fledged musical (the songs courtesy of Jason himself) running at Chicago's Chopin Theatre through early March. To coincide with those performances, the band finally has a seven-inch out on vinyl for the very first time to boot. On this episode, Jason chats about working at record stores in his late teens, how his dad played a formative role in his early love of vinyl, the moral battle of separating great art from a problematic artist, why writing songs for this musical has been easier than writing his own, and his recent experience at a vinyl listening bar in Japan. Performance details and tickets for the Verböten musical can be found at thehousetheatre.com. Follow Jason and get news on Split Single via Twitter @splitsingleband, on Instagram @jasonnarducy and from Facebook @splitsingle.

Comedian, podcasting pioneer and former MCA Records employee Jimmy Pardo returns to discuss what defines prog rock, whether there's a current American band that could garner the sendoff that Canadians gave The Tragically Hip, finally owning a favorite LP after a 20-year search, and his new web series Jimmy's Record & Tapes, where he revisits albums in his collection from 1975 to 1995, along with hilarious personal stories. Subscribe and catch a new episode every Tuesday at youtube.com/nevernotfunny. You can also use that link for the 11th annual Pardcast-A-Thon -- a 12-hour, live-streaming celebrity fundraiser to benefit the cleft palate charity Smile Train -- airing Saturday, May 23rd. Dive into Jimmy's award-winning podcast Never Not Funny however you listen, follow him on the web at jimmypardo.com and on Twitter, @jimmypardo.   

The youngest son of two church choir directors and musicians, Daru Jones has played drums since the age of 4, having grown up behind the kit at his parents' congregation. His love for gospel eventually led him to jazz, country, funk, R&B and hip-hop, where he has flourished as a touring, session and for-hire musician for emcees, vocalists, songwriters and producers like Nas, Talib Kweli, Sturgill Simpson, Dwight Yoakam, Pete Rock, Gloria Gaynor and Pharoahe Monch. He's also performed as part of Jack White's band, both on the road and on record, most recently to promote Third Man Hardware's latest guitar pedal line, viewable on Instagram, @thirdmanhardware. On today's episode, Daru reflects on the influence of everyone from Gene Krupa to DJ Premier, how he relates to the film Whiplash, why classic album covers should be taken as seriously as the music it represents, and the art of respecting composition over the urge to upstage. Catch Daru on the road in coming months as he accompanies original James Brown saxophonist Pee Wee Ellis. You can also follow Daru on Instagram and Facebook, @darujones.

Bassist and Alabama native Jimbo Hart has been holding down Jason Isbell & The 400 Unit's low end for over a decade -- touring the world and earning a Grammy for the group's 2017 barnburner The Nashville Sound. Recorded in his home studio, Jimbo articulates why geology plays a significant role in the music of Muscle Shoals, the joy he gets from recording others (like recent projects for Ross Adams and King Corduroy), his adoration for Monty Python, how New Orleans radio station WWOZ still broadcasts vinyl, and killer stories about encounters with Robert Plant, Kris Kristofferson and dobro legend Jerry Douglas. Jason and the 400 Unit's first two albums -- 2009's self-titled effort and 2011's Here We Rest -- were recently remixed, remastered and reissued on vinyl, available on limited edition colored variants at your favorite local indie retailer or while on tour. Visit JasonIsbell.com for more information. Jimbo also appears on bandmate Sadler Vaden's upcoming solo LP Anybody Out There? (available March 6th) and Isbell merch manager Chance Gray's debut EP The Long Crossing, out now. Stop by sadlervaden.com and chancegray.com for details. Follow @jimbohart on Twitter or @thejimbohart on Instagram.

Since releasing their self-titled debut in 2014, Grammy-nominated electro-pop duo Sylvan Esso has hopscotched around the world, gracing countless festivals as well as late-night TV, fueled by vocalist Amelia Meath's enigmatic energy and Nick Sanborn's deliriously inventive production. Previous to his partnership with Meath, Sanborn was a mainstay of the Wisconsin music scene as a member of Decibully, Megafaun and Headlights. Over the last few years, he's also engineered or produced projects for Daughter of Swords, Why? and Meath's trio Mountain Man. Recorded backstage at Nashville's iconic Ryman Auditorium, Nick discusses his anticipation as a then-record store employee for the original release of Radiohead's Kid A, how the lyrics of Gillian Welch's "Everything Is Free" stay consistently relevant with every new update to how we get music, and the new LP Bluebird, his latest instrumental collaboration with Chris Rosenau of Volcano Choir, Pele and Collections of Colonies of Bees. Follow Nick on Twitter and Instagram @madeofoak, and for Sylvan Esso tour dates, music and more visit sylvanesso.com. You can purchase Bluebird on vinyl from www.rosenausanborn.com.

After years of playing upright bass for cult country act BR5-49, Jay McDowell stumbled into a dream job for any music geek: Multimedia Archivist for Nashville's Musicians Hall of Fame and Museum, established in 2006. From the actual drumkit Santana's Michael Shrieve played at Woodstock to the original lathe used to cut Elvis Presley's first recording to hand-written lyrics from some of the greatest songwriters ever, the MHFM is a literal treasure trove of artifacts and memorabilia that speaks both to the brilliance of music's biggest stars as well as the ingenuity of those behind the scenes. To Jay's end, he wears many hats day-to-day, whether giving private tours to everyone from school kids to the musicians themselves who are being honored, on top of video production, archival research and assisting with the presentation of specific exhibits. On today's program, recorded at the Russell Hotel in Nashville, Jay speaks to his own history with vinyl, how historical context can morph a good song into a classic, why we continue to absorb and collect music even though it's impossible to hear everything, and he shares plenty of stories behind some of the MHFM's coolest acquisitions and inductions, involving Elvis Presley, Velma Smith, Howlin' Wolf, Willie Nelson and Bob Dylan. For more information on the Musicians Hall of Fame & Museum or to plan your trip today, visit musicianshalloffame.com. On Instagram, follow @musicianshalloffame.

It almost sounds like a song in itself: An acclaimed musician on his big album release day, three years in the making, finds himself on jury duty for a murder trial. As crazy or poetic as it may sound, that was the story for Maryland-based Joe Pug back in July, as his latest LP The Flood In Color hit shelves. Though born in the mid-'80s, his tales of destruction and redemption ring with a wisdom that could reflect an artist twice his age, effortlessly penning critical and emotional snapshots of the human condition. The Working Songwriter, Joe's monthly podcast since 2016, also allows him to plug into the minds of friends in the same boat, exchanging stories and unique perspectives on crafting music. On today's program, Joe details how the limitations of vinyl only add to its mystique, why he's using today's postmodern methods of promotion, whose albums filled his childhood basement, why the artwork for Weezer's self-titled debut bucked the trends of its era and how talented people survive a media that's dying around them. Stop by JoePugMusic.com for news, tour dates, social media, info on The Working Songwriter and more.  

As a member of Foo Fighters for the last twenty years, guitarist Chris Shiflett is regarded as one of the most consistently versatile personalities in rock: From his punk roots in Rat Pack and core Fat Wreck Chords alumni No Use For A Name to goofing off with sped up covers in Me First & The Gimme Gimmes to one-off back-up duties for Norah Jones to recording his own albums drenched in country music's Bakersfield sound. He's even parlayed his engaging demeanor and inquisitive mind into hosting and producing the popular Walking The Floor podcast, interviewing authors, fellow musicians, athletes and the like about their inspirations, struggles and successes. Earlier this summer, Chris also released "Hard Lessons," his third solo LP and second with renowned, Grammy-winning producer Dave Cobb. Before the Foo's headlining slot at last month's Pilgrimage Festival just outside Nashville, Chris sat down to discuss the heavy influence that Hanoi Rocks wielded, his new Pro-Ject turntable, which songs brought him to tears as a kid, his 11-year-old son's new fascination with vinyl and more. Visit ChrisShiflettMusic.com, WalkingTheFloor.com and FooFigthers.com for news, social media and more. Look for "Hard Lessons" wherever you get physical or digital music.

Racking up an astonishing 13 proper albums within the last two decades -- not including singles or EP releases -- Matt Pond has solidified himself as one of the most prolific singer-songwriters working today. Though the name Matt Pond PA was retired in 2017 (a moniker for his recording and touring band of which he was the sole consistent member), his work over the last 12 years with musician and engineer Chris Hansen has led to film and commercial scoring, as well as An Orchestrated Impulse, a new multi-sensory collaboration with visual artist Eva Magill-Oliver, comprised of twelve paintings each paired with an instrumental composition in a different key. On today's show, Matt muses about The Minutemen's "Double Nickels on the Dime," why he's had to abandon three completely separate record collections over the years, the Beatles-influenced stage name he almost went by when he moved to Brooklyn and how his mom's confusion between John Waite and Tom Waits paved Matt's musical journey. The installation of An Orchestrated Impulse debuts October 11th at the O+ Festival in Kingston, NY with full performance details at orchestratedimpulse.com, and accompanying music available for digital download at anorchestratedimpulse.bandcamp.com. Visit mattpondpa.com for news, social media and more.

Enjoy this encore presentation of Episode 73, featuring our conversation with Dan Didier of The Promise Ring and Maritime. "Don't Break Down," a documentary on the influential punk trio Jawbreaker which Dan co-produced, was released earlier this month on iTunes, Amazon, YouTube and other digital outlets. His current musical project Dramatic Lovers can be found online at dramaticlovers.com.

For close to a decade, Cleveland's Gotta Groove Records has earned its reputation as "the artist's preferred pressing plant." By having their quality assurance team play every 25th LP or 7" that comes off their presses, they're known for going the extra mile and implementing some of the highest standards in the industry, whether manufacturing limited 100-copy runs or thousands upon thousands for worldwide distribution. On the cusp of their 10th anniversary, Gotta Groove sales and marketing VP Matt Earley chats about where they've been, where they're going and how the vinyl business can stay vibrant and innovative. Visit GottaGrooveRecords.com and follow @gottagrooverecs on Facebook, Twitter and Instagram.

Enjoy this rerun of Episode 64, featuring our conversation with the great Rosanne Cash. Tour dates and more are available at rosannecash.com, and her latest album She Remembers Everything is available wherever you get music.

Since the late 1970's, both Evelyn Shriver and Susan Nadler have worked with an impressive list of country music's biggest names. Armed with their shared PR experience, the duo headed up Asylum Records as the first women to ever helm a major country music label and flipped Nashville's Music Row on its ear, building longtime partnerships with Willie Nelson, Tammy Wynette, George Jones, Emmylou Harris, Lorrie Morgan, Randy Travis and more. Their countless years of experience, legendary debauchery and hilarious stories of life behind-the-scenes and on the road are now part of a new podcast courtesy of Momument Records called Shady Ladies Of Music City, which encourages listeners to submit their own country music rumors for discussion on the program, to find out if they're tall tales or legendarily confirmed stories. Today, Susan and Evelyn sit down to discuss the homogenized state of mainstream country radio, Pittsburgh's National Record Mart (the first music store chain ever in the United States), the industry's reaction to the launch of the compact disc, their childhood memories of 45RPM singles, and how to get rid of gold records. Podcast info, social media and more are available at shadyladiesofmusiccity.com.

Over three proper full-lengths and nearly a decade of touring, NYC quartet Soul Coughing merged spoken word, jazz, hip-hop and various avant-garde subgenres into a sound completely their own, notching a few 90's college radio and alt-rock hits in the process. This year, vocalist/guitarist Mike Doughty is on the road celebrating the 25th anniversary of their critically-acclaimed debut LP Ruby Vroom, performing a "real-time remix" of the record from start to finish with a new backing band. On today's show, Mike heralds Led Zeppelin IV, Miles Davis' hand-painted cassette collection, Memphis' Goner Records and the countless master tapes or unearthed treasures lost to the 2008 Universal Studios fire in Hollywood. He also discusses leading a creative writing class for prison inmates, and their inquiries as to how musicians get paid for songs they've listened to in jail. Find the recent vinyl reissues of Soul Coughing's discography wherever you buy music, and visit mikedoughty.com for tour dates, social media, solo material and more. 

Vinyl Emergency may not have existed without inspiration from Billy Fields. Within the record industry, he's known as the resident vinyl expert for Warner-Elektra-Atlantic, the artist and label services arm of Warner Music Group, overseeing all aspects of vinyl production, including marketing, sales forecasts and strategy. For record lovers on Twitter, Billy is a required presence, keeping the world updated with weekly vinyl sales numbers and trends, while being a vocal advocate for quality vinyl, no matter who's releasing it. Recorded in Nashville during this year's Music Biz conference, Billy dives into the cyclical nature of music retail, his college days working at Tower Records, how Bandcamp and Qrates are working with unsigned artists to create custom limited pressings, and why his team strives to keep the price of albums down, while still giving musicians and fans what they want. Follow @billysezvinyl on both Twitter and Instagram.

Since launching in 2007, the Los Angeles-based comedy label ASpecialThing has churned out laughs on 7, 10 and 12" formats, putting influential voices such as Patton Oswalt, Cameron Esposito, Karen Kilgariff, Jonah Ray and Kyle Kinane to vinyl. Today, on top of his early love for hip-hop, how he swayed his parents to buy him a Muppet Show album and what it's like to get a Grammy, AST co-founder Matt Belknap takes us through the in's and out's of putting stand-up sets to wax. Plus, as producer of the groundbreaking podcast Never Not Funny, Matt will co-host Pardcast-A-Thon -- a 12-hour, live-streaming telethon version of NNF -- on Saturday, May 4th. Proceeds benefit children's cleft palate charity Smile Train, for whom Matt and the gang have raised over $1 million during their past nine fundraisers. Watch all the craziness for a good cause via youtube.com/nevernotfunny, purchase albums from ASpecialThing via astrecords.bigcartel.com, follow @mattbelknap on Instagram and subscribe to NNF's weekly podcasts on the Earwolf Network however you listen.

As popularity rises for vinyl subscription services, Table-Turned continues to stand out as an option for those looking to take a deep dive into specific genres of their choosing. On this episode, co-founder Dane Erbach provides some history on the company, as well as how his local record store is becoming a prime spot for punk rock in the suburbs, how Table-Turned is humanizing music, what vinyl his 7 and 4-year-old sons have been into lately and much more. Visit table-turned.com for subscription info, as well as jetsam-flotsam.com for music on Dane's own label.

Today, we round out our discussions with the main four voices of the acclaimed RecordNerdz podcast: Jason Davis grew up in Brazil, only visiting the states a couple times a year during his teens, before moving to America permanently as an adult and eventually settling down in Brooklyn. On this episode, Jason chats about how he regards his collection as his own private record store, which Metallica album he owns the most copies of, the quality of Brazilian pressings, this year's upcoming Record Store Day, and how vinyl shops are using Discogs to their advantage when needing to dump inventory. Follow Jason on Instagram @spectrum_city_records, and subscribe to RecordNerdz however you get podcasts! Be sure to also check out our previous interviews with fellow RecordNerdz hosts Kristian Sorge, Trevor Ingerson and Mark Piro in the archives.

Without the influence of J. Robbins, the indie-rock landscape from the 90's through today would be missing a specific tonality, seeped heavily in both nuance and bite. From his songwriting and musicianship in bands like Jawbox, Channels and Burning Airlines to his production/engineering work with The Promise Ring, Jets to Brazil, Texas Is The Reason, Shiner, The Dismemberment Plan and a slew of others, he's a widely respected architect of the sound we know as post-punk. Hot off the recent announcement of Jawbox's upcoming summer tour (the band's first in over 20 years), J. discusses his early love for orchestral soundtracks, how he feels the Jawbox of 2019 can be a better band than they were during their initial run, and why his one-off collaboration a decade ago with Death Cab for Cutie's Chris Walla for NPR remains one of his lifelong favorite experiences. Online, you can visit www.jawbox.band for their schedule, social media, merchandise and discography, as well as jrobbins.bandcamp.com. 

You'd be hard-pressed to find a more diverse client base than that of Portland, Oregon's Draplin Design Co. From corporations like Nike and Ford to some of his favorite bands (Dinosaur Jr., Old 97's) to the Obama administration and NASA, Aaron Draplin's visual talents run the branding gamut. But out of all the work he's ever done, designing for vinyl records remains his favorite gig. On today's episode, as we discuss his record shopping habits, prized LP's and stories of meeting his musical heroes, you'll learn that the only thing brighter and bolder than Aaron's designs is his own personality. Visit draplin.com to check out Aaron's catalog of work, upcoming speaking and workshop engagements, and to order all things DDC. His 2016 book Pretty Much Everything is available via Amazon or your favorite retailer. He's also @draplin on Twitter and Instagram.

This year brings with it several anniversaries for songwriter and multi-instrumentalist Pat Sansone: 2019 marks his 50th birthday, two decades as part of The Autumn Defense (formed with Wilco bassist John Stirratt) and subsequently 15 years within Wilco itself. Entering the band during a pivotal shift between A Ghost Is Born's riveting complexities and the more serene nature of Sky Blue Sky, Pat has been a welcome key to the influential sextet since day one, serving up piano, guitar, vocal harmonies and a myriad of other accoutrements. On today's milestone 100th episode from his home in Nashville, Pat reflects on his family's strong ties to show business, the upcoming loss of his neighborhood record shop Fond Object, creating album artwork from thousands of unearthed slides, why John Lennon’s death sparked his deep dive into the Beatles and how Big Star's third album changed his life. Follow Pat on Instagram @sansonic1, and keep current on tour dates and more via wilcoworld.net and theautumndefense.com. 

Since being founded in 2011, Cincinnati-based indie label Soul Step has been running a unique business model for musicians who are unable to afford the massive investment of getting their music on vinyl. By Soul Step fronting and recouping all production costs, then splitting profits 50/50 with the artist for a short run of impeccably colored and incredibly limited pressings, everyone from the label to the band to the listener benefits. On today's show, Soul Step owner Melvin Dillon explains the company's ethos, his relationship with the expert record manufacturers at Wax Mage and more about this creative endeavor that's helping musicians express themselves on wax and helping collectors fill their shelves. For label news, their online store and social media, visit soulsteprecords.com.

An obsessive record collector since third grade, Josh Berwanger's adoration for glam-tinged rock and synth-heavy new-wave led to the formation of indie quintet The Anniversary, who toured heavily in the early 2000's behind a pair of full-lengths for the Vagrant label at its zenith. On today's program, Josh dishes about his days behind the counter at Lawrence, KS record store Love Garden, spotlights some rare finds in his collection, remembers how having the band's music on vinyl was always part of their record contract, and shares his thoughts on how scaling vinyl production back could benefit the industry long term. We also dig into his latest project Radar State, formed with longtime pals Matt Pryor and Jim Suptic of The Get Up Kids and Gadjits drummer Adam Phillips. Check out the band's tour dates and social media, plus pick up their debut LP "Strays" released by Wiretap Records, at radarstate.bandcamp.com.

Andy Barron has made a career of visually documenting life on the road for musicians, both on stage and off, over the last decade. He’s currently Chris Stapleton’s official tour photographer, and he’s done similar work for groups like Foster The People and Switchfoot. His résumé also sports freelance photography for the likes of Jimmy Eat World, Paramore, Joy Williams and New Kids On The Block. A native Californian but now based in Nashville, Andy discusses how to keep things fresh while taking pictures of the same tour night after night, how that same schedule helps you from regretting not taking the perfect shot, how listening to vinyl compares to seeing a film in a movie theater versus at home, how those seeking out a full visual and audio experience with an album benefit due to his hard work, and he dusts off some rare gems in his vinyl collection from Beck, Sigur Rós and Starflyer 59. Check out andybarron.com as well as @chrisstapleton on Instagram to view Andy’s photography, and follow him @andybarron on Instagram and Twitter.

For over two decades, Polyvinyl Records -- which started in the small Midwestern town of Danville, IL -- has been releasing various offshoots of indie-rock with touches of folk, hardcore punk, chamber pop or new wave, including records from Braid, Japandroids, Of Montreal, Joan of Arc, Deerhoof, Alvvays, Beach Slang, Jeff Rosenstock, Matt Pond PA, Owen, Jay Som, Mates of State and countless others. On today's show, Polyvinyl co-founder Matt Lunsford remembers the hands-on DIY nature of the label’s first releases, the early importance of documenting a scene (along with co-founder and wife Darcie), how long their lead time is at pressing plants for a label of their caliber and adapting quickly to how listeners consume music. Plus, we’ll learn more about recent or upcoming Polyvinyl releases from American Football, Pedro the Lion and Rainer Maria. Shop for the label's music, merch and take advantage of their massive holiday sale at PolyvinylRecords.com, follow them on Facebook and Instagram @polyvinylrecords, or on Twitter @polyvinyl.

Eric Astor — CEO and President of Furnace Record Pressing in Virginia — returns to the show to discuss last month’s 2nd annual Making Vinyl conference in Detroit and Furnace’s recent addition of several new record presses. Plus we go over this year’s Record Store Day Black Friday releases with former podcast guest Nick Digilio from WGN Radio in Chicago.

Though much of this year's Pilgrimage Music and Cultural Festival in Franklin, TN was sidelined due to weather-related safety concerns, we still managed to chat with Dawes lead vocalist/guitarist Taylor Goldsmith, soulful singer/songwriter Courtney Marie Andrews and Ireland's Grammy-nominated Hozier, who all shared their thoughts about the importance of vinyl in a digital world, and how the medium has influenced their own work. For details on Pilgrimage Festival, visit pilgrimagefestival.com. 

Our special guests this week are Grammy-winner John Paul White (formerly of The Civil Wars), acclaimed singer/songwriter Erin Rae, sibling vocal duo The Watson Twins, Rock & Roll Hall of Famer John Oates of Hall & Oates, Australian guitar virtuoso Tommy Emmanuel, photographer "Cowtownchad" Cochran and former Vinyl Emergency guest Austin Lucas, all providing great stories about their appreciation and personal history with vinyl, recorded live at various locations during Americanafest 2018 in Nashville, TN! For details on Americanafest, including how to join the Americana Music Organization, visit AmericanaMusic.org.

With a long history in journalism covering audio and home entertainment, Shane Buettner began boutique vinyl reissue label Intervention Records in 2015, with a focus on albums from the late 70's to early 2000's that he felt weren't getting the proper, or any, treatment on wax. Inspired by the Music Matters Jazz label and priding himself on overseeing every aspect -- from working with the original analog tapes to art restoration to sleeve printing and assembly -- Shane has released high-quality, in-demand reissues from Everclear, Joe Jackson, Erasure, Judee Sill and more over the last three years. Most recently, Intervention has partnered with 90's power-pop king and former Vinyl Emergency guest Matthew Sweet to reissue and remaster his catalog from 1991-1995, all of which were originally recorded entirely to analog: Girlfriend, Altered Beast, the never-before-on-vinyl Son of Altered Beast EP and 100% Fun. On today's show, Shane discusses what the music industry learned from Neil Young's Pono experiment, how farm-to-table restaurants relate to the vinyl world, and his new website -- vinylreviews.com -- which aims to create a community where listeners can share their thoughts on specific pressings and packaging. We also do a deep dive on how our ears and brains take in music, and why audio source transparency is so important to vinyl's resurgence. Visit interventionrecords.com to pick up Shane's quality reissues, and follow @intervention_records on Instagram for needle drops, pressing updates and more!

In the footsteps of groups like The Band or The Flying Burrito Brothers, who still exude country rock coolness 50 years on, comes Nashville's Great Peacock. Since their 2015 debut, they've been hailed by publications like No Depression, American Songwriter and Paste for their powerful, poignant mixture of folk, rock, blues and Americana, while sharing stages with Margo Price, Dr. Dog, Colter Wall and Hurray for the Riff Raff. Andrew Nelson and Blount Floyd -- guitarists and co-songwriters/vocalists for the quartet -- sit down backstage at hometown venue 3rd & Lindsley to discuss their connections to vinyl, their favorite music documentaries, whether an artist's name on the front of their records takes away from the album's visual art, how My Morning Jacket's Tom Blankenship and Carl Broemel ended up contributing to Great Peacock's terrific new album Gran Pavo Real and more! On September 13th, they'll perform at Musicians Corner at Centennial Park in Nashville as part of Americanafest 2018, and you can visit GreatPeacock.com for further tour dates, their social media, etc.

Check out details on our brief upcoming hiatus, and what you can expect when we return.

Milwaukee-based Americana duo Dead Horses have performed anywhere from coffee shops to opera houses since their formation in 2010, and their profile is only getting larger: While on the road supporting their latest album My Mother The Moon this year and next, they'll play Colorado's legendary Red Rocks Amphitheatre, as well as a Jamaican and Mexican cruise alongside Emmylou Harris, the Indigo Girls, Billy Bragg and Jason Isbell. Singer/guitarist Sarah Vos and double bassist Daniel Wolff talk today about their relationships with vinyl, getting their own LP's pressed without a label, working with former Wilco drummer Ken Coomer and more. PLUS they'll grace us with two live acoustic performances which you can also download separate from today's episode at deadhorseswi.bandcamp.com, with proceeds benefitting Texas non-profit RAICES -- the Refugee and Immigrant Center for Education and Legal Services. For Dead Horses tour dates, social media and more, visit deadhorses.net.

Enjoy this repeat of our interview last year with film and television composer Dave Porter. You can hear Dave's music on "Preacher" and "Better Call Saul," celebrating their season premieres on the AMC Network on June 24th and August 6th, respectively.

Although he toured the world fronting garage-rock kingpins The Mistreaters in the early 2000's, Chris Schulist has never lost his affinity for the boom-bap style of 80's and 90's rap. Dope Folks Records -- a Milwaukee label he co-founded in 2010 with friend John Kuester -- is fueled by a passion for crate digging; Dope Folks primarily represses underground or deep cut 12" rap singles with minimalist packaging in limited quantities, even working with legendary acts like Black Sheep and Tha Alkaholiks. If that didn't keep him busy enough, Chris is also a partner in the popular Milwaukee restaurant The Vanguard (with fellow garage-rock veteran Jim McCann of the Baseball Furies), serving unique sausages and cocktails to everyone from WWE wrestlers to headlining comedians like Bill Burr to Chris' old pal Jack White. On today's show, Chris details how his uncle got him into record collecting, which Sesame Street record has the best bass lines, why Kiss makes it increasingly tough for their fans to stick with them, and much more. For the best in classic (or should've-been-classic) rap, visit dopefolksrecords.bigcartel.com and follow them on Facebook @dopefolks. For amazing brats while in Milwaukee, visit vanguardbar.com and follow their Instagram, @vanguardmilwaukee.

A daily must-visit for record collectors everywhere, Discogs.com launched in 2000 with the lofty goal of cataloging every piece of recorded music in history. Fast-forward nearly two decades, and Discogs has over 9 million different releases currently documented. They've also got a popular mobile app, a busy digital marketplace that fuels the vinyl community worldwide, and sister sites that similarly catalog books, comics, posters, films and recording gear. Discogs CEO Chad Dahlstrom joins us today to talk about his own record collection, the site's recent ban on bootlegged and pirated material, building relationships with artists and labels, updates we can expect in the future and much more. Follow @Discogs on Facebook, Twitter and Instagram. Plus, we debut some brand new music from Ohio quartet Curtail!

Founded in 1964, Stoughton Printing Company is a leading provider of quality music packaging and production planner Rob Maushund is at the helm of getting that superior work out the door and into record stores around the world. From working first-hand and directly with King Tuff, Jack White or Thurston Moore to Bonnie "Prince" Billy, Gillian Welch or Father John Misty, Rob's 30+ year career at Stoughton has led to literally thousands of astounding record packages, earning Grammys and other industry accolades. On this episode, Rob shares his thoughts on the inaugural Making Vinyl Conference in Detroit this past fall, the history of the tip-on jacket process, and how musicians can explore a vast realm of packaging options without spending a fortune. Visit stoughtonprinting.com for more information, and follow them on Facebook and Instagram @StoughtonPrinting. Also check out @OldStyleRecordJackets on Facebook.

In 1962, soul vocalist and songwriter William Bell was sharing stages with Jackie Wilson and Gladys Knight, before a phone call from his mother and a letter from the U.S. government halted his blossoming career. Today, Andrew Winistorfer from Vinyl Me, Please tells us about their new reissue of Bell's debut LP (originally released by Stax), and what it's been like to get to know the 78-year-old Bell himself while working on the project. Also, Jim speaks with record collector friends Perry Day and Mike Pecucci to get their angle on Record Store Day, as well as Pinwheel Records owner Scott Schaaf, as he prepares for their biggest day of the year.

President and CEO of Fairfax, VA's Furnace Record Pressing Eric Astor has seemingly done it all within the record label / disto / CD and vinyl pressing universe over the last 20+ years, with zero sign of stopping: Furnace is soon adding 16 new and refurbished vinyl presses, likely solidifying them as the second largest vinyl pressing plant in America. Today, Eric chats about his previous and current companies (including ORGMusic, VinylStyl and Lumberjack Distribution), as well as what these new machines mean for not just Furnace's output, but for the current bottlenecking experienced across the board by today’s vinyl manufacturers. Visit FurnaceMFG.com and ORGMusic.com for more information!

Within the last five years, U-Turn Audio has gone from the Kickstarter dream of three east coast college students to one of the biggest names in turntables. In a fanatical vinyl market, they've managed to stand apart by making each deck to order, keeping their manufacturing in Boston and offering audiophile-like quality at a price tag that's nearly half of those of their largest competitors. U-Turn's customization factor is also a huge selling point, with listeners having the ability to add a pop of color, a higher-end cartridge, a cue lever and more to an already stellar piece of equipment. Co-founder Ben Carter drops in this week to discuss the company's genesis, how the audiophile community influenced U-Turn's original designs, the endless debate between belt-driven and direct-driven turntables, his affection for Bob Dylan's "Nashville Skyline" and the impact of Pennie Smith's iconic photo on the front of The Clash's "London Calling," plus dealing with feedback and customer satisfaction in the age of social media. Visit uturnaudio.com to learn more!

Today's show is all about getting -- and keeping -- your records clean! Perfect Vinyl Forever is a relatively new service based in Wisconsin, determined to restore albums to "better than new" condition through more scientific means than your standard over-the-counter methods. Founder Steve Evans joins us today to discuss the do's and don'ts of commercially available cleaning processes (like brush-and-solution combos and Spin-Clean Record Washers), how PVF strives to improve the fidelity of brand new LP's, the different types of record collectors he encounters, and the joy he gets from working on Perfect Vinyl Forever with his daughters, who also appear on today's episode to discuss their own appreciation for records as well as their feelings as young women in a collector's culture that isn't always inviting or inclusive. If you're in the Milwaukee area, check out Perfect Vinyl Forever's next record cleaning clinic at Ultra Fidelis in Wauwatosa, WI on January 27, and visit PerfectVinylForever.com for more info!

Having cut his teeth within the small but tight-knit Green Bay punk scene of the early 2000's, Milwaukee-area producer/engineer Justin Perkins gives tips on mastering records both digitally and for vinyl and discusses temporarily joining Screeching Weasel, being in charge of documenting the final Replacements reunion show in 2015, and how trying to change an album's audio mix after the mastering process is like attempting to cook an already-burnt pizza. Visit mysteryroommastering.com for more info on Justin's studio work, and check out BashAndPop.bandcamp.com to hear his recent musical project, backing up the Replacements' Tommy Stinson! 

2017's Trinity Lane, the third album from Nashville-based Lilly Hiatt, is a true triumph within the alt-country/Americana genre, from an artist who has not only overcome personal tragedy, addiction and heartbreak, but has done so while standing outside of the musical shadow of her dad, Grammy-nominated singer/songwriter John Hiatt. NPR nailed it earlier this year by saying, "Her willingness to portray herself in moments of anger or neediness that others might deem unseemly, particularly coming from a woman, and to examine gender divisions in emotional labor at close range, is courageous and affecting." Today, Lilly talks about digging through vinyl dollar bins on the road, how her turntable played a part in her newfound independence, playing everything from Cat Stevens to Kendrick Lamar while in the van, what her dream vinyl pressing of Trinity Lane would entail, and the romance that blossomed through the recording of her recent Third Man Records seven-inch. Trinity Lane is available wherever you buy physical or digital music, and visit LillyHiatt.com for upcoming tour dates, social media and more. PLUS check out @VinylEmergency on Facebook or Twitter for our corresponding Spotify playlist to this episode!

The recent, sudden passing of Tom Petty has been rough for all who knew him and adored his music, so this week we're rerunning our chat last fall with Heartbreakers keyboardist Benmont Tench. Ben's memories over the last 40 years of performing with Tom, and his passion for vinyl and music in general, make this one of our favorite interviews we've done. Follow @BenmontTench on Facebook and Instagram, as well as @BenchTen on Twitter.

Surrounded by her parents' jovial and eccentric group of friends as a youngster -- whom she likened to "the Marx Brothers in tie-dye" -- photographer and director Autumn de Wilde has captured a venerable who's who list of artists on film, such as Willie Nelson, Prince, Ryan Adams, the White Stripes, Death Cab for Cutie, Sonic Youth, Fiona Apple and the Decemberists. This week, Autumn and Jim discuss how her shots on iconic record covers for Beck's "Sea Change," Elliott Smith's "Figure 8" and Jenny Lewis' "The Voyager" came to fruition, the comedy albums that she loved growing up, some long-lost photos Autumn took of Jim during a shoot for "Wilco the Album" back in 2009, and how she uses a certain improvisational wildness within her art while ensuring her subject never feels trapped by it. Follow @autumndewilde on Instagram and Twitter, and keep an eye out for the latest video she has directed for Starcrawler's "I Love L.A.," coming later this month. SPONSORS: Vinyl Me, Please; Pinwheel Records; Vinyl for a Cause; flipbin.

Friend, fellow record collector and previous guest Chris Fitzgerald joins us to talk about the songs and memories we'll hold of the late Tom Petty.

This week, our host Jim Hanke guests on Dig Me Out as part of a roundtable discussion about all things alt-country! Touchstone albums, current favorites, what defines the genre and more are discussed with DMO hosts Tim Minneci and Jason Dziak, Jim Kopeny of Chicagoist.com, and the Dallas Observer's Eric Grubbs. Visit DigMeOutPodcast.com for great weekly album discussions and other great episodes. PLUS -- We announce our next LIVE Vinyl Emergency episode, at Pinwheel Records in Chicago this November!

In the pantheon of 90's alternative-rock, you could say Boston trio Morphine were one of the most alternative. Leader Mark Sandman's seductive vocals and two-string slide bass, partnered with only baritone saxophone and drums, created a sound Sandman himself dubbed as "low rock" but almost 30 years after the band's inception, their fans as well as newcomers still struggle to put Morphine's uniqueness into words. Since Sandman's tragic death in 1999, saxophonist Dana Colley (along with surviving members of Morphine and other collaborators) has kept that distinct sound alive through Orchestra Morphine and currently Vapors Of Morphine, as well as an upcoming limited LP release from Warner Music Group imprint Run Out Groove of Morphine's 1997 set at The Warfield Theatre in San Francisco, cut to vinyl by Jeff Powell at the legendary Sam Phillips Recording. On today's show, Colley discusses his fascination with liner notes and how vinyl records act as an archive for a moment in time, while Run Out Groove's Matt Block visits to talk about the label's fan-driven voting process, why a Morphine live show was chosen over studio albums that have yet to see vinyl pressings and how quality digital recordings have as much of a right to exist in the vinyl market as analog. Visit RunOutGrooveVinyl.com to find a store near you that will carry Morphine's Live At The Warfield 1997 next month, and check out VaporsOfMorphine.com for news and tour dates.

Over the last 25+ years, the legendary Chuck Berry, an inarguable architect of rock n' roll and known worldwide for hits like "Johnny B. Goode" and "Roll Over Beethoven," had been working on what would become his final album. The aptly-titled Chuck is his first studio record since 1979 and was finished prior to his death this past March. The LP features current rock staples like Gary Clark Jr., Nathaniel Rateliff and Rage Against The Machine's Tom Morello alongside members of his family, including son Charles Jr., who had already built himself a successful career in IT, but had virtually zero music experience, before joining his father's band in the early 2000's. This week, Charles Jr. remembers 16RPM records, his mother's vinyl collection and his dad's guitars over the years, plus we discuss his own vinyl buying habits and why this final album took over a generation to complete. He also talks about the memories he's made through his father's music with his own son, Charles III, including their recent appearance together on The Tonight Show. The album Chuck is available on Dualtone Records wherever you buy music; go to ChuckBerry.com for more info. SPONSORS: Vinyl Me, Please; Pinwheel Records; Vinyl For A Cause; Flipbin.

Born in Italy and raised in the English city of Oxford, Olivia Chaney is an acclaimed and classically-trained pianist/folk singer who -- thanks to a Twitter dialogue with Decemberists frontman Colin Meloy -- recently partnered with the group to form the side-project Offa Rex, providing a psychedelic motif to traditional British folk songs from as early as the 17th century. This week, Olivia talks about being intrigued by Bob Dylan's John Wesley Harding LP as a child, the vinyl care package she recently received from her label Nonesuch, opening shows for the legendary Robert Plant, the song selection process for Offa Rex's debut album The Queen Of Hearts, how our discussion has potentially influenced her to record direct to analog from now on and how cassette tapes on family road trips not only formed her earliest musical memories, but also became the focus for the cover of her debut album, 2015's The Longest River. Visit both oliviachaney.net and offarex.co for music, social media and more! SPONSORS: Vinyl Me, Please; Pinwheel Records; Vinyl For A Cause; Flipbin.

As one of indie-rock's busiest mastering engineers, TW Walsh has tackled almost 1,000 different projects, including releases for Sufjan Stevens, Ben Gibbard and The Shins. He's also had a longtime friendship and working alliance with former Vinyl Emergency guest David Bazan, writing and performing on albums for Pedro The Lion, Headphones and most recently Lo Tom, as Walsh and Bazan are joined by Starflyer 59's Jason Martin and Trey Many. As Lo Tom's debut full-length was released last month by Barsuk, and his newest solo effort Terrible Freedom came out in April, Walsh joins us to discuss his father's extensive record collection, the future of mastering in the age of digital DIY, how the benefits of streaming have prevented albums from growing on us, Elvis Costello's vast and diverse discography, whether Walsh will continue to press vinyl on his own and how he became the subject of one of Bazan's best-known lyrics. Visit twwalsh.com to buy his releases on vinyl or digitally, and pick up Lo Tom's new album from Barsuk.com or wherever you purchase music. You can also follow @LoTomLoTom on Facebook, Twitter and Instagram. SPONSORS: Vinyl Me, Please; Pinwheel Records; Vinyl For A Cause; Flipbin.

Original Violent Femmes drummer Victor DeLorenzo and his Nineteen Thirteen bandmate/cellist Janet Schiff discuss their own relationships with vinyl over the years, the unique sounds they're creating as a portable two-piece band and how a chance meeting at a diner spawned their musical kinship. Janet recalls "inventing" her own cello as a child, spinning records in her makeshift basement roller rink and whether or not to buy your bandmate's classic LP while he's in the record store with you, while Victor talks about the iconic artwork of the Femmes' self-titled debut and sets the record straight on their now legendary gig opening for The Pretenders at Milwaukee's Oriental Theatre in 1981, plus how it feels to have sports fans in packed stadiums around the world clapping along with his seminal percussion on "Blister In The Sun." Check out their two most recent albums, Music For Time Travel and The Dream, on Spotify and visit nineteenthirteen.com for upcoming gigs, their social media and more!

Despite vinyl's comeback, selling it online as a small, independent label is an uphill battle; Now imagine doing so door-to-door. As former Director of Operations for G.E.D. Soul Records, there were times when Nashville native David Guy would do just that: visit record stores across the country unannounced, selling funky 45's and adding to his own vast record collection along the way.

Currently, David is a hard-working bassist for hire, having spent time in many G.E.D. Soul projects like The Coolin' System and DeRobert & The Half-Truths -- as well as Time Is Tight, a Booker T. & The MG's tribute act -- before joining up with Amanda Shires last year, touring behind her 2016 album My Piece Of Land and playing some of the largest shows he's ever done, opening for Jason Isbell & The 400 Unit.

With even more excitement coming soon (Amanda and her band hit Red Rocks next month and film a set for PBS' Austin City Limits in a few weeks), David discusses some of his recent soul jazz finds on vinyl, the remarkable history of United Record Pressing's Motown Suite, which albums he picks up for Amanda while on tour, how race can wrongfully decide who reaches a wider audience, and much more. Follow David's record collection and life on the road via Instagram @davidandguy, check upcoming tour dates at AmandaShiresMusic.com and pick up some of David's releases via GEDSoulRecords.com!

Despite dubbing themselves a "baby band" when comparing their short history in the music business to those that have championed their work, Muscle Shoals, Alabama siblings Lydia and Laura Rogers have a strong connection to the history and romanticism of vinyl records. From putting on mini-concerts for each other on their parents' waterbed -- in sync with Highway 101 and Linda Ronstadt albums -- to Jack White recording and putting the duo to vinyl for the first time, the Secret Sisters' love for the medium matches their undeniable devotion to the art of songwriting. Since that first Third Man seven-inch, they've continued to work with producers who eye authenticity as an integral part of their aesthetic: the legendary T. Bone Burnett, current Nashville staple Dave Cobb and most recently Brandi Carlile, who helmed the Sisters' emotional new album You Don't Own Me Anymore, a title that speaks volumes to the trials and tribulations of heartache, bankruptcy and professional distress that nearly killed the Sisters' career since their last record. Today, Lydia and Laura sit down to discuss touring United Record Pressing and watching their first vinyl release being pressed, why vinyl continues to be the measurement by which the Sisters gauge how well their own albums sound, how You Don't Own Me Anymore's exemplary cover art is a familial response to their recent struggles, and some stellar stories involving Levon Helm, Fiona Apple, Elton John and human-sized catfish. Visit SecretSistersBand.com for tour dates, social media and more.

Pioneer of podcasting and stand-up comedy veteran Jimmy Pardo joins me this week to discuss his memories of vinyl growing up, working in Chicago record stores, his sales career with MCA Records in the mid-80's, warming up audiences for The Tonight Show with Conan O'Brien and TBS' Conan, and possibly his shortest comedy gig ever, "opening" for Elton John! As host of the incredibly popular Never Not Funny podcast, Jimmy also talks about the fantastic work the show has done for cleft palate charity Smile Train during their yearly Pardcastathon, having raised almost $800,000 since 2009. Jimmy's 2005 album Pompous Clown is now available for the first time on vinyl from astrecords.bigcartel.com, and Pardcastathon 2017 takes place this coming March! Subscribe to Never Not Funny however you listen to podcasts, and follow @jimmypardo and @nevernotfunny on Twitter!

Here's something a little different this week! I recently guested for the second time on The Great Albums podcast -- a fantastic show hosted by Bill Lambusta and Brian Erickson -- that dissects classic records track-by-track, defining what makes them so special. I was ecstatic that they invited me back to talk about 1998's "Yield," recently reissued on vinyl and the fifth album from one of my favorite bands: Pearl Jam. So instead of me hosting this week and asking the questions, I thought you'd enjoy hearing the entire Great Albums "Yield" episode, as a gesture of solidarity and cross-promotion in music podcasting, and giving Bill and Brian exposure to the Vinyl Emergency audience, just as they've been kind enough to do for us. In this spirited round-table discussion, we get into deep Pearl Jam lore, nerd out on the various amps and guitars used on the album, PJ's relationship with vinyl and so much more! Be sure to subscribe to The Great Albums however you listen to podcasts, visit them at TheGreatAlbums.com and follow them on Twitter and Facebook @thegreatalbums.

It's time for another Collector's Club episode, where we discuss the shopping habits, preferred record stores and unique experiences of your everyday vinyl collector! This time, it's Las Vegas native and current Brooklyn resident Trevor Ingerson from the Record Nerdz Podcast, which you should be subscribing to if you don't already. Today, Trevor talks about how hometown sports began his quest for vinyl, memories of the Las Vegas punk scene, recent digging experiences in Liverpool, that weird time Bob Dylan was on Pawn Stars, Trevor's career in literature and whether there's a link between music streaming and digital books, plus some thoughts on Hum, Mark Kozelek and The Promise Ring! Follow Trevor and the Record Nerdz crew on Twitter and Instagram @tingerson and @recordnerdz respectively, and find the Record Nerdz podcast on Soundcloud, iTunes or however you listen to podcasts.

Chicago's Smoking Popes are one of my seminal favorite bands, having released several crucial albums of lovelorn power-pop including 1994's Born To Quit and 1997's Destination Failure. Gaining notoriety via soundtrack appearances on films like Clueless, Tommy Boy and Angus, the band split up at the turn of the century, reformed 11 years ago, and have since added a few more proper full-lengths to their catalog while focusing their performances primarily around the Midwest. Recorded on a rainy night in his church office, singer/guitarist Josh Caterer -- now a pastor of music and worship -- discusses the influence of his father's record collection on he and his bandmate brothers, getting the first few Popes seven-inches pressed, the process of reissuing Born To Quit on vinyl, astonishing interactions with both Morrissey and Dave Grohl, the new EP Black As Midnight from his blues-focused band Jackson Mud, and so much more! PLUS Josh graciously performs two songs LIVE and exclusively for Vinyl Emergency! Follow @joshcaterer on both Twitter and Instagram, and visit SmokingPopesMusic.com and JacksonMud.com for social media, live dates and more info on both bands. 

Music discussion and vinyl news podcast Sharing Needles With Friends has been both a favorite of mine for years as well as an inspiration for me to start Vinyl Emergency. Based out of Knoxville, TN and fueled by the nearly 20-year camaraderie of hosts Derek Jones and Gene Priest, SNWF is an always informative and hilarious listen, whether they're talking about their own record collections, what excites them about upcoming releases, or divisive topics, like whatever Kanye West is up to that particular week. Derek and Gene were kind enough to air this interview as their own SNWF episode a few weeks ago as a showing of solidarity and cross-promotion, but if you're brand new to SNWF, buckle up for a really fun episode! We also revisit our new segment Where's The Wax?, by bringing 15 more albums to the table that need a vinyl pressing.

In 2015, Chicago-based company Gramovox launched a Kickstarter campaign for their gorgeous Floating Record Vertical Turntable. With over $1 million in backing and now almost a year to the date of their Kickstarter launch, Gramovox is still turning heads in both the vinyl/audio realm as well as the tech world, with both the Vertical Turntable and their Bluetooth Gramophone, as they strive to meld sleek, old-fashioned design with today's technology. I recently sat down with CEO/Co-Founder Pavan Bapu, Media Production Manager Jack Pochop and Customer Service Specialist Lewis McKinney to talk about Gramovox's early days, how the turntable itself works, what questions they hear from lifelong vinyl collectors and those buying their first turntable, how social media -- and #NowFloating -- plays a huge role in sharing their products, and of course, what their first ever album purchases were.

Visit Gramovox.com and follow them @Gramovox on Twitter, Facebook and Instagram. Follow this program on Twitter, Facebook and Instagram @vinylemergency, and write me at [email protected] with any feedback!

Matt Shiverdecker -- member of the Austin Film Critics Association and former music director/on-air host of WOXY -- joins me this week to discuss his record collection, how vinyl bootleggers are making a killing off of today's major hip-hop artists, the many phases of WOXY over the years, how Nielsen ratings currently work for radio, the struggles of music programming immediately after September 11th (when certain songs were under scrutiny due to their titles, subject matter or band names), how crazy it gets in Austin during SXSW and much more! We also debut a new Vinyl Emergency segment -- Where's The Wax? -- where we bring ten albums to the table that aren't currently on vinyl, discuss why they likely haven't been pressed and why we need them! Follow Matt on Twitter @shivvy and on Instagram at @mattshiv. 

Vinyl Me, Please has been supplying record lovers with exclusive album presses each month -- whether they be well-known classics, brand new releases or long-buried gems -- since January 2013 as a subscription-based service. Today, VMP's head of label relations Cameron Schaefer and I discuss their growth over the last three years, the feedback they get from their subscribers, how each Album of the Month is chosen and what it was like to hold the original UK master tapes of The Beatles' "Abbey Road," when he visited Capitol Records' extensive archives! We also discuss his youth in rural Wyoming and his career as a pilot in the Air Force prior to joining VMP. Visit vinylmeplease.com for more info on how to subscribe, and follow @VinylMePlease on Twitter, Facebook and Instagram. You can also follow Cameron on Twitter and Instagram, @cjschaefer. Be sure to listen as well for details on our Everclear vinyl giveaway this week -- courtesy of Intervention Records -- and follow @VinylEmergency on Twitter, Facebook and Instagram. You can also write the show at [email protected]!

We all know what it's like to listen to vinyl, but what's it like to hand-pour or physically press them? Heather and Sarah from Gotta Groove and Wax Mage join me this week to talk about their side of the record industry and their unique, one-of-a-kind colored vinyl creations that are gaining them fans from all over the world. We also discuss the age old question of whether colored records sound better or worse than standard black pressings, Wax Mage's upcoming Heavy Haze compilation, what crazy requests for album variants they've heard from labels and bands, and much more!

Visit Heather and Sarah at instagram.com/waxmagerecords, facebook.com/waxmagerecords, be sure to enter this week's Wax Mage contest for a free shirt, stickers and pins, aaaaand use the code VINYLEMERGENCY for 50% off anything at waxmagerecords.com! PLUS our flipbin contest winner is announced! Follow @VinylEmergency on Twitter, Facebook and Instagram, write the show at [email protected] and while visiting our new sponsor MusicDirect.com, use the code EMERGENCY for 15% off any music purchase!

Seemingly born into radio, Ryan Arnold is an avid music fanatic beyond what you hear him spin as a DJ on Chicago's WXRT. When he's not on the air, you can find him record shopping, checking out local bands and generally supporting any and all who are creating, showcasing or promoting music in the Windy City. I interviewed Ryan at the XRT studios after an awesome lunch at The Billy Goat Tavern, and we discussed his previous experience working on a railroad, what makes Chicago special musically, what he's been spinning lately, this year's Lollapalooza line-up and lots more! You can follow Ryan via @ryanarnoldrocks on Twitter, Facebook and Instagram. And make sure to follow the show via @vinylemergency as well, and write the show: [email protected].

275 miles, 6 record stores and 2 states in 1 day. I made it my mission on Record Store Day 2016 to bring you a slew of interviews with vinyl collectors of all sorts in both Wisconsin and Illinois (fathers and daughters, aunts and nephews, couples, best friends and more) about their passion for records and what they wanted from this year's list of exclusive releases. Plus I chat with several record store owners about their prep for the big crowds and their love for their customers on the biggest music shopping day of the year! In Milwaukee, these chats took place at The Exclusive Company (Farwell Ave.), Rush-Mor Records, Off the Beaten Path and ACME Records & Music Emporium, plus there's audio from show-sponsor Pinwheel Records in Chicago as well as Rediscover Records in Elgin, IL. I also talk with Ben Robertson and Chris Baronner of flipbin, a new Chicago-made record display product whose Kickstarter campaign recently launched in order to help vinyl lovers better organize their "now playing" or "recently purchased" stacks of wax! Visit them at flipbin.com and listen in to learn how to win a FREE flipbin for yourself! Follow @vinylemergency on Facebook, Twitter and Instagram, and write the show at[email protected].

Fresh off our interview with bassist Todd Bell of Braid and Hey Mercedes, I sat down in Nashville with the other half of that incredible rhythm section, drummer Damon Atkinson! We discuss the Hey Mercedes reunion this year starting July 8th and upcoming re-release of their debut album "Everynight Fire Works," setting up his own drum kit and tour rig in his mom's basement at an early age, doing D.I.Y. cassette duplication and 7" sleeve assembly in early bands like Altered States and Figurehead, how drum-teching for groups such as Thrice and Senses Fail parlayed into a full-on career in tour management, why Shirley Manson from Garbage gave him her old Palm Pilot, and his connection to Nicoletto's Pasta Co., a new fast-casual Italian restaurant in Nashville! Follow @heymercedes2016 on Twitter and Instagram for all their updates this year, and you can also follow Damon at twitter.com/damonetm and instagram.com/damonatkinson. PLUS I announce our Black Sabbath vinyl winner, and chat briefly with return guest Rob Clark, to get a first-hand account of the recent Rock and Roll Hall of Fame induction ceremony. Follow @VinylEmergency on Twitter, Facebook, Instagram and Soundcloud, and write me at [email protected].

Since I moved to suburban Chicago almost ten years ago, Nick Digilio has been a constant audio companion for me in both radio and podcast form. During his 2-5am shift weekday mornings on one of the most storied stations in the medium, you'll often hear Nick -- an on-air host since 1998 and having been a part of WGN 720 AM for over 30 years -- engaging with listers on topics ranging from favorite comfort foods to misheard song lyrics to iconic movie lines, always sporting a genuine passion for the arts and a hilarious, self-deprecating levity along the way, while winning a handful of Illinois Broadcasters Association awards to boot. Today, I talk with Nick about how the resurgence of 70mm film relates to today's vinyl comeback, which album he has owned in every format imaginable, a little-known fact about High Fidelity's classic Beta Band scene and how his sobriety has improved his life both on and off the air. Follow @NickDShow on both Twitter and Facebook, and subscribe to his uncut podcasts on iTunes! PLUS: Learn how to enter for your chance to win all four 2016 Black Sabbath 2LP reissues, courtesy of Rhino Records! Follow this podcast @vinylemergency on Twitter, Facebook and Instragram, and write me at [email protected]!

Back in 2014, I interviewed Braid and Hey Mercedes bassist Todd Bell about his record collection for a written piece on Modern-Vinyl.com, which led to us digging together on Record Store Day 2015. So when I began this podcast, I knew Todd would be a more-than-willing guest to discuss his vast stockpile of over 2,500 albums. In this episode, we chat about the benefits of Japanese pressings, the art of the mix CD (and trading said CD's with his pals in Jawbox and Texas Is The Reason), the good ol' days of sending cash and coins through the mail for records, Braid's love affair with off-kilter time signatures, still finding time to skateboard as a busy dad (with fellow musician and busy dad Dan Didier of Maritime/The Promise Ring), inheriting his father's classic Sansui receiver (purchased while stationed in Okinawa during his time in the Air Force) and much more! We also get some EXCLUSIVE, not-yet-announced Braid repress news direct from Todd, and you can enter our Braid vinyl prize pack giveaway! Follow the show at instagram.com/vinylemergency, twitter.com/vinylemergency or facebook.com/vinylemergency and write me at [email protected].

Long before his current position as Editorial Director of Onion Inc., -- and his freelance work for Magnet, Spin and Rolling Stone -- Josh Modell created Milk Magazine (along with his buddy Jim Minor), a D.I.Y. publication responsible for introducing me to independent music when I was just a high-schooler. Josh and I discuss his vinyl obsessions when he was younger, his tenure at Milwaukee's storied Atomic Records (with memories of in-store performances from The Wedding Present, Frank Black and Jason Molina), pressing vinyl for acts like Clem Snide and Crooked Fingers on his Foreign Leisure label, how The Promise Ring's "Very Emergency" album got its title (and his role as a milkman in the band's "Emergency! Emergency!" music video), his favorite A Very Milky Christmas memories and A.V. Undercover segments, the benefits and drawbacks of internet commenting and much more! Follow Josh at twitter.com/joshmodell and tune in as well for details on our current giveaway: A hand-crafted wood album jacket display, courtesy Sand & Stain! Visit instagram.com/sandandstain to have a look, and follow the show at twitter.com/vinylemergency, facebook.com/vinylemergency and instagram.com/vinylemergency for details on entry!

A massive record collector with an inspirational work ethic that rivals the busiest musicians in the business, Evan Weiss has released more material just under the Into It. Over It. moniker than most bands do in a lifetime. Throw in his side-projects Pet Symmetry and Their / They're / There, his production work for acts like Xerxes, Annabel or You Blew It, and releasing friends'  albums on his own Storm Chasers Ltd. label, and you'd wonder how he has time for even *listening* to music, let alone touring and recording. On this episode, Evan talks about going completely analog with renowned producer John Vanderslice for his new album "Standards" (out March 11th on Triple Crown), the 12 different inserts to the "Standards" vinyl pressing, his early obsessions with Peter Gabriel and Depeche Mode, checking what his own catalog goes for on vinyl auction sites, what releases of his he'll never repress, and so much more! Visit intoitoverit.com for tour dates, PLUS learn how to enter this week's contest for a copy of Pinegrove's great new LP "Cardinal," courtesy of Run For Cover Records! Visit Vinyl Emergency on facebook.com/vinylemergency, twitter.com/vinylemergency and instagram.com/vinylemergency; Also write the show at[email protected].

It's a family affair this week as my cousin-in-law Kyle Fasel, bassist and lyricist of Real Friends, comes on to discuss keeping vinyl in stock in their merch store, his role as "band dad," what it's like having his ACTUAL dad on the road with him and what to expect from the group's new album, produced by Steve Evetts (Saves The Day, Dillinger Escape Plan)! We also chat about why specific album covers speak to him and how it felt to play their hometown 20,000-seat amphitheater on Warped Tour, as well as their upcoming sold-out $5 Tour, starting March 5th. Visit realfriendsband.com to connect with Kyle and crew. PLUS: I'll announce next week's guest as well our next vinyl giveaway from Run For Cover Records! Follow the show at facebook.com/vinylemergency and twitter.com/vinylemergency, and write the program at [email protected]. 

My good pals and self-described "crappy twins" Josh and Chris Marcanti -- both of the Rock And Roll Brunch Podcast -- join me for an in-depth talk about the current state of vinyl and what the future could hold for music fans and the industry as a whole. Having played music together for years (both in The American Autumn and now The Throwbacks), we also discuss whether twins indeed have a secret language, being in a cover band after years of performing original material, and the many reactions they would get while podcasting at diners and restaurants. You can check out music from The American Autumn at theamericanautumn.bandcamp.com, follow The Throwbacks at facebook.com/thethrowbackschicago and hear some of the old classic Rock and Roll Brunch episodes at rockandrollbrunch.tumblr.com! Be sure to follow us at facebook.com/vinylemergency and twitter.com/vinylemergency, and write the show with comments, questions or suggestions at [email protected]!

Jim's best record-shopping buddy Rob Clark (Rockton, IL) discusses both the up's and down's of online vinyl communities, how he navigated the CD revolution, sharing vinyl with his teenage daughter, potential retail price gouging vs. dollar bin digging, VPI machines, adoption, beekeeping, and lots more! You can view Rob's videos that we discuss viayoutube.com/user/EoLoVoX/videos and follow him on instagram.com/eolovox. Be sure to follow the program too at facebook.com/vinylemergency and twitter.com/vinylemergency, or write the show with any comments, questions or suggestions at [email protected]!

Author, freelance writer and Do You Know Who You Are? podcast host Eric Grubbs comes on the show to discuss the wide range of influences that got him into vinyl - Face To Face, Eric Carmen, Pet Shop Boys and Bruce Springsteen among them - as well has how inspiration can literally come from being hit on the head! We also discuss his 2008 book "POST: A Look at the Influence of Post-Hardcore 1985-2007" at length, including anecdotes on interviewing members of Fugazi, Sunny Day Real Estate, The Promise Ring and more for it. You can listen to Eric's podcast at soundcloud.com/eric-grubbs, and become a fan of the show at facebook.com/doyouknowpod. 

Our first edition of Collector's Club is with Chris Fitzgerald (Grand Prairie, TX), who talks about how his vinyl obsession began, when he knows it's the right time to purge some his record collection and his day job as a contract administrator with one of the world's largest concert promoters! We also discuss the state of mainstream country music, how his 5-year-old daughter took to vinyl, meeting your musical idols on the job, and lots more! Be sure to follow Vinyl Emergency at facebook.com/vinylemergency and twitter.com/vinylemergency, and write the show at [email protected]. 

Troubled Hubble drummer and acclaimed photographer Nate Lanthrum talks with host Jim Hanke on this debut episode! Nate has photographed the likes of President Obama, U2, R.E.M. and Tom Waits, but the work he's most proud of was featured by the Chicago Tribune in 2014, spotlighting his interaction with the last families living in the Cabrini-Green housing projects. We discuss his original interest in vinyl (which then parlayed into collecting cameras), Troubled Hubble's early days and recent reunion after a 10-year hiatus, what it's like to be a juvenile probation officer in the digital age and he tells some hilarious stories about meeting both 30 Seconds To Mars and Fugazi's Ian MacKaye. Visit Nate's photography portfolio at nplanthrum.com and keep tabs on all things Hubble at troubledhubble.com!

Musicians, album collectors, recording engineers and those who press, design or otherwise celebrate vinyl records describe how this influential medium has shaped their lives and careers. Guests include Hozier, Rosanne Cash, Creed Bratton of NBC's The Office, plus members of Foo Fighters, Wilco, Tom Petty & the Heartbreakers, Hall & Oates, Sylvan Esso, Jawbox and more.