In this conclusion of their discussion of the Christmas film, Ryan and Todd begin with the film Die Hard and the problem of racism, move to an analysis of White Christmas as an anti-war film, and conclude with a celebration of Ernst Lubitsch's underrated Shop Around the Corner, as the ultimate Christmas film. Its great achievement is that it reveals how the depiction of the symbolic father's castration opens the path from the logic of cynical capitalism to love. This episode interprets these three films at length and wraps up Ryan and Todd's discussion of the Christmas film as a distinct genre.