29 avsnitt • Längd: 75 min • Oregelbundet
A podcast about two sisters and their obsession with period film.
The podcast Wigs and Candles is created by Andreina Romero and Gabriela Mörken-Romero. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
Gaby and Andreina continue their exploration of art through period film and discuss the film Mr. Turner.
Directed by Mike Leigh and starring Timothy Spall as the English romantic painter J. M. W. Turner, the movie tells the story of the painter during the last 50 years of his life when he was at the peak of his artistic abilities.
Gaby and Andreina discuss Timothy Spall's portrayal of the painter and how the tone and style of the movie shape our perception of Turner's art.
Links and sources:
In this first episode of the 5th season of Wigs and Candles, Andreina and Gaby discuss the film Hilma, a biographical movie about the Swedish painter Hilma af Klint.
Gaby and Andreina talk about Klint's career as a female painter in the 19th and early 20th centuries and her unusual approach to art and spiritual painting, a genre to which she greatly contributed.
Touching on themes of what it is to live a creative life and follow your artistic calling and dreams as a woman, Gaby and Andreina open the season with a film that deeply touched their hearts.
Links and sources:
Art historian Julia Voss on Hilma af Klint
To cap off their 4th season, Gaby and Andreina discuss the 1975 Stanley Kubrick film Barry Lyndon.
With the help of a very special guest, we discuss the technical marvels of this film as well as it enduring beauty and depth.
Sources and links:
Barry Lyndon Making of
Leon Vitali on Kubrick
Review from The Guardian
Roger Ebert Review
In this episode, Gaby, Andreina, and a special guest, discuss the beloved 2005 Joe Wright adaptation of Pride and Prejudice.
One of the most popular adaptions of the novel by Jane Austen, the film remains surprisingly fresh after almost 20 years since it was released. Gaby, Andreina and their guest discuss the movie timelessness, the remarkable cast, and many other fun detours along the way.
***Spoiler alert! While reviewing this film we go through key scenes and may reveal the ending, so be warned of spoilers!***
Links and sources:
Short interview with Keyra Knightley
Pride & Prejudice BTS - The Politics of 18th Century Dating (2005)
Karolina Żebrowska: I watched every version of "Pride and Prejudice" so you don't have to
In this episode, Gaby and Andreina finally watch a movie they have been waiting a long time to discuss.
A Royal Affair, tells the story of Princess Caroline Matilda of Great Britain and her husband King Christian VII. The story follows the years during Christian's reign when the ideas of the Enlightenment start to be introduced into the kingdom, mainly through the influence of Johann Friedrich Struensee, a physician and thinker who is deeply influenced by the movement.
Released in 2012 in Denmark, A Royal Affair tells a story in which love, politics, ideas, and history intersect in astonishing and heartbreaking fashion. Join us as we discuss what it means for pivotal national historical moments to be portrayed in film and what makes a period film, well, a period film.
***Spoiler alert! While reviewing this movie we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources & further readings:
Interview with cast + crew on the Berlinale 2012
In this episode, Andreina and Gabriela discuss the 2022 filmThe Woman King.
Written by Dana Stevens and directed by Gina Prince-Bythewood, The Woman King tells the true story of the Agojie, an all-female warrior force in the Kingdom of Dahomey in the 1830s, in what is present-day Benin.
Starring a formidable Viola Davis as the military general who eventually would become the woman king, the film tells a story of bravery, sacrifice, and female empowerment hidden within the history books during one of the darkest periods in modern times: the transatlantic slave trade.
Andreina and Gabriela discuss the main cast performances, the power of representation, and their efforts to expand their knowledge of the history of women across the globe.
***Spoiler alert! While reviewing this film, we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and links:
Interview with cast at TIFF 2022
Interview with Viola Davis and Cast
Thuso Mbedu in “The Daily Show” with Trevor Noah
Lashana Lynch and Thuso Mbedu in Good Morning America
There’s nothing little in the story of this film nor in the significance of the topics it touches on. Greta Gerwig’s Little Women (2019) is a wonderful, fierce, and modern adaptation of this classic, bringing all the themes that have made it one of the most beloved books of the last 150 years.
Centered on the character of Jo March, an aspiring writer, Little Women tells the story of the March sisters, four deeply loving but very different young women, all trying to find their path in life within the restrictions of 1860s American society.
Join us as we review Little Women with a special guest and talk about feminism, safe female spaces, pervasive gender roles, how they impact men and women, and much more.
***Spoiler alert! While reviewing this film, we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and links:
In a baroque opera hall in Paris sometime in the late 1700s, there’s a concert taking place.
The audience is hypnotized by the virtuosity of the main violin player and the beauty of the music. And still, the most puzzling fact about the scene is the player’s skin colour: it’s Joseph Bologne, Chevalier de Saint Georges, and he’s Black.
Born in Guadeloupe to an enslaved African woman and a French aristocrat, Joseph grows up in Paris and enjoys a high-class education. His talent for music can only benefit from this, making him a renowned musician and composer and gaining the favor of Queen Marie Antoinette and her entourage.
It sounds as if the boundaries of race and class are diluted in this story. Only to discover that, by crossing a line that seemed unimportant, the colour of the skin is the only thing that suddenly matters.
The story of Chevalier is fascinating, and is still hard to believe that it has remained untold for over two centuries.
While reviewing this movie, we learn about hidden jewels in history, what it takes to bring them back to light, and what effect they have on a wider audience.
***Spoiler alert! While reviewing this film, we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and other links:
Kelvin Harrison Jr. on the Tonight Show with Jimmy Fallon
Interview with the Cast and crew on the TIFF 2022 by “The Hollywood Reporter”
The Liberator tells the story, in wide strokes, of Simón Bolívar, the military leader, and most important Venezuelan historical figure. In this episode, Gaby and Andreina discuss the 2013 film with the help of a very special guest. Placing the film in the historical and political context in which it was made, we look at the role of historical films in creating a national identity and memory.
Join us as we discuss the relevance of cultural representation on the big screen, the humanisation of a mystified historical figure and the risks of too ambitious screenwriting.
Sources:
The Liberator Interview with actor Edgar Ramirez
The Liberator Interview with director Alberto Arvelo (Spanish)
TIFF Interview with director Alberto Arvelo
Google Hangout The Liberator (Spanish)
In this episode, Andreina and Gabriela discuss the 2020 film Ammonite with a very special guest.
Ammonite tells the story of 19th-century British paleontologist Mary Anning. An imaginary retelling of a brief period of her life, the film is directed by Francis Lee and stars Kate Winslet in the role of Mary Anning and Saoirse Ronan as Charlotte Murchinson, her lover.
Join us as we discuss this period film mixing science, history, and romance in the South West of England. In the process, we explore the dichotomy between artistic vision vs reality, period film clichés, and what dignifies or not a character.
***Spoiler alert! While reviewing this show we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources & further readings:
Article with film’s synopsis prior to release
Interview with Kate Winslet on LGBTQ+ Representation and Honouring The History of Mary Anning
In this episode, Gaby and Andreina discuss the 2022 film Emily, written and directed by Frances O'Connor in her directorial debut. Emily is a part-fictional portrait of English writer Emily Brontë mostly converting the period of her life before she wrote her novel Wuthering Heights. Gaby and Andreina talk about the cinematic representation of Emily as a historical character, Brontë’s relationship with her equally celebrated siblings, and how the film fits within the period film movie genre.
***Spoiler alert! While reviewing this show we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources & further readings:
Interview with director Frances O’Connor and main cast at the People + Entertainment at TIFF 2022
And because they’re so good, here’s also the Q&A at the TIFF 2022
Film Review from The New York Times
In this episode, Gaby and Andreina discuss the 2022 Netflix movie The Wonder, based on the novel of the same name by Irish-Canadian writer Emma Donoghue.
The movie, starring the brilliant Florence Pugh as a 19th-century nurse charged with observing a so-called “ fasting girl” in a rural town in Ireland in 1862, pushes against the limits of the period film genre and opens up conversations about science, religion, faith, and belief. Joins us as we walk through this mysterious and fascinating film.
The Wonder IMDB Page
Interview with Florence Pugh and Sebastian Lelio
Film review on The New YorkTimes
Interview with Emma Donoghue
In this episode, Gaby and Andreina discuss the much-talked-about 2022 Austrian movie Corsage, which depicts a year in the life of Elisabeth of Austria, better known as Sisi.
Mixing historical fact with imaginative interpretation, the film is a fascinating portrayal of this beloved Austrian icon, one that remains more a myth than a real person in the general imagination.
Gaby and Andreina also welcome a very special guest to talk about Sisi and help separate fact from fiction.
***Spoiler alert! While reviewing this film, we go through key scenes and may reveal the ending, so be warned of spoilers!***
Trigger warning: in this episode, we briefly mention the name of Austrian actor Florian Teichtmeister, who in February 2023 was charged with possession of child pornography. We recorded this discussion prior to this news being reported and we understand if you need to skip this episode.
Sources and other links:
TIFF 2022 Women Directors: Meet Marie Kreutzer – Corsage
https://womenandhollywood.com/tiff-2022-women-directors-meet-marie-kreutzer-corsage
People +Entertainment weekly TIFF Studio 2022
Q&A on the TIFF 2022
Marie Kreutzer on "Willkommen Österreich" (Interview in german!)
We rarely find a more determined fictional female character in literature from the late 19th century than Bathsheba Everdeen.
Guided by a strong will and a deep-rooted desire to build her path while keeping her full independence, Bathsheba learns the hard way that love and companionship are still not that bad after all.
A film full of breathtaking landscapes, a plot with unexpected twists, and a love story to remember, Far from the Madding Crowd made us think about women's leadership in an unusual time and place as well as the hard choices we sometimes get in life.
***Spoiler alert! While reviewing this film, we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and other links:
Carey Mulligan on how she suggested casting Matthias Schoenaerts as Gabriel Oak
Carey Mulligan interview
Making of “Far from the madding crowd”
Q&A Session with Thomas Vinterberg and Matthias Schoenarts
To open up our third season, Gaby and Andreina discuss the South Korean film The Handmaiden, directed by Park Chan-wook.
Acclaimed by critics, this movie is a work of extraordinary vision from beginning to end: cinematography, performances, costume and set design, in addition to an incredibly well-written script–every detail of this film shows the highest ambition and achievement.
We hope you enjoy our discussion and fall in love with this movie as much as we did.
***Spoiler alert! While reviewing this film, we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and other links:
Film review by Jia Tolentino on The New Yorker:
Short clip - Making of “The Handmaiden”:
Interview with Sarah Waters, author of the novel “Fingersmith”
What do you get when you take a pitch-perfect cast, beautiful but expressive cinematography, restraint but character-revealing costumes, and an inspired and poetic direction? The 2011 adaptation of Charlotte Brontë’s classic novel, Jane Eyre!
Directed by then up-and-coming filmmaker Cary Fukunaga, it remains one of the most underrated period films of the last two decades.
Join us as we discuss the incredible and timeless characters of Jane Eyre and Mr. Rochester and the way they are portrayed in the film. Adriana–Gaby and Andreina's eldest sister–joins the hosts for an in-person, prosecco-filled discussion fit for a midsummer grand season finale.
***Spoiler alert! While reviewing this film we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and other links:
Jane Eyre IMDB Page
https://www.imdb.com/title/tt1229822/?ref_=nv_sr_srsg_0
Jane Eyre Featurette
“I’m gonna stand up, take my people with me, together we are going to a brand new home” – so sings Cyntia Erivo in the song “Stand Up,” the Academy Award nominated song for the film Harriet she co-wrote after playing the film’s leading role.
In their first review of an American film so far, Andreina and Gabriela discuss the 2019 film Harriet, which tells the story of the abolitionist and social activist Harriet Tubman. Formerly enslaved, Tubman escaped to freedom in 1849 and then worked for the rest of her life to bring her family and other enslaved people to freedom.
Gaby and Andreina discuss casting choices (i.e. a British person playing an American historical figure), the differences between British and American period films, Cythia Erivo’s performance and much more.
***Spoiler alert! While reviewing this film we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and other links
Harriet IMDB Page:
https://www.imdb.com/name/nm7248827/bio?ref_=nm_ov_bio_sm
Harriet Cast and Crew Q&A | TIFF 2019:
https://youtu.be/9N8sgVS32fY
Interview with Cast:
https://youtu.be/jtuhFw_g-Ug
Video of the title song:
https://youtu.be/sn19xvfoXvk
Rogerebert.com Review:
https://www.rogerebert.com/reviews/harriet-movie-review-2019
Following Harriet Podcast:
https://podcasts.apple.com/us/podcast/following-harriet/id1483073168
Oh, Emma! Got into trouble again?
Although she always meant good, Jane Austen’s Emma is known for stirring things up in her hometown while playing the matchmaker.
Set in the early 19th century, this all-time classic has been brought to the big screen in many ways, but which one is your favourite?
We couldn’t answer this question easily so we watched two versions and tried to make up our minds!
So, tune in to listen to our discussion about Emma and Emma.! Two wonderful films, both true to the original material, but so different from each other.
***Spoiler alert! While reviewing this film we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and other links:
Emma (1996) IMDB
https://www.imdb.com/title/tt0116191/?ref_=fn_al_tt_2
Emma (1996) Making Of
Emma (1996) New York Times Review
https://www.nytimes.com/1996/08/02/movies/so-genteel-so-scheming-so-austen.html
Emma. (2020) IMDB
https://www.imdb.com/title/tt9214832/?ref_=tt_sims_tt_i_5
Emma. (2020) Q&A Session with Anya Taylor-Joy & director Autumn de Wilde
https://youtu.be/QyDhhwDq-S4
Emma. (2020) The Guardian Review
Acclaimed by many as avant garde cinema and derided by others for being too frivolous, Sophia Coppola’s “Marie Antoinette,'' from 2006, offers indeed a lot to talk about!
Starring an outstanding Kirsten Dunst, this Marie Antoinette is a woman full of passion, motherly love and sense of duty–perhaps a more sympathetic portrayal than we have seen in other films.
Either you love the colorful and luscious production design and celebrate the modern touches of pop music and teenage-like parties, or you’re irritated by the immaturity of the king and the superficiality of the story-telling.
Which side are you on?
***Spoiler alert! While reviewing this film we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and other links:
Marie Antoinette IMDB Page:
https://www.imdb.com/title/tt0422720/?ref_=tt_urv
Marie Antoinette (The Guardian Review):
https://www.theguardian.com/film/2006/oct/20/drama.romance
Marie Antoinette (2006) - The Making of "Marie Antoinette":
In 1909, same-sex relationships were illegal in Great Britain and the consequences of being “caught” were heavy and, at times, catastrophic.
Imagine yourself trapped in that situation of not being able to live your love and passion in freedom–without a doubt, a terrifying, soul-crushing feeling.
The 1987 Merchant-Ivory film Maurice, based on the novel by the same name by E. M. Forster, gives us a glimpse into the asphyxiating constraints early 20th-century British society placed on gay people and their aspirations and desires.
While not necessarily an audience magnet at the time of its release, this film touched us deeply and drove us to have one of the most whole-hearted discussions we’ve had so far in our podcast series.
An impeccable production with stunning performances, Maurice resonates today with an eternal message: follow your heart, follow your true self, for this is the only way to live an honest life.
***Spoiler alert! While reviewing this film we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and other links:
Maurice IMDB: https://www.imdb.com/title/tt0093512/?ref_=tt_urv
Roger Ebert's Review of Maurice: https://www.rogerebert.com/reviews/maurice-1987
Maurice (1987) - Conversation with the Filmmakers: https://youtu.be/1bY9cU7goYo
There is so much about this film that impacted us that we struggled to compact it all in one single conversation:
The subtlety of the main love story: a love between equal-leveled minds and opposite characters.
The delicacy of the cinematography that works as a piece of art on each frame of the movie.
The smartness with which key elements were built in the story: femininity, women in art, working women in the 18th century, sorority among women regardless of their background. The famous “female gaze” and so much more.
With Portrait of a Lady on Fire, Céline Sciamma created a film that breaks the mold of the classic period film genre and stands out for itself.
A true masterpiece, a feast for the eye and the soul.
***Spoiler alert! While reviewing this film we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and other links:
Portrait of a Lady on Fire - Cast And Crew Q&A - TIFF 2019
“Portrait of a Lady on Fire” Is More Than a “Manifesto on the Female Gaze”
Portrait of a Lady on Fire IMDB Page
What happens when you create a period drama with a young, North American audience in mind? And when you add on one of the most successful Black, female producers in television to helm the show? Bridgerton, that’s what you get!
In this episode, we bring a very special guest, our sister Adriana, a mechanical engineer in the sunny Silicon Valley in California who also happens to be a huge TV series lover.
With her help, we discuss the influence that Shonda Rhimes had on the production of Bridgerton, the implications of “colour blind” casting, and our impressions of the show’s much-talked-about sex scenes.
***Spoiler alert! While reviewing this show we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources & further readings:
“A Double Hot Take On Bridgerton, Race & Romance” - Refinery29
With ‘Bridgerton,’ Scandal Comes to Regency England - The New York Times
How many times have you seen a dark-skinned woman wearing a high-society 18th-century dress in history books? How much do you know about the lives of people of colour in the 18th century in England? (at least those who were not enslaved)
And here’s one more: how often have you seen a Black woman starring in a period film?
With these and a few other challenging questions, we invite you to listen to our conversation about the film “Belle”. Inspired by the real-life story of Dido Elizabeth Belle, the illegitimate mixed-race daughter of an English aristocrat, this movie introduced us to a historical character we knew nothing about and surprised us immensely by the conversation it opened. Not only did we discover a little jewel in recent cinema making, but also it made us aware of the many clichès and false perspectives, we, as women of colour, are ourselves plagued with.
A passionate discussion about the story of a woman with a tough destiny, and how present the story still is nowadays.
***Spoiler alert! While reviewing this film we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources & further links:
https://en.wikipedia.org/wiki/Belle_(2013_film)
“A Stitch in Time: Dido Belle” https://youtu.be/GSDDJrlJukM
Did you ever wonder what it must have been like for Marie Antoinette when the riots of the French Revolution started to heat up the mood in the country? Did you ever wonder what it must have been like to be in the Versaille Palace and witness the uncertainty among the royals on the verge of free-fall? What happened behind those walls? How did those days pass for those living inside?
In the film “Les Adieux a la Reine” or “Farewell, My Queen” you get a good glimpse at this fascinating chapter of history through the eyes of a servant, giving a full new perspective to the story.
And this is the topic of our new episode: we review the movie not only focusing on the cast, the main characters, and the stunning production around it but also on how much a film and a story can be modified by the personal touches of the director.
We go into a discussion about clichés, men directing female characters, the necessity of nudity, and rumours from the past.
***Spoiler alert! While reviewing this film we go through key scenes and may reveal the ending, so be warned of spoilers!***
Additional music
Concerto for 2 Cellos in G minor, RV 531
The Modena Chamber Orchestra
Sources & further links
Marie Antoinette, by Antonia Fraser
https://www.amazon.de/Marie-Antoinette-Journey-Antonia-Fraser/dp/038548948X
Berlinale Press conference
https://www.berlinale.de/de/archiv/jahresarchive/2012/02_programm_2012/02_filmdatenblatt_2012_20123500.html#tab=filmStills
Take a Jane Austen classic, a Taiwanese director, a novice screenplay-writer and some of the best actors in England from the early 1990s and voilà! You get an unforgettable film adaptation of one of the most famous love stories in British literature.
This award-winning version of Sense & Sensibility stole our hearts many years ago and still today it makes us fall in awe of its humour, its portrayal of female characters and the quality of the production. From the award winning script, to the casting, to some of our favourite scenes, join us as we deep-dive on this classic period film.
***Spoiler alert! While reviewing this film we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and other links:
Production notes on the DVD
“A kiss is a secret which takes the lips for the ear.” Pure Poetry that is! And so is the next film we review on this new episode: Cyrano de Bergerac.
The 1990 film adaptation of this classic of French literature is one of our all-time favorites, a fast-paced story with no redundancies.
Starring Gerard Depardieu in what became his most pivotal performance, a very young and handsome Vincent Perez, and a passionate Anne Brochet—the movie truly honours this hero of romanticism.
While reviewing the film, we discovered one stunning performance of one invisible but yet omnipresent star, something that also played a big role in our own lives: la langue française.
To discover why, press play, relax and listen while we take you on this trip to France of the late 17th century.
And remember: “A great nose may be an index of a great soul” :-)
***Spoiler alert! While reviewing this film we go through key scenes and may reveal the ending, so be warned of spoilers!***
Sources and other links:
https://en.wikipedia.org/wiki/Cyrano_de_Bergerac_(1990_film)
https://www.goodreads.com/work/quotes/2327623-cyrano-de-bergerac
Production notes from the DVD edition
Cyrano - Movie theme: https://www.youtube.com/watch?v=NgFcEWBUK_U
Additional music:
Le Bourgeois gentilhomme, by Jean-Baptiste Lully, 1670
It’s 1908. Europe is at peace. The upper-middle class is living carefree.
Now, picture Italy, its warmth, its sunlight-bathed landscapes.
Picture Florence and a young handsome couple.
Picture England’s countryside with green pastures and people playing feather ball.
You’re now immersed in the setting of a beautiful story about love, romance, society expectations, heart’s desires, and intrigues.
You’re watching: “A room with a view”! A timeless movie with a message that still speaks to us and to our hearts, a movie that marked our identity as young girls living in a completely contrasting world yet feeling the same constraints as the characters in the story.
Join us on our first deep-dive review of this wonderful film, an absolute classic in the genre, as we go through the cast, the story, why we love it, and what we love in it.
***Spoiler alert! While reviewing this film we go through key scenes and may reveal the ending, so be warned of spoilers!***
Why would two Latin American sisters do a podcast about period films, a genre dominated by European films? This is the departing question for this first episode as Gabriela (calling from Germany) and Andreina (connecting from Canada) explore the origins of their obsession. Join us as we reminisce about growing in Maracaibo, Venezuela—the hottest city in the country—and dreaming about far away places both in distance and time.
En liten tjänst av I'm With Friends. Finns även på engelska.