Popcorn Culture

Blumhouse is back with another horror outing, this time it’s Speak No Evil, a remake of the 2018 acclaimed Danish film. The 2024 film is directed by James Watkins and stars James McAvoy and Mackenzie Davis. We discuss if the film lives up to the original, and then in Take Two talk about remakes that worked (or didn’t) and finally on The B-Side explore the music of horror trailers.

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After a very long and circuitous road to being made, Beetlejuice Beetlejuice is out! The sequel to the original 1988 film sees the return of Tim Burton (of course), but also most of the main players: Michael Keaton, Winona Ryder and Catherine O’Hara, along with new additions Jenna Ortega and Willem Dafoe, among others. We discuss this much-anticipated sequel and whether it’s a return to form for Burton, before turning our attention to cult classics in Take Two. Finally, we close off with a deep dive into Danny Elfman’s original score for the movies, and a shout-out to Harry Belafonte.

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It’s a slow week in cinema releases, but there’ve been a slew of movies that either never made it to the big screen here in Malaysia (or that we didn’t get to review), including The Holdovers, Furiosa: A Mad Max Saga, and Kingdom of the Planet of the Apes, so we’re discussing them all and dissecting which one is worth watching and re-watching. Then on Take Two, we’re looking at the movies we wish would return to the big screen, since there’ve been a number of re-releases recently, including Sepet. And of course, we’re concluding with The B-Side, which is about the music of Mad Max.

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With Merdeka just around the corner, we’re having an all-Malaysian episode today! Kicking off with a review of Amanda Nell Eu’s much-lauded Tiger Stripes, in its full form on Netflix, before segueing into a discussion about the best that Malaysian film has to offer, before we close off with The B-Side as always.

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The Alien franchise rolls on with its latest instalment, this time as a standalone interquel that takes place in between the events of Alien and Aliens, when young space colonists encounter a xenomorph, while scavenging on an abandoned space station. Helmed by Fede Alvarez, it’s a highly anticipated movie especially following the (relative) disappointments of Prometheus and Alien: Covenant. We discuss if it’s lived up to the hype, and then in Take Two, cover some of our favourite on-screen extraterrestrials, before closing off with a very old track, You Are My Lucky Star on The B-Side.

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M. Night Shyamalan’s back with his latest high-concept thriller: this time about a serial killer trapped at a concert with his daughter, as the walls and law enforcement close in. We discuss whether this Josh Hartnett-led vehicle works, and whether the nepo baby accusations are warranted. Then on Take Two, we discuss the directors who are either the main draw for watching something, or the reason we avoid a project. Finally, on the B-Side, in honour of father-daughter duos in movies, we’re closing it out with Aerosmith’s classic tearjerker, I Don’t Want To Miss A Thing.

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The second season of House of the Dragon is done and dusted, with the tensions between the Greens and the Blacks at an all time high and more glorious dragon battles. We discuss the entire season before getting into the question of on screen kings & queens on Take Two and closing it off with another one of Ramin Djawadi’s iconic themes from the franchise on B-Side. 

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Carmy and the gang are back, cousins! Each season of The Bear has had its own unique flavours and travails, and Season 3 picks up exactly where we left off, with the crew of the newly formed restaurant on the search for their menu, and a good review. We discuss how this season stands up against the earlier ones, and then since the awards (and some viewers) keep insisting that The Bear is a comedy, Take 2 is all about the shows and movies that manage to straddle that fine line between drama and comedy, before we close off on The B-Side with some Taylor Swift.

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Everyone’s favourite motor mouthed masked hero is back, partnered (for real this time) with a well-loved cigar-smoking Adamantium-clawed member of the X-Men! In other words, this week we’re reviewing Deadpool & Wolverine, and discussing whether this heavily anticipated reuniting of Ryan Reynolds and Hugh Jackman lives up to the hype. Then on Take Two, we discuss the moments when other actors have been perfectly matched with iconic roles. Finally, we close off with the B-Side, focusing on that legendary X-Men animated theme.

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New FBI agent Lee Harker finds themselves tangled in the dark web of a Satanic serial killer known as Longlegs, played by the ever eccentric Nicolas Cage. We review the film, before reflecting on our favourite horror films on Take Two and then closing it off with Bernard Herrmann’s iconic score from Psycho.

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House of the Dragon is back with its second season, and with all the hallmarks that have come to characterise Westeros: intense, twisted relationships, endless battles both literal and figurative, and more dragons than you can shake a stick at. We catch up with HotD Season 2 - or at least all the episodes that have dropped so far - before getting into the question of power struggles on screen in Take Two, and closing it off with Ramin Djawadi’s famous theme on B-Side.

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Popcorn Culture is back, with some changes in the lineup and the show, and we’re kicking things off with a review of the latest installment in the A Quiet Place series, A Quiet Place: Day One. After that, we move on to hearing from folks about the movies and shows they've enjoyed the most in 2024 - so far at least - before capping off with a deep dive into Bobby Darrin’s Beyond The Sea, which played a significant role in this movie series (and also Finding Nemo, among other films).

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All good trilogies need a big finale, so for the third time, we're celebrating music on screeen, and talking about our favourite needle drops, famous film composers, and the movie songs and soundtracks that we just can't stop listening to.

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The TV landscape is an immensely crowded one these days, with new shows dropping every few days, and often, disappearing into the ether just as quickly. Despite that, 2023 proved to be a strong year for TV viewers, whether with adaptations that managed to capture fans both old and new (The Last of Us, One Piece), ongoing shows that kept raising the bar (The Bear, Succession), or unexpected new hits (Beef, Blue Eye Samurai). We look back at our time spent watching TV in 2023, and talk about our favourites.   

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From the lightning-in-a-bottle craze that was Barbenheimer to awards contenders like Napoleon and Killers of the Flower Moon, 2023 turned out to be a stacked year for movies, especially those in cinemas. Despite two historic Hollywood strikes that shook-up the industry for good, the year saw heavyweight filmmakers like Nolan, Scorcese, Fincher and Scott produce some of their most intriguing works, while franchise blockbusters like Across the Spider-Verse set new standards for animation. In this Supercut, we each look back at 2023 and list our Top 5 favourite movies of the year while asking listeners to do the same.

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Long before its release, Pendatang was making headlines, and for good reason too: it's billed as Malaysia's first fully crowdfunded movie (in part, so that it would also be free for all to watch), it's premiering on Youtube (in part, for wide distribution but also to sidestep issues of censorship), and it has an intriguing premise. It's a dystopian thriller, based in a version of Malaysia where different races are not permitted to mix, but a Chinese family discovering a young Malay girl in their house has to make a tough decision. Directed by Ng Ken Jin and written by Lim Boon Siang, it's been getting plenty of buzz - we get into the film itself, and whether it lives up to the hype. 

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Directed by Jin Ong, Abang Adik has been making the rounds at film festivals and garnering acclaim along the way. The film explores themes that are familiar to many Malaysians: inequality, urban living, and family, through the story of two undocumented orphans living in Malaysia, Abang and Adik. While Abang tries to eke out an honest but modest living, Adik has different dreams - and then an event changes their life and relationship and upsets the fragile balance. We discuss the film, its performances, and what it says about our country (and our film scene!). 

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A new Hayao Miyazaki film is always a treat, especially since The Boy and the Heron comes after a 10-year gap since his last. The story revolves around a 12-year-old boy struggling to deal with his mother's death, when a talking heron tells him she's still alive and leads him to a magical world. We review the movie, celebrate the joys of hand-drawn animation, and discuss that Miyazaki magic touch. 

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Adapted from the wildly popular Japanese anime, this live action series managed to achieve that rare feat: the approval of the original's fans. Set in a fantastical world of oceans, islands, and pirates, the series tells the story of Monkey D. Luffy, who dreams of finding the ultimate treasure and becoming a Pirate King - and along the way, amasses an unlikely crew of friends, each with their own dream to fulfill. We review the show, and talk about how it manages to channel the anime's energy, adventure and aesthetic, while also being accessible to newbies. 

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Wonka gave us the origin story of Willy Wonka. The Ballad of Songbirds and Snakes told us how President Snow, and the Hunger Games, came to be. Whose origin story do we want to see next, and whose origins are best left to uncertainty? In this Supercut, we go through some of our favourite characters and if we want to see their stories expanded. We also discuss if some not-so-interesting characters could have benefited from a proper backstory.

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Did we need a whole movie about Willy Wonka's backstory? Probably not, but it's hard to be cynical about anything by Paul King, director of the heartwarming smash hits, Paddington and Paddington 2. Starring Timothee Chalamet as a young Willy Wonka and Hugh Grant as an Oompa-Loompa, the movie aims to explain how an ordinary man with big dreams became the eccentric owner of the world's most legendary chocolate factory. In this episode, we review Wonka and discuss if it works as a prequel, the stacked cast and their performances, and if this will eventually become a new Willy Wonka franchise. 

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The cat. The bat. The penguin. In the spirit of the holidays, we're throwing back to 1992's Batman Returns - the much anticipated yet highly controversial sequel to Tim Burton's 1989 blockbuster, Batman. With Michael Keaton reprising his role as Bruce Wayne and show-stealing performances by Michelle Pfeiffer as Selina Kyle and Danny DeVito as Oswald Cobblepot, Batman Returns amplifies the gothic eclecticness of its predecessor. We discuss the nostalgic quality of Tim Burton's vision of Gotham, the violence and darker themes that turned a lot of parents off at the time, and if Michael Keaton is the best live-action Batman there is. 

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You talkin' to me? 

I know it was you, Fredo. You broke my heart. 

We were on a break! 

Some lines are just imminently quotable... but which movies and shows actually top the list of being quoted most often (and let's face it, often out of context). That's what we explore in this week's Supercut, along with what makes a good quotable line, and why some endure over others. 

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A teen/high school comedy with a twist, Bottoms is all about two unpopular queer teenagers (Ayo Edebiri and Rachel Sennott), who inadvertently start a fight club in order to get the cheerleaders of their dreams. Taking its cues from Wet Hot American Summer, Bring It On and Heathers, it was a hit at the festival circuit. Now that it's made its way to our (streaming) shores, we take a look and discuss if it lives up to the hype. 

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We're breaking both the first and second rule of Fight Club this week, as we throwback to this modern classic from David Fincher. Starring Edward Norton and Brad Pitt, Fight Club explored male disenfranchisement, the disconnectedness of capitalist life, and mental health, in a highly stylised, highly violent and lurid way. We explore how the film has aged, and also discuss the many similar movies and shows it's inspired. 

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The premise of today’s Supercut is simple: if you could, what movie would you like to make? Would it be a quirky indie feature with up-and-coming actors, a big blockbuster action movie, a dark, futuristic rumination on humanity, or a laugh-out-loud comedy? Or something else entirely? The sky’s the limit, so we discuss our dream screen projects.

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A Ridley Scott film comes with certain expectations: epic scale, larger-than-life characters, and lots of bombast. Napoleon certainly ticks all the boxes. The movie reunites Jaoquin Phoenix with the director, in the titular role as the famed French commander who ascends to the throne, and the plot examines his story through his relationship with the woman who is said to be his one true love, Josephine (Vanessa Kirby). We review the movie, and talk about what it takes to make a great historical epic.

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Based on the book of the same name, this prequel to the phenomenally successful Hunger Games franchise tells the story of 18-year-old Coriolanus Snow (Tom Blyth), years before he becomes the dictator of Panem. Snow is assigned to mentor Lucy Gray Baird (Rachel Zegler) from District 12 as the 10th annual Hunger Games quickly approaches. We discuss The Ballad of Songbirds & Snakes and how it adds to the Hunger Games mythos, filling the shoes of pop culture icon Katniss Everdeen, and whether we'd like to see more movies from the dystopian districts of Panem. 

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Loki, Morbius, Sylvie and the TVA return for another round of time-hopping, reality-altering shenanigans, following the events of the critically acclaimed first season. While not as bombastic as its predecessor, Season 2 sheds new light on our timeless characters in arguably one of the best stories in a post-Endgame MCU. We review the second season of Loki and discuss the titular character's glorious purpose, what this season means to the rest of the Multiverse, and if we'd like to see Loki and the gang return for a third season of the show. 

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Every decade of filmmaking has its own mores and boundaries of what's acceptable, or okay to say and do. But in recent times. we've seen people revisiting some classics and pointing out some problematic storylines or behaviours, as well as major studios making a point to - at least on the surface - highlight diversity and inclusivity. But that hasn't come without pushback as well, particularly from longtime and deeply entrenched fans of certain IPs (ahem). What does all this mean for audiences, and fundamentally, has it made movies and shows better or worse? We get into this tricky subject.

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Neither Phase Four nor Five of Marvel's releases have been hugely popular among fans and moviegoers, so the question is: where will The Marvels land? Featuring Brie Larson's Captain Marvel, Teyonah Parris' Monica Rambeau, and Iman Vellani's Ms Marvel, and with a plot that hinges on their powers becoming entangled with one another, The Marvels is a movie that comes with a fair amount of baggage, but also heightened expectations (thanks in part to director Nia DaCosta). In this review, we discuss whether this movie really is out of this world, or crashes and burns.

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The latest from David Fincher sees him returning to well-trodden ground: an action thriller about an assassin (played by Michael Fassbender) who gets involved in an international manhunt after a job goes badly wrong. Some have said this is one of Netflix's best films this year, and with the talent of both Fincher and Fassbender (and bonus Tilda Swinton), the odds are good. We review it and discuss whether it's worth a watch. 

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From films that crawl at a snail's pace, to movies where lots of things happen but somehow none of it matters, there's a lot to explore when it comes to what makes a cinema visit simply... boring. In this episode, we talk about some of our favourite (and least favourite!) boring movies, and try to unpack what makes them tick. 

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Described as a science fiction romance, this movie revolves around controversial new technology that allows couples to test their relationship for true love. But what happens when you find yourself in love with more than one person? The cast is packed with interesting names, including Jessie Buckley, Jeremy Allen White, Riz Ahmed, and Annie Murphy. We review the film. 

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We missed out on reviewing Shahrukh Khan’s latest megahit when it was in the cinemas, but we’re all locked and loaded for the big streaming release. Jawan sees the King Khan pairing up with buzzy Tamil director Atlee Kumar, for a movie that is big on action and drama, with a bunch of hit songs that have become viral hits - and a story that revolves around a mysterious vigilante who seems out to prove a point. We review the movie and talk about the ingredients that go into the perfect masala entertainer. 

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Some films - and shows - come with crazy high expectations, whether it's because it's an epic culmination of decades-long buildup (Avengers Assemble, The Rise of Skywalker), the reunion of major stars and directors (De Niro and Pacino, anyone?), or just the latest blockbuster from a serious filmmaker (Oppenheimer). And frankly, sometimes those expectations are met and exceeded - but other times, it just means that they set a tone that simply can't be met. In this episode of Supercut, we break down the ways that expectations affect the way we view things, for better or for worse.

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Based on the ultra-popular 2014 videogame, Five Nights At Freddy's tells the story of a security guard (Josh Hutcherson) who starts working the night shift at Freddy Fazbear's Pizzeria. Things get crazy when the restaurant's mascots come to life and have violent ideas of their own. We review Five Nights At Freddy's and discuss its quirky horror vibes, the state of videogame adaptations, and if this first film warrants a live-action franchise.

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To millions of people around the world, Matthew Perry will always be Chandler (Muriel) Bing: king of sarcasm, transponster, one half of Mondler, and the love of Joey Tribbiani's life. And it was a mark of how many lives he had touched when news of Perry's death on October 28, 2023, at the age of 54, resulted in a huge outpouring of tributes and grief. Offscreen, Perry was open about his struggles with addiction, and spent much of his post-Friends life advocating for support and rehabilitation for others like himself. We pay tribute to the actor behind one of the most memorable characters on TV, and discuss some of his other notable performances.

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From the more than 21 hour runtime of Amra Ekta Cinema Banabo (purportedly the longest non-experimental feature film ever made) to the more common, but still challenging 4 hour duration for the extended versions of the Lord of the Rings films, many movies pose a challenge to film lovers. In essence: how long is too long? When does a film's runtime become a turn-off? When is it justified? In this Supercut, we get into it and talk about films (and shows) that felt like they dragged, and others that just flew by.

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Scorsese, Deniro, Dicaprio - these three names alone would be a draw to watch most films. But Killers of the Flower Moon also promises much more than that: a story informed by tragedy, history, and collaboration with the Osage Nation, a great ensemble cast, and a mammoth running time (206 minutes). In this review, we get into Martin Scorsese's latest offering and talk about whether this might be his magnum opus. 

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"You talkin' to me? I said, you talkin' to me?" In this Throwback, we go all the way to 1976's Taxi Driver, where those iconic lines were delivered by Robert Deniro's Travis Bickle. This also marked the second of the eventual eight movies that Martin Scorsese and Robert Deniro would collaborate on, over both their long careers, and set a number of themes that would continue to fascinate Scorsese: masculinity, crime, religious symbolism. With that in mind, we discuss how this movie has aged, and how it compares to some of the director's later works.

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Those Mickey Rooney scenes from Breakfast at Tiffany's. Those wife jokes from Everybody Loves Raymond. The racial politics of Crash. Movies and TV shows are very much a product of the time they were made in, and some just don't age well as values and sensibilities evolve over time. On this week's Supercut, we talk about the films and shows that haven't aged well, and the ones that have stood the test of time. 

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We've had quite the journey with Otis, Eric, Maeve, Aimee, and gang, as we watched them grow from awkward teenagers with raging hormones into... slightly less awkward near-adults with raging hormones. The show has garnered a lot of praise for its portrayal of modern teenagers coming of age, and particularly for its sex-positive, inclusive storylines. In the fourth and final season, Otis (Asa Butterfield) is still offering his services as a pro bono sex therapist, albeit at a new school, and Eric (Ncuti Gatwa) is still his exuberant best friend. But with new friends thrown in the mix and impending adulthood beckoning, a lot of changes lie ahead too - not to mention, Otis' mother Jean (Gillian Anderson) trying to balance her career as a (real) sex therapist with a new baby. We review the last season, talk about the show's cultural impact and whether this was a fitting farewell.

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It might not be mentioned in the same breath as other era-defining movies, but back in 1999, American Pie was THE definitive coming-of-age movie, with a huge cult following amongst teenagers - so much so, it spawned a number of (unmentionable) terms that have become ubiquitous today, not to mention a three sequels and a bunch of spinoffs. The sex comedy centers on a group of five high school boys who make a pact to lose their virginity before high school graduation; which, as you can imagine, is ripe for much inappropriate humour. We revisit the move after more than two decades, to see how well it has aged, and whether it has anything to offer the audience of today. 

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In honour of the ineffable chemistry of Steve Martin and Martin Short, we imagine the pairings that we'd most like to see on-screen. From the frankly unhinged (think Nicolas Cage and Adam Sandler, or Jack Black meets Succession), to sweet romcom couples (Shah Rukh Khan and Drew Barrymore anyone?), nothing's off-limits! 

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Steve Martin and Martin Short are back as the podcasting, murder-solving detectives in the third season of Only Murders In The Building. This time, it's a new case, with new clues, on a much bigger stage. We review the third season of (what started as) one of our favourite pandemic shows to see if this new mystery is juicy enough, and funny enough, to keep us invested.

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It's a trope as old as time - three incompetents, in this case actors played by Steve Martin, Martin Short, and Chevy Chase, are mistaken for heroes and now have to save a Mexican village from a gang of ruthless bandits. It's Galaxy Quest, it's Wild Hogs, it's a dozen other movies. However, despite negative reviews, Three Amigos has always had a cult following as a genuinely hilarious movie starring three legendary comedians in their prime. We revisit 1986's Three Amigos and discuss if the humor holds up, if the reviews got it wrong, and the longstanding chemistry between the iconic Martin duo.

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With The Creator still on our minds, we’re taking the opportunity to once more celebrate some of our favourite versions of the future as seen through the eyes of filmmakers and showrunners. From the bleak dystopia of Handmaid’s Tale, to the less-bleak dystopia of Wall-E, we talk through some of our picks, and explore whether we prefer an optimistic or pessimistic imaginary future.

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A film that's coming in with a fair amount of hype, The Creator is directed by Gareth Edwards (of Rogue One and Godzilla fame) and is set in a future that's been deeply affected by a war between humans and artificial intelligence, focusing on a hunt for the creator of a mysterious weapon that may destroy all mankind. With some critics deeming it one of the best films of 2023, we dive in and discuss whether it does, in fact, match the heights of Edwards' previous works.

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Wes Anderson returns for a second Roald Dahl adaptation, with The Wonderful Story of Henry Sugar - a fantasy short film that offers Anderson's signature stylistic and storytelling flourishes, melded with one of Dahl's sweetest tales, pun intended. As you'd expect, it also has a stacked cast, with Benedict Cumberbatch, Ralph Fiennes, Dev Patel and Ben Kingsley all making appearances. We discuss if it lives up to expectations, and if we're looking forward to the next 5 adaptations of other Dahl stories. 

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Description: No One Will Save You is described as a sci fi-horror-thriller - so of course we had to watch it out of sheer curiosity. The story revolves around Brynn (Kaitlyn Dever), a woman living in exile in her childhood home, when the house is suddenly invaded by aliens. We review it, because we just had to.

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Tar never made it to our cinemas, but rose to prominence when Cate Blanchett received an Oscar nomination for her performance as a renowned musician in it. Now that it’s available on streaming, we catch up on the hype.

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A few weeks ago, a movie-publicity company called Bunker 15 was outed for paying independent reviewers to give certain movies positive reviews on Rotten Tomatoes. This reemphasizes a notion that many in the film industry have held for years - that Rotten Tomatoes is flawed, disruptive, and easily hackable. But what does that mean for us, the average moviegoers, and how much do "Tomatometer" scores influence our viewing habits? On this (very meta) Supercut, we're discussing the merits of movie and TV show reviews and how they've changed over time, and whether it's more meaningful to look at the "Audience Scores" instead before buying a ticket.

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Belgian super-sleuth Hercule Poirot (Kenneth Branagh) is back to investigate a murder in the third adaptation of the Agatha Christie mystery series, A Haunting In Venice. However, a certain supernatural twist throws the celebrated detective for a loop, pitting him against his most dangerous opponent. The movie boasts an ensemble cast including Jamie Dornan, Tina Fey, Ali Khan, Kyle Allen, and Michelle Yeoh. In this episode, we hold our magnifying glasses to A Haunting In Venice and discuss how it stacks up against its predecessors, if the central mystery is fun enough, and if we'd like to see more of Kenneth Branagh's mustachioed mystery solver. 

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In anticipation of 'A Haunting in Venice', we rewind to 1999 for the critically acclaimed psychological thriller, The Talented Mr. Ripley. Tom Ripley (Matt Damon) travels to Venice to bring Dickie (Jude Law) back to America, only to get lost in Dickie's luxurious lifestyle. What follows is a story of obsession, greed and a serious case of stolen identity. We discuss the clever writing behind The Talented Mr. Ripley, the movie's stacked cast including Gwyneth Paltrow, Cate Blanchett, Philip Seymour Hoffman and Jack Davenport, and the timelessness of a good thriller.

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The process of finally coming into one's own, and that transition between childhood and adulthood, is such a ripe and fruitful space for storytelling. So it's no wonder that there are so many shows and films set in that emotional space! From Boy Meets World to Lady Bird, we discuss some of our favourites, and as always, ask for yours too! 

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Introducing a whole new generation of Sandler's to movie audiences, You Are So Not Invited To My Bat Mitzvah was also (initially) patriarch Adam Sandler's highest-rated picture on Rotten Tomatoes. While that's shifted since, there's been a lot of love going to this coming-of-age dramedy that's all about two best friends (played by Sunny Sandler and Samantha Lorraine) looking forward to their bat mitzvahs, only to have things go awry because of a boy. We review the film and discuss whether we're seeing the continuation of the Adam Sandler Netflix empire. 

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Get in losers, we're going on a throwback! 19 years on from this Tina Fey-penned comedy teen classic, we're looking back on the misadventures of Cady Heron (Lindsay Lohan), a home-schooled teenager who finds herself back in an American high school after 12 years in Africa. She has to negotiate friendships, bullying, and love, and ultimately decide if she's going to be a Plastic, aka a Mean Girl. We look back at this film, and discuss how it's aged. 

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Robert McCall (Denzel Washington) is no longer a government assassin - he now lives in Southern Italy with a new community he calls his own. But old habits die hard, and he continues to stand up for the oppressed - and soon, he finds himself taking on the local mafia. We review the movie and discuss whether the Denzel-Antoine Fuqua actor-director pairing still has its draws.

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With The Equalizer 3 now in the theatres, we revisit Denzel Washington and director Antoine Fuqua's first collab, a crime thriller classic from 2001 which has gone on to gain cult status. The film revolves around two LAPD narcotics officers, played by Washington and Ethan Hawke, over a 24-hour period in the gang-ridden neighborhoods - and things don't go as planned. We review the film and talk about how the tropes hold up. 

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In conjunction with BFM turning 15, we’re looking back at a very special list of our own - our top 15 movies that we’ve reviewed on the show. Expect picks that embrace classic films, full-on weirdness, and genre favourites!

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One of the most critically acclaimed films of 2022, Women Talking was written and directed by Sarah Polley and based on Miriam Toews's 2018 novel of the same name. It features a stacked cast (think Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand), and tells a compelling story of an isolated community talking about guilt, sexual violence, and living alongside perpetrators. We discuss the film's theme, performances, and ultimately, whether it works as a film experience. 

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In honor of Malaya's independence (sorry, we know it's a tenuous link), we're throwing it back to a classic film from 1957, Sidney Lumet's 12 Angry Men. Exploring concepts of guilt, accountability, and consensus, it's widely regarded as one of the best films ever made. In this Throwback, we discuss if it lives up to its reputation. 

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We don't like to brag, but we're bringing this episode back for a sequel due to popular demand. On this Supercut, we continue celebrating our favourite needle drops, famous film composers, and the movie songs and soundtracks that we just can't stop listening to.

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It's a shame that Blue Beetle is being released during a transitory, turbulent time in DC's cinematic timeline because, by all accounts, it looks like a fun time at the movies. It tells the story of Jaime Reyes (Xolo Maridueña), a kid who bonds with a symbiotic relic called the Scarab and is given a suit of armor and extraordinary powers. We review DC's newest film in the who-knows-what-chronology-this-is and discuss if it's enough to get the studio back on track. We also talk about Blue Beetle's Latinx representation and how this bodes for James Gunn's rebooted DC universe. 

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There are numerous reasons why 1986's The Fly became a pop culture touchstone - it is a classic David Cronenberg body horror fest, it's the root of many a childhood nightmare, and it is the beginning of the Jeff Goldblum phenomenon. We throwback to the classic and discuss why they really don't make 'em like they used to.

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Some moviegoers love having their minds challenged (think The Tree of Life or 12 Years a Slave), while others just want to have a good time (Godzilla vs Kong, anyone?). In this Supercut, we weigh the merits of those difficult, challenging films that ask a lot of us as viewers, against the movies that are just pure entertainment.  

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When her uncle mysteriously turns up unannounced one night, Bonnie (Chen Keat Yoke) ends up taking a trip back to her hometown in rural Behrang Stesen. Little does she expect to get stranded there during a Covid-19 lockdown, where she is forced to take refuge in her family's old coffeeshop - only to discover that it is haunted by the ghosts of her relatives who have returned for the Hungry Ghost Festival. We review the movie and talk about, among other things, its unique premise. 

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This local thriller made waves when it was released last year, both for its strong showing at the Locarno Film Festival and all the positive reviews; and it's finally available for streaming in Malaysia. Plot details are kept deliberately mysterious: a woman living on the east coast becomes entangled with a man who isn't what he seems. Oh, and there's time travel involved. Directed by Woo Ming Jin, the film stars Asmara Abigail, Bront Palarae and Amerul Affendi. We review the movie. 

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Brad Pitt vs an octopus. Kate Winslet vs an eagle. Viola Davis fighting for her life against an evil python - all possibilities we explore in this frankly unhinged Supercut, in which we talk about the actors we'd like to see facing off against fictional beasts and monsters!

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What do you get when you cross a sequel, gigantic prehistoric sharks, and Jason Statham? Why, a follow-up to 2018's The Meg, of course! In this review, we talk about whether Meg 2: The Trench lives up to its promise of more sharks, and a darker tone.

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After a season of stress, grief, mayhem, The Bear returns to explore the (mis)adventures of Carmy, Syd, Richie and co, as they continue to try to revamp The Beef into a different, finer version of its former glories. But what do they gain and what do they lose in this process? And how much does a sense of purpose factor in? That's what Season 2 looks into - we discuss whether it's a worthy follow-up to what was a great first season. 

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There's an art to putting together the perfect double bill. You could go by director (Memento and Inception?), by actor (Speed and John Wick?), by genre (Pacific Rim and Edge of Tomorrow?), or by theme (Little Miss Sunshine and The Royal Tenenbaums?). The key to a good double bill though, is that each movie should not just stand well on its own, but pair with the other to maximise the viewer experience. On this week's Supercut, we discuss which movies we'd love to watch as a double bill.  

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This seemingly unassuming Netflix release ends up leaving quite an impression with a sci fi/horror plot that reimagines the blaxploitation genre through an impressive cast (John Boyega, Jamie Foxx, Teyonah Parris), loads of style, and a surprising amount of heart. We're trying not to give away the plot, but really, the title is all you need.

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The latest entry in the Evil Dead franchise takes the notion of difficult families to horrific extremes, as a reunion between two estranged sisters is interrupted by... well, flesh-possessing demons. We needed a lot of convincing, but we review the movie and see how it holds up against its rich horror history. 

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Director Christopher Nolan recently revealed his favourite seats in a cinema. It got us thinking - center seats, middle section... or couple-sofas way at the back? How about snug beanie beds? Onyx, Screen X, 4DX, or IMAX? Popcorn, nuggets, or smuggled-in snacks? Or maybe you're a Netflix-at-home kinda person. On this Supercut, we're discussing, and designing, the perfect moviegoing experience. Whether it's on opening night in a packed hall, or three weeks later on a weekday afternoon, whether it was for Avengers: Endgame or during Titanic way back in 1997, we're talking about the many different ways we've made and experienced a perfect trip to the cinema.

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A 3 hour runtime, a film shot wholly for 70mm IMAX, a stacked cast including Cilian Murphy, Robert Downey Jr, Matt Damon and Emily Blunt, and arguably the most ambitious project by director Christopher Nolan. Question is - does Oppenheimer live up to all the hype? With practically no CGI, as claimed by Nolan himself, and a story based on one of the most important events in modern history - Robert Oppenheimer's role in the creation of the atomic bomb - this movie has all but ensured its place as a major awards contender. We review Oppenheimer and discuss its aggressive use of practical effects, Nolan's insistence on IMAX and rare premium formats, as well as Cilian Murphy's turn as a leading man on the big screen.

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While the marketing for this movie has been off-the-charts, the studio has been surprisingly light on details regarding plot. Here's what we know - it's a comedy-drama directed by Greta Gerwig and stars Margot Robbie as the lead Barbie among the many other Barbies. It also stars Ryan Gosling as the main Ken among other Kens, and the two leads go off on an adventure that challenges the nature of their iconic relationship and the world they live in. This movie also caused a shortage of pink paint in the real world. In this episode, we discuss Barbie's legendary pop culture impact, how this movie stands up to the hype, the film's ridiculously stacked cast, and if it's the champion of the Barbenheimer battle. 

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Ask someone what they think is a perfect movie or TV show, and you're likely to get a whole variety of answers, from Casablanca to The Godfather to Back to the Future to Coco, or from FRIENDS to Mad Men to The Good Place. So in this Supercut, we break down what perfection means when it comes to the screen, and share some of our personal, perfect favourites.  

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Do we really need a synopsis of MI7, or at this point are we all just waiting to see what literal new heights Tom Cruise will scale (and leap off of)? For what it's worth, in this latest edition, Ethan Hunt and the IMF team have to track down a new weapon of mass destruction, which sets off a deadly chase around the world while contending with a mysterious, seemingly all-powerful foe. Will Ethan sacrifice even those he loves for the success of the mission? 

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There are so many ways these days for movies and shows to get promoted, or to have their lives and pop culture footprint extended - social media love and fandom will do that to you. In this Supercut, we break down some of the things we've watched mostly because of the social media buzz, and discuss the ways memes have shaped the way films and shows get talked about.

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Charlie Brooker's ongoing meditation on how technology is shaping and warping our lives is back for its sixth season! Featuring some heavy-hitting actors including Salma Hayek, Aaron Paul, Josh Hartnett, Kate Mara, and Zazie Beetz, it also explores some new stories for the series, and looks at the past and present as much as the future. We discuss whether it's worth the time.

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Billed as a charming, gentle film about a love of fashion, and trying to find one's way in life, Mrs Harris Goes To Paris is all about a widow exploring the world of haute couture, Paris, and a new lease on life. Starring the formidable Lesley Manville and Isabelle Huppert, the film surprised the box office and critics when it first came out. We discuss our experiences of watching it, and whether we'd recommend it!

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For the fifth and final time, Indiana Jones returns to our screens with both whipcracks and wisecracks (sorry) to spare. With Harrison Ford closing off his time as this iconic character and James Mangold behind the camera, expectations are high despite Kingdom of the Crystal Skull getting disappointing reviews previously. We talk about what it's like watching a (much-older) Dr Jones face off against his old enemies, the Nazis, and saying goodbye to this long-running franchise. 

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Based on the TV show from the 1960s, The Fugitive is all about a husband wrongly accused of killing his wife, who then has to evade capture while trying to clear his name. Featuring Harrison Ford and Tommy Lee Jones trying to out-grizzle each other, The Fugitive was a smash hit when it was first released in 1993. 30 years on, we watch it and discuss how this thriller has held up.

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The latest release from Pixar Studios, Elemental is a play on the classic theme of opposites attract. Set in a world where the elements of nature have been anthropomorphised and two opposing elements (fire and water) fall in love, it explores romance and relationships, along with ethnic and generational hang-ups. And while all of that sound close to what we'd expect from this studio, the box office (and reviews) have been underwhelming. We watch it for ourselves, and discuss whether it worked for us, and why it doesn't seem to have landed as well for others. 

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A classic buddy comedy, Rush Hour was also Jackie Chan's first true Hollywood crossover - pairing his physical chops with Chris Tucker's fast-talking comedy. It was a success at the time, though Chan himself has always disavowed it. So how has it aged 25 years on? We discuss. 

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It's time for another crossover - or as we like to call it, A Bit of Popcorn Culture! We're adopting the format and style of A Bit of Culture, and asking each person to bring in a topic - related to cinema and pop culture of course - to discuss, before we close off with recommendations. This time round, we're discussing musical biopics and whether they're ever any good, the impact of Artificial Intelligence on filmmaking, and nostalgia hype and whether it's generational.

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After several delays, production issues, controversy surrounding its leading actor and a massive shakeup at Warner Bros and DC, The Flash is finally out in cinemas. Hailed as the final film in the current DC timeline spearheaded by Zack Snyder, The Flash loosely adapts the critically acclaimed 'Flashpoint Paradox' comics arc in an attempt to reset the DC cinematic landscape. Barry Allen warps back in time to save his mother, only to find himself in another reality - one where there's no Justice League, Earth has a different Kryptonian, General Zod is ready to destroy the planet... and then there's Batman. We review The Flash and discuss the end of the DCEU ahead of James Gunn's new cinematic universe, seeing Michael Keaton don the Batsuit after 31 years, and if this movie lives up to all the industry praise it has been getting.

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Extraction was a resounding success for Netflix so it was only a matter of time before we got a sequel, which promises to have higher stakes, more action and more explosions than its predecessor. Chris Hemsworth reprises his role as commando Tyler Rake, who must now go on a mission to save a ruthless gangster's imprisoned family. In this episode, we review one of the biggest drops on Netflix this year, Extraction 2, and discuss if it packs enough high-octane craziness to rival the first movie, how it compares to other blockbuster action movies, and where we'd like to see the series go from here. 

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Some movies and TV shows are so formulaic, so cringey, so undeserving of anyone's time... that we just have to watch them again, and again. Maybe it's secretly liking Batman & Robin, defending Face/Off as ci-ne-mah, quoting Ella Enchanted or binging trashy reality shows with the word "Love" in it - we all have our guilty pleasures. In this Supercut, we're discussing the shows and movies that we know are objectively bad, yet find ourselves drawn to them anyway.

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How many live-action Transformers movies are there? Honestly, we're not sure, but that won't stop Rise of the Beasts from making a lot of money at the box-office. Based on the ultra-popular Beast Wars line of toys and equally popular 3D animated series from the 90s, this latest film reintroduces us to Optimus Prime and his Autobots, the villainous Decepticons, and a new species of primal cybernetic beings. Of course, there's also a world-ending threat in the mix. We review Transformers: RotB and discuss the ups and downs of the film, while trying to make sense of the series' complicated canon (or lack thereof). 

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Based on the popular graphic novel by Gene Luen Yang, American-Born Chinese is the story of Jin Wang (Ben Wang), a teenager who finds himself juggling his home life and school life... all while figuring out his role in a battle of Chinese mythological gods! The show also reunites Everything, Everywhere, All At Once stars Michelle Yeoh, Stephanie Hsu and Ke Huy Quan. In this episode, we discuss one of Disney+'s most highly reviewed shows to date and its place in today's crowded pop culture landscape. 

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Nice is a bit of a loaded word - while it's ostensibly a good thing, does it make for interesting stories or characters? That's what we explore in this Supercut - who are some of the nicest on-screen characters, and what makes them work without being boring? And simply put - which fictional character would you most like to be friends with?

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Miles Morales returns to the multiverse as Spider-Man, reuniting with Gwen Stacy, and encountering other Spider-People who have been tasked with protecting the multiverse... though the path to collaboration is far from smooth. Following as a sequel to 2018's widely lauded Spider-Man: Into The Spider Verse, this comes with high expectations. We discuss whether the film manages to live up to all of it, and capture the joy of the first movie. 

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Believe! The multiple Emmy Award-winning show that champions niceness, mental health and self-development in the guise of being a workplace sitcom, is back. In this review, we break down whether Ted Lasso manages to close off its character arcs well, and whether it lives up to the potential of Season 1. 

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What goes into creating the perfect finale for a beloved show? From those that stuck the landing (Cheers, Breaking Bad) to those that crashed and burned (How I Met Your Mother, Game of Thrones), this week, we're talking about that all-important final stretch. 

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As far as Disney classics go, The Little Mermaid is one the big ones, and this live action remake has attracted controversy almost from the beginning - particularly for its casting of African-American actress/singer Halle Bailey in the titular role of Ariel. But beyond that, are also questions of whether people are increasingly growing weary of these live-action Disney remakes. So we head under the sea to review this latest outing - which also stars, among others, Melissa McCarthy as Ursula the sea witch, and Javier Bardem as Ariel's father Triton - and discuss whether this version recaptures the magic of its predecessor. 

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Big tech is coming, a pivotal presidential election is impending, and the Roy children are still maneuvering for their place at the top of the family’s billion-dollar media empire - while patriarch-mogul Logan Roy (Brian Cox) remains as inscrutable and ruthless as ever. With one of the best-reviewed and most avidly watched shows of the last few years coming to a close, the stakes get higher every episode, and the boardroom (and family gathering) drama is dialled up to a hundred. We review the show’s final season, and talk about whether it led up to a worthy finale.

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Some movie franchises go downhill, some TV shows jump the shark, and some pop culture phenomena just don't know when to stop. On this week's Supercut, we talk about the movies and TV shows we've just given up on, and what made us tap out.  

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Like it or not, there's no denying that the Fast and the Furious franchise is a pop culture juggernaut, with recent installments raking in billions of dollars at the global box office. In Fast X, the first of a three-part planned finale, Dominic Toretto (Vin Diesel) gathers the Family for another go-round against a dangerous new foe played by Jason Momoa. In this episode, we review the tenth movie in the Fast franchise and discuss if the crazy cars, bombastic stunts, and multiple mentions of familial bonds are enough to keep the series revving for another sequel or two.    

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To say that we were hyped for The Woman King would be an understatement. Although cinemas in Malaysia decided to give it a pass, we finally get to (legally) watch and review it thanks to Netflix. In this 1820s war drama, Viola Davis plays a battle-tested general who trains an army of female warriors who must protect their kingdom against a new enemy. As if Viola Davis needs any further praise, we discuss her critically acclaimed performance in The Woman King as Nanisca, and speculate as to why the film didn't get as much shine during this year's awards season.

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Sitcoms have changed so much over the last fifteen years. They may not have laugh tracks, but the new generation of sitcoms have given us some of the funniest content ever made for TV and streaming. From It's Always Sunny In Philadelphia to Derry Girls, and Brooklyn Nine-Nine to Abbott Elementary,  we're dedicating today's Supercut to our favorite new-ish sitcoms of the modern-ish era.

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On the surface, The Mother looks like just another skippable action flick on Netflix, but upon closer inspection, its skippability quickly decreases. First, it stars Jennifer Lopez as a military-trained assassin who comes out of hiding to protect her estranged daughter against revenge-crazed criminals. If you're still not sold, it's also directed by Niki Caro, who helmed The Zookeeper's Wife, North Country, McFarland USA... and the live-action remake of Mulan. In this episode, we review a movie that has every right to be a lot of mindless fun, at the very least, and discuss if it truly lives up to its potential.    

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Every now and then, a great show debuts with all the right ingredients and a nearly flawless first season... with no (pop) cultural impact. That show is Shrinking. Starring Jason Segel in one of his best roles, the comedy-drama tells the story of Jimmy, a grieving therapist who breaks all rules of conduct by getting too close to his patients. The show is written by Brett Goldstein of Ted Lasso fame and also stars Harrison Ford being his grumpiest, grouchiest, grinchiest self. In this episode, we review Shrinking and discuss everything we liked about it.

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Following a week of films in which the score and songs are front and centre, we discuss the importance of getting it right when it comes to the music in films. From pitch perfect needle drops, to famous composers, we run through all our favourites. 

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The conclusion of the madcap adventures of the most ragtag heroes in the MCU, Guardians of the Galaxy Vol. 3 is more than a swansong for Star-Lord and gang, but also for its director and writer James Gunn. We discuss whether this is a return to form for Marvel, as well as whether this unlikely trilogy manages to land the (space) ship. 

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A continuation of the blockbuster saga that is Ponniyin Selvan, Part II picks up where the first movie left off - as Prince Arunmozhi Varman (Jayam Ravi) continues on his path towards becoming Emperor Rajaraja I, despite threats to his family. And frankly, more characters than you can shake a stick at. The film also boasts a star-studded cast, including Vikram, Aishwarya Rai, and Karthi, alongside Mani Ratnam's direction and A.R. Rahman's score - so we discuss whether it lives up to the promise of the first film, and does justice to its source material. 

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Cole (Chris Evans) and Sadie (Ana de Armas) meet-cute and go on an amazing date, and Cole thinks she could be "the one" - only to find himself ghosted. Determined to win Sadie over, he hops on a flight to London, but discovers that there is a lot more to Sadie than meets the eye. The movie is being marketed as a romantic action-adventure with sizzling chemistry between the two leads; we review the movie and talk about whether it delivers.     

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It might be as unbelievable as a pair of twins pulling a cross-continental switcheroo, but The Parent Trap turns 25 this year - and we're happy to report that its charms remain as warm and fuzzy as ever. Lindsay Lohan in her sparkling debut performance plays twins Hallie and Annie, who are separated at birth after their parents' divorce, and discover each other at a summer camp after 11 years. There, they hatch a plot to reunite their parents (Natasha Richardson and Dennis Quaid). We talk about why the movie is such a rewarding rewatch, and whether we'd ever want a remake.      

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For the first time, we're doing something a little different with Supercut - it's a crossover! We're adopting the format and style of A Bit of Culture, and asking each person to bring in a topic - related to cinema and pop culture of course - to discuss, before we close off with recommendations. 

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The latest attempt to translate the wildly popular game to the big screen - after some notable flops - features a large celebrity voice cast (Chris Pratt, Anya Taylor-Joy, Jack Black, Seth Rogen) and all the characters that fans would expect (Mario and Luigi, Princess Peach, Bowser, Donkey Kong). But it's also been dogged by some criticisms even before its opening, from casting to its general approach, so we weigh up whether this one's a good watch at the cinema, and whether it does justice to its source material. 

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One of THE classic buddy comedies, Ivan Reitman's Twins has something of an unbeatable premise: Arnold Schwarzenegger and Danny Devito are twin brothers, who are initially unaware of each others' existence, until they encounter one another, and then comedic hijinks ensue. We discuss whether it's a fun rewatch, and how it translates to a viewing 35 years after it first premiered. 

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We all know and fear Dracula - so imagine being his helper for centuries on end. This is exactly where Renfield (Nicholas Hoult) finds himself in this movie: desperate to break away from his master's clutches and ready to start living his own best life. But will his narcissistic - and undead - boss (Nicolas Cage) leave him be? We love an outlandish premise on this show, so we review the movie and talk about whether it truly... comes to life. 

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Steven Yeun and Ali Wong star in this dark comedy show where two strangers get entangled in a road rage incident that results in an escalating series of events, where they keep trying to take revenge on each other - all while we progressively learn more and more about the twists and turns of their lives. The show has been a smash hit since its release, and we review it to see if it's worth all the hype.    

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Here's a true story - this "based on a true story" Supercut is based on a previous Supercut we did back in 2020 about movies and TV shows based on true stories. In the spirit of two critically acclaimed true event movies this week, Tetris and Air, we're revisiting our favourite movies and TV shows that are based on real people and events. We discuss the things Hollywood gets right about these adaptations, the level of creative license we're willing to accept, and when a "true story" becomes "loosely inspired by". 

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We're not sure what's more exciting about this movie - the fact that it reunites Matt Damon and Ben Affleck, or that it has a stacked cast including Viola Davis, Chris Tucker, and Jason Bateman, or that it's about the most iconic shoeline in modern culture, the Air Jordan. In this episode, we review Air, a quirky biopic about how Phil Knight (Affleck) and Sonny Vaccaro (Damon) pursued Michael Jordan to have his name slapped on a new range of Nike shoes.

Image Credit: airmovie/Instagram

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Anyone who's anyone knows Tetris - the wildly popular videogame that kept players hooked in the 80s and is still enjoyed to this day. But unlike the game, the story behind the making of Tetris is anything but straightforward. Apple TV's newest watercooler film chronicles the life of Henk Rogers (Taron Egerton), who developed Tetris in 1988 and then risked it all by travelling to the Soviet Union in the hopes of going mainstream. In this episode, we review Tetris and its unorthodox part-puzzle-part-political-thriller concept, the performances of Egerton and crew, and the movie's musically driven energy.

Image Credit: tetris_official/Instagram

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A good performance is rooted in so many things - physicality, emotions, the right casting - but something we don't talk about enough (pun intended) is the power of a great voice and how that contributes to an actor's stature and star power. So in this Supercut, we're highlighting some of our favourite voices on-screen! 

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This latest reboot of the beloved game sees Chris Pine, Michelle Rodriguez, Rege-Jean Page and Hugh Grant (among others in a rather stacked cast) embark on an epic quest to retrieve a long-lost relic, though as you might expect, things also go awry... and hijinks ensue. We talk about whether the laughs stack up against the adventure/fantasy elements, and whether this breathes new life into the franchise. 

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After the success of the Adam Sandler and Jennifer Aniston pairing in Murder Mystery, it's time for a sequel. This installment sees Sandler's Nick Spitz (a police officer) and Aniston's Audrey Spitz (a hairdresser and mystery novel enthusiast) going head to head with baddies in locales as varied as Hawaii and Paris. We discuss whether it's a fun watch and whether we want to see more. 

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From adorable stoner to romantic heartthrob to sci fi hero to avenging hitman, if any actor’s done it all, it’s Keanu Reeves - while managing to maintain a perennial good guy image throughout. In this Supercut, we pay tribute to all things Keanu.

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In his fourth outing, the John Wick legend continues to grow - the hitman, played by Keanu Reeves (of course), takes his fight global as he goes after powerful underworld figures around the world. We review and geek out over the movie, and talk about the improbable journey the John Wick franchise has taken to mega success. 

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John Woo. Chow Yun-Fat. Leslie Cheung. Hong Kong classics don’t come more stacked than this. Ahead of our review of John Wick: Chapter 4, we throw back to one of the originators of the gun fu and that indefinable John Woo cinematic style. In the movie, an ex-gangster attempts to reconcile with his estranged brother who is a policeman, but finds that his past is more difficult to leave behind than he anticipated. We review the movie, and revel in its awesomeness!

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One of the most heated conversations in pop culture of late is about Hollywood's dependence on IP - be it milking major franchises, making sequels to movies from decades ago, and yes, remakes. While some remakes (like Ocean's Eleven) are great, many others didn't have to be made, again. In this Supercut, we discuss our favourite and not-so-favourite remakes, what we'd like to see remade, as well as the movies and TV shows we never want touched... ever!

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With the old DC Universe now defunct and / or collapsing on itself, Shazam! Fury of the Gods could be the last time we see Zachary Levi as the titular goofy hero... or not. It's all pretty confusing. This time, Billy Batson and the gang are up against a trio of ancient gods who are in search of the magic that was stolen from them eons ago. In this episode, we review the sequel to Shazam! and discuss if it warrants a whole trilogy, if we'd like to see Shazam in James Gunn's new DC Universe, and if this second installment is as fun as the first movie.

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As we enter the summer blockbuster season and prepare for CGI overload, we're throwing back to 1963 and the visual effects spectacular of its time - Jason and the Argonauts. Jason, a man in search of a magical Golden Fleece, gathers Greece's best warriors and goes off on an adventure, battling hydras, giants, and a skeleton army along the way. Classic, cinematic fun. In this episode, we discuss the film's stop motion animation and why it's still so inspiring, as well as what modern blockbusters can learn from classic cinema. 

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Fresh off the 2023 Academy Awards, we sit down to discuss its highs and lows, and of course both the big wins and major snubs. 

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65 boasts an impressive (if offbeat) premise and line-up of talent: it comes from the writers of A Quiet Place, stars Adam Driver... and is about a pilot who crashes on an unknown planet, which turns out to be our very own planet Earth, but during the Cretaceous period, which means to survive, he needs to battle both the prehistoric elements, and of course its creatures. We discuss this high-concept movie, and where it fits into previous dino-driven blockbusters. 

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We last checked in on The Last of Us at the halfway mark, and at the time, gave it rave reviews. Now that the first season is done (with Season Two in the pipeline), we discuss the series, and whether it lived up to the hype and promise not just of its beginning, but also of its origins, the critically acclaimed and much-beloved videogame duology. 

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From the palpable tension in every second of Uncut Gems to the unwavering sense of danger in Saving Private Ryan, some of the best movies are also some of the most stressful to watch... and rewatch. In this episode, we discuss some of our "favourite" stress-inducing films and TV shows and wonder why we willingly put ourselves through these situations. 

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In Adonis Creed's (Michael B. Jordan) third outing, he needs to put his career and family life on the line when a childhood friend and former boxing prodigy, Damian (Jonathan Majors), resurfaces to prove himself. We review the movie and talk about whether the Creed franchise still packs a punch. 

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Yes, chef! In this episode, we finally get around to reviewing the critically acclaimed, award-winning half-hour drama series, The Bear. A young chef named Carmy (Jeremy Allen White) leaves the fine dining world to save his family's sandwich shop, only to find that managing an eclectic group of kitchen staff while balancing family drama and running a business is causing him to spiral out of control. We discuss the show's anxiety-inducing brand of comedy-drama, the amazingly talented cast it brings to the table, and how many seasons of The Bear we'd love to put up with.

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With the big-screen reissue of Titanic for its 25th anniversary, that had us thinking - what other movies would we like to have the opportunity to watch (or re-watch) in theatres? We discuss some of our picks, and why we've chosen them, and open up the discussion to our listeners as well! 

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Nik Amir Mustapha's Imaginur explores memory, identity and time, through the story of Zuhal (Beto Kusyairy) who turns to hypnotherapy to help cure his panic disorder. However, his life is shortly turned upside down as strange events and encounters follow, and he is unable to find the line between reality and fantasy. We talk about what it's like watching this film and its non-linear approach to storytelling.

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A bear gets into bricks of coke and goes on an all-out rampage in the Georgia forest, terrorising innocents and creating a trail of chaos in an attempt to feed its newfound addiction. We review one of the wildest movies of the year and discuss if its blend of comedy, action, and gore lives up to its positively ridiculous plot.

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31 films and 8 series down (and who knows how many more to go), the Marvel engine is chugging along and busier than ever. In this Supercut, we look back at the Phases that have come our way, and discuss how these films have shaped and affected the industry and the landscape of cinema, for good or ill. We also discuss our favourites, alongside the ones that just didn't work. 

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The latest installment of the MCU, and the first in Phase Five, Ant-Man and the Wasp: Quantamania, sees Scott Lang and Hope van Dyne, along with Hank Pym, Janet van Dyne, and Lang's daughter, Cassie, go on a new adventure exploring the Quantum Realm, on a journey that leads them to a showdown against Kang the Conqueror, played by Jonathan Majors, in a role that's been much-tipped as the next Big Bad in Marvel. We discuss whether this movie is a good one, and whether it does well in setting up the next series of continuing stories in the MCU. 

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A surprise hit from 1989, Honey, I Shrunk the Kids set a high watermark for the admittedly niche genre of comedic science fiction. Telling the story (and misadventures) of what happens when zany scientist and inventor Wayne Szalinski accidentally shrinks his kids - and his neighbour's- and they have to find their way back to safety. Years on, we discuss whether this film holds up to scrutiny, both in terms of its storytelling and its special effects. 

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Whether you enjoy movie monsters, action adventures, sci fi thrillers, historical dramas, or war epics, chances are at least one Steven Spielberg movie will count amongst your list of favourites. An incredibly prolific filmmaker with a five-decade long career, Spielberg has given us some of the biggest, most beloved blockbusters of all time - ET, Jurassic Park, Indiana Jones, take your pick! - and influenced a whole generation of filmmaking. In this Supercut, we look at his style of filmmaking, our favourite Spielberg movies, and why, despite his incredible success, he's often viewed as being more crowd-pleasing than accomplished.  

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Directed by Steven Spielberg, The Fabelmans is a semi-autobiographical movie inspired by Spielberg's own adolescence and how he fell in love with filmmaking. In the movie, the fictional Sammy Fabelman (Gabriel LaBelle), discovers the power of cinema alongside uncovering difficult truths about his family. The film also stars Michelle Williams, Paul Dano, and Seth Rogen. We review the "film about films", and discuss how it gives us an intimate look at one of the best-known filmmakers of our time.  

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Looking past the blonde bombshell persona, Pamela, A Love Story re-examines and reframes Pamela Anderson's legacy, starting from her beginnings as a small-town girl all the way to her ascent into becoming an international sex symbol. Along the way, the documentary also asks complex questions about fame and how women, in particular, are viewed by the public eye. We review the film and talk about all the praise it's been garnering.

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From the kitschy joy of The Flintstones, to the sweeping gowns and lavish trappings of period dramas, historical films and shows have an appeal uniquely their own. In this episode of Supercut, we talk about some favourites who have done it well, and what they get right.

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Based on the critically acclaimed videogame duology, The Last of Us S1 has been garnering more praise with each passing episode and is being called one of the most faithful adaptations of any source material. With nine episodes this season, each over an hour long, we decided to check-in at the halfway mark and give our thoughts on HBO's newest watercooler sensation. From Pedro Pascal's portrayal of Joel to the terrifying depiction of "the infected", we discuss The Last of Us so far and what we'd like to see in the rest of the season.

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A comedy set in medieval times with a slightly bizarre plot, Catherine Called Birdy is about a daughter (Bella Ramsey) who decides to thwart her destitute father's plans of marrying her off to a wealthy family. The film, directed by Lena Dunham, has been gaining buzz since its release late last year. We check out the new-to-streaming comedy and discuss Lena Dunham's filmmaking style, the continuing awesomeness of Bella Ramsey, and why buzzy comedies like Catherine Called Birdy don't make it big at the box office anymore.

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Our Supercut this week is based on a very simple question, first begun in Kermode and Mayo's Take - if you could be in any movie, or in a single scene, what would it be? We discuss some of our picks, and ask listeners for theirs!

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Described as a buddy comedy, You People is about a new couple and their families contending with cultural clashes, societal expectations and generational differences. It also boasts a stellar behind-the-scenes lineup (Kenya Barris and Jonah Hill co-wrote the script), and a pretty impressive ensemble cast, including Hill, Eddie Murphy, Nia Long, Julia Louis-Dreyfus, David Duchovny and Rhea Perlman. We discuss whether it lives up to all that potential.

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Movies and TV shows can awe and entertain, but they can also inspire and influence, and most of us could point to at least one movie or TV show that taught us a life lesson or two - whether it’s to “Just keep swimming,” or that “...words and ideas can change the world.” On this week’s Supercut, we talk about the lessons we’ve learnt from the things we’ve watched.

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To mark the Year of the Rabbit, we’re throwing back to one of the Chinese New Year classics: It's a Mad, Mad, Mad World, starring beloved Hong Kong cinema names like Bill Tung, Lydia Sum, and Eric Tsang. The madcap comedy revolves around a family struggling to make ends meet when they suddenly win the lottery. We review the movie and talk about the joys of revisiting Asian holiday classics. 

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Following on the buzz of Ke Huy Quan's awards run for his comeback role as Waymond Wang in Everything Everywhere All At Once, we celebrate actors who've staged impressive comebacks from controversy and career lulls, and ask: who's next? Who's going to make it big, once again? 

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A grizzled inspector played by Sam Rockwell, a host of suspects and a murder mystery set in 1950s London - what's not to love? Despite its stacked cast, including Saoirse Ronan, Adrien Brody, Ruth Wilson, and David Oyelowo, See How They Run flew under our collective radar and barely made a dent at the box-office. In this episode, we check out the stylised caper on streaming and decide for ourselves if it's worth the time and if it does justice to its ensemble cast.

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Spoiler alert - we really like Clue! Based on the board game of the same-ish name and directed by Jonathan Lynn, 1985's Clue is a murder-mystery-comedy that gathers six blackmail victims in an isolated mansion in a race against time against a secret killer. With a plot that fully acknowledges its Cluedo roots, Clue is one of those movies that's always ripe for a rewatch. We discuss the ways the film has aged, the joy of watching Christopher Llyod and Tim Curry in the same scene, and the ways the movie has influenced modern mystery-comedies like Knives Out and Glass Onion. 

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Long stares, detailed monologues, anger that you can't take your eyes off of - all hallmarks of Intense Actors. After a week of discussing both Ralph Fiennes and Christian Bale, we're dedicating this week's Supercut to actors that never turn that dial down, and what makes them so compelling.

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Gruesome murders with hearts ripped from chests, Edgar Allan Poe as an eager young cadet helping to investigate, Christian Bale... all this makes up the scaffolding of mystery thriller The Pale Blue Eye. But does the film (and its central case) hold up to closer scrutiny? We weigh in.

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Variously described as a dark comedy horror and a psychological thriller, The Menu features Ralph Fiennes as a celebrity chef, and Anya Taylor-Joy, Nicholas Hoult, Hong Chau (among others in a large ensemble cast) as diners who attend his exclusive restaurant where unexpected, unsettling things ensue. A sleeper hit in 2022, we discuss the experience of watching this movie, and whether it lives up to its promise.

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Many movies and TV shows are enjoyable, but only a select few transcend that to being rewatchable. Whether it's reruns of FRIENDS, annual viewings of Die Hard, or repeat watches of Anchorman, what makes some things so good, you want to experience them over and over again? We discuss what makes some content so much fun to revisit. 

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In Noah Baumbach's first attempt at an adaptation (White Noise was originally a novel written in 1985 by Don DeLillo), he takes on the story of a suburban family forced to evacuate their home following a chemical leak nearby that causes toxic black cloud over the region. Starring Adam Driver, Greta Gerwig, and Don Cheadle, the film has been getting praise for its performances and darkly comedic tone. We review the movie and talk about how it fits within the larger landscape of Baumbach's quirky cinema.  

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The old In Bruges gang is back! Colin Farrell and Brendan Gleeson, and director Martin McDonagh reunite in this 2022 tragicomedy, where Padraic (Farrell) is left devastated when his lifelong friend Colm (Gleeson) suddenly ends their relationship. The film follows Padraic's attempts to repair the friendship, which lead to shocking results. We review the movie. 

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There's no denying that Matilda, the 1996 film directed by Danny DeVito, is a classic in every sense of the word. So, in order to justify a remake, Netflix threw a lot of money at a lot of stellar performers and got them together to make Matilda the Musical. Emma Thompson is unrecognisable as Miss Trunchbill, and Alisha Weir seems like a(nother) perfect Matilda, but does the movie work as a whole? We'll find out in this episode. 

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Tech billionaires, beautiful Greek islands... and murder! Fortunately for the characters on this getaway, Detective Benoit Blanc (Daniel Craig) is on the case and will peel away at the layers of this mystery to uncover the truth. Glass Onion, the highly anticipated sequel-of-sorts to Rian Johnson's critically acclaimed Knives Out, lines up Kate Hudson, Jessica Henwick, Edward Norton, Kathryn Hahn, and Janelle Monae in a film that's already being called one of the best releases of the year. In this episode, we discuss what we love about Glass Onion, if it has downsides, and if it's a worthy follow-up to Knives Out. 

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The much anticipated follow up to James Cameron's Avatar (still the highest-grossing movie of all time), Avatar: The Way of Water picks up the story more than a decade later, and boasts technology that aims to create a more immersive Pandora than ever. We discuss whether this sequel holds water (sorry), and the experience of watching it on the big screen. 

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Robert Eggers' The Northman made a number of headlines when it came out earlier this year: for its dedication to realism and detail, on-screen violence, and the promise of a retelling of Hamlet, set in the Viking period, and influenced by Norse mythology. We explore whether it lived up to the hype, and whether it fares as well on the small screen as it would have in a theatre. 

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The pandemic and lockdowns haven't been kind to the film industry over the last few years, which has resulted in a real mixed bag of releases this year when it comes to movies. And while not every heavily promoted release ended up making the mark, there were some major winners as well, whether unexpected oddball hits like Everything Everywhere All At Once, blockbusters like Top Gun: Maverick, or streaming releases like Prey. As 2022 comes to a close, we look back at some of our favourite movies of the year and discuss why they made our respective Best Of lists.

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A new Guillermo del Toro film is generally cause for celebration amongst film fans, and what more when it's his take on the beloved classic fairy tale Pinocchio. The stop-motion animated musical was co-directed by Del Toro and Mark Gustafson, and features a voice cast of luminaries, including Ewan McGregor, Cate Blanchett, Tilda Swinton, Christoph Waltz, and John Turturro. We review the movie, and talk about whether the story brings the real feels. 

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Inspired by historical photographs from the 1860s of an enslaved man's heavily scourged back, thereby providing evidence of the cruelty of American slavery, Emancipation tells the story of Peter (played by Will Smith), who flees a plantation in Louisiana. Inescapably, the film is also Smith's first release since the infamous slap at the 2022 Oscars. We review the movie and talk about Smith's performance.  

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Let's face it, we watched a LOT of TV in 2022. Game Of Thrones returned with fire and blood in House of the Dragon. Apple TV+ put out prestige award-bait like Severance. The Disney-Marvel machine churned out Miss Marvels and Moon Knights. And Netflix gave us more content than we could handle. Some shows were good, some were bad, and others were fun yet forgettable. As 2022 comes to a close, we look back at some of our favourite TV shows of the year and discuss why they made our respective Best Of lists.

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They're creepy and they're kooky/ Mysterious and spooky/ They're all together ooky/The Addams family. If you sang along to that, Wednesday might be the show for you. Part-YA coming-of-age, part whodunit, part dark comedy, Wednesday explores what happens when Wednesday, this child of woe, goes away to a boarding school where mysterious events keep happening. It features Jenna Ortega in a pitch-perfect performance, Tim Burton being both executive producer and director, and of course... bonus Christina Ricci! We discuss the series, and whether it achieves the highs of Addams Family shows past.

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On this episode, we review one of the most ambitious, and most highly anticipated Star Wars shows on Disney+ Hotstar - Andor. Directed by veteran filmmaker Tony Gilroy and starring Diego Luna, the first season of Andor takes place a few years before the catalytic events of Rogue One, and long before Cassian Andor found himself fighting in the Rebellion against the Empire. We discuss Andor's restrained approach to Star Wars storytelling, if we need more of this quality in our Disney TV shows, and what we'd like to see in season two.

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It's a simple fact of being a movie and TV buff in 2022, that there's simply a deluge of content to watch: from old to new, episodic to full season drops, cinema to streaming. So how do you decide what to watch? What's the most reliable path towards a good watching decision and experience? We try to unpack that in this episode of Supercut. 

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By the time it premiered at the Venice Film Festival, rumours around Don't Worry Darling had been swirling for months: on-set romances and fights, a star and director who didn't get along, infidelities. So much so that the drama of it all almost eclipsed the film itself. In this episode, we review this Olivia Wilde-directed psychological thriller and talk about whether the hype helped or hindered it. 

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An Irish girl stops eating, yet remains alive and well for months. An English nurse is sent to observe her, and to see if it is in fact a miracle. That's the starting point for this Florence Pugh-led psychological period drama. In the first of our Pugh double-header this week, we review The Wonder and assess whether it's worth a watch.

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The death of Chadwick Boseman has left an irreplaceable void at the centre of this Black Panther sequel, and the film addresses it through a collective process of grieving and paying tribute - both in and outside of the world of the movie. We review the movie and talk about how familiar characters like Shuri (Letitia Wright), Queen Ramonda (Angela Bassett), and Okoye (Danai Gurira) are expanded and given layers, and the crackling energy brought on by the long-awaited introduction of Namor (played by Tenoch Huerta). 

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Often celebrated as the first black superhero film adaptation, this 1998 film brought one of Marvel’s darker characters to life, and features a charisma-loaded main cast: Wesley Snipes, Stephen Dorff, and Kris Kristofferson. While it received middling reviews, the movie has gone on to gain cult classic status and spawn an entire franchise. We revisit the movie and talk about whether time has been kind to it. 

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We've all heard of the famous roles that almost had another very famous face playing them: Leonardo DiCaprio as Patrick Bateman, Sean Connery as Gandalf (and Russell Crowe as Aragorn), Emily Blunt as Black Widow. In this episode of Supercut, we talk about what could've been, and whether the movies and shows in question would have been improved - or made immeasurably worse. 

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Following on 2020's Enola Holmes, this sequel follows our eponymous heroine as she works on her first case as a detective, looking for a missing girl (with an assist from her famous brother, Sherlock). We discuss whether Enola Holmes 2 lives up to the success of the first film, and if it's worth catching. 

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The latest installment in the MCU, Werewolf By Night is a lean, standalone take, exploring what happens when hunters gather in the wake of Ulysses Bloodstone's death, to participate in a hunt to see who will earn the right to hold the Bloodstone - but there are other players in the game, who have very different motivations. Directed by Michael Giacchino, and starring Gael Garcia Bernal, Laura Donnelly, and Harriet Sansom Harris, it was a TV special that was released in time for Halloween. We discuss whether it was worth a watch, and if we enjoyed it.

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The adaptation of a beloved book onto the screen is exciting... but also has the potential to go so wrong. In this Supercut, we discuss all the important questions about book adaptations, such as: What makes an adaptation work? Are some books just unfilmable? Can you call yourself a true fan if you've only watched the movie? And, is the book always better than the movie? 

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Based on the acclaimed 1929 novel by Erich Maria Remarque, All Quiet On The Western Front is a German epic anti-war film set in the tail end of World War I. It follows the life of a German soldier, whose hopes of becoming a hero are shattered when faced with the harsh realities of war. The film's been gathering excellent reviews since its release; we review it and talk about whether it lives up to expectations. 

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Thirty years after its release, Bram Stoker's Dracula still seems to have very few contenders when it comes to matching its adaptation of the original bloodsucking creature of the night. Directed by Francis Ford Coppola and starring Gary Oldman, Anthony Hopkins, Winona Ryder, and Keanu Reeves, the movie was packed with prestige, and attracted both praises for its gothic horror vibe and criticism for its excesses. We revisit the film and see if it still has bite.  

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We've all looked at a highly successful, critically acclaimed film and wondered what all the fuss is about, right? Avatar is the biggest film of all time, but is it worthy of that title? Citizen Kane is... just okay? No Country For Old Men is kinda boring. And Black Panther is good but, is it a 10/10? From hot takes on Christopher Nolan's filmography to shrugging at Nomadland, we're talking about overrated movies on this Supercut episode.

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Shazam! 15 years after he was cast as Black Adam, Dwayne "The Rock" Johnson has finally (finally!) released the film that he claims will change the hierarchy of power in the DC Universe. Well, did it? Also starring Pierce Brosnan as Doctor Fate, Black Adam is the story of a slave-turned-demigod who vows to unleash his signature brand of brutal, vengeful justice on the world... unless the Justice Society can stop him. In this episode, we review the latest superhero blockbuster from DC's side of things that supposedly shifts the studio in an all-new direction.

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Nine weeks after reviewing the first episode, we return to King's Landing to re-review our thoughts on this season of House Of The Dragon as a whole. Did we love-hate the characters as much as we thought we would? Were the time-jumps too jarring? And let's be honest, how many people did we want Dracarys'd on the show? We discuss the ups and downs of this Game Of Thrones spinoff, as well as our excitement for more content from this land of ice and fire.

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From 3-hour-long epics to shows that have episodes that stretch beyond 60 minutes - how long is too long? When does it stretch the patience of the audience, and when is it a rewarding way to tell a complex story? In this Supercut, we try to answer that question (and yes, discuss watching 12 hours of Lord of the Rings). 

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Attempting to tell the story of a great war, and of Galadriel's quest for revenge against the enemy Sauron, Rings of Power brings together several different story strands and characters, including a mysterious Stranger, harfoots, an elf-dwarf friendship, and the building of a forge. All for the cool reported price of one billion dollars. We review the season now that it's freshly concluded and discuss if it lives up to the hype. 

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Based on the epic Tamil novel written by Kalki Krishnamurthy, Ponniyin Selvan: I is the first of two films directed by Mani Ratnam. This long-awaited adaptation has taken a circuitous road to the big screen - in this review, we talk about the experience of watching this film, and whether it manages to capture the complexities of its origin story.

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From Sam Rockwell and Stanley Tucci, to Toni Collette and Regina King, some actors just don't get the shine they deserve - even though they've got an amazing roster of roles. This Supercut, we discuss the perennially under-appreciated actors, and share some of our favourites.   

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David O' Russell's latest comes, predictably, with a stacked cast featuring, just to name a few, Christian Bale, Margot Robbie, John David Washington, Anya Taylor-Joy, Zoe Saldaña, and Timothy Olyphant. Set in 1930s, the plot is inspired by the Business Plot, a 1933 political conspiracy in the US, and tells the story of three friends who witness a murder, end up becoming suspects themselves, and get caught up in the goings-on. We review the movie, and talk about whether it lives up to the hype. 

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Every so often, a movie comes out of nowhere and gathers enough buzz to break into the mainstream. Such is the case of French action drama Athena, which received a warm reception at various festivals before making its way to Netflix. The film, directed by Romain Gavras, revolves around the tragic killing of a young boy from the community of Athena, which sparks a larger conflict involving his three siblings who search for answers. We review the movie.  

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Marilyn in her white dress, John Wayne in his hat, Rajinikanth in his sunglasses - what are the ingredients that go into making cinematic icons, well, iconic? In this Supercut episode, we try to unpack that and answer why some of these stars continue to burn so bright. 

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Based on Joyce Carol Oates' bestselling fictional take on Marilyn Monroe's life, Blonde is a psychological biopic drama that garnered a lot of controversy even before it came out for a variety of reasons: the casting of Ana de Armas in the central role, its graphic content, and the central question - did we need another film about this tragic film icon? We try to answer that in this review. 

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Described by some critics as 'near perfection', Some Like It Hot has a lot going for it - it's directed, produced and co-written by Billy Wilder, it has both Jack Lemmon and Tony Curtis - and of course, it has a sparkling Marilyn Monroe performance. Ahead of reviewing Blonde, we look back to a movie that's often been regarded as one of Monroe's bests, and discuss what it's like watching it 63 years on. 

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Description: From Paris and New York, to Tokyo and Seoul, cities have always featured in a huge way in film and television, sometimes even becoming a main character in its own right. In this Supercut, we talk about our favourite cities on screen and the movies and shows that manage to capture the spirit of a place. 

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Edgar Wright's latest film went to previously unexplored territory for him - a psychological horror drama film that ties the experience of two newcomers to London and Soho, separated though they might be by decades. Starring Thomasin McKenzie, Anya Taylor-Joy, Matt Smith, and Terence Stamp, it's also the final onscreen appearance of Diana Rigg. In this episode of Stuff We Missed, we talk about the experience of watching this film, its visual storytelling, and where it sits in Edgar Wright's larger filmography.

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Described as his most personal film, Belfast is written and directed by Sir Kenneth Branagh, and explores the coming-of-age of a young boy in Belfast during The Troubles. Starring Caitríona Balfe, Judi Dench, Jamie Dornan, Ciarán Hinds, Colin Morgan and Jude Hill, the film received very warm reviews and a lot of awards buzz. We discuss our experience of watching this film, and how it captures a city and its people.

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Whether we’re talking about anthropomorphised animals like Donald Duck, pets like Marley, or the kind we’d rather avoid (ahem, Bruce) - animals on film or TV are almost a foolproof formula. So we’re dedicating this week’s Supercut to discussing everything from the cute n’ cuddly to the frankly terrifying, and share some of our favourites. 

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Jordan Peele's back with his patented blend of creeping dread and searing social commentary, in his latest film Nope. Starring Daniel Kaluuya and Keke Palmer, the movie is being described as neo-Western science fiction horror, and tells the story of two African American siblings who own a horse ranch, attempting to capture evidence of a UFO. We review the movie, and talk about whether it delivers on the huge expectations it has set. 

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Jean-Luc Godard, widely considered one of the best film directors of all time, passed away recently at the age of 91. We pay tribute to him and his legacy by throwing back to the movie that introduced him as the genius he went on to be hailed as, 1960's Breathless. In the movie, petty thief Michel (Jean-Paul Belmondo) impulsively kills a policeman while stealing a car. He hides in his girlfriend Patricia's (Jean Seberg) apartment while trying to get the money to escape the country, but she slowly starts questioning her loyalties. We review the film, and talk about its impact on the world of cinema. 

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From Anubis to Zeus, depictions of gods and myths are a-plenty on screen. In this Supercut, we dive into some of our favourites, and discuss why the old stories have offered such abiding on-screen fodder. 

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After a fair amount of back and forth, uproar and Thor memes mourning the lack of a release in Malaysia, Thor: Love and Thunder has finally arrived on our shores, quietly showing up on Disney+ as a streaming option. We review this latest entry into the MCU canon (and Taika Waititi filmography), and discuss whether it's worth the wait. 

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A 1999 remake of a 1932 film, The Mummy packed a lot into its 2-hour runtime: zany comedy, all the trappings of a classic action-adventure film, and a great pairing in the form of Brendan Fraser's American adventurer Rick O'Connell and Rachel Weisz's scholarly librarian, Evelyn Carnahan. All that - and of course, mummies and pyramids. In this episode, we take it back to the movie that kickstarted sequels and spinoffs (and maybe, kind of, Dwayne Johnson's career), and talk about whether it still holds up. 

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From talking animals to fantastical kingdoms to magical races of beings, fantasy as a film and TV genre is so wide as to have spawned multiple subgenres. Yet at the heart of it, is a fascination with imaginary worlds and everything that might occur in them. In this Supercut, we discuss the fantasy genre onscreen, and geek out about some of our favourites. 

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Revisiting arguably the biggest fantasy movie trilogy of our time is no mean feat, so the brand new TV series Rings Of Power certainly comes burdened with high expectations. Set thousands of years before the events of The Hobbit and The Lord of the Rings, the show covers the forging of the Rings of Power, the rise of Sauron, and the last alliance between Elves and Men. We review the first two episodes of the show and discuss whether it's a welcome journey back to Middle-earth.

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Just the synopsis alone is enough to intrigue: Tilda Swinton plays a scholar of mythology, who finds a djinn who offers her three wishes in exchange for his freedom. When she's sceptical about making the wishes, the djinn tells her fantastical stories of his past in an effort to convince her. Oh, and the djinn is played by Idris Elba. If that's not enough, the movie is directed by the always surprising George Miller, back at the helm for the first time in seven years. We review the movie. 

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While we've explored comedy before, we haven't focused specifically on the people who make us laugh, and all the effort and thought that goes into their work. So this Supercut is dedicated to our favourite comedians, through the years (and generations)!

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After its clever, funny and warm first season, Only Murders in the Building returned with a new murder at its heart, and fresh mysteries to explore in the Arconia and its denizens. We review the sophomore outing of OMitB, and whether Steve Martin, Martin Short and Selena Gomez continue to delight. 

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Sometimes, there's nothing more exciting than going back to the beginning - hence the appeal of the origin story. On this week's Supercut, we discuss what makes an origin story onscreen truly successful, and share some of our favourites. 

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Two hundred years before the events of Game of Thrones, the Targaryens sat on the Iron Throne and ruled Westeros. This prequel to the smash hit TV show chronicles the events leading up to a succession war for the family, which sets in motion the beginning of the end to their rule. Expect plenty of high drama, scheming, intrigue, and of course, dragons. We review the first episode of the show. 

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A dragonslaying knight and the last dragon left are forced to team up in order to defeat an evil, almost immortal king. A thoroughly 1990s fantasy film, Dragonheart rose above its middling reviews to achieve cult status amongst its fans, thanks at least in part to the fact that Draco the dragon was voiced by none other than a certain Sir Sean Connery. We revisit the movie and talk about whether it still soars.  

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Whether it's literal demons, the stuff we'd rather not talk about, or the less savoury side of human nature, many films and shows don't shy away from going dark. On this episode of Supercut, we dive in head first and talk about where our limits are. 

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Following on a successful audio adaptation, Neil Gaiman's epic graphic novel series, The Sandman, finally makes its way onto our screens. But how can a story as complex and nerdy as this - with its multiple threads and characters, blending of mythology, modern life, literature and philosophy - be translated into a series? It turns out - with some style. In this episode, we discuss how we feel about The Sandman, and where it sits in the larger lineup of comic book adaptations. 

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The latest installment in the Predator franchise, Prey is set in the 17th century, when a skilled Comanche warrior finds herself protecting her tribe against a highly evolved alien that hunts humans for sport, while also battling against the wilderness and colonisers. Since its release, it's been praised for its action sequences, its inclusion and embrace of Comanche culture, and performances, with many calling it the best Predator since the first film. We weigh in! 

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Did you used to love multi-season prestige dramas, but now prefer bite-sized sitcoms? Were you previously thrilled by hyper-violent action sequences, but now just find them stomach-churning? Were rom-coms your jam, until you realised you now prefer dark and gritty realism? In this week's Supercut, we talk about our changing viewing habits and how that might shape what we enjoy (or don't).   

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Boasting a stacked cast (Brad Pitt, Sandra Bullock, Aaron Taylor-Johnson, Brian Tyree Henry, Michael Shannon) and a director known for his action chops (David Leitch, of Atomic Blonde, Deadpool 2, and Hobbes & Shaw fame), Bullet Train seems to have all the ingredients to be a runaway hit. Including an intriguing plot about an assassin on a mission, who finds himself on a bullet train alongside a whole bunch of other trained killers. We review the movie and discuss if it's worth getting on this ride. 

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Malaysians finally get to go to infinity and beyond as Lightyear drops on Disney+ Hotstar, after not making it to our cinemas earlier this year. In the latest Pixar animated offering, legendary space ranger Buzz Lightyear (voiced by Chris Evans) sets off on an intergalactic mission with a motley crew of recruits - all while trying to evade the evil Zurg. We review the movie and see what the buzz (ahem) is all about. 

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There are some films - you know the type - that you wouldn't have thought to watch until someone you trust recommends them to you. In this episode of Supercut, we talk about some of the films and shows we'd recommend to whoever asks (and sometimes even when they don't), as well as some of our favourites that someone else said we simply had to watch.

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While we missed its cinema run, RRR's reputation has been hard to ignore, as it's set several box-office records and has received rip-roaring reviews. A Telugu-language epic action drama film that focuses on a fictional friendship between two real-life Indian revolutionaries, Alluri Sitarama Raju (Ram Charan) and Komaram Bheem (N. T. Rama Rao Jr.) and their fight against the British and colonialism, it's acked with action, heart and a show-stopping dance number - we dive in. 

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Widely considered one of Disney's more underrated films, Treasure Planet is an adaptation of Robert Louis Stevenson's classic novel Treasure Island - but set in space, with robots and shape-shifters to boot. While it didn't do well on its initial release, its animation style had a special touch, setting hand-drawn 2D traditional animation atop 3D computer animation. 20 years on, we look back at this film and see if critics and audiences got it wrong at the time.

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Why do some actors automatically give out villain vibes (Willem Defoe, ahem!), while others seem made to play the likeable hero (did someone say Ryan Reynolds?)? And what happens when those actors play against type? In this Supercut, we dive into how we identify certain actors with the role of the good or bad guy, and what goes into that perception.

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In this action thriller directed by the Russo brothers, Ryan Gosling plays a CIA mercenary who ends up on the run when he uncovers secrets about the agency. Hot on heels is a ruthless ex-colleague, played by none other than Chris Evans (definitely not exuding Captain America vibes here). We review the movie, and talk about whether it lives up to the buzz it's been generating.

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Al Pacino plays a cop. Robert DeNiro plays a criminal. Michael Mann directs this cat-and-mouse relationship between the two. Was there ever any doubt that this 1995 crime drama would end up a classic? Widely regarded as one of the most influential movies of the genre, Heat is also celebrated for finally bringing Pacino and DeNiro together in the same frame (The Godfather Part II doesn't count!). We throw back to the movie, talk about its enduring appeal, and revel in the pleasure of the performances on show.

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From Hogwarts to Rydell High, schools have always offered rich storytelling opportunities on-screen. In this episode of Supercut, we talk about some of our favourite schools in film and television, and why the setting has continued to be such a fruitful one for filmmakers and writers.

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The latest release from Disney, Ms Marvel is six episodes that pack a lot into them (perhaps too much!). It tells the story of Kamala Khan, an Avengers and Captain Marvel-loving, Pakistani-American teenager who unlocks powers of her own, while negotiating family life, growing up, and generational trauma. In this review, we talk about where the series shines, and some instances where it takes on more than it can manage.

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Directed by Mira Nair and based on the novel by Jhumpa Lahiri, The Namesake explores the experience of Ashoke and Ashima, two immigrants from India to America, and their children, Gogol and Sonia, looking at what it means to meaningfully connect with your family, and grappling with being part of different cultures. Starring the late great Irrfan Khan, Tabu, Kal Penn and Sahira Nair, the film was critically acclaimed when it premiered in 2007. 15 years on, we're revisiting it and discussing how it's aged.

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Yo, Adrian! I have come here to chew bubblegum and kick a**. And I'm all out of bubblegum. Frankly, my dear, I don't give a damn. I love you. I know. On this Supercut, we're getting geeky about the most quoted (and often misquoted) lines in movie and TV history. Because life is like a box of chocolates, you never know what you're gonna get.

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In this episode, we review the local phenomenon that has been dominating cinema screens and breaking all kinds of Malaysian box office records - Mat Kilau: Kebangkitan Pahlawan. Now considered the highest grossing Malaysian film of all time, Mat Kilau is an epic retelling of the titular character's charge against colonialists in Pahang before Malaysia gained independence. We discuss the film's now-famous fight choreography, its place as a historical biopic, and its ability to create a frenzy among Malaysian moviegoers.

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Casablanca is widely considered one of the greatest films ever made, and for good reason. Starring classic Hollywood icons Humphrey Bogart and Ingrid Bergman, the film is a masterpiece in every sense of the word. With World War II in the background, a club owner named Rick agrees to help his ex, Ilsa, and her husband. To no one's surprise, both Rick and Ilsa realise they still have all sorts of feelings for each other. We review the legendary Casablanca and discuss if it has aged well, the appeal of classic Hollywood cinema, as well as the magnetic charisma of both Bogart and Bergman.

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Shirley Temple. Macaulay Culkin. Drew Barrymore. Millie Bobby Brown. The trajectory of child stars can often be as sad as they are successful, with many reaching outsized fame that goes on to shape them for the rest of their lives - for better or worse. We talk about some of the biggest child stars, why their performances get so much attention, and what it's like to watch them grow up on and off-screen.

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In line with the Stranger Things' fourth season being bigger, scarier, and longer, the final two episodes of the season are getting their own premiere, with the finale being a feature-length drop. After all the building up of Eleven's past and the season's Big Bad, Vecna, will the show bring the story home? We discuss. 

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Call it a kid's movie, a Christmas movie, a home invasion movie - Home Alone's impact on the popular culture is practically incomparable. Possibly responsible for a whole generation of precocious kids booby-trapping their houses, the 1991 movie spawned multiple sequels and remakes, but more significantly, created an icon out of then-child star Macaulay Culkin. We revisit the movie, and discuss whether it still holds up for three jaded adults.    

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Some films and shows just do it all, and too much: glitz and excess, campy performances, melodrama and slapstick - and yet sometimes, it all comes together into a wonderful extravaganza. In this episode of Supercut, we discuss going over-the-top on screen, and when and why it works. 

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If there's one artist who would have been near impossible to contain in a musical biopic, it may be the King himself - Elvis Presley. But that's exactly what Baz Luhrmann's Elvis sets out to do, with a much-lauded performance by Austin Butler in the titular, hip-gyrating role, and Tom Hanks as the problematic (to say the least) Colonel Tom Parker. We discuss whether this telling of Elvis Presley's story works, especially with Luhrmann's signature, over-the-top style. 

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Picking up the tale 10 years after Star Wars: Episode III – Revenge of the Sith, this Disney+ series follows Obi-Wan Kenobi, called out of living in exile to rescue the kidnapped Princess Leia from the Galactic Empire, leading to a confrontation with his former apprentice, and friend Darth Vader. We talk about this expansion of Star Wars canon, and what it's like to revisit iconic characters, and this world. 

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It's easy to think of Adam Sandler as a goofy comedian who makes bad movies, because he is. But he's also one of Hollywood's most bankable, recognizable names of the last 30 years. Not to mention, he's a really good serious actor, as seen in Uncut Gems and most recently, Hustle. In an episode we never thought we'd do, we profess our not-so-secret love for the one and only Billy Madison, Happy Gilmore, Little Nicky, both Jack and Jill, everyone's favourite Waterboy and Wedding Singer, Adam Sandler!

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In Spiderhead, director Joseph Kosinski blends brutalist aesthetics, experimental science, and a scenery-chewing Chris Hemsworth to form a strangely subdued sci-fi flick. Based on the dystopian short story "Escape from Spiderhead" by George Saunders, the film sees a charismatic scientist named Steve Abnesti (Hemsworth) using willing inmates like Jeff (Miles Teller) and Lizzy (Jurnee Smollett) as lab rats for new mind-altering chemicals. We review Spiderhead and its confusing choices, the imbalance of "vibe" and a good plot, as well as the joy of watching Chris Hemsworth own the stage by flexing his over-the-top acting muscles.

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Grumpy old coach finds a sports prodigy on the wrong side of the tracks. A journey of self-discovery, adversity, and triumph ensues. It's a familiar plot that has been done a dozen times, but Netflix's Hustle does it so, so well! We review the film and discuss yet another successful attempt at a more serious role by Adam Sandler, the charm of good sports films, and the underrated value of casual feel-good movies like Hustle.

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We live in the age of peak sequeldom - seemingly every movie or TV show that ever had a following is seeing some form of revival on the big or small screen. But what are the sequels that never got made but should be? Whether it’s the much-demanded District 9 follow up, a revisit of the bonkers Face/Off concept, or another dream-within-a-dream in Inception, we theorise - and frankly, fantasise - about the sequels that just have to be made, but haven’t been.

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The final edition of the Jurassic World trilogy (which itself follows the Jurassic Park trilogy) takes place after the destruction of Isla Nublar - dinosaurs are now out in the world, and co-existing with humans. As you can imagine, this is less than comfortable for anyone except the rampaging dinos. And as Chris Pratt and Bryce Dallas Howard return to see what’s what, some much publicised old familiar faces are back as well. We review the film and ask, can there be such a thing as too many dinosaur movies?

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Adapted from the acclaimed play by the late Jit Murad, Spilt Gravy on Rice tells the story of an ageing father who invites his five children over to discuss some unresolved family issues. The movie was initially made 10 years ago, but faced numerous challenges getting a cinematic release - finally, it’s hitting our screens. Directed by Zahim Albakri, the movie features an illustrious cast of Malaysian actors, including Rahim Razali, Na’a Murad, Sean Ghazi, Bernice Chauly, and Jit himself. We review the film, and dive into the uniquely local stories it has to tell. 

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Stranger Things' latest season has sent Kate Bush's 1980s hit Running Up That Hill surging up the charts again, demonstrating the power of movies and TV shows to define (or redefine) songs. On this week's Supercut, we pay tribute to some of the best known songs from the screen.   

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The gang from Hawkins is back for more supernatural adventures, as Netflix's hit show continues its exploration of 1980s teen horror movie tropes. Following the events of Season 3, the characters have both grown up into high schoolers and aren't seemingly as close as we might remember - but nothing like more mysterious disappearances and the looming threat of another monster to bring them all back together. We review the season and talk about whether the show continues to thrill.  

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Picking up from the animated TV series, this film sees John Mulaney and Andy Samberg voicing the titular chipmunks, in a story that takes place in a world where cartoons live alongside humans. It's been 30 years since Chip and Dale had a falling out, which resulted in the cancellation of their show - but now, they must reconcile their differences to investigate the kidnapping of their friend Monterey Jack. A joint production between Disney and The Lonely Island, the show also stars Will Arnett, Eric Bana, Keegan-Michael Key, Seth Rogen, and J.K. Simmons. We review the movie and talk about the unexpected high praise it's been getting. 

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Tom Cruise isn't called the last great Hollywood celebrity for nothing. He's been a leading actor in the industry for decades, making everything from high-octane action films to Oscar-worthy dramas and amassing a massive fanbase in the process. On this Supercut, we look at the illustrious, eclectic, over-the-top career of the man with one of the most iconic runs in film history, Tom Cruise!

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He feels the need, the need for speed... again! Taking place three decades after the original Top Gun, 'Maverick' puts Pete Mitchell (Tom Cruise) back in the cockpit for an all new, high-stakes mission. On this episode, we check out the highly anticipated, action-packed sequel to one of the most iconic films of the 80s.

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Nicolas Cage has done strange accents and championed unorthodox hairdos in many movies, but few are more iconic than Con Air. In the movie, Cage plays Cameron, a prisoner about to taste freedom when his plane is hijacked by a band of criminals. Obviously, no one but Nic Cage can get the plane back on track! In anticipation of Top Gun: Maverick, we review one of the most iconic plane-centric films of the 90s and emphasize, without a doubt, that it is still as fun and exciting as it was all those years ago.

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From Dunder Mifflin to the 99th Precinct, the glamorous offices of Runway to the secrecy of the fictional MI6 and the CIA, workplaces figure in ways big and small in films and shows. We talk about their significance in stories, and some of our favourites.

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Work-life balance has always - and is increasingly - seen as an elusive thing. But Severance, a series on Apple TV+, posits something entirely different, focusing on a team of office workers who have had memories surgically divided between their work and personal lives, though one worker, Mark (played by Adam Scott), uncovers a larger conspiracy that complicates matters. Severance has been gaining tremendous hype since its release, so we discuss whether it lives up to it, and what the show does with the ideas that it introduces.

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Ben Stiller's directorial debut, Reality Bites was a slice of life dramedy, exploring the relationships, careers and issues of a group of 20-somethings in the 90s. It also gave the world an iconic character, in the form of Ethan Hawke's Troy Dyer, and has become a cult favourite in the years since its release. In this episode of Throwback, we talk about the experience of watching this film close to three decades after it premiered, and whether it's still relatable. 

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From the early days of Steamboat Willie to the stop-motion of Henry Selick and hand-drawn details of Studio Ghibli, animation has evolved tremendously over the years (and remained the same in others). In this Supercut, we compare and contrast different animation styles over the decades, and talk about our favourites.

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The latest from Richard Linklater, Apollo 10½: A Space Age Childhood is an animated film, loosely based on his own childhood, and set during the events before the Apollo 11 Moon landing - and imagining if a 10 year old was the first person to land on the moon. Featuring the voices of Glen Powell, Jack Black, Zachary Levi and Josh Wiggins, the film has been critically acclaimed. We talk about whether we enjoy the film, and whether the 2D animation format enhanced the storytelling. 

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Aladdin is turning 30 this year - a fact that shocked all 3 of us, and prompted this throwback episode where we marvel over one of the classics of the Disney Renaissance. Featuring the inimitable Robin Williams voicing Genie, songs and characters that have become ingrained into the Disney DNA, and one of the best villains in the form of Jafar. We also - inevitably - compare it to the recent live action version of the story. 

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Some cast spells, some use wands, and others have lightning bolts shooting out their fingers. Whatever the case, magic on screen is always fun! From Doctor Strange to The Prestige, we talk about our favourite wizards, witches, magicians, and sorcerers along with the movies and TV shows that housed all their glorious hocus pocus.

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"The Multiverse is a concept about which we know frighteningly little", warned Doctor Strange not too long ago. Now, the former Sorcerer Supreme has to traverse different realities to protect a teenager named America Chavez from an unhinged albeit familiar sort of evil. In this episode, we review the highly anticipated 28th film in the Marvel Cinematic Universe and discuss if it lives up to all the hype. We also talk about director Sam Raimi's influence on the film, the weight of the MCU's growing connective tissue and Multiverse of Madness' ability to stand on its own two feet.

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In Marvel Studios' sixth TV series, Oscar Isaac stars as both Marc Spector and Steven Grant, two identities of a man with DID (dissociative identity disorder). He also moonlights as a violent vigilante in service of an ancient Egyptian god. Their world starts to unravel with the emergence of Arthur Harrow (Ethan Hawke), a ruthless fanatic who plans to unleash a powerful deity and rid the world of all its "sinners". We review the 6-episode miniseries and its unique brand of superhero chaos.

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Costumes are often greatly overlooked when it comes to movies or TV shows, but can often make or break a story. Think of The Hunger Games' lavish outfits, Mad Men's dapper dressing, or the Bohemian fineries of Moulin Rouge, and how they transport us to a different time or even world. We dedicate this week's Supercut to costume design, and talk about our favourite onscreen fashions.    

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Following the runaway success of this Regency-era drama's first season, our second visit to the ton turns out to be quite different indeed. The show introduces yet another entangled romance, with a host of new characters, particularly Kate Sharma and her sister Edwina, who arrive just in time for the new debutante season. Starring Simone Ashley, Jonathan Bailey, and familiar faces from the last outing, the lush costumed drama has been winning a lot of praise for its inclusivity and diverse cast. We review the show and talk about whether it's worth all the gossip (over a cup of tea, of course).

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The first of the Hunger Games movies turns 10 this year, which might be difficult to fathom given the huge pop cultural footprint they’ve left behind. Taking the teen post-apocalyptic dystopia genre and turning it into a genuine critical and commercial hit, The Hunger Games not only shaped a whole new subgenre of films, but also made a bona fide global star of Jennifer Lawrence. We revisit the movie to see if the odds have remained in its favour.

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Glasses. Unkempt hair. Lightning scar. Few characters are more instantly recognizable than the boy who lived. On this Supercut, we're putting on our Sorting Hats and geeking out about it all - Harry Potter, Fantastic Beasts, and the Wizarding World in all its glory! We also discuss favourite characters, favourite movies, J.K. Rowling's Malfoy-esque tweets, Patronus Charms and Harry Potter's enduring legacy as a beloved pop culture icon.

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We return to the Wizarding World in Fantastic Beasts: The Secrets of Dumbledore, the third installment in the Harry Potter prequel saga. Directed by David Yates, the series continues on the adventures of Newt Scamander and his role in the rivalry between Albus Dumbledore and the dark wizard Grindelwald. We review the film and discuss if it's better than The Crimes Of Grindelwald, the treatment of these beloved characters, as well as some controversy surrounding certain actors in the movie.

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Taking shape in the 1980s, action comedies are a particularly successful genre hybrid - bringing together slapstick and fast talking humour, with punches, kicks and smash cuts. In this Supercut episode, we discuss some of our favourites, and the work it takes to get these films just right.

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Combining the adventures of Stede Bonnet, gentleman pirate, and Blackbeard, feared pirate extraordinaire, Our Flag Means Death is a number of things mashed into one show: workplace comedy, hijinks on the high seas, and romance. We talk about this blending of genres, and whether it worked for us.

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Based on a true story, Ford v Ferrari leads up to the 1966 Le Mans race, and follows a team of American and British engineers and designers, led by automotive designer Carroll Shelby (Matt Damon) and his British driver, Ken Miles (Christian Bale), determined to build a new Ford racing car capable of defeating Ferrari. In this review, we talk about the performances, race sequences, and whether we enjoyed this film.

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Whether you prefer them monstrous, seductive, or glittery, vampires have a hold on the cinematic imagination that’s hard to beat. From Nosferatu to Blade to Buffy the Vampire Slayer, there’s truly a bloodsucking undead story for every type of viewer. In this week’s Supercut, we discuss the perpetual appeal of vampires onscreen, and why they’re so bloody entertaining.

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The third movie in Sony’s Spider-Man Universe features the character known as Morbius, the Living Vampire. Going back to his origins, the story follows biochemist Michael Morbius as he tries to cure himself of a rare blood disease, but accidentally infects himself with a form of vampirism instead. And of course, Morbius is played by Jared Leto. We review the movie.

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Adapted from Anne Rice’s wildly popular vampire novel, this 1994 movie features some huge Hollywood names - Tom Cruise, Brad Pitt, Antonio Banderas, and a thoroughly creepy Kirsten Dunst in one of her early roles - hamming it up in full undead period glamour. Framed through a modern-day interview with a vampire named Louis (Pitt), the plot revolves around his relationship in the 1700s with Lestat (Cruise) and the 10-year-old Claudia (Dunst). We talk about the movie’s glorious excesses and whether it still has (ahem) bite.

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In celebration of Michelle Yeoh's highly acclaimed performance in Everything Everywhere All At Once, we decided to dedicate an entire Supercut to actors we've been watching for the longest time! Whether it's Leonardo DiCaprio's illustrious evolution from child actor to Oscar-winning Hollywood heavyweight, or everlasting scenery chewers like Denzel Washington, we're geeking out over the famous faces and characters we've grown up with over the years.

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Starring Michelle Yeoh as an exhausted woman who wants nothing more than to finish her taxes, Everything Everywhere All At Once is already getting rave reviews as an early contender for next year's Oscars. The film, directed by Daniels (Daniel Kwan and Daniel Scheinert), is being hailed as a hilarious, trippy, genre-bending sci-fi action adventure. On this episode, we review A24's highly unorthodox film while thanking the powers that be for actually screening this in local cinemas.

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A Michael Bay movie that's getting overall positive reviews? Who would've thought. Amidst a slew of lackluster Transformers outings and one 6 Underground, it's easy to forget that Michael Bay is in fact a master of action filmmaking. In Ambulance, a film about a heist gone terribly wrong, Bay injects the top-tier talents of Jake Gyllenhaal and Yahya Abdul-Mateen II into a blockbuster full of crazy drone shots, vehicular chaos, and high-octane drama. We review Ambulance and discuss if Hollywood should be afraid... be very afraid... of a Michael Bay who has finally found his groove again.

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With the 94th Academy Awards just around the corner, we take a look at some of the major nominations and discuss who the frontrunners are... and who we think they should be. We also look back at some of our favourite (and least favourite!) films that are in contention this year.

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Ahead of the Academy Awards, we're reviewing two feature directorial debuts that have garnered some noms - Lin-Manuel Miranda's tick, tick... BOOM! and Maggie Gyllenhaal's The Lost Daughter. We discuss the performances (with Andrew Garfield, Olivia Colman, and Jessie Buckley all receiving acting nominations), the writing, and the way each film is put together.

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A true cinematic classic, The Godfather has it all - iconic lines ('I'm gonna make him an offer he can't refuse'), memorable scenes, and actors in performances that have shaped the rest of their careers. In this episode, we look back at The Godfather now that five decades have gone by, and discuss its impact and legacy.

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Whether going back to your parents’ high school, sending a cyborg to protect your younger self, speaking to aliens who see time differently, or just wanting to finish a history assignment, time travel is one of the most intriguing sci-fi themes on screen. This week, we’re dedicating our Supercut to the joys and complications of tales that travel through time.

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Thirteen-year-old Mei is in a tough spot - she’s torn between being an obedient daughter, dealing with the turmoil of growing up, and if all that isn’t enough, she turns into a big red panda when she gets too excited. Now if anyone can pull off that premise into an entertaining, exciting, yet multilayered story, it’s the folks from Pixar. We review the studio’s latest animated offering, and discuss just how much it got us in the feels.

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What’s the one thing you’re never supposed to do if you ever time travel to the future? Cross paths with your past self. Yet, this is exactly what happens in this sci-fi adventure, when a time-travelling fighter pilot played by Ryan Reynolds accidentally crash lands in 2022 and then proceeds to team up with his 12-year-old self on a mission to save the future. The film also features a stacked cast, including Mark Ruffalo, Jennifer Garner, Catherine Keener, and Zoe Saldana. We review the movie and see if it will… stand the test of time.

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Turn on the Bat-signal and grab the Shark Repellent because it's time to dive into the psyche of Gotham's caped crusader! From campier iterations to moodier incarnations of the Dark Knight, we're geeking out over our favourite (and not so favourite) things about everyone's favourite brooding billionaire. On this Supercut, we discuss our favourite Batman movies, as well as what we'd like to see in future outings of Bruce Wayne's alter ego.

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"I'm vengeance!" Against all odds, Robert Pattinson dons the iconic cowl in Matt Reeves' latest take on Gotham's guardian. Arguably darker and more violent than any iteration before it, this new film follows Batman and Jim Gordon as they unravel the mystery behind The Riddler's crazed killing spree. In this episode, we review this near-three-hour monster of a film and discuss if The Batman lives up to the hype, Matt Reeves' singular vision for this franchise, as well as what this means for the DC Extended Universe and superhero movies moving forward.

Image source: The Batman, IMDb

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This week, we're throwing back to Cosmopolis, a film that many consider Robert Pattinson's first step out of Twilight typecasting and into the realm of acclaimed experimental projects. Directed by David Cronenberg, Cosmopolis tells the story of a young billionaire who takes a ride across Manhattan to get a haircut. The journey soon becomes an odyssey of weirdness as he meets eccentric characters and watches his empire collapse. We talk about the obviously trippy nature of this Cronenberg vehicle, what shines and what doesn't, as well as Pattinson's evolution as a serious actor.

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Nicole Kidman as Virginia Woolf, Lucille Ball, and a Parisian showgirl. Christian Bale as a haunted machinist and a balding boxing trainer recovering from addiction. Andy Serkis as Gollum and Caesar. There has been a whole buffet of amazing on-screen transformations, aided by prosthetics, special effects, and sheer force of will. In this episode of Supercut, we discuss some of our favourites, and the power of watching a convincing transformation on the big (or little) screen.

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I Love Lucy was a game-changer for modern television and the syndicated sitcom, and also made its stars and creators Lucille Ball and Desi Arnaz, abidingly beloved and famous. Being the Ricardos takes a (mostly true) peek into a particularly stressful week during the show's production, in which jobs, marriages, and friendships were all tested. Directed and written by Aaron Sorkin, and featuring Nicole Kidman and Javier Bardem, this movie has a lot of prestige going for it - but how does it hold up as a watching experience? We get into it.

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A coming-of-age comedy drama, CODA focuses on Ruby (the eponymous child of deaf adults) - the only hearing member of a culturally Deaf family, and the push and pull between her desire to help her family with their business, and forge her own path. With a cast including deaf actors playing deaf characters (Marlee Matlin, Troy Kotsur and Daniel Durant) and a focus on inclusivity, CODA has been getting strong reviews and three Academy Awards nominations. We discuss our impressions of the film and whether we enjoyed it.

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From the Marvel Cinematic Universe to Universal's Monsters to The Witcher saga, everything seems to be part of a pop culture universe these days. And sometimes, we just want to watch a movie that stands on its own - with no prequel, reboot, or video game in sight! For this week's Supercut, we look at the pleasures and pains of having too much of a good thing versus being left wanting more.

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Based on the wildly popular video game of the same name, Uncharted sees Tom Holland (sans Spidey costume!) playing Nathan Drake, an intrepid treasure hunter on a dangerous quest along with his mentor Victor "Sully" Sullivan (Mark Wahlberg). Along the way, there's action and adventures galore, and a long-lost brother to locate. We review the film and talk about whether it brings anything new to the genre.

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Serena and Venus Williams are sports legends - this biopic looks at how their father Richard made and executed a brazen plan to earn his daughters a place in history. The film has garnered numerous Oscar nominations, including Best Picture, Best Actor for Will Smith, and Best Supporting Actress for Aunjanue Ellis. We review the movie and discuss whether it's a grand slam.

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Mamma Mia. Roman Holiday. The English Patient. Who doesn't love an exotic escapade in search of drama, adventure, and maybe a bit of romance? Now more than ever, movies are able to transport us to far-off lands and scenic locales to give us that perfect dose of escapism. But while exotic locations are fun, good movies set themselves apart by turning those locations into living, breathing characters. On this Supercut, we discuss our favourite exotic locations on screen, the stories (and characters) that captivated us while we were there, and how these landscapes continue to make a case for the big screen.

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After two years of delays due to Covid, controversy and then some, Hercule Poirot is back in 'Death On The Nile' to solve a murder mystery aboard a river steamer. Played to campy perfection by Kenneth Branagh, Poirot must sift through an ensemble of characters (including Gal Gadot as Linnet) in order to find the culprit! In this review, we discuss if this expensive mystery was worth the wait, our collective love of a good whodunnit, and if this sequel can escape the series' lukewarm reception.

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Zombies, mayhem, and teenage melodrama! When a school becomes ground zero for a zombie outbreak, a group of students must find a way to escape... after they learn how to coexist. In this episode, we review Netflix's latest extremely gory hit series, All Of Us Are Dead, and discuss if the streaming giant has bitten off more than it can chew. With so much zombie content in the last decade, does All Of Us Are Dead add anything new to the thriving genre besides blood, guts, and violence?

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There's just something about watching monuments and skyscrapers fall, and forests and cities burn.... at least on-screen, or at least so the box office would suggest. But what is actually so appealing when it comes to disaster movies? What makes them tick? In this episode of Supercut, we get into it.

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Very few directors can rival Roland Emmerich's catalogue when it comes to destroying the world in a series of increasingly inventive ways. Moonfall is his latest installment, involving not just the destruction of the Earth, but also our moon, setting the two on a collision course. We discuss whether this is a fun watch, and whether that 146 million dollar budget (one of the highest for an independently-produced movie) was well spent.

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Duncan Jones's directorial debut, Moon, follows the personal crisis of a man nearing the end of a three year solitary stretch on the moon, accompanied only by a robot, GERTY. Starring Sam Rockwell as the man in question, this 2009 film had a modest budget but received critical acclaim - 13 years on, we revisit Moon and discuss how it's held up.

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Powerful. Boring. Thought-provoking. Slow. Confusing. When it comes to art house productions, sometimes all these words can be used to describe a single film. They may be an acquired taste, but many art house films allow actors and filmmakers to deliver some of their greatest work while telling bold, unorthodox stories. On the flipside, many moviegoers consider art house to be pretentious films that are overly long and serious for no good reason. On this Supercut, we get into our favourite art house films and what we love about them, as well as the ones that bored us to the point of craving shlocky, popcorn cinema.

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