Warm Classic Rock Interviews with Famous Music Legends of the ’60s ’70s ’80s – A BREATH OF FRESH AIR

Anyone who knows The Go-Go's knows they got the beat.

But in the recent television documentary about them, fans also learn the true story of how they got it, lost it, and found it again. The film shows where The Go-Gos are today: making new music together for the first time in 20 something years.

We catch up with drummer, Gina Schock and listen, mesmerized as she tells her incredible story.

Gina Schock, born Regina Ann Schock in Baltimore, Maryland, is celebrated as the powerhouse drummer of The Go-Go's, one of the most influential all-female rock bands in history.

Raised in a working-class neighbourhood, Gina discovered her passion for drumming as a teenager, teaching herself the craft and dreaming of a life in music. Her ambition led her to move to Los Angeles in the late 1970s, where she joined The Go-Go’s in 1979, just as the band began making waves in the punk scene.

The Go-Go’s were pioneers, becoming the first all-women band to achieve mainstream success while writing their own music and playing their own instruments.

Gina’s hard-hitting, high-energy drumming became a key element of the band’s signature sound, driving hits like We Got the Beat, Vacation, and Our Lips Are Sealed. The band’s debut album, Beauty and the Beat (1981), topped the Billboard 200 for six weeks, establishing The Go-Go’s as trailblazers in both pop and rock music.

Despite their success, the band faced challenges, including grueling tours and internal tensions, leading to their initial breakup in 1985. During this time, Gina underwent heart surgery for a congenital defect, a personal challenge that underscored her resilience.

Post-Go-Go’s, she pursued songwriting and producing, contributing to projects for stars like Miley Cyrus (Breakout) and Selena Gomez. She also ventured into acting and photography, showcasing her multifaceted creativity.

The Go-Go’s reunited several times over the years, maintaining their legacy through tours, new music, and a Broadway musical, Head Over Heels, which featured their songs.

Their enduring influence was cemented when they were inducted into the Rock and Roll Hall of Fame in 2021, a milestone highlighting their groundbreaking achievements.

Beyond music, Gina is also known for her vivacious personality, humour, and advocacy for women in the arts. She remains an inspiring figure, balancing her love for music with personal passions like photography and sharing her life story to empower future generations of musicians.

Gina Schock joins us this week to provide an insight into her amazing world. If you'd like to know what songs she wrote, how she got her start, what life has been like for her over the years ... then you've come to the right place.

I'm certain you'll enjoy hearing Gina Schock tell her story.

Iva Davies was born and raised in regional Australia, where his early exposure to music set the stage for his remarkable career. Trained as a classical musician, he excelled as an oboist. However, the allure of rock music and the emerging punk and new wave scenes in the 70s inspired him to shift gears.

Influenced by artists like David Bowie, Roxy Music, and Brian Eno, Iva began exploring electronic and experimental sounds, which would later define Icehouse’s unique style.

In 1977, Davies formed Flowers with bassist Keith Welsh, marking the beginning of a significant chapter in Australian music. Originally a covers band, Flowers soon began incorporating original material. Their raw energy and Iva’s charismatic stage presence quickly made them a favourite in Sydney’s pub rock circuit.

The release of their debut album, Icehouse, in 1980, was a game-changer. Featuring tracks like "We Can Get Together" and "Can't Help Myself," the album showcased a blend of new wave, punk, and synth-driven rock. Its success led to an international record deal but a legal conflict over the name Flowers prompted the band to rebrand as Icehouse.

As Icehouse, the group became a vehicle for Iva’s creative vision. Their 1982 album, Primitive Man, marked a major turning point. The album included the upbeat "Great Southern Land," a song that became an unofficial Australian anthem.

The next album, Sidewalk (1984), showcased Davies’ maturing songwriting and reflected his growing interest in themes of isolation and urban life. Though less commercially successful than its predecessor, it set the stage for the band’s magnum opus, Man of Colours (1987).

Man of Colours was Icehouse's most commercially successful album, cementing their place as global stars. Tracks like "Electric Blue," co-written with John Oates of Hall & Oates dominated international charts. The album resonated with fans worldwide. In Australia, Man of Colours became the highest-selling album of 1987 and earned multiple ARIA Awards, including Album of the Year.

Iva's passion for technology and experimentation was evident throughout Icehouse's career. He embraced cutting-edge digital synthesizers and recording techniques, creating a sound that was both innovative and timeless. In addition to his work with Icehouse, Iva composed scores for films like Razorback (1984) and collaborated with the Sydney Dance Company on Boxes (1985) and Berlin (1995), blending classical and modern musical elements.

Despite lineup changes and shifts in the music industry, Icehouse remained a beloved act. In the 1990s, the band released Code Blue (1990) and Big Wheel (1993), which explored deeper and more personal themes. Although these albums didn’t match the commercial heights of earlier works, they reinforced Davies’ reputation as a versatile and introspective artist.

By the 2000s, Icehouse focused on live performances, reconnecting with fans through nostalgia-fueled tours. Davies also reworked classic tracks for the 2011 album Icehouse: White Heat 30 Hits, which celebrated the band’s enduring legacy.

Iva Davies and Icehouse have left an indelible mark on Australian music and beyond. Great Southern Land is regularly cited as one of Australia’s greatest songs, and Icehouse’s albums continue to influence generations of musicians. Davies’ fusion of classical training, electronic innovation, and rock sensibility has made him one of Australia’s most iconic and enduring musical talents.

Today Icehouse remains active, with Iva at the helm, performing to loyal audiences and to new fans. The band are celebrated as pioneers of Australian music and continue to bridge the gap between the past and the future of rock and electronic sounds.

Catch Icehouse when they headline the RED HOT SUMMER TOUR starting January 2025. Supported by several other notable Australian bands in Noiseworks, Wolfmother, Eskimo Joe, Baby Aniamls, Killing Heidi and Bachelor Girl - this is sure to be an incredible outdoor music festival.

Mike Brewer, who partnered with Tom Shipley in the folk-rock duo Brewer & Shipley beginning in the late ’60s - best known for their 1971 hit single, “One Toke Over the Line,” has died.

The news of his passing at age 80 at his home in Missouri, was announced by Shipley. The latter had visited “my friend of 65 years and musical partner for over 60” three days earlier at a hospital in Branson.

By the mid-’60s, Brewer had relocated to Los Angeles and formed a band with Tom Mastin, Billy Mundi (later of the Mothers of Invention) and Jim Fielder (who became an original member of Blood, Sweat and Tears).

When Brewer became a staff song writer for A&M Records’ music publishing company, he reunited with Shipley and they began writing songs together. The pair recorded a debut album for A&M but ultimately moved back to the midwest, settling in Kansas City, Missouri.

Mike Brewer was born in 1944, in Oklahoma City, Okla. While in high school, he played in a rock ‘n’ roll band with Jesse Ed Davis, a native American who went on to perform with such stars as Taj Mahal, Eric Clapton and John Lennon, among many others. After graduating, he traveled the folk circuit performing in coffee houses. Though he met Shipley in 1964, they didn’t become musical partners until 1968.

They were soon signed to Kama Sutra Records in New York and their second album for the label, 1970’s Tarkio, featured “One Toke Over the Line,” written a few years earlier, as its lead-off track.

During this interview Mike Brewer tells us all about his life and that famous track.

Liberty DeVitto has long been recognised as one of the most influential drummers in rock history, renowned for his explosive energy, innovative rhythms, and deep connection to the music.

Born in Brooklyn, New York, he was captivated by drumming at an early age, inspired by legends like Ringo Starr, Dino Danelli, and Keith Moon.

Raised in a vibrant, music-loving family, DeVitto honed his craft by playing along to records and developing his signature style—a mix of finesse, power, and an uncanny ability to elevate a song's emotional impact.

DeVitto's career reached new heights when he joined Billy Joel's band in 1974, a partnership that spanned over three decades.

As Joel’s drummer, DeVitto was the driving force behind countless hits, including "Piano Man," "Scenes from an Italian Restaurant," and "My Life." His intuitive understanding of Joel’s songwriting allowed him to craft drum parts that became as iconic as the melodies themselves.

Albums like The Stranger, 52nd Street, and Glass Houses showcased his ability to balance technical brilliance with raw emotion, solidifying his place in music history.

Beyond Billy Joel, DeVitto has collaborated with a wide range of iconic artists, including Paul McCartney, Stevie Nicks, Carly Simon, and Karen Carpenter, displaying his versatility and adaptability across genres. He has also performed on numerous studio sessions, further contributing to his impressive discography.

In addition to his illustrious career as a sideman, DeVitto formed The Slim Kings, a band that combines classic rock influences with a fresh, modern sound. The Slim Kings have released several critically acclaimed tracks, earning a loyal following for their authentic and energetic performances. He also has The Lords of 52nd St which is the original band behind Billy Joel - a band that has sold more than 150 million records and helped establish Billy Joel’s formidable sound.

In recent years, DeVitto has shared his incredible journey through his memoir, Liberty: Life, Billy, and the Pursuit of Happiness. The book provides an intimate, behind-the-scenes look at his life on and off the stage, detailing his childhood in Brooklyn, his experiences with Billy Joel, and his personal struggles and triumphs. It’s a testament to his resilience and passion for music.

DeVitto continues to be an active presence in the music industry, performing live, recording new music, and mentoring aspiring musicians.

His latest project is recording with Studio D’Lux - a supergroup led by keyboardist-vocalist Doug Kistner (Trans-Siberian Orchestra/Blood Sweat & Tears/John Waite). Liberty Devitto is joined by guitarist Jon Herington (Steely Dan), New Brunswick singer Glen Burtnik (Styx), Asbury Park singer Reagan Richards (Williams Honor), bassist Malcolm Gold (Sheryl Crow) and saxophonist Tom Timko (Gloria Estefan).  

Liberty remains a vocal advocate for drummers, regularly appearing at drum clinics and industry events to inspire the next generation of percussionists.

With a career that spans decades and a legacy that continues to grow, Liberty DeVitto is more than a drummer—he is a cornerstone of modern music, whose beats will echo for generations to come.

Liberty joins us this week to share what continues to be an amazing ride through the music industry. A ride he has dedicated his entire life to.

Wondering what ever happened to Don Walker and Cold Chisel? Or maybe what songs Don wrote for the band and what his solo stuff is like?

Check this out ...

Don Walker, hailed as one of Australia's finest songwriters, has built an enduring legacy through his work with Cold Chisel, his solo career, and his literary pursuits.

Born in Ayr, Queensland, in 1951, Don spent his formative years on a sugarcane farm, an environment that shaped his deep appreciation for storytelling and the Australian landscape.

Despite excelling academically and earning a physics degree from the University of Queensland, music remained his true calling. He began writing songs in his teenage years, influenced by country, blues, and the emerging rock 'n' roll sounds of the 1960s.

In 1973, while living in Adelaide, Don co-founded Cold Chisel with Ian Moss, Phil Small, Steve Prestwich, and Jimmy Barnes. As the band's principal songwriter and keyboardist, Don crafted songs that resonated with the Australian experience, blending gritty realism with poetic lyricism.

Cold Chisel's music, powered by Don's writing, captured the struggles, triumphs, and heartbreaks of ordinary lives. Tracks like Khe Sanh, a tale of a Vietnam veteran's post-war alienation, and Flame Trees, a nostalgic reflection on love and small-town life, became Australian anthems.

Cold Chisel rose to prominence in the late '70s and early '80s, releasing landmark albums such as East and Circus Animals. Don's songwriting was praised for its depth and sophistication, setting the band apart in the Australian rock scene.

Despite their massive success, internal tensions led to the band's breakup in 1983. Their farewell concert, The Last Stand, cemented their place in Australian music history.

After Cold Chisel's breakup, Don turned his focus to solo projects. He formed the Catfish, releasing the album Unlimited Address in 89, which showcased his ability to blend rock, blues, and jazz influences.

He later pursued a solo career under his own name, releasing We're All Gunna Die (1995), Cutting Back (2006), and Hully Gully (2013). These albums highlighted his distinctive narrative voice and ability to explore the darker corners of human experience with wit and insight.

Beyond music, Don ventured into literature, publishing Shots in 2009, a memoir that offered a vivid and unflinching look at his life and career. The book was praised for its raw honesty and lyrical prose, further cementing his reputation as a master storyteller.

Cold Chisel reunited several times, releasing new music and touring to the delight of their loyal fan base. Don's role in the band remained central, as he continued to pen songs that connected with audiences across generations.

His collaborations with other artists, including Slim Dusty, Troy Cassar-Daley, and Tex Perkins, underscored his influence on Australian music.

Don Walker's career spans decades of creative output, from iconic anthems to introspective solo works and literary achievements. His ability to capture the essence of Australian life through his art has made him a cultural icon and a revered figure in the nation's musical and storytelling traditions.

Don joins us this week to share his incredible story.

If you have a comment, query or suggestion for a future guest, please get in touch with me through my website

I hope you enjoy this episode!

Do you remember Cream? Of course you do.

They were the first supergroup of the '60s.

Ginger Baker, Eric Clapton and Jack Bruce made some amazing music in just under three years.

Today, musician Malcolm Bruce, the son of Jack has dedicated himself to preserving the musical legacy of his father who was one of rock’s most influential figures.

Jack Bruce was a trailblazing bassist, vocalist, and songwriter, best known as a founding member of Cream, alongside guitar legend Eric Clapton and the fiercely innovative drummer Ginger Baker.

Cream, formed in 1966. They were at the forefront of a musical revolution that defined the '60s. Blending blues, rock, and psychedelic styles, Cream pioneered a sound that would shape the future of rock music. With hits like "Sunshine of Your Love," "White Room," and "Badge," their music was groundbreaking, pushing the boundaries of improvisation and power trio dynamics.

The mid-1960s marked a fertile period for music, with the British Invasion introducing bands like The Beatles, The Rolling Stones, and The Who to global audiences. Cream carved a unique niche, fusing blues roots with virtuoso instrumental prowess and delivering intense live performances.

Jack Bruce was at the heart of the band’s success, contributing intricate basslines, soulful vocals, and timeless compositions. His collaborative work with lyricist Pete Brown produced some of Cream's most enduring songs.

Though the band’s lifespan was brief—they disbanded in 1968 due to creative tensions—their impact was monumental, cementing them as one of the first supergroups and one of the greatest bands in rock history.

A young Malcolm Bruce grew up surrounded by music, deeply influenced by his father’s genius and the rich legacy of Cream. A multi-instrumentalist proficient in guitar, piano, and bass, Malcolm has since forged his own path as a solo artist while honouring his father's contributions.

Malcolm is also a key figure in the "Music of Cream" project, a touring tribute band featuring Kofi Baker (son of Ginger Baker) and Will Johns (Eric Clapton’s nephew). Together, they celebrate Cream's groundbreaking music with live performances that recreate the band’s electrifying energy, introducing its legacy to new generations.

Beyond his work with the "Music of Cream," Malcolm Bruce is deeply committed to preserving Jack Bruce’s catalogue and sharing his father’s artistry with the world. He has worked on remastering projects, archival releases, and curated performances to highlight the depth of Jack Bruce’s solo career, which extended far beyond Cream.

Through his dedication, Malcolm ensures that the innovations of his father—and the era-defining work of Cream—continue to inspire musicians and fans alike.

Today, Malcolm joins us to share his experiences and tell us why it's so important to advocate for his father’s legacy.

If you know Cream's music - or if you're wanting to discover it - you're going to love this episode.

Please let me know your thoughts. You can always reach me through my website

Ever wondered what happened to Little River Band's Glenn Shorrock?

Do you know which songs Glenn wrote for the band?

Or how the original LRB lost their name?

Listen in here to find out answers to these and a whole lot of other questions about Australia's most famous band as Glenn Shorrock joins us for an intimate chat.

English born Glenn Shorrock is one of the most iconic and influential singer-songwriters to emerge from Australia’s rich music scene. Best known as the founding lead vocalist of Little River Band, Glenn's career spans over six decades, marked by global chart success, critically acclaimed albums, and unforgettable live performances.

His deep, resonant voice and exceptional songwriting have defined the soundtracks of generations, contributing timeless classics that have shaped the landscape of classic rock and pop.

Glenn's family moved to Adelaide in the 50s, where his love for music blossomed. By the early 60s, he co-founded The Twilights, a rock band that became one of Australia’s most popular groups. The Twilights achieved national fame then in 69, Glenn co-founded Axiom, often regarded as one of Australia’s first ‘supergroups.’

Alongside music legend Brian Cadd, Axiom crafted sophisticated, soulful rock with hits like A Little Ray of Sunshine and Arkansas Grass. The band’s blend of folk, rock, and pop elements set a new standard for Australian music, earning both critical and commercial success.

The mid-70s saw Glenn co-found Little River Band . Combining lush harmonies and rock-driven melodies, LRB became the first Australian band to achieve sustained international success.

As the lead vocalist, Glenn was the unmistakable voice behind all of their global hits, including “Reminiscing,” “Help Is on Its Way,” “Lonesome Loser,” “Cool Change,” and “Lady.”

Little River Band enjoyed unprecedented success in the US with their sophisticated sound earning them 13 American Top 40 hits between 75 and 83. Shorrock's voice became synonymous with the band’s transcontinental appeal.

In 82, after some infighting amongst band members, Glenn went solo and has enjoyed considerable success ever since.

Throughout the 80s and beyond, Shorrock released a series of solo works, dabbled in musical theatre and collaborated with several of his musical mates.

Glenn was inducted into the ARIA Hall of Fame as part of Little River Band in 2004.

Today at 80, Glenn Shorrock still inspires generations of musicians and songwriters and his songs which are often infused with themes of nostalgia, love, and self-reflection, continue to resonate with listeners around the world.

Glenn remains a vibrant force in the music scene. He still performs live, delighting fans with renditions of his classic hits while introducing new music that highlights his ever-evolving artistry.

His autobiography, Now, Where Was I?, offers an intimate glimpse into his storied life and career, showcasing the ups and downs of a truly remarkable musical journey.

Shorrock’s longevity in the industry is a testament to his talent, passion, and connection to his fans. His voice remains as captivating as ever, and his influence on rock, pop, and the Australian music legacy is enduring.

#glennshorrock #littleriverband #australianrockhistory #1970srockmusic

I truly hope you enjoy this episode with Glenn. Getting to know him a little better has been a highlight of mine. If there's someone you'd like to hear interviewed, please reach out to me by sending me a message through the website A Breath of Fresh Air

So you'd like to know if any of the Wailers played with Bob Marley? What happened to the Wailers after Bob's death?How many songs did the group have? And what was Bob Marley's biggest hit?

We answer all of these questions and more in this episode.

Bob Marley was born in 1945, in Saint Ann, Jamaica. His father was a Jamaican of English descent. His mother was a black teenager.
Bob started his career with the Wailers, a group he formed with Peter Tosh and Bunny Livingston in 1963. Marley married Rita Marley in 1966, and it was she who introduced him to Rastafarianism. By '69 Bob, Tosh and Livingston had fully embraced Rastafarianism, which greatly influenced not only Marley's music but reggae music in general.

It didn't take long for Bob Marley's music to come to the attention of Chris Blackwell, the owner of Island Records. Chris immediately signed the Wailers and produced their first album, "Catch a Fire". This was followed by "Burnin'", featuring tracks as "Get Up Stand Up" and "I Shot the Sheriff." Eric Clapton's cover of that song reached #1 in the US.

In 1974 Tosh and Livingston left the Wailers to start solo careers. Marley later formed the band "Bob Marley and the Wailers", with his wife Rita as one of three backup singers called the I-Trees. This period saw the release of some groundbreaking albums, such as "Natty Dread" and "Rastaman Vibration".
In 1976, during a period of spiraling political violence in Jamaica, an attempt was made on Marley's life. Marley left for England, where he lived in self-exile for two years. In England "Exodus" was produced, and it remained on the British charts for 56 straight weeks. This was followed by another successful album, "Kaya." These successes introduced reggae music to the western world for the first time, and established the beginning of Marley's international status.
In 1977 Marley consulted with a doctor when a wound in his big toe would not heal. More tests revealed malignant melanoma. He refused to have his toe amputated as his doctors recommended, claiming it contradicted his Rastafarian beliefs. Others, however, claim that the main reason behind his refusal was the possible negative impact on his dancing skills. The cancer was kept secret from the general public while Bob continued working.
Returning to Jamaica in 78, he continued work and released "Survival" in 1979 which was followed by a successful European tour. In 1980 he was the only foreign artist to participated in the independence ceremony of Zimbabwe. It was a time of great success for Marley, and he started an American tour to reach blacks in the US. He played two shows at Madison Square Garden, but collapsed while jogging in NYC's Central Park in 1980. The cancer diagnosed earlier had spread to his brain, lungs and stomach. Bob Marley died in a Miami hospital on May 11, 1981. He was 36 years old.

This week we are joined by one of the original Wailers, Al Anderson - an American guitarist who became Bob's closest and most trusted friend. Bob had asked Al to make sure that his beloved music transcended his death and Al has obliged him all these years.

Today, Al Anderson leads the group called The Original Wailers and their constant touring ensures that audiences everywhere still know and enjoy the incredible music of Bob Marley.

For more information about Bob and the Wailers head to the website https://www.bobmarley.com/

I really hope you enjoy the story of Reggae's founder - Bob Marley.

If there's someone you'd like to hear interviewed, please send me a message through my website

Do you know it's been 50 years since 'Radar Love', first hit the airwaves? Ever thought Golden Earring was a one-hit wonder? Do you know how they got their name? Find out all during this episode as Drummer Cesar Zuiderwik shares his stories and memories.

Golden Earring, formed in 1961 in The Hague, stands as one of rock's longest-running and most influential bands, boasting a career that spanned 60 years before disbanding in 2021.

Originally called The Golden Earrings, they were inspired by 1960s pop but soon evolved their sound, embracing hard rock and progressive rock, which led them to international fame. Founding members George Kooymans (guitar, vocals) and Rinus Gerritsen (bass, keyboards) were later joined by Barry Hay (vocals, guitar, flute) and Cesar Zuiderwijk (drums), solidifying a lineup that would remain remarkably stable for decades.

Drummer Cesar Zuiderwijk joined Golden Earring in 1970, bringing a raw energy and technical prowess that transformed their rhythm section. Known for his explosive, versatile drumming, Cesar quickly became central to the band's sound, especially on tracks like the iconic Radar Love from their Moontan album. His dynamic and precise playing style added a layer of complexity and excitement, with live performances often showcasing his spectacular showmanship, including high-flying drum leaps and onstage antics that thrilled audiences worldwide.

Cesar’s impact was evident on other standout hits, such as Twilight Zone and When the Lady Smiles, where his drumming drove the intensity and drama of each song. His syncopated beats and intricate fills gave Golden Earring a powerful, unique edge that appealed to fans of both classic rock and hard rock genres. He was known not only as a musician but also as a performer with a theatrical edge, sometimes incorporating pyrotechnics and solo drumming displays that made Golden Earring’s concerts legendary in the Netherlands and abroad.

Throughout the 1970s and 1980s, Golden Earring continued to release successful albums and tour internationally, becoming a mainstay on both European and American stages. Cesar's influence extended beyond the band, as he became an inspiration for aspiring drummers, known for his attention to rhythm and his ability to adapt to different musical styles within rock. He continued to play with Golden Earring right up until their retirement in 2021, after George Kooymans was diagnosed with ALS.

Today, Cesar remains active in the Dutch music scene, contributing to various projects, teaching drumming workshops, and mentoring young musicians. He is also active in another band called Sloper. Check them out here https://sloperband.com/

Do you know why Huey Lewis doesn't perform anymore? What he's been diagnosed with and how many hits the band has had?

Find out this week as Bill Gibson, Huey's friend and drummer for Huey Lewis and the News shares the stories that led to the band's global success.

Bill has been a vital force behind the band’s distinctive sound since its formation in the late 70s. Growing up in Northern California, he was immersed in the local rock and blues scene, which shaped his versatile drumming style. His early passion for music led him to master multiple instruments before dedicating himself to drums.

Gibson joined Huey Lewis and the News just as the band was finding its footing, bringing a solid rhythmic foundation that helped propel them to stardom.

The band’s rise paralleled that of their charismatic frontman, Huey Lewis. Born Hugh Anthony Cregg III in New York City, Lewis moved to California and, after stints in various bands, joined the Bay Area group Clover, which later evolved into Huey Lewis and the News.

Known for his soulful voice and stage presence, Lewis brought warmth and humor to the band’s image, setting them apart from other rock acts of the time. His childhood wasn’t easy, as his parents divorced when he was young, yet he channeled his experiences into music, developing a unique vocal style that blended rock, soul, and blues.

Huey Lewis and the News saw a major breakthrough with their 1983 album Sports, which went multi-platinum and solidified them as one of the defining acts of the decade. Bill Gibson’s drumming provided the pulse for hits like “Heart and Soul,” “I Want a New Drug,” and “The Heart of Rock & Roll,” songs that exemplified the band’s energetic mix of rock, pop, and rhythm and blues. Gibson’s style, combining precision with a deep sense of groove, became crucial to the band’s commercial success and unique sound.

Following the success of Sports, Huey Lewis and the News released Fore! in 1986, which featured smash hits like “Stuck with You” and “Jacob’s Ladder.” The band’s brass-heavy arrangements and harmonized vocals distinguished them further in the rock world, with Gibson’s drumming as a consistent, driving force.

Their iconic track “The Power of Love” gained additional fame after being featured in the Back to the Future soundtrack, earning them a Grammy nomination and cementing their cultural impact. Gibson’s drumming on “The Power of Love” demonstrated his adaptability, seamlessly shifting between energetic rock tempos and a bluesy, danceable beat.

The band’s lineup stayed remarkably stable, creating a sense of family and camaraderie that resonated with fans.

Over time, Huey Lewis emerged as a beloved figure both on and off stage, known for his sharp wit and commitment to his craft. Despite facing hearing issues that began affecting him in 2018, Lewis has remained determined to keep performing. The band continued recording and released Weather in 2020, showcasing their resilience and commitment to fans even after four decades.

Bill Gibson has stayed deeply involved with the band’s creative process, contributing to songwriting and recording. His rhythmic approach and technical skill have earned him widespread respect, making him an influential figure among drummers and rock enthusiasts. Both Gibson and Lewis, along with the rest of Huey Lewis and the News, have created a legacy rooted in the authenticity and relatability that made their music timeless.

Huey Lewis has just picked up The Lifetime Achievement Award from Rockers on Broadway. To learn more about him head to his website https://hueylewisandthenews.com/

I hope you enjoy exploring the story of Huey Lewis and the News.

Ever wondered why Chris Norman left Smokie? What he's doing now or if the band wrote their own songs?

Tune in for all of these answers and more.

As you know, Chris is a British singer-songwriter renowned for his iconic voice and role as the lead vocalist of the band Smokie. Born in 1950, Chris was exposed to music from an early age, influenced by the rise of rock ‘n’ roll in the 50s and early 60s.

Inspired by legends like Elvis Presley, Little Richard, and The Beatles, he developed a passion for music that would shape his career. In the late '60s, Chris teamed up with school friends Alan Silson, Terry Uttley, and Ron Kelly to form a band initially known as The Yen and later Kindness. Their musical journey took a turn when they became Smokie in the early 70s, after being discovered by producers Mike Chapman and Nicky Chinn.

Smokie quickly rose to international fame with their distinctive blend of soft rock and pop. Their first major hit was "If You Think You Know How to Love Me" in 75, followed by chart-topping tracks like "Living Next Door to Alice," "Lay Back in the Arms of Someone," and "Oh Carol."

Norman’s raspy, emotive voice became the hallmark of Smokie’s sound. With their catchy melodies and accessible rock style, Smokie became one of the most successful British bands of the 70s. The band's music was characterised by its heartfelt lyrics and warm harmonies with Chris' vocals often drawing comparisons to Rod Stewart.

In 1982 Chris Norman decided to leave the band to pursue a solo career. While his departure marked the end of an era for Smokie, he quickly found his footing as a solo artist.

He initially gained fame outside the UK, particularly in Germany, where he found a loyal fan base. His first major solo success came in 78 when he recorded the hit "Stumblin' In," a duet with Suzi Quatro.

It was his 1986 single "Midnight Lady" that truly cemented his solo career. Hugely popular in Europe, he continued to release successful albums throughout the 80s and 90s.

His solo work took on a more polished pop-rock sound, with hints of folk and country influences, which appealed to a broad audience. Tracks like "Some Hearts Are Diamonds" and "Broken Heroes" became fan favoruites.

Chris' solo career continued to flourish into the 2000s, with regular album releases and extensive touring. Despite his departure from Smokie, he maintained a good relationship with his former bandmates and occasionally reunited with them for special performances. While Smokie continued with new vocalists, Chris Norman remained the voice most associated with the band’s biggest hits.

In 1995, Norman was honored with an award for “International Video Star of the Year” by CMT Europe. Over the years, he has experimented with different styles, blending rock, pop, folk, and country in his solo work, showcasing his versatility as an artist.

Today Chris continues to tour extensively across Europe and other regions, performing both Smokie classics and his solo hits. His live performances draw large audiences, captivated by his timeless voice and charismatic stage presence.

Chris Norman’s career has spanned over five decades and as he continues to perform and record new music, he delights fans both old and new.

From his time as the lead singer of Smokie to his successful solo career, Chris Norman remains a beloved figure in the global music scene, with a legacy that continues to grow.

Chris Norman joins us this week to share his story. You can learn more about him here https://www.chris-norman.co.uk/

Ever wondered what Foreigner's biggest hit was? Or why they were called Foreigner in the first place? Maybe you'd like to know if there are any original members left and what happened to their lead singer?

Did you see the band finally being inducted into the Rock N Roll Hall of Fame?

All of these questions and more answered this week as Foreigner co-founder Al Greenwood joins us for a chat.

Al is best known as the keyboardist of the iconic rock band Foreigner, formed in 1976 alongside Mick Jones, Lou Gramm, Ian McDonald, Ed Gagliardi, and Dennis Elliott.

His classical training and experience in jazz and progressive rock were essential in crafting the band's sound, which blended hard rock with sophisticated keyboard arrangements.

During his time with Foreigner, Al contributed to the band's first three multi-platinum albums: "Foreigner" (1977), "Double Vision" (1978), and "Head Games" (1979).

He co-wrote several of the band's hit songs, including the classic tracks "Cold As Ice" and "Blue Morning, Blue Day."

After parting ways with Foreigner in 1980, Al didn't step away from the music scene. He went on to co-found the band Spys in 1981, a group known for their blend of rock, pop, and new wave influences. With Spys, Al continued to showcase his skills as a songwriter and keyboardist, releasing two albums that received critical acclaim for their innovative sound. Beyond his work with that band, he became a sought-after session musician, arranger, and producer, contributing to various artists across different genres.

Al's work in the music industry also expanded into composing for film and television, where his versatility allowed him to create scores that resonated with a wide audience.

His legacy with Foreigner, combined with his later projects, has cemented his reputation as a pioneering figure in rock music, particularly in integrating synthesizers into the genre.

Today he plays with the 'new' Foreigner with singer Kelly Hansen out front. He says they're an act to behold.

Al also tells us that the biggest thrill of his life has been the original band's induction into the Rock N Roll Hall of Fame very recently and although it's long overdue, he's incredibly proud to have finally been recognised for the contribution that Foreigner made to the rock sound of the '70s.

I hope you'll enjoy my chat with Al as he unravels much abut one of our best loved band's history.

Tito Jackson, born Toriano Adaryll Jackson on October 15, 1953, in Gary, Indiana, was a pioneering musician, singer, songwriter, and guitarist, most famous for his role as a founding member of the legendary Jackson 5.

Growing up in a musical family, Tito's talent became apparent at a young age. He was the one who introduced the guitar to the Jackson family's sound, which soon became an essential element of their style.

Alongside his brothers Jackie, Jermaine, Marlon, and Michael, Tito helped the Jackson 5 skyrocket to fame with their groundbreaking blend of pop, soul, funk, and R&B.

The Jackson 5's rise to international stardom began with their signing to Motown Records in 1969, leading to a string of chart-topping hits like "I Want You Back," "ABC," "The Love You Save," and "I'll Be There."

Tito's guitar work, combined with the group's tight harmonies and Michael's magnetic lead vocals, played a key role in defining their unique sound. The band's infectious energy and innovative performances broke racial barriers in the music industry and laid the groundwork for future generations of artists.

When the Jackson 5 left Motown for Epic Records in 1975, they reinvented themselves as The Jacksons, allowing more creative control and deeper involvement in the songwriting and production process.

Tito contributed significantly to this new phase, co-writing songs like "Torture" and "Body," which showcased his evolving artistry. The Jacksons continued their success with hit albums and world tours, solidifying their place as one of the most influential musical acts of all time.

Tito Jackson's journey as a solo artist officially began in the 2000s, as he explored his passion for blues, a genre that had always resonated with him. His debut solo album, "Tito Time," released in 2016, marked his return to the spotlight, blending contemporary R&B, soul, and blues with tracks like "Get It Baby" featuring Big Daddy Kane. This album highlighted Tito's smooth vocal delivery, skilled guitar playing, and his ability to adapt his style to modern music trends while staying true to his roots.

His last solo album in 2021 "Under Your Spell" was a return to his blues roots and was many years in the making.

Outside of his musical pursuits, Tito Jackson became a respected figure in the music industry, mentoring aspiring musicians and producing records for other artists. He also participated in reality TV and charity events, using his platform to give back to the community and raise awareness for various causes. His dedication to philanthropy and music earned him widespread respect and admiration beyond his family’s legacy.

Until Tito passed away at the age of 70, in 2024, he had continued to perform live, captivating audiences both as a solo act and with his brothers in The Jacksons. His energetic stage presence and infectious charisma reminded fans of the timeless appeal of the Jackson sound. He remained a vital link to the past while continuously evolving, influencing both contemporary and classic genres.

Tito Jackson's journey from the Jackson 5's soulful beginnings to his solo achievements stands as a testament to his enduring talent, adaptability, and passion for music. His legacy is not just as a member of a legendary family but as a groundbreaking artist in his own right. Through his work with The Jackson 5 and as a solo artist, Tito’s songs and brilliant performances will never be forgotten.

This week we pay homage to the late Tito Jackson.

I spoke with him recently and in this podcast, he shares stories from his fabulous career. I hope you enjoy the episode.

If you feel like reaching out to me, I'd love to hear from you. Simply send me a message through the website https://www.abreathoffreshair.com.au

Chris White is a highly respected British saxophonist and multi-instrumentalist, best known for his significant contributions to Dire Straits during the band's most commercially successful era.

Born in Bristol, England, Chris's musical journey began at a young age, with a deep appreciation for jazz and blues music.

Inspired by saxophone legends like John Coltrane and Charlie Parker, he honed his craft throughout the '70s and early '80s, becoming a sought-after session musician for both jazz and pop artists. His skill on the saxophone, combined with his ability to play multiple instruments, set him apart in the competitive world of session work.

Chris White's big break came in '85 when he was invited to join Dire Straits, one of the world's most popular rock bands at the time.

He joined the band for the "Brothers in Arms" world tour, a monumental event in rock history that spanned over two years and played to millions of fans across the globe. The tour, which supported the Brothers in Arms album, featured White’s distinctive saxophone playing, adding a rich new layer to Dire Straits’ signature sound.

His solo on "Your Latest Trick" became a fan favourite, showcasing his ability to blend rock with jazz influences seamlessly. The Brothers in Arms album itself went on to sell over 30 million copies, becoming one of the best-selling albums of all time, and Chris's contributions were central to its success.

In '91, Chris White was a key figure on Dire Straits' final studio album, On Every Street. His multi-instrumental talents were fully utilised, as he played saxophone, flute, and provided backing vocals, further solidifying his place within the band's sound. The subsequent world tour, supporting On Every Street, once again saw him playing a pivotal role in live performances, where his versatility and dynamic stage presence shone.

Despite Dire Straits disbanding in '95, Chris's time with the band left an indelible mark on the music world, and he remains closely associated with their enduring legacy.

Beyond his work with Dire Straits, Chris White has built an impressive career as a session and touring musician, working with some of the biggest names in the industry.

He collaborated frequently with former Dire Straits frontman Mark Knopfler, contributing to Knopfler's solo projects and tours. White’s versatility allowed him to work across various musical genres, and he performed with a wide range of artists, including Paul McCartney, Mick Jagger, Joe Cocker, and Robbie Williams.

His ability to adapt to different styles and his reputation as a reliable, talented musician kept him in high demand in the post-Dire Straits years.

In addition to performing, Chris White ventured into music production, arrangement, and composition, expanding his influence beyond the stage. He contributed to several film soundtracks and was a member of multiple bands, showcasing his musical diversity. His career has spanned decades, and his contributions to rock, jazz, and pop music have solidified his place among the greats.

Chris White’s legacy is inseparably linked to his time with Dire Straits, where his saxophone work helped define some of the band’s most iconic sounds. His distinctive style, blending rock, jazz, and pop influences, made him a standout musician, and his career has continued to flourish long after his time with Dire Straits.

Today Chris leads a band called The Dire Straits Experience, which he co-founded to keep the spirit of Dire Straits' music alive. The band brings together world-class musicians to perform classic Dire Straits songs like "Sultans of Swing," "Romeo and Juliet," "Money for Nothing," and, of course, "Your Latest Trick."

The band tours globally, celebrating the legacy of one of rock’s most enduring groups.

Chris White joins us today to share the story of his incredible rise to fame.

Spencer Davis was a British rock musician and bandleader who became a major figure in the 1960s British Invasion, most notably as the founder of The Spencer Davis Group.

Born in Swansea, Wales, Davis began his musical journey at a young age, inspired by American blues, jazz, and skiffle music. After moving to Birmingham to attend university, Davis immersed himself in the city's burgeoning music scene, forming the Rhythm and Blues Quartet in 1963, which quickly evolved into The Spencer Davis Group.

The band’s classic lineup—featuring Spencer Davis on guitar and vocals, Steve Winwood on keyboards and vocals, Muff Winwood on bass, and Pete York on drums—created a distinctive blend of R&B, blues, and rock. With Steve Winwood’s soulful voice at the forefront, the band quickly found success with chart-topping hits like "Keep On Running," "Somebody Help Me," "Gimme Some Lovin'," and "I'm a Man." These tracks became iconic anthems of the era, solidifying their place in British rock history.

The Spencer Davis Group was known for its energetic performances and blues-driven sound, and their influence extended across the Atlantic, helping to shape the sound of the British Invasion in the U.S. Davis's keen eye for talent was evident in his discovery of Steve Winwood, whose vocals and keyboard skills were integral to the group's success. While Steve Winwood's presence made the band famous, Davis was the guiding force, handling the management and direction of the group.

When Winwood left in 1967 to form Traffic, The Spencer Davis Group underwent changes but continued to release music. Though the post-Winwood years didn't achieve the same level of success, Davis remained an active and passionate musician. He relocated to the U.S. in the late 1970s and became involved in various music projects, including collaborations with other musicians and solo work. He also became an advocate for preserving the legacy of 1960s rock music.

Spencer Davis’s contributions to rock extended beyond just his band’s success. He played a crucial role in bringing American blues and R&B influences into the British mainstream, helping shape the direction of rock music in the 1960s. His ability to bridge these genres created a lasting impact on both sides of the Atlantic.

Davis continued performing well into his later years, touring and reuniting with various iterations of The Spencer Davis Group. His career, spanning over six decades, is a testament to his enduring passion for music. Spencer Davis passed away in 2020 at the age of 81, leaving behind a legacy that continues to inspire generations of musicians.

His influence on rock music, particularly the fusion of blues and rock, remains a cornerstone of his legacy. As the leader of one of the British Invasion’s most iconic bands, Spencer Davis helped to define the sound of an era, and his contributions to music continue to resonate today.

This week we're joined by Spencer's friend and bandmate, Ed Tree who is a highly respected American guitarist, producer, and songwriter known for his versatile work across genres like rock, Americana, country, and blues.

He gained widespread recognition for his collaboration with British rock icon Spencer Davis, performing as Davis’s guitarist and musical partner for many years. Tree’s exceptional guitar skills and keen musical sensibilities made him an integral part of Davis’s live performances, adding depth to the iconic sound of The Spencer Davis Group in its later iterations.

Beyond his work with Spencer, Ed Tree has enjoyed a rich career as a session musician, playing with renowned artists such as Rita Coolidge, Juice Newton, and Al Stewart. He has also produced numerous albums, further solidifying his reputation in the music industry. As a songwriter, Tree has contributed to a wide array of projects, showcasing his talent for crafting songs that resonate across multiple genres.

Ed honours his friend Spencer by sharing his story with us.

Coco Montoya is a celebrated American blues guitarist and vocalist, recognized for his passionate performances and mastery of the blues genre.

Born in Santa Monica, California, Montoya began his musical journey as a drummer, and his career took a pivotal turn when he met the legendary Albert Collins in the 1970s.

Albert Collins became his mentor, teaching him the fundamentals of the blues and urging him to transition to guitar. Coco Montoya's left-handed, upside-down playing style and emotional phrasing became his signature, blending fiery intensity with heartfelt soul.

In the 1980s, Montoya joined John Mayall’s Bluesbreakers, a band that had launched the careers of iconic guitarists like Eric Clapton, Peter Green, and Mick Taylor.

During his decade with John Mayall, Coco Montoya refined his craft, gaining widespread recognition as a formidable blues guitarist. His work with the Bluesbreakers helped solidify his reputation and set the stage for his solo career.

Coco Montoya's solo debut, Gotta Mind to Travel (1995), marked the beginning of a string of successful albums that showcased his gritty, emotive guitar playing and powerful vocals. Notable releases include Ya Think I'd Know Better (1996), Suspicion (2000), and Hard Truth (2017). His music, rooted in traditional blues but with a contemporary edge, earned critical acclaim and a loyal fanbase.

Touring extensively, CocoMontoya is known for his dynamic live performances, where his combination of technical prowess and raw emotion leave audiences spellbound.

His contributions to the blues genre have earned him awards and accolades, including the Blues Music Award for Best New Blues Artist in 1996.

Montoya remains a vital force in the modern blues scene, with his playing often compared to legends like Albert Collins and B.B. King, ensuring his enduring influence on future generations of blues musicians.

Coco Montoya joins us this week to share his story. For more information about him, check out his website https://www.cocomontoyaband.com/ and don't forget, if you'd like to request a guest, send me a message through my website https://www.abreathoffreshair.com.au

Charlie Musselwhite and Elvin Bishop, two towering legends in the blues world, have carved their places in music history through decades of innovation, collaboration, and a shared love for the blues. Both emerged from the heart of Chicago’s thriving 1960s blues scene, though they took distinct paths that would eventually lead to an unforgettable partnership.

Musselwhite, born in Kosciusko, Mississippi, and raised in Memphis, Tennessee, grew up surrounded by the rich musical traditions of Delta blues, country, and gospel. Moving to Chicago in the early 1960s, he quickly became part of the city's electric blues explosion, playing alongside legends like Muddy Waters and Howlin' Wolf.

His 1967 debut album, Stand Back! Here Comes Charley Musselwhite’s Southside Band, was a groundbreaking success, blending traditional blues with elements of jazz, rock, and country, and establishing him as one of the foremost harmonica players in the world.

Over the years, Musselwhite's deep, soulful harmonica playing and gritty, heartfelt vocals earned him multiple Grammy Awards and Blues Music Awards, solidifying his place as a key figure in the preservation and progression of blues music.

Elvin Bishop, born in California and raised in Oklahoma, brought his own unique style to the blues. Influenced by the sounds of country and rhythm and blues, Bishop’s guitar playing drew from his Southern roots, blending blues with rock and country in a way that was both electrifying and soulful. After moving to Chicago to attend the University of Chicago, Bishop found himself immersed in the local blues scene, joining forces with the Paul Butterfield Blues Band in the early 1960s.

His time with the band was pivotal, as they helped pioneer the fusion of blues and rock, which would soon come to define much of the music of that era.

Bishop’s solo career took off in the 1970s, highlighted by the massive hit “Fooled Around and Fell in Love” (1976), which remains a classic of the rock and blues genres. Over the course of his career, Bishop has released more than 20 albums, receiving critical acclaim for his fiery guitar work, playful lyrics, and his seamless blending of blues, boogie-woogie, country, and rock.

The collaboration between Musselwhite and Bishop brought together two titans of blues who shared a deep respect for the genre’s traditions while continuously pushing its boundaries.

The pair had crossed paths many times throughout their careers, but their formal collaboration came to full fruition with the release of their album 100 Years of Blues (2020). The album, steeped in the authenticity of their combined experience, features raw, unfiltered blues with a modern twist.

Their chemistry, honed over years of friendship and mutual admiration, shines through on every track, with Musselwhite’s masterful harmonica complementing Bishop’s electrifying guitar riffs and distinctive vocals.

Together, Charlie Musselwhite and Elvin Bishop represent a unique blend of two blues journeys that began in the same place but evolved along different paths. Whether playing in a stripped-down duo format or backed by a full band, their collaboration embodies the timelessness of the blues while showcasing the creative innovation that has kept the genre alive and thriving for over half a century.

Today, they continue to perform and record, keeping their sound fresh, vital, and deeply rooted in the authentic blues tradition, ensuring that their legacy will influence future generations of musicians and fans alike.

The Allman Brothers Band, established in 1969 in Georgia, stands as a cornerstone of Southern rock and American music history. Founded by brothers Duane and Gregg Allman, along with Dickey Betts, Butch Trucks, Berry Oakley, and Jai Johanny "Jaimoe" Johanson, the band was instrumental in blending rock, blues, jazz, and country music into a genre-defining sound. Their innovative use of dual lead guitars and extended improvisational jams set them apart, creating a live experience that was both powerful and deeply emotional.

Tragically, Duane Allman’s death in a motorcycle accident in 1971 was a devastating blow, but the band soldiered on, with guitarist Dickey Betts stepping up as a leading creative force. The subsequent album, Eat a Peach (1972), featured both live and studio tracks.

Throughout the 70s, the Allman Brothers Band produced a series of critically acclaimed albums, intertwining guitar lines earned them a massive following. However, the late 70s brought internal tensions, substance abuse issues, and the death of bassist Berry Oakley, leading to several breakups and reunions.

The band experienced a resurgence in the late 80s and 90s and officially disbanded in 2014.

During this time Gregg Allman shared a complex and evolving relationship with his son, Devon. Born in 1972 Devon grew up largely separated from his famous father due to Gregg's demanding career and his battle with substance abuse. Despite this distance, Devon was profoundly influenced by his father’s music and the legacy of the Allman Brothers Band.

As Devon grew, he pursued his own path in music, forming the band Honeytribe and later joining the Royal Southern Brotherhood. Despite their time apart, music became a bridge between father and son. Gregg and Devon reconnected and shared the stage at various times.

Following Gregg’s death in 2017, Devon continued to carry the torch of Southern rock through The Allman Betts Band, a group he formed with Duane Betts, son of Allman Brothers guitarist Dickey Betts.

The Allman Betts Band re-captures the spirit of the Allman Brothers and the chemistry between Devon and Duane is palpable.

Their collaboration is not just a continuation of their family legacies but a creative partnership that has revitalised the Southern rock genre for the modern era.

For more on Devon Allman head for https://devonallmanproject.com/

Burton Cummings' voice has been rated among the finest in rock music. Today he continues at the top of his game as performer, singer, songwriter, poet and recording artist.

As lead singer and songwriter for Canada’s original rock ‘n’ roll superstars, The Guess Who, Burton scored an unprecedented string of international hit singles and albums including “American Woman,” “These Eyes,” “Laughing,” “No Time,” “Share the Land,” “No Sugar Tonight/New Mother Nature,” “Clap for the Wolfman”, “Albert Flasher” and others, all written or co-written by Burton. By 1970, The Guess Who had sold more records than the entire Canadian music industry combined before breaking up in 1975.

The group achieved a long list of firsts including first Canadian group to reach #1 on Billboard charts -- holding that spot for three weeks - and first to earn a platinum album for U.S. sales of more than one million copies. Rolling Stone magazine hailed The Guess Who as “one of rock’s most consistently fascinating maverick bands” with a succession of songs “that has few equals among contemporary North American groups.” Dick Clark described the group as rock innovators and ambassadors of Canadian music.

Beginning his career as a solo artist in 1976, Burton continued his winning streak with a gold record for his solo debut single “Stand Tall,” produced by legendary hitmaker Richard Perry who numbered among his clients Barbra Streisand, Carly Simon and Ringo Starr. The choice of producer was evidence of Burton’s star power in the music industry. He followed his inaugural solo success with more than a dozen hit singles and albums including “I’m Scared,” “My Own Way to Rock,” “I Will Play a Rhapsody,” “Timeless Love,” “Break It to Them Gently,” “Dream of a Child,” and “You Saved My Soul.”

Sold-out tours across Canada and the United States solidified Burton’s stature as a top entertainer. He starred in several highly rated television specials and, between 1977 and 1980, earned five Juno Awards for Best Male Vocalist and Best Album, serving as host of the annual Juno gala a record four times. Burton’s 1978 album Dream of a Child became the first quadruple platinum-selling album by a Canadian artist.

Through the ‘80s and ‘90s, Burton continued to tour and joined Beatles drummer Ringo Starr’s All Starr Band. In 1980, a starring role in the feature film Melanie with Miami Vice star Don Johnson earned Burton a Genie Award for Best Original Song.

He also launched his acclaimed Up Close and Alone solo concert series. A live album of the same name followed.

The success of Lenny Kravitz’ cover of “American Woman” in the hit feature film Austin Powers: The Spy Who Shagged Me brought renewed attention to the original Guess Who. The group reunited in 1999 for the closing ceremonies of the Pan-American Games with a television audience numbering in the tens of millions. Several high-profile North American tours followed.

As the VOICE of all the classic Guess Who hit songs, Burton has toured with his long-time band, for the past twenty-three years across North America as well as joining Randy Bachman onstage as Bachman Cummings, performing his songs from the original The Guess Who, Bachman-Turner Overdrive and Burton’s solo career.

Described as Canadian rock ‘n’ roll royalty, a national treasure, and a living legend, for Burton Cummings there has always been one constant: he remains true to himself and his own way to rock… and continuing to perform the songs the way they were originally conceived by the artist who sang and wrote/co-wrote them.

Burton joins us this week to share his musical story and lets us know about his other passion - writing poetry.

For more information head to his website burtoncummings.com

Born in New York City and raised in the Caribbean as Richard Gerstein - Richard T. Bear boasts a career that spans more than 40 years, one that led to a string of acclaimed solo albums and collaborations with a number of influential icons, including Al Kooper, Stephen Stills, former Rascals Gene Cornish and Dino Danelli, Kiss, Pat Benatar and many more. He has shared stages with artists such as Dave Mason, Mick Fleetwood, the Doobie Brothers, Richie Havens and Odetta. T. Bear penned "Love and Pain," a track found on Take Me Home, one of Cher's most successful albums and also tallied several hits on his own, including the single "Sunshine Hotel" from his debut album Red, Hot and Blue. He has appeared on a number of recordings including CSN's Southern Cross, Billy Squier's Tale of the Tape and The Blues Brothers Soundtrack album.

After taking some time to focus on his own sobriety, T. Bear became an early activist helping others with addiction. His self-imposed hiatus lasted nearly three decades, and now T Bear is back with two striking new releases, Fresh Bear Tracks and The Way of the World, his first studio albums in 25+ years.

Richard is a distinctive singer and talented keyboard player. His latest albums feature a host of special guests. From Stephen Stills, Robby Krieger, Edgar Winter, Walter Trout, to former Paul McCartney & Wings members Laurence Juber and Denny Seiwell and The Heartbreakers’ Benmont Tench.

His latest album, The Way of The World, was written and recorded as the world emerged from the pandemic. It boasts a stunning set of 13 original songs. Musically, it's a stirring melodic mix of blues, rock n roll, Americana, and roots.

T. Bear's first album spawned the single “Sunshine Hotel.” A remix of the song climbed to #4 on the world dance charts before becoming the dance staple that it remains today. Richard has appeared on numerous recordings by iconic artists including Crosby, Stills and Nash's Southern Cross, The Blues Brothers Soundtrack, Richie Havens Mixed Bag II, Kiss members Gene Simmons and Peter Criss' solo ventures, as well as Toby Beau’s hit single My Angel Baby.

As a soloist T Bear found his initial inspiration in the sounds of the British Invasion. At age 13 he was writing his own songs.  An early break came when he was working at Manny’s Music in New York City when Hot Tuna’s Jorma Kaukonen and Jack Casady stopped in and hear him improvising on piano. They were impressed enough to ask him to sit in with them during a Hot Tuna show at the famed Fillmore East. He worked for a time as Carly Simon’s road manager and opened shows for the likes of Jeff Beck and Richie Havens before moving to Los Angeles. 

In 1983, he took a lengthy hiatus from making music to get his personal life in order before returning to action in 2017. Fast forward to the present and T Bear is so excited about the new album.  As he puts it, “Making The Way of the World was like getting a new pair of glasses. I see everything more clearly and in focus around me. These are songs that made me think and dream. It’s an oasis for the mind.”

Meet Richard T Bear this week as he unravels his incredible story of survival and comeback against all odds.

I hope you really enjoy this episode.

UB40, a reggae band from Birmingham, UK, emerged in the late 70s from humble beginnings, with members scraping by on unemployment benefits. The band's original lineup consisted of friends from Moseley School of Art and local schools: Robin and Ali Campbell, Earl Falconer, Brian Travers, Jimmy Brown, Norman Hassan, and later, Michael Virtue and Astro. They named themselves after the unemployment benefit form "UB40" and quickly became known for their left-wing political stance, aligning themselves with causes like Rock Against Racism and anti-National Front protests.

In 1980, UB40's debut single "King b/w Food For Thought" reached the UK Top 5, setting the stage for their success. Their first album, Signing Off (1980), was a blend of reggae, dub, and politically charged lyrics, reaching No. 2 in the UK and staying in the charts for 72 weeks. By 1981, their second album, Present Arms, solidified their reputation, with the hit single "One In Ten" becoming an anthem for the unemployed and a protest against the UK government's policies.

UB40's third album, UB44 (1982), marked a transition, but it was Labour of Love (1983) that truly catapulted them to international fame. This album of reggae covers, including the iconic "Red Red Wine," became their first UK No. 1 album and produced their first US No. 1 single. This success established UB40 as reggae ambassadors, introducing reggae to new audiences worldwide.

Throughout the 1980s, UB40 continued to release successful albums, including Geffery Morgan (1984), Rat In The Kitchen (1986), and UB40 (1988). Their collaborations with Chrissie Hynde on "I Got You Babe" and "Breakfast In Bed" were also hits.

The late 80s and early 90s saw the band achieve global success with Labour Of Love II and Promises and Lies, the latter featuring "Can’t Help Falling In Love," which became another US No. 1 hit.

In the mid-90s, the band took a break, with members pursuing solo projects. However, they returned with Guns In The Ghetto and Labour Of Love III , continuing to tour extensively. Their influence and success were underscored by their contribution to the England rugby team's 2003 World Cup campaign with "Swing Low" and the Grammy-nominated Who You Fighting For (2005), which featured politically charged songs and love ballads.

In 2008, Ali Campbell left the band to pursue a solo career, replaced by his brother Duncan Campbell. The band continued to release albums and tour, with TwentyFourSeven receiving critical acclaim. Despite Astro's departure in 2013, UB40 continued to tour successfully, playing sold-out shows across the UK, Europe, and beyond.

UB40's enduring appeal lies in their ability to blend reggae with socially conscious lyrics, making them one of the most influential reggae bands in history. Their journey from Birmingham's working-class roots to global stardom is a testament to their talent, resilience, and commitment to their music and message.

To celebrate their 45th anniversary, the band has just released the album UB45.

Joining us this week to share the story of their rise to international fame is original member, drummer Jimmy Brown.

For more head to their website https://ub40.global/

Has Gerry Beckley retired? Does he still sing with America? Who influenced the band America? All these questions answered this week.

Gerry Beckley is a singer/songwriter best known as a founding member of the classic soft rock outfit America. Alongside bandmates Dewey Bunnell and Dan Peek, Gerry first gained recognition for hits like 1971's "Horse with No Name," 1972's "Ventura Highway," 1975's "Sister Golden Hair," and others. Though he and Dewey have continued to perform as America until recenlty, Gery has also recorded under his own name since the mid '90s, releasing such mellow, well-crafted albums as 2022's Aurora and 2024's self -titled album Gerry Beckley.

Gerry was born in Texas in 1952. He grew up as the son of an American air force officer and a British mother. Interested in music from a young age, he began playing piano at age three and later added guitar. By the time he was ten, Gerry was a promising musician playing in the surf rock band the Vanguards. He had also come under the influence of The Beatles and other British Invasion-era bands as a result of spending his summer vacations in England.

In 1967, Gerry moved with his family to London after his father took over as commander at the United States Air Force base. It was while attending High School that he befriended classmates Dewey Bunnell and Dan Peek. The three quickly formed a band and began performing at a local all-ages club, playing covers by bands like Crosby, Stills and Nash, Neil Young and others.

The trio eventually caught the attention of a local promoter and producer, who recorded them and helped them get a record deal. In 1971, they released the single, "A Horse with No Name." A hit the world over, the single propelled the band to early success.

With America, Gerry Beckley enjoyed decades of popularity, releasing over 20 albums, touring globally, and penning numerous songs that helped to define both the soft rock and adult contemporary radio formats.

Gerry Beckley began to release successful solo material in 1995 with Van Go Gan. The album featured Gerry backed by a bevy of longtime friends and collaborators, including Dewey Bunnell, trumpeter Mark Isham, the Eagles' Timonthy B. Schmit and others. That album was followed by a remix album.

Away from America, Gerry next delivered 2000's LIke A Brother- a collaboration with Chicago singer/keyboardist Robert Lamm and the Beach Boys' Carl WIlson who died from lung cancer after completing the album in 1998. The record featured a mix of originals from each member of the band , as well as a cover of Harry Wilson's "Without You"

In 2006, Beckley returned with his third solo album, Horizontal Fall. The compilation album Happy Hour was released in 2009.

SInce then many solos albums have followed.

Gerry has recently married and moved to Sydney Australia where he spends six months of the year. He has resigned from touring with America to concentrate on furthering his solo career.

His latest self titled solo album is being touted as his best ever. Gerry plays the bulk of the instruments but gets help from a core group of players that includes former Chicago bassist Jason Scheff, guitarist Steve Fekete, drummers Brian Young and Ryland Steen along with backing vocalists Jeff Larson and Brian Eichenberger. Nick Lane and Matt Combs, also longtime musical fellow travelers, arranged horn and string parts, respectively. It's a collection of 12 original tunes featuring the singles "Red and Blue" and "Well Worn Shoes."

Gerry Beckley joins us this week to walk us through his incredible career.

For more information head to https://www.gerrybeckley.com/

Where is TIm Finn today? What's the relationship between Tim Finn and Neil Finn? Who did Tim FInn replace in Fleetwood Mac?

Answers to all of these questions and more:

Tim Finn is renowned for his work with Split Enz, Crowded House, and as a solo artist. His musical journey began in New Zealand, where he developed a passion for music at a young age, inspired by the Beatles and other rock legends. Finn's early years were marked by a relentless pursuit of creativity and a drive to innovate within the music scene.

In 1972, Tim Finn co-founded Split Enz with Phil Judd. The band's early days were characterised by their eclectic and theatrical style, which combined elements of art rock, progressive rock, and new wave. Split Enz quickly gained a reputation for their eccentric performances and unique sound, setting them apart in the music industry. Their breakthrough came with the release of "True Colours" in 1980, featuring the hit single "I Got You." This song catapulted them to international fame, topping charts in Australia and New Zealand and gaining significant airplay worldwide.

Split Enz continued to enjoy success with several albums that included hits like "One Step Ahead" and "Six Months in a Leaky Boat." Tim Finn's vocals and innovative songwriting were central to the band's success, helping to establish Split Enz as pioneers in the New Zealand music scene.

In the mid-80s, Tim joined his brother Neil Finn in Crowded House. He initially contributed to the band's second album which featured tracks like "Into Temptation" and "I Feel Possessed." Tim's involvement added depth to the band's sound, blending his creative prowess with Neil's to produce a series of compelling and emotionally resonant songs. Although his tenure with Crowded House was brief, it was marked by a creative synergy that significantly influenced the band's music.

Tim's solo career began in earnest with the release of "Escapade" in 1983. The album was a commercial success, featuring hits like "Fraction Too Much Friction." His solo work allowed him to explore different musical styles and lyrical themes and subsequent albums continued to highlight his innovative approach to music and songwriting.

In addition to his solo albums, Tim Finn released "The View Is Worth The Climb" in 2011. His solo work has been characterised by a blend of pop, rock, and folk influences, reflecting his diverse musical background and enduring creative spirit.

Tim Finn's collaborative efforts have also been a significant part of his career. He has worked with a range of artists, including Phil Manzanera, https://manzanera.com/new/Eddie Rayner, and Bic Runga. These collaborations have allowed him to explore different musical landscapes and experiment with new sounds, enriching his already diverse body of work.

The Finn Brothers project, a collaboration with his brother Neil, resulted in the release of two acclaimed albums. These showcased the brothers' close musical relationship and their ability to create deeply personal and resonant songs. Tracks like "Only Talking Sense" and "Won't Give In" highlighted their unique chemistry and songwriting prowess.

Throughout his career, Tim Finn has been recognised for his melodic craftsmanship and lyrical depth. His contributions to music, both as a solo artist and as part of iconic bands like Split Enz and Crowded House, have left an indelible mark on the industry. Finn's ability to blend introspective lyrics with diverse musical styles has inspired generations of musicians and continues to captivate audiences worldwide.

For more about Tim Finn head to https://finnmanz.com/ or his facebook page https://www.facebook.com/TimFinnOfficial/

I hope you enjoy Tim Finn's story.

Remember Hugh Cornwell who fronted English band, the Stranglers? Wanna know what he's up to today? Tune in to find out!

Best known as frontman of the Stranglers, one of the most long-lived and internationally popular bands from the original wave of British punk, Hugh Cornwell is also enjoying a successful solo career, that began with his debut solo album, Nosferatu in 1979 and continues long after he left the group in 1990.

Born in 1949 and brought up in North London, Hugh began making music in high school, where he played in a band with Richard Thompson (later of Fairport Convention).

After graduating from Bristol University with a B.Sc. in biochemistry, he moved to Sweden to do postgrad research. There he formed the band called Johnny Sox, which would later become the Stranglers.

The band, initially idenitfied with the grittiness of punk rock, but became much more ironic and cerebral than most of its contemporaries. They went on to greatly expand their sound, morphing into new wave and later, relatively mainstream pop.

The Stranglers are best remembered for their smooth ballad "Golden Brown."

Hugh Cornwell released his debut solo album in 1979. The follow-up album, Wolf arrived nine years later and in 1990, feeling the band had artistically worn itself out, Hugh left the Stranglers.

After that, he grew ever more prolific, issuing two solo albums in the '90s and four in the 2000s, along with several live and compilation albums - one a collaborative effort in 1992 with songwriter, Roger Cook.  He also worked with Irish poet John W. Sexton.

Hugh wrote five books, including two novels.

His band often featured as a stripped-back power trio and Hugh's solo music remains heavily influenced by blues and rock n roll. It is always characterised by his erudite and sardonic lyrics.

More recently, in 2016 Hugh collaborated with legendary punk poet John Cooper Clarke on an album entitled 'This Time It's Personal' He released his ninth album, Monster in 2018 and has just put out his tenth solo album, Moments of Madness.

Hugh Cornwelll has also been an actor, appearing in a number of stage productions and television series.

He currebtly hosts a podcast dedicated to his love of film, called Mr Demille FM, http://mrdemillefm.com/

He's also a massive cricket fan.  

I hope you enjoy our chat. Don't forget, if there's someone you'd like to hear interviewed, just send me a message through the website https://www.abreathoffreshair.com.au

Wondering who wrote 'Hopelessly Devoted,' "You're the One that I Want" or "Magic" for Olivia Newton- John? Tune in to find out ...

John Farrar is an iconic Australian producer, songwriter, and musician whose influential career has left an indelible mark on the music industry. Renowned for his pivotal role in shaping the careers of many artists, John is perhaps best known for his exceptional work with Olivia Newton-John.

His talent for crafting hit songs is evident in his contributions to the "Grease" soundtrack, where he wrote and produced timeless classics like "Hopelessly Devoted to You" and "You're the One That I Want." These songs not only topped charts worldwide but also became cultural milestones, defining an era and cementing John's status as a musical genius.

John Farrar's journey in the music industry began as a member of the Shadows (Cliff Richard), a leading British instrumental rock band. His skills as a guitarist and vocalist were showcased during his time with the group, contributing to their success and popularity. Transitioning from performer to behind-the-scenes maestro, John's move to songwriting and production marked a significant turning point in his career.

His collaboration with Olivia Newton-John began in the early 1970s and quickly blossomed into a highly successful partnership. John's production and songwriting prowess were key in shaping Olivia's sound and career. He produced many of her albums, including "If You Love Me, Let Me Know," "Have You Never Been Mellow," and "Totally Hot," each featuring hits that dominated the charts.

His songwriting brilliance shone through in tracks like "Magic" from the "Xanadu" soundtrack, which became another number-one hit.

Beyond his work with Olivia, John's influence permeates the music industry. He has produced and written songs for many notable artists and his contributions have been recognised with numerous awards and accolades.

His work has been celebrated in various film and television projects, and despite the changing landscapes of the music industry, John's legacy continues to inspire new generations of musicians and producers.

With a career spanning several decades, John Farrar remains a vital and influential figure, whose music continues to resonate with audiences worldwide. His partnership with Olivia Newton-John stands as a testament to his ability to create timeless music that transcends generations, ensuring his place in the pantheon of music legends.

Join us this week as John Farrar shares his incredible story which stretches from Melbourne, Australia to London, England and then onto Hollywood.

I hope you enjoy this episode. If you have any feedback, comments or requests for future guests, please reach out to me through my website https://www.abreathoffreshair.com.au

Want to know what '60s megastar Tommy James is doing today? Can you name Tommy James and the Shondells biggest hit? Would you like to know Tommy's life story?

Tune in here because few stars had a better run on the pop charts in the '60s than Tommy James. As the leader of his group the Shondells, Tommy had a way with upbeat pop tunes that packied a solid rock & roll punch.

The creator of songs like "Hanky Panky," "I Think We're Alone Now," "It's Only Love," and "Mony Mony" - the soundtrack to a generation.

As the decade changed so did Tommy writing and recording hits like "Crimson and Clover" and "Crystal Blue Persuasion."

As a solo artist in the early '70s, Tommy adopted a more mature and soulful (but still radio-friendly) style with "Draggin' the Line" and "I'm Comin' Home." and he's still doing it today - embracing contemporary pop styles, with electronic instruments and elements of dance-pop and hip-hop.

Tommy's journey began in Niles, Michigan, where he formed his first band, The Echoes, at the age of 12. His early passion for music set the stage for his future success. The Shondells, initially formed as The Tornadoes, evolved with his vision, and their innovative fusion of rock, pop, and psychedelia set them apart.

Following the success of "Hanky Panky," Tommy James and the Shondells produced a series of chart-toppers. Then, as a solo artist he did it again.

Tommy's autobiography, "Me, the Mob, and the Music," revealed his tumultuous relationship with Morris Levy of Roulette Records, adding depth to his legacy and offering a glimpse into the darker side of the music industry.

Tommy James was a pioneer in studio experimentation, using cutting-edge effects to create unique sounds that influenced future generations of musicians. His music captured the spirit of the '60s.

With over 100 million records sold worldwide, Tommy James' enduring legacy is a testament to his impact on rock and pop music history. His ongoing contributions to music and his influence on artists like Billy Idol, who famously covered "Mony Mony," underscore his lasting impact. From his early days in Michigan to his rise as a music icon, Tommy James' story is one of resilience, creativity, and enduring appeal.

I know you're going to love hearing Tommy tell his story. To learn more about him head for his website https://www.tommyjames.com/

Ever wondered what Slade's Noddy Holder is doing now?

Curious as to whether he still sings? Or how he survived a terminall cancer diagnosis? Tune in to find out.

Neville ‘Noddy’ Holder is one of the great institutions of British rock. As the garishly trousered, top-hatted frontman of West Midlands glam yobs Slade, he helped soundtrack the early 70s with a string of Top 10 hits that peaked with the immortal festive anthem Merry Xmas Everybody. Since leaving the band in the early 90s, Noddy branched out into acting, most notably in sitcom The Grimleys, and writing (his 1999 autobiography Who’s Crazee Now? was followed by 2014’s The World According To Noddy). He is also the voice for the elevator announcements at his local Walsall art gallery.

Born in 1946 in the Midlands, Noddy formed his first band, The Rockin’ Phantoms, at the age of 13 and left school after O levels to take a job in a car parts firm while pursuing a music career. The band became The Memphis Cut-Outs and they became popular enough on the local scene for Noddy to quit the day job. He went on to join The Mavericks, who were signed to a record label in 1965, and his stablemates were The N’ Betweens, a band that included future Slade members guitarist Dave Hill and drummer Don Powell. The two bands shared bills and bonded, laying the foundations for Noddy's next move.

In 1966, Dave and Don convinced Noddy to join their new group, along with multi-instrumentalist Jim Lea. They called the band Ambrose Slade. After their debut album flopped, they changed their name to Slade and adopted a skinhead image for the following year’s Play It Loud. When that failed to catch the public’s imagination, the band turned to glam rock and swiftly became one of Britain’s biggest bands, with Slayed? (1972) reaching No 1 after their breakthrough single Get Down And Get With It.

The next few years saw Slademania take Britain by storm with a run of classic, hit singles (mostly chart-toppers) that gave English teachers the nation over sleepless nights including Coz I Luv You, Take Me Bak ’Ome, Mama Weer All Crazee Now, Gudbuy T’Jane, Cum On Feel The Noize, Skweeze Me, Pleeze Me and Merry Xmas Everybody.

Noddy Holder left Slade in 1992 but remained a familiar figure on BritishTV screens, most notably as a team captain on BBC1’s music series A Question Of Pop and playing the music teacher Neville Holder in the ITV comedy drama The Grimleys. In 2000, Noddy was awarded the MBE for his services to showbusiness.

Late in 2023, Noddy revealed that he’d been diagnosed with oesophageal cancer five years earlier and had been given six months to live. Thanks to some experimental chemotherapy treatment, Noddy has survived and is back on the stage doing what he loves to do best.

Noddy Holder joins us this week to walk us through his illustrious career and talks warts and all.

For more information about Noddy http://www.noddyholder.com/

Comments, questions or suggestions for future guests https://www.abreathoffreshair.com.au

Want to know what happened to Paul Carrack?

Why he left Mike and the Mechanics?

Which song he wrote for the Eagles and what he's doing now?

Well, tune in and find out!

English singer, songwriter and multi-instrumentalist, Paul Carrack has been a member of several bands including Ace, Squeeze, Mike + The Mechanics, and Roxy Music. He's been a session and touring musician for several others including Nick Lowe, the Frankie Miller Band, The Undertones, The Smiths, John Hiatt, The Pretenders and has enjoyed success as a solo artist as well.

Born in Sheffield, Paul began with semi-pro bands playing pubs and clubs locally. At age 17 he played in European discos and at army bases. He joined the band Warm Dust in 1970.
In 1972, Paul formed Ace who enjoyed success with 3 albums, a worldwide hit "How Long" (which Paul wrote), and a US tour with the group Yes. In 1977 he joined the Frankie Miller Band for 2 albums before joining Roxy Music in 1978. Paul toured the U.K. and Europe and played on their albums Manifesto & Flesh And Blood.
In 1985, Carrack joined Mike Rutherford's group Mike + The Mechanics, who enjoyed international fame with "Silent Running" on which Paul sang lead vocal, and they toured until 1986.
Mike & The Mechanics resumed in late 1988, recorded their second album, The Living Years, and had a world wide hit (and U.S. number 1) with the title track being sung by Carrack. When The Mechanics resumed other interests, Carrack began recording his fourth album Groove Approved released in late 1989.
During a 1994 tour of the UK, US and Japan, he aided Mike & The Mechanics in the recording of their 4th album Beggar On A Beach Of Gold (1995) which included two Carrack songs, one of which, "Over My Shoulder" achieved popularity in the UK and Europe.
In January 1996, Paul Carrack found European success with 'How Long' and 'Eyes of Blue' from Blue Views. By the end of 1996 he was opening for Sting's UK tour, and sang a duet with Sting.
Paul maintains an active solo career to the present day. He still sings some of his affiliated bands' best-known hits, including Ace's "How Long"; Squeeze's "Tempted"; and Mike + The Mechanics' "Silent Running" ,"The Living Years" and "Over My Shoulder".

He has also performed lead vocals on tracks from the Roger Waters albums Radio K.A.O.S. and The Wall – Live in Berlin, and achieved a major solo hit with "Don't Shed a Tear".

Paul's songs have been recorded by artists such as Linda Ronstadt, Eagles, Diana Ross, Tom Jones, Michael McDonald and Jools Holland, and he has recently served as a session and/or touring musician for Elton John, Eric Clapton, Ringo Starr, B.B. King, and Madness.

Phil Manzanera is one of the UK’s best-known musicians and record producers, having shot to prominence in the early ‘70’s as the lead guitarist with the seminal band, Roxy Music. He is widely acknowledged as one of the world’s leading guitarists and remains in huge demand. 

Roxy Music were inducted into  the US Rock and Roll Hall of Fame in 2019 and recently Phil was awarded the Order of the British Empire (OBE) for his services to music.

He was born to a British father and Colombian mother and has collaborated with musicians from South and Latin America, South Africa, Cuba and continental Europe.

His recent album releases  include The Liberation Project: Songs That Made us Free,  Corroncho 2 and Live in Japan as well as The Ghost from Santiago that he did with Split Enz's Tim Finn.

In recent years Phil has co-produced Pink Floyd’s ‘The Endless River’. He released, ‘The Sound of Blue’, his own autobiographical album, co-produced David Gilmour’s new album, ‘Rattle That Lock’, toured with Gilmour in the UK, Europe and South America.   In 2015 he was Maestro Concertatore at Italy’s largest free festival. He also took part in ‘Sunshine of Your Love’ a tribute concert to his friend, Jack Bruce.

Phil’s musical influence stretches far and wide, but even he was taken by surprise when his guitar riff from 1978’s K-Scope was sampled by Jay Z and Kanye West and became the Grammy winning smash hit ‘No Church in the Wild’ the first track on their multi-million selling album, ‘Watch The Throne’.

At 73, Phil is now in his fourth decade as a professional musician.  He joined Roxy Music in 1972, aged 21,  as lead guitarist. Roxy’s rise was meteoric, with the band being hailed as the stylistic influence of the early 1970’s. During the next 12 years, until 1983 when the band members went on a ‘long break’, Roxy Music released a series of international best selling albums, achieving ten UK top ten albums and touring extensively throughout the world. The 18 year hiatus ended in 2001 with a critically acclaimed, sellout 52-date world tour featuring Bryan Ferry, Andy MacKay and Paul Thompson. The world rediscovered Roxy Music.

In the summer of 2003 Roxy again played in the US and Europe. 2010 saw Roxy Music thrilling fans at Festivals in the UK, Europe and Japan, which was followed by a Winter UK tour, and dates in Australia and New Zealand. 

As a writer, producer and solo artist, Phil Manzanera has worked with many of the luminaries of modern music, such as Steve Winwood, David Gilmour, John Cale, Godley and Creme, Nico (Velvet Underground) and John Wetton (King Crimson, Asia). He has co-written material with many artists, including Brian Eno, Tim Finn and David Gilmour.

Phil co-wrote Pink Floyd’s single ‘One Slip’from their 1988 ‘Momentary Lapse of Reason’ album.

He has recently been awarded an OBE.

Phil joins us this week to share his amazing story.

For more information about Phil and his music head to his website: https://manzanera.com/new/

If you have a request for a '60s '70s or '80s musician contact me through my website https://www.abreathoffreshair.com.au

Do you know the name Bruce Sudano? Perhaps you've heard of him as the late DONNA SUMMER's husband and collaborator? They sure made beautiful music together.

Bruce is a celebrated musician, songwriter, and producer renowned for his extensive contributions to the music industry. With a career spanning several decades, he has written chart-topping hits for legendary artists like Donna Summer, Michael Jackson, and Dolly Parton. He co-founded the bands Alive N Kickin' and Brooklyn Dreams, both achieving significant success with their unique sounds.

Sudano's songwriting prowess is evident in timeless classics like "Bad Girls" and "Hot Stuff," co-written with his late wife, Donna Summer. His partnership with Summer was not only professional but deeply personal. The duo's creative synergy produced some of the most iconic tracks of the disco era, and their relationship blossomed into a lifelong romance. They married in 1980 and had two daughters, Brooklyn and Amanda, both of whom have followed in their parents' musical footsteps.

Beyond his collaborative triumphs, Sudano has also pursued a successful solo career, releasing critically acclaimed albums that showcase his rich storytelling and musical versatility. His solo work, such as "With Angels on a Carousel" and "21st Century World," highlights his ability to blend genres, creating a signature sound that resonates with diverse audiences.

Bruce's influence extends beyond performance, as he continues to mentor emerging artists and contribute to various musical projects. His dedication to nurturing new talent is a testament to his passion for the art of music.

In addition to his musical achievements, Bruce Sudano is known for his profound lyrics and ability to blend genres. His enduring legacy in the music world is marked by innovation, passion, and an unwavering dedication to his craft. Whether on stage or behind the scenes, Sudano's impact on the industry remains indelible, solidifying his place as a true icon in the world of music.

Sudano's partnership with Donna Summer was a defining aspect of his career. Together, they created an impressive body of work that continues to influence and inspire musicians worldwide. Their collaboration extended beyond the studio, with Sudano playing a crucial role in Summer's rise to fame as the "Queen of Disco." His contributions to her albums, including "I Remember Yesterday" and "Once Upon a Time," were instrumental in shaping the sound that defined a generation.

Bruce Sudano's story is one of artistic evolution, enduring love, and a profound impact on the world of music. Today he has a brand new solo album out "Talkin Ugly Truth Tellin Pretty Lies" and you are not going to want to miss hearing some of the tracks.

He is the Maestro behind many hits and he joins us this week to share the story of his musical (and personal) journey so far.

To learn more about Bruce Sudano, head to his website https://www.brucesudano.com/ Once you get into this man and his music, I promise you'll never forget either.

Let me know what you think? Send me a message through my website https:www.abreathoffreshair.com.au

Enjoy!

Guess who was behind hits like the Turtles' "Happy Together" or CSN&Y's "Ohio?"

It was renowned drummer Johny Barbata who sadly passed away unexpectedly last month.

Johny's extraordinary talent and versatility made him a pivotal figure in rock and pop music. Starting his career in the 1960s, Johny first gained prominence as a member of The Turtles, where his dynamic drumming powered hits like "Happy Together" and "She'd Rather Be With Me." His innovative style and rhythmic precision caught the attention of major bands and artists, leading him to join Crosby, Stills, Nash & Young, where he contributed to their classic live album "4 Way Street."

In the 70s, Johny's career soared even higher when he became the drummer for Jefferson Airplane, later transitioning to Jefferson Starship. His powerful beats and creative percussion were instrumental in shaping the band's sound on iconic tracks like "Volunteers" and "Miracles." Throughout his career, Johny Barbata's drumming was characterised by its technical proficiency, adaptability across genres, and ability to enhance the music's emotional impact.

John's influence extended beyond his performances; he was also a mentor and inspiration to countless drummers. His autobiography, "The Legendary Life of a Rock Star Drummer," offers an in-depth look at his journey through the highs and lows of the music industry. Despite facing numerous challenges, including a serious car accident, Barbata's resilience and passion for music kept him active in the industry until the day he died.

Johny Barbata continues to be celebrated as one of rock's greatest drummers, known for his contributions to some of the most memorable songs in music history. His legacy is marked by his unique ability to blend technical skill with expressive artistry, leaving an indelible mark on every band he ever played with.

This week, I'm honouring the late Johny Barbata by featuring a recent interview we did together. During our conversation he sheds light on what it was like to be a famous rock star and how in demand he constantly was as a session drummer. Artists like Jackson Browne, Linda Rondstadt and Neil Young couldn't get enough of him.

Find out why by listening to him tell his story.

If you'd like to know more about the life and times of Johny Barbata, pick yourself up a copy of his book Johnt Barbata- The Legendary Life of a Rock Star Drummer - available from Amazon https://www.amazon.com.au/Johny-Barbata-Legendary-Life-Drummer/dp/7774585796

I hope you enjoy the celebration of John's life and music.

Don McLean III is an American singer-songwriter, best known for his 1971 hit song "American Pie", an 8.5-minute folk rock "cultural touchstone" about the loss of innocence of the early rock and roll generation (US #1 for four weeks in 1972 and UK #2).

Though some of his early musical influences included Frank Sinatra and Buddy Holly, as a teenager, Don became interested in folk music, particularly the Weavers' 1955 recording At Carnegie Hall. He often missed long periods of school because of childhood asthma, particularly music lessons, and although Don slipped back in his studies, his parents allowed his love of music to flourish. By age 16, he had bought his first guitar and began making contacts in the music business, becoming friends with the folk singers Erik Darling and Fred Hellerman of the Weavers.

Don recorded his first album, Tapestry in 1969 in Berkeley, California during the student riots. After being rejected 72 times by labels, the album was finally picked up and released. Don worked on the album for a couple of years before putting it out. It attracted good reviews but little notice outside the folk community, although on the Easy Listening chart "Castles in the Air" was a success, and in 1973 "And I Love You So" also became a number 1 Adult Contemporary hit for crooner, Perry Como.

Don's major break came when the record company he was with was taken over by United Artists Records, which gave him major label promotion for his second album, American Pie. The album launched two number one hits - the title song and "Vincent". American Pie's success made Don an international star overnight and piqued interest in his first album, which charted more than two years after its initial release.

In 2004, he was inducted into the Songwriters Hall of Fame. In January 2018, BMI certified that "American Pie" and "Vincent" had reached five million and three million airplays respectively.

His composition "And I Love You So" has been sung by Elvis Presley, Perry Como, Helen Reddy, Glen Campbell, and others, and in 2000, Madonna had a hit with a rendition of "American Pie". His other hit singles include "Vincent" , "Dreidel" , a rendition of Roy Orbison's "Crying", a rendition of the Skyliners' "Since I Don't Have You" , and "Wonderful Baby".

Recently, the Grammy-award honoree and BBC Lifetime Achievement Award recipient has released his latest studio album, "American Boys" which pays tribute to his rock and roll heroes.

As always, if you'd like to request a music guest for the show, please get in touch with me [email protected]

Martha and the Muffins is a Canadian new wave band formed in Toronto in 1977. Known for their eclectic sound that blends post-punk, art rock, and new wave influences, the band achieved international success with their hit single "Echo Beach" in 1980.

Martha and the Muffins was formed by two art students, Martha Johnson and Mark Gane, at the Ontario College of Art. They were soon joined by David Millar, Carl Finkle, Mark Gane's brother Tim Gane, and Martha Ladly. The band name was chosen as a playful jab at the plethora of "The Something-something" band names at the time.

The group quickly became a staple in the Toronto music scene, known for their quirky and innovative performances. Their unique sound combined elements of punk, rock, and electronic music, setting them apart from their contemporaries.

In 1979, Martha and the Muffins signed with the British label Dindisc, a subsidiary of Virgin Records. Their debut album, "Metro Music," was released in 1980 and included the single "Echo Beach." The song became an international hit, reaching the top 10 in Canada, the UK, and several other countries. Its catchy melody and wistful lyrics captured the imagination of a generation and remain iconic to this day.

The success of "Echo Beach" propelled the band into the spotlight. However, they faced challenges in maintaining their momentum. Their second album, "Trance and Dance" (1980), and third album, "This is the Ice Age" (1981), saw significant lineup changes.

In 1982, the band released "Danseparc," another collaboration with new member, Daniel Lanois. The album further showcased their willingness to experiment with different sounds and production techniques.

By the mid-1980s, Martha and the Muffins underwent a significant transformation, with Mark Gane and Martha Johnson remaining the core members. They released "Mystery Walk" in 1984, which included the Canadian hit "Black Stations/White Stations," a song that tackled issues of racial segregation in the music industry.

Following the release of their 1985 album "The World is a Ball," Martha and the Muffins took a hiatus. During this period, Johnson and Gane focused on solo projects and other collaborations. Johnson released a solo album, "Solo One," in 1997, while Gane worked on various production and music projects.

In the early 1990s, Martha and the Muffins reformed, primarily as a duo consisting of Johnson and Gane. They released "Modern Lullaby" in 1992, which was well-received by critics but did not achieve significant commercial success.

After another extended hiatus, the band re-emerged in 2010 with the album "Delicate," which marked a return to their roots while incorporating modern influences. This period also saw renewed interest in their earlier work, with reissues and retrospective collections.

Martha Johnson was diagnosed with Parkinson's Disease in 2001. She has been open about her battle and has faced significant challenges due to the progressive nature of the disease.

Martha's diagnosis came after she began experiencing symptoms that interfered with her ability to perform and record music. The diagnosis was a significant moment for her, marking the beginning of a long journey to manage the condition while continuing her career in music.

Despite the challenges, Martha has shown remarkable resilience. She has become an advocate for Parkinson's disease awareness, using her platform to educate others about the condition. Her advocacy includes speaking engagements and participating in events aimed at raising funds for research and support for those affected by the disease.

She has not let Parkinson's disease define her or halt her creativity. Martha continues to be involved in music and is an inspiration to many.

Martha has just released a new single to enhance awareness of PD and this week shares her personal reflections on music and living with Parkinson's disease. Her story is one of courage, persistence, and the power of music to transcend personal hardships.

As a founding member of the Grammy-winning, platinum-selling rock band TOTO, songwriter/keyboardist Steve Porcaro had huge pop hits with "Hold the Line," "Rosanna," and "Make Believe."

He also co-wrote "Human Nature" which is featured on Michael Jackson's 30 million-selling Thriller album.

Steve's other band mates in Toto were his brothers Jeff and Mike Porcaro, David Paich, David Hungate, Steve Luthaker, Bobby Kimball, Fergie Fredericksen, and Joseph Williams. Each of these guys also became in-demand session musicians, playing on numerous records.

Born in Connecticut, Steve's musical roots run deep in his family tree. He started taking piano lessons when he was four years old. With his brothers began playing in various bands. The Porcaro brothers met David Paich when their fathers worked together on Glenn Campbell's TV variety show. The boys became friends and started making music together.

As the youngest brother, Steve couldn't compete with his brothers and found a niche playing the synthesiser and the keyboard. He got his break when he toured both with Gary Wright ("Dreamweaver") and Boz Scaggs around the time of Boz's Silk Degrees album.

It was the members of Boz's touring band who would later form Toto. Their self-titled LP was released in 1977. Going platinum, it yielded the gold single "Hold the Line," "I'll Supply the Love," and "Georgy Porgy" --a favourite sample source for rap/hip hop groups in the '90s, as was "Human Nature."

1982 would prove to be a huge year for the group. Their million-selling LP Toto IV cleaned up at the Grammys winning Album of the Year, Record of the Year ("Rosanna" ), and Producer of the Year.

After seven albums, Toto disbanded in 1988. Steve went on to launch a film scoring career and contributed to many popular films.

However, he continued working with Toto in various supporting capacities, assisting with keyboards, drum looping, synthesizers and arranging/composing. He has also done session musician work for many other acts, including Yes (on Union) and Jefferson Airplane (on their self-titled 1989 reunion album). He was also a member of Chris Squire’s short lived band, The Chris Squire Experiment, in 1992.

Steve returned to play with Toto at live performances since 2010, when they decided to reform the band and tour in Europe to support an ailing Mike Porcaro. He performed on the band's 2015 studio album, co-writing and singing lead on "The Little Things" and co-writing/singing lead on the Japan-only bonus cut, "Bend". This was only the third lead vocal performance from him on a Toto album.

When the band dissolved in 2019 and regrouped in 2020, Porcaro did not return.

Steve Porcaro joins us this week to share stories of his fascinating musical journey. If you'd like to know more abotu him, head to his facebook page https://www.facebook.com/steveporcaromusic/

Please don't hesitate to get in touch with me - all comments, feedback and requests for future guests - gratefully received. Simply send me a message https://www.abreathoffreshair.com.au

I hope you enjoy this episode!

Born in 1952, in Virginia, Stewart Copeland - the son of a CIA agent - spent his formative years in the Middle East but attended college in California before settling in England in 1975. He joined the progressive rock outfit Curved Air, working first as their road manager then as their drummer.

In early 77, he founded the Police with singer/bassist Sting and guitarist Henri Padovani (soon replaced by Andy Summers). Their first hit, 79's "Roxanne," set the course for huge success to follow.

The trio emerged as one of the most popular and innovative bands of the post-punk era, drawing upon reggae, funk, and world music to create a uniquely infectious yet cerebral brand of pop which generated a series of smash singles including "Every Little Thing She Does Is Magic," "Every Breath You Take," and "King of Pain."

While with the Police, Steward also issued a solo record under the alias Klark Kent. This not only earned him wide critical acclaim for his intricate, textured drum work, but also for his songwriting as he contributed many of the group's songs.

When the Police officially disbanded in 1986, the band was still at their commercial peak. Disagreements betwenn members had caused the trio's collapse and Stewart took to composing film scores, earning himself a Golden Globe nomination. He increasingly spent more time on film scores.

In 2002, Stewart formed a new rock-oriented project, Oysterhead - a power trio supergroup. A year later he produced and directed Everyone Stares, a documentary film about his time in the Police.

In 2007, Stewart reunited with his former bandmates to celebrate their 30th anniversary.

Stewart also wrote his memoir, Strange Things Happen: A Life with The Police, Polo, and Pygmies at this time.

In 2021, Stewart collaborated on the instrumental 'Divine Tides'. The album won the 2022 Grammy Award for Best New Age Album, giving Copeland his first Grammy win outside of the five he earned as a member of the Police. 

He also released 'Police Deranged for Orchestra' where he reworked Police hits for an orchestra.

In 2023, he published Stewart Copeland's Police Diaries, a book based on his original diary entries from 1976-1979.

This week Stewart Copeland joins us to regale us with his many stories.

If you'd like to kmow more about him head for https://www.stewartcopeland.net/151/life-and-work

If you'd like to request a guest, send me a message through my website https:www.abreathoffreshair.com.au

I know you're going to LOVE this episode. He's quite a character!

Pat Arnold (born Patrica Ann Cole in 1946 in Los Angeles), professionally known as P.P. Arnold, is a soul singer who enjoyed considerable success in the United Kingdom in the 60s and beyond.

Born into a family of gospel singers, PP married early, had two children, worked a series of menial jobs until the early 60s, when her friends contacted her with an offer she couldn't refuse. The girls had managed to arrange an audition for them to replace the original Ikettes, the vocal and dancer/singer troupe behind the Ike and Tina Turner Revue. One of the girls didn't show up and PP was asked to fill in.

The three girls were offered the job on the spot. PP defied her husband, placed her children in the care of her parents and joined Ike & Tina Turner.

She came to England in 1966 on tour in support of The Rolling Stones. Mick Jagger was impressed by her soulful voice and convinced Stones manager Andrew Oldham to sign PP to record with his newly founded record label. PP quit the Turner band to establish a solo career. She also had a fling with Jagger.

PP enjoyed several major British hits, including songs written for her by Steve Marriott of The Small Faces. She also sung backing vocals on the their hit "Tin Soldier" and toured with them in 68.

PP toured with Jimi Hendrix, The Who, The Kinks, Blind Faith, David Bowie and others, and scored several hits including a cover version of "The First Cut Is the Deepest" and "Angel of the Morning".

After the collapse of record label in the late 60s, PP released two singles produced by Barry Gibb of The Bee Gees, but a planned album with Gibb was never completed.

In 1970 she moved to the musical stage, and contributed session musician backing vocals to many notable UK sessions. During these sessions she met bassist Fuzzy Samuels of Crosby, Stills, Nash & Young. They married and had a son.

The couple returned to Los Angeles. PP''s marriage to Samuels ended and two weeks after the split, her daughter Debbie was killed in a car accident.

She withdrew from public life, re-emerging in 1978 when she was reunited with Barry Gibb and teamed up with Andy Gibb for a duet recording of the Carole King song "Will You Still Love Me Tomorrow".

She returned to England in 1982 to raise her son there.

In 1984 she joined the cast of the musical Starlight Express.

She appeared on Roger Waters' album in 1992, providing vocals on the song "Perfect Sense".

In 1994 she joined the cast of the award-winning musical Once On This Island. While the production was playing in Birmingham she met leading UK band Ocean Colour Scene, one of the new wave of latter-day mod groups who (like their mentor Paul Weller), idolised The Small Faces.

Her friendship with OCS led to her singing the lead vocal, backed by Primal Scream, on a cover of The Small Faces' "Understanding", which was included on a successful Small Faces tribute album. She also worked extensively with Ocean Colour Scene on their 1997 album.

This success led to plans for her to record her first solo album in decades, but once again it was not completed. Deciding to put together a new band to promote her material, Arnold joined forces with Chaz Jankel, former pianist with Ian Dury and The Blockheads. This was followed by an invitation to tour widely with Roger Waters. She was a backup vocalist on his 1999–2000 tour as well as the 2006–2008 tour, Dark Side of the Moon Live.

In mid 2007 she released her first recorded work for several years. The album is a duet with The Blow Monkeys frontman Dr. Robert and has been met with critical acclaim, as have their live performances at several venues.

Brian Cadd is an Australian singer-songwriter, keyboardist, producer and record label founder, a staple of Australian entertainment for over 50 years. As well as working internationally throughout Europe and the United States, he has performed as a member of numerous bands including the Groop, Axiom, The Bootleg Family Band and in America with the Flying Burrito Brothers before carving out a solo career in 1972. 

Brian produced fellow Australian acts Robin Jolley, Ronnie Burns, Broderick Smith, Tina Arena and Glenn Shorrock and established his own record label called Bootleg Records. He also composed or performed music for several films and TV.

Many of the songs he’s written have been recorded by other acts, including the Pointer Sisters, Little River Band and John Farnham.

In 2007, Brian Cadd was inducted into the Australian Recording Industry Association Hall of Fame. He was awarded in the Queens Birthday Honours in 2018 for his 50-year service to the music industry as a singer, songwriter, instrumentalist, mentor and producer and his work in production. The following year he released his fifteenth solo studio album titled Silver City and Brian has just seen all his dreams come true with the recent release of his first ever country album, titled Dream Train.

Brian Cadd remains one of Australia’s greatest treasures; a true Statesman of song writing and recording.

He joins us this week to share his thoughts on his musical journey and to express his gratitude to his global audience for your unwavering loyalty.

If you'd like to know more about Brian Cadd, head to his website https://briancadd.com/ If you'd like to request a guest - someone who made music in the 60s 70s or 80s, feel free to send me a message through my website https://www.abreathoffreshair.com.au

I hope you enjoy hearing Brian Cadd's story as much as I did.

John McEuen was born in 1945 and spent his high school years in California’s Orange County. He and lifelong high-school friend Steve Martin both got a job in 1963 in the magic shop at Disneyland when they were just 16.

When John saw Missouri bluegrass group The Dillards in an Orange County club a couple of years later, his life changed forever. He knew he wanted to be “a traveling music man”.

As a multi-instrumentalist (banjo, guitar, mandolin, fiddle) John has been recognised as a founding member and award-winning outstanding performer of the Nitty Gritty Dirt Band. He left the group at the end of the 50th year anniversary tour in 2017 due to demands for his solo work and the desire to do new things.

In addition to John’s numerous solo accolades, NGDB was inducted in to Colorado Music Hall of Fame 2015. It's all covered in his book 'The Life I’ve Picked' from 2018.

In 1971 John initiated the now landmark Will the Circle be Unbroken* album, hooking Nitty Gritty Dirt Band up with his musical mentors Earl Scruggs and Doc Watson. The now multi-platinum “Circle” is in both the Library of Congress and the Grammy Hall of Fame.

Radio Host, author, television show producer, writer, concert promoter, multi-instrumental musician, performer and magician.

His second book – Will the Circle Be Unbroken – 50th anniversary Year – The Making of a Landmark Album captures 145 of his brother’s (record producer/manager) ‘masterpiece’ photos and tells the stories behind each one.

John has made over 46 albums (7 solo) that have earned four platinum and five gold records, multiple Grammy Awards and nominations, CMA and ACM awards, an Emmy film score nomination, IBMA record of the year award, and performed on another 25 albums as guest artist. John’s production of Steve Martin – The Crow won the 2010 Best Bluegrass Album Grammy.

Other accolades include: Grammy nomination for String Wizards II, the Uncle Dave Macon Award (for excellence in preservation and performance of historic music). He is a producer/composer of film scores and has produced award-winning projects of his own and for several other artists.

John has continually performed since 1963 – doing over 11,000 concerts, 300 television shows, 10,000 interviews and flown more than 4 million miles. John's rich history of creating, producing and preserving original and traditional folk music earned him the 2013 Charlie Poole Lifetime Achievement Award. John was inducted in 2017 to the American Banjo Museum Hall of Fame

In this episode, John shares the stories from his musical life and tells us how excited he is to have recently released something entirely different. It's a spoken word album called "The Newsman: A Man of Record" which is a collection of poems and stories set to music.

I hope you enjoy hearing John McEuen open up about his incredible life and career. If you'd like to learn more about him, head to his website https://johnmceuen.net/ and if you'd like to get in touch with me - with feedback, comments or suggestions for future guests, please reach out through my website https://www.abreathoffreshair.com.au

Leland Sklar has been a prominent figure among Hollywood session bassists dating back to the 1970s and ever since. Born in 1947 in Milwaukee, Lee has more than 2000 albums to his credit (and still counting), and is considered to be one of the "A" players in the highly selective L.A. rock music community where the competition for recording dates is fierce, and where only the strongest survive.

His very recognisable bass playing style has been heard on hits by Linda Ronstadt, James Taylor, Hall & Oates, Jackson Browne, Carole King, Phil Collins, Keith Richards and Reba McEntire to name just a few.

Leland has played on TV shows like Hill Street Blues, Knight Rider, Simon and Simon, and also on many films, including Forrest Gump, Ghost, Kindergarten Cop, and My Best Friend's Wedding.

Leland moved to Los Angeles when he was very young and started playing piano at age four. When he entered Junior High he fully intended to continue as a pianist in the school music program but found that there was an overabundance of piano students, but no string bass players. His instructor asked him if he’d consider playing bass and his life changed forever.

It was toward the end of the '60s that Lee met James Taylor and the pair started playing gigs together. However, when James Taylor’s "Fire and Rain" became a huge hit record, Leland Sklar's career also began to take off. The buzz surrounding this new bass player didn't take long to spread around Hollywood, and Leland Sklar quickly became one of the most sought after “A” list session musicians around town.

Today The Immediate Family of which he is a member can legitimately be called a supergroup.
Their new self-titled full-length album contains twelve original songs, including a rendition of the Waddy Wachtel/Warren Zevon cowrite "Things to Do in Denver When You're Dead" and the Danny Kortchmar/Jackson Browne collaboration "Somebody's Baby."

Over the years Leland has worked with most of the top session players in Hollywood and is especially close to his long-time friends and members of The Immediate Family. This iconic supergroup has played together for decades, but never as their own band. Known for their long, illustrious careers backing music's finest, guitarists Danny Kortchmar and Waddy Wachtel, drummer Russ Kunkel, and bassist Leland Sklar have come together, along with guitarist Steve Postell, to perform their own songs as The Immediate Family.

There is also a documenatry out now simply called The Immediate Family which details their rise to fame.

Meet the inimatable Leland Sklar this week as he shares the story of his meteoric rise to fame.

You can check out the album here and learn more about Leland on his website https://lelandsklarsbeard.com/ where he also sells lots of different merchandise.

It's a fascinating episode featuring one of Hollywood's best musicians and nicest guys. I really hope you enjoy it.

Tom Petersson is a musician best known as the bassist and co-founder of the iconic rock band Cheap Trick. Born in Rockford, Illinois, Petersson's musical journey began at an early age when he picked up the guitar. However, he later transitioned to bass guitar, a move that would define his signature sound and role in shaping Cheap Trick's distinctive style.

In the early 70s, Petersson co-founded Cheap Trick with guitarist Rick Nielsen, drummer Bun E. Carlos, and vocalist Robin Zander. The band quickly gained recognition for their high-energy performances, catchy melodies, and fusion of hard rock, pop, and punk influences. Petersson's melodic basslines became a hallmark of Cheap Trick's sound, adding depth and groove to their music.

Throughout his career with Cheap Trick, Petersson has been a key contributor to the band's success, both in the studio and on stage. His innovative bass playing can be heard on many of the band's hit songs, including "Surrender," "I Want You to Want Me," "Dream Police," and "The Flame."

In addition to his work with Cheap Trick, Petersson has collaborated with various artists and pursued solo projects. He released a solo album titled "Tom Petersson & Another Language" in 1984, showcasing his versatility as a musician beyond the confines of Cheap Trick's sound.

Petersson's influence extends beyond his musical contributions. His distinctive 12-string bass guitar, custom-built by Hamer Guitars, has become iconic in the rock world, inspiring generations of bassists. He is also known for popularizing the use of the 12-string bass in rock music, pushing the boundaries of the instrument and paving the way for its acceptance in mainstream rock.

Over the years, Petersson and Cheap Trick have received numerous accolades and awards, including inductions into the Rock and Roll Hall of Fame in 2016. Despite lineup changes and the evolving music industry, Petersson remains an integral part of Cheap Trick's enduring legacy, continuing to tour and record with the band, captivating audiences with his dynamic bass playing and infectious stage presence. Tom Petersson's contributions to rock music and his enduring influence on bassists worldwide solidify his status as a legendary figure in the annals of rock history.

I hope you will enjoy Tom Peterrson's story. For more information about Tom and Cheap Trick head for the band's website http://www.cheaptrick.com/ or https://watch.countrymusichalloffame.org/videos/tom-petersson-of-cheap-trick-demonstrates-gretsch-white-falcon

If you'd like to request a future guest for the show, please get in touch with me through my website https://www.abreathoffreshair.com.au

Ian Gillan was one of the foremost vocalists of the heavy metal style of rock that emerged in the ‘70s, earning his greatest celebrity as a member of Deep Purple despite the fact that he also led his own bands. Ian began singing while still in his teens and was a member of several pub rock bands.  It was in one of these that he met bass player Roger Glover, and the two were invited to join Deep Purple in 1969. They debuted with the band in London of the same year. Ian Gillan’s voice was the making of Deep Purple and he was featured on a series of hugely successful  recordings including Fireball, Machine Head, Made in Japan and Who Do We Think We Are.

He also starred on Andrew Lloyd Webber and Tim Rice's concept album Jesus Christ Superstar where he sang the title role. That album topped the U.S. charts in 1971.

Ian Gillan recorded and toured the world relentlessly in those days until he was hospitalised for exhaustion in 1971. He decided to take leave of the band and, just as he left, "Smoke on the Water" from Machine Head began making its way up the U.S. charts, where it would peak in the Top Five and go gold, becoming Deep Purple's biggest ever career hit.

Ian then bought a recording studio and signed a solo deal with a small record company. He formed the Ian Gillan Band and in 1975, their debut album, Child in Time, entered the charts. Switching record labels, the group simplified its name to Gillan and recorded a series of albums, many of which hit the charts worldwide.

At the end of 1982, Ian disbanded Gillan, announcing that he had to rest his vocal cords on doctor's orders. The following year, he surprised fans by joining Black Sabbath and recorded their album Born Again. He also began touring with the band. Ian says he was lucky to survive that ongoing party.

In 1984, the original 1969-1973 line up of Deep Purple got back together. They cut the million-selling Perfect Strangers and the House of Blue Light. In 1989, Ian Gillan again quit the band. That December, he participated in an all-star remake of "Smoke on the Water" issued as a charity single which made the British Top 40.

Ian Gillan continued to release solo albums. At the end of 1992, he again returned to Deep Purple and the band commenced a world tour. Ian left yet again and in 1998, he released yet another solo album. After 2009's offering, he continued to focus on Deep Purple and didn’t make another solo album for almost a decade.

These days Ian Gillan remains at the helm of Deep Purple and the album "Machine Head - Deluxe 50th Anniversary Edition" has just been released.

The box set with LP, three CDs, Blu-Ray, booklet and various memorabilia also includes a remastered version of the original mix, a 1972 concert recording from London and a previously unreleased recording from 1971 made at the Casino Montreux which later burned down. It was included, despite its limited sound quality, "because of its historical relevance" according to the notes on the back of the box.

Despite all the nostalgia and the loss of his wife a couple of years ago, Ian Gillan is again looking forward. He is currently living on the coast in Portugal and is at work on the band's next studio album - number 23 - with his long-time band mates Roger Glover and Ian Paice. The 78 year old is getting set for yet another Deep Purple tour that’s about to kick off in Australia.

To learn more about Deep Purple and Ian Gillan head for https://deeppurple.com/ and https://www.ian-gillan.com/

To request a future guest for A Breath of Fresh Air feel free to reach out to me or if you have comments and feedback https://www.abreathoffreshair.com.au

Elliott Randall is one of the greatest guitarists of the Rock era. His solos on Steely Dan’s hit “Reelin’ In The Years” and Irene Cara’s “Fame” are nothing short of iconic.

To the uninitiated, it might seem like Elliott has made a career out of saying no to great opportunities. Steely Dan, The Doobie Brothers, The Blues Brothers and Toto all asked him to join their bands and he said no.

But Elliot is different. He has always trusted his intuition. Known as one of the greatest session musicians around, he's the man behind that renowned Reelin' In The Years Steely Dan solo (which is said to be Jimmy Page's favourite ever lead guitar break) among literally hundreds, if not thousands, of other cuts. He also continues to write, produce, consult, engineer, tutor and perform to this day.

In this interview we turn back the clock to learn about his upbringing in NYC and his passion for music ignited at a young age. During his formative years, Elliott immersed himself in the vibrant musical culture of the 50s and 60s. He took guitar lessons, honed his skills and his dedication caught the attention of instructors and peers alike. By the time he had ended his teens, Elliott had already been a pro' player for four or five years. In 1967, Musicor Records (who gave the world Gene Pitney) offered him a role as a Staff Musician. He then joined the roots fusion act Seatrain briefly in 1969, and signed as a solo artist, releasing his debut album in 1970.

It was the death of his good friend Jimi Hendrix that helped Elliott realise he didn't need to be the rockstar or the centre of attention so he began working with other artists and clients, providing solutions for their musical and commercial success.

The most well known four-and-a-half minutes of his guitar life became the lead breaks he added to Steely Dan's megahit Reelin' In The Years in 1972. It has received acclaim from other players and audiences alike.

Since then Elliott Randall has played with Joan Baez, Chuck Berry, Kate Bush, The Doobie Brothers, Peter Frampton, Art Garfunkel, Albert Hammond, Bob Marley, Yoko Ono, Gene Simmons, Loudon Wainright III, Gary Barlow of Take That fame, and many, many more.

He has also soundtracked jingles for some of world's biggest brands including Coca-Cola, Budweiser, McDonald's, Citi Bank, Procter & Gamble, MTV, ESPN and BBC TV. He's also performed for musicals like Jesus Christ Superstar on Broadway, and has been a musical consultant for Saturday Night Live and the film director Oliver Stone.

Elliott's passion for music continues unabated today. His story is fascinating and I hope you will enjoy every minute of it.

To learn more about Elliott Randall head for his website https://elliott-randall.com/

To contact me head for my website https://www.abreathoffreshair.com.au

British musician Steve Harley, whose glam-rock band Cockney Rebel had an enduring hit with the song Make Me Smile (Come Up and See Me), has died at the age of 73.

Harley said late last year he was being treated for “a nasty cancer”.

Born in London in 1951, Harley worked as a trainee accountant and as journalist on local newspapers, and began his performing career at London folk clubs.

He formed Cockney Rebel, which released a debut album The Human Menagerie in 1973 before foundering over creative differences. With a new line-up and rebranded as Steve Harley and Cockney Rebel, the band released the 1975 album The Best Years of Our Lives, which contained Harley’s biggest hit.

With its barbed lyrics – aimed at Harley’s former bandmates – and infectiously catchy chorus, the Alan Parsons-produced Make Me Smile topped the United Kingdom singles chart.

It went on to be covered scores of times and was used on countless soundtracks, including in the 1997 film The Full Monty and in ads for Carlsberg beer and department store Marks and Spencer.

Harley also sang the title song of Andrew Lloyd Webber’s musical The Phantom of the Opera alongside Sarah Brightman when it was released as a single in 1986. He was originally cast in the title role for the stage musical but was replaced by Michael Crawford.

Ultravox frontman Midge Ure, who produced Harley’s 1982 track I Can’t Even Touch You, called him a “true ‘working musician'”.

“He toured until he could tour no more, playing his songs for fans old and new,” Ure wrote on social media.

“My thoughts go out to Dorothy and his family at this very sad time. Our songs live on longer than we ever can”.

Harley is survived by his wife Dorothy, children Kerr and Greta and four grandchildren.

With his hard, edgy tone, rough and rowdy vocals, and barroom boogie aesthetic, Canadian singer, guitarist, and keyboardist Pat Travers is a fine example of a Canadian bluesy hard rock act.

He emerged during the '70s heyday of hard blues-rocking guitar heroes. His 8 albums from his 1976 debut through to 1984 netted seven Top 200 chart placements and two Top 40 singles, including the party anthem classic "Boom Boom (Out Go the Lights)."

Pat is equally adept at playing funk, jazz, and prog and has toured almost annually for more than 40 years.

Born in Toronto in 1954, Pat first picked up the guitar after seeing a local performance by Jimi Hendrix. He began studying the other top rock guitarists of the day - Eric Clapton, Jeff Beck, Jimmy Page.

He then hooked up with '50s rock & roll vet Ronnie Hawkins  (best known for performing with a backing band that would eventually become The Band.

But Travers' first love was hard rock, so he packed up and headed to London. In 1976 his performance at the Reading Festival resulted in two releases before he returned to North America and set his sights on the U.S. rock market.

The new Travers band lineup led to his most commercially successful period, resulting in a pair of Top 30 releases, including 1980's Crash and Burn.

Unfortunately as the '80s got underway, the music changed and bluesy hard rock wasn't in demand any longer.

Pat Travers continued releasing albums but they sold less so he opted to take a break from producing records although he did continue to tour solidly.

And he still does.

In 2022, Travers issued The Art of Time Travel, a return to hard blues-rock.

Numerous controversies and triumphs have only added depth to Pat Travers' storied career, and today his musical journey continues to evolve. His story is not just a biography but a testament to the enduring power of musical expression and the indelible mark one artist can leave on the world.

Pat has worked hard to establish his well deserved reputation as being one of the very best hard rock guitarists in the world today.

I hope you enjoy learning about his journey. If you'd like to know more about Pat Travers, head for his website https://www.pattravers.com/ and if you would like too request a future guest for this show please reach out to me through my website https://www.abreathoffreshair.com.au

Born in Memphis, singer/songwriter/guitarist, Billy Burnette spent most of his youth in the presence of father Dorsey and uncle Johnny (of the legendary Rock and Roll Trio).  The Trio made the Rockabilly name famous by combining the name Billy and his cousin Rocky for the 1953 “Rockabilly Boogie” – thus making the term Rockabilly a household name.

The legendary trio influenced a diverse array of Rock icons including: the Elvis, Beatles, Led Zeppelin, Rod Stewart, Aerosmith, and Ricky Nelson. Elvis used to spend many evenings jamming with the band. It’s not surprising then that Billy started making music at the age of 7.

At 15 Billy picked up a guitar and began writing songs.  At 18, he was only a week out of high school when he recorded an album with famed Memphis hit-making producer Chips Moman (“Suspicious Minds” and “In the Ghetto” for Elvis).

In his early 20’s, Billy wrote songs for artists like Rod Stewart, Ray Charles, Roy Orbison, Tammy Wynette, Jerry Lee Lewis, The Everly Brothers, Conway Twitty, Loretta Lynn, Glen Campbell, and many more.

In 1980, Billy met Mick Fleetwood (of Fleetwood Mac).  The two musicians became fast friends and formed the band Mick Fleetwood’s Zoo

Soon after Billy began his journey as a member of one of the greatest rock bands of all time.  Billy joined and toured with Fleetwood Mac between 1987-1995, appearing on many of their albums.

In 2003, Billy co-wrote a tune for Bonnie Raitt and Ray Charles called “Do I Ever Cross Your Mind.” This tune appeared on the album Genius Loves Company, which was the last studio album that Ray Charles recorded and completed. The album garnered 10 Grammy nominations and won Album of the Year.
In 2006, Billy Burnette returned to his roots and recorded one of the most revered Rockabilly albums of his career, Memphis in Manhattan.  He not only recorded several original tunes – but also payed tribute to his father and uncle, by recording “It’s Late” and “Tear it Up.”   In addition, he recorded an Everly Brothers classic, “Bye, Bye Love,” and a song made popular by none other than his very own Memphis neighbour, Elvis: “Big Hunk of Love.”

A collaboration with Shawn Camp and Dennis Morgan became the hit song “River of Love.” George Strait recorded the tune for his 2008 album Troubador, and “River of Love” went on to become Strait’s 44th Number One hit single.

In the last few years, Billy Burnette has contributed his talents as a guitar player and singer on tours with legendary musicians Bob Dylan and John Fogerty. Additionally, he also collaborates regularly with the Mick Fleetwood Band.

Billy continues to write, record and perform today. He lives in Nashville and is still as passionate about making music as he has always been. I hope you enjoy the story of Billy Burnette's musical journey.

If you'd like to learn more about him, check out his website http://billyburnette.net/ and if you'd like to suggest a guest you'd like to hear interviewed on A Breath of Fresh Air, reach out to me through my website https://www.abreathoffreshair.com.au

The Animals were an English rock band of the 1960s, formed in Newcastle upon Tyne. The original lineup featured Eric Burdon (vocals), John Steel (drums), Hilton Valentine (guitar), and Chas Chandler (bass). The group is most famous for their top-five hit single “House of the Rising Sun” along with other popular songs like “We’ve Gotta Get Out of this Place” and “It’s My Life”.

Early Years The Animals were formed in Newcastle upon Tyne in 1962, with Eric Burdon as lead singer and Chas Chandler as bassist and manager. They were joined by Hilton Valentine on guitar and John Steel on drums. The band was heavily influenced by rhythm and blues music, particularly that of Chuck Berry and Little Richard. They signed a contract with Columbia Records and released their first single, “Baby Let Me Take You Home” in 1964.

Breakthrough Success The Animals’ breakthrough came with the single “House of the Rising Sun”, which reached number one on the U.S. Billboard Hot 100 chart in 1964. The song was originally recorded by folk singer Woody Guthrie, but it was the Animals' version that achieved mainstream success. The song was also featured on their debut album, The Animals. The band followed up with another successful single, “We Gotta Get Out of This Place” which reached number two on the UK singles chart in 1965.Later Career The band released several more albums in the 1960s including Animal Tracks (1965) and Animalisms (1966). In 1967 they disbanded following Eric Burdon’s departure to form the Eric Burdon Band. The remaining members reunited briefly in 1977 for an album and tour before splitting again. In 1983, they reunited again for the album Ark and toured extensively throughout the 1980s and 1990s.

Legacy The Animals are remembered as one of the most influential British bands of the 1960s, having helped to shape the sound of rock music for generations to come. They have been cited as an influence by many artists including Jimi Hendrix, Van Morrison, Neil Young, and Tina Turner. Their seminal song “House of the Rising Sun” has been covered countless times by other artists.

Original co-founder and drummer, John Steel joins us this week to share the story of his amazing musical journey.

I hope you enjoy this episode and if you'd like to request a guest please get in touch with me through the website https://www.abreathoffreshair.com.au

Arthur Brown burst out of obscurity in 1968 with "Fire," an energetic fusion of blues, jazz and psychedelia with his over-the-top vocals invoking the dangers of the dark side. “Fire” launched Arthur to fame worldwide.

He was born in North Yorkshire in 1942. After attending a grammar school Arthur studied at University where he focused on law and philosophy. His interest in music began to overwhelm his academic pursuits, and he formed his first band, an R&B combo called Blues and Brown. After a spell in France, where he dabbled in theatre, Arthur returned to the U.K. and worked with a number of groups in London. Not long after Brown left one -the Ramong Sound, they changed their name to the Foundations and scored international hits with "Build Me Up Buttercup" and "Baby, Now That I've Found You." Arthur however wasn’t fussed.

He had Kit Lambert and Pete Townshend produce his self-titled debut album from which “Fire” emerged and The God of Hellfire was born. His band, The Crazy Worldof Arthur Brown was known for its live show, which featured Arthur wearing a helmet that spat fire. Sometimes he would take to the stage naked and as such became one of the most talked-about characters in British rock.

 In the wake of the success of their debut, the band cut a second album and kept touring; for a short while Carl Palmer took over as drummer. Arthur’s next group's sound was darker and even more esoteric than the Crazy World. Arthur then stepped out as a solo act with 1974's Dance with Arthur Brown, a more straightforward and accessible album rooted in international rhythms. His public profile got a boost in 1975 when he was cast as the Priest in Ken Russell's film adaptation of the Who's rock opera Tommy, which was a major box office success. The following year, he made a guest appearance on Tales of Mystery and Imagination: Edgar Allan Poe, the debut album from the Alan Parsons Project. In 1979. Klaus Schulze, of Tangerine Dream invited Arthur to lend vocals to some of his work but in the early '80s, Brown left England to settle in Austin, Texas, where he earned a degree in counseling and opened a music-based practice. He also opened a house painting and carpentry business with Jimmy Carl Black, a former member of Frank Zappa's Mothers of Invention. For the most part, Arthur had stepped away from music, though he and Jimmy Carl Black did team up again for 1988's Brown, Black & Blue, a powerful blues-rock set.

The new Crazy World returned for 2003's Vampire Suite, and Brown became a regular guest at Hawkwind concerts, appearing on their 2006 album Take Me to Your Future. 2008's The Voice of Love, released under the moniker the Amazing World of Arthur Brown, included guest appearances from Dick Taylor and Mark St. John of the Pretty Things. A spate of archival live releases dominated Arthurs's catalogue in the 2010s as he continued to tour extensively, including dates with Carl Palmer's group ELP Legacy and Hawkwind. Brown returned to recording with his latest edition of the Crazy World for 2014's Zim Zam Zim.

Arthur celebrated his 80th birthday in 2022 and today is in hot demand to play concerts and festivals all over Europe.

We catch up with the iconic artist this week and he regales us with a whole host of interesting stories.

If you'd like to learn more about Arthur Brown head for his website https://www.thegodofhellfire.com/

and if you'd like to get in touch with me - comments, feedback or requests for future guests - don't hesitate to reach out through my website https://www.abreathoffreshair.com.au

I hope you enjoy the story of The God of Hellfire.

John Hall is a founding member of the band Orleans and one of the main instigators of the No Nukes and MUSE (Musicians United for Safe Energy) movements. He’s been intimately involved in promoting social change and environmental advocacy, both as a private citizen and as an elected representative in Congress.

John was studying piano at 5, playing French horn, guitar bass and drums by 12. He started playing in the clubs of Greenwich Village by 18 and at 21 wrote and directed music for a Broadway and Off-Broadway play. He then worked on numerous projects including Seals and Crofts’ album Down Home. He toured with Taj Mahal and when he came home, started the band that would become Orleans in 1972.

Moving to Woodstock NY with his wife Johanna, the pair began writing together. They had major hits ‘Dance With Me’ and ‘Still The One’, songs that have garnered 9 million terrestrial airplays and hundreds of millions of streams.

John has also co-written songs for Janis Joplin, Millie Jackson, Bonnie Raitt, The Tymes, Chaka Khan and Chet Atkins among others. He co-founded the group Musicians United for Safe Energy and helped organise the 1979 No Nukes concerts at Madison Square Garden. His song 'Power' was its anthem, performed and recorded there by the Doobie Brothers with James Taylor, Bonnie Raitt, Jackson Browne, Graham Nash, Carly Simon, Nicolette Larson, Phoebe Snow, and many more. That song was also sung by Peter Paul and Mary, Pete Seeger and others. John’s guitar playing was featured on albums by Browne, Raitt, Carly Simon, Little Feat and more. In the 90s the John Hall Band recorded two LPs: Search Party and All Of The Above, which contained the AOR and MTV staple Crazy (Keep On Fallin’). 

Environmental activism led John to serve on several boards. In 2006 he was elected to the US House of Representatives and also served on the Select Committee on Energy Independence and Global Warming.

Returning to private life in 2011, John continued to perform and record with Orleans and as a solo artist. During the pandemic, he wrote and recorded songs for his latest CD “Reclaiming My Time.”

John Hall joins us this week as special guest to share the stories (and the music) from his life. I hope you'll join us.

If you'd like to know more about John, check out his website https://johnhallmusic.com/ and if you feel like requesting a guest that you'd like to hear interviewed on the show - reach out to me through my website https://www.abreathoffreshair.com.au

Warm regards

Sandy

Meet Russell Morris, one of Australia's must enduring, most talented and most beloved singer, songwriters.

From his pop stardom in the '60s to pioneering singer-songwriter, Russell has shaped the country's musical landscape for over seven decades.

We explore the origins of his iconic hit, "The Real Thing," and the unconventional journey that led him to pursue a solo career. Discover the role Ian Meldrum played in transforming a six-and-a-half-minute epic into a chart-topping sensation, defying industry norms.

Russell shares anecdotes from his early days, revealing the supportive environment that fuelled his passion for music. From his unconventional start to becoming an Australian rock legend, this episode is a journey through the highs and lows of a remarkable career.

Starting as a pop sensation in the '60s, Russell faced a tough road ahead when his early hits didn't translate into lasting success. Undeterred, he explored different genres and even went MIA for a while. Fast forward to the '70s, and Russell makes a surprising comeback with the iconic "The Real Thing."

He shares the wild story behind the creation of the song, involving an LSD trip and a makeshift studio in a houseboat. The success of "The Real Thing" catapults him back into the limelight, marking a pivotal moment in his career.

But it wasn't all smooth sailing. Russell opens up about the challenges of dealing with record labels, the music industry, and the highs and lows of fame. Our chat delves into the nitty-gritty of Russell's artistic evolution, from pop to blues, and the unexpected twists that kept his career vibrant.

In a nutshell, it's a rollercoaster tale of a music legend who faced setbacks, embraced change, and ultimately found his groove, creating a legacy that spans decades.

At times, feeling like an old has-been, Russell yearned to create something current. After an album's failure, he faced the reality that people just weren't interested anymore. Undeterred, he looked in the mirror, realizing he couldn't sing pop songs as an old fart. So, he decided to return to his roots, exploring rhythm and blues, Tamla Motown, and Blues.

His Blues journey took an unexpected turn when he stumbled upon a 1918 police file photo of Thomas Archer, aka Shark Jaws. Inspired, he turned Archer's story into the blues hit "Shark Mouth," which marked the resurrection of his career.

His subsequent albums, like "Van Diemens Land" and "Red Dirt, Red Heart," defied industry expectations, blending blues and country. Despite initial skepticism, these albums went on to become chart-toppers.

Russell's bluesy revival continued with "Black and Blue Heart" in 2019, a pop-rock collaboration with Bernard Fanning and Nick Didier. He even joined forces with Rick Springfield, creating an album under the pseudonym Jack Chrome.

Fast forward to the present, and Russell Morris is still pushing boundaries. His latest release, "The Real Thing, The Symphonic Concert," features him performing with a 54-piece symphony orchestra. The idea, born from an encounter with businessman Clive Palmer, turned out to be a massive success, selling out venues across the country.

Russell's story is one of determination and resolve. A tale of belief in yourself and never giving up your passion.

He is an icon in Australia and loved by all. You may or may not know his name. You may or may not know his music but, by the time you've listened to this episode, I guarantee you will not forget him.

I hope you enjoy this episode. Don't forget, if you have someone you'd like me to interview on your behalf (and perhaps you can join me on the line too) just send me a message through my website ⁠https:www.abreathoffreshair.com.au⁠ and let me know who your favourite 60s 70s or 80s artist is.

Warmest

Sandy

Allan Clarke is a British musician celebrated for his role as the lead vocalist of the legendary rock band, The Hollies. With a career spanning decades, Clarke's distinctive tenor voice and songwriting prowess have left an indelible mark on the history of rock and roll.

Clarke co-founded The Hollies in the early 1960s with childhood friends Graham Nash, Eric Haydock, Tony Hicks, and Don Rathbone. Their harmonious blend and melodic pop-rock sound catapulted them to international stardom. Hits like "Bus Stop," "Carrie Anne," and "He Ain't Heavy, He's My Brother" became anthems of the era, showcasing Clarke's emotive vocals and contributing to the band's enduring legacy.

As a songwriter, Clarke collaborated with Nash and Hicks to pen some of The Hollies' most iconic songs. His ability to craft timeless tunes solidified the band's chart-topping success and earned them a permanent place in the pantheon of rock music.

In 1971, Allan Clarke briefly embarked on a solo career, releasing albums such as "My Real Name Is 'Arold" and "Headroom." Despite the solo endeavor, Clarke rejoined The Hollies in 1973, and the band continued to produce hits, notably "The Air That I Breathe."

Beyond his musical achievements, Clarke's enigmatic stage presence and charisma made him a captivating performer. His influence transcends generations, and The Hollies' catalogue remains a testament to his enduring impact on the world of music.

Clarke's return to The Hollies in the '70s marked another chapter in their success, with a continued string of hits. His distinct vocal style, characterized by soulful nuances and emotional depth, remains a defining element of The Hollies' sound.

Allan Clarke's legacy extends beyond his contributions to The Hollies, encompassing solo ventures, songwriting brilliance, and a significant footprint in the evolution of rock music. His name is synonymous with harmony, melody, and the timeless resonance of classic rock—a testament to a remarkable career that has left an indelible mark on the global music landscape.

Allan has recently released a new album - Resurgence - fulfilling a long time dream to collaborate again with Graham Nash. 

The album comes after he, his wife and his daughter all battled with cancer and as a result, finds Allan unable to hit the high notes that he’s become so famous for.

Determined to continue doing what he loves, Allan has penned many of the tracks on this album so that he’s able to sing in a lower key. The result is simply stunning.

I am excited to have Allan Clarke in conversation in this episode, sharing stories from his incredible musical journey. I know you'll enjoy hearing his tales too.

If you'd like to know more about Allan, head for his website https://www.allan-clarke.co.uk/ and if you have any requests for future guests on A Breath of Fresh Air, please get in touch with me through my website https://www.abreathoffreshair.com.au

Former teen idol Bobby Sherman is 80 years old and still wowing them. He was born in Santa Monica, California and became interested in singing whilst at high school. Following his graduation, he was given the opportunity to sing for Sal Mineo’s band at a party and eventually got a gig as house singer for the ABC show ‘Shindig!’, which ran from 1964 to 1966.

His luck changed drastically in 1968 when he was cast in the role of a stammering, bashful logger in the TV drama series ‘Here Come the Brides’. The series became a hit and established him as an actor.

The following year Bobby released the song "Little Woman". The single charted #3 on the Billboard Hot 100 and eventually earned gold status. Bobby instantly became adored the world over and from the late 60s to the mid-70s, he toured extensively.

A frequent guest on TV variety shows and featured in an episode of ‘The Partridge Family’, he later had guest roles in several drama series including ‘Mod Squad,’ ‘Murder She Wrote,’ ‘Ellery Queen,’ ‘Frasier,’ ‘The Ed Sullivan Show,’ 'Good Day LA,’ ‘The Rosie O'Donnell Show,’ ‘Entertainment Tonight,’ and ‘Good Morning America,’ to name a few.

In 1981, Sherman starred in the musical comedy movie ‘Get Crazy’. Five years later, he joined the cast of the sitcom ‘Sanchez of Bel Air.’ His versatility as an actor allowed him to seamlessly transition between comedic and dramatic roles, showcasing a depth beyond his teen idol persona. These television appearances further solidified his status as a well-rounded entertainer.

After a 25-year absence, Bobby performed in "The Teen Idol Tour" in 1998 along with artists Davy Jones (The Monkees) and Peter Noone (Herman’s Hermits). While his presence in the spotlight may have waned in recent years, his enduring appeal remains.

Bobby Sherman scored so many hits during the late 60s and early 70s, including "Easy Come, Easy Go”, "Julie, Do Ya Love Me" and "La, La, La", all of which sold millions of copies and earned him gold discs. From 71 to 79, Bobby Sherman was married to his first wife. The couple had two sons, both of whom work in the entertainment industry today.

In the 90s, Bobby joined the Los Angeles Police Department as a technical Reserve Police Officer. He was later promoted to Captain in the Department and began serving in San Bernardino County Sheriff's Department in 1999, eventually retiring in 2010. It was during this time that Bobby met his new wife, Brigitte Poublon. Together, the couple founded the not-for-profit Brigitte & Bobby Sherman Children's Foundation.

No surprise that Bobby Sherman - all round good guy and much loved entertainer has had several awards bestowed on him for his humanitarian efforts.

Bobby Sherman joins us this week to share tales of his incredible journey.

If you'd like to learn more about him and his charitable foundation, head for https://www.bbscfoundation.org/

#bobby sherman #singer #actor #teen idol #pop #rock #nostalgia #entertainment #humanitarian

Helen O'Hara is a talented violinist best known for her contributions to British band Dexys Midnight Runners.

Born in London, Helens musical journey began at an early age. She exhibited a natural affinity for the violin, showcasing both technical prowess and a deep emotional connection to the instrument. Her early training and dedication to mastering the violin set the stage for her later success with Dexy's Midnight Runners.

She had met the charismatic Kevin Rowland in the late 70s and joined the band in the early 1980s, during a crucial period of the band's evolution. Her introduction added a distinctive and soulful dimension to the band's sound, creating a unique blend of rock, soul, and folk elements that set Dexy's apart in the music scene.

Dexys Midnight Runners, originally formed in 1978 in Birmingham, England, by Kevin Rowland, emerged as a prominent force in the New Wave and post-punk movements. The band was characterised by its eclectic musical style, combining elements of soul, pop, and Celtic folk, and was widely recognized for its energetic live performances.

The band achieved commercial success with their second album, "Too-Rye-Ay," released in 1982. This album featured some of Dexy's most iconic tracks, including the chart-topping hit "Come On Eileen." The distinctive sound of the album, marked by the prominent use of strings and horns, showcased the influence of Helen O'Hara's violin and contributed significantly to the band's success.

After the release of "Too-Rye-Ay," Dexys Midnight Runners underwent a significant transformation. In 1985, Kevin Rowland decided to disband Dexys Midnight Runners and subsequently reformed the group under the simplified name "Dexys." This change reflected Rowland's desire to move away from the Midnight Runners' image and to emphasize a new musical direction.

Under the moniker Dexys, the band continued to explore various musical genres and experiment with their sound. While the lineup underwent changes over the years, Helen O'Hara remained a key member, contributing her violin expertise to the evolving Dexy's sound.

Despite various challenges and lineup changes, Dexys (formerly Dexys Midnight Runners) continued to release music and tour, leaving an indelible mark on the music industry. The band's legacy endures not only for their chart-topping hits but also for their willingness to push musical boundaries and embrace diverse influences, with Helen O'Hara's violin playing a crucial role in shaping their distinctive sound.

The extremely talented and humble Helen O'Hara joins us today as our guest to unravel the story of Dexys, to tell us about her personal journey and to share details of her recently released memoir 'What's She Like.'

If you'd like to know more about Helen head for her website: https://www.helenohara-violin.com/biog

If you'd like to suggest a guest for a future episode send me a message through my website https:www.abreathoffreshair.com.au

John Kay and his band Steppenwolf were pivotal in shaping the rock music landscape of the late 1960s and early 1970s. Born in Germany in 1944 as Joachim Fritz Krauledat, John’s journey to becoming a rock icon was filled with challenges and perseverance.

John’s early life was marked by adversity. He faced hardships in post-war Germany and immigrated to Canada as a teenager. His passion for music bloomed in the vibrant musical scene of Toronto. In the mid-1960s, he formed The Sparrows, which eventually evolved into Steppenwolf.

The band's name, inspired by Hermann Hesse's novel 'Steppenwolf,' reflected their non-conformist ethos. In 1968, Steppenwolf released their self-titled debut album, featuring the iconic song 'Born to Be Wild.' This anthem not only defined the band's sound but also became a rallying cry for the emerging counterculture.

John’s gravelly vocals and the band's driving rhythms encapsulated the rebellious spirit of the era. 'Born to Be Wild' notably coined the phrase "heavy metal thunder," cementing its place in rock history and earning a spot in the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll.

Following their breakthrough, Steppenwolf continued to produce hits like 'Magic Carpet Ride' and 'The Pusher,' both of which showcased the band's musical versatility and social commentary. Their fusion of hard rock, blues, and psychedelic sounds appealed to a generation seeking liberation and self-expression.

Despite internal conflicts and line-up changes, John Kay remained the band's driving force. His introspective song-writing and distinctive voice contributed to Steppenwolf's enduring appeal. The band's albums, including 'Steppenwolf 7' and 'Monster,' further solidified their reputation as trailblazers in the rock genre.

John Kay is also known for his involvement in philanthropy through the Maue Kay Foundation, which he co-founded with his wife Jutta Maue-Kay. The foundation is dedicated to supporting various charitable causes, particularly those focused on wildlife conservation, environmental protection, and supporting the rights of animals. John, as a passionate advocate for wildlife and environmental causes, has channelled efforts and resources into initiatives that aim to protect endangered species, preserve habitats, and raise awareness about environmental issues.

Today, Steppenwolf’s iconic front man is still involved in various musical and philanthropic endeavours. He continues to perform, occasionally touring and playing live shows.

He rarely gives interviews anymore so I was particularly chuffed that he granted me some time to share his incredible story.

I hope you enjoy this special episode. If you'd like to know more about John Kay and Steppenwolf head for https://www.steppenwolf.com

If you'd like to request a guest - any artist from the 60s 70s or 80s that you would like to hear interviewed, please send me a message through my website https://www.abreathoffreshair.com.au

Chicago was one of the most successful bands of the rock era, racking up 21 Billboard Top Ten hits between 1970 and 1990. They were a band that placed equal (if not greater) emphasis on horns as guitar and picked up where Blood Sweat & Tears left off.

Chicago quickly learned how to channel their expansive sound into concise pop songs, scoring hits in the early 1970s with punchy tunes like "25 or 6 to 4" as well as producing sweet melodies like "Does Anybody Really Know What Time It Is?" and "Saturday in the Park." As the ‘70s went on, the band began to emphasise their softer side with bassist Peter Cetera singing mellow standards like "If You Leave Me Now," "Baby and "Hard to Say I'm Sorry."

The band kept the same sound after Cetera’s departure in the mid-1980s. They continued touring and producing albums despite the fact that hits dried up in the ‘90s. Despite this, Chicago remained a pop/rock institution, with original members keyboardist Robert Lamm, trumpeter Lee Loughnane and trombonist James Pankow.

Our guest today is Chicago co-founder Lee Loughnane who had been a music student at DePaul University with reed player Walter Parazaider and trombonist James Pankow. The three had moonlighted in St Louis’ clubs, playing everything from R&B to Irish music but it wasn’t long before organist and singer Robert Lamm was asked to join the band. The new group started playing around the Midwest and soon the sextet became a septet when Peter Cetera became the group’s third lead singer.

In 1968, they moved to Los Angeles and the album Chicago Transit Authority was released. The album reached the Top 20 and was certified gold. It went on to sell more than two million copies. The band shortened its name to Chicago and the second album in 1970 vaulted into the Top Ten even before its first single, "Make Me Smile," hit the Hot 100. It went on to reach the Top Ten, as did its successor, "25 or 6 to 4." The album quickly went gold and eventually platinum. "Does Anybody Really Know What Time It Is?" drawn from the group's first album, as its next single; it gave them their third consecutive Top Ten hit.

Chicago III came out in 1971, Chicago V in 1972 spending nine weeks at #1, spurred by its gold-selling Top Ten hit "Saturday in the Park.” The next Top Ten hit, "(I've Been) Searchin' So Long," was released in advance of Chicago VII while Chicago X  included the Grammy-winning number one single "If You Leave Me Now." Chicago XI in 1977 generated the Top Five hit "Baby, What a Big Surprise."

By 1984, the band released the biggest-selling album of its career, Chicago 17. It spawned two Top Five hits, "Hard Habit to Break" and "You're the Inspiration." At the turn of the '80s into the '90s, Chicago underwent two more personnel changes. In 1998, they released Chicago 25: The Christmas Album. The band was inducted into the Rock & Roll Hall of Fame in 2016.

Their documentary “Now More Than Ever: The History of Chicago" debuted in 2017. Chicago received a Grammy Lifetime Achievement Award in 2020 and their 38th album was released in 2022.

Our guest today is co-founder Lee Loughnane who discusses how and why after 56 years, 100 million in album sales and 21 top 10 singles, the Chicago band are still rolling.

If you'd like to know more about Chicago head for the band's website https://chicagotheband.com/

If you have suggestions for future guests or would like to get in touch with feedback or comments please email me through my website https://abreathoffreshair.com.au/

I hope you enjoy this week's episode.

Dr. Hook & the Medicine Show was an American rock band formed in New Jersey in 1968. They enjoyed huge commercial success in the 1970s with hit singles including "Sylvia's Mother", "The Cover of 'Rolling Stone'", "Only Sixteen" and "A Little Bit More." Dr. Hook and the Medicine Show owes much of their success to poet Shel Silverstein.

The band had 8 years of regular chart hits. Their music spanned several genres, mostly novelty songs and acoustic ballads in the early years but then with their later material that consisted of disco-influenced soft rock. The band was then known as Dr. Hook.

Founded by Southerners, George Cummings, Ray Sawyer and Billy Francis, Dennis Locorriere joined the band as vocalist.

The "Hook" in their name was inspired by Sawyer's eyepatch and a reference to Captain Hook of the Peter Pan fairy tale. Ray Sawyer had lost his right eye in a car crash in 1967, and thereafter always wore an eyepatch.

For a while the group found it difficult to crack the bigtime. Luckily, in 1970 a musical director on an upcoming movie heard their tapes. Cartoonist, poet/songwriter Shel Silverstein decided Dr. Hook was the ideal group for the soundtrack. That movie helped Dr. Hook secure their first recording contract.

Clive Davis signed the band and they went on to international success. Silverstein wrote all the songs for their 1972 debut album.

The single "Sylvia's Mother" flopped on first release, but eventually became the band's first million-seller. Silverstein continued to write songs for Dr. Hook, including their entire second album, Sloppy Seconds.The band's second single, Silverstein’s "The Cover of 'Rolling Stone'" (1972), was another million-selling disc, poking fun at the idea that a musician had "made it" if they had been pictured on the cover of Rolling Stone.

In the United Kingdom, the BBC Radio network refused to play "The Cover of 'Rolling Stone'", because it considered doing so would be advertising a trademark name, which was against the BBC's policy (previously, the Kinks had to change "Coca-Cola" to "Cherry Cola" in their song "Lola" to get around the rule).

Dr. Hook became just as famed for their crazed stage antics, which ranged from surreal banter to impersonating their own opening acts, but it was the group's nonchalance about business matters that led to bankruptcy. The group’s line-up changed a few times over the years.  And in 1975 the band shortened its name to Dr. Hook. They signed with Capitol Records in 1975 and released a reworked version of Sam Cooke's "Only Sixteen" which revitalised their career and charted in the top ten the following year.

When they released a song called "A Little Bit More" soon after, it charted at number 11 on the US Billboard Hot 100 and spent two weeks at number nine on the Cash Box Top 100. It also reached number two on the UK Singles Chart and became Dr. Hook's joint second-best UK chart placing, matching "Sylvia's Mother".

Follow-ups to "A Little Bit More" included "Sharing the Night Together", "When You're in Love with a Beautiful Woman", "Better Love Next Time", and "Sexy Eyes" which featured prominent female backup singers. Each single became a certified million-seller.

Ray Sawyer left the band in 1983 to pursue a solo career, while the band continued to tour successfully for another couple of years, ending with Dr. Hook's One and Only Farewell Tour in 1985, with Locorriere as the sole front man. Dennis retained ownership of the Dr. Hook name and continued to tour and release his own solo albums. Ray Sawyer did not perform publicly after his last tour in 2015. Sawyer died in 2018.

This week Dennis Locorriere is our special guest. During our chat he speaks openly and honestly about his career and his affection for Ray Sawyer as well as his admiration for Shel Silverstein, without whom he’d still be playing the New Jersey club scene.

For more information about Dennis Locorrierre https://www.dennislocorriere.com/

Canned Heat emerged in 1966 and was founded by blues historians and record collectors Alan “Blind Owl” Wilson and Bob “The Bear” Hite. Hite took the name “Canned Heat” from a 1928 recording by Tommy Johnson. They were joined by Henry “The Sunflower” Vestine, another ardent record collector who was a former member of Frank Zappa’s Mothers of Invention. Rounding out the band in 1967 were Larry “The Mole” Taylor on bass, an experienced session musician who had played with Jerry Lee Lewis and The Monkees and Adolfo “Fito” de la Parra on drums who had played in two of the biggest Latin American bands of the day.

The band attained three worldwide hits, “On The Road Again”, “Let’s Work Together” in 1970 and “Going Up The Country” in 1969: all of which became rock anthems.

They secured their niche in the pages of rock ‘n roll history with their performances at the 1967 Monterey Pop Festival (along with Jimi Hendrix, Janis Joplin and The Who) and the headlining slot at the original Woodstock Festival in 1969.

The band collaborated with John Mayall and Little Richard and later with blues icon, John Lee Hooker.

In September 1970, the band was shattered by the suicide of Alan Wilson. His death sparked reconstruction within the group and member changes have continued throughout the past five decades. In 1981, vocalist, Bob Hite collapsed and died of a heart attack and in 1997, Henry Vestine died in Paris, France following the final gig of a European tour.

In 2019, original bass player, Larry “The Mole” Taylor passed away with cancer.

Despite these untimely deaths, Canned Heat has somehow survived. They have played more festivals, biker gatherings and charity events than any other band in the world. They and/or their music have been featured on television and in films.

Now, more than fifty years later and with forty albums to their credit, Canned Heat is still going strong. They have been anchored throughout the past fifty-five years by the steady hand of drummer/band leader and historian, Adolfo “Fito” de la Parra.

Fito’s book, “LIVING THE BLUES” tells the complete and outrageous Canned Heat story of “Music, Drugs, Death, Sex and Survival” along with over 100 captivating pictures from their past and is available through the band’s merchandise page.

FIto de la Parra joins us this week to share tales of his incredible journey.

I hope you enjoy the story of Canned Heat.

If you have any comments, feedback or suggestions for future guests please don't hesitate to get in touch with me through my website https:www.abreathoffreshair.com.au

Rolling Stone Magazine caled Darlene Love “one of the greatest singers of all time” but perhaps Paul Shaffer says it even more concisely: “Darlene Love is Rock N’ Roll!” – which was made official when she was inducted into the Rock and Roll Hall of Fame by Bette Midler, a great fan of her work, in 2011.

She was one of Phil Spector's hand-picked early '60's girl group singers and sang some lead vocals for the Crystals, Bob B. Soxx and the Blue Jeans. After turbulent times with Spector, Darlene also had hits under her own name.

The oldest of five children born in LA, Darlene’s father was a minister and ran a church in Texas. Darlene began singing at his church to the delight of the congregation. While attending high school in San Antonio, Darlene began joining glee clubs and a group called the Wailers that sang at school assemblies.

In 1956 the family moved back to Los Angeles. Shortly after her sixteenth birthday Darlene began singing in the church choir. It was during a choir practice that her voice caught the attention of the choir director. One day a girl that Darlene knew from church, asked her to sing at her wedding. What she didn't know was that the wedding was also an audition: Delores' bridal party included her friends Gloria Jones, Fanita Barrett, and Annette and Nanette Williams, who had a singing group called the Blossoms. They were looking to replace Annette who was pregnant.

Darlene was asked to sing with the Blossoms. Her parents at first refused to let her, but after meeting the Blossoms they relented. She started singing with The Blossoms in 1958. They recorded as a quartet and then a trio. They also did backup singing supporting Bobby "Boris" Pickett ("Monster Mash"), James Darren ("Goodbye Cruel World), Bobby Day ("Rockin' Robin") and many others.

Love was brought to Phil Spector's attention when he was looking for a lead singer for "He's a Rebel." which was to be released under the Crystal's name. When Darlene was asked if she knew about this she said "So What? The man just paid me triple scale."  She figured that it was a cute song, but it was probably going nowhere.

Love went on to record six Philles singles under her own name, including "Wait Til My Bobby Gets Home","(Today I Met) The Boy I'm Going To Marry", " and "A Fine Fine Bo”). She also appeared on Spector's Christmas Album. Love continued to sing with the Blossoms through the 60s. They were regulars on Shindig and toured with Elvis Presley in the early 70s. Love sang back-up for Dionne Warwick for ten years beginning in 1971 and later backing Aretha Franklin.

In the ‘80s Darlene branched out into acting appearing in the Lethal Weapon films and appearing in the Tony nominated 1985 the Broadway musical Leader of the Pack based on the songs of Ellie Greenwich. She also recorded two solo albums. 

In 1997 a jury awarded her in excess of $263,000 for back royalties from Phil Spector. She was inducted into the Rock and Roll Hall of Fame in 2011.

Today Darlene Love is back on the charts with a new version of her Christmas song thanks to her friend Cher.

This week she joins us to share the story of her incredible journey.

For more information about Darlene Love, head to her website https://darleneloveworld.com/ and pick yourself up a copy of her book 'My Name is Love' where Darlene shares many stories including the wild parties Tom Jones used to throw and her love affair with Bill Medley of The Righteous Brothers. It's the dishy and dramatic story of a woman who had it all, lost it all, but never, ever refused to give up.

If you'd like to request a guest or if you have any comments or feedback for me, please get in touch through my website https://www.abreathoffreshair.com.au

I know you're going to LOVE the story of Darlene Love this week.

Walter Trout is an American blues guitarist, singer and songwriter and probably the best performer I have ever seen play live.

Walter's backstory is a page-turner you won’t want to put down. Five decades in the making; it is equal parts thriller, romance, suspense and horror. There are musical fireworks, critical acclaim and fists-aloft triumph, offset by years in the wilderness and massive narcotic binges. He has been a gunslinger in bands from John Mayall’s Bluesbreakers to Canned Heat, and is now enjoying a solo career that’s taking him to new heights.

New Jersey born, Walter emerged as a luminary in the blues music landscape early on when his fascination with the guitar was sparked at a tender age. He showcased remarkable talent, performing in local bands before moving to Los Angeles in pursuit of a thriving music career.

Walter's breakthrough came when he joined the iconic blues-rock band Canned Heat in the '80s, propelling him into the limelight. Subsequently, his solo career skyrocketed, marked by the release of his debut album "Life in the Jungle" in 1990. Known for his fiery guitar solos and soul-stirring performances, Trout's discography boasts numerous chart-topping albums, including "Blues for the Modern Daze" and "Battle Scars," showcasing his prowess and deep connection with blues music.

Beyond musical success, Walter faced life-threatening health issues, culminating in a liver transplant. His triumphant return to music inspired fans worldwide, symbolising his resilience and unwavering spirit.

Throughout his journey, Walter Trout's influence on blues music remains profound. His electrifying live shows and dedication to preserving the essence of blues have solidified his legacy as a guitar virtuoso and a living legend. His enduring impact continues to inspire musicians and captivate audiences globally, and his story has to been heard to be believed.

Walter Trout joins us this week on A Breath of Fresh Air to share that story and some of his incredible music.

To learn more about Walter, head for his website https://www.waltertrout.com/

With comments, feedback or suggestions for future guests, send me a message through my website https://www.abreathoffreshair.com.au

I hope you enjoy Walter Trout's life story.

Joey Dee and the Starliters were a hot act in 1962 with the hit “Peppermint Twist.” — The Beatles opened for them and Dee helped out a young Jimi Hendrix.

Joey Dee with his group, The Starliters, helped launch the "Twist" craze in 1961 with their hit song "The Peppermint Twist". Joey is often billed as “The Godfather of The Twist.”

Joey Dee started out wanting to be a history teacher. Every cent he made as a teenage Bandleader went into his studies. But bookings for his band grew and Joey decided to make music his profession. In 1958 Joey recruited David Brigati for the band and the two began to share lead vocal honours for the Starliters.

 In 1960, the Starliters were noticed by an agent while performing at a New Jersey nightclub and they were booked to appear at a small venue on 45th Street in New York City called the Peppermint Lounge for what was supposed to be a one-time weekend gig. During their first appearance at the nightclub, actress Merle Oberon and Prince Serge Oblinski danced the night away together there and this was reported the next morning in the press. The following night, it took barricades and mounted police to keep the crowds in line. Celebrities like Judy Garland, John Wayne, Jackie Kennedy, Nat "King" Cole, Shirley MacLaine, Tennessee Williams, Truman Capote, and Liberace instantly became regular guests.

Joey and the guys (actor Joe Pesci and Jimi Hendrix were both band members for a while) were such a sensation that they became the house band for the Peppermint Lounge for over a year. Joey wrote "Peppermint Twist," as a tribute to the lounge and the song shot to #1 in early 1962.

Joey Dee and the Starliters filmed the movie Hey, Let's Twist which capitalised on the current twist craze and made the once-obscure Peppermint Lounge world famous.

In 1962, Joey Dee and the Starliters starred in their second film. The following year Joey Dee recorded an album with the Ronettes as his backup group. The Starliters toured Europe, performing one extraordinary night in Stockholm with The Beatles as their opening act. In 1964.

Joey Dee toured with various Starliters, including future Young Rascals Gene Cornish, Felix Cavaliere, and David's brother, Eddie Brigati.

Joey Dee continued to record and issue solo recordings from the mid-1960s to the mid-1970s. Today Joey Dee and the Starliters consists of Joey sometimes performing with Bob Valli (brother of Frankie Valli) and original Starliter David Brigati. Joey continues to travel and make personal appearances with various Starliters.

Joey Dee joins us this week to share his incredible story.

If you'd like to know more about Joey Dee, head for his website https://joeydee.com/ and grab yourself a copy of his book, Peppermint Twist Chronicles It's Joey's story of sex, rock and roll, Jimi Hendrix, Fighting Racism and The Mob. A tell all about the Beatles, the FBI, Joe Pesci and Dick Clark.

If you'd like to get in touch with me - comments, feedback or suggestions for future guests, please reach out through my website https://www.abreathoffreshair.com.au

I hope you enjoy Joey Dee's story.

One of Australia’s longest surviving vocal groups, the Delltones were formed in 1959. Comprising Ian ‘Pee Wee’ Wilson, Noel Widerberg, Brian Perkins and Warren Lucas.

The band performed at dances, as part of backing bands for artists such as Johnny O’Keefe. Occasionally performing a cappella covers of songs they heard on the radio, the band was influenced by 50s doo-wop vocal groups. The accidental death of Noel Widerberg, in 1962, did not deter the group from continuing.

With replacement Col Loughlan, they proceeded to tour and record, with singles such as ‘You’re The Limit’, ‘Get A Little Dirt On Your Hands’, ‘Come A Little Bit Closer’ and ‘Hangin’ Five’, all reaching the Top 5 in Australia. Later, the band took responsibility for the instrumental side of their act, and when beat music became popular, they turned to the clubs and pubs where they appeared regularly.

The band went to the UK in the late 60s, where they performed on the club circuit and recorded an album. They returned to Australia to find that they no longer had an audience, and disbanded in 1971.

They re-formed in 1981 with only one original member; the band toured often and recorded several albums, but hit singles have eluded them. They finally disbanded in 2016.

Our guest today is founder Ian "Pee Wee" Wilson. Pee Wee shares a lifetime of stories and amazing music.

To learn more about The Delltones head for their website: https://www.delltones.com/

If you have feedback, comments or suggestions for future guests on A Breath of Fresh Air feel free to contact me through my website https://www.abreathoffreshair.com.au

Status Quo are one of Britain's longest-running bands, staying together for over six decades. During much of that time, the group was only successful in the U.K., where they racked up a string of Top Ten singles over the decades. In America, the Quo were ignored after they abandoned psychedelia for heavy boogie rock in the early '70s. Before that, the band managed to reach number 12 in the U.S. with the psychedelic classic "Pictures of Matchstick Men"

Following that single, the group suffered a lean period for the next few years before the band members decided to refashion themselves as a hard rock boogie band in 1970. The Quo have basically recycled the same simple boogie on each successive album and single, yet their popularity has never waned. If anything, their very predictability ensured the group a large following.

The guys started out as The Spectres with Francis Rossi (vocals, guitar) Alan Lancaster (bass) drummer John Coghlan and organist Roy Lynes. The group added Rick Parfitt (guitar, vocals) and changed its name to Status Quo.

Throughout the '70s, each album Status Quo released went into the Top Five, while their singles -- including the number one "Down Down" (1974), "Roll Over Lay Down" (1975), "Rain" (1976), "Wild Side of Life" (1976), and a cover of John Fogerty’s "Rockin' All Over the World" (1977) - consistently hit the Top Ten. Since they were experiencing a great deal of success, they didn't change their sound at all, they just kept churning out the same heavy boogie.

John Coghlan left Status Quo in 1981 – during rehearsals for the band’s 20th Anniversary album in Switzerland. Tensions had developed and John left to form his own band. By 1983 his own band featured a selection of respected musicians, comprising; guitarist Ray Majors (ex-Mott and British Lions), bass player Ian Ellis (ex-Savoy Brown and Steamhammer), and keyboard player Jeff Banister.

That same year John Coghlan teamed up with a trio of other well-known musicians called the Rockers. The four man line up boasted John on drums, Phil Lynott (Thin Lizzy’s frontman) on bass, guitar and vocals, Chas Hodges (from Chas ‘n’ Dave) on keyboards and Roy Wood (ex Wizzard, ELO and The Move) on guitar and vocals.

Coghlan continued to tour regularly playing with various musicians. He began working with Alan Lancaster in Australia who was putting together a band with Australian guitarist John Brewster, called the Bombers. John worked with The Bombers for a year but returned to the UK in 1990.

John Coghlan started working with his own band, John Coghlan’s Quo, during the late 1990s. By that time, Status Quo had scored 50 British hit singles, which was more than any other band in rock & roll history at the time.

This week John Coghlan joins us to explain what those heady days were like, why he left the band in 1981and what life holds for him today.

If you'd like to learn more about John Coghlan follow these links: http://www.johncoghlan.com/ and check out his new book SPUD https://www.amazon.co.uk/Coghlan-Quo-Steven-Myatt/dp/1899750479

To check out what Status Quo are doing these days head for https://www.statusquo.co.uk/

If you have any feedback, comments or suggestions for future guests on this show, please contact me https://abreathoffreshair.com.au/

Few singer/songwriters are as individual and eclectic as Rickie Lee Jones, a vocalist and composer who’s able to weave jazz, folk, and R&B into songs for decades.

Rickie Lee’s greatest commercial success came at the outset of her career with ‘Chuck E’s in Love’, but a restless creative spirit and a stubborn refusal to be pigeon holed into any one musical niche, ensured her on-going status as a cult hero. Her second LP, 1981's Pirates added rock and soul flavours. Others followed.

As the '90s gave way to the 2000s, Rickie Lee continued to explore new directions, experimenting with trip-hop on 1997's Ghostyhead, a personal take on faith with 2007's The Sermon on Exposition Boulevard, and taking an introspective look into her own life on 2009's Balm in Gilead. 

Assuming full control of her music when she founded her own label to release 2015's The Other Side of Desire and 2019’s Kicks, her latest offering is Pieces of Treasure. It’s an incredible album that sees her paying tribute to the Golden Age of American Song writing with jazzy accents. 

In this episode, Rickie Lee Jones tells us how she endured a stormy childhood that saw her moved around from state to state. Eventually as a teenager she fled to seek refuge in Los Angeles in the mid-'70s. There she slept on people's couches, worked a series of waitressing jobs and occasionally performing in area clubs.  

She found a measure of success when Lowell George, the ex Little Feat frontman decided to record her song ‘Easy Money’. After that, fortune seemed to smile on her as she enlisted Russ Titleman to co-produce her self-titled 1979 debut LP which featured the hit 'Chuck E's in Love'. Have you ever wondered who Chuck E is? I have and she explains all.

With that album, Rickie Lee Jones became an overnight smash sensation. Her life was changed forever and a confident, self-assured young trend-setting artist emerged, leaving behind the shy girl who'd always resided in her cocoon.

Rickie Lee Jones joins me this week to tell her story and share some of her thoughts around her musical journey.

If you'd like to know more about her, head for her website https://rickieleejones.com/ and make sure you take a listen to her latest album. It's Rickie Lee Jones at her very best.

Any comments, feedback or suggestions for future guests? Simply send me a message through my website https://abreathoffreshair.com.au/

I hope you enjoy Rickie Lee Jones' story.

Marty Wilde (born Reginald Leonard Smith) is an English singer and songwriter who was among the first generation of British pop stars to imitate American rock'n'roll.

He began performing under the name Reg Patterson until he was spotted by impresario Larry Parnes who subsequently changed his name to Wilde.

From mid 1958 to the end of 1959, Marty was one of the leading British rock singers, along with Tommy Steele and Cliff Richard. His backing group, the Wildcats featured Big Jim Sullivan on lead guitar, and Brian Locking and Brian Bennett (drums) who later joined The Shadows.

Marty appeared regularly on TV and his fan base grew exponentially. He met and married Joyce who was one of The Vernons Girls who also appeared as TV show regulars. The courtship was highly public but, after the marriage, Wilde's popularity as a teen idol declined.

Marty moved partly into all-round entertainment, appearing in musicals such as the West End production of Bye Bye Birdie and films.

He enjoyed success as a songwriter in the late 1960s and early 1970s. He has written countless songs for other recording artists including Tom Jones, Status Quo, Lulu, Adam Faith, Joe Brown, The Casuals, Mac & Katie Kissoon, Kim Wilde, Roxanne Wilde, Peter Shelley, Hot Chocolate and Capricorn

In the early 1970s, Marty reinvented himself, changing his music style to Glam Rock and became known as 'Zappo'. The singles he released under this name never charted and he reverted back to Marty Wilde shortly after.

Later on, as songwriter and/or record producer, he masterminded a string of 1980s hits for his daughter Kim Wilde. His son, Ricki Wilde also gained some notice in the music industry, working mainly in promotion and A&R.

Today Marty Wilde is 84 years old. Like many of his contemporaries, he continues to perform with nostalgia tours in the UK and beyond and is just as passionate about making music as he ever was.

He was appointed MBE for Services to Popular Music in the UK 2017 New Year’s Honours List and celebrates a rare feat – securing eight consecutive decades of British singer/songwriter success on the Official Singles and Albums Charts

Marty joins us this week to look back over his career and regales us with many 'behind the scenes' stories.

If you'd like to learn more about Marty Wilde and songs like "Endless Sleep" "Donna" and "A Teenager in Love" head for his website here

I hope you enjoy Marty Wilde's lifestory.

Over the past several decades you would have heard Louie Shelton's riffs and solos on many hits by artists such as;

THE MONKEES Last Train To Clarksville, THE JACKSON FIVE: I Want You Back, LIONEL RICHIE; Hello, THE CARPENTERS; We’ve Only Just Begun & Close To You, NEIL DIAMOND; Cracklin’ Rose, Play Me and I Am I Said, BOZ SCAGGS; Low Down plus albums with BARBRA STREISAND, JOE COCKER, THE MAMAS & PAPAS, MARVIN GAYE, JOHN LENNON, DIANA ROSS and many others.

For the past 50 years Louie has played on more hit records than any other guitarist in history.

He was also a member of the famous WRECKING CREW; a group of studio musicians who played on most of the hits from the early sixty’s, seventy’s and eighty’s.

He accompanied good friend Glen Campbell for two years on his hit TV show the Glen Campbell Good-Time Hour while at the same time was lead guitar player on other TV shows such as the Partridge Family, the Monkees and all their records.

As a producer Louie produced the many hits of SEALS & CROFTS such as Summer Breeze and Diamond Girl. He also produced the Art Garfunkel albums and many other artists.

Today, Louie and his family have taken up residency in Australia, on the sunny Gold Coast in Queensland, where he and his wife, Donnie, share their passion for golf and life in general.

He is still going strong musically. He has a recording studio in his home and has worked with some of Australia’s most successful rock bands including Noiseworks. Over the years Louie has continued to produce several bands, including Southern Sons, Mother Hubbard, The Wolverines and Bleu Tongue, and has been involved with such artists as Tommy Emanuel, Rick Price and Human Nature.

Louie Shelton does not intend to slow down any time soon. He joins us this week to share his incredible story.

For more information about Louie head for his website https://louieshelton.com/

To get in touch with me with comments, feedback or suggestions for future guests, send me a message through my website https://www.abreathoffreshair.com.au

I hope you enjoy getting to know Louie Shelton.

In 1969, Mark Farner, along with Don Brewer (drums and vocals) and Mel Schacher (bass), formed the band Grand Funk Railroad. 

They quickly gained recognition for their energetic, bluesy rock sound. 

The band's name was a play on words, inspired by the Grand Trunk Western Railroad that ran through their hometown of Flint, Michigan. 

Grand Funk Railroad achieved massive success in the early 1970s. Their music was characterized by a blend of rock, funk, and blues. 

The band released a series of hit albums, including "On Time" (1969), "Grand Funk" (1970), "Closer to Home" (1970), and "E Pluribus Funk" (1971). These albums produced chart-topping singles such as "We're an American Band" and "Some Kind of Wonderful.” 

Known for their high-energy live performances, Grand Funk Railroad played to large crowds and set attendance records, including a legendary performance at the Shea Stadium in New York City. 

Their music resonated with the counterculture of the time and made them one of the most popular and commercially successful rock bands of the era. 

In 1972, Mark Farner left Grand Funk Railroad due to creative and contractual disputes. 

He embarked on a solo career, releasing albums like "Mark Farner" (1977) and "No Frills" (1978). He continued to tour and record as a solo artist while Grand Funk Railroad continued with a modified lineup. 

Grand Funk Railroad reunited in various lineups over the years, with Mark Farner rejoining the band for several reunions. 

Their music continued to be celebrated, and they received numerous accolades and honours for their contributions to rock music. 

Farner's guitar work and powerful vocals remained iconic in the world of rock. Some 50 years later something magical still happens when Farner takes the stage.  His voice is still strong and on key, his guitar playing still slick and lighting quick, and his trademark prancing still commands the stage and mesmerizes his audiences around the world.

“I love playing live where I can connect with people of all backgrounds,” he said. “ It’s all about the fans…and all about love.”

Mark is also known for his philanthropic work and his strong Christian faith, which has been a central part of his life. 

This week MARK FARNER joins us to share his story and incredible music.

To learn more about Mark head for his website https://markfarner.com/

To connect with me with feedback or a request for a future guest on the show, send me a message through my website https://abreathoffreshair.com.au/

I hope you enjoy Mark Farner's story.

New York born, Rock and Roll Hall of Famer, guitarist /singer- songwriter Ricky Byrd (inducted in 2015 with Joan Jett and The Blackhearts), has had a career in music, spanning more than 40 years. He spent over a decade as a member of Joan Jett and the Blackhearts where he contributed music and background vocals to two platinum albums, I Love Rock 'n Roll and Up Your Alley, the gold certified Album, and four others for the band.

Although best known for his time spent with The Blackhearts, Ricky has also recorded and played with Roger Daltrey, and toured with Ian Hunter and Southside Johnny. He has shared the stage with music royalty including Paul McCartney, Ringo, Alice Cooper, Bruce Springsteen, Steven Van Zandt, Joe Walsh, Mavis Staples, Dion, Brian Wilson, Smokey Robinson, Jimmy Page, Graham Nash, and Elvis Costello…to name just a few.

While the lead guitarist is grateful for all his many musical achievements, Ricky often says one of his greatest gifts came about in 1987 when he started his journey in recovery. He’s been clean and sober ever since, doing whatever he can to help others recover. It’s his passion and what he’s most proud of.

Ricky began combining music with recovery in 2012, when he co-wrote a song with his friend, Richie Supa. The two wound up writing what is now considered a recovery classic “Broken Is A Place.” He wrote a second song, and then a third, and he didn’t stop until the seeds of his 2017 Clean Getaway album were planted.

Today, when he's not performing shows, he visits treatment facilities with his guitar and performs for residents. He also does a great deal of public speaking to help as many people suffering from drug and alcohol addiction as he can.

 Ricky has a new single out now – "Louanne" his first in many years that is unrelated to recovery .

Ricky says, “My last 2 records “Clean Getaway” and “Sobering Times” had lyrics that spoke to the issues of addiction and recovery. With this new batch of tunes that I’m releasing as singles, I was consciously staying away from that subject matter. 'Louanne' started with the riff and chords, as do most of the songs I write. Then I start to mumble words and fool with a melody. As I was going through the usual process I blurted out “Louanne.. if anybody 
could you can.” Then came the line“Why don’t you go on and get yourself right .. Louanne.” I knew at that point where I was headed! So I guess you can say lyrically Louanne is a song of 
encouragement for someone struggling with something, and the music is being driven by a nasty RnR riff.”

Ricky Byrd joins us this week as our special guest to share his amazing story.

Jamaican Reggae legend JIMMY CLIFF was born in 1948 as James Chambers and proved to be an accomplished performer at an early age.

At 14 he moved to Kingston and took the surname Cliff as a proclamation of the heights he imagined he would reach. In Kingston, Jimmy released the 1962 hit, Hurricane Hattie and numerous other recordings throughout the rest of the 1960s.

Jimmy Cliff moved to the UK in the late 60s and was bitterly disappointed with the racism he encountered there.

His song, Waterfall, won the Brazilian International Song Festival in 67 and in 68. He followed up Waterfall with the release of the protest song, Vietnam. In 1970, he enjoyed new success with his cover of the Cat Stevens song, Wild World.

Jimmy returned to Jamaica and left Island Records as they increasingly focused their attention on his protege, Bob Marley. It was at this time that Jimmy Cliff adopted the Muslim faith and the name, Na’im Bashir.

In 1972, Cliff starred in the film, The Harder They Come. The film and its soundtrack, comprised mainly of songs he wrote. Their instant popularity, along with his album Follow My Mind propelled Jimmy Cliff into stardom. For years he continued to release albums that were innovative and his songs always carried powerful messages.

His 1985 album Cliff Hanger won a Grammy Award and his cover of I Can See Clearly Now for the soundtrack to the film, Cool Runnings reached the Top 20 chart in the United States in 1993. Cliff continued his acting career in the films Club Paradise and Marked for Death.

In this week's episode, Jimmy Cliff discusses his journey as a musician and actor, sharing stories about his popular songs and the impact they had on people's lives. He talks about the inspiration behind his hit songs and how they motivated others to pursue their dreams. Cliff also reflects on his experience acting.

He discusses his relationship with Bob Marley and his role in discovering and promoting other talented artists including Desmond Decker.

He also tells us about his latest album 'Refugees' which addresses one of his most personal causes.

Jimmy Cliff's success in the music industry, in his words, has been driven by his confidence in himself and his ability to follow his own path. He is absolutely inspirational to chat with. I'm sure you will find him a delight to listen to.

- "You can get it if you really want." - Jimmy Cliff

To learn more about Jimmy Cliff head to his website https://www.jimmycliff.com/

Jimmy Cliff continues to record music and tour the world.

Drummer SIMON KIRKE kept the beat for two of the '70s most popular bluesy hard rockers: Free and Bad Company.

Born in London, Simon developed an interest in music at a young age and joined a local band called the Maniacs to play drums and sing. He negotiated a deal with his parents after graduating high school, that if he couldn't make it as a drummer in a band within a two-year period, he would then start a college career. Just a few months before the self-imposed deadline, Kirke landed a gig with a group called the Black Cat Bones. He befriended the group's guitarist, Paul Kossoff, who convinced him to start a new band with singer Paul Rodgers and ex-John Mayall's Bluesbreakers bassist Andy Fraser.

This band became Free in 1968. The group would prove to be successful particularly on the strength of their classic 1970 release Fire and Water, and its anthemic hit single "All Right Now." However drugs and infighting began to dessimate the members' relationship and they broke up in 1973. Paul Kossoff passed away just three years later.

From the ashes of Free rose Bad Company. Simon and Paul Rodgers were joined by ex-King Crimson bassist Boz Burrell and ex-Mott the Hoople guitarist Mick Ralphs. The band became one of the first groups signed to Led Zeppelin's record label, Swan Song and their debut album, 1974's Bad Company, went on to become one of hard rock's all-time classics. Bad Company enjoyed several years of huge success before splitting up in 1982 (the group did reunite later in the decade without Rodgers, and again in the '90s when Rodgers rejoined). Simon Kirke has always been super busy. As well as his work with Bad Company, he guested on a long list of recordings by other artists including albums by Wilson Pickett, Jim Capaldi, Ringo Starr and Ron Wood, among countless others.He was often drumming live on tour with acts like Chuck Berry, Ray Charles, Bo Diddley, Jerry Lee Lewis, Eric Clapton, Keith Richards and Ringo Starr & His All-Star Band.

In 2003, Simon went out on his very first solo tour and released his debut solo album. Since then there have been more solo albums, the latest of which is 2017's All Because of You.

Simon shares his incredible stories of success as well as his multiple personal and professional challenges with us this week.

For more information on Simon Kirke head to his website https://www.officialsimonkirke.com/

To get in touch with me with feedback, comments or suggestions for future guests - please contact me through the website https://www.abreathofrreshair.com.au

Formed as a jazz ensemble in the mid-'60s, Kool & the Gang became one of the most inspired and influential funk units during the '70s, and one of the most popular R&B groups of the '80s after their breakout hit "Celebration." Just as funky as James Brown or Parliament (and sampled almost as frequently), Kool & the Gang relied on their jazz backgrounds and long friendship to form a tightly knit group.

 Their 21 Top 40 hits display a huge range, from the tough funk of "Jungle Boogie," to the smooth instrumental soul of "Summer Madness," to the lively pop of "Joanna." They hit the Top Ten of the R&B chart with several albums that include the gold Wild and Peaceful in 1973, the all platinum Ladies' Night in 79, Celebrate in 80, Something Special in 81 and Emergency in 84.  

Since the '90s, Kool & The Gang have focused most on touring, but they've released several original albums during this time too - the latest of which is People Just Wanna Have Fun in 2023.

Our guest today is ROBERT 'KOOL' BELL who with his brother Ronald, founded the group. The boys grew up in Jersey City and picked up the music bug from their father, who was a professional boxer. The duo formed the Jazziacs in 1964 with several neighbourhood friends: they soon renamed themselves the Soul Town Band and began playing clubs in Greenwich Village.

After a mix-up with a club owner resulted in the group being billed Kool & the Flames, (and in order to not offend James Brown) they changed their name to Kool & the Gang and quickly became a success on the R&B charts.

It was with their 6th album, Wild and Peaceful that Kool & the Gang hit the big time. "Funky Stuff" became their first Top 40 hit at the end of 1973. Then both "Jungle Boogie" and "Hollywood Swinging" reached the Top Ten. Over the next four years, Kool & the Gang delivered a Grammy-nominated recording and scored several Top 40 hits. Their hit "Open Sesame appeared on the Grammy-winning film soundtrack Saturday Night Fever.  However, after this, the rise of disco stalled their popularity.

In 1979, the group added two new vocalists, Earl Toon Jr and former Jersey nightclub singer James J.T Taylor. Kool & the Gang also began working with Brazilian jazz fusion arranger/producer Eumir Deodato who produced them from 1979 to 1982. Their first album together, Ladies Night  was their biggest hit yet, the first of three consecutive platinum albums, with the Top Ten singles "Too Hot" and the title track. Celebrate was released in 1979 and spawned Kool & the Gang's only number one hit, "Celebration," an anthem favoured by thousands at ball games, wedding receptions and even astronauts in space.

The group produced several more hits, including the single "Get Down on It." Between 1983 and 1985, the band had a pair of number two hits with "Joanna" and "Cherish.”

Kool & The Gang remained a going concern throughout the 2000s, teaming up with many younger artists. Fellow co-founders Ronald Bell and Dennis D.T Thomas both passed away in 2020 and 2021, respectively. The album "Perfect Union" was completed with both musicians and was released during the latter year. It was promoted with extensive touring, including performances in 2022 with the German Philharmonic Orchestra.

Just ahead of their 60thanniversary, Kool & the Gang quickly returned in 2023 with the album "People Just Wanna Have Fun" led by the single "Let's Party."

Kool & The Gang remain the most sampled group in the world. Their longevity is a testament to their talents and Robert ‘Kool’ Bell fills us in on all the ins and outs of their journey this week.

For more information about Kool & The Gang head for their website https://www.koolandthegang.com/

Please feel free to send me your comments, feedback or any suggestions for future interviews you'd like to hear. You can reach me through the website https://abreathoffreshair.com.au/

I hope you enjoy this episode.

English singer-songwriter, NIK KERSHAW was a 1980s teen idol; he spent 62 weeks on the UK Singles Chart in 1984-5 and beat every other solo artist at the time. He appeared at Live Aid in 1985, and penned a number of hits for other artists, including a UK number one single in 1991 for Chesney Hawkes "The One and Only”.

Nik played guitar and sang in a number of underground bands from 76 before deciding on a career as a songwriter. However, he ended up performing his own songs rather than giving them to others, and signed a record deal in 1983, which spawned a debut single, "I Won't Let The Sun Go Down On Me", which just missed out on the UK Top 40. At the beginning of 1984, he made his breakthrough when "Wouldn't It Be Good", which reached Number 4 in the UK charts. He enjoyed three more Top 20 hits from debut album Human Racing, including the title track and a successful re-issue of his debut single, which ultimately proved his biggest hit as a performer when it got to Number 2 in the UK.

Nik won multiple awards and attracted admirers for his writing such as Elton John & Eric Clapton. He also gained a huge teenage fanbase; a phenomenon Nik says was extremely difficult to manage.

When he released the single "The Riddle", fans and journalists were sent into overdrive, as everyone tried to figure out what the meaning was behind the strange set of circumstances and clues which Nik had put in the verses and chorus. (It later turned out that it was all hastily created nonsense). 

In 1985 Nik was among a huge lineup of performers at Live Aid at Wembley Stadium. He tells us that performing there was one of the scariest days of his life. 

Soon after, Nik retired from recording music in favour of his original career path as a songwriter. His prowess as a songwriter served him well in 1991 when his song The One And Only, appeared on the soundtrack to the Brittish movie Buddy's Song and in the American film "Doc Hollywood", and provided a UK Number 1 single for the star of the film, Chesney Hawkes (son of the Tremeloes' Chip Hawkes). In 1993 The Hollies had a minor hit with another of his songs, The Woman I Love.

1999 saw the release of the Britpop-styled 15 Minutes; later on a collection of acoustic-led songs and 'EI8HT', a commercial MOR pop album. Nik released Oxymoron, in 2020 and is currently in the process of releasing a series of EPs, Songs from a Shelf. 

Nik Kershaw joins me this week as our special guest. As always it's a warm, friendly chat during which surprising things often come up.

For more information visit Nik Kershaw's official site at http://www.nikkershaw.net

Always happy to hear your comments and feedback too!

I hope you enjoy this episode with Nik Kershaw!

Soft rock singer/songwriter, guitarist, pianist and producer KENNY LOGGINS had a consistent string of hits in the '70s, '80s and '90s. After playing in several bands in the late '60s and honing his songwriting chops as a staff songwriter, Kenny rose to prominence with Loggins & Messina, a duo with fellow singer/songwriter Jim Messina. The two were together from 72 to 76, and released a string of successful albums.

Kenny's first solo album was released in '77, and included the hit "I Believe in Love." He enjoyed even more success in the '80s, scoring hits with songs cut for movie soundtracks like "I'm Alright" (Caddyshack), "Footloose" (Footloose, and "Danger Zone" (Top Gun). Throughout the '90s and 2000s, Kenny continued to produce albums, and in the 2000s he also reunited with Jim Messina for a tour.

He was born in 1948, and the family moved to California when he was in his teens. Kenny initially turned to music as a way of compensating for his extreme shyness, and in the process discovered that he was a talented guitarist and had a voice. At the end of the decade, Kenny joined a band called Gator Creek and they were signed to a label. The group recorded one self-titled album, which was issued in 1970 and included an early version of "Danny's Song," a track he recorded again as part of Loggins & Messina.

Kenny Loggins was proficient on the guitar and piano, but it was his songwriting that enabled him to make his first lasting impression on the music industry. He took a job as a staff writer for Wingate Music, for $96 per week, and later that year, four of his songs ended up on a Nitty Gritty Dirt Band album. That album included the band's biggest hit, "Mr. Bojangles."

Next came "House at Pooh Corner." Kenny's success brought him to the attention of former Poco member Jim Messina. Jim thought he'd produce Kenny's debut album, but he also ended up playing and singing on the record, and it worked out so well that the two ended up in a duo. Loggins and Messina were among the most popular folk-based soft rock acts of the first half of the '70s, and enjoyed a four-year string of successful albums.

The pair broke up in 1976, and Kenny retained a strong following in the years immediately after. He went on to solo stardom with million-selling albums and he kept writing hit after hit after hit in the cheerful, sensitive style he had developed. Kenny Loggins also became known as the king of the movie soundtrack song, scoring Top Ten hits with "I'm Alright" (from Caddyshack), "Footloose" (from Footloose), "Danger Zone" (from Top Gun), and "Nobody's Fool" (from Caddyshack 2). In 1994, he issued a children's album, Return to Pooh Corner and released its sequel in early 2000. Kenny reunited with Jim Messina in 2005 for a successful tour, album, and concert video, and in 2007 he released his first new solo album in four years. It was followed by another children's album in 2009.

Kenny Loggins joins us this week to share the increible highs and lows of his musical journey. He also tells us about playing pickleball, venturing out on his e-bike with his new wife and his on-going search for the world's ( or at least Los Angeles') best donut. He also fills us in with details about his new book "Still Alright." You can pick up a copy from all good bookstores and online.

I hope you enjoy our chat. If you'd like to know more about Kenny please jump onto his website https://kennyloggins.com/

In the heart of the ‘Swinging Sixties’, a British rock band called Savoy Brown was born and almost immediately began to make a profound impact with their pioneering blues-rock sound. Energetic Blues has always been Savoy Brown’s calling card. 

 In fact, Blues Rock became the catch-all phrase in the late 1960s to describe the band’s music along with that of contemporaries including Cream, Fleetwood Mac, and Jimi Hendrix. 

 Even though the band was plagued with a constantly changing line-up, the group’s guiding hand from the outset in 1966 was held by its founder, the late Kim Simmonds. 

Unfortunately, Savoy Brown never reached the same level of commercial success as their contemporaries but despite this, they were a huge influence on the blues-rock genre, which led to their long-standing legacy in the industry. 

The band’s discography is a testament to their enduring influence. Albums like "Shake Down," "Blue Matter," and "Street Corner Talking" showcased the band's exceptional song writing and instrumentals. Through the 60s, 70s and 80’s songs such as “I’m Tired”, “Train to Nowhere”, “Tell Mama” and “Lay Back In The Arms Of Someone” became Hot 100 entries. 

Savoy Brown has always toured relentlessly, making it one of the longest running blues rock bands in existence.

They also provided other groups opportunity. Kiss opened the bill on a Savoy Brown national tour as did ZZ Top, The Doobie Brothers and many, many more acts. Former members, having cut their teeth under Simmonds’ leadership, have gone on to complete their careers with other bands. Among others, these include singer Dave Walker with Fleetwood Mac and Black Sabbath, Bill Bruford with King Crimson and Andy Pyle with the Kinks.

Savoy Brown helped spawn the 1968 UK Blues Rock boom and later opened the eyes of many 1970s American teenagers to their own home territory blues artists.

Today, more than 50 years later, Savoy Brown remains a formidable, progressive Blues Rock force. 

As the band continues today without its leader, Kim Simmonds, who passed away late last year, it is led by my special guests – bassist PAT DESALVO and drummer GARNET GRIMM. Both have been in the line-up for more than 10 years. 

I hope you enjoy the amazing story that is SAVOY BROWN’s musical journey.

To learn more about the band head to their website https://savoybrown.com/biography

Don't hesitate to get in touch with me if you'd like to comment, provide feedback or suggest a future guest for the show. You can reach me through my website https://abreathoffreshair.com.au/

Steve Katz and Blood, Sweat & Tears (BS&T) are synonymous with the golden era of American rock and jazz fusion. This iconic band, known for its genre-blending music, was founded by Steve Katz and went on to achieve massive success in the late 1960s and early 1970s. In this episode, we explore the fascinating story of Steve Katz and his pivotal role in shaping BS&T's ground-breaking sound.

Steve Katz was born in New York City and displayed a passion for music from a young age. His journey in the music world gained momentum in the early ‘60s when he joined The Even Dozen Jug Band, a folk collective. Later, he co-founded the influential rock band The Blues Project. In 1967, Steve co-founded Blood, Sweat & Tears, a band that aimed to fuse rock, jazz, and R&B elements to create a unique musical experience. His vision set the stage for a new era in popular music. 

As a founding member, guitarist, and songwriter, Steve played a vital role in shaping BS&T’s signature sound. His guitar work blended seamlessly with the brass section, creating a dynamic and unforgettable blend of rock and jazz. Under his creative leadership, BS&T released their eponymous album in 1968, which became a massive success, reaching the top of the charts. The album's hits like "You've Made Me So Very Happy" and "Spinning Wheel" showcased Katz's song-writing prowess and the band's ability to transcend traditional musical boundaries. Katz left BS&T in 1973 to concentrate on solo projects and collaborations with other artists including the late Lou Reed. He also delved into producing and engineering, contributing his expertise to various musical endeavours. BS&T's legacy remained strong, leading to reunion concerts and acknowledgments of their contributions. These reunions often highlighted Steve’s role in the band's success and his ongoing impact on the music world.

Steve Katz joins us this week to talk about his rock n roll life, his autobiography and the upcoming documentary ‘What the Hell Happened to Blood Sweat & Tears” that details the way the Nixon Government coerced and blackmailed the band to play for audiences behind the iron curtain.

It’s truly a fascinating story. I hope you enjoy it.

For more information about Steve Katz head for his website https://stevekatzmusic.wordpress.com/

If you'd like to contact me with feedback, comments or suggestions for future guests please feel free to reach out through my website https://abreathoffreshair.com.au/ I'd love to hear from you!

In the vibrant music scene of New Orleans during the 1960s, a group of exceptional musicians came together to form a band that would redefine funk music.

Bassist George Porter Jr. joined forces with Art Neville(keyboards), Joseph "Zigaboo" Modeliste (drums), and Leo Nocentelli (guitar) to create The Meters.

The name itself hinted at their precision and rhythm. The Meters introduced a distinctive sound that blended funk, R&B, soul, and New Orleans grooves. Their music was characterised by tight and infectious instrumental grooves that quickly caught the attention of music enthusiasts. Hits like "Cissy Strut" and "Sophisticated Cissy" showcased their innovative approach to rhythm and melody, laying the foundation for the future of funk music. Their albums "The Meters" (1969), "Look-Ka Py Py" (1969), and "Struttin'" (1970) propelled them to prominence. While their initial success was felt mainly in their hometown of New Orleans, their influence spread far beyond.

Despite not achieving mainstream commercial success, their impact on the music scene was undeniable. The Meters' music was more than just notes and beats; it was a source of inspiration for generations to come. Their rhythmic grooves became the foundation for hip-hop, with countless artists sampling their tracks. This influence solidified their legacy as pioneers of the funk genre. After the band's initial disbandment, George Porter Jr. pursued a solo career, showcasing his exceptional bass skills.

The Meters experienced various reunions over the years, with special performances and tours celebrating their musical legacy. Their enduring popularity spoke volumes about their lasting impact. In 2018, The Meters received the Grammy Lifetime Achievement Award, a testament to their significant contributions to music. Their induction into the Rock and Roll Hall of Fame in the same year immortalized their place in music history. George Porter Jr. and The Meters revolutionized funk music with their unparalleled instrumental prowess and innovative grooves.

Their journey from New Orleans to the global music stage left an indelible mark on the industry. Their legacy continues to live on through their timeless music and the artists they've inspired, solidifying their status as true legends of funk.

Please join me this week as George Porter Jr shares his experiences and musical life with the legendary Meters.

To learn more about George Porter Jr head to his website http://www.georgeporterjr.com/

To send me a message and to check out some of my back episodes go to my website https://abreathoffreshair.com.au/

Dave Warner is an iconic Australian musician, songwriter, and author. He gained popularity in the late 1970s with his band, Dave Warner from the Suburbs, and became known for his unique blend of punk and pub rock.

Hailing from Perth in Western Australia, Dave formed Australia’s first punk band PUS back in the early 1970s. By the time The Sex Pistols had formed, Dave had already moved on to a new phase of music and social commentary which he dubbed Suburban Rock. His band Dave Warner’s From The Suburbs was a major Australian pub band playing with the likes of Men At Work, Midnight Oil, INXS, Dragon and Skyhooks. His albums were highly original and successful, tapping into the psyche of the ordinary Aussie boy and girl.

Dave formed The Suburbs in 1977. The group developed a huge underground following, which led to Dave signing with Australia’s Mushroom Records in 1978. His first album, Mugs Game, went gold within a month of release. Dave’s second album, Free Kicks, was released in 1979.

Several albums later, Dave Warner retired from writing and performing music full-time, turning instead to writing plays, novels and screenplays.

Once nominated by Bob Dylan as his favourite Australian artist, Dave Warner continues to inspire.

He is the author of twelve novels, including the winner of the 1996 West Australian Premier’s Award for Fiction CITY OF LIGHT, and the 2016 Ned Kelly Award for Best Crime Fiction 'BEFORE IT BREAKS', and six other non-fiction titles.

Dave has written for feature film, stage, television, radio and newspapers. His first feature movie starred Kylie Minogue and Molly Ringwald was sold worldwide.  

Dave’s television credits include the INXS telemovie plus regular episodes of mainstream Australian primetime dramas.

This week on A Breath of Fresh Air, Dave Warner discusses his music career and the challenges of being pigeonholed into a specific genre. He shares his desire to create truly original music and his inspiration taken from figures like rocker, Lou Reed and American author, Thomas Pynchon.

If you'd like to learn more about Dave Warner check out his website: https://davewarner.com.au/

You can also head to my website for more information about Dave.

Don't forget if you'd like to request a future guest for A Breath of Fresh Air, just drop me a line through my website https://abreathoffreshair.com.au/

I hope you enjoy this episode.

This week we delve into the life and experiences of singer CANDI STATON, as she discusses her tumultous journey in the music industry, her battles with breast cancer, and the impact of her hit songs.

From overcoming addiction and abusive relationships to finding success in the disco era, Candi Staton's story is one of resilience, determination, and the power of music.

The 83-year-old exemplifies versatility and resilience. She has managed to cross multiple genres and adapt to changing times, all while staying true to herself and staunchly refusing to imitate others. She’s faced many challenges but has always managed to come out stronger. Candi is not only a talented artist but also an inspiring figure who has managed to rise above several abusive marriages and dodgy managers.

Her rise to success is a story of talent, perseverance, and adaptability. From her humble beginnings in Alabama to becoming a disco princess, Candi has shown that she is a force to be reckoned with.

We hear how her journey began when she caught the attention of producer Rick Hall and married singer, Clarence Carter.

Crowned 'The First Lady of Southern Soul', she didn't stop there. In a bold move, she transitioned from soul music to disco, joining the disco craze that was taking over the music scene at the time. This decision proved to be a wise one, as her hit song "Young Hearts Run Free" became a massive success and solidified her legend status.

 Despite achieving success and fame, Candi reveals that there was always something missing in her life, leading to feelings of loneliness and emptiness. Candi acknowledges that she never fully resolved her loneliness despite being married six times.

She regales us with the long winded back story behind her other huge hit ‘You’ve Got the Love’ and says she’s flattered by the fact that many younger artists now cover her songs. She also tells us about her journey with breast cancer and how she has used this as an opportunity for growth and self-improvement.

As you’ll hear, Candi Staton is one helluva positive lady who’s never been happier than she is today. With new music out now and a series of gigs still to come, her story since she began singing in church as a child until today, is quite remarkable. To quote the title of one of her most recent albums, Candi Staton is 'Unstoppable'

I hope you enjoy our conversation.

For more information about Candi Staton head for her website https://www.candi-staton.com/

If you'd like to get in touch with me with feedback, comments or suggestions for future guests, please feel free to reach out via my website https://www.abreathoffreshair.com.au

ROXY MUSIC is the British rock band that emerged in the early 70s and became one of the pioneers of the glam rock and art rock movements. Formed in 1970 by singer and songwriter Bryan Ferry, along with bassist Graham Simpson and saxophonist ANDY MACKAY, the original lineup was completed by Brian Eno (synthesizers and keyboards), Phil Manzanera (guitar), and Paul Thompson (drums). The band's self-titled debut album, "Roxy Music," was released in 1972 and garnered critical acclaim for its innovative sound, blending elements of rock, glam, art, and electronic music. The album's cover featured model Kari-Ann Muller, which became one of the iconic images associated with the band. Throughout the 1970s, Roxy Music released a series of successful albums, including "For Your Pleasure" (1973), "Stranded" (1973), "Country Life" (1974), "Siren" (1975), and "Manifesto" (1979). The band's music and visual style were characterized by Bryan Ferry's distinctive vocals, Andy Mackay's saxophone and oboe contributions, and a blend of avant-garde and elegant imagery. In this episode, Andy Mackay tells us that Brian Eno left the band after the second album, but his influence on the band's early sound and artistic direction remained significant. Roxy Music continued to release albums and tour until they officially disbanded in 1983. Andy Mackay was an integral member of Roxy Music, known for his contributions on saxophone, oboe, and other woodwind instruments. His saxophone solos and musical arrangements played a significant role in shaping the band's unique sound. After the initial breakup of Roxy Music in 1983, Andy Mackay continued to work on various musical projects and collaborated with several artists. He reunited with Roxy Music for occasional tours and recordings when the band reformed in the late 1990s and early 2000s.

He and Roxy Music were inducted into the Rock and Roll Hall of Fame in 2019, where they performed a short set. The various band members continue to be very active in many different musical spheres and remain friends today. Over the years, Andy has recorded solo albums and other projects for TV and films well as playing sessions for many musicians including the various Roxy members. He also wrote a book on electronic music, studied theology and most recently finished the 3Psalms project, a work between genres, rock, classical, electronic sacred and secular which stands to sum up his lifetime interests.

Andy Mackay and former bandmate Phil Manzanera have recently completed the album Roxymphony and both have completed Roxy Music's 50th anniversary tour.

Check out the interview with Andy as he details his journey. It's fascinating stuff. If you'd like to know more about Andy head for his website

As always if you'd like to leave me a comment or a review, I'd greatly appreciate it and if you have any suggestions for a guest you'd like to hear interviewed, get in touch here

I hope you enjoy this week's episode!

Singer GLENN LEONARD is best known for his time as a member of the iconic Motown group, The Temptations. Glenn joined The Temptations in 1975 as the first new member to join the group after their classic lineup had already achieved immense popularity. 

During his time with The Temptations, the group released several successful albums, including "The Temptations Do the Temptations" (1976), "Bare Back" (1978), and "Power" (1980). Some of their notable hits from this era include "Happy People," "Shakey Ground," and "Power.”

Glenn was a part of The Temptations "Reunion" tour and album in 1982, featuring The Classic Five lineup (excluding Paul Williams who had committed suicide in 1973 ).

After parting ways with the group in 1983 and being replaced by Ron Tyson, Leonard became a born-again Christian, entered into full-time ministry and was licensed in 1986. He became ordained and received a doctorate degree in the early 1990s.

He also pursued a successful solo career and today leads his own Temptation Revue Group.

In this episode, Glenn Leonard relates the story of The Temptations that formed in 1960 in Detroit, Michigan. The band are widely regarded as one of the most influential and successful groups in the history of popular music. Known for their signature harmonies, electrifying performances, and iconic choreography, The Temptations became synonymous with the soulful Motown sound.

Their timeless hits, including "My Girl," "Papa Was a Rollin' Stone," "Ain't Too Proud to Beg," "Get Ready," and "Just My Imagination (Running Away with Me)," showcased their ability to seamlessly blend soul, pop, and funk, leaving an indelible mark on the music industry.

Glenn tells us that The Temptations received numerous accolades throughout their career, including induction into the prestigious Rock and Roll Hall of Fame in 1989. Their enduring music continues to resonate with audiences worldwide, and their contributions to the Motown era and soul music remain unparalleled.

I hope you enjoy Glenn Leonard's story. If you'd like to know more about him check him out here

As always, if you'd like to request a guest that you'd like to hear interviewed, simply reach out to me through my website temptations, motown, group, eddie kendricks, vocal, temps, otis, guitar, sing, rock n roll hall of fame

Wanna know how Steely Dan's Jeff 'Skunk' Baxter became a missile defence expert? Take a listen to this week's episode.

Best-known for his work with Steely Dan and the Doobie Brothers, JEFF "SKUNK" BAXTER's versatility and technique as a soloist made him a hugely in-demand session guitarist from the '70s on. Jeff (who still refuses to disclose the origins of his nickname) landed his first recording gig in 1969 with the psychedelic pop group Ultimate Spinach. 

In 1972, he began his association with Steely Dan, playing on their debut album, Can't Buy a Thrill. 

Following 1974's Pretzel Logic, Jeff moved on to the Doobie Brothers, debuting later that year on What Once Were Vices Are Now Habits and continuing on for several more albums through 1978.

During the mid-'70s, he also began to expand his session work, going on to work with the likes of Dolly Parton, Barbra Streisand, Rod Stewart, Bryan Adams, Ringo Starr, Carly Simon, Donna Summer, Joni Mitchell, Rick Nelson among many others.

Jeff's general interest in technology led him into production, most notably helming several albums for hard rockers Nazareth. 

He also developed an interest in military hardware and weapons systems and was hired in 2001 by the Bush administration as a defence analyst, also serving as a consultant to several U.S. congressmen (whilst continuing his music career). 

I hope you'll join me as I sit down and chat with the world-renowned guitarist to explore his incredible journey in music. From early beginnings at the age of five, to the legendary bands he's played with, and his journey to launching his first solo album, "Speed of Heat", this episode of A Breath of Fresh Air is riveting. 

Jeff shares about the intimacy of the guitar, his first band that was "way too nuts and way too much fun," and the secrets to his enduring success. 

We go behind the scenes of the iconic songwriting duo of Donald Fagan and Walter Becker, and learn how they made their mark in the music industry. 

Jeff walks us through his life and times. It's an incredible story about one helluva talented man.

For more information about Jeff 'Skunk' Baxter check out his website https://www.jeffskunkbaxter.com/

If you'd like to request a guest get in touch with me through my website here

I hope you enjoy this week's show.

This week we unlock the fascinating tales of three one-hit wonders.

Join me on a journey to meet The Royal Guardsmen’s lead singer, Barry Winslow, Balde Silva who is better known as Toby Beau and rediscover that incredible singer songwriter and producer, Terry Jack as we delve into his musical career and back catalogue. 

You'll gain insight into the highs, the lows, and everything in between, shedding light on the indelible marks each of these musicians have left on the music industry.

This episode is a homage to those artists who, despite having just one major hit, crafted unforgettable melodies that continue to resonate with generations of fans.

We kick things off by responding to a request from a listener who asked to hear how Canadian musician and environmentalist, Terry Jacks is doing today. He's been quiet these last few years but has recently had a 'best of' remastered. Terry Jacks is best known for his massive hit 'Seasons in the Sun' and has been suffering ill health recently so we catch up with his record label producer who fills us in on Terry's life and times. His story is nothing short of fascinating.

Next we venture to the American south to meet Balde Silver, better known these days by his stage name, Toby Beau. You may not remember the band but you're sure to recall their one huge hit, 'My Angel Baby'. Toby tells us all about his experiences with the legendary band Kiss, his meteoric rise to fame and how that one song set him up for a life of music and entertainment ever since. Next, an exploration into the life of Barry Winslow, who, at the helm of The Royal Guardsmen, took the world by storm with their chart-topping song about that little dog named Snoopy. At the time the Royal Guardsmen set out, Charles Schulz's comic strip – Peanuts - was at its peak of popularity and Charlie Brown's beagle somehow evolved into less of a pet than a voice of conscience. One of the recurring themes was Snoopy’s fantasy exploits as a World War I flying ace trying to defeat BaronVon Richthofen, aka The Red Baron.

Barry tells us all about how the Snoopy song came to be, the role producer Phil Gernhard played and how it changed the band members' lives forever.

I hope you'll tune in, sit back, and let the memorable stories behind your favourite one-hit wonders transport you back in time. Whether you're a music enthusiast or just love a good story, this episode is for you. 

For more information about Terry Jacks and his latest release 'The Terry Jacks Collection' head for the website Regenerator Records

To learn more about Toby Beau check out https://www.tobybeau.com/

And to find out additional stuff about The Royal Guardsmen and Barry Winslow check https://www.facebook.com/TheRoyalGuardsmenBand/

One-Hit Wonders, Barry Winslow, Toby Beau, Terry Jacks, Royal Guardsmen, Chart-Topping Hit, My Angel Baby, Seasons in the Sun, Abraham, Martin, and John, Jerry Fuller, Phil Guernhard, Snoopy vs. The Red Baron, Snoopy's Christmas.

Musician JOHN SPRINGATE is a former member of the British glam rock band Glitter Band. Born in England, John was a bass guitarist and vocalist for the group during their heyday in the 1970s. John's professional career started when he was 19 and worked on the gigging circuit for a few years working with people like Jonny Johnson and the Bandwagon and Clem Curtis and the Foundations before joining the Glitter Band.

The Glitter Band originally formed as the backing band for Gary Glitter, a prominent glam rock artist. John joined the band in 1973 and played a crucial role in their success. Known for their energetic live performances and catchy tunes, the Glitter Band achieved considerable commercial success during the glam rock era.

As a member of the Glitter Band, John Springate contributed to several hit songs, including "Angel Face," "Rock and Roll Part 2," and "Goodbye My Love." These songs showcased the band's trademark sound characterised by a combination of powerful drum beats, infectious melodies, and Springate's solid bass lines.

However, in the late 1970s, tensions arose between Gary Glitter and the Glitter Band, resulting in the band parting ways with Glitter in 1975. They continued as a standalone act, recording and releasing music under their own name.

After the Glitter Band disbanded in the early 1980s, John Springate pursued other ventures in the music industry. He embarked on a solo career and also worked as a television presenter. In recent years, he has occasionally reunited with former Glitter Band members for reunion concerts and performances, delighting fans of their glam rock era.

John also became a producer. Even more influential in his career development was the moment in the early 80s when he came out and started going to gay clubs. It was the golden age of Hi-NRG and Springate was suitably inspired to move into dance production. This is where he continues to make his living, scoring his biggest hit with Nikki French's version of 'Total Eclipse of the Heart.' He's also written theme tunes for many of Mike Mansfield's TV programmes and a disappointing Eurovision entry.

In recent times, the association with Gary Glitter has become controversial due to his criminal convictions for child sexual abuse. However, it is important to distinguish between Gary Glitter and the Glitter Band, as the band members themselves were not involved in any illegal activities and swear they knew nothing about Glitter's crimes at the time.

John Springate joins me this week to tell us his and the Glitter Band's story. He talks about the early days and why the band broke up and he discusses his latest solo recording called 72.

It's a fascinating conversation. I hope you enjoy it.

If you'd like more information about John Springate head for his website https://www.johnspringate.com/ or take yourself across to mine here

Please feel free to get in touch with me too with any feedback, comments or suggestions for guests you'd like to hear from,

DAVE HOLE is Australia's premier internationally successful bluesman and a highly acclaimed slide guitar virtuoso.

He first burst onto the international scene in 1991 with “Short Fuse Blues”, the first of his seven albums released on the prestigious Alligator Records label. 

He is widely regarded as one of the all-time slide guitar greats whose playing is infused with the spirit of such legends as Elmore James, Duane Allman and Johnny Winter. Nine successful albums and countless tours of the U.S. and Europe have solidified Dave’s stature as one of the very best slide guitarists playing today.

 Dave grew up in Western Australia where, as a child he was somewhat isolated and somewhat lonely. So, he sought solace in music via the family radio and by the age of eleven had convinced his parents to buy him his first guitar.  He was immediately smitten and so began a lifelong passion for music and guitar in particular.

On leaving school Dave completed a degree in physics but by 1974 he was playing music full time. In 1976 he broke the little finger of his left hand playing Australian Rules football. The mishap led him to adopt his unusual slide guitar technique, one which caught the eyes and ears of the American public and turned the musician into a highly sought after player.

 The press gave him rave reviews reporting him as “Magnificent, staggering, almost beyond belief...” Almost overnight, Dave Hole became an international phenomenon.

 Hole was soon gigging non-stop across America and Europe, leaving audiences spellbound wherever he went. And it wasn't just the critics who were paying attention. Metallica's Kirk Hammett names Dave Hole as one of his favourite guitarists, saying “His slide playing kills me. He plays so fast, and his phrasing, intonation and tone are perfect”.

To contact me with feedback, comments or any guest suggestions, send a message through my website https://www.abreathoffreshair.com.au

Meet the electrifying sister duo from Atlanta, Georgia, who have been setting the music scene ablaze with their soulful harmonies and roots rock sound. 

MEGAN AND REBECCA LOVELL  are LARKIN POE.

The sisters have taken the music industry by storm with their distinctive blend of traditional influences and modern sensibilities. 

From their early beginnings in a musical household to their rise to fame, Larkin Poe's journey has been nothing short of extraordinary. 

The Lovell sisters were raised on a rich diet of blues, rock, and folk and embraced their musical heritage, channeling it into their own unique sound. Inspired by legends like Elvis Presley, Led Zeppelin, and The Allman Brothers Band, Larkin Poe developed a deep appreciation for the raw power and emotion of roots music. 

With their powerful vocals and remarkable instrumental skills, Larkin Poe quickly gained recognition for their captivating live performances. Their debut album, "Kin," released in 2014, showcased their ability to seamlessly blend blues, folk, and rock influences, earning them critical acclaim and setting the stage for their subsequent success. 

But Larkin Poe's music is more than just a homage to the past. They have carved out their own distinct path, infusing their sound with a modern twist and pushing the boundaries of their genre. From their virtuosic guitar playing to their heartfelt lyrics, the sisters captivate audiences with their authenticity and passion. 

In their most recent album, "Blood Harmony," Larkin Poe continues to evolve and experiment with new genres and styles. This record is a dynamic and unforgettable listening experience. 

Beyond their musical prowess, Larkin Poe has become influential advocates for women in the music industry. Through their work and public statements, they address issues of gender inequality and champion the empowerment of female artists. 

Their inspiring journey serves as a beacon of hope for aspiring musicians, breaking down barriers and challenging stereotypes. 

Join us as we delve into the world of Larkin Poe, exploring their musical roots, their evolution as artists, and the impact they are making on the industry. 

To learn more about the Lovell Sisters check out their website here

To get in touch with me to provide feedback, comments or guest requests send a message through my website www.abreathoffreshair.com.au

I hope you enjoy this week's episode.

In the rich tapestry of rock and roll history, certain bands stand out for their ground-breaking sound and unwavering commitment to pushing musical boundaries. Among these legends is Little Feat, a band known for their seamless fusion of rock, blues, R&B, and country. At the heart of their unique sound was the exceptional talent of keyboardist BILL PAYNE. This week’s episode delves into the remarkable journey of Bill Payne and Little Feat, celebrating their musical fusion and enduring impact.

Little Feat burst onto the music scene in the late 1960s, captivating audiences with their melodies and genre-defying style. Led by the charismatic Lowell George, the band's line-up was a powerhouse of musicians, and in the midst of this collective brilliance stood Bill Payne. His virtuoso skills on the piano elevated the band's sound, acting as a melodic thread that seamlessly wove together their diverse influences.

What set Little Feat apart was their ability to effortlessly blend musical genres. At the core of this sonic tapestry was Bill Payne's musical intuition. His ability to traverse from bluesy rhythms to soulful ballads, and from rollicking rock to intricate jazz-infused compositions, was unparalleled. Payne's piano became a vessel of expression, transcending boundaries and creating a sound that was uniquely Little Feat.

Beyond his instrumental prowess, Bill played a vital role in the band’s song-writing process. His compositions often delved into introspective themes, combining poetic lyricism with infectious melodies. Songs like "Oh Atlanta," with its infectious hooks and heartfelt storytelling, and "Dixie Chicken," a timeless anthem of love and longing, showcased Bill’s song-writing brilliance and contributed to the band's lasting legacy.

Little Feat was known for its amazing live performances. Bill Payne's presence on stage was magnetic, as he effortlessly switched between soulful piano solos and intricate keyboard textures, leaving audiences spellbound.

The band faced a devastating blow when Lowell George tragically passed away in 1979. However, instead of succumbing to despair, Bill Payne and Little Feat found strength in their shared love for music. Payne stepped up as a leader, guiding the band through this challenging period and ensuring that their innovative spirit endured. Their subsequent albums showcased their resilience and commitment to carrying forward their musical legacy.

Today the band continues to play for audiences around the world with Bill the last remaining original member.

In this wee's episode we explore the man and his craft.

To learn more about Bill head for his website here

If you'd like to get in touch with me to provide feedback, comments or with suggestions for guests you'd like me to interview, please do so

[email protected]

https://abreathoffreshair.com.au

facebook:https://www.facebook.com/SandyKayePresents/

instagram: https://www.instagram.com/sandykayepresents/

twitter: https://twitter.com/sandykpresents

I'd love to hear from you!

Hope you enjoy this conversation with Little Feat's Bill Payne.

Hailed as the new Beatles but "mismanaged and exploited beyond the bounds of human decency" Badfinger's thankless career drove two members to take their own lives. Badfinger could have been huge. What’s more, the band’s connections with The Beatles once earned them the tag of ‘the new Fab Four’. But instead, despite writing and recording some wonderfully memorable music, Badfinger went down in the annals of rock history for all the wrong reasons. Most people who remember the band today will probably point to the fact that two key members took their own lives.

The story of Badfinger is probably one of the most tragic in rock’n’roll. Everything that could go wrong did go wrong – twice– while their occasional triumphs over adversity never seemed to bring them their rightful reward. When Harry Nilsson first heard Without You (his future worldwide No.1 hit single), written by Badfinger’s Pete Ham and Tom Evans, he assumed it was a Beatles song. It was an understandable mistake, given that Paul McCartney had taken the band under his wing, signed them to The Beatles’ Apple label, and even written a hit for them in Come And Get It. Badfinger also backed George Harrison on his Bangladesh concerts. But their connection with The Beatles would become a double-edged sword.

My special guest this week is singer, songwriter and guitarist JOEY MOLLAND - Badfinger's sole surviving member.

During our chat, Joey discusses his life and career in the music industry. He talks about his early days in Liverpool, where he was part of a tight-knit musical community that included some of the most famous bands of the time, such as The Beatles and The Searchers. He talked about his experiences playing in various bands and making records, including joining The Ivey's, which later became Badfinger.

Joey talks about the success of Badfinger in America, particularly their hit song 'Come and Get It', which was written by Paul McCartney. He also discusses the band's formation and later successes with songs such as No Matter What and Day After Day. However, despite the band's success, Joey walks us through the struggles the band faced with management and financial ruin. He still believes that "whatever doesn't kill you, makes you stronger."

Today Joey Molland continues to perform under the name Joey Molland's Badfinger and is proud of the band's legacy of hits. He chats about his latest solo album, 'Be True to Yourself', which features collaborations with notable musicians such as Mark Hudson, a Grammy-winning producer who has worked with bands like Aerosmith and Rainbow. The album also features contributions from his friends Julian Lennon and The Monkees' Micky Dolenz.

"Be True to Yourself," is Joey Molland's sixth solo album and the first in seven years. It definitely has echoes of John, Paul, George and sometimes even Ringo. 

To learn more about Joey Molland, check out my website https://abreathoffreshair.com.au

You may also like to take a look at the 1997 book "Without You: The Tragic Story of Badfinger,” by Dan Matovina https://www.amazon.com.au/Without-You-Tragic-Story-Badfinger/dp/0965712222

Please get in touch with me with any comments, feedback or guest suggestions - [email protected]

I hope you enjoy this episode.

My special guest today is the remarkable BRUCE COCKBURN, a celebrated Canadian singer-songwriter and virtuoso guitarist whose music has been enthralling listeners for more than half a century. Bruce's work is characteriSed by its profound exploration of spirituality, love, and nature, offering a thoughtful perspective on the world around us. His songs are celebrated for their eloquent lyrics and enchanting melodies, which are deeply rooted in his personal journey and experiences. From his early days as a folk-rock artist in the 60s to his current endeavours, Bruce continues to inspire and captivate audiences with his timeless music.

The key moments in this episode are:
00:00:02 - Introduction
00:03:21 - Bruce Cockburn's Music Career,
00:07:10 - Political Songwriting
00:11:09 - Pursuing Music Passion
00:14:42 - Songwriting Process
00:19:20 - Bruce's Journey to Christianity
00:24:25 - Wondering Where the Lions Are
00:33:10 - Changes in Bruce's Music
00:36:40 - Bruce's Interest in Aid Organisations
00:38:12 - The Beneficiary of the System
00:44:20 - Canadian Music Hall of Fame
0:45:50 - Rarities Album
00:48:06 - The Frontman
00:50:49 - Bruce's Career summarised

I hope you enjoy my chat with this incredible musician and amazing human.

If you'd like to know more about Bruce, check out his website here

My website also has more information about him www.abreathoffreshair.com.au

And, if you'd like to contact me with feedback, comments or suggestions for future guests please get in touch via the website or any of my social media

https://www.facebook.com/SandyKayePresents/

https://twitter.com/sandykpresents

https://www.instagram.com/sandykayepresents/

From an isolated and socially awkward teenager in Adelaide to an internationally renowned musician, GRAEHAM GOBLE's journey is one of perseverance and dedication. As a key member of the Little River Band, Graeham strove to compete with the world's best musicians and songwriters, weathering setbacks and challenges along the way. The band's tenacity and talent saw them quickly rise to prominence, captivating audiences with their tight live performances. For Graeham, his sole focus was always the music, eschewing the temptations of the rock and roll lifestyle in favour of honing his song writing skills. It was this unwavering commitment to his passion that allowed the Little River Band to claim the crown as the first internationally successful Australian supergroup.

When Little River Band initially formed in Melbourne in 1975, the group's key band members were already well-known to many Australians. Lead singer, Glenn Shorrock had made his name first in the mid-'60s group, The Twilights  and later with Axiom, whose 1970 single "A Little Ray of Sunshine" eventually became an Australian classic rock staple. Guitarist Beeb Birtles had initially been the bass player for a group called Zoot (Rick Springfield was a later member) then later joined guitarist Graeham Goble and drummer Derekk Pellici in the popular country-rock and LRB precursor, Mississippi. Even the band's manager, Glenn Wheatley, carried a significant pedigree as the former bassist for the Masters Apprentices.

Through the 70s the band released hit after hit after hit. They toured widely and their acceptance in the U.S. was mirrored and subsequently exceeded by their prominence back home. They headed confidently into the '80s with a string of hit albums and an international reputation. But things began to splinter with the departure of key founding members, singer Glenn Shorrock and guitarist Beeb Birtles and by 1985, their profile in the US began to dip with a change in both sound and membership.  

After a series of albums with singer John Farnham at the helm, Shorrock reentered the picture and Little River Band managed to retain their popularity in Australia through the end of the decade. The group continued to bleed personnel and by 1998, no original members remained involved in the band and the legal rights to the name were claimed by '80s members Stephen Housden and Wayne Nelson. Housden and Nelson toured a version of LRB throughout the 2000's despite numerous legal battles with the group's founding members, who had authored all of their best-known material. Nelson continues to run LRB today with no original members.

Recently, the much-loved Australian hitmakers (the original band) have released two new collections, Ultimate Hits and Masterpieces. Both commemorate the songbook and achievements of one of the most popular pop-rock bands in the world from the mid-1970s and throughout the 1980s.

During that time, LRB built a catalogue of memorable signature songs and global sales of some 30 million records across 12 studio albums.

Join me to hear Graeham Goble chat about Little River Band's incredible story.

To learn more https://www.graehamgoble.com/

Connect with me to provide any feedback, comments and guest suggestions here

I hope you enjoy this episode.

In 1977, the SANFORD-TOWNSEND band's “Smoke from a Distant Fire” raced up the charts, peaking at #9 on the Billboard Hot 100. They seemed to come from out of nowhere, and just as suddenly, they seemed to disappear; the band was never again to have a Top 40 hit. But as my interview with co-founder JOHNNY TOWNSEND reveals, they had paid their dues for more than a decade before they reached that pinnacle of success in ’77, and both Townsend and Sanford have been far from inactive since.

For anyone who doesn't know, The Sanford Townsend Band was an American rock group that formed in 1976. The band consisted of singer and keyboardist Ed Sanford and singer and guitarist John Townsend, who were both previously members of the band, The Heartsfield. The band's sound was characterised by a mix of rock, pop, and soul influences, and their music often featured complex harmonies and lush instrumentation. In addition to "Smoke from a Distant Fire," the band had several other minor hits. Despite their early success, the Sanford Townsend Band disbanded in 1980 after the release of their second album, "Nail Me to the Wall." Following the breakup, both Ed Sanford and John Townsend continued to pursue music careers as solo artists and songwriters. In the years since their breakup, the Sanford Townsend Band has gained a reputation as a cult favourite among fans of 1970s rock music. Their music has been featured in films and television shows, and their legacy continues to influence modern rock acts.

Today Ed Sanford and Johnny Townsend are back making music together. Johnny says during our interview that it's been an interesting journey, to say the least, but one he wouldn't swap for anything. He talks about his experiences growing up in Tuscaloosa, Alabama and then moving to Los Angeles to further his career. He regales us with stories around how that career defining song 'Smoke on the Water' came to be and he tells us what life is like for him today.

I hope you'll enjoy the episode. If you'd like to learn more about Johnny Townsend check out his facebook page and his website

To connect with me head to my website: www.abreathoffreshair.com.au

Yesterday the world lost yet another legend.

GORDON LIGHTFOOT was 84. He was born on Nov 17, 1938 in Ontario, Canada. His parents recognised and encouraged his interest in music; his first guest appearance on stage came just before he turned 13, as the winner of a competition for boys whose voices had not broken yet. After a background in barbershop quartets, and as a member of a duo, Lightfoot struck out on his own in the early 60’s. He had already written around 75 songs, caught up in the country music scene and folk revival of the time. His music was discovered in 1964 when fellow Canadians, Ian and Sylvia chose two of his songs for their next record. One of these was ‘For Lovin Me’ – a song Gordon tells us about during our chat.

Soon after, Gordon was introduced to Albert Grossman who at the time was managing Peter, Paul and Mary. The trio then recorded the same two songs as Ian and Sylvia and enjoyed considerable success with them. Marty Robbins also recorded Lightfoot’s Ribbon of Darkness’ . Albert Grossman signed Lightfoot and under that arrangement he recorded five albums for United Artists, four studio albums and one live album.  Later Gordon split from Grossman and formed his own company. From 1970 through to 1998 he released 14 more original albums. In 2002 Gordon Lightfoot suffered an almost fatal illness that saw him recuperating for nearly 2 years.  He tells us more about his brush with death.

Although he had toured the US and Canada in the 60’s, Gordon’s chart appearances were in Canada only. However following the release of his first album, a disc jockey began to play one of the tracks on the radio. It was not the title song but it took the world by storm. 

If You Could Read My Mind became one of the most frequently covered songs in popular music history. After some harder edged music in the early 80’s, Gordon returned to his acoustic roots. Gordon Lightfoot has 4 Grammy nominations and 17 Juno awards and was inducted in the Canadian Music Hall of Fame in 1986. Seven of his albums have gone ‘gold’ and he has an absolutely enormous fan base. It’s no wonder. Gordon’s music and his personality were both irresistible.

The world will really miss Gordon Lightfoot. RIP dear man and thank you for your contribution.

Please let me know if you've enjoyed this bonus episode by sending me an email [email protected]

A career spanning 50 years, singer-songwriter, actress, recording artist, Grammy award-winning MELISSA MANCHESTER has multiple albums and counting. She has recently released her 25th album, Re:View for which she has re-recorded several of her charted hits. Melissa credits the stage for helping her grow and evolve as an artist and believes her songs have become reflections of that growth. She tells us that through the pandemic, she found herself in a deeply thoughtful space and used it to reflect on her music. Manchester's hit song, Don't Cry Out Loud, is, she says, a reflection of her own experiences. The song speaks of a girl who is an awful lot like her, who is trying to hide her tears, and who is trying to find joy and strength in the face of sadness. 

Melissa Manchester is an independent musician who has been creating music for five decades. Her songs reflect the current events and social issues going on in the world, such as the importance of frontline workers and the impact of the presidential election. Manchester believes in the power of music and how it can be used to evoke emotion, inspire, and create meaningful conversations. She also believes that music has a mystical quality and can be used to tell stories and connect people in a unique way. In this episode, Melissa talks about how she undertook a six month song writing course with Simon and Garfunkel’s Paul Simon while attending New York University. She speaks about her early life in a musical family and how she was always destined to become a songwriter and performer.

Melissa Manchester is a wonderfully energetic artist with roots firmly planted in music. Her unique experience growing up with a musician father in the Metropolitan Opera and a mother in the fashion industry fostered her love for music and it grew and developed as she began her career singing jingles for commercials. This was a road that took her alongside musicians like BARRY MANILOW. In 1980, Manchester became the first singer to have two movie themes nominated for Academy Awards (Ice Castles and The Promise); two years later she achieved her highest Billboard singles chart placement with the number five hit "You Should Hear How She Talks About You," which won a Grammy for Best Female Vocal Performance. She also created a group called The Harlettes singing backup for Bette Midler. During our chat Melissa speaks glowingly about her friend BETTE MIDLER.

Melissa's songs have been recorded by Barbra Streisand, Roberta Flack and Kenny Loggins, to name a few. Her writing partnership with CAROLE BAYER-SAGER is legendary. She has composed music for the animated features The Great Mouse Detective and Lady And The Tramp II, the sequel to the Disney classic. In addition to composing the scores for the theatrical musicals I Sent A Letter To My Love and Sweet Potato Queens, MELISSA also co-wrote the radio mainstays “Midnight Blue”, “Come In From The Rain” and “Whenever I Call You Friend.”

Melissa celebrated her tenure as Artist In Residence at Citrus College with the release of her 21st album, The Fellas, a tribute to the iconic male singers who set the platinum standard for pop music. In November 2021, Melissa was inducted into the Great American Songbook Foundation’s Hall of Fame and in December 2021, she had the pleasure of saluting her longtime colleague, Bette Midler, on The Kennedy Center Honors awards telecast.

Melissa's 25th album, RE:VIEW is a celebration of her fifty-year career, features fresh takes on several of her nineteen Billboard-charted classic hits. A career sprinkled with creative endeavours, a Grammy win and several Academy award nominations, please join us as Melissa shares her incredible journey this week. 

For more information about Melissa Manchester head to her website: https://melissamanchester.com/

To get in touch with me with feedback, comments or any requests for future interviewees, please head to my website www.abreathoffreshair.com.au

I hope you enjoy the episode

You may not instantly recognise the name Tony Newman but he’s a British drummer with a huge pedigree; perhaps best known for his work with the legendary '70s band T.Rex. 

Tony started his music career in the early 1960s, playing with various bands in London. He quickly gained a reputation as a versatile and talented drummer, and in 1969 he was asked to join T.Rex, which was then led by the iconic glam rock musician Marc Bolan.

T.Rex's music was known for its catchy melodies, distorted guitar riffs, and whimsical lyrics that often drew on fantasy and mythology. Bolan's charismatic stage presence and flamboyant fashion sense, which included glittery costumes and feather boas, helped to make the band one of the defining acts of the glam rock movement.

Newman played on T.Rex's classic albums "Electric Warrior" and "The Slider," which are considered to be some of the greatest albums of the glam rock era. He was known for his dynamic, hard-hitting drumming style, which helped to drive the band's energetic sound.

After leaving T.Rex in 1973, Newman continued to work as a session musician, playing with a wide range of artists including David Bowie, Jeff Beck, and Donovan. He also played with the power pop band the Rubinoos in the 1980s, and with the blues rock band the Animals in the 1990s.

In addition to his work as a musician, Newman also became a successful music producer and engineer, working with artists such as Rory Gallagher and the Jam.

Today, Tony Newman is living in Las Vegas. He is still active in the music industry, and continues to perform and record with a variety of artists. He is considered to be one of the most respected and influential drummers of the glam rock era, and his contributions to the music of T.Rex and other bands continue to be celebrated by fans and musicians alike.

Tony joins us this week to recount some of the highs and lows of his music career and tells us how he’s more surprised than anyone that he managed to survive the excesses associated with the most outrageous period in rock and roll history.

I hope you'll enjoy the conversation and as always if you'd like to get in touch with me with feedback, comments or suggestions for other rockers you'd like to hear from - send me a message through the website https://www.abreathoffreshair.com.au

I'd be very grateful if you could rate and review the podcast too? Or share it with your friends?

Remember A Breath of Fresh Air is always THEIR LIVES THEIR STORIES THEIR MUSIC

The history of the iconic rock band CREEDENCE CLEARWATER REVIVAL (CCR) spans from humble beginnings to their rise to fame and eventual breakup. Best known for a string of top chart hits, CCR has left a lasting impact on the music scene, inspiring fans and musicians alike. Throughout their journey, the band faced numerous challenges and internal conflicts, contributing to the bittersweet nature of their legacy. Even so, the band's music, characterised by its blend of southern rock and roll influences, remains cherished and celebrated today, demonstrating their enduring influence in the music world.

During a chat with founder and drummer, DOUG 'COSMO' CLIFFORD, we talk about the success of Credence Clearwater Revival (CCR), originally formed in 1958 and achieving success only after a decade of playing together. The band reached its peak in the early 1970s with fourteen consecutive top ten singles and five consecutive top ten albums. CCR didn't sound like anything else at the time, and Cosmo credits their success to the roots of rock and roll.

Comprised of John Fogerty, Tom Fogerty, Stu Cook, and Doug Cosmo Clifford, CCR weathered several name changes before experiencing their meteoric rise in popularity. Cosmo and I discuss various turning points, triumphs, and challenges the band faced during their time together, painting a vivid picture of CCR's incredible journey and what lay behind many of their evergreen hits.

Doug Clifford reflects on the band's career and the difficulties they faced due to internal conflict. Tom Fogerty and Stu Cook had a strained relationship with lead singer John Fogerty due to his poor business acumen. The band ultimately disbanded when John gave the ultimatum that he would only sing one third of the songs and the other members would have to do the other two thirds.

After Creedence Clearwater Revival disbanded, Tom and Stu started a production company and a remote recording vehicle and rented it out to other bands. They later formed Credence Clearwater Revisited, but had to change the name because John was not a part of it.

Despite John suing them, they still won and the whole ordeal was a waste of money. He talks about how the fans were the biggest winners in the end, because they were still able to listen to the band's music.

He also mentions how the death of Tom Fogerty in 1990 put an end to the hope of the band reuniting for one last show. Doug wishes he had done things differently, such as getting an entertainment lawyer and a manager to help mend the tensions between Tom and John. He concludes by recommending the book A Song For Everyone: The Story of Credence Clearwater Revival as the best one so far for the band, as it focuses more on the positives than the negatives.

"Music, for me, has always been medicine". - Doug Cosmo Clifford

00:01:05 - Doug Cosmo Clifford's Background,
Sandy and Doug discuss his new album, "California Gold," and his record label. Doug shares how he came up with the album and how he got Bobby Whitlock to join him. He also talks about how he and Bobby wrote the songs together.
00:18:22 - Credence Clearwater Revival's History, Sandy and Doug discuss the band's history.
00:21:01 - Credence Clearwater Revival's Beginnings, Doug shares the story of how Tom Fogerty brought them into the studio to record a demo
00:22:15 - Getting Started

00:27:25 - Woodstock Festival
00:31:00 - Staying Sober, CCR's success was largely due to the fact that they were sober while other bands were high on drugs.

00:33:00 - Drumming, Cosmo is considered one of the world's best drummers, and his technique involved using martial arts techniques with his wrist to get power.
00:39:35 - The End of CCR
00:41:40 - Overcoming Challenges
00:48:30 - The End of an Era

00:49:28 - Band Legacy

Would you like to suggest a guest for this show?

Contact me through the website https://www.abreathoffreshair.com.au

To learn more about Doug Clifford https://dougcosmoclifford.com/

Singer songwriter and actress TERRI DUNN is best known for being one of the creators and the front person for the 80s band BERLIN. One of the female pioneers in an industry so heavily dominated by men, Terri tells us how difficult it is to be a woman in the music industry due in part to the amount of traveling required. She says that the pandemic allowed her to spend more time with her daughter, who had become depressed and she is very grateful for the opportunity to rekindle their relationship. 

Terri Dunn is a woman who has survived the music industry for 45 years and this week she shares the genesis of the band and the music itself.  

Terri tells us the band grew out of a group called The Toys, formed in 1978 in Orange County, California, by John Crawford (bass guitar), Dan Van Patten (drums), Chris Ruiz-Velasco (guitar), and Ty Cobb (vocals). After a few shows, the band changed its name to Berlin, discharging Cobb as lead singer in the process. After a brief stint with Toni Childs as lead singer, Terri Nunn joined the band after answering an ad through the Musicians Contact Service in Hollywood in 1979. Despite its name, Berlin did not have any known major connections with the capital of Germany; the name was chosen to make them seem European and exotic. They were inspired by the keyboard work of Kraftwerk, Devo, Sparks and The Screamers.

The band’s first single, 'A Matter of Time,' was released in 1979 and the group appeared on television for the first time. Nunn left the group later that year to pursue an acting career forcing the band to replace her.. The band released the 1980 album ‘Information', without her but the band struggled to sign with a mainstream label so by later that year, Berlin had effectively broken up.

Terri Nunn rejoined the band as singer in 1980 and they released a double A-sided single, 'Tell Me Why' / 'The Metro'. The single was intended as a one-off, since Crawford was by then focusing on his new band and regarded Berlin as a side project. However, the single was a success, helping to finance the EP album, Pleasure Victim.

In 1984, the band released their next album, Love Life, and the single 'No More Words', whose subsequent video saw Terri Nunn and bandmates re-enact a Bonnie and Clyde-style car chase and shoot-out, became their first top-20 hit. 'Take My Breath Away' (from the movie Top Gun) became their best-selling single in 1986 and a huge international hit, but also their last big hit.

The band's sound was innovative at the time, incorporating synthesisers in a way that hadn't been heard before in America. This innovation caught the attention of MTV in 1982, providing Berlin with a larger platform to showcase their music and garnering more significant attention. The success of the band was undoubtedly influenced by Terri's captivating presence in their videos, drawing in fans and solidifying Berlin's prominence in the music scene.

During our conversation Terri delves into her experiences joining Berlin and how opportunity and passion intertwined. Grateful for the chance to be part of such a revolutionary musical project, Terri discusses auditioning for John Crawford under false pretences and the importance of following one's dreams to overcome challenges and explore new opportunities.

Now, after more than 40 years apart, the original trio has reunited and are making music again.

I wanted music so much, it scared me. - Terri Nunn

For more information about Berlin and Terri Nunn head for the band's website https://www.berlinpage.com/

To contact me with feedback, comments or suggestions for other interviewees, go to my website https://abreathoffreshair.com.au

I hope you enjoy this week's episode - a conversation with Terri Nunn from 80s band Berlin.

He bears an uncanny resemblance to his father both in his looks and in his musicianship. 

MUD MORGANFIELD is the eldest son of blues great Muddy Waters and he shares the same perfect blues phrasing as his dad. Mud is a bit of a late bloomer. He didn't begin a professional career in his native Chicago until after his father died in 1983 and he was nearly 30. 

Born Larry Williams in 1954, Mud grew up surrounded by music, and particularly the Blues, and he's played music all his life, starting out with the drums his Dad gave him as a child, then moving on to the bass guitar. Supporting himself as a bus driver, just like his father did in the early years, Mud cut his teeth in south Chicago Blues clubs where he proved a popular draw on both the club and festival circuit. Audiences couldn’t get enough of his mix of his dad’s songs and original works. He says of his performances of Muddy Waters’ songs that he started to sing to show the world what his dad left behind. Mud is proud to sing his father’s songs and says while he’s not pretending to be Muddy, when he gets up on the stage, he can feel his ‘pops’ with him.

Mud tells me he had to go out and get himself some blues before he could sing and play with authenticity. He recalls his childhood and the role that his dad played and explains that growing up he never realised how important and influential his father was. 

Today Mud Morganfield is a mullti-award winning artist himself and an established star in the world of Blues music.  His singing is firmly rooted in the best traditions of Chicago Blues, but he is also a writer of wonderful, new, soulful songs and he is backed by some of the best musicians playing today. He is acclaimed by both critics and artists such as Buddy Guy and Jools Holland for his own musical ability,

Mud Morganfield’s latest Delmark album PORTRAIT is out now and receiving critical acclaim all over the world. During our chat, Mud makes it very clear that his entire career is dedicated to Muddy Waters. He credits his love for music to generational influences and is so proud that he inherited it. 

For more information about Mud Morganfield head to his website ⁠https://www.mudmorganfieldblues.com/⁠

If you'd like to get in touch with me to suggest a guest or to provide feedback or comments on any of my episodes, please jump onto my website ⁠www.abreathoffreshair.com.au⁠ and send me a message.

You may also like to join me on facebook ⁠https://www.facebook.com/SandyKayePresents⁠

SERGIO MENDES is an iconic pianist, producer, songwriter, band leader, Grammy winner and Oscar nominee. 

He is widely considered the best known Brazilian musician of all time, having reinvented himself continually over the course of a 60 year career. 

Since a very early age, growing up in a small town in Brazil, Sergio began exploring different styles of music and his unique sound, including his use of Portuguese lyrics, was embraced all over the world.  His career took off with worldwide hits by his group Brasil '66. He has more than 60 releases that feature bossa nova heavily crossed with jazz and funk. Sergio was nominated for an Oscar for Best Original Song in 2012 as co-writer of the song "Real in Rio" from the animated film Rio.  He is a unique example of a Brazilian musician primarily known in the United States, where his albums were recorded and where most of his touring has taken place. His mammoth hit 'Mas Que Nada' was the first ever international hit of a song in Portuguese. It was voted the fifth greatest Brazilian song ever and inducted into the Latin Grammy Hall of Fame in 2013.

Sergio says the key to successful songs is the simple melody. Though he never expected it, Sergio Mendes' timing and unique sound made him an international success. 

One of the biggest crossover Brazilian pop artists of his generation, Sergio Mendes helped define the sound of Latin pop and dance music in the 20th century. For most of the second half of the '60s, Sergio was the top-selling Brazilian artist in the United States, charting huge hit singles that regularly made the Top Five. His records with his group Brasil 66 regularly straddled the domestic pop and international markets in America, getting played heavily on AM radio stations, both rock and easy listening, and he gave his label, A&M, something to offer light jazz listeners beyond the work of the company's co-founder, Herb Alpert. 

Decades later he still tours the world and performs at numerous music festivals. Always mindful to keep re-inventing himself in order to remain relevant, Sergio has successfully collaborated with artists like John Legend, will.i.am from The Black Eyed Peas and many well known Brazilian musicians. 

In 2019, he issued his latest studio album, 'In the Key of Joy' in conjunction with a documentary film about his life.

At 82 years of age, Sergio is doing some of the best work of his life.

Join me for our interview as Sergio Mendes recounts his incredible musical career this week on A Breath of Fresh Air.

To learn more about Sergio Mendes head for my website https://abreathoffreshair.com.au or Sergio's website https://sergiomendesmusic.com/

And don't forget, if you'd like to request someone you'd like to hear being interviewed - as long as they're from the 60s 70s or 80s - simply send me an email to [email protected] and I'll do my very best to get your favourite artist onto the show.

I really hope you enjoy this episode with the extraordinary Sergio Mendes.

No-one expected the '70s song "Brandy (You're a Fine Girl)" to endure. Least of all, ELLIOT LURIE who was the lead singer and main songwriter for the band Looking Glass, the group behind the hit song. The song has been on constant radio rotation since 1972 and has been featured in movies, TV shows and the Simpsons. Elliot is surprised by the song's staying power and admits it has certainly helped him build a career. 

He started playing guitar in high school bands and then in college he formed Looking Glass with two other guys. The band has had various drummers over the years but he and his bandmates decided to pursue music after college, renting a farmhouse in rural New Jersey to make demos. They drove their demos to New York City, eventually getting a manager and a record deal. After graduating college, Elliot told his parents that he and his bandmates were going to take one full year to see if they could make something out of their music. It was at that farmhouse that he wrote the song and he came up with the lyrics by playing around with a chord progression and singing the name of an old high school girlfriend, Randy. The singer then changed Randy's name to Brandy to make it more fitting for the story he wanted to tell. He explains that he had difficulty writing the chorus and had to run back and forth between the piano and his guitar to get it right. Elliot says the song's story came completely from his imagination and, contrary to urban legend, he had no prior background in the navy or sailing. He also confirms that his ex-girlfriend, Randy knew the song was written for her but had not been aware of this until it became a hit. Elliot revealed that the song had been recorded multiple times, first in a house, then again in a demo studio, and then with Steve Cropper in Memphis. When Clive Davis heard the song, he wanted studio musicians to help finish it, but Looking Glass insisted on playing their own instruments. 

"It doesn't surprise me as much that it was a number one hit record at the time as it does how well it has endured. I mean, it's endured better than a lot of records that were bigger hits at the time." -Elliot Lurie

Elliot Lurie has enjoyed a successful music career spanning well over 50 years. He's not only been a singer/songwriter but has spent many years as a music director on several film scores. During the course of this interview he tells us all about his career path but keeps coming back to the fact that without Brandy, his musical career may never have gotten off the ground. As he puts it " it was luck and fate that led to the song becoming a hit." He does add, however, that many people may not know that Looking Glass definitely wasn't a 'one hit wonder' - they did score another Top 40 hit. Do you know which one that was?

Find out this and much more this week.

If you'd like to learn more about Elliot Lurie head for his website https://elliotlurie.com/

In this episode, you will learn the following:

1. How did Elliot Lurie's song "Brandy" become a number one hit?
2. What was the experience like of playing in a bar band in the 70s?
3. What was the story behind the recording of "Jimmy Loves Marianne"?

Other episodes you'll enjoy:
Bobby Sherman  https://podcasts.apple.com/au/podcast/a-breath-of-fresh-air/id1618650164?i=1000603516865

John Ford Coley - https://podcasts.apple.com/au/podcast/a-breath-of-fresh-air/id1618650164?i=1000600070694

Gary Puckett (and the Union Gap) - https://podcasts.apple.com/au/podcast/a-breath-of-fresh-air/id1618650164?i=1000598959499

Connect with me: 

Instagram: @sandykayepresents
Facebook: @sandykayepresents
Website: https://www.abreathoffreshair.com.au

Loved this episode? Leave us a review and rating PLEASE!  

Singer BOBBY SHERMAN was a high school football star when Hollywood A-Listers Jane Fonda and Natalie Wood discovered him at a party in the mid-'60s. They asked him to sing at the party, and after he did, Jane Fonda arranged a meeting for him with a talent agent. That meeting  proved to be the start of an incredible career that lasted decades and turned him into one of the world’s most famous teen idols. His face featured on the bedroom walls of teenage girls all over the world.

Bobby started out his working life on the American teenage music show ‘Shindig’. After that he attracted a huge following as an actor in the hit TV series ‘Here Come The Brides’ and he guested regularly on shows like ‘The Partridge Family’. He became the archetypal matinee idol. As his newfound fame grew though, it quickly became his nightmare. Bobby had no time to have a life of his own. He worked seven days a week in different cities and states, often falling into bed late at night, on his own and exhausted.  25,000 letters a week from fans didn’t relieve the loneliness. He scored seven Top 40 hits between 1969 and 1971, including " Easy Come, Easy Go" and "Julie, Do Ya Love Me." At the same time, his face was all over, from lunch boxes, fan magazines, posters, and assorted merchandise. Success, however, was not all it was cracked up to be.

In today's episode, I chat with Bobby Sherman and his wife of 25 years, Brigitte Poublon. We hear about Bobby's early life, how he felt about becoming a star and what the adoration of fans meant to him. Bobby tells us how he came to join the LAPD and about what instigated his career change as well as his ongoing desire to help mankind. The pair discuss how they met and formed The Brigitte and Bobby Sherman Children’s Foundation https://www.bbscfoundation.org/ that today still makes a huge difference to the lives of many. They would love to receive a donation from you so please get in touch via the website to help a young child in need.

Bobby Sherman is a funny, humble and strangely shy man. He's about to turn 80 but as you’ll hear, he's still so youthful and energetic. Bobby Sherman really is that all-American boy next door and as nice a person as you could imagine.

Hope you enjoy our chat.

In the mid '70s, the SKYHOOKS shook and shaped Australian rock almost as much as The Beatles and Elvis Presley. They basically gave the Australian music industry the enema it had been needing. For too long many Australian bands had spent hours copying their American and English cousins and songs about local culture were unheard of. 
When Skyhooks burst onto the scene, they were cheeky, brash, colourful and wore makeup and costumes (long before Kiss were even conceived). Their irreverence and catchy tunes spoke cynically of local people and places, and they lit the fuse that put Australian bands back on the front covers of newspapers and Australian music on the shelves of record shops. They appeared on Australian tv on the first day of colour transmission, shocking the parents and becoming the pin up heroes for a generation.

With a lead singer named Shirley, guitarist Red Symons who wore red satin and flicked his tongue at the masses and bassist and songwriter, Greg Macainsh sporting silver hair and long drop earrings, theatrics were a key feature that added another level to the electricity of the music.

When it comes to classic Aussie rock acts, none is more revered than legendary Melbourne ensemble SKYHOOKS. The glam rockers combined melodic guitar riffs and a pub rock sensibility with relatable lyrics addressing drugs, sex and everyday life in a changing Australia throughout the ‘70s. The band boasts a delectable cocktail of chart-topping singles. They did more in seven years than most rock acts achieve in a lifetime.

SKYHOOKS helped change the face of rock’n’roll in the 1970s with a string of Number One and Top 10 singles to their credit, as well as two of Australia’s biggest selling albums, ‘Living in the 70s’, and ‘Ego is Not A Dirty Word’.

Joining me this week is Skyhooks’ guitarist BOB 'Bongo' STARKIE- a long time member of the band who still performs their songs today. He tells us about those heady days, what it felt like to be idolised by millions of teenagers and what possibility there maybe of a long awaited comeback.

I hope you’ll join me - this week on A Breath of Fresh Air.

To learn more about SKYHOOKS head for https://www.skyhooks-music.com/

To find out where you can catch Bongo and the Skyhooks show https://skyhooksshow.com.au/

And to reach out to me with a request, feedback or a comment, head to my website https://abreathoffreshair.com.au

This week we feature an incredible story told by Lynyrd Skynyrd plane crash survivor and Rock and Roll Hall of Famer, Artemis Pyle. Artemis was the drummer for the famed Southern Rock Band. He appeared on four of the original six albums recorded with frontman and founder Ronnie Van Zant before the band's plane went down and crashed on the way to a gig in 1977. You probably recall the tragedy; it made news right around the world as three of the band members and several other passengers were killed that day. Artemis managed to crawl out of the wreckage to get help and his tale of survival is nothing short of chilling

Artemis discusses circumstances that led up to the plane crash as well as the moment of impact and what came next. He also tells us about his recently released movie, Street Survivors – The True Story of the Lynrd Skynrd Plane Crash which recreates the story.

During our interview Artemis talks about how he got started in the band, how he secured the reputation as the wild man in the group and what it was like playing in front of sold-out crowds around the world. He tells me why he believes the music still holds such appeal and about his ongoing work to honour Steve Van Zant's musical legacy today.

It's a fascinating story from a courageous and charismatic man.

About the band: 

Lynyrd Skynyrd is the definitive Southern rock band, fusing the overdriven power of blues-rock with a rebellious Southern image and a hard rock swagger. Skynyrd never relied on the jazzy improvisations of the Allman Brothers. Instead, they were a hard-living, hard-driving rock & roll band. They may have jammed endlessly on-stage, but their music remained firmly entrenched in blues, rock, and country. Throughout the band's early records, frontman ROnnie Van Zant demonstrated a knack for lyrical detail and a down-to-earth honesty. During the height of Skynyrd's popularity in the mid-'70s, they adopted a more muscular and gritty blues-rock sound that yielded the classic rock standards "Sweet Home Alabama," "Simple Man," "What's Your Name," "That Smell," "Gimme Three Steps," and "Free Bird." The group ceased operations after the plane crash in 1977. The band re-formed a decade later with Ronnie's younger sibling Johnny Van Zant on vocals, and guitarist and co-founder Gary Rossington. In 2018, after decades of performing and recording, the band embarked on a farewell tour. 

Today Artimus Pyle tours with his own band The Artimus Pyle Band to preserve the legacy of Ronnie Van Zant and Lynrd Skynrd. To learn more about Artimus head for his website https://artimuspyleband.com/home/

For more on Lynrd Skynrd today https://www.lynyrdskynyrd.com/

Don't forget if you'd like to request someone you'd like to hear interviewed, just send me a message through my website https://www.abreathoffreshair.com.au

I hope you enjoy this episode.

JOHN FORD COLEY is a Grammy-nominated, multiplatinum-selling singer-songwriter, best known for being half of the '70s duo England Dan and John Ford Coley.  Considered a mid-'70s phenomenon, and often misidentified in peoples' memories as a one-hit wonder, the duo actually charted six Top 40 singles, four or them Top Ten, in just four years. The duo had met at at school in Dallas, Texas where John forged a natural connection with Dan Seals and together they began covering several styles of music from rock and roll to country. Originally known as Colley & Wayland (Seal's middle name), the name didn't quite work and a change was needed as proposed by Jim Seals. "England Dan" was a reference to the fact that Dan, when The Beatles first hit America in 1964, had fixated on the Liverpool quartet and briefly affected an English accent. "Ford" was added to John Colley's name, and the spelling of his last name shortened to 'Coley' to assure its proper pronunciation. The duo eventually found the success they sought with the release of the chart topping hit, “Love to See You Tonight.” 

During this interview, John paints a vivid picture of what it was like to be a musician in California in the '70s. He says it was an exciting but tough and fickle business, although he, unlike some of his contemporaries, managed to keep it in perspective. Above all, it was a time of discovery and exploration, where many unexpected opportunities arose. Some of which provided England Dan and John Ford Coley with the chance to share the stage with artists like Carol King, Seals and Crofts and Three Dog Night.

John chats about the ephemeral nature of the music business, and how quickly trends and styles can change. By the end of the 1970's, the duo was beset by new pressures from all sides. The perception was that, between the burgeoning disco boom and the undercurrent of punk rock (which always got a lot more press than it actually sold records), their continuing with the brand of harmony based, melodic pop/rock in which they specialised was a losing battle. After some near-disastrous sessions in Los Angeles, they salvaged but a single song - but that song proved to be their last Top Ten hit, 'Love is the Answer,' written by Todd Rundgren. 

The duo's world was turned upside down and they split up in 1980. John withdrew from performing after the break, although he did return the following year to cut an album with singers Leslie Bulkin and Kelly Bulkin on which Jim Seals' longtime partner Dash Crofts also did some singing. During the early '90s he re-appeared as a performing artist and a 'very best of' album was released.

Today John Ford Coley remains busy and active as a songwriter, producer, and actor. England Dan sadly passed away in 2009 of mantle cell lymphoma. .

This is John Ford Coley's story. The man is not only a superb musician. The stories he tells are hilarious.

To learn more about John Ford Coley head for my website www.abreathfofreshair.com.au or to https://johnfordcoley.com/

I hope you enjoy this episode.

During the late '60s -a period distinguished as rock's most radical, innovative, and far-reaching - GARY PUCKETT and the Union Gap forged a series of massive chart hits that were full of melodrama. The group pioneered the hip-to-be-square concept two decades before the likes of Huey Lewis and the News. They were clad in Civil War-era get-ups (complete with fictitious military ranks) and they became an overnight success. Gary Puckett was born in the same town where Bob Dylan went to high school. He picked up the guitar as a teen, and while attending college in San Diego played in a number of local bands before quitting school to focus on music. Despite his parents' protestations, Gary began to devote all of his energies towards becoming a professional musician. He relocated to Los Angeles to serve as the house drummer on a tv series but knew that if his band was to be a success, he needed a gimmick. That's when he came up with the idea to outfit his band in civil war costumes. Unable to afford to have them made in LA, Gary took the group to Tijuana, where he had the outfits made at a cheap price. The band cut a demo and Gary began hawking it around. No-one was interested until he stumbled on a meeting with newly appointed label producer, Jerry Fuller who was impressed by Gary's soaring baritone. He agreed to check out their live show. Believing Fuller was due to arrive on Saturday, the band, known then as The Outcasts opted to save their energy, delivering an atypically mellow set on Friday night. But Fuller was in the crowd and despite this, signed the group on the spot. They were re-christened the Union Gap in 1967 and recorded their first single, "Woman Woman." In the spring of 1968, the Union Gap scored their biggest hit, "Young Girl," written by Fuller in the style of "Woman, Woman," but exchanging the age-old theme of infidelity for the age-old theme of the temptation of underage romance. The juggernaut rolled on, and the group continued rattling off hits -- "Lady Willpower," "Over You," and "Don't Give in to Him." In 1968, the band scored six consecutive gold records and sold more records than any other recording act...including the Beatles. They were touring relentlessly becoming tired and stressed out. Arguments ensued In 1969 there was a stalemate and the band disintegrated. "This Girl Is a Woman Now," was to be their last hit. In 1970, Puckett began recording as a solo act, but his efforts were not well-received. He continued making solo appearances in the months to come, but by 1973 he had essentially disappeared from music, opting instead to study acting and dance. He performed in theatrical productions in and around L.A., but his acting career never really took off either and in 1984 he signed on with the Happy Together oldies package tour. Two years later Gary was tapped to open for the Monkees on their 20th Anniversary tour, and he remained a staple of the revival circuit into the next century. Today he still tours with The Happy Together tour and as a solo act around the world. Gary joins me in conversation in this episode to tell us not only about his incredible musical journey but to provide valuable advise for anyone with an ambition. In his words it is "persevere, be patient and have faith. If you want something badly enough, it'll happen if you pour all of your energies into it." For more information about Gary Puckett head to his website http://www.garypuckettmusic.com/bio.php or to my website www.abreathoffreshair.com.au I hope you enjoy Gary Puckett's story.

During his lengthy international songwriting career, ROGER COOK has had more than 80 top 30 hits, including classics such as Something’s Gotten Hold Of My Heart – Gene Pitney, Something Tells Me – Cilla Black, Long Cool Woman In A Black Dress – The Hollies, and You’ve Got Your Troubles – The Fortunes. However, Roger is perhaps best known for his song I’d Like To Teach The World To Sing, which was recorded by the New Seekers and became the theme song for a long-running series of Coca-Cola commercials.

Starting out with co-songwriter Roger Greenaway in the early sixties, the two Rogers were persuaded in 1965 by the wife of Beatles producer George Martin to record under the names of David & Jonathan. George Martin subsequently produced David & Jonathan’s first major hit “Michelle “ (written by the Beatles) which stormed into the charts in the States in 1966.This, with one of their own songs, Lovers Of The World Unite, (once again produced by George Martin) put David & Jonathan in the charts on both sides of the Atlantic in the space of a few short months.

David and Jonathan split up in 1968 and in late ’69 Roger Cook was invited to join a new band called Blue Mink along with American singer Madeline Bell. Blue Mink’s first number Melting Pot, written by Cook and Greenaway, reached number 3 in the UK charts in March 1969 and throughout the early ‘70s Blue Mink had 4 more top 20 hits with songs penned by Roger In the mid 70’s, Roger moved to Nashville and turned his talent to writing country songs. His remarkable success in Nashville includes songs such as Talking In Your Sleep – Crystal Gayle , I Believe In You – Don Williams, One Night At A Time – George Strait, which remained at the number 1 spot on the Billboard charts for five weeks in a row.

Incredibly, this was followed in short order by another George Strait smash, I Just Want To Dance With You. 

He's the only British member of the Nashville Songwriters Hall of Fame and he is a fabulous chat.

Please join me to hear about all of Roger Cook's successes and his advice for budding song writers.

If you'd like to learn more about Roger head to my website www.abreaathoffreshair.com.au or to Roger's website http://www.rogercook.com/

Please feel free to contact me with any requests or comments [email protected]

Or through my facebook page https://www.facebook.com/SandyKayePresents

Instagram: https://www.instagram.com/sandykayepresents/

Or twitter https://twitter.com/sandykpresents

Join me to learn the story around legendary English group, SUPERTRAMP as told by founding member JOHN HELLIWELL.

John Helliwell was a small-town computer programmer-turned-musician who embarked on an unexpected journey of success and musical exploration, during which he encountered a dramatic juxtaposition between his musical success and his shy personality.

John is a saxophonist and founding member of the British rock band Supertramp. He joined the band in 1973 and is known for his solo on the hit single "The Logical Song" from the album Breakfast in America. John says this solo has been the highpoint of his career.

John was born in a small town in the north of England who pursued music full-time and eventually joined Supertramp in 1973. The group struggled to secure a record deal and the album Crime of the Century was recorded and released just after John had turned 29. It was their first success on their climb to international fame.

Supertramp hit it really big in 1979 with the album Breakfast in America, which became a worldwide phenomenon. In fact, it was the biggest selling album of that year. John's unique saxophone and clarinet solos, along with the band's two singers and keyboard-oriented sound, made them stand right out from the mainstream. 

As John's fame grew with the success of the band, his life changed forever. 

During a Supertramp hiatus in the nineties, he moved back to England to study at the Royal Northern College of Music in Manchester.  However, a scholarly life was to take a back seat in 1996 when he worked with ex-Supertramper Roger Hodgson, and then began recording and touring again with Supertramp.

Today John plays music based on his many inspirations – including jazz, funk, blues, soul and rock. He has a jazz group, Crème Anglaise, and also plays around Europe with Leslie ManDoki and Alan Simon.  John tells us that Supertramp is currently on hold due to the illness of its founder, Rick Davies, but may continue touring in the future.

John now has two more projects : 1) The Super Big Tramp Band - an 18 piece big band playing the music of Supertramp instrumentally with John soloing and acting as master of ceremonies and 2) Ever Open Door – a sextet playing folk tunes and ballads with saxophone and clarinet, a string quartet and Hammond organ.

In this episode, John Helliwell gives a candid and frank interview where he reveals that the band was too shy to speak to the audience on stage. He talks about the incredible times that he shared with his fellow members and how their unique sound and songwriting style endeared them to the public across all corners of the globe.

I hope you are able to join me this week on A Breath of Fresh Air.

If you'd like to know more about John Helliwell and Supertramp head for my website www.abreathoffreshair.com.au

Please feel free to get in touch with me through the website too. I welcome any comments, feedback or suggestions for future guests you'd like to hear interviewed.

Also check out John Helliwell's website www.johnhelliwell.com

GINA SCHOCK: From Working-Class Baltimore to Drumming for the Go-Gos 

After a lifelong journey of believing in the power of positive thinking, Gina Schock, the baby of a middle class family, is shocked to experience the fruits of her ambition when she joins the iconic all-female punk rock band, The Go-Gos, and finds unprecedented success.

Gina is the galvanising force behind the Los Angeles all-female rock band, the Go-Go's, who remain the only all-women rock band to play their own instruments, write their own songs, and have their debut album skyrocket to number one. She has recently released a coffee table book called 'Made in Hollywood All Access with the Go-Go's.

She was determined to make her dream of being a rock star a reality. She left her hometown of Baltimore at the age of 21 in her father's pickup truck, believing anything was possible. She never stopped believing in the power of positive thinking, and worked hard to perfect her craft. After endless practice and saving her allowance money for new equipment, she got her first gig with an all-girl band. After joining the Go-Gos, her hard work and dedication paid off and the band skyrocketed to fame. 40 years later, Gina is still touring and the band is still thriving. She wouldn't trade a single moment of her journey for anything.

Gina is cheeky and very funny. She tells me stories from your youth right up until the group's induction into the Rock N Roll Hall of Fame.

To learn more about Gina head to the Go-Go's website.

Her book is available now.

If you'd like to suggest someone you'd like to hear interviewed, feel free to connect with me through my website www.abreathoffreshair.com.au

I hope you enjoy today's interview with my very special guest. I most certainly did.

THE RASCALS were the pinnacle of '60s blue-eyed soul.  It’s been said that they were the first rock band in the world. Led by FELIX CAVALIERE, the band drew much of its inspiration from British Invasion bands, psychedelic rock, gospel, and even a bit of jazz and Latin music. They were at their best on classic singles like "Good Lovin'," "How Can I Be Sure," "Groovin'," and "People Got to Be Free."  

This week my special guest is keyboardist/singer Felix Cavaliere who shares tales of his musical journey. Felix talks about starting out with Joey Dee and the Starlighters, how the Beatles opened the door for musicians to write their own songs and about his and George Harrison’s involvement with gurus who kept them grounded.

It's a fascinating story that highlights the fact that while others in his profession became synonymous with sex, drugs and anything goes, Felix Cavaliere reached the highest peaks on a message of peace, love and understanding.

This songwriter could have been made for A Breath of Fresh Air … he promises to make you feel great.

To learn more about Felix and his Rascals head for https://www.felixcavalieremusic.com/

To contact me with feedback or suggestions for who you'd like to hear interviewed, send me a message through my website https://abreathoffreshair.com.au/

It’s all about the ‘Wizard of the Keyboards’ this week, with one of the last podcast interviews that famed Englishman, RICK WAKEMAN has agreed to.

It took me months to get him to agree but finally I have him here for you and he chats happily with us about his life, career, and his favourite musical creation, King Arthur. Rick Wakeman, of course, is best known as a former member of the progressive rock band, Yes, as well as for his multitude of solo albums. 

In interview, Rick talks candidly about his divorces, his heart attacks at the age of 25 and how these events affected his life. One minute he was on top of the world with a fleet of Rolls Royces, the next minute he was sleeping 'rough' on park benches. Rick tells us how he defied doctors' orders by continuing to perform and tour after he had been hospitalised for several weeks.  He talks about how this period of time turned out to be god's send because it was from his hospital bed that he imagined and wrote much of "King Arthur'. It's an inspirational tale. 

Rick also discusses being a session musician - one of the most in demand players because of his prowess on the keyboards but he also tells us the unlikely story of how he came to play the mellotron and how he carved out a brilliant career by being one of the first musicians able to keep the instrument in tune. 

We hear stories from Rick about how he came to work with David Bowie on the album ‘Hunky Dory’, how the two became friends and what an incredibly generous and giving artist Bowie was. 

Rick also brings us up to date in terms of how the pandemic changed his lifestyle, caused him to lose weight and sell some of his possessions. We learn how he amused himself when he (like everyone else) was off the road and about the music that emanated from him during this time. 

He also openly talks about his family, including his six children and twelve grandchildren, and how they are the inspiration for keeping him feeling young and energetic.

Rick Wakeman is brilliant musician, fabulous raconteur and very very funny.  I really hope you enjoy my chat with him.

If you'd like to know more check out my website www.abreathoffreshair.com.au or head straight to Rick Wakeman's website https://rwcc.com/

Don't forget if you'd like to contact me with any comments or suggestions for guests you'd like to hear interviewed, I'd love to hear from you!

Simply send me a message through the website above. You can also find me here https://linktr.ee/abreathoffreshair

His granddaughter refers to him as the Justin Bieber of the 60s. And for very good reason. He was the king of Bubblegum music, and hugely popular the world over. But TOMMY ROE didn't set out to father a whole new genre of music. He actually managed to cut some pretty decent rockers along the way too. In this week’s episode Tommy tells us how he got into music in the first place, what drove him to write his first song, Sheila, as a young teenager and how he still laments the fact that the girl he wrote that song about, never knew of its existence. Tommy says he’d love to find her today, some 60 years later. 

Maybe you could help? 

Tommy also tells us about how he had to compete with the British Invasion and had to come up with catchy tunes that he knew would sell. Hence of all his other hits. At first, he resented being the king of the kids but grew to embrace it as other musicians began to copy his sound.

Up next, you probably remember PETER NOONE as the lead singer and founder of that 60s English band, Herman's Hermits, but Peter is also an accomplished TV and stage actor. To my greatest surprise, Peter turned out to be one of the funniest and most uplifting guys I've had the pleasure of speaking with. I caught up with him just ahead of his 75th birthday and giggled my way through this chat. Peter jokes about how getting older has its perks. He also talks about how his band became famous, how the name came about, and about meeting Elvis. Peter talks about being 15 when he founded Herman’s Hermits, at a time when so many English bands were coming up around him and what it was like in Liverpool at that time. He also tells us about what fame and fortune did to the young lads in 1965 when Herman’s Hermits outsold every other band in the world.

Iconic blues rock guitarist WALTER TROUT knows better than most, that no matter how fast or far a man travels, he can never truly outrun his past. Walter joins us to chat about his experience with a liver transplant, and how the life changing event affected his music. He says he can’t believe he’s still here because he had been in hospital eight months with brain damage. He lost 120 pounds, didn't recognise his wife or children, lost the ability to speak, and didn’t have a bite of solid food for six months. Walter had to have speech therapy and re-learn how to talk. 

He had to re-learn how to walk but the worst for him was that he didn't know how to play the guitar anymore. He had to start over again from scratch and teach himself how to play chords and how to play scales and how to bend a note. He worked on it seven hours a day, every day for a year until he finally performed again two years later. Walter also regales us with the story of how he met his wife whilst on stage and despite his rocky start, says his life today is like a fairy tale.

If you'd like to find out more head for my website www.abreathoffreshair.com.au

Connect with me through my facebook page https://www.facebook.com/SandyKayePresents or on twitter https://twitter.com/sandykpresents

To learn more about Tommy Roe https://tommyroe.com/

To read about Peter Noone https://peternoone.com/

And to get more info about blues guitarist Walter Trout head for https://www.waltertrout.com/

Scottish musician DAVID PATON led the band Pilot to huge success in the 70s, with two major hits, Magic and January. David talks about how he came up with the idea for both songs, what it was like working with Kate Bush and Elton John and how he gets a buzz each time his grandson reacts to hearing them.

We all know MELANIE SAFKA as the singer who became famous for her performance at the Woodstock Music Festival in 1969. She went in unknown and emerged a celebrity. Melanie joins me this week to tell us how terrified she was at the time. She talks about her song writing process, her frustration with the music industry and how one of her best loved songs was inspired by her experience with fasting and a vegetarian diet.

Lauded as one of the greatest guitarists of the 60s and best known for his work with the English band Traffic, DAVE MASON discusses his work both with the band, and on his own. He tells us about his friendship with Jimi Hendrix, his experience playing with Paul McCartney, George Harrison, the Rolling Stones and Eric Clapton and about his song writing today.

Would you like to suggest a guest? All you have to do is send me your request through the website https://www.abreathoffreshair.com.au

If you like what you're hearing join me on my facebook page? https://www.facebook.com/SandyKayePresents or on my twitter account https://twitter.com/sandykpresents  

You can also connect with me on instagram https://www.instagram.com/sandykayepresents/ or on linkedin https://www.linkedin.com/in/sandy-kaye-7b35a317/

Like to know more about David Paton and Pilot?  https://www.davidpaton.com/

To learn more about Melanie check out her page https://www.melaniesafka.com/

And to find out what Dave Mason is up to today, head for https://www.davemasonmusic.com/

I hope you enjoy this weeks' show!

Warm regards

Sandy

 A smorgasbord of talent this week.

The world’s most notorious ‘one-hit-wonder, NORMAN GREENBAUM shares his experience writing ‘Spirit in the Sky’. The song was a huge success, selling over 2 million copies and appearing in 65 movies. In my conversation with him he talks about his orthodox Jewish upbringing and what his family thought about his hit song that was all about Jesus. 

Rocker ALICE COOPER joins us too to talk about his love for his home town Detroit, his latest album 'Detroit Stories' which is dedicated to that city and what life is like for him today.

We also catch up with Grammy-winning composer and songwriter PAUL WILLIAMS who candidly explains his past obsession with drugs and alcohol, his journey to sobriety and the ways in which it changed his life and career. He talks about how writing has helped him in his recovery and continues to help today. Paul also provides sage advice to anyone facing similar issues and speaks of his time as a drug and alcohol counsellor. 

From the UK, THE AVERAGE WHITE BAND’s ROGER BALL discusses the history of the Scottish band, their favourite songs, and what caused the band to split up. Roger fills us in on what it was like playing to audiences that thought they were coming to see a black group in concert. Very funny stuff!

And finally, TALKING HEADS' CHRIS FRANTZ tells us about his latest book called 'Remain in Love', his feud with lead singer DAVID BYRNE and what lay behind many of their best songs. Chris walks us through the years when Talking Heads were one of the biggest bands in the world and shares what it was like to come down off that high.

I hope you enjoy this week's special episode and I'd love to hear your thoughts. Please feel free to send me a message [email protected]

You'll also find me on facebook: https://www.facebook.com/SandyKayePresents/

Youtube: https://www.youtube.com/channel/UCa_p5zKTRrIfpAtwXVKBQVw

Instagram: https://www.instagram.com/sandykayepresents/

LinkedIn: https://www.linkedin.com/in/sandy-kaye-7b35a317/

For more information about

Norman Greenbaum: https://spiritinthesky.com/

Alice Cooper: https://alicecooper.com/

Paul Williams: http://www.paulwilliamsofficial.com/

The Average White Band: https://www.averagewhiteband.com/

Talking Heads: https://store.talkingheadsofficial.com/ and David Byrne: https://davidbyrne.com/

The OAK RIDGE BOYS are a country and gospel vocal quartet that originated in Oak Ridge, Tennessee. The group was founded in the 1940s as the Oak Ridge Quartet and became popular in Southern gospel during the 50s. Their name was changed to the Oak Ridge Boys in the early 60s, and they remained a gospel group until the mid-1970s, when they changed their image and concentrated on country music. The band produced some incredible country and crossover hits – the biggest of which was 1981’s Elvira - which recently celebrated its 40th anniversary.

RICHARD STERBAN is best known for his immortal lyric: “oom-pa-pa-oom-pa-pa-mow-mow." He’s the guy who gives “Elvira” its deep-voiced juice. Richard began his singing career as a six-year-old soprano in Sunday school. He was a tenor in the in the seventh grade but when he returned the following year for eighth grade, he was a bass!

Prior to joining The Oak Ridge Boys in 1972, Richard sang with various groups including singing back up for ELVIS. Faced with the difficult decision to stay with Elvis or join The Oak Ridge Boys, Richard chose The Oaks. His new book, From Elvis to Elvira includes many great stories about Elvis and stories about The Oak Ridge Boys that have never been told. In this episode, Richard Sterban talks to me about Elvis, Elvira, the late President George W Bush and Johnny Cash.

I hope you enjoy the chat!

Would you like to connect with me?

Facebook: https://www.facebook.com/SandyKayePresents/

Twitter: https://twitter.com/sandykpresents

Insta: https://www.instagram.com/sandykayepresents/

LinkedIn: https://www.linkedin.com/in/sandy-kaye-7b35a317/

To learn more about The Oak Ridge Boys - https://www.oakridgeboys.com/

Find out more about Richard and the book- http://www.richardsterban.com/rs/home.html

Let's head to Sweden to meet that country’s most famous songwriter and guitarist, best known for his work playing with the smash hit group, ABBA. In our interview from Stockholm, JANNE SCHAFFER talks of his experience building his own guitar in school when he was just 12 years old. He tells us stories of how his disapproving father came to a gig one night to haul him off the stage and how he had to continue practicing and playing in secret. He talks about how he formed a friendship with ABBA’s Benny Andersson and how it was, in part, his efforts that brought Agnetha and Anni-Frid into the group. Janne has a great story to tell that also includes hanging out and recording with artists like Bob Marley and Johnny Nash.

Do you remember Canadian band, THE FIVE MAN ELECTRICAL BAND? Perhaps not the name but definitely that 1971 anti-establishment song 'Signs' which made it to the top of the charts all over the world. The group featured guitarist/vocalist Les Emmerson who sadly passed away recently as a result of Covid 19. The band was originally known as The Staccatos and this week current members Steve Hollingworth and Mike Crepin tell us about not only that song, but about their other hits and their resurgence in popularity, partly due to their recent efforts to raise awareness about climate change.

We also catch up with Nashville singer-songwriter KELLY LANG whose dad was the road manager for country legend Conway Twitty. Kelly regales us with stories about performing with Sir Barry Gibb, Ronnie Milsap, Loretta Lynn and her dear friend, the late Olivia Newton John. Kelly's also married to county superstar T.G SHEPPARD and tells us what life is like working and living with him.

Is there someone you'd like to hear from? A musician from the 60s, 70s or 80s who you'd like me to interview? All you have to do is get in touch through my website www.abreathoffreshair.com.au  or send me a message directly [email protected] and I'll be happy to follow up for you.

For more information about Janne Schaffer check his website https://www.janneschaffer.se/

To learn more about The Five Man Electrical Band head for https://www.fivemanelectricalband.ca/

And to check out all things Kelly Lang https://www.kellylang.net/singer

I hope you enjoy this week's show!

British musician and prolific songwriter GRAHAM GOULDMAN has been at the forefront of the music industry for more than 50 years. 

Best known as the founder, lead singer and bassist for art rock band 10cc, Graham has written countless hit records for  bands including The Yardbirds, Herman's Hermits and The Hollies for whom he penned the song"Bus Stop” in 1966. That song became their first American hit. 

In 1972 Graham founded 10cc with Eric Stewart, Kevin Godley, and Lol Creme. The band went on to become one of the most fascinating and popular groups of the 70’s, scoring several huge (and eclectic) hits. 

In this week's episode, we meet Graham Gouldman to discover some his early influences, his unique song writing process and what lies behind some of his greatest works.

I hope you enjoy my chat with Graham Gouldman. A man who genuinely surprised me with his down to earth nature and incredible humility.

For more information about Graham check my website https://abreathoffreshair.com.au/episodes/november-28-2022/

Or Graham's website https://grahamgouldman.info/

Connect with me:
Instagram: sandysbreathoffreshair
Facebook: https://www.facebook.com/SandyKayePresents
YouTube: https://www.youtube.com/channel/UCa_p5zKTRrIfpAtwXVKBQVw
Twitter: @sandykpresents
LinkedIn: https://www.linkedin.com/company/2653174/admin/
Website: www.abreathoffreshair.com.au

There could have been no DEXY'S MIDNIGHT RUNNERS without violinist HELEN O'HARA. She has an amazing story to tell and she’s written it all into a memoir titled ‘What’s She Like’, named after the Dexy’s Midnight Runners song that she herself inspired. It’s an exuberant, joyful account of a classical musical student who suddenly finds herself on Top of the Pops.

What’s She Like takes in Helen's time working with Tanita Tikaram and Graham Parker before she walked away from music for more than two decades at the start of the 1990s. But inevitably her relationship with Dexys front man KEVIN ROWLAND –both personal and professional – is at the heart of the book. It is even emblazoned on the cover. Helen O’Hara is actually her Dexys name, the one founder and front man Kevin Rowland anointed her with.

During our chat, Helen tells us about her early years, that stage name and the dynamics of being a member of one of the 80's most popular British bands. She talks about her enduring friendship with Kevin Rowland so many years after their relationship ended. And she talks about why the recent re-release of the song 'Come On Eileen’ was so incredibly important for Rowland.

For more information head to https://abreathoffreshair.com.au/episodes/november-21-2022/

To learn more about Helen check http://www.dexys.org/helenohara.html or her blog https://www.helenohara-violin.com/biog

Follow me on facebook https://www.facebook.com/SandyKayePresents

Instagram https://www.instagram.com/sandykayepresents/

Twitter https://twitter.com/sandykpresents

Youtube https://www.youtube.com/channel/UCa_p5zKTRrIfpAtwXVKBQVw

Do you have a favourite artist you'd like to hear interviewed? Simply reach out to me [email protected] and I'll try to make it happen for you!

American rock band JOURNEY has a style that’s hard to define and pigeonhole. The group was formed in San Francisco by members of Steve Miller Band and Santana in 1973. Journey had its biggest commercial success between 1978 and 1987 with Steve Perry as lead vocalist. They released a series of hit songs, including 1981’s ‘Don’t Stop Believin’ which in 2009 became the top-selling track in iTunes history. One of its founders, music prodigy NEAL SCHON joins me today to tell us about the band’s genesis, Steve Perry’s departure and their latest album. The first in eleven years.

We also catch up with a pop/rock singer and songwriter whose smooth but gently soulful voice helped earn him a pair of hit singles in the early '80s. Brooklyn born ROBBIE DUPREE used to sing with the group New World Rising. That band’s guitarist, NILE RODGERS went on to have an amazing career as a producer, songwriter, and leader of the band CHIC. We meet Robbie at his home in Woodstock NY to hear all about the changes in the music industry and to check on what he’s up to today.

Say hi to one of Australia’s most iconic 70’s bands that helped shape the history of the local music scene. JOHN SCHUMANN and REDGUM led the way in proudly telling Australian stories. For the first time, Aussie place names and cultural intricacies became fodder for lyrics and instead of trying to sound American, the band became one of the first to show off the distinctive Aussie accent. If you don’t live in Australia it’s likely you’ve never heard the songs before but I assure you, once you’ve heard them, you’ll never forget them!

Check out the website 

https://abreathoffreshair.com.au/episodes/journeys-neal-schon-robbie-dupree-and-john-schumann/

For more information about Journey head to their website https://journeymusic.com/

If you'd like to know more about Robbie Dupree, reach out to him through facebook https://www.facebook.com/RobbieDupreeOfficial/

And for John Schumann and the Vagabond Crew - https://www.facebook.com/johnschumannandthevagabondcrew/ or John Schumann's website http://www.schumann.com.au/

The story of American sixties Blues band, CANNED HEAT is a tragic tale of drugs, alcohol, sex and rock n Roll. 

It was founded by two blues historians and record collectors, Alan Wilson and Bob Hite. This week we meet the band's sole surviving member, drummer FITO DE LA PARRA who tells us about the band's incredible journey over the past 60 years. Despite all the excesses and loss of several band members, Canned Heat's music has not only survived but remains even more popular today. 

Fito discuses his book ‘Living the Blues’ and regales us with stories from the road. He laments about the fact that he was unable to stop lead singer Bob Hite from overdosing and dying in front of him at his home. He says he watched on as slowly but surely, several members of his band and touring party succumbed to drug and alcohol cocktails. These says de la Parra sometimes contributed to the music. Other times they hampered the artists so severely that playing became impossible.

The conversation between Fito and I takes us from the depth and meaning of Blues music to motorcycle gangs and the way they spend their time. Fito often wonders how life and music may have been different if drugs didn’t play the part they did.  He is grateful he survived that era and continues to lead the band today.

His ex-wife called his book, Living the Blues, repugnant. You are sure to find Fito de la Parra’s stories (and his book) captivating.

For more information about Canned Heat head for https://cannedheatmusic.com/

To pick up a copy of the book, Living the Blues in either English or Spanish https://www.amazon.com.au/Living-Blues-Fito-Parra/dp/0615516041

To send me a request to hear your favourite artist interviewed on A Breath of Fresh Air www.abreathoffreshair.com.au 

I hope you enjoy this episode and would love to hear your thoughts.

It's a mixed bag this week that I think, has something for everyone.  We meet 60s family band THE COWSILLS, or at least what's left of them - Bob, Paul and Susan Cowsill. The siblings have recently released a brand new album - their first in 30 years and I gotta say, it’s pretty good! I have a chat with them about their lives growing up in the public eye, about being the role models for the TV show, The Partridge Family and about the reasons behind why all of the Cowsill kids always got on so well together.

We also check in with a young lady who found success at the age of 27. Scottish singer, songwriter and musician, KT TUNSTALL initially gained worldwide acclaim with the song 'Suddenly I See' but as you’ll hear, she's come an awful long way since then. As KT and I catch up, she's in the middle of dying her hair grey. Initially embarrassed to appear on camera, she finally agreed and I can't believe how amazing she looks. You'll have to check her out on my youtube channel. It’s an intimate chat about her life, her loves and her incredible music.
https://www.youtube.com/channel/UCa_p5zKTRrIfpAtwXVKBQVw

Remember Pavlov's Dog? That 70s band who had a massive hit with the song ‘Julia’? If you grew up in the UK, Canada or Australia you just weren’t cool unless you could sing every line and had the album sitting in the front of your collection. The band, although hailing from the US, didn't do quite so well at home. We go behind that song to chat with founder David Surkamp. He has some fascinating stories to tell! And who knew the band still plays and tours today? I certainly didn't.

Want more on The Cowsills? https://cowsill.com/home/ Tune in to their podcast https://open.spotify.com/show/1DuB61RK3hSNIBkbALENIC?si=1244538251d64198

And KT Tunstall? https://www.kttunstall.com/

Pavlov's Dog - https://www.facebook.com/pavlovsdogband/

I really hope you enjoy this week's show. If you would like to request a guest for me to chase up and get onto the show for you, please send me an email either through my website www.abreathoffreshair.com.au or directly to [email protected] As long as the artist made music in the 60s 70s or 80s I'd be very happy to have a chat and have all your questions answered.

Enjoy your week!

Love Sandy

I’m so happy to be sharing this week’s show with you because it’s not only a super interview, it’s also a response to one of our listeners’ requests.

Shayne from Sydney wrote me asking if she could possibly hear from her long time favourite, Dr. Hook. The American country- rock band's core comprised of the late Ray Sawyer and the irrepressible Dennis Locorriere who met by accident and forged a gigantic musical path together. As Dr Hook (and the Medicine Show) the pair achieved 60 gold and platinum records, hit the number one spot in 42 countries and still remain one of the most fondly remembered acts of AM pop radio's heyday in the '70s. 

Although the band had a reputation as a mouthpiece for humorist Shel Silverstein, who supplied several of their biggest hits (including "The Cover of Rolling Stone"), they didn't rely exclusively on his material. During their peak years, they were just as famed for their crazed stage antics, which ranged from surreal banter to impersonating their own opening acts.

I caught up with Dennis and he tells us all about the early days, his magical connection with Ray and the enduring nature of the music. 

I’m sure you'll find our conversation interesting, entertaining and at times, very very funny.

Enjoy!

And don't forget, if you'd like to 'request a guest' I'd be only too happy to find and bring onto the show, your favourite artist too. Just send me an email through the website www.abreathoffreshair.com.au or directly to [email protected] and I'll try to make it happen for you.

If you'd like to know more about Dr Hook check out their website https://drhookofficial.com/

Guitarist Martin Barre was an integral part of English band Jethro Tull for many years and had been joined at the hip with founder, Ian Anderson since 1969. The two had a massive falling out which led to the band breaking up in 2011 but Martin refused to lay down his guitar and today travels solo with his own band making wonderful music. We catch up with Martin to discover the roots of Jethro Tull and how being in that band, changed him forever.

American singer, Merrilee Rush is best known for her song "Angel of the Morning", a top-10 hit which earned her a Grammy nomination for female vocalist of the year in 1968. This week we meet Merilee to hear the incredible story behind that song and to get to know a little more about the woman who insisted on singing it.

New Zealand-born Australian guitarist, singer-songwriter Kevin Borich is a quintessential stalwart in the Australian and New Zealand music scene. He’s been around for 56 years and has just released a fabulous new album called 'Legacy'.  As a founding member of  the rock outfit, The LaDeDas as well as The Kevin Borich Express and The Party Boys, Kevin is loved from Gympie to Gundagai and everywhere between. 

Join me? And send your requests - [email protected] or head for my website www.abreathoffreshair.com.au

To learn more about Martin Barre https://martinbarre.com/

If you'd like to check out Merrilee Rush and her husband Billy Mac  https://billymac.com/

And for Kevin Borich head for https://kevinborich.com.au/

Meet Lee Loughnane, founding member of the band Chicago who shares details about the band's 38th studio album release - Born For This Moment as well as their most recent tour. 

Lee reflects on the band's success over the years, including their 100 million in record sales, 21 top 10 singles, and 11 number one hits and discusses how the band has managed to stay together and remain relevant for over 50 years.

The trumpet player tells us how music always came first in his life from the time he learned to speak. His dad had been a trumpet player and had a collection of big band records from the thirties and forties that influenced him heavily. Leigh loves his instrument and chats about his father had tried to discourage him from becoming a musician, how his dad reacted when he went against his advice, and how his wives and children have reacted to his being on the road every single year for the last 55 years.

Lee also laments the loss of founding member and guitarist Terry Kath, who died in 1970 and tells us how that it’s the passion for the music that has kept the band together and playing for audiences right around the world for more than half a century.

Would you like to request a guest? Just send me a message through the website www.abreathoffreshair.com.au

If you'd like to know more about Chicago, head for https://chicagotheband.com/

This week, Irish family band, THE CORRS, joins me for an interview. They're an outfit that combines pop rock with traditional Irish themes. The group consists of the Corr siblings, Andrea, Sharon, Caroline and Jim who all hail from Dundalk, County Louth, Ireland. The Corrs have released seven studio albums and numerous singles, which have reached platinum in many countries, and have sold 40 million albums worldwide. SHARON CORR joins us to tell us all about what The Corrs are up to today and fill us in about her own solo projects.

We’re also going to check in with ROLAND KENT LAVOIE. No idea who that is right? Well, think 'Me and You and A Dog Named Boo'. The artist is much better known to us as LOBO. Today Lobo is semi-retired and living in Florida with an incredible life story to share - one where he talks about always shunning fame and fortune in favour for being able to mow his lawns anonymously,

Founded in 1964, English rock band, the Strawberry Hill Boys quickly became known as THE STRAWBS. The band played folk rock, progressive rock, and (briefly) glam rock. Best known for their hit "Part of the Union",  Strawbs toured with Supertramp in their "Crime of the Century" tour.  

We catch up with guitarist CHAS CRONK  for a walk down memory lane. He tells us all about serendipity and success and gives us the lowdown on his very first  solo album that's been recently released.

Do you have a favourite artist you'd like to hear from? If so, just send me a message either through the website www.abreathoffreshair.com.au or [email protected]

If you'd like to know more about The Corrs  https://www.facebook.com/thecorrsofficial/

You can read about Lobo here https://www.imdb.com/name/nm2499367/bio

To read more about Chas Cronk https://chascronk.com/  and The Strawbs can be found here https://www.strawbsweb.co.uk/index0.asp

I hope you enjoy listening!

Meet one of rock’s most recognisable musicians – GRAHAM NASH. Graham’s been making music for more than 60 years - first with English band The Hollies then as Crosby Stills and Nash and later when Neil Young joined them, as Crosby, Stills, Nash and Young. 

At 80 years young, Graham Nash has recently released a new solo album. Graham Nash: Live - a new concert album featuring the acclaimed musician performing his first two solo LPs, 1971’s Songs For Beginners and 1974’s Wild Tales, in their entirety. The album spans 20 tracks that were recorded over the course of four shows he’d booked prior to the pandemic. 

During our warm and intimate conversation, Graham Nash discusses his new solo album. He talks about why he chose those two albums, and how they are personal and easy to understand. He also discusses CSNY, and why they are no longer able to make music together.

He also discusses how relevant his songs are still today, that the album is a message to the world, and how, sadly, we haven't learned a thing from the past. 

During the interview, Graham talks about his musical career, spanning over 60 years. He talks about how he got his start in music, and how he has continued to be passionate about music throughout his life. He also talks about the importance of songwriting, and how it is a lost art form. He also talks about the success of his earliest band, The Hollies, and why he feels they enjoyed successful over the years.

Graham also  tells us about what he believes was the strength of Crosby Stills and Nash and that the three part harmonies were destroyed when Neil Young joined the group, bringing with him a dark edge. He talks about how Crosby Stills Nash and Young can no longer make music together since losing their connection, where he stands on life and society in general and about his passion for photography and the release of his new photographic book called Life in Focus.

Graham also details his love of life, how his glass is always half full and how he manages to keep himself in great shape at 80. Quite inspirational indeed.

It's a great chat peppered with some awesome music. I hope you'll enjoy listening to our conversation as much as I enjoyed speaking with Graham.

Don't forget, if you'd  like to request a guest to be interviewed on the show - anyone from the '60s '70s or '80s who's produced classic hits - simply message me through the website www.abreathoffreshair.com.au or directly [email protected]

To learn more about Graham Nash head for his website https://www.grahamnash.com/

Meet THE RUBETTES - Mick Clarke and John Richardson who founded the UK band in 1973. They were the definitive one-hit-wonder band that came together after they had that instant smash hit with 'Sugar Baby Love’. Somehow they are still at it today delighting the crowds wherever they play. But there’s so much more to these guys than what meets the eye. Find out about their unlikely path to success which has seen them both on top of the world and wondering where their next hit will come from.

Was MATT BIANCO's first album 'Whose Side Are You On' one of your faves? It left an indelible impression on me, perhaps because of its catch jazzy sound. Strange really that I've been under the impression for many years, that Matt Bianco was a man. (Were you too?) I'm embarrassed to say I only just learned that Matt Bianco is the group's name not the man's. The man is MARK REILLY and this week we go behind the band to meet the man who was, and still is, at the heart of that awesome trio. Enjoy!

If you've been around for a while (and have lived in Australia at some stage of the game) you may remember British born Australian singer and entertainer BRYAN DAVIES. He was the youngest person ever in the world to host his own evening TV variety show back in the ‘60s!. Thanks to a listener request, we catch up with Bryan this week to hear how he got the gig at the tender age of 17 and let Joy from Coffs Harbour in New South Wales, chat with the star she's idolised since her teens.

Would you like to request a guest too? If you have someone from the '60's '70's or '80s that you'd like to hear being interviewed (and maybe you'd like to say hi to them too!!) just send me a message either through the website www.abreathoffreshair.com.au or directly [email protected] I'd love to hear from you.

You can check out lots of additional information about our guests on the website www.abreathoffreshair.com.au and you can also take a look at the video interviews on my youtube page https://www.youtube.com/channel/UCa_p5zKTRrIfpAtwXVKBQVw

https://rubettes.uk/

http://www.mattbianco.com

https://www.facebook.com/AustralianVariety

Hope you enjoy this week's show. Please let me know if you do!

Englishman KENNEY JONES has spent the best part of five decades at the heart of the rock music industry.
As drummer with the Small Faces, Faces and The Who, he has been involved in three of the biggest bands the music business has ever known.
From the moment he started drumming in the front room of his parents home, Kenney became hooked on music.

He shot to fame with the Small Faces in 1965 and had his first hit single when he was just 17. The band were at the heart of the Mod revolution that swept Britain and in the years that have followed they have been cited as a major influence on all sorts of musicians over the past 50 years.

When the Small Faces eventually disbanded Jones was instrumental in forming The Faces featuring Rod Stewart as lead singer.

The Faces took the rock world by storm and by the time they split in the mid 70's, Kenney was known far and wide for his drumming prowess and was asked to replace Keith Moon in The Who after Keith died.

Meet Kenney Jones this week and enjoy his humorous story telling. 

He tells us about stealing money from his mum to kick off his drumming career, how Rod Stewart came to be involved in the band in the first place and how he never wanted to rival the drumming of his good friend, Keith Moon and had serious reservations about joining the Who.

Kenney has incredible tales to tell. And did I mention the music? 

Kenney also has a new book out called 'Let the Good Times Roll: My Life in Small Faces, Faces, and The Who' that makes an incredible read.

Kenney Jones: www.kenneyjones.com

Check out my youtube channel for the video of the podcast: https://www.youtube.com/channel/UCa_p5zKTRrIfpAtwXVKBQVw

And my website for more information www.abreathoffreshair.com.au

Don't forget too - send me a message through the website if you'd like to hear from someone from the 60s 70s or 80s and I'll do my best to get them onto the show for you!

Happy listening!

Love Sandy

His dad was known as 'The Father of Rock and Roll' but he was, unfortunately, no father to his own son. BILL HALEY JR has a new book out about his legendary dad and tells us that all Bill Haley wanted to do was get kids up and dancing again. Join me to hear that despite Bill Haley being way ahead of his time, playing ‘race music’ with a ‘hillbilly touch’ he enjoyed success for only a few short years before Elvis 'pipped him at the post', sending him spiralling into depression until his life was tragically cut short.

Meet BILL PASCALI,  a singer known as the ghost of rock n roll. You may not have heard his name but he's best known for carrying on the legend of that one hit wonder group, STEAM, into current times. You remember Steam don’t you? Or at least their monster hit- Na Na Na Hey Hey?  Bill debunks all the myths around the track and the band for us.

For self taught bluesman, LARRY MCCRAY, his latest success is somewhat bittersweet. The 62 year old has recently been taken under the wing of  blues guitarist Joe Bonamassa who has helped him cut his latest album 'Blues Without You'. We catch up with Larry to hear all about his roots, what his sadness is and what he sees as the future of the Blues genre he grew up with.

Join me won’t you? And don’t forget if you’d like to request a guest from the 60’s 70’s or 80’s, simply send me an email to [email protected]

You can find more information about the artists I speak with every week by heading to the website www.abreathoffreshair.com.au

Hi my friends,

Hope you’re having a good one.

STEPPENWOLF have always been one of my very favourite bands so nailing JOHN KAY for an interview was something of a coup. He speaks to the media very rarely these days and when he does, it’s usually about his charitable foundation - https://mauekay.org/

After months of hounding him, the founder and lead singer of the 60's Canadian American rock band, finally agreed to chat with me.

He delves deep into his past with personal stories about his treacherous escape from war-torn Europe. He tells us about his early days in Canada, how he initially formed the band and how he stumbled upon the name from a book by German author Herman Hesse. 

He talks about Steppenwolf's amazing rise to success.

John also shares tales about how living the life of the rock star with all the crazy excesses nearly killed him. 

He fondly recounts the time recently when he was invited back to a little town in Germany to share the stage with the ghost of Johan Sebastian Bach.

Today, John Kay is also incredibly proud of his personal evolution that's seen him transform from ‘Rock God’ into Wildlife Warrior. He tells us all about the places he's seen and how his work has been able to help both humans and animals in need.

It's fascinating stuff. 

Don't miss this conversation with Steppenwolf's John Kay or his latest film - Born to Be Wild ‘From Rock Star to Wildlife Advocate'. https://mauekay.org/born-to-be-wild

You'll find the transcript to this interview on my website https://abreathoffreshair.com.au/  Please visit and let me know how you enjoy the show.

And, don't forget if you'd like to request a guest from the 60's, 70's or 80's who you'd like to hear interviewed. simply send me a message [email protected] 

A Breath of Fresh Air loves the music and the musicians of the 60's 70's and 80's. And, if you’re a fan of 80’s music, you’re likely a huge fan of English new wave band, SPANDAU BALLET. The group was inspired by London’s post-punk underground dance scene and became one of the most successful groups of the New Romantic era. We meet lead singer TONY HADLEY who tells us all about his time with the band, why he left it and we check in with some of his latest music that he's taking on tour.

My next guest has been dubbed “The First Lady of Roots Music” for albums that touch on her wide-ranging influences. On her latest excursion, MARIA MULDAUR teamed up with an unknown New Orleans street-band. The singer has had a long and storied career but is known around the world for that one particular song about a camel. You know the one I'm talking about, don’t you? We check in with Maria to hear all about how 'Midnight at the Oasis' came to be. You could be pretty surprised to learn the real story!

This week's listener's choice finds us chatting with one of Australia’s consummate hippies and most beloved musicians, RICHARD CLAPTON. The uber cool Richard joins us to walk us through his long career and regales us with stories of his past and present and his hopes for the future. If you don't know Richard Clapton's music, this interview will shine a lot of light on the man and the songs he's popularised over many years.

Do you have an artist you’d like to hear from? Just send me a message [email protected] and I’ll do my best to get your favourite 60’s, 70’s or 80’s artist onto the show to chat with them. If you like, you'd be welcome to join me to say hi too!

Hope you enjoy the show. If you do, perhaps you'd consider subscribing? Or maybe you could share it with some of your friends? You might even like to leave me a review/rating on the platform you're listening to it on. I'd be sooooo grateful!

Till next week then, 

Warm regards

Sandy

DIRE STRAITS filled giant stadiums around the world and sold hundreds of millions of records. Throughout the eighties they were one of the biggest bands on the planet. Their classic songs - 'Sultans of Swing', 'Romeo and Juliet', 'Money for Nothing', 'Brothers In Arms' - formed the soundtrack of a generation and live on today: still racking up sales, still being played on the radio on every continent.

This week we devote the entire episode of A Breath of Fresh Air to Dire Straits’ founding member and bassist, JOHN ILLSLEY who shares the story of one of the greatest live acts in rock history. Starting with his own unlikely beginnings in Middle England, he recounts the band's rise from humble origins in London's spit-and-sawdust pubs to the best-known venues in the world, the working man's clubs to Madison Square Garden, gigging with wild punk bands to the Live Aid stage at Wembley. From loading in their own equipment down beer chutes of London clubs to playing for seven million people on their final 1992 tour, he paints the expanding insanity of their global conquest, in a tale thick with unlikely characters, wild highs and inescapable downs. More than that, he describes the relationship that came through it all, which he values above any platinum disc.

Until, ultimately, the shattering demands of touring on a global scale and living life in the spotlight took their inevitable toll.

During our interview, John recounts stories about meeting and working with his great friend Mark Knopfler. He walks us through some of the band’s best known tracks, telling us how they came to be and discusses his latest solo album, simply called 8. He also details his newly released autobiography ‘My Life in Dire Straits’.

It’s a fascinating chat. One that will keep you glued to hear more.

Is there someone you'd like to hear featured on A Breath of Fresh Air? If so, please get in touch with me through the website, www.abreathoffreshair.com.au and let me know who you'd like me to find for you. It would be my pleasure to bring your favourite artist onto the show.

And, if you like what you hear, could you possibly subscribe to the podcast and/or leave me a review/rating?

It would really mean a lot to me.

I hope you enjoy this week's episode. Please let me know if you do.

Warm regards

Sandy

He’s a guitarist who’s played with Roxy Music since 1972; he’s produced albums and tracks for David Gilmour, Pink Floyd and Rod Stewart as well as for New Zealand’s Split Enz. Today PHIL MANZANERA has a new solo album with Crowded House's Tim Finn and he joins me this week to talk about how he and his friend collaborated on it. Phil also chats about his time in Roxy Music; how he joined the band, what it was like and how excited he is to be heading out on tour again with the guys for Roxy Music's 50th anniversary tour.

The year was 1965 and in Cleveland Ohio, a teenage band called Tom King and The Starfires pooled their meagre resources to record an original song. The tune was called  "Time Won't Let Me" and to their greatest surprise, the song began to receive radio airplay. The band became an overnight hit-sensation and with a name change, the youngsters became known as THE OUTSIDERS.  For a while they were on top of the world as a One-Hit-Wonder but as we hear from RICKY B this week, success didn't last too long.

He’s a twelve-time nominated and two-time GRAMMY Award winner. He’s sold more than 40 million albums, has been making music for more than 60 years and was inducted into the Country Music Hall of Fame in 2019. It's my absolute pleasure this week to introduce you to Mr. 'Gitarzan' RAY STEVENS whose music I certainly grew up with –and I know you probably did too. What a treat conducting an interview with Ray. Don’t miss hearing how all of those famous comedy songs came about and what Ray is up to today.

Would you like to hear from someone special? I'd love to bring a guest onto the show just for you. If there's a musician from the 60's, 70's or 80's that you'd like to catch up with, simply send me a message through the website, www.abreathoffreshair.com.au and I'll chase them up on your behalf. Maybe you'd like to say hi too? All can be arranged. 

Send me a message, subscribe to the podcast and if you feel inclined, leave me a review too? It would really mean a lot to me. 

Happy listening, love Sandy 

This week: It's our 100th episode of A Breath of Fresh Air so we're celebrating by bringing you the most requested artists of all time. We hear from the stars and reminisce through their classic hits. You voted for these guys so here they are.

We start with the inimitable GORDON LIGHTFOOT who at 83 years of age is still going strong and currently out on tour. Gordon walks us through many of the highlights of his mammoth career but also shares some of his deepest regrets. Don't miss an extraordinary chat with the 60+ year legend of country and folk music. I know many of Gordon's fans have never heard him speak like this before.

Declan Patrick McManus is better known as ELVIS COSTELLO – the English singer songwriter and record producer who’s won multiple awards, including Grammys. He’s married to singer Diana Krall and is dad to three sons. With his sixth album out now since 2020, Elvis shares some of the stories of his career, explains the thought process he uses to make music and why his most recent songs can only be described as urgent and immediate. A fascinating chat coupled with some exhilarating tunes.

Our third superstar this week is the one and only PETER FRAMPTON whose breakthrough success came with the amazing double concert album Frampton Comes Alive, released in January 1976. It was so phenomenally successful, and his resultant fame so widespread, that it is hard to remember a time when he wasn’t a household name. Peter has had so many ups and downs during the course of his career but I'd bet no-one would have thought his good looks would've been one of his hindrances. A car accident nearly killed him, he lost his love of his life and more recently has been diagnosed with a muscular degenerative disease that is set to prevent him from playing guitar. Our chat was nothing short of heartwarming and my affection for this man (already at a high level) grew beyond expectation. I'm sure you'll enjoy getting to know him  too.

Join me won’t you? And if you’d like to hear from someone from this era - just send me a message through the website www.abreathoffreshair.com.au I would LOVE to hear from you!

Warmest regards

Sandy

Welshman, VERDEN ALLEN founded the British hard rock band, MOTT THE HOOPLE in the early 70's. The band was a mix of glam, metal and attitude that was bolstered by Ian Hunter's clever and thoughtful songwriting. Mott The Hoople had a tough, muscular sound but their lack of mainstream success meant its members inevitably splintered apart. Most famous for a song given to them by David Bowie, this week Verden recounts those early days and previews his latest solo album.

The 1910 FRUIT GUM COMPANY has been credited with launching the craze known as bubblegum music and they certainly found an enthusiastic audience with fans looking for something sweeter than the edgy rock music of the late 60’s. History has it that the group consisted of session musicians but 1910’s band leader, FRANK JECKELL says they were railroaded into playing bubblegum music and this is totally untrue. I caught up with Frank in New Jersey this week to discover that 1910 is still alive, well and playing to crowds today.

He’s one of Australia’s most iconic singer songwriters who’s helped give the country a voice and made millions of Aussies proud to be just that.
JOHN WILLIAMSON boasts fans of all ages but I learned this week that his biggest support base is actually young Aussie males. Guys like Ned who asked me to bring John onto the show. Even if you dislike the rather quirky music, meeting John will give you a sense of his passion and an understanding of the influence he still exerts today.

Join me? And don't forget it you'd like to 'request a guest' simply send me a message through the website www.abreathoffreshair.com.au I'll track down and find anyone you'd like to hear from - as long as they were making music in the 60's, 70's or 80's!

https://linktr.ee/abreathoffreshair

He's an Australian artist who's produced 20 singles and 7 studio albums, the first of which reached number one and stayed in the top 100 for two and a half years. He’s won countless awards and is known as the quiet achiever of the Aussie music scene. PETE MURRAY has just released a couple of new EP’s. I tracked him down to his home in Byron Bay, NSW to learn more about his latest music. BILLY SWAN epitomises the genre that is 'One-Hit-Wonders' and he couldn't be happier about it. He never imagined he'd find success at all but went on to work with Kris Kristofferson and to produce the legendary Polk Salad Annie for Tony Joe White. Can you name Billy's signature tune? If you said ' I Can Help' - you're right! Tune in to hear all of Billy's stories, they’re amazing. They were one of the UK's most respected rock bands and their guitarist, MICK GRABHAM was one of the best. Best known for his five-year stint in the 1970s, Mick had previously played in the minor British late-'60s band Plastic Penny, also logging in time with the even more obscure Cochise and the Guitar Orchestra. I catch up with Mick this week both to reminisce about his days with Procol Harum and to preview his fabulous new solo album. Any guest requests? Just send me an email to [email protected] Check out the website too where you can subscribe and read lots of extra tidbits about my guests. www.abreathoffreshair.com.au Also, let me know what you think of the show and if you like it, could you do me a favour and  please share it with your friends?

The First Lady of Rock is 71 years old and proud of it. SUZI QUATRO has just celebrated her 50-year long career in the music industry with a massive 2.5 hour show at London’s Royal Albert Hall that audiences are raving about. This week she's releasing a 3 cd box set, a 2 CD box set AND her latest book - her 7th! It makes me tired just thinking about it. I caught up with the irrepressible pocket rocket from her 15th century home in the UK where she tells me all about her poems, her amazing energy levels and her 'EGO' room on the top floor of her house. Do you remember THE UNDISPUTED TRUTH? They were a Motown recording act in the early 70’s, put together in the image of The Temptations although lead singer, JOE HARRIS denies this. He’s been with the group since day one (although he's been singing since 1957) and he walks us through those early days when the group sang on Edwin Starr’s War, on Ain’t No Mountain High Enough with Diana Ross and on Stevie Wonder’s Signed Sealed and Delivered. Today Undisputed Truth are one of only 3 Motown acts that are still current and feature more than one of their original members. Very reluctantly, Australian veteran singer-songwriter DOUG ASHDOWN agreed to have a chat with me this week. Doug is now 80 and living in Adelaide, Australia, far removed from the hustle and bustle that once followed him as he spent decades on top of the charts. As he reflects on his career, we hear the stories behind his many classic hits including "Winter in America". I also report back for one of our listeners who asked me to track down English 60's pop sensation POLLY BROWN. Polly used to front a band called PICKETY WITCH. Well, after a lot of hard digging I finally have some answers to share. Remember, if you'd like me to track down someone for you and bring them onto the show - one of your favourite artists from the 60's, 70's or 80's - just send me an email through the website www.abreathoffreshair.com.au or dm me through any of my socials https://linktr.ee/abreathoffreshair I'd love to hear from you and if you like what you're hearing ... I'd be so grateful if you could leave a review/rating and subscribe.

I’m excited to catch up with one of the best known and most loved singer- songwriters from the '60s and '70s.  He’s written hundreds of tunes many of which you’ll instantly recognise. The extraordinary JIMMY WEBB takes us on a journey through his life, from humble beginnings on the farm in midwest America to Hollywood where he lived the life of excess, hobnobbed with the who’s who of showbiz and when honoured with multiple grammy awards, finally met the artist he’d most admired since childhood. We’ll also catch up with Soul and R&B legends THE O’JAYS  who are bringing their tenure of 60 years to a close with one final tour. The O’Jays were the first black vocal group to perform in arenas across the US and after more than 70 years of singing together, founding members Eddie Levert Sr and Walter Williams Sr are on the road to remind audiences of their lifelong passion. Joining them is ERIC NOLAN GRANT, who's been with the band since 1995 and has just released his first solo single. Eric tells us what life is like being part of such a legendary group. Remember Australia’s new wave and synth-pop band, REAL LIFE?  The band had a string of hits in the 80’s and hit number one worldwide with their song 'Send Me An Angel'.  The song was the making of the band but lineup changes and issues with anxiety and depression saw the band fade from the spotlight.   We meet the band’s founder DAVID STERRY who has just resurrected Real Life with the release of a brand new album. Join me, won’t you? Do you have a guest you’d like to request? If so, please get in touch with me via the website www.abreathoffreshair.com.au If you like what you hear, please don't forget to subscribe to the podcast too! And maybe tell your friends. Every little bit helps.  I'd really appreciate it!

Let me introduce you to the UK Blues-rock band BONHAM-BULLICK. Singer/songwriter DEBORAH BONHAM is actually sister to the late John Bonham who we all knew as the drummer for Led Zeppelin.  Deborah and Peter Bulick are husband and wife and their new self-titled covers album is and an inspiring blend of blues, rock, and a bit of soul. Meet Deborah and Peter and check out their music. Ever wondered who George Baker from THE GEORGE BAKER SELECTION really is?

The George Baker Selection, the iconic Dutch pop group led by singer-songwriter George Baker (Johannes Bouwens), is celebrated for its timeless hits and infectious melodies. Formed in the late 1960s, the band achieved international stardom with their classic hit "Little Green Bag," a funky pop masterpiece that gained renewed fame through its use in the film Reservoir Dogs. Another global sensation, "Paloma Blanca," topped charts worldwide and became one of the best-selling singles of the 1970s.

Known for their distinctive blend of pop, rock, and folk influences, the George Baker Selection captivated audiences with their upbeat rhythms and memorable lyrics. Their music became a staple of the era, resonating with baby boomers and fans of retro pop. Despite lineup changes, the band’s innovative sound and George Baker’s charismatic voice remained at the forefront.

With their enduring popularity, the George Baker Selection continues to inspire nostalgia among classic pop enthusiasts, securing their legacy as icons of 20th-century music.

We discover this week that Hans Bouwens survived the 2nd world war as a child and was raised by his mother in the Netherlands. He spent his school days staring out of windows, dreaming about the day he could be a singer. At 14 he left school and went to work so he could buy himself a guitar. Today you know him as GEORGE BAKER from the George Baker Selection. George tells me what lies behind the hits, Little Green Bag and Una Paloma Blanca and provides an insight into his life. He’s performed, recorded and jammed with more rock stars than any other drummer in the history of rock n roll. He’s played on more than 100 albums and on 28 hit singles.

We catch up with JOHNY BARBATA who thrills us with some amazing stories from the road.

Johnny Barbata, legendary drummer and rock icon, is celebrated for his powerful rhythms and dynamic contributions to some of the most influential bands in music history. Rising to fame as the drummer for The Turtles, Barbata played on iconic hits like "Happy Together" and "Elenore," showcasing his versatile talent. He later joined Crosby, Stills, Nash & Young, where his masterful drumming elevated classics like Déjà Vu and Four Way Street, defining the sound of the 1970s folk-rock era.

Barbata’s career also included a pivotal role in Jefferson Airplane, which evolved into Jefferson Starship. His driving beats powered hits like "Miracles" and "With Your Love," solidifying his place in rock history. Renowned for his adaptability, Barbata’s drumming spanned genres from pop to rock to folk.

Beloved by baby boomers, classic rock enthusiasts, and music historians, Johnny Barbata’s enduring legacy as a drummer continues to resonate.

Bonham-Bullick, the dynamic blues-rock collaboration of Deborah Bonham and Peter Bullick, is a powerhouse duo redefining modern blues with electrifying performances and masterful musicianship. Deborah Bonham, the younger sister of Led Zeppelin drummer John Bonham, brings soulful vocals steeped in blues tradition and raw emotion. Paired with Peter Bullick’s exceptional guitar work, the duo delivers a sound that blends classic rock energy with deep blues authenticity.

Bonham-Bullick has earned acclaim for their live performances, captivating audiences with passion and chemistry. Beloved by baby boomers, blues purists, and classic rock lovers, the duo’s artistry solidifies their place as torchbearers of timeless, heartfelt blues-rock. Hear from Deborah too.

ELVIS COSTELLO joins me to share his thoughts on his latest album, “The Boy Named If”

Elvis Costello, legendary singer-songwriter and iconic figure in modern music, is celebrated for his distinctive voice, clever lyrics, and genre-defying artistry. Emerging in the late 1970s as a pioneer of punk and new wave, Costello captivated audiences with his debut album My Aim Is True and hits like "Alison" and "Watching the Detectives." Backed by his band The Attractions, he delivered classics such as This Year’s Model and Armed Forces, blending punk energy with pop sophistication.

Known for his musical versatility, Costello has seamlessly explored rock, country, jazz, and classical genres, collaborating with legends like Burt Bacharach, Paul McCartney, and The Roots. His Grammy-winning career includes iconic albums like Imperial Bedroom and King of America, showcasing his enduring creativity.

Elvis Costello remains a dynamic force in the music world, inspiring fans of punk rock, new wave, and classic songwriting. Beloved by baby boomers and younger generations alike, his legacy continues to shape the landscape of popular music.

Remember the song, 'Chick A Boom'? Can you name the singer? In our new 'One Hit Wonders' segment this week, we catch up with DICK MONDA, better known as DADDY DEWDROP.

Daddy Dewdrop, the stage persona of American singer-songwriter Richard "Dick" Monda, is best known for his quirky, chart-topping hit "Chick-A-Boom (Don’t Ya Jes’ Love It)" from 1971. This infectious novelty track became an anthem of the early ’70s pop-rock scene, earning widespread acclaim for its playful lyrics and catchy groove.

Before his breakout as Daddy Dewdrop, Monda worked behind the scenes in the music industry, composing songs and producing music for TV shows, cartoons, and other artists. His knack for blending humor and pop sensibilities made him a standout in the novelty rock genre, with "Chick-A-Boom" cementing his place in music history.

Celebrated by baby boomers, classic rock fans, and collectors of nostalgic hits, Daddy Dewdrop's unique style continues to resonate. His legacy lives on as a symbol of the carefree, fun-loving spirit of 1970s pop music, delighting audiences with his timeless, one-of-a-kind artistry.

And finally, I'm sure you remember The BELLAMY BROTHERS... HOWARD BELLAMY joins us also. His amazing story will have your ears glued.

The Bellamy Brothers, the legendary country-pop duo of Howard and David Bellamy, are renowned for their genre-blending sound, heartfelt lyrics, and enduring appeal. Bursting onto the music scene in 1976 with their smash hit "Let Your Love Flow," they captured the hearts of fans worldwide. This chart-topping anthem became a cornerstone of the soft rock and country crossover movement, earning them international acclaim.

Throughout their career, the Bellamy Brothers have delivered an impressive catalog of hits, including "If I Said You Have a Beautiful Body (Would You Hold It Against Me)," "Redneck Girl," and "Old Hippie." Known for their signature harmonies and storytelling prowess, they have consistently charted in country, pop, and international markets, securing their place as icons of the industry.

With a career spanning decades, the Bellamy Brothers continue to captivate baby boomers, country music lovers, and classic rock enthusiasts. Their timeless songs and global tours celebrate a legacy of innovation, authenticity, and universal appeal.

Join me! "A Breath Of Fresh Air" with Sandy Kaye.

World-renowned harmonica virtuoso, composer and producer Lee Oskar shares stories of his life as founding member of the band War with Eric Burdon.

Lee Oskar, legendary harmonica virtuoso and founding member of the groundbreaking band War, is celebrated for his innovative style and unforgettable melodies. A Danish-American musician, Oskar brought a unique sound to War's fusion of funk, jazz, soul, and Latin influences, contributing to iconic tracks like "Low Rider," "Spill the Wine," and "Cisco Kid." His expressive harmonica solos became a signature element of the band's sound, captivating audiences worldwide.

Beyond his success with War, Oskar pursued a thriving solo career, releasing albums that showcased his versatility and passion for instrumental storytelling. In 1983, he founded Lee Oskar Harmonicas, creating high-quality instruments beloved by musicians across genres. Oskar's dedication to his craft has solidified his status as a harmonica innovator and cultural icon.

With decades of influence on the music industry, Lee Oskar continues to inspire baby boomers, funk enthusiasts, and harmonica aficionados, ensuring his enduring legacy as a pioneer of timeless, genre-blending music.

Remember the folk-rock duo of BREWER & SHIPLEY and their 1971 hit "One Toke Over the Line?" We catch up with MICHAEL BREWER to find out more.

Brewer and Shipley, the iconic folk-rock duo of Michael Brewer and Tom Shipley, are celebrated for their harmonious blend of acoustic guitars, insightful lyrics, and vocal chemistry. Rising to fame in the 1960s and 1970s, they became symbols of the counterculture movement with their timeless hit "One Toke Over the Line," a Top 10 classic that resonated with audiences and became an anthem of its era.

Known for their socially conscious songwriting, Brewer and Shipley crafted a unique sound that fused folk, rock, and country influences. Their albums, including Tarkio and Weeds, received critical acclaim for their thoughtful storytelling and catchy melodies. Sharing stages with music legends like Crosby, Stills & Nash and Jefferson Airplane, they solidified their place in the folk-rock pantheon.

Decades later, Brewer and Shipley continue to inspire baby boomers, music lovers, and fans of classic hits, celebrating a legacy of timeless music that speaks to the heart of American culture.

Do you ever wonder whatever happened to Tony Orlando? Well, wonder no more because we catch up with Tony to hear all about his incredible 60 years in showbiz.

Tony Orlando, iconic pop singer and entertainer, is a household name known for his timeless hits and captivating stage presence. Rising to fame in the 1970s as the frontman of Tony Orlando and Dawn, he delivered chart-topping classics like "Tie a Yellow Ribbon Round the Ole Oak Tree," "Knock Three Times," and "Candida." These unforgettable songs became anthems of love, hope, and resilience, resonating deeply with audiences worldwide.

With his charismatic performances, Orlando turned Tony Orlando and Dawn into a cultural phenomenon, hosting a successful television variety show and earning multiple Gold and Platinum records. Beyond the hits, Orlando's deep connection with fans has kept his legacy alive, making him a beloved figure among baby boomers and classic pop music enthusiasts.

A versatile entertainer, Orlando's career spans decades, from sold-out concerts to impactful work as a philanthropist and advocate for veterans. His enduring appeal and influence have cemented his place as a legend in the history of American pop music.

Join me! "A Breath Of Fresh Air" with Sandy Kaye.