Pop Pantheon

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Listener Mailbag! Britney, Bowie, Flops, Divas and More!!

6 oktober 2022 | 80 min

BTS (with Tamar Herman)

29 september 2022 | 99 min

Senior Culture Reporter for the South China Morning Post and author of the book BTS: Blood Sweat and Tears, Tamar Herman, joins DJ Louie for a deep-dive on K-Pop phenom boyband BTS. First, Louie and Tamar lay out some of the contours and history of the K-Pop scene and music industry before diving into BTS’ story, how they were initially put together in 2010 by producer Bang Si-Hyuk as a socially-conscious rap outfit on their “Skool Trilogy” in 2013 and 2014, and Bang’s vision for a boy band that broke K-pop norms by giving each member more agency in creating a distinct persona and shaping the group’s music. They then get into the group’s pivot to a more overt pop-oriented sound with mid-2010s output like the "Youth Trilogy", Wings, and the Love Yourself suite, all of which continued the group’s message-forward music while expanding their sound into EDM, R&B, Moombahton and more to massive success in Asian marketplaces and eventually, in the English-speaking world as well. Later, Louie and Tamar discuss just how BTS were able to fully cross-over into the biggest boy band in the world in the later 2010s, breaking into mainstream U.S. popular culture in a way no K-pop act had even whiffed at prior with their Map of the Soul albums, 2020’s BE, as well as on massive English-language hits like “Dynamite” and “Butter”, the unique pressure K-pop “Idols” are under in terms of how the present themselves in public, and how BTS and their success have changed the pop landscape both in their home country, stateside and across the globe. Finally, Louie and Tamar rank BTS in the official Pop Pantheon.

Buy Tamar's book BTS: Blood Sweat & Tears

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Listen to the Pop Pantheon BTS Essentials Playlist on Spotify

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Lady Gaga's Chromatica Ball (with Steven Avalos, Omri Rolan & Lala Thompson)

22 september 2022 | 71 min

DONNA SUMMER (with Black Girl Songbook's Danyel Smith)

15 september 2022 | 108 min

Author of Shine Bright: A Very Personal History of Black Women in Pop and host of The Ringer podcast Black Girl Songbook, Danyel Smith, joins DJ Louie to explore the work, impact and legacy of the Queen of Disco, Donna Summer. Louie and Danyel begin with Donna’s early life as the eccentric Black girl in her Boston community during the 1950s and ‘60s, her move to Germany in 1968 to star in the musical Hair which eventually led to a star-crossed meeting with producers Giorgio Morodor and Pete Bellotte who would go on to be her primary collaborators, and their breakthrough with the radically orgasmic disco anthem “Love to Love You Baby” in 1975. Louie and Danyel then cover Donna, Giorgio and Pete’s ambitious run of concept albums through the mid ‘70s, their seismic innovations on 1977’s “I Feel Love”, considered the first electronic dance song, Donna’s status as the poster child for both the music and aesthetics of the disco movement thanks in part to her role in the film Thank God It’s Friday and its luscious Oscar-winning smash “Last Dance”, her magnum opus, 1979’s Bad Girls which set the template for the modern pop event album, and how she managed to outrun the sudden decline of disco thanks to 1983’s economical new-wave anthem “She Works Hard for the Money”. They conclude with Donna’s commercial decline in the latter 1980s, her Born-Again Christianity and controversial statements about the AIDS Epidemic and the gay community, her absolutely massive impact on the sound and look of pop stardom and how her legacy- and that of the movement she defined- has evolved over time. Finally, Louie and Danyel rank Donna Summer in the official Pop Pantheon.

Come See Louie DJ at Gorgeous Gorgeous in DTLA on 9/23

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Take the Pop Pantheon Listener Survey

Buy Danyel's Book Shine Bright: A Very Personal History of Black Women in Pop

Check out Louie's Donna Summer Essentials Playlist on Spotify

Follow Danyel Smith on Twitter

Disco: Past & Present (with The Clive Davis Institute's Jason King)

8 september 2022 | 59 min

MERCH ALERT!

7 september 2022 | 1 min

USHER (with Rawiya Kameir)

1 september 2022 | 108 min

MTV VMAs: Past, Present & Our Favorite Moments (with Dunzo's Troy McEady)

25 augusti 2022 | 66 min

MILEY CYRUS (with Shaad D'Souza)

18 augusti 2022 | 107 min

Music critic Shaad D’Souza joins DJ Louie to talk about one of modern pop’s most captivating, divisive and perplexing figures, Miley Cyrus. Louie and Shaad open with a break down of Miley’s emergence on the smash Disney show, Hannah Montana, how the character’s own double life as a pop star and a “normal girl” mirrored Miley’s own, and the chaste image and anodyne pop-rock empowerment anthems on which Miley-as-Hannah made her name and, later in career, had to torch. They next dive into Miley’s various, often bold but almost always awkward attempts to break out of the Hannah Montana box, first with her calculated pivot towards sexed-up dance pop on 2010’s nonstarter Can’t Be Tamed and much more effectively on 2013’s Bangerz, a fascinating, garish record that repositioned the former Disney kid as a freewheeling, hip hop-obsessed party monster, a brazen and un-self-aware culture vulture and, for the first and perhaps only time in her a career, a trendsetting pop star. Louie and Shaad debate the record’s prescient centering of trap in mainstream pop, as well its table-setting fusion of rap and country, how we view Miley’s egregious cultural appropriation through a contemporary lens, and whether the album’s whirlwind of controversy obscured some of the record’s delicate, honest songwriting and virtuoso vocal performances. Later, they discuss how Miley squandered a lot of remaining good will with her next two projects, 2015’s utterly bizarre Wayne Coyne-collabo Miley Cyrus and Her Dead Petz and 2017’s middle-of-the-road country-pop-leaning Younger Now, and if Miley has effectively repositioned herself in recent years with a series of well-received live performances and covers and a turn towards rock homage on her 2020 album Plastic Hearts. Finally, Louie and Shaad rank Miley Cyrus in the official Pop Pantheon.

Read Shaad's review of Plastic Hearts in Pitchfork

Check out Louie's Miley Cyrus Essentials Playlist on Spotify

Follow Shaad D'Souza on Instagram

Billboard's Hot 100: Hits, History and Kinks (with Hit Parade's Chris Molanphy)

11 augusti 2022 | 75 min

BEYONCÉ'S RENAISSANCE (with The New Yorker's Doreen St. Félix)

4 augusti 2022 | 66 min

BEYONCÉ PART 3: AMERICAN ICON (with Yale University's Dr. Daphne A. Brooks)

28 juli 2022 | 111 min

Part 3/4! Beyoncé’s latest solo album, Renaissance, drops on July 29th so to get everyone prepared, Pop Pantheon will be releasing a series of four episodes on the work and legacy of Queen Bey, each with a different guest!

In our third installment, DJ Louie is joined by author of Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound, Yale University’s Dr. Daphne A. Brooks, to discuss the latest decade of Beyoncé’s solo career. Louie and Dr. Brooks begin with the quagmire that pop stars- and particularly black female pop stars- face as they enter their mid 30s in the fickle, ageist pop cultural landscape and how various icons of the genre like Aretha Franklin, Diana Ross, Tina Turner and Janet Jackson have re-engaged audiences during this period of their lives and careers. They then discuss Beyoncé’s culturally transformative 2013 self-titled 5th studio album, how the surprise release and inclusion of visual components for each song solved the problem of finding a hit single, created a singular shared cultural experience, and forever changed the way pop stars would release music, the rich musical textures which filtered black musical tradition through mordern electro-R&B, and the ways in which this record depended Beyoncé’s artistry and self-revelation, as well as her feminism and activism. They then unpack her 2016 single “Formation”, its confrontational video and performance at the 2016 Super Bowl, and how the song functions as both a call to action and certified rump shaker for the ages, before diving into her masterwork of that same year, her sixth album, the audiovisual magnum opus Lemonade. Louie and Dr. Brooks break down how Lemonade reimagined the feminist ideal of the “personal as political”, using Beyoncé’s own story of domestic disruption to narrate a broader story about American history, how it effectively reclaimed genres like rock ‘n roll and country for Black women, and the innovative ways Beyoncé mined her own pain to radically heal herself, her marriage, her people and the nation through this project. Finally, Louie and Dr. Brooks dive into Beyonce’s latest three side projects, 2018’s collaboration with Jay-Z Everything is Love, 2019’s live concert film Homecoming and 2020’s Lion King companion-piece Black is King, all of which have helped enrich and deepen her artistry and activism and served as a victory lap for her storied career and what, when we look back on it in 50 years or more, Beyoncé’s enduring legacy will be as the greatest and most important pop figure of the 21st century thus far.

Stay tuned for next week’s installment, in which we’ll be giving first reactions to Beyoncé’s new record Renaissance, her seventh studio album and first in over six years!

Tickets to DJ Louie's Pop Party, Gorgeous Gorgeous, on 8/12 in Downtown Los Angeles!

Buy Dr. Daphne A. Brooks' book, Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound

Check out Louie's Beyoncé Essentials Playlist on Spotify

Check out Louie's Beyoncé Essentials Playlist on Spotify

BEYONCÉ PART 2: SOLO SUPERSTAR (with Julianne Escobedo Shepherd)

21 juli 2022 | 120 min

Part 2/4!

Beyoncé’s latest solo album, Renaissance, drops on July 29th so to get everyone prepared, Pop Pantheon will be releasing a series of four episodes on the work and legacy of Queen Bey, each with a different guest!

In our second installment, DJ Louie is joined by author and journalist Julianne Escobedo Shepherd to discuss the first decade of Beyoncé’s solo career. Louie and Julianne begin with Beyoncé’s first steps outside of Destiny’s Child, including her film appearances in 2001’s MTV’s Carmen: A Hip Hopera and 2002’s Austin Powers in Goldmember, as well as on record with “Work It Out” and, most importantly, her feature on future-husband Jay-Z’s smash 2002 hit “‘03 Bonnie and Clyde”. They then discuss the major themes of the first period of Beyoncé’s solo music: ecstatic monogamous love, betrayal and infidelity, wealth accumulation and imbalanced gender dynamics and how they’re all represented on Beyoncé’s first solo album, 2003’s blockbuster Dangerously in Love and amplified on her second, 2006’s funky, terse fan-favorite, B’Day. They then dig into how B’Day’s harder edge and relative commercial underperformance-- and the attention her co-star Jennifer Hudson swept up from under Beyoncé in the film adaptation of the musical Dreamgirls-- led to the more widely-appealing, if less singular, I Am… Sasha Fierce in 2008, and, after firing her father Mathew as manager, how Bey began to shape a new phase of career with 2011’s languid, lowkey 4, in which she was no longer beholden to trends or hit-chasing, expanding her impact into something much greater than conventional pop stardom and providing the platform for the thrilling audio-visual projects which would both define the next decade of her career and change the music industry forever.

Stay tuned for next week’s installment, in which we’ll dive into 2013’s BEYONCÉ the visual album, 2016’s Lemonade, 2018’s Everything is Love, 2019’s Homecoming and 2020’s Black is King!

Follow Julianne Escobedo Shepherd on Twitter

BEYONCÉ PART 1: DESTINY'S CHILD (with Rolling Stone's Brittany Spanos)

14 juli 2022 | 112 min

Part 1/4!

In the first of four episodes in our new series covering the work and career of pop titan Beyoncé, DJ Louie is joined by Senior Writer at Rolling Stone, Brittany Spanos, to discuss the group that started it all: Destiny’s Child. Louie and Brittany begin with a broad history of black R&B girl groups, specifically the ‘90s wave of which DC was a part, and the ever-evolving way black women have presented themselves in the pop space. They then discuss Beyoncé’s early life, how she and her father Mathew Knowles helped form Destiny’s Child with the initial lineup including Kelly Rowland, LaTavia Roberson and Letoya Luckett, their 1998 self-titled debut and it’s surprise #3 hit, the remix of their ballad “No No No”, “No No No Pt. 2” featuring Wyclef Jean which showcased Beyoncé’s signature singing-rapping hybrid. Next, they dive into their smash sophomore album, 1999’s The Writing’s on the Wall and its innovative singles, all of which featured the groups virtuosic harmonies, a sharp pop feminist perspective that often traded in the role money plays in gender dynamics, and futuristic staccato R&B production courtesy Darkchild and others, before diving into all the tea on how, at the peak of their success, the initial line-up very messily and publicly gave way to a new trio: Beyoncé, Kelly and new member Michelle Williams. Louie and Brittany then cover DC’s blockbuster third album, largely an answer to the negative press of the group shake-ups, 2001’s Survivor and its attendant hits, the member’s various solo endeavors, and how Beyoncé returned to the group following her solo success for one final chapter, 2004’s Destiny Fulfilled. Finally, Louie and Brittany rank Destiny’s Child in the official Pop Pantheon.

Stay tuned next week for our next episode, Beyoncé Pt. 1, which will cover the first half of Beyoncé’s solo career from 2003’s Dangerously in Love through 2011’s 4!

Tickets to see Louie DJ Pop Music at Gorgeous Gorgeous 7/16 in DTLA!

Check out Louie's Destiny's Child Essentials Playlist on Spotify

Follow Brittany Spanos on Twitter

Song of the Summer: History, Favs and Predictions (with Billboard's Jason Lipshutz)

7 juli 2022 | 51 min

DURAN DURAN (with Annie Zaleski)

30 juni 2022 | 100 min

Journalist and author of the 33 ⅓ book Duran Duran’s Rio, Annie Zaleski, joins DJ Louie for a deep-dive into ‘80s British pop-rock band and seminal music video-pioneers, Duran Duran. First, Louie and Annie parse the various music scenes-- glam rock, new wave, “The New Romantics”-- from which Duran Duran emerged before discussing the band’s formation in Birmingham in the late ‘70s and early ‘80s, their deal with storied label EMI, and what factors lead their 1981 self-titled debut, a prescient blend of rock and dance music, to become a smash overseas but fail to impact here in America. They then move on to the band’s second record, 1982’s blockbuster Rio, their groundbreaking and trendsetting videos for singles like “Rio” and “Hungry Like the Wolf”, the latter of which won the inaugural Best Music Video prize at the 1984 VMAs, how the group cleverly broke onto American radio thanks to their then-novel use of dance remixes, and how their massive success with teenage girls led them to be dismissed as fluff by the rockist critical establishment. Louie and Annie then lay out Duran Duran’s continued success with albums like 1983’s Seven and the Ragged Tiger and 1986’s Nile Rodgers-produced Notorious, why the band quickly fell out of favor with mainstream audiences during the late ‘80s and early ‘90s, how they made one of the most unlikely comebacks in pop history with 1993’s Duran Duran (The Wedding Album) featuring two of their definitive hits, “Ordinary World” and “Come Undone”, and what their recent induction into the Rock ‘n Roll Hall of Fame means for their legacy. Finally, Louie and Annie rank Duran Duran in the official Pop Pantheon.

Tickets to see Louie DJ Pop Music at Gorgeous Gorgeous 7/16 in DTLA!

Buy Annie Zaleksi's 33 1/3 Book on Duran Duran's Rio

Check out Louie's Duran Duran Essentials Playlist on Spotify

Follow Annie Zaleski on Twitter

Bey-Side: Beyoncé's "Break My Soul" and Renaissance Predictions

22 juni 2022 | 53 min

Father's Day Special (with my dad)

17 juni 2022 | 56 min

KELLY CLARKSON (with Legends Only's Bradley Stern)

16 juni 2022 | 108 min

Bloghouse (with Lina Abascal)

9 juni 2022 | 74 min

SCISSOR SISTERS (with Fluxblog's Matthew Perpetua)

2 juni 2022 | 105 min

Best Pop Music of 2022 So Far (with Who? Weekly's Lindsey Weber)

26 maj 2022 | 89 min

SHANIA TWAIN (with Kate Dries)

19 maj 2022 | 103 min

Executive Editor of Dwell, Kate Dries, joins DJ Louie to talk the Queen of Country Pop, Shania Twain. First, Kate lays out some of the scant historical examples of country icons who have managed to crossover into mainstream pop stardom like Dolly Parton and explains a bit about why Nashville has been a hermetically-sealed ecosystem, resistant to change, outsiders and country artists who have ambitions beyond its traditional scope. Next, Louie and Kate discuss Shania's upbringing in Canada, surviving abject poverty, a household rife with domestic abuse, and the untimely death of both of her parents by writing, singing and performing in local bars beginning when she was just 8 years-old. They then move on to Shania's discovery performing at a resort in Canada which lead to her record deal Mercury Nashville, her flop first album, 1993's Shania Twain, her chance meeting with rock super-producer Robert "Mutt" Lange who quickly became her partner in both music and life through her massive run of success from the mid '90s-early '00s, and the genre-busting sound the pair developed on her blockbuster sophomore release, 1995's The Woman in Me. Louie and Kate also dive into Shania's third record, 1997's legendary Come On Over, which stands to this day as one of the biggest selling albums in history and provided the platform for Shania to make the leap from country legend to mainstream pop icon, parse apart how smashes like "You're Still the One", "That Don't Impress Me Much" and "Man! I Feel Like a Woman" displayed Shania's unique combo of girl-next-door approachability, '90s middle-finger-up feminist attitudes and an infectious sense of carefree joy and fun, how her flair for presenting herself visually and sartorially in music videos was both integral to her crossover and forever seared her into pop cultural memory, her globe-trotting fourth album, 2002's Up!, the dissolution of her marriage to Mutt and her subsequent loss of her ability to sing, her comeback Vegas residency and her 5th album, 2017's Now, and her legacy and impact on the pop landscape to this day. Finally, Louie and Kate rank Shania Twain in the official Pop Pantheon.

Check Out Louie's Shania Twain Essentials Playlist

Check out Louie's TRL Essentials Playlist

Follow Kate Dries on Twitter

MTV's Total Request Live (with Dunzo's Troy McEady)

12 maj 2022 | 77 min

BILLIE EILISH (with Molly Lambert)

5 maj 2022 | 98 min

Writer and host of the new podcast Heidi World: The Heidi Fleiss Story, Molly Lambert, joins DJ Louie to break down the spectacular emergence of Gen Z's most paradigm-shifting star, Billie Eilish. First, Molly, who profiled Billie last year for the cover of Elle, shares insights into what it was like spending time with her, how she's relating to her newfound megastardom, as well as her fans on social media and out in the world, and why she doesn't consider herself a "pop star" at all. Louie and Molly then discuss how unlikely 2010s breakouts like Lorde, Halsey and Lana Del Rey softened the ground for idiosyncratic, insular-sounding bedroom artists to become mainstream pop stars. Next, they track Billie's career origins, along with her brother and collaborator Finneas, on Soundcloud, how their viral hit "Ocean Eyes" lead to a record deal with Interscope when Billie was just 15, and how her debut EP, 2017's Don't Smile At Me, presented a new kind of teen idol who leaned into, rather than glossed over, the alienation, depression and anxiety of being a young person in the internet era, thus endearing her to a new generation of pop fans who craved less-aspirational and more relatable pop figures. They also dive into she and Finneas' far-ranging aesthetic influences from horror movies to trip hop, Gorillaz, Lil Peep, Bjork, Garbage and even Frank Sinatra, before laying out her explosion into the mainstream with her debut album, 2019's Grammy-sweeping When We All Fall Asleep, Where Do We Go?, how that record expanded the duo's musical palette but also perhaps garnered Billie an unwanted and unintentional level of fame, how she went about addressing all of that on her sophomore album, 2021's more low-key masterpiece Happier Than Ever, how she's uniquely positioned to bring large swaths of the pop-consuming public along with her singular, strange musical instincts, and where she might go next. Finally, Louie and Molly rank Billie Eilish in the official Pop Pantheon.

Check Out Louie's Billie Eilish Essentials Playlist

Follow Molly Lambert on Twitter

One Year of Pop Pantheon: Reassessing All the Rankings

28 april 2022 | 65 min

ABBA (with Carl Magnus Palm)

21 april 2022 | 107 min

ABBA Scholar and author of 8 (!!!!) books on ABBA, Carl Magnus Palm, joins DJ Louie for an epic deep dive into the Swedish pop legends. First, Louie and Carl discuss the history of pop and "schlager" in Sweden and how the country's musical traditions helped form ABBA's music before tracing the pre-ABBA careers of the four members, Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad, through the 1960s and how the group came together in the early 1970s, both as bandmates and romantic couples. Louie and Carl then break down how the "ABBA Sound" developed from the group's early recordings and their obsession with Phil Spector's "Wall of Sound" and The Beach Boys' vocal-layering, ABBA's unique international ambitions, how the glam-rock nodding, Eurovision-winning "Waterloo" changed their career, the ways they continued to refine and expand their singular aesthetic on subsequent hits like "Mamma Mia" and "SOS", the darker and more wistful lyrical themes that began to surface on mid-period hits like "Fernando", the majestic ebullience of "Dancing Queen", their canny techniques for incorporating numerous pop subgenres into their work without ever losing their essential ABBA-ness, the powerful interplay of light and dark in their work, how the dissolution of the group's two romantic couples informed their more emotionally-complex latter period hits like "The Name of the Game" and "The Winner Takes It All", how the band came apart in the early 1980s, and how their legacy has evolved and changed over the last 40 years thanks to their greatest hits album ABBA Gold and the jukebox musical and film, Mamma Mia!. Finally, Louie and Carl rank ABBA in the official Pop Pantheon.

LA Pop Pantheon Girlies! Get Info for Louie's New Queer Pop Party, Gorgeous Gorgeous, on 4/22 at Resident in DTLA!

Check Out Louie's ABBA Essentials Playlist

Follow Carl Magnus Palm on Twitter

Charli XCX's Crash (with Owen Myers)

14 april 2022 | 52 min

CHRISTINA AGUILERA (with Evan Ross Katz)

7 april 2022 | 99 min

NORMANI (with Keep It! Host Ira Madison III)

1 april 2022 | 41 min

Grammys Special! (with Rolling Stone's Brittany Spanos)

31 mars 2022 | 70 min

KESHA (with Pitchfork's Cat Zhang)

24 mars 2022 | 103 min

Assistant Editor at Pitchfork Cat Zhang joins DJ Louie for a deep dive into the career and music of misunderstood, resilient 2010s trash pop queen, Kesha. First, Louie and Cat break down the hip-hop-dance-pop party music of the mid-late aughts- a hedonistic period fueled in part by a desire for escapism during The Great Recession- and discuss artists like Fergie, Gwen Stefani and others who set the stage for the uptempo rap/EDM hybrid that would become Kesha's calling card. Next, they lay out Kesha's biography, growing up poor with a single mom who wrote country songs for artists like Dolly Parton, her initial connection to superstar producer/songwriter Dr. Luke, what made Luke such a prolific hitmaker in the 2000s, and finally how a chance appearance on the hook of Flo-Rida's "Right Round" provided the launching pad for Kesha's breakthrough debut album, Animal. Louie and Cat go long on Animal, breaking down it's unique, gaudy sonic landscape and Kesha's singular perspective as an anti-materialistic, dumpster-diving party animal who proudly flew in the face of respectability on hits like "Tik Tok", "Blah Blah Blah" and "Take It Off", the way the album inverted pop gender politics and drew on far-ranging influences from Daft Punk to the Beastie Boys to Bloghaus, the fine lines Kesha's rapping walked in terms of cultural appropriation, and the borderline-experimental ways Kesha and Luke found true heart and personality in the maximalist machinery of modern pop. They then chronicle the contentious creation of Kesha's follow-up album, 2012's Warrior, and how she and Luke's diverging artistic visions presaged greater rifts in their relationship, how the album's sole hit "Die Young" was pulled from radio following the school shooting at Sandy Hook, the moment Kesha filed lawsuits against Luke for sexual assault, battery, sexual harassment, and emotional abuse, how those lawsuits derailed her career for five years, her comeback with her radically different third album, 2017's critical-darling Rainbow, and how we see Kesha's influence on modern pop. Finally, Louie and Cat rank Kesha in the official Pop Pantheon.

Read Cat's retrospective review of Animal in Pitchfork

Check Out Louie's Kesha Essentials Playlist

Follow Cat Zhang on Instagram

LISTENER MAILBAG!: Answering Your Questions on Dua, Beyonce, Kylie, Charli, Kacey and.... Ava Max!

17 mars 2022 | 56 min

DIANA ROSS PT. 2: THE SOLO YEARS (with Hit Parade's Chris Molanphy)

10 mars 2022 | 76 min

Pop critic, chart analyst, writer of Slate's "Why Is This Song No. 1?", and host of the podcast Hit Parade, Chris Molanphy, joins DJ Louie once again for the second part of our series on Diana Ross. This episode, Louie and Chris discuss Diana's initially rocky transition from lead singer for The Supremes into solo superstar and how she finally scored a solo #1 with an unexpected, avant-garde cover of "Ain't No Mountain High Enough" in 1970. They then discuss her spotty track record through the early-mid '70s, sometimes scoring massive hits with mostly adult-contemporary ballads like "Touch Me in the Morning" and "Do You Know Where You're Going To", but just as often releasing records that made little impact, all while pursuing a secondary career as a movie star most notably in her Oscar-nominated performance as Billie Holiday in 1972's Lady Sings the Blues. Louie and Chris then chronicle various pop movements that coincided with and affected Diana's career in this '70s- the racial segregation of radio, the birth of the female pop singer-songwriter like Carole King and Joni Mitchell, innovative R&B artists like Roberta Flack and Chaka Khan- Diana's third wind as a disco queen, beginning with 1976's smash "Love Hangover", 1979's "The Boss" and eventually, her blockbuster, career-defining collaboration with Chic's Nile Rodgers and Bernard Edwards, 1980's Diana and it's legendary singles, "I'm Coming Out" and "Upside Down". Finally, Louie and Chris debate what allowed Diana to beat the odds, defying pop's ageist bent with hits across three decades and what exactly makes Diana one of the ultimate Tier 1 Icons in the official Pop Pantheon.

Send questions about this episode, the Pantheon, pop stars in general or whatever else is on your mind to [email protected]

Join the Pop Pantheon Discord Monday 3/14 at 8PM ET / 5PM PT!

Check Out Louie's Diana Ross Essentials Playlist

Follow Chris Molanphy on Twitter

DIANA ROSS PT. 1: THE SUPREMES (with Hit Parade's Chris Molanphy)

3 mars 2022 | 85 min

Pop critic, chart analyst, writer of Slate's "Why Is This Song No. 1?", and host of the podcast Hit Parade, Chris Molanphy, joins DJ Louie for the first of a two-part series on American Icon, Diana Ross. First, Louis and Chris set the stage by discussing how the phrases "pop" and "pop star" came into form in the late 1950s, the establishment of the teenager as a target market group for music and the birth of the "teen idol". They then discuss Diana Ross' backstory growing up in the burgeoning Detroit music scene, how the formation of the predecessor to The Supremes, The Primettes, dovetailed with the creation of her future-label-boss-turned-husband Berry Gordy's Motown Records, why Motown and "the Motown Sound" were so transformational in the pop music landscape in the late '50s and early '60s, and how a popular wave of pre-Supremes girl groups like The Shangri-Las and The Marvelettes functioned as musicians and stars in this period. Next, Louie and Chris walk through The Supremes signing with Gordy, their flop first album and Diana being promoted to permanent front-woman, their historic collaboration with storied producers and songwriters Holland-Dozier-Holland, their smash second album, Where Did Our Love Go? and subsequent astounding run of hits through the middle and end of the '60s, how their music evolved with the times, the inherent radicalism of a group of black women becoming the most popular pop act in the world, what makes Diana's star quality and voice to singular, and how Gordy positioned her for eventual solo stardom, often at the expense of the other girls in the group.

Join us next week for Part 2, which will cover Diana's solo career!

Send questions about this episode, the Pantheon, pop stars in general or whatever else is on your mind to [email protected]

Join the Pop Pantheon Discord Monday 3/7 at 8PM ET / 5PM PT!

Check Out Louie's The Supremes Essentials Playlist

Follow Chris Molanphy on Twitter

Bonus: Louie and Rich Juzwiak on the Janet Jackson Documentary

24 februari 2022 | 22 min

NICKI MINAJ (with Keep It! Host Ira Madison III)

17 februari 2022 | 98 min

Super Bowl Halftime Show Extravaganza! (with Jezebel's Rich Juzwiak)

10 februari 2022 | 68 min

NELLY FURTADO (with Bianca Gracie)

3 februari 2022 | 88 min

CYNDI LAUPER (with The Ringer's Rob Harvilla)

20 januari 2022 | 90 min

Senior Staff Writer for The Ringer Rob Harvilla joins DJ Louie for a deep dive into foundational early MTV-era icon, Cyndi Lauper. First, Louie and Rob parse what made the early 1980s such a crystallizing moment for The Pop Star as we know it today and particularly the role MTV played in taking pop stardom 360°, making it a visual endeavor as much as a musical one. They then breakdown Cyndi’s rough-and-tumble upbringing in Queens and how it established her distinct star persona and voice, her stint as a cover band front-woman honing her skills as a canny interpreter of other people’s songs, and her first breakout attempt as the lead singer of erstwhile new wave band, Blue Angel. Next, they consider her seminal solo debut album, 1983’s She’s So Unusual, how she remade cover songs in her own image, the towering success of her first single “Girls Just Wanna Have Fun” which both solidified her place in the pop canon but potentially became an albatross around her neck, as well as the versatility she displayed on her second hit, quintessential ‘80s power-ballad “Time After Time”’. Next, Rob and Louie examine Cyndi's successful sophomore album, 1986’s True Colors, how it cemented both her more overt activist bent and her status as an LGBTQIA+ icon, Cyndi’s third record, 1989’s A Night To Remember, which she’s since referred to as “A Night To Forget”, how she struggled to regain her commercial footing through the ‘90s and ‘00s despite releasing some of her best music and finally, her surprising late-career renaissance as the Tony-Award winning composer of the hit Broadway musical, Kinky Boots. Finally, Louie and Rob rank Cyndi Lauper in the official Pop Pantheon.

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Check Out Louie's Cyndi Lauper Essentials Playlist