Spirituality & Mindfulness · The Creative Process: Spiritual Leaders, Mindfulness Experts, Great Thinkers, Authors, Elders, Artists Talk Faith & Religion

?If you look at meditation, and you strip away the belief system, you find that essentially every meditation is attention training. It might be bringing your mind back to a mantra; some sound, or to your breath, or to a particular attentional stance. I like mindfulness of breathing, where you pay full attention to your in-breath, and to your out-breath, and then the next breath, the in-breath, and the out-breath. At some point, your mind is going to wander off. That's the way our minds are wired. But here's the key: When you notice your mind has wandered and you bring it back to the point of focus?to the next breath, for example?that's the moment of mindfulness. Attention training of this kind is really a beautiful avenue into the optimal state, where you're fully focused on what you're doing. And in this state, which is one of high creativity, people experience themselves as part of a web of connection. The connection may be to the artists who have gone before you, whose work you imbibe and build on, or the writers whose thoughts you're building on, or the people who are doing this with you, in whatever context that might be. Thich Nhat Hanh calls this interbeing; being fully connected and interdependent. I remember a dialogue from years ago, in the 80s, with the Dalai Lama and a group of psychologists, where he said: In my languages, Tibetan and Sanskrit, the word for compassion implies for yourself as well as for others. In English, it only focuses on others. He said, you need a new word in the English language?self compassion. Today, there's a rather robust field of research on that, but the Dalai Lama saw that gap way before, because he realized that our view of compassion didn't include first taking care of ourselves.?

Daniel Goleman is an American psychologist, author, and science journalist. Before becoming an author, Goleman was a science reporter for the New York Times for 12 years, covering psychology and the human brain. In 1995, Goleman published Emotional Intelligence, a New York Times bestseller. In his newly published book Optimal, Daniel Goleman discusses how people can enter an optimal state of high performance without facing symptoms of burnout in the workplace.

www.danielgoleman.info
www.harpercollins.com/products/optimal-daniel-golemancary-cherniss?variant=41046795288610

www.penguinrandomhouse.com/books/69105/emotional-intelligence-by-daniel-goleman/

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How can we enhance our emotional intelligence and avoid burnout in a changing world? How can we regain focus and perform in an optimal state? What do we mean by ecological intelligence?

Daniel Goleman is an American psychologist, author, and science journalist. Before becoming an author, Goleman was a science reporter for the New York Times for 12 years, covering psychology and the human brain. In 1995, Goleman published Emotional Intelligence, a New York Times bestseller. In his newly published book Optimal, Daniel Goleman discusses how people can enter an optimal state of high performance without facing symptoms of burnout in the workplace.

?If you look at meditation, and you strip away the belief system, you find that essentially every meditation is attention training. It might be bringing your mind back to a mantra; some sound, or to your breath, or to a particular attentional stance. I like mindfulness of breathing, where you pay full attention to your in-breath, and to your out-breath, and then the next breath, the in-breath, and the out-breath. At some point, your mind is going to wander off. That's the way our minds are wired. But here's the key: When you notice your mind has wandered and you bring it back to the point of focus?to the next breath, for example?that's the moment of mindfulness. Attention training of this kind is really a beautiful avenue into the optimal state, where you're fully focused on what you're doing. And in this state, which is one of high creativity, people experience themselves as part of a web of connection. The connection may be to the artists who have gone before you, whose work you imbibe and build on, or the writers whose thoughts you're building on, or the people who are doing this with you, in whatever context that might be. Thich Nhat Hanh calls this interbeing; being fully connected and interdependent. I remember a dialogue from years ago, in the 80s, with the Dalai Lama and a group of psychologists, where he said: In my languages, Tibetan and Sanskrit, the word for compassion implies for yourself as well as for others. In English, it only focuses on others. He said, you need a new word in the English language?self compassion. Today, there's a rather robust field of research on that, but the Dalai Lama saw that gap way before, because he realized that our view of compassion didn't include first taking care of ourselves.?

www.danielgoleman.info
www.harpercollins.com/products/optimal-daniel-golemancary-cherniss?variant=41046795288610

www.penguinrandomhouse.com/books/69105/emotional-intelligence-by-daniel-goleman/

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

?The Wandering is a choose your own adventure novel, and the reader is situated in the shoes of this brown woman from the Global South. She's 27 and in a way, she is stuck with her life. She aspires to be middle class, but her job doesn't allow her to achieve this social mobility. In her condition, she makes a deal with a devil, a reference to the story of Faust and Mephistopheles, finally getting a pair of red shoes that will take her anywhere. But that means she will never be able to find home?that's the curse of the shoes. The title in Indonesian is Gentayanga, which is a word used to describe ghosts who exist in a liminal state. This is a metaphor for people who travel. I came up with the idea for this novel in 2009 when I was an Indonesian international student studying for my PHD in New York. When I went back to Jakarta, I felt like I was not at home, but New York wasn't my home either, so there's a feeling of being neither here nor there. I wanted to capture the sense of being everywhere, which is liberating, but also the sense of displacement.?

Intan Paramaditha is a writer and an academic. Her novel The Wandering (Harvill Secker/ Penguin Random House UK), translated from the Indonesian language by Stephen J. Epstein, was nominated for the Stella Prize in Australia and awarded the Tempo Best Literary Fiction in Indonesia, English PEN Translates Award, and PEN/ Heim Translation Fund Grant from PEN America. She is the author of the short story collection Apple and Knife, the editor of Deviant Disciples: Indonesian Women Poets, part of the Translating Feminisms series of Tilted Axis Press and the co-editor of The Routledge Companion to Asian Cinemas (forthcoming 2024). Her essay, ?On the Complicated Questions Around Writing About Travel,? was selected for The Best American Travel Writing 2021. She holds a Ph.D. from New York University and teaches media and film studies at Macquarie University, Sydney.

https://intanparamaditha.com
www.penguinrandomhouse.ca/books/626055/the-wandering-by-intan-paramaditha/9781787301184

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How are writing and travel vehicles for understanding? How can we expand the literary canon to include other voices, other cultures, other experiences of the world?

Intan Paramaditha is a writer and an academic. Her novel The Wandering (Harvill Secker/ Penguin Random House UK), translated from the Indonesian language by Stephen J. Epstein, was nominated for the Stella Prize in Australia and awarded the Tempo Best Literary Fiction in Indonesia, English PEN Translates Award, and PEN/ Heim Translation Fund Grant from PEN America. She is the author of the short story collection Apple and Knife, the editor of Deviant Disciples: Indonesian Women Poets, part of the Translating Feminisms series of Tilted Axis Press and the co-editor of The Routledge Companion to Asian Cinemas (forthcoming 2024). Her essay, ?On the Complicated Questions Around Writing About Travel,? was selected for The Best American Travel Writing 2021. She holds a Ph.D. from New York University and teaches media and film studies at Macquarie University, Sydney.

?The Wandering is a choose your own adventure novel, and the reader is situated in the shoes of this brown woman from the Global South. She's 27 and in a way, she is stuck with her life. She aspires to be middle class, but her job doesn't allow her to achieve this social mobility. In her condition, she makes a deal with a devil, a reference to the story of Faust and Mephistopheles, finally getting a pair of red shoes that will take her anywhere. But that means she will never be able to find home?that's the curse of the shoes. The title in Indonesian is Gentayanga, which is a word used to describe ghosts who exist in a liminal state. This is a metaphor for people who travel. I came up with the idea for this novel in 2009 when I was an Indonesian international student studying for my PHD in New York. When I went back to Jakarta, I felt like I was not at home, but New York wasn't my home either, so there's a feeling of being neither here nor there. I wanted to capture the sense of being everywhere, which is liberating, but also the sense of displacement.?

https://intanparamaditha.com
www.penguinrandomhouse.ca/books/626055/the-wandering-by-intan-paramaditha/9781787301184

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Environmentalists, writers, artists, activists, and public policy makers explore the interconnectedness of living beings and ecosystems. They highlight the importance of conservation, promote climate education, advocate for sustainable development, and underscore the vital role of creative and educational communities in driving positive change.

00:00 "The Conditional" by U.S. Poet Laureate Ada Limón

01:27 The Secret Language of Animals: Ingrid Newkirk, President of PETA

03:03 A Love Letter to the Living World: Carl Safina, Ecologist & Author

04:11 Exploring the Mysteries of Soil and Coral Reefs: Merlin Sheldrake, Biologist, Author of Entangled Life

04:47 Exploring Coral Reefs: Richard Vevers, Founder of The Ocean Agency

05:56 The Importance of Climate Education: Kathleen Rogers, President of EarthDay.org

07:02 The Timeless Wisdom of Turtles: Sy Montomery, Naturalist & Author

07:38 Optimism in the Face of Environmental Challenges: Richard Vevers

08:32 Urban Solutions for a Sustainable Future: Paula Pinho, Director, Just Transition, Consumers, Energy Efficiency & Innovation, European Commission

08:57 The Circular Economy: Walter Stahel, Founder & Director of the Product-Life Institute

09:39 The Power of Speaking Out for Sustainability: Paula Pinho

10:16 Empowering the Next Generation Through Education: Jeffrey Sachs, President of the UN Sustainable Development Solutions Network

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

www.maxrichtermusic.com
https://studiorichtermahr.com

Max Richter?s music featured in this episode are ?On the Nature of Daylight? from The Blue Notebooks, ?Path 19: Yet Frailest? from Sleep.

Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

?As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.?

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.

Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London.

He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.

In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.

https://maxcooper.net
https://osterfestspiele.at/en/programme/2024/electro-2024
https://meshmeshmesh.net
www.kingscross.co.uk/event/the-observatory

The music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.

Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London.

He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.

In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.

?As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.?

https://maxcooper.net
https://osterfestspiele.at/en/programme/2024/electro-2024
https://meshmeshmesh.net
www.kingscross.co.uk/event/the-observatory

The music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"I want to be wowed by the world. I want to gaze at it in awe and wonder. And I think when we take a step back and begin to appreciate the complexity of the interactions around us. We're taking note of a very porous between the self and the rest of the world. We are literally observing our enmeshment in our environment. And it's that kind of a reference frameshift that I think is going to help us move out of some of the darkness. My mother is an artist, and I think growing up surrounded by her practice exposed me to the creative process and is probably that which afforded me a certain sympathy for those tools and those modes of exploring the world later in life."

Clayton Page Aldern is an award winning neuroscientist turned environmental journalist whose work has appeared in The Atlantic, The Guardian, The Economist, and Grist, where he is a senior data reporter. A Rhodes Scholar, he holds a Master's in Neuroscience and a Master's in Public Policy from the University of Oxford. He is also a research affiliate at the Center for Studies in Demography and Ecology at the University of Washington. He is the author of The Weight of Nature: How a Changing Climate Changes Our Minds, Brains, and Bodies, which explores the neurobiological impacts of rapid environmental change.

https://claytonaldern.com
www.penguinrandomhouse.com/books/717097/the-weight-of-nature-by-clayton-page-aldern
https://csde.washington.edu

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How does a changing climate affect our minds, brains and bodies?

Clayton Page Aldern is an award winning neuroscientist turned environmental journalist whose work has appeared in The Atlantic, The Guardian, The Economist, and Grist, where he is a senior data reporter. A Rhodes Scholar, he holds a Master's in Neuroscience and a Master's in Public Policy from the University of Oxford. He is also a research affiliate at the Center for Studies in Demography and Ecology at the University of Washington. He is the author of The Weight of Nature: How a Changing Climate Changes Our Minds, Brains, and Bodies, which explores the neurobiological impacts of rapid environmental change.

"I want to be wowed by the world. I want to gaze at it in awe and wonder. And I think when we take a step back and begin to appreciate the complexity of the interactions around us. We're taking note of a very porous between the self and the rest of the world. We are literally observing our enmeshment in our environment. And it's that kind of a reference frameshift that I think is going to help us move out of some of the darkness. My mother is an artist, and I think growing up surrounded by her practice exposed me to the creative process and is probably that which afforded me a certain sympathy for those tools and those modes of exploring the world later in life."

https://claytonaldern.com
www.penguinrandomhouse.com/books/717097/the-weight-of-nature-by-clayton-page-aldern
https://csde.washington.edu

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"The Judeo-Christian idea is of Adam in the Garden of Eden, where he's given dominion over all things on the Earth, including plants and animals, and he is in a superior position, and the living world is subordinate to him. And you have this idea of a kind of divine approval for this hierarchy. Then, in the 17th century, Descartes comes along, and he takes the idea from Aristotle that what humans have is the capacity to reason, and they have the capacity to speak. And that is what fundamentally distinguishes humans from other animals is they have the capacity to speak, and they have capacity to speak a particular kind of language that allows us to express the results of a rational thinking, and all of that's very much concentrated in the mind.

So, what's happening, of course, is that alongside this, we find that the idea of a kind of inert world that is simply there for our pleasure, enjoyment, and exploitation has proved to be catastrophically mistaken because we see it with flooding, we see it with forest fires. We see it with acidification of the oceans. We see it with the continuing rise in temperatures that the world itself, the more-than-human world is fighting back. It has taken on its own agency. And therefore, the idea of a pyramid, a hierarchy, is no longer operative."

Michael Cronin is an Irish academic specialist in culture, travel literature, translation studies, and the Irish language. He has taught in universities in France and Ireland and has held visiting research fellowships to universities in Canada, Belgium, Peru, France, and Egypt. He's a fellow of Trinity College Dublin, an elected member of the Royal Irish Academy, and a senior researcher in the Trinity Centre for Literary and Cultural Translation. He is the current holder of the Chair of French (est. 1776) at TCD. He is the author of Eco-Travel: Journeying in the Age of the Anthropocene, Eco-Translation: Translation and Ecology in the Age of the Anthropocene, and other books.

www.tcd.ie/French/people/michaelcronin.php
www.cambridge.org/core/books/ecotravel/24263DF8E2E021915FEF4F937F146D25
www.routledge.com/Eco-Translation-Translation-and-Ecology-in-the-Age-of-the-Anthropocene/Cronin/p/book/9781138916845

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How has tourism and writing about travel contributed to the ecological degradation of the planet?How does language influence perception and our relationship to the more-than-human world?

Michael Cronin is an Irish academic specialist in culture, travel literature, translation studies, and the Irish language. He has taught in universities in France and Ireland and has held visiting research fellowships to universities in Canada, Belgium, Peru, France, and Egypt. He's a fellow of Trinity College Dublin, an elected member of the Royal Irish Academy, and a senior researcher in the Trinity Centre for Literary and Cultural Translation. He is the current holder of the Chair of French (est. 1776) at TCD. He is the author of Eco-Travel: Journeying in the Age of the Anthropocene, Eco-Translation: Translation and Ecology in the Age of the Anthropocene, and other books.

"The Judeo-Christian idea is of Adam in the Garden of Eden, where he's given dominion over all things on the Earth, including plants and animals, and he is in a superior position, and the living world is subordinate to him. And you have this idea of a kind of divine approval for this hierarchy. Then, in the 17th century, Descartes comes along, and he takes the idea from Aristotle that what humans have is the capacity to reason, and they have the capacity to speak. And that is what fundamentally distinguishes humans from other animals is they have the capacity to speak, and they have capacity to speak a particular kind of language that allows us to express the results of a rational thinking, and all of that's very much concentrated in the mind.

So, what's happening, of course, is that alongside this, we find that the idea of a kind of inert world that is simply there for our pleasure, enjoyment, and exploitation has proved to be catastrophically mistaken because we see it with flooding, we see it with forest fires. We see it with acidification of the oceans. We see it with the continuing rise in temperatures that the world itself, the more-than-human world is fighting back. It has taken on its own agency. And therefore, the idea of a pyramid, a hierarchy, is no longer operative."

www.tcd.ie/French/people/michaelcronin.php
www.cambridge.org/core/books/ecotravel/24263DF8E2E021915FEF4F937F146D25
www.routledge.com/Eco-Translation-Translation-and-Ecology-in-the-Age-of-the-Anthropocene/Cronin/p/book/9781138916845

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"The album 1 0 0 1 is really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading ? the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."

Dustin O?Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola?s Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry?s ?Into Me You See? from her album Witness and appears on Leonard Cohen?s 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.

https://dustinohalloran.com/
www.deutschegrammophon.com/en/artists/dustin-o-halloran
www.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_sm

Music courtesy of Dustin O?Halloran and Deutsche Grammophon

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?

Dustin O?Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola?s Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry?s ?Into Me You See? from her album Witness and appears on Leonard Cohen?s 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.

?The album 1 0 0 1 is really like a journey from our connection with nature to where we are now, in this moment where we're playing with technology. We're almost in this hybrid space, not fully understanding where it's going. And it's very deep in our subconscious and probably much greater than we realize. And it sort of ends in this space where the consciousness of what we're creating, it's going to be very separate from us. And I believe that's kind of where it's heading ? the idea of losing humanity, losing touch with nature and becoming outside of something that we have created."

https://dustinohalloran.com/
www.deutschegrammophon.com/en/artists/dustin-o-halloran
www.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_sm

Music courtesy of Dustin O?Halloran and Deutsche Grammophon

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"Well, it's important that although you can disaggregate them, they're really clusters of the same quest that they're all glosses on the four classical virtues of temperance, prudence, courage, and justice. And they're all attempts to achieve self-mastery, and in that sense, tranquility, moderation, these are different ways of expressing the ideas of prudence and temperance. It's striking that Adam Smith translated the Roman word temperance with virtue as a kind of tranquility of the soul.

When I was rereading the Hebrew Bible and the New Testament, I was struck by the idea of the environmental crisis being a kind of self-executing divine retribution for disturbing the harmonies of the universe. There are so many passages in the scriptures which talk about the plagues and fires and punishments that come from failing to respect our place in the universe and having the hubris to imagine that we can transform and thwart the laws of nature. These punishments are self-executing, and we are experiencing them. The way to restore harmony is the way that harmony has always been restored, which is by restraint, humility, and living according to nature. "

Jeffrey Rosen is President and CEO of the National Constitution Center, where he hosts We the People, a weekly podcast of constitutional debate. He is also a professor of law at the George Washington University Law School and a contributing editor at The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. He is the author of seven previous books, including the New York Times bestseller Conversations with RBG: Justice Ruth Bader Ginsburg on Life, Love, Liberty, and Law. His essays and commentaries have appeared in The New York Times Magazine; on NPR; in The New Republic, where he was the legal affairs editor; and in The New Yorker, where he has been a staff writer. His latest book is The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America.

https://constitutioncenter.org/about/board-of-trustees/jeffrey-rosen
www.simonandschuster.com/books/The-Pursuit-of-Happiness/Jeffrey-Rosen/9781668002476
https://constitutioncenter.org/news-debate/podcasts

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

What is the true meaning of the pursuit of happiness? What can we learn from the Founding Fathers about achieving harmony, balance, tranquility, self-mastery, and pursuing the public good?

Jeffrey Rosen is President and CEO of the National Constitution Center, where he hosts We the People, a weekly podcast of constitutional debate. He is also a professor of law at the George Washington University Law School and a contributing editor at The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. He is the author of seven previous books, including the New York Times bestseller Conversations with RBG: Justice Ruth Bader Ginsburg on Life, Love, Liberty, and Law. His essays and commentaries have appeared in The New York Times Magazine; on NPR; in The New Republic, where he was the legal affairs editor; and in The New Yorker, where he has been a staff writer. His latest book is The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America.

"Well, it's important that although you can disaggregate them, they're really clusters of the same quest that they're all glosses on the four classical virtues of temperance, prudence, courage, and justice. And they're all attempts to achieve self-mastery, and in that sense, tranquility, moderation, these are different ways of expressing the ideas of prudence and temperance. It's striking that Adam Smith translated the Roman word temperance with virtue as a kind of tranquility of the soul.

When I was rereading the Hebrew Bible and the New Testament, I was struck by the idea of the environmental crisis being a kind of self-executing divine retribution for disturbing the harmonies of the universe. There are so many passages in the scriptures which talk about the plagues and fires and punishments that come from failing to respect our place in the universe and having the hubris to imagine that we can transform and thwart the laws of nature. These punishments are self-executing, and we are experiencing them. The way to restore harmony is the way that harmony has always been restored, which is by restraint, humility, and living according to nature. "

https://constitutioncenter.org/about/board-of-trustees/jeffrey-rosen
www.simonandschuster.com/books/The-Pursuit-of-Happiness/Jeffrey-Rosen/9781668002476
https://constitutioncenter.org/news-debate/podcasts

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"I mean, your mother, your concept of God, all of this I feel for our Earth. More than if Earth were a person. And I grew up Christian, I grew up Methodist, and I still pray and read the Bible. If you believe that there is any Creator, what better thing can you do with your life than honor the creation? And if you don't believe in that, but you understand the facts of evolution ? which I also understand ? again, what better use of a life than to honor the Big Life with a capital L? And what better way to enjoy it? There's so much that we can each do, and it is a joy for me.

I think that animals certainly don't have all these widgets demanding their attention like we do. Their spirits are just not as atomized as ours are. We have so many little things flickering at the edge of our consciousness. When we pay attention to anything, we're not paying that deep attention, but animals are. And they have senses that we do not. I mean, they're aware of chemical cues that we completely miss. They can hear sounds we don't hear. They see colors and kinds of light we can't perceive, etc. But we all share a common ancestor. We share 90 percent of our genetic material with all placental mammals. So we really are all family. So, seeing how animals do things, I think we have more access to that kind of consciousness than we allow ourselves to understand."

Author Sy Montgomery and illustrator Matt Patterson are naturalists, adventurers, and creative collaborators. Montgomery has published over thirty acclaimed nonfiction books for adults and children and received numerous honors, including lifetime achievement awards from the Humane Society and the New England Booksellers Association.

Patterson?s illustrations have been featured in several books and magazines, such as Yankee Magazine and Fine Art Connoisseur. He is the recipient of Roger Tory Peterson Wild American Art Award, National Outdoor Book Award for Nature and the Environment, and other honors. Most recently, Patterson provided illustrations for Freshwater Fish of the Northeast.

Their joint books are Of Time and Turtles: Mending the World, Shell by Shattered Shell and The Book of the Turtle. Montgomery?s other books include The Soul of an Octopus, The Hawk?s Way and The Secrets of the Octopus (published in conjunction with a National Geographic TV series).

www.mpattersonart.com
https://symontgomery.com
www.harpercollins.com/products/of-time-and-turtles-sy-montgomery?variant=41003864817698
www.harpercollins.com/products/the-book-of-turtles-sy-montgomery?variant=40695888609314
https://press.uchicago.edu/ucp/books/book/distributed/F/bo215806915.html

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

What can turtles teach us about time, patience, and wisdom? What can we learn about the mysteries of consciousness by observing animals? How can we open our senses and embrace the interconnectedness of all life on Earth?

Author Sy Montgomery and illustrator Matt Patterson are naturalists, adventurers, and creative collaborators. Montgomery has published over thirty acclaimed nonfiction books for adults and children and received numerous honors, including lifetime achievement awards from the Humane Society and the New England Booksellers Association.

Patterson?s illustrations have been featured in several books and magazines, such as Yankee Magazine and Fine Art Connoisseur. He is the recipient of Roger Tory Peterson Wild American Art Award, National Outdoor Book Award for Nature and the Environment, and other honors. Most recently, Patterson provided illustrations for Freshwater Fish of the Northeast.

Their joint books are Of Time and Turtles: Mending the World, Shell by Shattered Shell and The Book of the Turtle. Montgomery?s other books include The Soul of an Octopus, The Hawk?s Way and The Secrets of the Octopus (published in conjunction with a National Geographic TV series).

"I mean, your mother, your concept of God, all of this I feel for our Earth. More than if Earth were a person. And I grew up Christian, I grew up Methodist, and I still pray and read the Bible. If you believe that there is any Creator, what better thing can you do with your life than honor the creation? And if you don't believe in that, but you understand the facts of evolution ? which I also understand ? again, what better use of a life than to honor the Big Life with a capital L? And what better way to enjoy it? There's so much that we can each do, and it is a joy for me.

I think that animals certainly don't have all these widgets demanding their attention like we do. Their spirits are just not as atomized as ours are. We have so many little things flickering at the edge of our consciousness. When we pay attention to anything, we're not paying that deep attention, but animals are. And they have senses that we do not. I mean, they're aware of chemical cues that we completely miss. They can hear sounds we don't hear. They see colors and kinds of light we can't perceive, etc. But we all share a common ancestor. We share 90 percent of our genetic material with all placental mammals. So we really are all family. So, seeing how animals do things, I think we have more access to that kind of consciousness than we allow ourselves to understand."

www.mpattersonart.com
https://symontgomery.com
www.harpercollins.com/products/of-time-and-turtles-sy-montgomery?variant=41003864817698
www.harpercollins.com/products/the-book-of-turtles-sy-montgomery?variant=40695888609314
https://press.uchicago.edu/ucp/books/book/distributed/F/bo215806915.html

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Ludovic Slimak is a paleoanthropologist at the University of Toulouse in France and Director of the Grotte Mandrin research project. His work focuses on the last Neanderthal societies, and he is the author of several hundred scientific studies on these populations. His research has been featured in Nature, Science, the New York Times, and other publications. He is the author of The Naked Neanderthal: A New Understanding of the Human Creature

http://ww5.pegasusbooks.com/books/the-naked-neanderthal-9781639366163-hardcover
https://lampea.cnrs.fr/spip.php?article3767
www.odilejacob.fr/catalogue/sciences-humaines/archeologie-paleontologie-prehistoire/dernier-neandertalien_9782415004927.php

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Who were the Neanderthals? And what can our discoveries about them teach us about intelligence, our extractivist relationship to the planet, and what it means to be human?

Ludovic Slimak is a paleoanthropologist at the University of Toulouse in France and Director of the Grotte Mandrin research project. His work focuses on the last Neanderthal societies, and he is the author of several hundred scientific studies on these populations. His research has been featured in Nature, Science, the New York Times, and other publications. He is the author of The Naked Neanderthal: A New Understanding of the Human Creature.

"After working 30 years excavating in caves, in rock shelters, and really in tracking what I call the creator, my feeling was after many years, I didn't really know what to think about Neanderthals, but at a certain moment, after seeing millions of these tools, I began to realize something very interesting. We have two categories of humans which are deeply divergent. One is hyper-standardized, and the other is much more creative. It was clear to me that this creativity was related to the raw material that this population used. The Neanderthal will adapt his project to the function of the color, texture, and natural morphologies of the block. So you have a kind of dialectic, a kind of discussion between the craftsman and the natural environment. When you are dealing with Homo sapien technology, they have the same categories of technologies, but it's very clear that even very early Sapiens, when they have a project, they will constrain the natural world to their project."

http://ww5.pegasusbooks.com/books/the-naked-neanderthal-9781639366163-hardcover
https://lampea.cnrs.fr/spip.php?article3767
www.odilejacob.fr/catalogue/sciences-humaines/archeologie-paleontologie-prehistoire/dernier-neandertalien_9782415004927.php

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"The humanities are all about representing the world, while the sciences are all about knowing the world. But I believe the roles are deeply intertwined, and that literature, the humanities, philosophy, history, and the arts are all ways of knowing the world. They do exactly the same thing in our understanding of the world. And it is really important to try to put these things together to bring people closer in talking to each other."

Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity.

https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeing
https://www.routesnetwork.net
https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190.

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How can we create positive change? What does it mean to have an ecological mind? How can interdisciplinary collaborations help us move beyond educational silos and create sustainable futures?

Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity.

"The humanities are all about representing the world, while the sciences are all about knowing the world. But I believe the roles are deeply intertwined, and that literature, the humanities, philosophy, history, and the arts are all ways of knowing the world. They do exactly the same thing in our understanding of the world. And it is really important to try to put these things together to bring people closer in talking to each other."

https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeing
https://www.routesnetwork.net
https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190.

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How would the life of Jesus be told through the eyes of his mother? How can literature help us understand history and the nature of identity?

Maciej Hen was born in 1955 in Warsaw. He graduated from the Cinematography Department at the Film School in ?ód?. For years he has been trying his hand at diverse activities, from music to all fields of journalism and television lighting design. As a prose writer, Hen has published four novels so far: Wed?ug niej (2004, DUE; the English translation, According to Her, published in 2022 by Holland House Books, was shortlisted to the EBRD Literary Prize in 2023), Solfatara (2015, W.A.B., 2016 Gombrowicz Prize and shortlisted for the Norwid Prize and the Angelus Prize), Deutsch dla ?rednio zaawansowanych, Segretario and one non-fiction book, Beatlesi w Polsce (The Beatles in Poland).

"I wondered who could be a better narrator of the story of Jesus than his own Jewish mother? When I was young, as a European Greco-Christian, I was aware of some of my Jewish history, but writing According to Her, I tried to imagine the issue of someone considered to be a Messiah or prophet by some Jewish followers. What could be the genuine story of something that really happened or was told? This led me to write a realistic novel about how it could have been."

"I can tell you the story of my parents. They both lost most of their families during World War II, and they survived because they were quick enough to escape to the East, where there was no paradise either, but at least there was a chance to survive. So my father lost his father, one of his sisters, the sister's husband, and his brother. But the brother disappeared in Soviet Union, nobody knows how, but the others were murdered by Nazis. And as for my mother, she lost almost everybody. She had six siblings, and she managed only to take one of her sisters while evacuating to the East. So five of her siblings, both parents, and grandmother, all died in the death camp in Belzec."

https://en.wikipedia.org/wiki/Maciej_Hen

www.hhousebooks.com/shortlisted-ebrd-according-to-her

www.wydawnictwoliterackie.pl/autor/1271/maciej-hen

https://www.instagram.com/maciej.hen/
www.facebook.com/profile.php?id=100064871385361
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"I was so excited to be offered that role in Little Bird. They sent me the scripts, and I read them, and I wept so much just reading those scripts because the story is so profoundly sad. And I was really very honored to be playing a Jewish Holocaust survivor caught up in a very difficult story. I was also honored to be on set. And a good part of the time that I was there, we were on Indian reservations, having cultural sharing time, listening to their stories, and really just being a witness to what they experienced. So a lot of that was very profound for me working on that project, and being able to tell the story that my character owned was, of course, really personal to me just being Jewish. A lot of times, being Jewish, we don't necessarily get to play Jewish. So it was really important to me that I honor that story the best that I could."

From her role as Dr. Lisa Cuddy on the hit Fox series House M.D, to her starring role as Abby McCarthy in Bravo's first scripted series Girlfriend's Guide to Divorce, Lisa Edelstein's range of roles are as diverse talent. Some of Edelstein's feature credits include Keeping the Faith, What Women Want, Daddy Daycare, As Good as It Gets, and Fathers and Sons. She played a Holocaust survivor and adopted mother in the drama television series Little Bird. The story centres on a First Nations woman who was adopted into a Jewish family during the Sixties Scoop, as she attempts to reconnect with her birth family and heritage.

Lisa?s career began by writing, composing, and performing an original AIDS awareness musical Positive Me at the renowned La Mama Experimental Theater Club in New York City. In the wake of COVID, Lisa began to paint using old family photographs as starting points. Her incredibly detailed paintings capture intimate relationships and spontaneous moments with honesty and compassion.

https://lisaedelstein.komi.io/
www.lisaedelsteinpaintings.com/
www.imdb.com/name/nm0249046

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Artworks:
?Beach Day?, ?Marsha?, ?Karen? Courtesy of the Artist

Lisa Edelstein in the Studio
Photo credit: Holland Clement, Courtesy of the artist

How can the arts help us examine and engage with social issues? How do our families shape our views, memories, and experience of the world?

From her role as Dr. Lisa Cuddy on the hit Fox series House, to her starring role as Abby McCarthy in Bravo's first scripted series Girlfriend's Guide to Divorce, Lisa Edelstein's range of roles are as diverse talent. Some of Edelstein's feature credits include Keeping the Faith, What Women Want, Daddy Daycare, As Good as It Gets, and Fathers and Sons. She played a Holocaust survivor and adopted mother in the drama television series Little Bird. The story centres on a First Nations woman who was adopted into a Jewish family during the Sixties Scoop, as she attempts to reconnect with her birth family and heritage.

Lisa?s career began by writing, composing, and performing an original AIDS awareness musical Positive Me at the renowned La Mama Experimental Theater Club in New York City. In the wake of COVID, Lisa began to paint using old family photographs as starting points. Her incredibly detailed paintings capture intimate relationships and spontaneous moments with honesty and compassion.

"I was so excited to be offered that role in Little Bird. They sent me the scripts, and I read them, and I wept so much just reading those scripts because the story is so profoundly sad. And I was really very honored to be playing a Jewish Holocaust survivor caught up in a very difficult story. I was also honored to be on set. And a good part of the time that I was there, we were on Indian reservations, having cultural sharing time, listening to their stories, and really just being a witness to what they experienced. So a lot of that was very profound for me working on that project, and being able to tell the story that my character owned was, of course, really personal to me just being Jewish. A lot of times, being Jewish, we don't necessarily get to play Jewish. So it was really important to me that I honor that story the best that I could."

https://lisaedelstein.komi.io/
www.lisaedelsteinpaintings.com/
www.imdb.com/name/nm0249046

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Photo credit: Mitch Stone
Courtesy of the artist

?The natural world has its own sonic language. Its own fingerprints. And that's one of the beautiful things about being out here. There is another acoustic environment, another sort of sonic fingerprint, and it is always changing. Every day is a sort of a different sound picture. I walk out the door and you do hear it changing over time. The leaves are coming in now, different kinds of bird song. The wind sounds different. It's a wonderful thing to be around and experience.? ?Max Richter

Excerpts of interviews from One Planet Podcast & The Creative Process

SY MONTGOMERY
NYTimes Bestselling Author of Of Time and Turtles: Mending the World, Shell by Shattered Shell, Secrets of the Octopus, The Hawk?s Way: Encounters with Fierce Beauty, and other books

MAX RICHTER
Award-winning Composer, Pianist & Environmentalist (The Blue Notebooks, Waltz with Bashir, Arrival, Ad Astra) His album SLEEP is the most streamed classical record of all time. Cofounder of Studio Richter Mahr

MERLIN SHELDRAKE
Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021

THOMAS CROWTHER
Ecologist - Co-chair of the Board for UN Decade on Ecosystem Restoration - Founder of Restor

TIOKASIN GHOSTHORSE
Founder/Host of First Voices Radio - Master Musician of the Ancient Lakota Flute

ERLAND COOPER
Nature?s Songwriter - Composer of ?Folded Landscapes?

RICK BASS
Environmentalist & Story Prize Award-winning Author of ?Why I Came West?, ?For a Little While? - Fmr. Geologist - Organizer of Climate Aid: The Voice of the Forest

PETER SINGER
?Most Influential Living Philosopher? - Author, Founder of The Life You Can Save

KATHLEEN ROGERS
President of EarthDay.ORG

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

www.maxrichtermusic.com
https://studiorichtermahr.com

Max Richter?s music featured in this episode are ?On the Nature of Daylight? from The Blue Notebooks, ?Path 19: Yet Frailest? from Sleep.

Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Photos courtesy of Unsplash
Photo credit: Kyle Johnson, Sebastian Unrau, Abner abiu Castillo diaz, Deepak Nautiyal

What are we willing to give up to find meaning, connection, and a sense of belonging? What happens if we don't self-promote, self-create, and self-brand on social media? Will we find the right partner? Will we get into the right college? Or find the best job?

Tara Isabella Burton is the author of the novels Social Creature, The World Cannot Give, and Here in Avalon, as well as the nonfiction books Strange Rites: New Religions for a Godless World and Self-Made: Curating Our Image from Da Vinci to the Kardashians. She is currently working on a history of magic and modernity, to be published by Convergent in late 2025. Her fiction and nonfiction have appeared in The New York Times, National Geographic,  Granta, The Washington Post, The Wall Street Journal, and other publications.

www.taraisabellaburton.com
www.simonandschuster.com/books/Here-in-Avalon/Tara-Isabella-Burton/9781982170097?fbclid=IwAR30lnvlXMrDJtCq_568jUM3hvzr6yUz_GUUZSkbR2RarreOF6PMcvhabBg

www.amazon.com/dp/B07W56MQLJ/ref=sr_1_fkmr0_1?keywords=strange+rites+tara+isabella+burton&qid=1565365017&s=gateway&sr=8-1-fkmr0

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

What are we willing to give up to find meaning, connection, and a sense of belonging? What happens if we don't self-promote, self-create, and self-brand on social media? Will we find the right partner? Will we get into the right college? Or find the best job?

Tara Isabella Burton is the author of the novels Social Creature, The World Cannot Give, and Here in Avalon, as well as the nonfiction books Strange Rites: New Religions for a Godless World and Self-Made: Curating Our Image from Da Vinci to the Kardashians. She is currently working on a history of magic and modernity, to be published by Convergent in late 2025. Her fiction and nonfiction have appeared in The New York Times, National Geographic,  Granta, The Washington Post, The Wall Street Journal, and other publications.

www.taraisabellaburton.com
www.simonandschuster.com/books/Here-in-Avalon/Tara-Isabella-Burton/9781982170097?fbclid=IwAR30lnvlXMrDJtCq_568jUM3hvzr6yUz_GUUZSkbR2RarreOF6PMcvhabBg

www.amazon.com/dp/B07W56MQLJ/ref=sr_1_fkmr0_1?keywords=strange+rites+tara+isabella+burton&qid=1565365017&s=gateway&sr=8-1-fkmr0

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Scientists, artists, psychologists, conservationists, and spiritual leaders share their stories and insights on the importance of connecting with nature, preserving the environment, embracing diversity, and finding harmony in the world. Music courtesy of composer Max Richter. All voices in this episode are from our interviews for The Creative Process & One Planet Podcast.

00:05 Adapting to Earth: Indigenous Perspectives
TIOKASIN GHOSTHORSE - Founder/Host of First Voices Radio - Founder of Akantu Intelligence
https://firstvoicesindigenousradio.org
https://akantuintelligence.org

01:06 The Beauty and Fragility of the Natural World
APRIL GORNIK - Artist, Environmentalist, Co-founder of The Church: Arts & Creativity Center
www.aprilgornik.com
www.thechurchsagharbor.org

02:01 The Importance of Whales in Ecosystems
NAN HAUSER - Whale Researcher - President, Center for Cetacean Research & Conservation - Director, Cook Islands Whale Research
https://whaleresearch.org

03:27 The Importance of Community and Collective Well-being
ROBERT WALDINGER - Co-Author of The Good Life: Lessons from the World's Longest Scientific Study of Happiness
https://www.robertwaldinger.com

04:19 The Power of Love, Respect, and Unity
JULIAN LENNON - Singer-songwriter, Photographer, Doc Filmmaker, Exec. Producer of the films Common Ground & Kiss the Ground
https://julianlennon.com
https://commongroundfilm.org

05:05 The Importance of Cultural and Scientific Knowledge
RUPERT SHELDRAKE - Biologist & Author of The Science Delusion, The Presence of the Past
www.sheldrake.org

0:6:18 Mastering Confidence & Human Potential
IAN ROBERTSON - Author of How Confidence Works: The New Science of Self-belief - Co-Director of the Global Brain Health Institute
https://ianrobertson.org

07:01 The Magic of Coral Reefs
GATOR HALPERN - Co-Founder & President of Coral Vita - UN Young Champion of the Earth - Forbes 30 Under 30 Social Entrepreneur
https://coralvita.co

08:06 Lessons from Ancient Trees and Tundra
DOUG LARSON - Biologist - Expert on Deforestation - Author of Cliff Ecology - The The Dogma Ate My Homework
https://experts.uoguelph.ca/doug-larson

09:36 Understanding the Flow of Life
MASTER SHI HENG YI - 35th Generation of Shaolin Masters
Headmaster of the Shaolin Temple Europe
www.shihengyi.online
www.shaolintemple.eu

Max Richter?s music featured in this episode are ?On the Nature of Daylight? from The Blue Notebooks, ?Path 19: Yet Frailest? from Sleep.
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

?I think like a scientist and my interest in stunted trees probably goes back to my upbringing. I had a difficult childhood with a father who insisted that he was right about everything all the time.

And in my early years as a scientist, I was trying to find some system that would not argue back to me. I loved working with organisms that were themselves repressed by nature. It's a wonderful thing to stand like Gulliver on top of an entire ecosystem that's only three inches tall. And ask yourself, am I any happier than it? And I wasn't. And I found that tremendously thrilling to have a different perspective.?

What can thousand-year-old trees teach us about living sustainably? If we want to be sustained by this planet indefinitely, we need to stop trying to suck it dry.

Doug Larson is an award winning scientist, author, and Professor Emeritus of Biology at the University of Guelph. He is an expert on deforestation and regularly contributes to The Guardian and other publications. His books include Cliff Ecology: Pattern and Process in Cliff Ecosystems, The Urban Cliff Revolution: New Findings on the Origins and Evolution of Human Habitats, Storyteller Guitar, and The Dogma At My Homework.

https://experts.uoguelph.ca/doug-larson
https://volumesdirect.com/products/the-dogma-ate-my-homework
https://www.cambridge.org/core/books/cliff-ecology/7502E52B487789BEA2CACC4553AA663B

https://www.amazon.com/Urban-Cliff-Revolution-Evolution-Habitats/dp/1550419927
https://www.amazon.com/Storyteller-Guitar-Doug-Larson-ebook/dp/B00B9VZQXU

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Image courtesy of Doug Larson

What can thousand-year-old trees teach us about living sustainably? If we want to be sustained by this planet indefinitely, we need to stop trying to suck it dry.

Doug Larson is an award winning scientist, author, and Professor Emeritus of Biology at the University of Guelph. He is an expert on deforestation and regularly contributes to The Guardian and other publications. His books include Cliff Ecology: Pattern and Process in Cliff Ecosystems, The Urban Cliff Revolution: New Findings on the Origins and Evolution of Human Habitats, Storyteller Guitar, and The Dogma At My Homework.

?I think like a scientist and my interest in stunted trees probably goes back to my upbringing. I had a difficult childhood with a father who insisted that he was right about everything all the time.

And in my early years as a scientist, I was trying to find some system that would not argue back to me. I loved working with organisms that were themselves repressed by nature. It's a wonderful thing to stand like Gulliver on top of an entire ecosystem that's only three inches tall. And ask yourself, am I any happier than it? And I wasn't. And I found that tremendously thrilling to have a different perspective.?

https://experts.uoguelph.ca/doug-larson
https://volumesdirect.com/products/the-dogma-ate-my-homework
https://www.cambridge.org/core/books/cliff-ecology/7502E52B487789BEA2CACC4553AA663B

https://www.amazon.com/Urban-Cliff-Revolution-Evolution-Habitats/dp/1550419927
https://www.amazon.com/Storyteller-Guitar-Doug-Larson-ebook/dp/B00B9VZQXU

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Image courtesy of Doug Larson

"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.

All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."

How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.

Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010,  he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.

www.sheldrake.org

www.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20

www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20

How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.

Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010,  he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.

"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws.

And then if we think through that metaphor, then actually the laws do change.

All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."

www.sheldrake.org

www.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20

www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20

?I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other.
When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.?

How does the place we?re born influence our beliefs? What would it be like to live in a world run by women, where it?s perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO?s True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.

Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.

http://florianhoffmeister.de/
www.hbo.com/true-detective
www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Photo: Jodie Foster, Kali Reis · ?Photograph by Michele K. Short/HBO

How does the place we?re born influence our beliefs? What would it be like to live in a world run by women, where it?s perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO?s True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.

Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.

?I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other.
When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.?

http://florianhoffmeister.de/
www.hbo.com/true-detective
www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Photo credits: Michele K. Short / HBO

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent Anishinaabe legal theorist John Borrows and philosopher Paco Calvo about how we might learn about, learn with, and learn from our plant companions on this earth. Plants show signs of communication and of learning. They produce and respond to many of the same neurochemicals as humans, including anesthetics. They share resources with one another, and when under threat, emit signals of warning and of pain. While Barrows and Calvo both urge us to listen to the Earth, during this conversation we discover that these two thinkers are often listening for different things. The discussion reveals fascinating points of difference and commonality. And in terms of the latter, the point both John and Paco insist upon is that we maintain our separation from other beings at our peril and at a loss.

Dr. John Borrows, BA, MA, JD, LLM, PhD, LLD, FRSC, is Canada's pre-eminent legal scholar and a global leader in the field of Indigenous legal traditions and Aboriginal rights. John holds the Canada Research Chair in Indigenous Law at the University of Victoria as well as the Law Foundation Chair in Aboriginal Justice and Governance.

Paco Calvo is a renowned cognitive scientist and philosopher of biology, known for his groundbreaking research in the field of plant cognition and intelligence. He is a professor at the University of Murcia in Spain, where he leads the Minimal Intelligence Lab (MINT Lab), focusing on the study of minimal cognition in plants. Calvo?s interdisciplinary work combines insights from biology, philosophy, and cognitive science to explore the fascinating world of plant behavior, decision-making, and problem-solving.

https://www.uvic.ca/law/facultystaff/facultydirectory/borrows.php

https://www.um.es/mintlab/index.php/about/people/paco-calvo/

00:02 Introduction to Plant Communication

00:21 Conversation with John Burrows and Paco Calvo

01:11 Challenging Pre-existing Concepts about Intelligence

01:37 Exploring Plant Intelligence

02:32 Understanding Human Intelligence

04:47 Challenging Orthodox Cognitive Psychology

05:34 Ecological Approach to Intelligence

07:26 The Role of Indigenous Knowledge in Understanding Intelligence

09:11 Understanding Anishinaabe Law and Ethical Traditions

12:09 The Role of Treaties in Indigenous Peoples' Relationships with Nature

38:51 The Role of Education in Understanding Ecological Cognition

45:28 The Importance of Experiential Learning and Literacy Beyond Books

46:24 The Power of Ignorance and Openness to Knowledge

50:00 The Ethical Obligations to the More Than Human World

01:07:43 The Role of Religion in Understanding Our Relationship with the More Than Human World

01:16:16 The Importance of Slowing Down to Appreciate Plant Behavior

01:17:39 The Co-Evolutionary Perspective of Life

www.palumbo-liu.com 
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20

?We have not adapted to Earth. She needs us to do that. Instead, we've tried to adapt Earth to our needs. Which is always an extraction, take away. Earth doesn't exist because of technology. Earth will always be here.?

Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of ?First Voices Radio? (formerly ?First Voices Indigenous Radio?) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for ?Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities?. He is the Founder of Akantu Intelligence.

https://firstvoicesindigenousradio.org/
https://akantuintelligence.org

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Songs featured on this episode are ?Butterfly Against the Wind?
And from the album Somewhere In There
?Spatial Moon? and ?Sunrise Moon?
Composed by Tiokasin Ghosthorse and Alex Alexander
Music on this episode is courtesy of Tiokasin Ghosthorse.

How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?

Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of ?First Voices Radio? (formerly ?First Voices Indigenous Radio?) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for ?Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities?. He is the Founder of Akantu Intelligence.

?We have not adapted to Earth. She needs us to do that. Instead, we've tried to adapt Earth to our needs. Which is always an extraction, take away. Earth doesn't exist because of technology. Earth will always be here.?

https://firstvoicesindigenousradio.org/
https://akantuintelligence.org

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Songs featured on this episode are ?Butterfly Against the Wind?
And from the album Somewhere In There
?Spatial Moon? and ?Sunrise Moon?
Composed by Tiokasin Ghosthorse and Alex Alexander
Music on this episode is courtesy of Tiokasin Ghosthorse.

"As a physicist, and it's not just me but many scientists and Nobel Prize winners have towards the end of their lives arrived at the conclusion that the world has the signature of some kind of intelligent design and we don't know what that is.

You can look at the whole picture from a religious angle. You can look through the simulation theory. I don't know how to formulate or explain what's behind it, but the universe is too perfect and fine-tuned to perfection. Even a small change in anything can lead to a total disintegration of all the fundamental forces, all the equilibrium in the universe, where the matter will not be stable, nothing will be the way it is, and then there will be no life. And I'm not against the idea of evolution because I think that creation and evolution go hand in hand. They are both true, and they are not competing against each other. They are not two competing philosophies or ideologies."

Dr. Melvin M. Vopson is Associate Professor of Physics at the University of Portsmouth, Fellow of the Higher Education Academy, Chartered Physicist and Fellow of the Institute of Physics. He is the co-founder and CEO of the Information Physics Institute, editor-in-chief of the IPI Letters and Emerging Minds Journal for Student Research. He is the author of Reality Reloaded: The Scientific Case for a Simulated Universe. Dr. Vopson has a wide-ranging scientific expertise in experimental, applied and theoretical physics that is internationally recognized. He has published over 100 research articles, achieving over 2500 citations.

https://www.port.ac.uk/about-us/structure-and-governance/our-people/our-staff/melvin-vopson

https://ipipublishing.org/index.php/ipil/RR

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Are we living in a Simulated Universe? How will AI impact the future of work, society & education?

Dr. Melvin M. Vopson is Associate Professor of Physics at the University of Portsmouth, Fellow of the Higher Education Academy, Chartered Physicist and Fellow of the Institute of Physics. He is the co-founder and CEO of the Information Physics Institute, editor-in-chief of the IPI Letters and Emerging Minds Journal for Student Research. He is the author of Reality Reloaded: The Scientific Case for a Simulated Universe. Dr. Vopson has a wide-ranging scientific expertise in experimental, applied and theoretical physics that is internationally recognized. He has published over 100 research articles, achieving over 2500 citations.

"As a physicist, and it's not just me but many scientists and Nobel Prize winners have towards the end of their lives arrived at the conclusion that the world has the signature of some kind of intelligent design and we don't know what that is.

You can look at the whole picture from a religious angle. You can look through the simulation theory. I don't know how to formulate or explain what's behind it, but the universe is too perfect and fine-tuned to perfection. Even a small change in anything can lead to a total disintegration of all the fundamental forces, all the equilibrium in the universe, where the matter will not be stable, nothing will be the way it is, and then there will be no life. And I'm not against the idea of evolution because I think that creation and evolution go hand in hand. They are both true, and they are not competing against each other. They are not two competing philosophies or ideologies."

https://www.port.ac.uk/about-us/structure-and-governance/our-people/our-staff/melvin-vopson

https://ipipublishing.org/index.php/ipil/RR

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"One of the big differences I've noticed talking with people from more communally oriented cultures is that American culture has a strong emphasis on the individual on individual happiness, individual achievement on individual self-expression. And there are other cultures where the community, the family, and the neighborhood where they live and the well-being of others are paramount and are the first thing they think about. The most exemplary instance of that is in Bhutan, where they can't even propose a law for the legislature to consider unless they have a full section describing the effect on the community of any given law, the effect on the well-being of the whole population. So nothing is about the individual. It's all about the collective."

What makes a good life? How important are relationships in helping us lead happy and meaningful lives?

Dr. Robert Waldinger is a professor of psychiatry at Harvard Medical School, director of the Harvard Study of Adult Development at Massachusetts General Hospital, and cofounder of the Lifespan Research Foundation. Dr. Waldinger received his AB from Harvard College and his MD from Harvard Medical School. He is a practicing psychiatrist and psychoanalyst, and he directs a psychotherapy teaching program for Harvard psychiatry residents. He is also a Zen master (Roshi) and teaches meditation in New England and around the world. His TED Talk about the Harvard study ?What makes a good life?? has been viewed more than 42 million times and is one of the 10 most watched TED Talks ever. He is co-author of The Good Life: Lessons from the World's Longest Scientific Study of Happiness.

https://www.robertwaldinger.com/
https://www.simonandschuster.com/books/The-Good-Life/Robert-Waldinger/9781982166694
https://www.adultdevelopmentstudy.org/
https://www.lifespanresearch.org

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

What makes a good life? How important are relationships in helping us lead happy and meaningful lives?

Dr. Robert Waldinger is a professor of psychiatry at Harvard Medical School, director of the Harvard Study of Adult Development at Massachusetts General Hospital, and cofounder of the Lifespan Research Foundation. Dr. Waldinger received his AB from Harvard College and his MD from Harvard Medical School. He is a practicing psychiatrist and psychoanalyst, and he directs a psychotherapy teaching program for Harvard psychiatry residents. He is also a Zen master (Roshi) and teaches meditation in New England and around the world. His TED Talk about the Harvard study ?What makes a good life?? has been viewed more than 42 million times and is one of the 10 most watched TED Talks ever. He is co-author of The Good Life: Lessons from the World's Longest Scientific Study of Happiness.

"One of the big differences I've noticed talking with people from more communally oriented cultures is that American culture has a strong emphasis on the individual on individual happiness, individual achievement on individual self-expression. And there are other cultures where the community, the family, and the neighborhood where they live and the well-being of others are paramount and are the first thing they think about. The most exemplary instance of that is in Bhutan, where they can't even propose a law for the legislature to consider unless they have a full section describing the effect on the community of any given law, the effect on the well-being of the whole population. So nothing is about the individual. It's all about the collective."

https://www.robertwaldinger.com/
https://www.simonandschuster.com/books/The-Good-Life/Robert-Waldinger/9781982166694
https://www.adultdevelopmentstudy.org/
https://www.lifespanresearch.org

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

The more the science of intelligence (both human and artificial) advances, the more it holds the potential for great benefits and dangers to society.

Max Bennett is the cofounder and CEO of Alby, a start-up that helps companies integrate large language models into their websites to create guided shopping and search experiences. Previously, Bennett was the cofounder and chief product offi­cer of Bluecore, one of the fastest growing companies in the U.S., providing AI technologies to some of the largest companies in the world. Bluecore has been featured in the annual Inc. 500 fastest growing com­panies, as well as Glassdoor?s 50 best places to work in the U.S. Bluecore was recently valued at over $1 bil­lion. Bennett holds several patents for AI technologies and has published numerous scientific papers in peer-reviewed journals on the topics of evolutionary neuro­science and the neocortex. He has been featured on the Forbes 30 Under 30 list as well as the Built In NYC?s 30 Tech Leaders Under 30. He is the author of A Brief History of Intelligence: Evolution, AI, and the Five Breakthroughs That Made Our Brains.

"I think anyone who's practiced any sense or form of meditation, realizes that often it's when we turn our minds off and we think less that we feel most aware and present. And I think that is a great sort of introspective case study in the decoupling between conscious awareness and thinking. So I think it is highly possible that we will have very intelligent machines that far surpass us in quote-unquote intelligence, its ability to reason and problem solve, but could very easily not be sentient or conscious at all. Similarly, I think this also applies to other animals. I think folks who argue that animals are not conscious or sentient due to their inability to solve a variety of intellectual tasks may also be wrong. But when it comes to consciousness, we have pretty much no idea how consciousness emerges from matter. There are some hot, relatively speculative ideas, but we have no real scientific grounding on which to define this is how consciousness emerges."

www.abriefhistoryofintelligence.com/
www.alby.com
www.bluecore.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"This is why protecting the indigenous around the world has been an important cause for me because of that history, because of their knowledge, and the potential of losing it forever. I know that around the world that there are groups that are striving and doing the best that they can to maintain and hold onto those languages, doing as much research and capturing as much of that knowledge as possible. You know, fortunately, there are some incredible, dare I say, youngsters these days who are learning, who have such respect for their elders and their history and their past. They are learning the language and holding onto it as best as they can. As I said, I think the fact that it's all being recorded now and put down, and hopefully nothing further bad happens. I think it's key because we've learned so much from the Indigenous. You know, we're part of that history. It's just we've lost our way. They still know where they're going. It's just the rest of us that have been misguided, I would say, in the bigger scheme of things. The other thing was we, you know, for many, I mean we didn't know any better. That's no excuse, but, you know, we all rode on that bandwagon too of enjoying life to the extremes before we knew, really what that meant, how that abused not only people but the Earth. And the situation that we live in, as you see in the film also, I think we're only just seeing the tip of the surface really about the quantity of illness that is coming from the past 50 years of the way things have been done. I mean, the general public didn't know about so, so many of the bad things that were happening. The poisoning, the chemicals in our food, in all of our products, whether it's from, deodorants to hairsprays to makeup. It's really only in the past few years that there's been a decent should I say shift in that world and that finally some companies are taking responsibility for their actions and their positions, and they're trying to change things too. So little by little, little by little, but it's working."

How can the arts inspire us to lead lives of greater meaning and connection? What kind of world are we leaving for future generations?

Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of children's books. Executive Producer of Common Ground and its predecessor Kiss the Ground, which reached over 1 billion people and inspired the US Department of Agriculture (USDA) to put $20 billion toward soil health. The natural world and indigenous people are also the focus of Lennon?s other documentaries Whaledreamers, and Women of the White Buffalo. In 2007, Julian founded the global environmental and humanitarian organization The White Feather Foundation, whose key initiatives are education, health, conservation, and the protection of indigenous culture, causes he also advances through his photography, exhibited across the US and Europe. His latest album Jude spans a body of work created over the last 30 years. Julian was named a Peace Laureate by UNESCO in 2020.

https://julianlennon.com
https://commongroundfilm.org
https://kissthegroundmovie.com
https://whitefeatherfoundation.com
https://julianlennon.lnk.to/JudeWE
https://julianlennon-photography.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How can the arts inspire us to lead lives of greater meaning and connection? What kind of world are we leaving for future generations?

Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of children's books. Executive Producer of Common Ground and its predecessor Kiss the Ground, which reached over 1 billion people and inspired the US Department of Agriculture (USDA) to put $20 billion toward soil health. The natural world and indigenous people are also the focus of Lennon?s other documentaries Whaledreamers, and Women of the White Buffalo. In 2007, Julian founded the global environmental and humanitarian organization The White Feather Foundation, whose key initiatives are education, health, conservation, and the protection of indigenous culture, causes he also advances through his photography, exhibited across the US and Europe. His latest album Jude spans a body of work created over the last 30 years. Julian was named a Peace Laureate by UNESCO in 2020.

"This is why protecting the indigenous around the world has been an important cause for me because of that history, because of their knowledge, and the potential of losing it forever. I know that around the world that there are groups that are striving and doing the best that they can to maintain and hold onto those languages, doing as much research and capturing as much of that knowledge as possible. You know, fortunately, there are some incredible, dare I say, youngsters these days who are learning, who have such respect for their elders and their history and their past. They are learning the language and holding onto it as best as they can. As I said, I think the fact that it's all being recorded now and put down, and hopefully nothing further bad happens. I think it's key because we've learned so much from the Indigenous. You know, we're part of that history. It's just we've lost our way. They still know where they're going. It's just the rest of us that have been misguided, I would say, in the bigger scheme of things. The other thing was we, you know, for many, I mean we didn't know any better. That's no excuse, but, you know, we all rode on that bandwagon too of enjoying life to the extremes before we knew, really what that meant, how that abused not only people but the Earth. And the situation that we live in, as you see in the film also, I think we're only just seeing the tip of the surface really about the quantity of illness that is coming from the past 50 years of the way things have been done. I mean, the general public didn't know about so, so many of the bad things that were happening. The poisoning, the chemicals in our food, in all of our products, whether it's from, deodorants to hairsprays to makeup. It's really only in the past few years that there's been a decent should I say shift in that world and that finally some companies are taking responsibility for their actions and their positions, and they're trying to change things too. So little by little, little by little, but it's working."

https://julianlennon.com
https://commongroundfilm.org
https://kissthegroundmovie.com
https://whitefeatherfoundation.com
https://julianlennon.lnk.to/JudeWE
https://julianlennon-photography.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How can we resolve conflicts without compromising our ethics and moral vision? Each year, wars are being fought in our name or with our support that citizens never get an opportunity to vote on. How can we make our voices heard?

?Warism, taking war for granted as morally acceptable, even morally required, is the primary obstacle to peace.? Duane L. Cady is a philosopher and Professor Emeritus at Hamline University. He was nominated for the 1991 Grawemeyer World Order Award, was named Outstanding Educator of the Year by the United Methodist Foundation for Higher Education, and a festschiff in his honor was published in 2012. Cady is best known for his works on pacifism, including Moral Vision: How Everyday Life Shapes Ethical Thinking, and From Warism to Pacifism: A Moral Continuum.

"The task for us is to understand how we can get moral visions and then consider the ethics of negotiating between and among them, including collisions between moral visions. So my interest is in the extent to which various forms of reason take part in these different projects. I argue that contemporary technical philosophers tend to avoid this kind of problem. They tend to think of reason as much more narrow, whereas I want to include things like ordinary experience, the arts, theater, and reading a book. All those things can have an effect. Or as the case, we can consider now with current events experiencing moral horror, even if it's at a bit of a distance, even on TV or reading about it in the newspaper, have an effect on helping shape our moral vision. And so it's not necessarily a matter of neuro-technical reasoning. That probably is enough to get an idea of what I might do."

https://duanelcady.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Many people talk to God, but Neale Donald Walsch says God told him, ?You?ve got me all wrong.?

Walsch is a modern day spiritual messenger. He spent the majority of his life searching for spiritual meaning before experiencing his Conversations with God. The series of books has been translated into 37 languages. Walsch's newest book, GodTalk: Experiences of Humanity's Connections with a Higher Power, features a compilation of many different stories and perspectives from others who've encountered God in unexplainable and unique ways.

www.nealedonaldwalsch.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How do some people face incredible tragedies and find within these experiences inspiration to improve the lives of others? Our guest today lost her grandfather, who was the assassinated Prime Minister of the Buganda Kingdom, and her father, who was disappeared by Idi Amin, and yet she went on to become a leading conservationist.

Dr. Gladys Kalema-Zikusoka is Uganda's first full-time wildlife veterinarian and the Founder and CEO of Conservation Through Public Health. Interested in animals from a young age, she pursued her studies at the Royal Veterinary College at the University of London before returning to Uganda. In the time since, she's worked tirelessly to preserve the animals of Uganda, being awarded the Whitley Gold Award, Sierra Club Earth Care Award, Edinburgh Medal, National Geographic Explorer, and most recently an appointment to become a United Nations Champion of the Earth for Science and Innovation. She is author of Walking with Gorillas: The Journey of an African Wildlife Vet.

"I have always wanted to be around animals and growing up, I cannot remember a time when there were no pets at home. My elder brother Apollo Katerega, who was 10 years older than me, also liked animals, especially dogs and was always bringing stray dogs and cats home. I was the last born of six children. My sister, Veronica Nakibule, who I followed, was five years older than me so were just outside each other's age bracket for playing. Thus the pets at home became my main companions, and we developed a strong bond.

Along the way, I eventually fulfilled my lifelong dream to not only become a veterinarian, but a wildlife veterinarian. In 1996, I began to take care of the critically endangered mountain gorillas of Uganda. Since then, they've increased in number from six hundred and fifty to 1,063 individuals in Uganda, Rwanda, and the Democratic Republic of Congo(DRC). There are no mountain gorillas surviving in zoos outside their range countries, and their only hope is to keep the population thriving where they are naturally found.

The gorillas have shaped my life's calling since I first studied them as a student at the Royal Veterinary College, University of London. I've treated them as the first full-time wildlife veterinarian in Uganda and supported them as Founder and Chief Executive Officer of a grassroots NGO and nonprofit, Conservation Through Public Health, more commonly known as 'CTPH,' that promotes biodiversity conservation through not only improving the health of gorillas and other wildlife, but also the health and wellbeing of the people and livestock with whom they share their fragile habitats."

www.ctph.org
https://www.skyhorsepublishing.com/9781950994267/walking-with-gorillas/

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"The mind-body problem has been the main thing that I explored in my days in philosophy because I also had some small romances with philosophy as well. And I think this is not a matter of empirical investigation. So I don't think that there is any experience experiment that could tell you if there is a soul that is non-physical. I think that at the end of the day, this is for a philosophical and metaphysical discussion that could be determined by arguments and not experiments."

How we think, feel, and experience the world is a mystery. What distinguishes our consciousness from AI and machine learning?

Liad Mudrik studies high level cognition and its neural substrates, focusing on conscious experience. She teaches at the School of Psychological Sciences at Tel Aviv University. At her research lab, her team is currently investigating the functionality of consciousness, trying to unravel the depth and limits of unconscious processing, and also researching the ways semantic relations between concepts and objects are formed and detected.

https://people.socsci.tau.ac.il/mu/mudriklab
https://people.socsci.tau.ac.il/mu/mudriklab/people/#gkit-popup

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How we think, feel, and experience the world is a mystery. What distinguishes our consciousness from AI and machine learning?

Liad Mudrik studies high level cognition and its neural substrates, focusing on conscious experience. She teaches at the School of Psychological Sciences at Tel Aviv University. At her research lab, her team is currently investigating the functionality of consciousness, trying to unravel the depth and limits of unconscious processing, and also researching the ways semantic relations between concepts and objects are formed and detected.

"The mind-body problem has been the main thing that I explored in my days in philosophy because I also had some small romances with philosophy as well. And I think this is not a matter of empirical investigation. So I don't think that there is any experience experiment that could tell you if there is a soul that is non-physical. I think that at the end of the day, this is for a philosophical and metaphysical discussion that could be determined by arguments and not experiments."

https://people.socsci.tau.ac.il/mu/mudriklab
https://people.socsci.tau.ac.il/mu/mudriklab/people/#gkit-popup

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Coral reefs are the most biodiverse habitat on the planet, despite covering less than 1 percent of the ocean. Over a quarter of all marine life exists in these rain forests of the sea.

Gator Halpern is the Co-founder and President of Coral Vita, a mission-driven company working to restore our world?s dying coral reefs. He is a lifelong entrepreneur who is passionate about starting projects that can help create a better harmony between society and nature. His work has earned him a number of awards including being named a United Nation?s Young Champion of the Earth, a Forbes 30 Under 30 social entrepreneur, and an Echoing Green fellow. Before founding Coral Vita, he worked on development projects in Brazil, Peru, and South Africa. During his career, he has helped distribute millions of baby fish for aquaculture to remote villages in the Amazon, he?s analyzed the environmental effects of land-use change projects on three different continents, and worked for the World Wildlife Fund Global Marine Program. Gator founded Coral Vita during his graduate studies at the Yale School of Forestry and Environmental Studies, and he lives and works in the Bahamas where Coral Vita operates the world?s first commercial land-based coral farm for reef restoration.

?Coral reefs are the most biodiverse habitat on the planet, despite covering less than 1 percent of the ocean area, over a quarter of all marine life exists in these rainforests of the sea. And if you think of a coral reef as a rainforest, the trees are the coral themselves. Which are incredible organisms, so, magic is really the right word to describe them. They're these animals that are one of the original forms of animal life, the second branch of the animal kingdom is actually Cnidaria, which includes coral and jellyfish. So, an ancient animal, but they have a symbiotic relationship with algae, and so inside the animal tissue are these zooxanthellae, these algae that do photosynthesis, like algae do, like plants do. It's able to capture sunlight and convert it into sugars and energy. And so, it's an animal, but it's got plants that live inside it, this algae, and then even more wild - it grows a skeleton that is rock!

So coral skeleton is actually calcium carbonate, which is limestone. And most of the limestone that exists on the earth was grown by these organisms. And so they're animals with plants inside of them that grow rock as skeleton. And the rock skeletons form these incredibly intricate structures that are coral reefs that can grow for thousands of miles and the corals can live for thousands of years to be seen from space and to create these essential ecosystems that are really the cornerstone of all of life in the ocean and, and therefore much of life on Earth.?

https://coralvita.co

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast