Cellist Michael Peter Olsen joins Al to familiarize him with an album he thought he mostly knew: Van Halen’s 1984. Michael makes the case that a careful listening of the album reveals an experimental side of Van Halen. He also talks about why Van Halen, and this album is particular, is an inspiration to him, his recent experience of meeting Greg Saunier of Deerhoof (who was a recent guest on this show) and what Post-Cello is all about.
1:10 Michael joins the show
1:47 Michael explains why he started playing the cello
2:55 Michael made a strong case for breaking one of Al’s rules
4:31 Hearing 1984 was an ear-opening experience for Michael when he first heard it
10:13 Michael talks about how 1984 is an outlier in the Van Halen discography
11:57 Michael break downs the elements that make 1984 special
14:54 Michael describes the process behind the recording of 1984
19:37 1984 epitomizes Van Halen’s combination of virtuosity and silliness
22:45 “Panama” is a more straightforward Van Halen song
24:05 There’s a lot going on in “Jump”
29:29 Michael gives Michael Anthony and David Lee Roth their props
30:29 Van Halen were always a different type of metal band
32:31 Michael has a theory about the album cover
36:05 Al has questions about “I’ll Wait”
40:06 Michael talks about the lack of overdubs…
41:55 …except for one notable exception
44:11 Michael discusses some of the innovations Eddie Van Halen used on this album
46:33 Al is more interested in exploring the Van Halen discography now
50:41 Michael talks about how he recently got to meet Greg Saunier
57:00 Michael explains what Post-Cello is
1:05:07 Michael talks about his upcoming album
Outro is from “Falling Forward” by Michael Peter Olsen