45 avsnitt • Längd: 40 min • Månadsvis
Design • Konst • Visuell konst
Redesigning history by celebrating women. Amber Asay (host and designer) highlights groundbreaking contributions of women designers who have shaped the world we live in today. From graphic designers to architects, industrial designers to fashion icons, we explore the inspiring stories of the women who came before us, breaking barriers and paving the way for future generations.
There’s a dual approach in each episode, with a designer as a featured guest, we’ll uncover the remarkable journey of a historical figure, shedding light on their innovative designs, their challenges, and their triumphs. The goal is to make these extraordinary women household names, ensuring that their legacies are rightfully celebrated and recognized for their profound impact on design history.
The podcast Women Designers You Should Know is created by Amber Asay. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
This dual feature episode explores the legacy of Susan Kare, the designer behind the original Mac icons, with guests Amy and Jennifer Hood, the twin creatives behind Hoodzpah, known for their bold branding and empowering creative business strategies.
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About Susan
Susan Kare is a graphic designer and pioneering iconographer best known for her work on the original Apple Macintosh in the early 1980s. With a background in fine arts, she had no prior experience in computer graphics when she was hired to design the first digital icons and typefaces for the Mac. Using graph paper and pixel constraints, she created some of the most enduring symbols in tech history, including the Happy Mac, the Command key symbol, and the original Mac fonts like Chicago and Geneva. Her designs humanized technology, making computers intuitive and accessible to non-technical users. After Apple, she continued shaping digital interfaces at NeXT, Microsoft, Facebook, and Pinterest, and today, she serves as a Design Architect at Niantic Labs while selling limited-edition prints of her iconic designs.
About Amy & Jen Hood
Amy and Jen Hood are the twin sister duo behind Hoodzpah, a Southern California-based branding agency known for its bold, strategic, and personality-driven design work. Since founding Hoodzpah in 2011, they have worked with major brands like Disney, Nike, and 20th Century Fox, creating memorable identities and custom typefaces. Beyond client work, they are passionate about helping creatives build successful careers—they wrote Freelance, and Business, and Stuff, a practical and empowering guide to running a creative business, and have launched resources for designers, including brand identity courses and custom fonts. With a fearless approach to branding and a deep understanding of creative entrepreneurship, Amy and Jen have carved out a distinctive place in the design world while uplifting the next generation of creatives.
Amy and Jen's Book: Freelance and Business and Stuff by Amy Hood and Jennifer Hood
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This dual feature episode highlights the artistry of the Gee’s Bend Quilters, whose improvisational designs and cultural resilience transformed necessity into celebrated textile art, alongside Francine Thompson, Design Director at Hims & Hers, who shares insights on visual storytelling and building compelling brand narratives.
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About The Quilters of Gee's Bend
The Gee’s Bend Quilters are a collective of African American women from the small, rural community of Gee’s Bend, Alabama, whose quilting tradition dates back to the 19th century. Descendants of enslaved people who once worked the land as sharecroppers, these women transformed necessity into artistry, crafting bold, improvisational quilts from repurposed fabrics like denim, flour sacks, and worn-out clothing. Their work remained largely unknown outside their community until the early 2000s, when museum exhibitions catapulted them into the national spotlight. Now celebrated as one of the most significant contributions to American textile art, Gee’s Bend quilts have been displayed at the Whitney Museum, the Met, and the Smithsonian. Their distinctive designs—like the Housetop and Bricklayer patterns—have influenced modern art and design, blending tradition with innovation. Today, their legacy continues through exhibitions, workshops, and direct sales, ensuring their craft remains both an artistic and economic lifeline for the community.
About Francine
Francine Thompson is the Design Director of Brand at Hims & Hers, where she brings a strategic and thoughtful approach to branding, creating design systems that feel both human and impactful. With a foundation in graphic design, brand identity, typography, and creative strategy, she has built a career helping brands tell compelling stories that connect with people on a deeper level. Her work spans everything from printed materials to physical products, and she’s known for her ability to turn big ideas into tangible, beautifully executed realities. Based in California, Francine’s expertise in editorial design and brand storytelling has shaped her approach to crafting experiences that feel cohesive from the macro to the micro. In this episode, she shares insights on the power of visual storytelling and what it means to build a brand that resonates.
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Mentorship isn’t just about giving advice—it can be a full-circle moment that shapes both the mentor and the mentee. In this episode, Jeanetta Gonzales, a celebrated surface designer, illustrator, and creative coach, shares how mentorship has impacted her career, why representation in design matters, and how guiding others can be just as transformative as being guided.
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About Jeanetta
Jeanetta Gonzales is a surface designer, illustrator, and creative mentor with over 25 years of experience in the design industry. She has collaborated with major brands like Target, Adobe, The New York Times, and Crayola, creating bold, vibrant artwork infused with energy and empowerment. In addition to her design work, Jeanetta is passionate about mentorship, offering coaching programs, workshops, and online classes to help emerging artists develop their unique style and navigate their careers. She also teaches a popular Skillshare course on discovering your artistic voice. Through her work, Jeanetta champions representation in the creative industry and encourages artists to embrace their individuality. You can find her work and mentorship offerings at jeanettagonzales.com and follow her on Instagram at @nettdesigns.
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Just in time for Valentine’s Day, join us as Ti Chang, cofounder of CRAVE, shares how she’s revolutionizing the way we connect through design, pioneering the category of pleasure jewelry with elegant, empowering products that redefine intimacy and human connection.
Ti Chang is a designer and cofounder of CRAVE, a brand known for pioneering pleasure jewelry. With a background in industrial design, she combines luxury with functionality to create innovative products that foster human connection and empower individuals to embrace their sexuality. Through CRAVE, Ti has redefined intimacy products, offering elegant and discreet designs that prioritize both beauty and personal empowerment.
Follow Ti and her company:
lovecrave.com
@lovecrave
@designerti
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This dual feature episode explores the visionary work of Nanna Ditzel—who designed furniture for movement, conversation, and mental well-being—alongside Kate Arends, founder of Wit & Delight, as we discuss how design shapes our emotions, interactions, and everyday lives.
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About Nanna
Nanna Ditzel wasn’t just a designer—she was a revolutionary. The first woman in Denmark to carve out an independent career in furniture design, she shattered conventions and reshaped the way we interact with our spaces. While her male counterparts built rigid, functionalist structures, Ditzel asked a radical question: What if design made us feel free?
She and her husband, Jørgen Ditzel, pioneered furniture without legs, believing that people think, feel, and connect better when they aren’t confined to stiff, upright chairs. The result? Some of the most iconic, boundary-breaking designs of the 20th century—from the cocoon-like Hanging Egg Chair to tiered seating landscapes that invited movement and conversation.
But her story didn’t end there. When Jørgen died young, Nanna didn’t fade into obscurity—she became Denmark’s reigning queen of modernism. She mastered textiles, designed jewelry for Georg Jensen, and, at 70 years old, created the Trinidad Chair, a masterpiece of technology and craftsmanship that’s still a best-seller today.
For decades, her male contemporaries stole the spotlight, but now, finally, the world is catching up. Nanna Ditzel wasn’t just part of Danish modernism—she expanded its very definition.
About Kate
Kate Arends is a designer, brand strategist, and the founder of Wit & Delight, a lifestyle brand that blends storytelling with intentional design. With a background in graphic design and advertising, Kate launched Wit & Delight in 2009 as a personal creative outlet, which has since evolved into a trusted voice in modern living, interiors, and mental well-being.
Her work explores the intersection of design and emotion—how our environments shape our mood, creativity, and daily life. Through her platform, she shares insights on everything from home styling to personal growth, fostering a deep connection with her audience. With collaborations spanning major brands and a keen eye for cultural shifts, Kate continues to redefine what it means to live and design with purpose.
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Hear the extraordinary life of Elsa Schiaparelli. From her rebellious youth and surrealist collaborations to her iconic designs like the lobster dress and shocking pink, discover how Schiaparelli redefined fashion as art and left a legacy of daring innovation, with guest and fashion enthusiast, Darrian Wright.
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About Elsa
Elsa Schiaparelli was the ultimate rebel of fashion, a designer who turned shocking ideas into art. Born in 1890 to an aristocratic family in Rome, Elsa’s life was anything but conventional. As a child, she released a box of fleas under her parents’ dinner table and later staged a hunger strike to escape a Swiss convent. After a whirlwind marriage to a charming con man, she found herself as a single mother in New York, scraping by while mingling with avant-garde artists like Marcel Duchamp and Man Ray. It wasn’t until she moved to Paris and met legendary designer Paul Poiret that she discovered her true calling: inventing fashion. From surrealist collaborations with Salvador Dalí to creating her signature shocking pink, Schiaparelli defied norms, blending wit, art, and bold femininity. She gave us iconic designs like the lobster dress, the shoe hat, and the first wrap dress. A pioneer who refused to play by the rules, Elsa didn’t just make clothes—she made statements.
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Explore the life and legacy of Mary Colter, a groundbreaking architect and interior designer who crafted iconic buildings at the Grand Canyon and beyond, blending Native American traditions with innovative architectural design, who also lost a home in a 1968 Eaton Canyon fire, which felt oddly topical.
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About Mary
Mary Colter (1869–1958) was a pioneering American architect and designer known for her work with the Fred Harvey Company, where she designed several notable landmarks, including the Hopi House and Desert View Watchtower at the Grand Canyon. Colter was one of the few women in her profession during the early 20th century, and she gained a reputation for her ability to merge architecture with the natural landscape and Native American culture. Her designs were not only functional but also deeply respectful of the local environment and history. Colter's commitment to integrating local materials and employing indigenous builders reflected her dedication to authenticity. She was a visionary who shaped the aesthetic of the American Southwest and remains a defining figure in the architectural landscape.
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This episode didn't get nearly as many listens as it should, probably being that it was only episode 6, so now is a good time to push this rerun out into the world. Especially since LA is on fire, and I've been temporarily displaced by the fires. Enjoy!
Renowned graphic designer Gail Anderson shares her journey from creating magazines in her youth to working at Rolling Stone and beyond, discussing her experiences as a woman of color in the design industry and the evolution of her career. Listen in on how Gail's mentors shaped her path and the fulfillment she finds in seeing her designs in the world.
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About Gail:
Gail Anderson is a distinguished designer, writer, and educator, renowned for her impactful work at Rolling Stone magazine where she served as senior art director. She’s an AIGA Medalist, has authored 14 books and currently chairs the BFA Advertising and BFA Design departments at the School of Visual Arts. Anderson's creative portfolio extends to Broadway, where she has designed posters for notable productions, and she has several awards, including the 2018 Cooper Hewitt National Design Award for Lifetime Achievement
In this episode, Gail shares her journey, starting from her early years as a creative in grammar school to what it was like navigating the challenges as a Black woman designer in the 80s and 90s, while breaking barriers in the industry.
Join us as we explore Gail's career, her inspirations, and her thoughts on the evolving world of design. Today, we’re bringing you a firsthand look into the mind of a true design trailblazer.
A massive thank you to Gail for sharing her incredible journey, insights, and wisdom with us. It’s been an absolute honor to have her on the show and to learn from her experiences and expertise. Her story is a testament to the power of creativity, perseverance, and passion.
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Explore the extraordinary life and career of Mary Blair, the visionary artist behind Disney classics like Cinderella and It’s a Small World, whose bold use of color and modernist style transformed animation and design history, with special guest, Mike Asay.
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About Mary
Mary Blair wasn’t just an artist—she was a design visionary who transformed Disney’s visual language during its golden age. With her bold use of color, clean lines, and modernist sensibilities, Mary brought a fresh, imaginative approach to classics like Cinderella, Peter Pan, and Alice in Wonderland. Her work challenged the traditional realism of animation, introducing a playful, graphic style that still resonates today.
Beyond the big screen, Mary was the creative force behind the iconic It’s a Small World attraction, where her vibrant, harmonious designs celebrated global unity and joy. She also applied her design genius to murals, advertising campaigns, and book illustrations, always pushing the boundaries of what design could achieve.
In a male-dominated industry, Mary often faced challenges, but her influence was undeniable. She has even been said to be Walt Disney’s favorite artist, with him entrusting her with some of the studio’s most visionary projects. Mary Blair didn’t just design beautiful things—she pioneered a new visual language that shaped animation and continues to inspire designers worldwide.
If you’re ready to uncover the story behind one of Disney’s most groundbreaking designers, listen to this episode now and step into the colorful world of Mary Blair.
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2024 has been a whirlwind year for Women Designers You Should Know, with 29 inspiring episodes celebrating groundbreaking women in design + 6 bonus episodes that dive into the layers between these stories. This recap dives into the podcast’s journey, from tackling the glaring absence of women in design education to uncovering recurring themes in their stories. Host Amber Asay explores why humanism, patience, and breaking free from societal constraints are central to these women’s legacies. The episode also celebrates trailblazers who pioneered new design paths and shares the most inspiring philosophies from the year’s episodes. Packed with insights and memorable clips, this reflection honors the women who’ve shaped design while inspiring us to continue amplifying their stories.
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This dual feature episode highlights Corita Kent’s journey from nun to Pop Art pioneer, using screen printing to champion love and justice, and Britt Rohr’s modern take on printmaking as the founder of Swell Press, blending craftsmanship and storytelling in her designs.
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About Corita
Corita Kent (1918–1986), also known as Sister Mary Corita, was a nun, artist, and educator whose screen prints and serigraphs fused Pop Art with powerful messages of love, justice, and activism. As chair of the art department at Immaculate Heart College, she inspired a generation of students with her innovative teaching methods and bold use of everyday imagery. Her works, including the iconic Love stamp and Rainbow Swash mural, continue to resonate globally as symbols of creativity and compassion. Today, Corita is celebrated for her unique ability to elevate the ordinary into the extraordinary.
About Britt
Britt Rohr is the founder of Swell Press, a California-based letterpress studio known for its meticulous craftsmanship and timeless designs. With a passion for tactile art forms, Britt has carved out a niche in creating bespoke print pieces that marry modern aesthetics with the classic charm of letterpress. Her work has been featured in numerous publications and admired for its ability to tell meaningful stories through design.
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Instagram: @swellpress
Website: SwellPress.com
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Explore the life and legacy of graphic design pioneer Jacqueline Casey, whose bold, modernist posters defined MIT’s visual identity for decades — with insights from designer Michael Bierut, we uncover how Casey infused Swiss design principles with American ingenuity, led campus-wide design efforts, and created work that remains timeless and influential.
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About Jacqueline (Jackie)
Jacqueline Casey was a pioneering graphic designer whose work defined the visual identity of MIT for over three decades. Born in 1927 in Quincy, Massachusetts, she studied fashion design and illustration at MassArt before finding her way into graphic design. In 1955, her lifelong friend Muriel Cooper recruited her to the MIT Office of Publications, where Casey absorbed the principles of Swiss modernism and gave them her own twist—infusing wit, visual metaphors, and bold typography into her work.
As Director of MIT’s Design Services Office, she led campus-wide design efforts, creating posters and materials for scientific conferences, exhibitions, and cultural events. Her ability to simplify complex ideas with elegance and playfulness made her work timeless and celebrated globally. Today, her posters are held in the collections of MoMA, the Cooper Hewitt, and the MIT Museum, solidifying her as a quiet yet powerful force in modernist design history.
About Michael
Michael Bierut is one of the most influential graphic designers of our time. A partner at Pentagram since 1990, his work spans iconic logos, brand identities, and campaigns for clients like The New York Times, Mastercard, and Saks Fifth Avenue. Bierut has been a longtime educator at Yale, co-founded Design Observer, and authored celebrated books, including How to Use Graphic Design to Sell Things. His work is held in the permanent collections of MoMA and the Cooper Hewitt, and his thought leadership continues to shape the design world.
Follow Michael:
Instagram: @mbierut
Website: Pentragram.com
Threads: @mbierut
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Discover the story of Marget Larsen, a trailblazing designer whose iconic Christmas boxes, bold typography, and fearless creativity shaped mid-century advertising and design in San Francisco right as the psychedelic / counterculture era was budding, with industry insights from guest Sean Adams, previous AIGA President, and Dean at Art Center.
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About Marget
Marget Larsen was a trailblazing designer and art director who transformed mid-20th-century advertising with her bold, unconventional approach. Born in San Francisco in 1922, Larsen began her career at I. Magnin, where she discovered her passion for typography and lettering while taking night classes at the California School of Fine Arts. She rose to prominence as the art director at Joseph Magnin, a trendsetting department store, where her iconic Christmas boxes turned gift packaging into collectible works of art. Larsen later joined the boutique agency Weiner & Gossage, where her groundbreaking ads combined witty copy with daring typography, earning national acclaim. From designing bread wrappers to creating fundraising sweatshirts for Beethoven enthusiasts, Larsen’s fearless creativity knew no bounds. Despite her immense contributions, Larsen’s name remains largely forgotten in design history, though her work continues to inspire with its playful wit and timeless innovation. She passed away in 1984, leaving behind a legacy that shaped advertising, packaging, and graphic design as we know it.
About Sean
Sean Adams is a celebrated designer, author, and educator whose work has shaped the design industry for decades. As the Dean of the Visual Art and Communication Design Department at ArtCenter College of Design, Sean has mentored countless designers while championing the importance of design history and storytelling. He is the only two-term national president in AIGA’s 100-year history and a recipient of the prestigious AIGA Medal, the organization’s highest honor. Sean co-founded the renowned design firm AdamsMorioka, working with iconic clients like Disney, The Academy of Motion Picture Arts and Sciences, and The Metropolitan Opera. He has authored several influential books, including The Designer’s Dictionary of Color and How Design Makes Us Think. As a passionate advocate for elevating overlooked figures in design history, Sean brings his expertise and insight to today’s conversation about Marget Larsen’s remarkable contributions to the field.
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Instagram: @seanaadams
Website: AdamsMorioka.com
LinkedIn: Sean Adams
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For hundreds of years, society has systematically kept women from rising to their full potential—whether through laws denying them the right to own property, vote, or even open a bank account without a man’s signature—and today, I'm diving into the receipts.
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(**Trigger Warning: This episode discusses Suicide) This dual feature episode celebrates Ellen Raskin’s transformation from a prolific book designer to an award-winning author, seamlessly blending design and storytelling in works like The Westing Game. Briar Levit shares her own journey as a designer and author, using mediums like film, exhibitions, and publications to champion stories that inspire.
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About Ellen
Ellen Raskin (1928–1984) was a trailblazing designer and author who seamlessly blended her expertise in graphic design with her passion for storytelling. Born in Milwaukee during the Great Depression, Raskin pursued a fine arts degree at the University of Wisconsin before launching a prolific career in New York City, where she designed over 1,000 book covers, including the original cover for A Wrinkle in Time. Later, she transitioned to writing, creating critically acclaimed children’s books known for their intricate plots and visual clues. Her most famous work, The Westing Game, won the Newbery Medal in 1979 and remains a beloved classic. Ellen’s books, including The Mysterious Disappearance of Leon (I Mean Noel) and Figgs & Phantoms, exemplify her unique ability to combine puzzles, humor, and thoughtful storytelling, leaving an enduring legacy in children’s literature.
About Briar
Briar Levit is a graphic designer, educator, and filmmaker whose work brings underrepresented voices in design history to light. With nearly two decades of teaching at Portland State University, Briar encourages her students to explore design’s role in shaping culture and amplifying diverse perspectives. She gained widespread acclaim for her documentary Graphic Means: A History of Graphic Design Production, which chronicles the evolution of design tools and highlights women’s significant contributions during the shift from manual to digital production. Briar’s feminist advocacy is further reflected in her book Baseline Shift, which celebrates the pivotal yet often overlooked roles of women in design. A former art director at Bitch magazine, she’s dedicated her career to showing how design can be a tool for activism, history, and cultural critique.
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Instagram: @briarlevit
Website: briarlevit.com
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This dual feature episode explores Eileen Gray’s journey from interior design to groundbreaking modernist architecture, including the challenges of vandalism, loss, and rediscovery, alongside Emily Farnham’s dedication to preserving architectural history and working on both Mandy Moore and Lilly Collin's Mid-Century homes.
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About Eileen
Eileen Gray (1878–1976) was a groundbreaking designer and architect whose work pioneered modernism in the 20th century. Originally born in Ireland, she spent her career in France, becoming a self-taught architect and an innovator in furniture design. She's known for blending functionality with bold, avant-garde aesthetics. Her early career began with mastering lacquer work, a craft she honed despite its physical challenges, and she became a leading figure in Art Deco. Gray’s most iconic work is the E-1027 house, a modernist masterpiece designed with meticulous attention to detail and human-centered design principles. Despite her contributions, her achievements were often overshadowed by her male contemporaries, including the controversial vandalism of her work by Le Corbusier. Gray’s designs, like the Bibendum Chair, the E-1027 table and her modular lacquer screens, continue to inspire today. Rediscovered in her later years, she is now celebrated as a trailblazer who forged her own path, proving that vision and resilience can leave a lasting mark on the world of design.
About Emily
Emily Farnham is the founder of Emily Farnham Architecture, a Los Angeles-based practice known for its innovative and holistic approach to residential design. With an impressive career that spans architecture, interiors, and custom design, Emily's projects balance aesthetics, function, and personalization. She holds a Master of Architecture degree from Harvard's Graduate School of Design and a Bachelor of Science in Architecture from the University of Virginia's School of Architecture. Before establishing her practice in 2014, Emily honed her skills at several leading design firms in Los Angeles, New York, Boston, and San Francisco. This diverse background equipped her with the expertise to tackle projects of varying scales and complexities, from residential spaces to large-scale civic and educational buildings. Emily is a licensed architect in California and a LEED-accredited professional, known for her meticulous attention to detail and deep understanding of the construction process.
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Instagram: @emilyfarnhamarchitecture
Website: emilyfarnham.com
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This TRIPLE feature episode delves into the life of Agnes Martin, whose serene abstract expressionist art was born from a strict, meditative process and a journey of balancing inner turmoil. Michelle and Ellen, co-founders of Nature, share their layered stories of changing creative disciplines, finding balance, and embracing risks in their own design process.
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About Agnes
Agnes Martin may not be a household name, but her influence on abstract art is profound and lasting. Known for her minimalist grids and soft color bands, she crafted paintings that evoke pure calm and joy, all while living in near-total solitude in the New Mexico desert. Martin’s life is as intriguing as her art—she left the bustling New York art scene at the peak of her career to follow a deeply personal path. Though she struggled with mental health challenges, her discipline and commitment to simplicity made her a ‘desert mystic’ of the art world. Her story is one of resilience, solitude, and visionary work. Discover her life and legacy on episode 24 of the podcast.
About Michelle & Ellen
We take a curious and open-minded approach to the work that we do. We ask a lot of questions and have an affinity for both referencing the past and co-creating the future. We value our clients, their trust and their brands over everything. Relationships above all else. Our work is far beyond transactional and the connections that we create with the people we work with usually far out-live the span of the project. We have a lot of repeat clients and we take that as the highest compliment. We don’t believe that cold + pixel perfection equals luxury and we ardently swear by moments of wabi sabi and human-ness as drivers of resonance. We think that design done well and that is built from your narrative has the ability to cut through noise and stand out in vivid definition to the right people. Along with our client work we have a tightly edited resource shop for fellow designers. We believe that a rising tide lifts all boats and anything we learn the hard way on this journey we happily share with others.
Follow Nature:
Instagram: @hellowearenature
Website: by-nature.co
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67% of creative professionals reported experiencing burnout, with women more likely to report feeling overwhelmed by their work environments. Badal Patel opens up about how she struggled with creative burnout, and what she does now to prevent it from happening.
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About Badal:
Badal is the founder of Super Spicy. A small yet seasoned studio focusing on creative direction, branding, and design with extra flavor. She creates impactful brand experiences that merge style with substance through her unique perspective and design sensibilities. Her studio, Super Spicy, focuses on a variety of different areas including branding, packaging, website, campaign, print, and more. Badal’s goal with Super Spicy is to drive culture forward by sharing more nuanced stories and creating more representation.
Working remotely between NYC and LA, Badal has built up a roster of talented individuals that she collaborates with including but not limited to: strategists, designers, copywriters, illustrators, and photographers. She believes collaboration creates better work and aims to create the diverse teams of talent specific to the needs of each project.
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A dual feature episode exploring Ray Eames' transformative impact on mid-century design and Amanda Jane Jones' reflections on creativity, authorship, and the lessons we can draw from Ray's life.
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About Ray
Ray Eames was more than a design partner—she was the quiet force behind every iconic creation that bears the Eames name. From the revolutionary Lounge Chair to the vibrant, Mondrian-inspired glass walls of their Case Study House, Ray’s vision and meticulous artistry shaped modernism as we know it.
But behind the sleek lines and bold colors was a woman often mistaken for a man—'Ray,' they assumed, must surely be Charles's male counterpart. This misconception gave her an unexpected advantage, opening doors that might have otherwise stayed closed.
Yet, Ray’s journey was anything but easy. She endured a lifetime of her contributions being overshadowed, her name eclipsed by Charles’s fame, and even the painful betrayal of his infidelity. Still, she poured everything into their work, her impact far deeper than most people know.
About Amanda
Amanda Jane Jones is a graphic designer, author, and illustrator whose minimalist aesthetic has redefined modern editorial and product design. Amanda’s talent became widely recognized through her role as the founding designer of Kinfolk, where she crafted the magazine's iconic, minimalist style, inspiring countless designers and publications.
Her creative influence extends beyond editorial design; she has collaborated with major brands such as Opinel, Revival Rugs, Solly Baby, and Schoolhouse Electric, blending her clean and thoughtful aesthetic across diverse projects. In addition to brand collaborations, Amanda has illustrated children’s books, including Yum Yummy Yuck and The Hair Book, inspired by her own children and designed to engage young readers with playful simplicity.
Amanda’s latest project, Mother / Founder, celebrates the journeys of 68 women balancing the challenges of entrepreneurship and motherhood. Her work has been featured by Architectural Digest, The New York Times, Martha Stewart Living, and online platforms such as Mother Mag, Cup of Jo, and Domino. Now based in the Wasatch Mountains of Utah, Amanda continues to shape the design world with her distinctive vision, seamlessly blending elegance, versatility, and purpose into each project
Follow Amanda:
Instagram
Website: amandajanejones.com
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Learn the untold story of architect and furniture designer, Charlotte Perriand, whose innovative designs and fearless independence reshaped modern interiors and how she escaped Le Corbusier's shadow, with insights from special guest Adi Goodrich, spatial designer, who reflects on how Charlotte's legacy continues to inspire today's designers.
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About Charlotte
Charlotte Perriand was a visionary French designer and architect whose contributions to modernist design reshaped how we think about furniture and interior spaces. In 1927, after famously being dismissed by Le Corbusier with the remark, "We don’t embroider cushions here," she eventually joined his studio and co-designed iconic pieces like the LC4 Chaise Longue and LC2 armchair.
Though these collaborations are what she is most known for, Perriand’s career extended far beyond them. She designed the modular Nuage Bookshelf and minimalist Tokyo Bench, blending functionality with clean, modernist aesthetics. Perriand was also integral to larger architectural projects like the Unité d'Habitation, where she introduced multifunctional interiors, and the Les Arcs Ski Resort, where her modular furniture designs embraced the natural environment.
About Adi
Adi Goodrich is a Los Angeles-based multidisciplinary designer known for her vibrant and imaginative approach to Environmental design, Interiors, and furniture. Growing up in Chicago, she was heavily influenced by her father’s work in architectural and furniture restoration, which fostered her love for craftsmanship from a young age. Adi studied at the School of the Art Institute of Chicago and La Sorbonne in Paris, where she explored various disciplines including painting and art history.
Goodrich first gained attention working on window displays for Barneys New York and Anthropologie, which led to a flourishing career in set design for films, commercials, and photoshoots. Adi is Co-founder of Sing-Sing Studio, a creative practice she shares with her partner, filmmaker, Sean Pecknold where they have worked with major brands such as Apple, Google, Nike, Target, and more, bringing a unique blend of storytelling and design to each project. Adi also launched her own furniture line, in 2022 called "Sing-Thing." Her work is characterized by a bold use of color, materials, and a focus on creating spaces that are narratively driven. Learn more about Adi's design approach and career on Episode 22 of the podcast.
Follow Adi
adigoodrich.com
@adigoodrich
sing-sing.co
@singsingstudio
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Hear how Susan Skarsgard built her career from calligraphy to founding the GM Design Archive, blending art, design, and education to leave her mark on both the art and automotive worlds.
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About Susan
Susan Skarsgard (b. 1954) is a designer, artist, and author whose career bridges the worlds of fine art and industrial design. With roots in Detroit, Susan’s passion for calligraphy led her to study under Austrian master calligrapher Friedrich Neugebauer and to apprentice with legendary Detroit lettering master Jerry Campbell. Under Campbells' tutelage, she designed logos and lettering for advertising and automotive clients before ultimately joining General Motors Design in 1995. She earned her MFA from the University of Michigan in 2004.
At GM, she initially applied her skills to emblem and nameplate design for cars and trucks, but her most lasting legacy was founding the department GM Design Archive & Special Collections, which is the official repository for the history of design at General Motors. Susan is also the author of Where Today Meets Tomorrow, the definitive book on the history of the iconic GM Technical Center designed by Eero Saarinen.
Her journey as a woman navigating a male-dominated industry, along with her stunning work in calligraphy and book arts, is truly inspiring.
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This dual feature episode highlights Elaine Lustig Cohen’s self-taught rise to modernist graphic design and fine art, alongside Steven Heller’s efforts to rewrite design history by amplifying the contributions of women like Elaine.
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About Elaine
Elaine Lustig Cohen (1927–2016) was a pioneering modernist designer and artist, known for her bold, abstract book covers and museum catalogs that helped shape mid-century American graphic design.
After the sudden passing of her husband, renowned designer Alvin Lustig, Elaine—without any formal training—took over his studio in the 1950s, working with high-profile clients like Philip Johnson, Richard Meier, General Motors, and the Jewish Museum.
What set her design style apart was her ability to merge avant-garde European influences, like Constructivism and Bauhaus principles, with the clean, functionalist aesthetics of American modernism. She brought typography to the forefront, often treating it as a visual and emotional narrative element, while incorporating geometric abstraction to create a sense of movement and rhythm. Her work is now part of the permanent collections at MoMA, LACMA, and Cooper Hewitt.
About Steven
Steven Heller is one of the most prolific design historians and writers in the field, having authored, co-authored, or edited over 200 books on design, illustration, and popular culture. He is best known for his long-running column, The Daily Heller, published by Print magazine, which offers daily insights on visual culture, design history, and current events. In addition to his writing, Heller is the co-chair of the School of Visual Arts MFA Design/Designer as Author + Entrepreneur program, where he continues to shape future generations of designers.
Throughout his career, Heller has been a steadfast advocate for women in design. His work has consistently featured and celebrated the contributions of women who have been overlooked in design history. He has worked to bring attention to underrepresented figures in the industry, often calling for a rewriting of design history to include more women. As early as the 1990s, Heller began amplifying the work of female designers, championing their influence on design movements across modernism, typography, and visual communication. He has been vocal about the importance of gender equality in the design industry and has pushed for more inclusive recognition of the women whose innovations have shaped the field.
In 2011, Heller was awarded the AIGA Medal for his outstanding contributions to design journalism, education, and history. His ongoing commitment to uncovering the stories of women in design has made him not only a key figure in documenting design history but also an advocate for equity in the industry. Through his work, he has inspired a more inclusive and accurate portrayal of the design world, one that reflects the achievements of all its contributors.
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Uncover the fascinating story of Zelda Wynn Valdes, whose mastery of the mermaid silhouette led to her creation of the iconic Playboy Bunny costume, with insights from special guest Tobi Ashiru.
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Sources:
About Zelda Wynn Valdes:
Zelda Wynn Valdes (1901 – 2001) is often overlooked in design history even though she was one of the most influential fashion designers known for her hourglass silhouette dresses, and helping popularize the mermaid dress.
In fact, the femininity of her work caught the eye of Hugh Hefner who commissioned her to design the iconic and patented playboy bunny costume in 1960.
But before that, In 1948, Valdes became the first black person to open her own boutique on Broadway in Manhattan.
Zelda’s alluring yet sophisticated dresses were embraced by prominent figures such as Joyce Bryant, Ella Fitzgerald, Aretha Franklin, Eartha Kitt, Josephine Baker, Diahann Carroll, Dorothy Dandridge, and Mae West. She even designed Maria Cole’s gown for her wedding to Nat King Cole in 1948.
Zelda continued her impactful career until her passing in 2001, contributing to over 80 ballet productions at the Dance Theatre of Harlem.
She made it her mission to leave the door wide open for all the black women designers following in her footsteps. She led a fashion coalition that was founded with the sole purpose of promoting black designers.
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(**Trigger Warning: This episode discusses an explicit Murder) A brutal massacre at Frank Lloyd Wright’s Taliesin estate, where love, scandal, racism, paranoia, and murder intersect in a story that few have heard, involving the murder of his mistress, Martha Borthwick Cheney, at his beloved home he designed for their love.
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Sources:
PBS.org — Wright at the Time
History.com — The Massacre at Frank Lloyd Wright’s ‘Love Cottage’ by Christopher Klein
All That's Interesting — The Life and Death of Mamah Borthwick, Frank Lloyd Wright’s Controversial Lover by Jessica OConnor
Solved Murders Podcast Part 1 & Part 2 (2021)
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This dual feature episode highlights both Lella Vignelli and Giorgia Lupi and their focus on human connection through design. Lella Vignelli's multi-hyphenate modernist design, along with Giorgia Lupi’s innovative approach to data visualization.
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About Lella
You’ve likely heard of Massimo Vignelli, the renowned designer behind iconic works like the New York City Subway map, but did you know that behind many of those projects was an equally brilliant mind? Lella Vignelli—Massimo’s wife and design partner—was a powerhouse in her own right. With a background in architecture, she seamlessly blended elegance and functionality in everything from interior spaces to product design. Her meticulous attention to detail was the driving force behind many of their best-known works, including the timeless Handkerchief Chair and the stunning interiors of Saint Peter’s Church in New York.
Lella was more than just Massimo’s collaborator—she was a visionary who believed in creating design that was truly timeless, free of trends and fads. Yet, despite her immense contributions, Lella’s name often remained in the background. So, why is her story so often overshadowed? And how did she quietly reshape modern design?
Tune in to this episode to hear the incredible legacy of Lella Vignelli—a designer whose work deserves to be front and center.
About Giorgia
Giorgia's Books:
This is Me and Only Me
Observe Collect Draw!: A Visual Journal
Dear Data: A Friendship in 52 Weeks of Postcards
Giorgia Lupi is an Italian information designer, a partner at design firm Pentagram, and co-founder of research and design firm Accurat. She is a co-author of Dear Data, a collection of hand drawn data visualizations, along with information designer Stefanie Posavec. Her work is also part of the permanent collection at the Museum of Modern Art.
In 2011, Lupi co-founded research and design firm Accurat, that combines design and data to create data visualizations, interfaces, and tools. Among their clients are Google, IBM, Bill & Melinda Gates Foundation, Starbucks, United Nations, the World Economic Forum and the Museum of Modern Art. Lupi's influences for her work come from fascinations by geometrical feel and balance of abstract art compositions.
Follow Giorgia Lupi on Instagram: @giorgialupi
Giorgia Lupi's Website: giorgialupi.com
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Host, Amber Asay, explores the male designers who have either championed or dismissed the contributions of women in the design world. From Le Corbusier’s undermining of female collaborators to Paul Rand’s advocacy for Lella Vignelli, we dive into the varying dynamics of support—or lack thereof—among iconic male figures in design. Tune in to hear who lifted women up and who left them in the shadows.
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Read Anne Helen Petersen's original article here: A Unified Theory of Glen Powell
And Celeste M Davis's poem and full article linked here: The men who like women and the men who don't. Yes we can tell.
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In this double feature, discover how Anni Albers revolutionized the traditional craft of weaving into a modern art form as a Bauhaus trailblazer, while Marian Bantjes shares her creative journey of transforming ornamental graphic design into a contemporary storytelling medium.
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About Anni Albers
Anni Albers is widely considered to be the foremost textile designer of the 20th century. She made major innovations in the field of functional materials and at the same time she expanded the possibilities of single weavings and individual artworks. She was also an adventurous graphic artist who took printmaking technique into previously uncharted territory.
Not only was she a pioneering textile artist, and printmaker, but she was an educator whose work redefined the boundaries between craft and fine art. She may arguably be THE person responsible for helping the masses see textile as art, not just craft. She studied at the Bauhaus, taught at Black Mountain College in North Carolina, where she continued to push the limits of weaving, experimenting with unconventional materials and techniques. Her book On Weaving (1965) remains a seminal text in textile design.
About Marian Bantjes
Marian's Books:
I Wonder
Pretty Pictures
Marian Bantjes (b. 1963) @bantjes is a Canadian graphic artist who is known for her signature maximalist style. Her intricate ornamentation creates texture and illusion, and challenges the minimalist boundaries of traditional graphic design.
Her clients include Pentagram, Saks Fifth Avenue, Print Magazine, Wallpaper* , WIRED, Creative Review, The Guardian (UK), The New York Times, AIGA, TypeCon, and more.
Her career spans 3 stages: she started in the 80s as a book typesetter for a publishing company and then from there she became partner at a small design firm in Canada, working on brand identity and communication designs.
In 2003 Marian decided to embark on the work that has brought her international recognition and fame as a world-class visual designer
Her work has an underlying structure that frames its fluid nature and she has an impressive way of interweaving word and image.
She says "throwing your individuality into a project is heresy" but she has built a career doing just that, as her signature style is unmistakable. In 2007 she released Restraint, a typeface that integrates her style of ornamentation to be used as shapes and borders.
Marian has been honored with several awards over the years and her work is now part of the permanent collection at the Cooper-Hewitt National Design Museum.
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This dual feature episode highlights Phyllis Madonna’s fearless and eccentric design vision for the Madonna Inn, alongside branding expert Emily Heyward’s journey co-founding Red Antler and her insights into building iconic brands, including the lasting cultural impact of the Madonna Inn.
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Links:
madonnainn.com
Their signature goblet (inspired by Alice Turney Williams wallpaper and rug designs)
Obsessed: Building a Brand People Love From Day One by Emily Heyward
About Phyllis:
Phyllis Madonna is a visionary designer, philanthropist, and co-founder of the iconic Madonna Inn in San Luis Obispo, California. Born in 1928 in Orange County, she moved to the Central Coast in 1948 after marrying Alex Madonna. Although she had no formal design training, Phyllis’s creative instincts played a crucial role in shaping the Inn’s distinctive style, famous for its eclectic themed rooms and lavish use of pink. Encouraged by her husband to take the lead in designing the rooms, Phyllis’s designs became the heart of the Inn, transforming it from a roadside motel into a world-renowned destination.
Beyond her work at the Inn, Phyllis has made significant contributions to her community, supporting local arts organizations and spearheading the Phyllis Madonna Musical Revue and Fashion Show, which raised millions for women’s shelters over three decades. Her blend of creativity, community spirit, and entrepreneurial drive has made her a beloved figure on California’s Central Coast
About Emily Heyward:
Emily Heyward is a co-founder and Chief Brand Officer of Red Antler, a leading brand agency known for launching some of today’s most successful startups, including Casper, Allbirds, and Hinge. With a background in advertising and a degree in postmodern theory from Harvard, Emily pivoted from working with big brands to helping emerging companies create purposeful, consumer-driven identities. She has been recognized as one of the Most Important Entrepreneurs of the Decade by Inc. Magazine and is the author of Obsessed: Building a Brand People Love from Day One, which explores how brands can inspire deep loyalty from their very beginnings. With a reputation for building “cult brands,” Emily is frequently featured in media outlets like Forbes and Fast Company, and she continues to be a prominent voice in brand strategy
Buy Her Book: OBSESSED
Emily Heyward Website
Follow Emily on Instagram
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Host Amber Asay dives into the untold stories of design power couples where the husbands received most of the credit, exploring how history has often overlooked the equally brilliant contributions of their wives.
(This new bonus series, called "Extra Sketches" will be where we explore common themes and trends within women designer stories.)
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This dual feature episode spotlights Betty Cooke, the minimalist jewelry designer known for her sculptural creations, alongside Ellen Lupton, celebrated graphic designer and author, who reflects on Cooke’s influence and shares insights from her own legendary career in design and education.
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Links:
Thinking with Type, book by Ellen Lupton
Extra Bold, book co-authored by Ellen Lupton
Betty Cooke's Store
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About Betty Cooke:
We recently lost another design legend, Betty Cooke, whose passing marks the end of an era in modernist jewelry design. Born in 1924 in Baltimore, Maryland, Betty Cooke was a trailblazing designer celebrated for her minimalist and sculptural jewelry. Her work is defined by clean lines, geometric forms, and a timeless elegance that resonated across generations. After studying at the Maryland Institute College of Art (MICA), where she later became a beloved faculty member, Betty opened her own studio and eventually co-founded The Store Ltd., a Baltimore institution that showcased her work for over five decades. Her jewelry, often handcrafted in silver and gold with touches of wood or acrylic, is iconic for its simplicity and boldness—pieces that remain instantly recognizable as “Betty Cooke.” Cooke’s influence is immortalized in museums, galleries, and in the collections of those fortunate enough to own her designs. Her legacy is one of innovation, elegance, and unwavering dedication to her craft.
About Ellen Lupton:
Ellen Lupton is one of the most influential voices in contemporary graphic design. Born in 1963, she is a celebrated designer, writer, curator, and educator whose work has profoundly shaped design education and practice. After graduating from Cooper Union in 1985, she became a curator at the Cooper Hewitt, Smithsonian Design Museum, where she curated groundbreaking exhibitions that connected design to culture and society. Ellen is perhaps best known for her book Thinking with Type, first published in 2004, which has become an essential guide for designers and is used in classrooms worldwide. Beyond her writing, she has played a pivotal role in shaping the Graphic Design MFA program at MICA, inspiring generations of designers with her innovative teaching methods. Her body of work extends to over 20 books, exploring topics from typography to storytelling in design. Ellen’s contributions continue to influence how designers think, create, and communicate in today’s visual world.
Keep up with what Ellen Lupton's up to:
Instagram | Website
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This dual feature episode highlights Louise Fili, the iconic designer celebrated for her exquisite typography and branding, alongside Kevin Cantrell, a master of lettering and typography, who shares how her work has shaped his own career and creative philosophy.
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About Louise Fili:
Louise Fili is a true titan of the design world, known for her impeccable taste, unrivaled craftsmanship, and deep-rooted passion for typography. She has revolutionized the landscape of graphic design with her elegant, vintage-inspired aesthetic. Her career spans decades of groundbreaking work, from her iconic book covers at Pantheon Books to the founding of her own studio, Louise Fili Ltd., where she has created stunning branding for top-tier clients like Sarabeth's and Bella Cucina.
Fili's work is a symphony of intricate lettering and timeless design, influenced by her love for Italian art and architecture. Her contributions to design have earned her the prestigious AIGA Medal and a place in the Art Directors Club Hall of Fame. Beyond her professional achievements, Fili is a dedicated educator at the School of Visual Arts, nurturing the next generation of designers.
Louise Fili continues to inspire and captivate with every project, embodying the perfect blend of historical reverence and modern sophistication. Her legacy is one of beauty, precision, and enduring impact on the world of design.
About Kevin Cantrell:
Adam Vicarel is a brand designer, lettering artist and mural painter who is obsessed with merging the worlds of fine art and strategic design. In his personal work Adam infuses his love for travel and the outdoors into his typography, illustration and storytelling to create visceral experiences for his audience. That’s visceral, not Vicarel.
His graph design studio, Vicarel Studios works on visual identity systems, packaging art installations, and more, and they’ve created for brands like NBC, Twitter, Lululemon, United Airlines and Sharpie. Their unique process of combining fine art with design allows them to craft provocative brands and artful experiences unbound by industry or medium.
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This dual feature episode explores the life of Iris Apfel, a globe-trotting icon whose design career spans interiors, textiles, and fashion, alongside Adam Vicarel, a designer and lettering artist whose work is deeply inspired by his love of travel and storytelling. Together, they demonstrate how the experiences of the world can shape bold, creative visions.
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About Iris Apfel:
Iris Apfel, born on August 29, 1921, in Queens, New York, is a renowned American businesswoman, interior designer, and fashion icon. Alongside her husband Carl, she founded Old World Weavers in 1950, a textile firm celebrated for its reproduction of antique fabrics. Their work included notable projects like the restoration of the White House under nine presidents, enhancing its historical elegance.
Iris's distinctive personal style, characterized by bold accessories and eclectic fashion choices, made her a fashion muse and a beloved figure in the industry. Her influence was further cemented by the 2005 Costume Institute exhibition at the Metropolitan Museum of Art titled "Rara Avis: The Irreverent Iris Apfel."
In addition to her work in design, Iris has collaborated with brands like MAC Cosmetics and H&M, bringing her unique aesthetic to a broader audience. She continues to inspire with her memoir "Iris Apfel: Accidental Icon" and a modeling contract with IMG signed at age 97, showcasing her enduring appeal and influence.
For more information, explore her memoir or the New York Times article.
About Adam Vicarel:
Adam Vicarel is a brand designer, lettering artist and mural painter who is obsessed with merging the worlds of fine art and strategic design. In his personal work Adam infuses his love for travel and the outdoors into his typography, illustration and storytelling to create visceral experiences for his audience. That’s visceral, not Vicarel.
His graph design studio, Vicarel Studios works on visual identity systems, packaging art installations, and more, and they’ve created for brands like NBC, Twitter, Lululemon, United Airlines and Sharpie. Their unique process of combining fine art with design allows them to craft provocative brands and artful experiences unbound by industry or medium.
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Discover the captivating and untold story of Ann Lowe, the brilliant designer behind Jackie Kennedy’s wedding dress, as we delve into her legacy with fashion historian and author, Elizabeth Way, who has researched and written about Ann Lowe's life.
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Check out the original reel / video this podcast was based on: https://www.instagram.com/p/C6EDEMrLDsn/
Sources:
About Ann Lowe:
Ann Lowe (1898-1981) was an influential African American fashion designer whose exquisite gowns were sought after by America's social elite. Born in Clayton, Alabama, she learned the art of dressmaking from her mother and grandmother, both skilled seamstresses. Despite facing significant racial barriers, Lowe's talent led her to design dresses for prominent families, including the Rockefellers, the du Ponts, and the Kennedys.
Her most famous creation was Jacqueline Kennedy's wedding dress in 1953, a masterpiece completed under extraordinary circumstances. Lowe’s work was known for its meticulous craftsmanship, hand-sewn details, and elegant designs, yet she received little recognition during her lifetime. Financial struggles and the racial discrimination she faced often overshadowed her achievements. Today, Ann Lowe is celebrated as a trailblazer in the fashion industry, whose contributions continue to inspire and influence designers around the world.
About Elizabeth Way:
Elizabeth Way is a curator who specializes in fashion history, particularly focusing on the intersection of fashion and African American culture. Elizabeth has curated several exhibitions, including "Black Fashion Designers" and "Fabric In Fashion," which highlight the contributions of Black designers and the significance of textiles in fashion. She also co-edited the book "Black Designers in American Fashion," contributing to scholarship and public understanding of the impact of Black designers in the fashion industry. AND authored a book that just came out in 2023 about Ann Lowe
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This TRIPLE feature episode explores the groundbreaking career of Venezuelan graphic designer Karmele Leizaola, whose pioneering work shaped the nation’s design identity. Guests Faride Mereb and Oriana Nuzzi, Venezuelan designers now based in Brooklyn, share their research on Leizaola’s legacy and reflect on how her vision continues to influence contemporary design and their own creative journeys.
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About Karmele Leizaola:
First documented woman to work as a graphic designer in Venezuela. She is considered a pioneer of editorial design in Venezuela, working at several independent and her work has been influential for many generations of editorial designers.
Karmele was born in 1929 in Basque Country in Spain and starting at the age of 7, she was uprooted twice, first fleeing from the Spanish Civil War, and settling in France, and then fleeing France because of WWII, finally landing in Venezuela.
Her father was a printer and photojournalist which led to her connections and interest to becoming a publication graphic designer for various magazines and newspapers.
Her 55+ year career spanned from early layout design to hiring and consulting for countless publications.
Learn More at karmeleleizaola.com
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About Faride Mereb & Oriana Nuzzi
Faride and Oriana, both talented designers from Venezuela are now based in Brooklyn, where they co-direct Letra Muerta, a studio that specializes in art books.
Their dedication to preserving and celebrating Karmele's contributions to graphic design is nothing short of remarkable. In this interview they explain how they first came across her work, and how they’ve pushed through hours of research in Venezuela’s National Library. They took this research and created newspapers and zines of her work, and even Karmele’s wikipedia page is thanks to them.
Faride is an award-winning book designer, researcher, editor, and art director. Her love of books has deeply influenced her work. She’s worked for Penguin Random House, Kenning Editions, and is a member of the American Printing History Association.
Her friend and colleague Oriana, is an editorial designer and book designer. She has an artistic approach to her work, after first studying to be an artist. Along with Faride, she works on preserving and showcasing archival materials, while also exhibiting the work of Venezuelan artists and writers, and their cultural contributions.
Learn more about Faride and Oriana's studio Letra Muerta: https://letramuerta.nyc/
Follow their studio on IG: @letramuertainc
Follow Faride Mereb: @fmereb
Follow Oriana Nuzzi: @orianamrgarita
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Renowned designer Pum Lefebure shares her journey from her artistic roots in Bangkok to co-founding Design Army in Washington, D.C. She discusses her experiences leading high-profile campaigns for clients like the Washington Ballet, her philosophy on creativity and design, and the challenges of balancing her roles as a business owner, creative visionary, and mother. Listen in as Pum reflects on the impact of her cultural heritage, the importance of taking risks in design, and her advice for aspiring designers.
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Follow Pum Lefebure
Instagram: @pumlefebure
Design Army: @designarmy
Website: designarmy.com
About Pum Lefebure:
Pum Lefebure is the co-founder and Chief Creative Officer of Design Army, a renowned creative agency based in Washington, D.C. Originally from Bangkok, Thailand, Pum has brought a unique global perspective to American design, blending artistic vision with strategic business acumen.
Over the years, she has spearheaded high-profile campaigns for clients such as Adobe, GE, Disney, the Ritz Carlton, and the Washington Ballet.
Her work has not only garnered countless awards but also set new standards in the industry.
Pum has served as a jury president and judge for some of the world's most prestigious design competitions and she has been recognized by Graphic Design USA as one of the top 50 People to Watch and has been featured in esteemed publications like Communication Arts and HOW magazine.
In addition to her professional achievements, Pum is a dedicated mother and a passionate advocate for creativity. She seamlessly balances her roles as a business owner, creative visionary, and family woman, making her a true icon in the design world.
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This dual feature episode celebrates the trailblazing career of Norma Merrick Sklarek, the first Black woman licensed in architecture in New York and California, whose work broke barriers and paved the way for future generations. Guest Tobi Ashiru, a Black architectural designer and educator, shares how Norma’s legacy has inspired her own journey and shaped her perspective on diversity in design.
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About Norma Merrick Sklarek
Norma Merrick Sklarek (1926-2012) was a pioneering architect who shattered racial and gender barriers in the profession. As the first Black woman licensed as an architect in New York and California, Norma made significant contributions to iconic projects such as the Fox Plaza in San Francisco, the Pacific Design Center in Los Angeles, the US Embassy in Tokyo, and Terminal One at LAX. But as a black woman, she faced a lot of discrimination throughout her career. In fact, after graduation, she was rejected by 19 firms purely because of her race and gender. But she made an impact at 5 notable firms, including Victor Gruen Associates where she worked with Frank Gehry and Cesar Pelli. She also co-founding a firm with 2 other women, named Siegel-Sklarek-Diamond, which was the first architectural practice led by women in the US. She was also the first Black woman to be part of the AIA in 1959 AND became an AIA fellow later in 1980. Sklarek's legacy extends beyond her architectural achievements; she was a passionate advocate for diversity in the field, mentoring countless young architects and leaving an indelible mark on the architecture community.
About Tobi Ashiru
Tobi is a passionate designer and alumna of the USC School of Architecture. With a mission to change the world through design, she strives to push the boundaries of creativity. Born in Nigeria and raised in South Africa, Tobi seeks to create contextually relevant work that celebrates blackness. She's a interdisciplinary designer with diverse experiences as an architectural designer, installation artist, forever student, educator, and business owner.
She stays committed to the advancement of underrepresented voices in many ways and through Poché Design Studio, a black woman owned design agency she co-founded, where the mission is to occupy and amplify the black space in design. Tobi is currently an adjunct professor at USC School of Architecture where she is the lead instructor for the A-Lab program.
Instagram: @bypoche
Website: tobiashiru.com, bypoche.com
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New Bonus Episode series! The topic for the first one is all about Persistence, submit your story and listen to host, Amber Asay's own story of Persistence on this episode.
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Submit Your Story of Persistence: (Submissions Now Closed)
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This dual feature episode explores Muriel Cooper’s groundbreaking innovations in user interface and information design at MIT, alongside Kelli Anderson’s boundary-pushing work in paper art and design, inspired by Cooper’s merging of technology and creativity.
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About Muriel Cooper
Muriel Cooper (1925-1994) was a pioneering graphic designer known for her groundbreaking work in digital design and visual communication. As the first art director of MIT Press, she revolutionized academic publishing with her innovative book designs, including "Learning from Las Vegas." She co-founded the Visible Language Workshop at MIT, which evolved into the MIT Media Lab, where she spearheaded research in computer graphics and user interface design. Cooper's legacy endures through her contributions to integrating design with technology and her advocacy for women in the field.
About Kelli Anderson
Kelli Anderson is an innovative artist, designer, and educator known for her inventive paper engineering and interactive books. With a background in both design and art, she creates works that explore the intersection of art, technology, and everyday objects, often transforming the mundane into the extraordinary. Kelli’s notable projects include a functioning paper record player and a pop-up planetarium book, showcasing her ability to merge creativity with technical skill. Her work has been widely recognized and celebrated for its ingenuity and playful approach to design.
Instagram: @kellianderson
Website: kellianderson.com
Sources:
Book: Muriel Cooper (Mit Press) by Reinfurt and Wiesenberger
Eye on Design “Muriel Coopers Visions of a Future”
Designer Observer’s Podcast episode w/ Michael Beirut & Jessica Helfand"Learning from Muriel Cooper"
YouTube, Talks at Google — “Muriel Cooper” by David Reinfurt
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This episode spotlights Roanne Adams’ journey as a creative leader and her passion for sustainable fashion, exploring how women are at the forefront of shaping a kinder, more eco-conscious future. Together, we highlight five influential women in sustainable fashion who are redefining the industry with innovative, earth-friendly designs.
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Description:
For today’s episode, I’m joined by the inspiring Roanne Adams, as we dive deep into the ebbs and flows of her career journey and then we also talk about the world of sustainable fashion, discussing the impact and contributions of esteemed women designers like Stella McCartney, Eileen Fisher, Gabriela Hearst and Mara Hoffman. We explore the intersections and moral impact of creativity, entrepreneurship, and sustainability in this enlightening episode.
About:
Roanne Adams is an acclaimed designer and creative director known for her innovative approach to branding and visual identity. She is the founder of RoAndCo, a New York-based design firm that collaborates with leading fashion, beauty, and lifestyle brands. With a talent for storytelling and community building, Roanne has established herself as a prominent figure in the design industry. Her work has earned several awards, including a prestigious Young Guns win from the Art Directors Club, as well as recognition from AIGA.
Thank you Roanne for joining!
@roanneadams / @roandcostudio / roandco.com
4 Women Designers who are at the forefront of Sustainable Fashion:
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Renowned graphic designer Gail Anderson shares her journey from creating magazines in her youth to working at Rolling Stone and beyond, discussing her experiences as a woman of color in the design industry and the evolution of her career. Listen in on how Gail's mentors shaped her path and the fulfillment she finds in seeing her designs in the world.
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About Gail:
Gail Anderson is a distinguished designer, writer, and educator, renowned for her impactful work at Rolling Stone magazine where she served as senior art director. She’s an AIGA Medalist, has authored 14 books and currently chairs the BFA Advertising and BFA Design departments at the School of Visual Arts. Anderson's creative portfolio extends to Broadway, where she has designed posters for notable productions, and she has several awards, including the 2018 Cooper Hewitt National Design Award for Lifetime Achievement
In this episode, Gail shares her journey, starting from her early years as a creative in grammar school to what it was like navigating the challenges as a Black woman designer in the 80s and 90s, while breaking barriers in the industry.
Join us as we explore Gail's career, her inspirations, and her thoughts on the evolving world of design. Today, we’re bringing you a firsthand look into the mind of a true design trailblazer.
A massive thank you to Gail for sharing her incredible journey, insights, and wisdom with us. It’s been an absolute honor to have her on the show and to learn from her experiences and expertise. Her story is a testament to the power of creativity, perseverance, and passion.
Highlights:
Links:
Social Media:
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This dual feature episode highlights Gere Kavanaugh, the multi-hyphenate designer whose legendary career was championed by key figures in design, alongside Lisa Congdon’s inspiring story of building a thriving creative career later in life, proving it’s never too late to pursue your passions.
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1-min Reel of Gere Kavanaugh's Work
Sources:
Architectural Digest Articles:
A Look at the Life's Work of Multi-Hyphenate Designer Gere Kavanaugh
The Unlikely Story of One of General Motors's First Female Designers
LA Times: Gere Kavanaugh’s color avalanche brightened midcentury California design
2019 Book: A Colorful Life: Gere Kavanaugh, Designer (written by Louise Sandhaus, Kat Catmur)
Metropolis: Gere Kavanaugh: Pioneer With a Penchant for Color
AIGA Medal Article
AIGA Short
Gere Kavanaugh, born in Memphis in 1929, is a legendary American designer known for her vibrant and innovative contributions across industrial design, textiles, and interiors. Educated at the Memphis Academy of Art and Cranbrook Academy of Art, she was influenced by greats like Charles Eames and Eero Saarinen.
In the 1950s, Kavanaugh broke barriers at General Motors as one of the few female industrial designers. In 1960, she founded Gere Kavanaugh Designs in Los Angeles, known for bold colors and playful forms. Her work spans textiles, furniture, and interiors, always pushing the boundaries of traditional design.
Kavanaugh's influence extends through her collaborations, mentorship, and numerous awards, including the AIGA Medal in 2010. Her legacy is marked by innovation, courage, and an unwavering dedication to making the world a more beautiful, functional place.
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Thank you to Lisa Congdon!
https://lisacongdon.com/
https://www.instagram.com/lisacongdon
Her exhibit is up at St. Mary's until June 23, 2024: https://www.stmarys-ca.edu/museum-art/lisa-congdon-hold-it-lightly
Lisa Congdon an internationally known fine artist, illustrator and writer. She makes art for clients around the globe, including The Library of Congress, Target, Wired Magazine, Amazon, Google, Schwinn, Warby Parker, Method, Comme des Garcons, REI and MoMa, among many others. She exhibits internationally, including solo shows at Saint Mary's College Museum of Art (California), Chefas Projects (Oregon) and Paradigm Gallery (Philadelphia), along with group shows at Hashimoto Contemporary in Los Angeles, Museum of Design Atlanta and The Contemporary Jewish Museum in San Francisco. She is the author of ten books, including Art Inc: The Essential Guide to Building Your Career as an Artist and Find your Artistic Voice: The Essential Guide to Working Your Creative Magic. Lisa is self-taught and didn’t achieve momentum in her career until she was nearly 40 years old. Despite her untraditional path, Lisa has achieved recognition, not just as an artist, but as a leader in the industry for her work in social justice, mentoring and teaching. In March of 2021, she was named “One of the 50 Most Inspiring People and Companies According to Industry Creatives” published by AdWeek. When she's not making art, you can find her racing her bike around Oregon. She lives and works in Portland, Oregon.
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In this dual feature episode we highlight the work of Barbara Kruger, whose graphic design background shaped her iconic, subversive collaged art. Alongside a discussion of Kruger’s legacy and the ironic Supreme lawsuit saga, guest Catherine Casalino shares her own journey as a celebrated book designer, including her experience creating book props for the film American Fiction.
1-min Reel of Barbara Kruger's Work
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Barbara Kruger was born in 1945 in Newark, New Jersey. Kruger briefly attended Syracuse University, then Parsons School of Design in New York City, where she studied with artists and photographers Marvin Israel and Diane Arbus. Kruger worked in graphic design for Condé Nast Publications at Mademoiselle magazine, and was promoted to head designer within a year, at the age of twenty-two. Kruger has described her time in graphic design as “the biggest influence on my work…[it] became, with a few adjustments, my ‘work’ as an artist.”
In the early 1970s, Kruger started showing artwork in galleries in New York. At the time, she was mainly working in weaving and painting. However, she felt that her artwork lacked meaning, and in 1976, she quit creating art entirely for a year. She took a series of teaching positions, including at University of California, Berkeley. When she began making art again in 1977, she had moved away from her earlier style into photo and text collages. In 1979, Kruger developed her signature style using large-scale black-and-white images overlaid with text. She repurposed found images, juxtaposing them with short, pithy phrases printed in Futura Bold or Helvetica Extra Bold typeface in black, white, or red text bars. In addition to creating text and photographic works, Kruger has produced video and audio works, written criticism, taught classes, curated exhibitions, designed products, such as T-shirts and mugs, and developed public projects, such as billboards, bus wraps, and architectural interventions.
Kruger addresses media and politics in their native tongue: sensational, authoritative, and direct. Personal pronouns like “you” and “I” are staples of Kruger’s practice, bringing the viewer into each piece. “Direct address has motored my work from the very beginning,” Kruger said. “I like it because it cuts through the grease.” Kruger’s work prompts us to interrogate our own positions; in the artist’s words, “to question and change the systems that contain us.” She demands that we consider how our identities are formed within culture, through representation in language and image.
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Thank you Catherine for joining me!
catherinecasalino.com
@cat.casalino
Catherine Casalino is the principal and creative director of Casalino Design, an independent design company in New York City, focusing on book design and branding.
Prior to founding Casalino Design in 2016, Catherine worked in-house as an art director and designer at Simon & Schuster, Random House, and Hachette Book Group, and she began her career at Rodrigo Corral Design.
Over the past two decades, Catherine’s work has been recognized by numerous international design organizations and publications. She has served as a competition chair and judge for The Type Directors Club, The One Club, The Art Directors Club, and the Association of American University Presses.
She frequently speaks about design at art schools and organizations, is an instructor on Domestika.com, and volunteers as a mentor for Alphabettes—a community that supports women in type.
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This dual feature episode honors the life and legacy of Barbara Stauffacher Solomon, the trailblazing graphic designer who defined California cool with her iconic supergraphics. Joining today's episode is Rachel Gogel, a Bay Area-based designer and fractional design leader, who reflects on Barbara’s influence and shares her own story of building a dynamic and flexible career in modern design leadership.
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View 1-min Reel of Barbara Stauffacher Solomon's Work
About Barbara:
Barbara Stauffacher Solomon is a prolific designer, muralist, landscape designer, and architect.
Born in San Francisco in 1928, she spent her formative years studying ballet, cultivating a deep appreciation for rhythm, movement, and expression.
Her path took a transformative turn when she journeyed to Switzerland to study at the Basel School of Design. It was here, that Barbara immersed herself in the principles of the International Typographic Style.
Returning to San Francisco in the 1950s, Barbara found herself at the forefront of a cultural revolution, she burst onto the design scene with her groundbreaking concept of "Supergraphics" when she became involved in the design of Sea Ranch, the experimental utopian town on the coast of Northern California. Her work at Sea Ranch embodied a holistic approach to design, emphasizing the symbiotic relationship between humans and their environment.
She once famously declared, "I'm not an artist, I'm a designer," emphasizing her commitment to functionality and purpose in all her creations.
She's not just a trailblazer; she's a visionary whose indomitable spirit continues to shape the way we think about design and innovation.
Sources:
Interview with Wallpaper Magazine
Thank you Rachel for joining us!
rachelgogel.com
@rgogel
Rachel Gogel (she/her) is a Parisian creative director, designer, speaker, mentor, and educator whose career has followed the rise and dominance of an entire era of digital design.
Based in San Francisco, she runs her own small consultancy as an independent design executive and has led major brand initiatives at GQ, The New York Times, Meta, Godfrey Dadich, Airbnb, and Dropbox. Now working as a solopreneur, Rachel has influenced many exciting projects for her clients — from launching editorial publications from scratch, to crafting story-driven digital experiences, to leading org design efforts, to designing TV show pitch decks and book covers for influential public figures, to building brand systems for global media and entertainment companies in a fractional capacity. As an experienced people manager, she is committed to designing teams that build brands — with a focus on culture and technology. Having stepped into interim executive creative director, head of brand, and design director roles in recent years, she has helped companies through transitional periods, built out their cross-disciplinary creative teams, and trained her full-time replacement(s).
When she is not consulting, Rachel teaches in the Master’s of Interaction Design program at the California College of the Arts (CCA). She is also a passionate advocate for gender equity in the design industry. For 2.5 years, she has served on the AIGA San Francisco Board of Directors with a focus on amplifying women and non-binary designers’ collective power and visibility through a program called Women in Leadership & Design (WILD), for which Rachel is the Chair. Rachel also actively participates in Neol and Queer Design Club. Her words and actions over the years highlight how she's come to care deeply about using her voice and privilege to help create connected communities, especially for women.
Nominated for a 2022 Webby for her work on Departures, Rachel has been recognized by Inc. as one of 2016’s “30 under 30 Movers and Shakers” and by Forbes as one of 2015’s “30 under 30” in media. She has been featured in publications such as PRINT Magazine, Design by Women, Fast Company, among others. After hours, you can find Rachel museum hopping, planning her next trip abroad, or relaxing with her wife at home.
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On today’s episode, we’ll discuss the life and work of industrial designer, Evelyn Ackerman, who’s work was prolific during the Mid-Century California Modernism era in the 50s and 60s But what makes this episode even more exciting is that we’re joined by her daughter, Laura Ackerman-Shaw, who offers a unique perspective and personal insights on the incredible work of her mother.
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Laura Ackerman-Shaw, is a Stanford University graduate with a bachelors and masters degree in English literature, boasts 35 years of experience in publishing and has been the Executive Director of Ackerman Modern since 2015. She passionately preserves and promotes her parents’ design legacy through museum exhibitions, presentations, scholarships under their name, preserving their archive of work, writing articles, and licensing her parents products with brands like Design Within Reach and CB2. Based in the Bay Area, Laura, her husband Marc, and their son Aaron live in a vibrant mid-century modern Eichler home, embodying the artistic essence inherited from her renowned designer parents.
Evelyn Ackerman, alongside her husband Jerome, was a leading figure in Mid-Century California Modernism. Her colorful and whimsical designs spanned ceramics, mosaics, tapestries, woodcarvings, and hardware, embodying the Bauhaus philosophy of blending art, craft, and industry for accessible quality goods. Her design style ranged from geometric minimalism to biomorphic abstraction to figurative stylization, highlighting her intuitive use of pattern, color, line, proportion, and composition.
Evelyn and Jerome’s pieces from the early 1950s through the early 1980s gained recognition nationally and internationally, noting the cultural nuances encountered in Evelyn’s creative journey. Her and her husband’s timeless creations adorned postwar modern interiors, fueling California’s housing boom, have been seen in museums and even on sets in movies and television. Despite retiring from manufacturing in 1979, their legacy endures, captivating collectors today and resonating with a new generation drawn to their collaborative spirit and unwavering dedication to their artistic vision.
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Here's where to follow the Ackerman Modern legacy to stay up to date on exhibits and future brand collaborations:
https://ackermanmodern.com/
https://www.instagram.com/ackermanmodern/
CB2 Collection as part of their Design Legends series:
https://www.cb2.com/collections/ackerman-modern/1
IG Reel of her work:
https://www.instagram.com/p/C6gk90qrpYl/
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Discover the groundbreaking work of Gunta Stölzl, the only female Bauhaus Master, who redefined weaving as an art form, alongside Meryl Vedros’ own creative journey and insights on preserving history through design.
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In today's episode, I’m joined by the incredible designer, Meryl Vedros, as we dive into the remarkable life Gunta Stölzl, a visionary force at the iconic Bauhaus in Germany. We uncover what it truly meant to be a woman navigating the male-dominated world of design during the early 20th century.
From her groundbreaking textile designs to her influential role as the only female master at the Bauhaus, we'll explore the enduring legacy of Gunta Stölzl and how her innovative spirit continues to inspire designers around the globe.
As the only female master of the Bauhaus, textile artist Gunta Stölzl is arguably the single most influential figure in the modern history of Western woven art. Under her leadership, the school's weaving workshop was transformed from a neglected department to one of its most successful facilities. During her tenure, she updated the focus from pictorial work to more industrial designs, introducing radical ideas from the world of modern art to weaving, and initiated experiments in materials and methods that helped shift weaving into the modern age.
Sources
2019 Book “Bauhaus Women: A global perspective”
2022 Daily Art Magazine article
1999 Bauhaus Book by Anja Baumhoff
2012 Talk at The Barbican Centre in London by daughter Monika “Bauhaus: Art as Life”
Diary entries from Gunta herself.
Slit Tapestry Red/Green
https://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Wall-Hangings-and-Carpet/i-4h4SxCp
Tapestry Paintings / Designs
https://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Carpets/i-6fRNWJH
https://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Wall-Hangings/i-xJrzrhM
https://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Wall-Hangings/i-tJbfVbH
https://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Carpets/i-CqVr29m
From Sketch to Final
https://www.guntastolzl.org/Works/Bauhaus-Weimar-1919-1925/Designs-for-Wall-Hanging/i-VxXtPrN
https://www.guntastolzl.org/Works/Bauhaus-Weimar-1919-1925/Wall-Hangings-and-Carpet/i-3ZMsh3B
Thank you Meryl Vedros!
https://www.vedrosstudio.com
https://www.instagram.com/vedrosstudio/
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View all the visually rich 1-min reels of each woman on IG below:
Instagram: Amber Asay
Instagram: Women Designers Pod
En liten tjänst av I'm With Friends. Finns även på engelska.