REVOLUTIONS PER MOVIE

This week, we welcome the most rock person to ever appear on the show—the legendary comedian, actor, musician, and shredder DAVE HILL, who picked THE ROLLING STONES ROCK AND ROLL CIRCUS to discuss. We also discuss how Exile On Main Street should be the only album played in restaurants, Dave’s inner fifteen year old, Crab Bucket Syndrome and the “Law Of Jante”, which is more taxing: touring as a musician or as a comedian, what commericals would have played on this British TV show, do the Stones pull off their bad boy/satanic imagery, missing the Jethro Tull boat, the origins of the film and why it remained in the vault for almost 30 years, who else should have been in the show, Led Zeppelin, tattoo nightmares, The Action, the original tour concept with The Small Faces & The Who, the first recorded instance of Ian Anderson standing on one leg, Richard Meltzer, getting scared by album artwork, Gary Panter and Songs For Swinging Larvae, Tommy Iommi subbing in here for Jethro Tull, why Dave Hill thinks Marianne Faithfull steals the film, hanging out with Yoko Ono, Robert De Niro and a toolbox, Charlie Is My Darling and the Irish Rolling Stones riots, and Dave has a last minute regret on this very special episode of Revolutions Per Movie.

Yer blues, John, Yer blues…on this week’s episode of Revolutions Per Movie!!!

DAVE HILL:

https://www.davehillonline.com/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to actor, writer, and improviser DAVID PASQUESI (Strangers With Candy, Lodge 49, At Home With Amy Sedaris, Veep, TJ & Dave) about Martin Scorsese’s concert film about THE BAND, THE LAST WALTZ !!!

We discuss David’s connection with The Band and the the sadness inherent in the film, how every member of The Band can be the coolest depending on which way you’re watching, how the film can be tainted by their history, how David discovered and watched the entire evening of music and what’s missing from the film, marveling in how long the night actually lasted and imagining what the turkey dinner tasted like, Scorsese’s secretive approach to intially making the film, how they got all these masters of cinematography to participate, The Staple Singers &Van Morrison, how the first song seen in the film is the last song they performed that night, The Basement Tapes, Chris’s family’s 3 generation admiration of David’s work & how David uses silence in his work, how The Band seemed small town-ish while being one of the biggest rock bands in the world, the debate on who wrote the actual lyrics, how heavily Scorsese storyboarded and prepared for this film, how they had to transform the Filmore to film the concert, the song Stage Fright and if David ever gets that when performing, Joni Mitchell stealing the show, gettting Neil Young’s rare ability to smile and his cocaine nose booger removal techinolgoy, the accidents that happen in this film and why they are magical, the band/gang mentality vs. being a loner, the fear of public humilation, Dylan’s decision at the last minute that he didn’t want to be filmed for the movie and how they got him to change his mind, the endless end of night jams with Ringo and Ron Wood, Scorsese’s flawed Rolling Stones film and more!

So let’s fill up on a turkey, waltz, and dance to The Band on this week’s episode of Revolutions Per Movie!!!

DAVE PASQUESI:

https://www.davidpasquesi.com/

https://www.tjanddave.com/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we celebrate Revolutions Per Movie’s 1 year anniversary with filmmaker and actor OWEN KLINE (A24’s Funny Pages), who chose one of the most anticipated music films to discuss on the podcast, THE WHO’S TOMMY. 

We discuss the chicken/egg of the movie vs. the lp, the baked bean mythology, Ken Russell’s pre-filmmaking history from being a ballet dancer to dodging the war, Russell’s early BBC Composer films, Richard Lester and Lindsay Anderson, Robert Crumb and Fantagraphics Books, being a cultural dinosaur, the concept of selling out, the precision of the film that betrays its midnight movie status, Who’s Next, how the Tommy LP kept The Who from breaking up, the ARP synth, the use of repetition in both the LP and the movie, transgressive music, how and why Townshend kept changing the shape of the story of Tommy, the aborted projects LIFEHOUSE & THE ANGELS that used elements to make the film Tommy, could we pick up the concept album plot before seeing the movie (and even after seeing it!), Ann-Margret’s Oscar-nominated performance, the amount of sweat that appears on actors in the film, the surprising debut acting turn of Roger Daltrey, the UK white boy blues movement, Russell’s choice of having the actor sing, including Jack Nicholson’s strange turn, Keith Moon’s approach to Uncle Ernie, Chris’s concept double album Colonel Jeffrey Pumpernickel, Tina Turner’s incredible performance as the acid queen and how Mick Jagger was in talks to do the role instead, does Elton John and Tina turner steal the film, the strange final 1/3 of the film, Dauhgltrey’s perfect cartwheels, acting through song and so much more!

We are also joined by special guest Barry Winch, who starred in TOMMY as ‘Young Tommy’!!! He illuminates us both about being a child on the set of the strange film, what it was like working with Ken Russell, Ann-Margret & Oliver Reed, how they got honest performances out of him as a child actor, how The Who protested going to the premiere unless he was invited (since he was underage), how Ken Russell himself accidentally cast him, his family’s acting history, playing hide and seek with Oliver Reed, what it felt like being on the set of that movie, what the Tommy props from the film have been auctioned at, why he wasn’t allowed to wander around the set, his favorite memories and some moments of being afraid as well.

All this and more as we celebrate the one year anniversary of REVOLUTIONS PER MOVIE!!!

OWEN KLINE:

https://a24films.com/films/funny-pages

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to CRAIG FINN of THE HOLD STEADY & ’That’s How I Remember It’ podcast about the legendary cult classic ROCK ’N’ ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young person’s game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYX’s KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Dante’s script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the band’s song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!

So, let’s tear up our permanent records on this episode of Revolutions Per Movie!!!

CRAIG FINN:

https://craigfinn.net/

https://theholdsteady.net/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

For our 50th episode, we talk to the legend PEACHES CHRIST about one of her favorite music documentaries, D.A. Pennebaker & Chris Hegedus’ DEPECHE MODE 101. We discuss why this film became Pennebaker’s favorite film (over his films about Dylan & Bowie) and why the film director wasn’t a fan when he first started the project, Peaches discovery and obsession with the VHS tape of this doc, how even though Depeche Mode were straight they loved their queer fans, how the band grew into a global sensation, the choices of editing in the film, how the filim was the precusor to MTV’s The Real World & Road Rules, the time Peaches set the stage of her celebration of the film CARRIE on fire, John Waters & Mink Stole, youthful indescretions, the legendary film series MIDNIGHT MASS which includes drag queen rollerderbies and free lap dances with each tub of popcorn purchased, early Halloween productions in the woods, dealing with Russ Meyer, The Cockettes, the boredom and nerves of waiting to go onstage, how different the era was for the the kids in the film and how different it would be made today, the pressure of Depeche Mode playing the rose bowl, nerds as rock icon, Wax Trax Records, trying to upset your parents through your music tastes, when people who are mean to you start loving your favorite bands, Dave Gahan’s stage presence, Freddie Mercury, Peaches’ regrets with Depeche Mode and the band’s crossover into the masses, waiting in line to get concert tickets in a mall, Robert Smith Vs. Ticketmaster, what the fans felt as Alan left Depeche Mode, the grind of band interviews, and Chris discusses the early days of his video store and the search for cult film obscurities.

So let’s watch the curtain drop to reveal the band on this week’s Revolutions Per Movie!!!

https://peacheschrist.com

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to DANIEL RACHEL, the author of TOO MUCH TOO YOUNG, THE 2 TONE RECORDS STORY,  about the 1981 2 Tone concert film DANCE CRAZE. We discuss the film’s volatile production, how the film’s genesis started at a swimming pool in L.A., Jerry Dammers unwavering work ethic, seeing people skanking in the aisles at the movie screening, the short life span of The Selecter and The Body Snatchers, how the film sneaks in concert footage shot in New Jersey vs. the UK, the moment Daniel noticed that 2 Tone had swept the playground, the dimantleing of the scene by the British music press, the skinhead movement and the violence within the scene, the genius of Terry Hall and Pauline Black, the non-Ska bands that continued on the 2 tone label, how the ska bands had the best band logos, the fashion of the scene, seeing a multi-racial band on TV, tribal musical groups moving across the British musical landscape, The Mods, the short time span of pop music movements, stealing lyric sheets from a Virgin Megastore, how original director Joe Massot was kicked off the film and also screwed up his intitial shoot of Led Zeppelin’s The Song Remains The Same movie, Garvick Losey’s involvment with the film, how Jerry Dammers and Madness were initially wary of making the film, how the soundtrack contains recordings that were not from the movie (or even the same band lineup), the punk vs. ska astecthic,The Specials’ tour with The Clash and how the band found their idenity on it, how the inventor of the Steadycam was one of the cmaera opperators for this film, how the bands would fake violence on stage to stop the violence in the audience, Rock Against Racism, The Stranglers, then negative response from the bands when the film was initially releaesd, what it was like figuring out the More Specials LP, Funboy Three & Special AKA, and Chris breaks Daniel by asking his final question.

So lip up fatty and get into this week’s episode of Revolutions Per Movie!

DANIEL RACHEL:

https://danielrachel.com/

Book tour w/ Daniel Rachel:

https://danielrachel.com/events/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to legendary actor, musician, performance artist, and writer ANN MAGNUSON (Bongwater, The Hunger, Making Mr. Right, Cabin Boy, Pyramid Club, Club 57) about the influential cinema jazz documentary Jazz On A Summer’s Day.  We discuss the performances in the film (including Thelonious Monk, Anita O’ Day, Chico Hamilton, Eric Dolphy to name a few performers), what it was like for Ann to inhabit Anita O’Day for the audio book of her autobiography, first impressions of Lou Reed’s Metal Machine Music, Ann’s programing at the legendary NYC Club 57, Ann’s new song ’Ghost Cat’ with producer Don Dixon, her early life in West Virginia, D.I.Y. & Ann’s SurRURALism techniques, success in the underground being a dirty word, the return of Vulcan Death Grip, being a professional walk-a-thoner, photographer & filmmaker Bert Stern, how the film brings a visceral sense of childhood for Ann, how Stern made the whole project happen with his own equipment and financing, Ann’s parents and the dry Jazz club scene in West Virginia, filming Making Mr. Right and the new wave sensibility of the 80s, how Monk’s performance is presented in the film, Chris scats the Anita O’ Day finale of ‘Tea For Two’ from his memory of repeated listening of the film at his video store, the white privilege throughout in the film, midnight Mahalia Jackson performances, how protest music is needed now more than ever and Ann reads from Anita O’day’s memoir about the performance that was filmed for this movie and how it changed O’Days life. 

So let’s never sing the same song the same way twice on this week’s episode of Revolutions Per Movie!

ANN MAGNUSON:

https://annmagnuson.com/

https://annmagnuson.bandcamp.com/album/ghost-cat

VULCAN DEATH GRIP:

https://www.youtube.com/watch?v=f2_dWSpDXJE

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to Australian musician, actor, and podcaster BEN LEE about the classic THE DECLINE OF WESTERN CIVILIZATION 2: THE METAL YEARS!!! We discuss how the film compares to the original punk rock film, Ben’s genuinie love of heavy metal and the shot by shot tribute he made to this film for his latest music video, seeing the Mötley Crüe Dr. Feelgood tour, Ben’s transtion from metal into punk, Ben’s thoughts on why Australia might not have the perfomative distance needed to have more glammy metal bands, the sadness that often permiates both films, the divisiveness within the 80s metal scene, the hightened sense of making it in L.A., Gene Simmons & Paul Stanley’s scenes in the movie, Weezer, the Rainbow and the Sunset Strip, selling the rock n roll fantasy to teenagers, the 80s metal MTV video output, Lemmy, the brilliance of Penelope Spheeris’s approach to connecting to these kids in all the L.A. music scenes, the sexism in the film, Lizzy Borden, how some bands prefered asthetic over songs, seprateing the fake album titles from the actual album titles, the Grunge movement, how the idea of careerism came into the underground, taco bell and tour scheudling, Faster Pussycat, hiding the pain through comedy, the pay to play scam, the L.A. police crackdown on the punk, hiphop and metal scenes, satanic panic, not understanind the cultures that come after your time, the Chris Holmes swimming pool scene, the dissappearnce of tribalism in the scene, Redd Kross, losing friends to other music scenes, is music better than sex like they mention in the film, Prince, creativity and sexuality, Megadeth and more!

So get ready to tease your hair and scream for Odin in this week’s episode of REVOLUTIONS PER MOVIE!!!

BEN LEE:

https://www.ben-lee.com/

Ben’s music video tribute to THE DECLINE PT. 2 https://www.youtube.com/watch?v=Ojoi9iqXGHY

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to punk legend Jerry A Lang of Poison Idea, who discussed The Decline Of Western Civilization and the punk rock scene of that time. We talk about power of power of The Germs, Black Flag, Circle Jerks, the professionalism of X and Fear, how The Weirdos were supposed to have been in the film, how the audience in the movie theater started stage diving & smashing up the theater, the soundtrack LP, seeing Italy’s Raw Power play in your basement, The Desperate Bicycles, Slash & Search And Destroy magazine, booking punk shows, rock star attitudes in early punk rock, Poison Idea being the opening band for the movie and the fight that happened when the crowd showed up, being scared by The Fall and the No Wave LP, the death of Darby Crash, Chris’ time working at a pizza parlor with four members of Poison Idea, the economics of punk rock living, crossing the street from heavy metal dudes, dressing like James Chance, the impact the film has as a younger viewer vs. as an older viewer, seeing The Wipers’ first show, kids putting on Pere Ubu Shows, soup kitchen rock stars, punk rockers scaring your home town residents, having being a treasurer in the early punk rock scene, why Social Distortion & Youth Brigade from the punk doc Another State Of Mind were not allowed to play in Portland, the short life span of 80s punk rock venues, is the film a Slash Records commercial, what bands would be in our dream version of Decline and so much more.

So, let’s innocently stage dive off the movie theater’s stage for this week’s Revolutions Per Movie!

JERRY A LANG:

https://americanleatherrecords.bigcartel.com/

https://rarebirdlit.com/black-heart-fades-blue-signed-by-jerry-a-lang/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to Homer Flynn of The Cryptic Corporation, who represents the mysterious, unknown collective, THE RESIDENTS, and discussed their legacy in film and video. Topics included the band’s Theory Of Obscurity, which Resident is the easiest to negotiate with, how the band couldn’t even give their initial records away and the moment that changed, creating the Ralph Records logo, what the Residents think of A.I., how they created their album artwork and music videos, collaborating with Night Flight, being The Residents during the pandemic, why The the collective gravitated to and stayed in S.F., working with John Sanborn & Graeme Whifler, The Residents’ filmmaking heroes, making music videos in an era where there was no place to show them, how the Cryptic Corp deals with the band’s larger than life concepts, the folly of trying to accomplish everything in one’s lifetime, the story behind their Ugly Grey Theater not being allowed to exist, their early 70s feature length epic Vileness Fats and how it lead to the false start film Double Trouble which then led to their first feature length film 50 years later, Triple Trouble, and their discussion on their next large scale projects including a one song concert in Geneva and Paris.

So come all you sinister exaggerators and let’s talk the visuals of The Residents.

THE RESIDENTS:

https://www.residents.com/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to Grammy Nominated Visual Artist & Musician Perry Shall & Fangoria Magazine’s Editor In Chief Phil Nobile Jr about arguably their favorite film of all time, Phantom Of The Paradise!!! We discuss the film’s incredible songs and performance by Paul Williams, Brian DePalma’s homages and obsessions within the film, the ties (and lawsuit) associated with this film and Led Zeppelin, the 70s obsession with the 50s, our love for the character BEEF, our childhood discovery of this film, the iconic visual identity of the film, which came first Kiss or the movie, one fan’s obsession with restoring the film to its original state, bootlegging cable, the power of the indie video horror movie shelf, Jessica Harper’s iconic performance, the mask design of the Phantom and the Japanese Manga movement around it, slumber party watch parties, being scared of rock concerts and their potential violence, style vs substance, who is the mysterious billed ‘rock freak’ & how one lone city in the world has never stopped loving this film.

So let's discuss the man who made it, the girl who sang it and the monster who stole it on this week's episode of Revolutions Per Movie!!!

Perry Shall: https://www.perryshall.com/

Phil Nobile Jr: https://www.fangoria.com/authors/phil-nobile-jr/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to rapper, producer, visual artist, and video director VIDEO DAVE (whose new album with OPEN MIKE EAGLE & STILL RIFT as PREVIOUS INDUSTRIES is out now on MERGE RECORDS) about a film that speaks to him from the heart of his home town of Chicago and both of our childhoods, THE BLUES BROTHERS. We discuss the film’s impact on Chicago (and vice-versa), tech vs. artistry, the incredible musical cameos in the film, Dave’s original story & the development of his iconic sewing skills, how he created a Jaws shot by shot video that he made for Previous Industries, splitting time between disciplines, making art on acid, the difficulty of being asked what your favorite movie is, 1980’s banner year for R-rated comedies, how the studio wanted The Blues Brothers to go disco instead of blues, how as kids the film was our first exposure to John Lee Hooker, James Brown and Aretha Franklin, the extended version of the film and what was cut out of the original release, Cab Calloway’s sequence in the movie, Dr. Detroit disappointment, the lovely sloppiness inherent in the film, Donald “Duck” Dunn & Steve Cropper, the chicken wire bar scene and what venues Video Dave has played that were close to that experience, musicians being actors vs. actors being musicians, The Pope coming to The Blues Brothers’ movie set, other classic musicals, John Waters’ films being locked away in the adult section of the video store and so much more!

So let’s get the band back together on this week’s Revolutions Per Movie!!!

VIDEO DAVE:

https://vaud.art/

https://videodave.bandcamp.com/

https://www.mergerecords.com/artist/previous_industries

Pliers Music Video: https://www.youtube.com/watch?v=blmGMjkxJVk

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to comedian/actor Andy Kindler (Bob's Burgers, Late Night w/ David Letterman, Maron, Everybody Loves Raymond) & Mike Lisk (executive producer of The Best Show w/ Tom Scharpling and host of Egg Foo What?!) about a documentary whose subject matter is dear to both of their hearts (yet full of confusion and mystery for host Chris Slusarenko), The Grateful Dead documentary series, LONG STRANGE TRIP. These two have a history with each other, and out of the gate, an old Zappa argument and apology appear out of nowhere, and then it’s off to the races. We discussed whether Bob Weir is essential to the band, the stage banter of the Grateful Dead, Andy’s 70s rock band TransFusion, their viewpoints on Pigpen—the original rapper, which of the two drummers had the goods, Mountain Dew vs. Morning Dew, Andy’s LSD induced concert going-ons and his naked prog-rock band stories, Mike’s experience of almost being trampled at a Grateful Dead concert, pocket pool advice from the band, Tom Scharpling, Robert Hunter’s lyrics, Donna & Keith, Mike meeting Garcia as a teenager, sneaking drugs into concerts, digitally erasing crowd nudity from concert footage, why they think they are the quintessential American band, The Velvet Underground and the dissonance of the Grateful Dead, Disco Dead, Marvin Gaye, can you be a cynic and give yourself over to the band, losing punk rock friends to the Dead, Altamont, tape trading, Europe ’72, the sadness in the Jerry Garcia story, Hot Tuna, The Warlocks, Dead & Co., how the documentary is critical of a portion of their fan base, the Dead telling their fans to stop being assholes, Mickey Finn’s father ripping the band off, the Phil Zone and Mike gives us a crash course on the essential shows and recordings to listen to.

So let’s time your trip perfectly on this very funny yet heartfelt episode of Revolutions Per Movie.

ANDY KINDLER:

twitter.com/AndyKindler

MIKE LISK:

thebestshow.net

Egg Foo What: https://podcasts.apple.com/us/podcast/egg-foo-what/id1635904703

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive physical goods just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to Jay Gonzalez (solo artist and member of Drive-By Truckers) about the Rockpile (Nick Lowe & Dave Edmunds) British TV Doc, Born Fighters. We discuss the Pub Rock scene, Edmunds & Lowe’s early bands, Rockpile getting lumped into the New Wave Scene, Stiff Records, Nick Lowe’s incredible ability to write unforgettable pop songs, recording on 4-track vs. larger studios, RockPile’s amazing quips, playing country fairs, the amount of incredible access given to the filmmakers in this documentary, the debatable merits of Blue Nun Wine and we also have our first Revolutions Per Movie one act-play using dialogue taken verbatim from the climax of the film!

So let's get into our cups on this week's episode of Revolutions Per Movie!

JAY GONZALEZ:

http://www.jaygonzalez.com/

https://www.drivebytruckers.com/index.html

REVOLUTIONS PER MOVIE:

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly exclusive bonus episodes and physical goods just by joining!

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to musician and vital member of the late 70s/early 80s Portland Punk Scene, KT Kincaid, who picked the incredible doc, THE SLITS HERE TO BE HEARD. We discussed her and her sister’s importance in the creation of the punk scene, their band NEO BOYS (whose recordings were reissued on K Records), discovering Bowie, seeing punkers before hearing punk, the rarity of finding punk records, picking the bass guitar over other instruments, nobody sounding like The Slits & the genius of Viv Albertine’s guitar playing, being in a band with your sister, getting 50 people to come to a show, the video for ‘Earthbeat’, The Flowers Of Romance, the punk collective mindset & loyalties in the punk scene, opening for Television, practicing non-stop in your first band & taking it so seriously, pooling money to buy records, the violence towards the early punk scene, the gang mentality of being in a band, the magic of chance meetings, getting pissed at the Guardian’s review of this documentary, and Chris reads the minutes from one of the Portland punk collective’s meetings from the late 70s.

Nothing typical here as we dive into this week’s episode of Revolutions Per Movie!

NEO BOYS:

https://neoboys.bandcamp.com/album/sooner-or-later-vol-1-klp242

THE SLITS ‘Earthbeat’ video

https://www.youtube.com/watch?v=SqiFYcKEhxs

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, I’m joined by JASON P. WOODBURY (of Aquarium Drunkard) and filmmakers BRIAN LINDSTROM & ANDY BROWN to discuss their incredible new film LOST ANGEL: THE GENIUS OF JUDEE SILL. We talked about Judee Sill’s gnostic relationship to her music and how she backed it up in her lifestyle, what our introductions to her music were like, Sill’s disdain of being lumped in with Christian Rock & opening for rock bands, her influence on Andy Partridge of XTC, how the filmmakers shaped the film over the past ten years, Tooth & Nail Records, the mythologizing of a subject’s life in documentary filmmaking, Asylum Records and her ups and downs with David Geffen, Some Kind Of Monster, Sill’s vulnerability and ego in her diary writings and drawings, how they chose to animate Sill’s artwork and found her voice, Sill’s influence on a new generation of musicians, her iconic Old Grey Whistle Test performance of “The Kiss,” how the film addresses childhood trauma, addiction, and resilience, what parts of Sill’s life didn’t fit into the film, and the power of Alice Coltrane, Sun Ra, Guided By Voices & SST Records, 

So join us as we talk about one of the greatest songwriters to ever be part of the cosmos, Judee Sill, on this week’s Revolutions Per Movie.

WATCH LOST ANGEL: THE GENIUS OF JUDEE SILL

https://greenwichentertainment.com/film/

JASON P. WOODBURY:

https://jasonpwoodbury.com

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week we talked to the legendary musician Bob Bert of Sonic Youth, Pussy Galore, Chrome Cranks, Lydia Lunch Retrovirus & Bewitched, who picked the equally legendary Danny Fields documentary, Danny Says, to discuss. We talk about Danny’s trials with the bands he loved and discovered (including The Stooges, MC5, Jonathan Richman & The Ramones); the notion of chance meetings in art; Danny breaking the news of John Lennon saying ‘The Beatles are bigger than Jesus Christ’ and the aftermath he created for them; changing a guitar string without stopping playing a song; 16 Magazine; Bob’s early shows seeing Suicide, Wayne County, Patti Smith, New York Dolls & Television; the greatness of Dead Moon & The Scientists; WFMU; shoplifting MC5 records; the Super 8mm punk document Blank Generation; how he joined both Sonic Youth & Pussy Galore; Rock Scene magazine, the genesis of the Pussy Galore drum set he built and how it hurts to play it, his process with publishing BB Gun Magazine, doing drugs and seeing Pink Floyd, unsung NYC band heroes, planning out your whole week around rock shows, Max’s Kansas City and why we haven’t gotten a Jonathan Richman documentary yet!

So, let’s roll our eyes along with the singular force that changed music forever on this week’s Revolutions Per Movie.

BOB BERT:

https://goner-records.com/products/im-just-drummer-bob-bert-book-hozac

Instagram: @therealbobbert

LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:

revolutionspermovie.bandcamp.com

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to UK journalist, author & manager Ralph Moore, who chose the documentary about Amy Winehouse, AMY, to discuss. We talk about the line you have to walk managing artists, Amy’s parent’s new documentary Reclaiming Amy, The Frank album, Mark Ronson, the Coventry Music scene, how the film is one of the best representations of what it is like to be hounded by the paparazzi and what has changed with the UK press since Amy’s life, how they acquired the footage in the film, seeing Amy Winehouse live, how the film is like a home movie where Amy is looking you in the eyes, how the film does not romanticize Amy’s life or her addictions, the trials of being a public figure, aligning the morals of the artist with the art, Radiohead, the pressures of being a true icon, the early adopters of Nirvana and Oasis, seeing a band you love on the cusp of breaking through, the UK music press and how it has changed over the years, can you manage an artist and still be a friend, art and commerce, Amy and Tony Bennett’s moment together in the film and so much more. 

So join us on this week's Revolutions Per Movie as we discuss one of the most personal looks at an artist ever made.

LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:

revolutionspermovie.bandcamp.com

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly exclusive bonus episodes and physical goods just by joining!

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

My guest this week is Jim Gavin (the creator of AMC’s incredible series Lodge 49 and author of Middle Men), who chose to discuss the Jawbreaker documentary Don’t Break Down. We talk about the band’s grip on their fans, the eventual backlash against Jawbreaker, lyrics that destroy you, the Masonic world and the genesis of Lodge 49, East Coast punk vs. West Coast punk, Lilies/Broadcast/Stereolab and other sonic rabbit holes, creating imaginary mentors, the legendary Jabberjaw/L.A. scene, creating your own mythology about a band, obsessing over Blake’s lyrics, the nature of imploding bands, the concept of selling out and Nirvana’s success, music as time travel, looking for a specific sound and hiring a private detective to find a specific song.

So please don't turn your back towards the band on this week's Revolutions Per Movie!!!

JIM GAVIN:

https://www.vogue.com/article/lodge-49-ode-the-best-television-show-you-missed

https://twitter.com/jimatdeltaco

https://www.tigervanbooks.com/

LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:

revolutionspermovie.bandcamp.com

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

Hey everyone! This episode about the Roger Corman (RIP) film Slumber Party Massacre came out today, so we've decided to let everyone hear this bonus Patreon episode to celebrate Corman's legacy. And if you're enjoying this show, please consider supporting Patreon.com/RevolutionsPerMovie, where you will get the bonus episodes, stand-alone shows (like Coffee with Krummeancher & A Very Opinionated Look at URGH! A MUSIC WAR), physical goods sent out to you and to also reserve your copy of the upcoming Flexidisc with Peter Buck of R.E.M. & Vanessa Briscoe Hay of Pylon that is coming this Fall! Thanks everyone...enjoy!

In this bonus episode, I’m joined by horror filmmaker Jim Hickcox & film critic Craig Wright of Split Tooth Media, who will be turning us on to the heavy metal horror that is SLUMBER PARTY MASSACRE 2!  We discuss the backstory behind the film, how it got changed by Roger Corman, how critical the horror movie community is, creating dance sequences in movies, famous monsters vs. fangoria, promotional items that were sent to video stores, horny boy creeps in horror movies, sequel success rate, the garage band members that are the heroes of the movie, whether a guitar with a drill on the end is the best murder device in a film ever, as well as the fact that Steve Wynn of Dream Syndicate is a definite six-degree part of this film!

So don’t go to sleep (or go all the way) in this week’s exclusive Bonus Episode of Revolutions Per Movie!

LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT (available until June 9th 2024)

revolutionspermovie.bandcamp.com

Hosted on Acast. See acast.com/privacy for more information.

This week, the one that started it all for me, Devo’s Jerry Casale, joins me on the podcast to talk about Devo’s film and video legacy. We discuss the origin story of their first short film, the films that influenced Casale and Devo’s aesthetic, their early jobs and the pressures of Ohio, how ‘Bonnie & Clyde’ influenced the 'Beautiful World’ video, meeting collaborator Chuck Statler, where Rod Rooter’s dialogue came from, Club Devo and the difficulties making their merchandise, Jerry tells the plot of the Devo feature-length film script that never got made (including one that was going into production with Francis Ford Coppola & one with William Friedkin), how they directed their conservative looking extras and General Boy, meeting their idols, how they constructed their live shows, phone calls from the video Commissioner of MTV, censorship, working with Soundgarden, Bruce Connor’s ‘Mongoloid’ short film, transgressive art, people being scared of Devo, Kent State & the Vietnam War as the antecedents of Devolution, crawling out of the basement, the communal mindset of the members of Devo, the antagonistic nature against Devo from interviewers, having fun with the audience while rubbing their nose in it, the groundbreaking & primitive ‘Oh No It’s Devo’ tour, making ‘The Men Who Make The Music’ and having your own action figure made of you.

So...peek-a-boo...let's all get devolved together on this week's Revolutions Per Movie!!!

JERRY CASALE (videos, action figures, music, art):

https://www.geraldvcasale.com/

DEVO:

https://www.clubdevo.com/

LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:

revolutionspermovie.bandcamp.com

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to the actor (House Of The Dragons, 24 Hour Party People, The World’s End), musician (Riding The Low), writer/director (Tyrannosaur, Journeyman) Paddy Considine, about his all-time favorite band (in any universe), Guided By Voices and the documentary Watch Me Jumpstart.  We discuss these mythical legends of Dayton, what it was like for Chris being in the band and working with Pollard, Pollard’s incredible work ethic and output, Paddy’s trip from the UK to visit Ohio for the first time and taking a GBV/Bob Pollard tour of Dayton, the eureka moment of understanding the band, wrapping your mind around Bob's lyrics, the early confusion of why, how and who was recording this music, being under-appreciated by the establishment, GBV's influence on Paddy's acting writing & music, Pollard's legendary mix-tapes, turning people onto the band, the obsession of collecting Pollard's entire discography, beer, basements and talking to Bono about Guided By Voices.

So, disarm the settlers, and let’s go deep into the world of Guided By Voices on this episode of Revolutions Per Movie.

PADDY CONSIDINE:

Riding The Low:

https://www.ridingthelow.co.uk/

Tyrannosaur:

https://www.amazon.com/gp/video/detail/B007ZYJT1U/ref=atv_dp_share_cu_r

LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:

revolutionspermovie.bandcamp.com

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids.  We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we’re also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.

So party with me punker, as we head into the desert at night on this week’s Revolutions Per Movie.

DESOLATION CENTER:

https://www.desolationcenter.com/

SEE THE FILM IN MAY 2024 IN L.A.:

https://www.instagram.com/dktrfest/

STUART SWEZEY:

https://www.amokbooks.com/

BRUCE LICHER:

https://www.independentprojectrecords.com/

LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:

revolutionspermovie.bandcamp.com

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to Gina Arnold (author of Route 666: On the Road to Nirvana, Exile in Guyville, and Half a Million Strong: Rock Crowds and Power, from Woodstock to Coachella) about Homecoming: A Film By Beyoncé as well as her as well as her dissertation which focused on live music performances at festivals. We also discussed her time on tour with Nirvana & The Pixies, getting burned by The Rolling Stones, the corporatization of rock shows & how Beyonce’s Coachella show was the show to end all big outdoor shows.

So set your feet stomps to stun on this week's episode of Revolutions Per Movie!!!

GINA ARNOLD:

https://gina19e.substack.com/

https://uipress.uiowa.edu/people/gina-arnold

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.

LIMITED EDITION REVOLUTIONS PER MOVIE T-SHIRT at revolutionspermovie.bandcamp.com

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to the director Jeff Feuerzeig (The Devil And Daniel Johnston, Half Japanese: The Band That Would Be King, Author: The JT LeRoy Story) about one of his favorite music documentaries, the 1965 Rolling Stones Tour film, CHARLIE IS MY DARLING, a film missing until 2012. We discussed how Jeff creates his legendary projects, what makes this rarely-seen Stones doc so essential and overlooked, the era of rock band managers being household names, loving “Maraca” Mick Jagger, Pennebaker’s Dylan film Don’t Look Back, the sweet spot of 65-66 Rolling Stones and the riots they are causing at their Ireland live shows, psychedelic soup, Bowie & Kubrick, Spacemen 3, Bo Diddley covers, controlling the image of The Stones, The Who, The Monks, the mystery behind the disappearance and discovery of this lost film, rock n’ roll bladder control, cinema verite, and Jeff shares a few other surprises!

So let's rush the stage for a piece of Brian Jones' hair on this week's episode of Revolutions Per Movie!

JEFF FEUEREZEIG:

https://www.jefffeuerzeig.com/

CHARLIE IS MY DARLING:

https://www.youtube.com/playlist?list=PLSgcFXy_-eBXSO9flKlERJB8AmIfgkf1x

Revolutions Per Movie:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

Socials:

@revolutionspermovie

X, BlueSky: @revpermovie

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to Los Angeles filmmaker, actor, and former programmer at the legendary New Beverly Cinema, Julia Marchese, about one of the greatest rock n’ roll films of all time, BEYOND THE VALLEY OF THE DOLLS!!! We also talk about getting Russ Meyer’s autograph, the incredible stories behind the music written for the film, the need (more than ever) for repertory cinema houses, the Sex Pistol film that Russ Meyer almost made, actors who don’t blink, which of this film's characters would survive in a modern-day horror movie, a debate on whether the band manager (Harris) is a drag or a necessary evil, the magic of seeing a Russ Meyer film for the first time, not being able to tell if the actors are good in this film or not, daydreaming about owning props from the movie, Roger Ebert’s incredible script and dialogue for the movie and so much more!

So come with the gentle people and spread love across the land on this week’s episode of Revolutions Per Movie.

Julia Marchese:

http://www.juliamarchese.com

Revolutions Per Movie:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

Socials:

@revolutionspermovie

X, BlueSky: @revpermovie

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to Jon Raymond (author of Denial, Freebird; screenwriter of Old Joy, First Cow & Showing Up w/ Kelly Reichardt, Mildred Pierce w/ Todd Haynes) about The Source Family documentary, which follows the rock n’ roll hippie California cult of the same name. We also talk about Jon’s work with Kelly Reichardt, why so many cult leaders also want to be rock n’ roll stars, the legacy and legitimacy of Yahowa 13’s music recordings & how The Source Family might have been The Monkees of the California cult scene.

So get your stars aligned and your multidimensional soup ready for this week’s episode of Revolutions Per Movie.

JON RAYMOND:

https://www.simonandschuster.com/books/Denial/Jon-Raymond/9781982181840

https://plazm.com/bios/jon-raymond/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

patreon.com/revolutionspermovie

@revolutionspermvoie

X, BlueSky: @revpermovie

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to Carlos Grasso—the Producer & Writer for the monumental MTV show ‘IRS’s The Cutting Edge’ & art director for IRS Records. We talked about his process creating iconic LP covers for R.E.M., The Cramps, Wall Of Voodoo & The Buzzcocks, working with The Cutting Edge directors Jonathan Dayton & Valerie Faris (who went on to direct ‘Little Miss Sunshine’ & ‘Mr. Show’), filming everyone from Alex Chilton to Daniel Johnston, why the archives of the show are so elusive & I even read Carlos a letter that he wrote back to me when I wrote to the record label!

So call it the new wave, the old wave, or the current wave, but come swing with us on this latest episode of Revolutions Per Movie!

CARLOS GRASSO:

https://asphaltserenade.com/

https://vimeo.com/asphaltserenade

https://www.facebook.com/groups/203901985220151/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

patreon.com/revolutionspermovie

@revolutionspermvoie

X, BlueSky: @revpermovie

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we discuss a music film that my guest, Andy Zax (a Grammy-nominated archivist and the Music Geek on Comedy Central’s ‘Beat The Geeks’), begs us NOT to watch--the 1970 psychedelic romp ‘THE PHYNX.’ We take a deep dive into the film’s history, mystique, and weirdo cast (James Brown, Colonel Sanders, Dick Clark, Richard Pryor), as well as a fascinating look at Zax’s time at Warner Brothers Records & on ‘Beat The Geeks’. We also discuss liner notes legend & the screenwriter of The Phynx Stan Cornyn, the fascinating pain that this movie brings to any viewer, Lieber and Stoller’s soundtrack, Phil Spector parodies, the star power ranking of UltraViolet, a 400 Vox Guitar army, album artwork, Van Dyke Parks, Joni Mitchell, bootleg VHS tapes, fake band album artwork, sense memories from music, promotional items from movies, writing about psychedelia without knowing psychedelics, the difference between the original script and the finished movie (which included scenes with Allen Ginsberg & Timothy Leary), and Chris tries to beat ‘The Geek’!

So PLEASE DO NOT WATCH THIS FILM EVER (or do you?) on this week’s episode of Revolutions Per Movie.

ANDY ZAX:

https://www.andyzax.com/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to the two hosts of the fictional classic rock station comedy podcast, Jason Gore & Geoff Garlock of 108.9 The Hawk, about their music film pick, The Who's 'The Kids Are Alright.'  We argue over what is the greatest Who period of all time, how the band's inner tensions helped make them even greater, how a first-time director/superfan pulled off this film, Townshend's use of alienation & enlightenment through his interviews, Zeppelin vs. Who, being stuck at midnight movie screenings, Jason's radio broadcasting past on an actual classic rock station in the South, and trying to win over Geoff who had never seen this movie until now! So let's blow up a drumset on this week's Revolutions Per Movie!

JASON GORE & GEOFF GARLOCK:

1089thehawk.com

thebestshow.net

twitter.com/TheCannonCanon

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

patreon.com/revolutionspermovie

@revolutionspermvoie

X, BlueSky: @revpermovie

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to indie pop dance legend and Kill Rock Stars recording artist, Logan Lynn, who picked the extremely intense music narrative film, Vox Lux, to discuss. We discussed the realities and tropes of music films, Lynn’s early years as a teenager on a major label, the lack of protection for young artists within creative industries, addressing addiction and trauma in your art, the notion of selling out, backstage rituals, making fun of ‘The Devil’, the Swedish Pop Mafia, how music gets taken out of context, whether or not Natalie Portman a convincing pop icon in the movie and so much more.

So get ready to dance through the pain on this week’s Revolutions Per Movie.

Logan Lynn:

https://loganlynnmusic.com/

Revolutions Per Movie:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

patreon.com/revolutionspermovie

@revolutionspermvoie

X, BlueSky: @revpermovie

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week we present Pt. 2 of our discussion with filmmaker, musician, and photographer DAVE MARKEY (‘1991: The Year Punk Broke’, ‘Lovedolls Superstar,’ Painted Willie on SST records) about the ‘change of our lives forever’ videotape for both of us: DEVO’s ‘The Men Who Make The Music.’ We continue our talk about the videos on the VHS cassette, early Hardcore Devo recordings, Devo cover bands, the magic of drummer Alan Myers, Dave’s work with Nirvana, Kurt Cobian’s love for Devo, Spazz Attack, the L.A. punk club scene, sneaking into shows, hearing Devo’s Satisfaction before hearing The Rolling Stone’s original, New Wave Theater, Devo and psychedelics & the actual TRUTH about Devolution.

So shrivel up under Daddy’s cap on this week’s Revolution Per Movie finale on Devo’s ‘The Men Who Make The Music.’

Dave Markey:

www.wegotpowerfilms.com

Dave's Teaster for his new film:

http://tinyurl.com/BillBartell

Revolutions Per Movie:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

patreon.com/revolutionspermovie

@revolutionspermvoie

X, BlueSky: @revpermovie

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we present the first of our two-part episode with filmmaker, musician, and photographer DAVE MARKEY (‘1991: The Year Punk Broke,' ‘Lovedolls Superstar,’ Painted Willie on SST records) about 'the change our lives forever' videotape for both of us: DEVO’s ‘The Men Who Make The Music.’   We discuss how Devo has been the most influential influence on our life and creative work, getting picked on for liking DEVO and pushing back, Neil Young working with the band, the proper way to say Boojie Boy, Devo’s video director (Chuck Statler) singular style and use of non-actors, the concept of selling out, early MTV, seeing Devo live, Dr. Demento & SNL, Devo being championed as a Los Angeles band, dealing with Whip It as a hit song, Dave’s early work as a teenage filmmaker, Devo’s evolution of songwriting, how sexy Mark Mothersbaugh is, CLUB DEVO, John Lydon almost joining Devo, bands jumping on the New Wave bandwagon and how the Devo’s body of work could be absolutely frightening.  

So take your hotsy-totsy swinger, put them under pressure, and watch them fall apart on this week’s Revolutions Per Movie.

David Markey:

www.wegotpowerfilms.com

Revolutions Per Movie:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

patreon.com/revolutionspermovie

@revolutionspermvoie

X, BlueSky: @revpermovie

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

Hello everyone…we recorded a special episode of Coffee With Krummenacher about Victor’s times and friendship with Mojo Nixon.  We discuss what it was like being on the road when Mojo was opening for Victor's band Camper Van Beethoven, making split flexi-discs and doing inspired photo shoots together, Mojo and Camper playing The Filmmore together, taking mushrooms and long nights with the man, piss-filled cereal bowls, Mojo’s sweet shamanistic outlook on life, living an authentic life, Mojo’s Camper Van Beethoven cover version, and how Mojo was going to be on the Revolutions Per Movie podcast in a few weeks to talk about a Replacements documentary that he saw in his head that didn’t exist (yet) and the excited email he sent me about his ideas.  It’s a wild and beautiful tribute to a singular, weirdo force that is no longer with us.

Normally, ‘Coffee With Krummenacher’ is just one of the exclusive bonus shows we have over at the Revolutions Per Movie Patreon (a podcast where my guests talk about their favorite music documentaries or music narrative films), but I thought we should make this episode available to everyone.  If you’ve enjoyed what you’ve heard, please consider supporting what we do over at patreon.com/revolutionspermovie.  

Thank you.

MOJO NIXON:

https://mojomanifestomovie.com/

Revolutions Per Movie:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Guests have included Peter Buck of R.E.M., Paul Hanley of The Fall, Julie Klausner of Hulu's Difficult People, John Cameron Mitchell of Hedwig & The Angry Inch, Nick Aguilar of Frankie And The Witch Fingers, Paddy Considine of HBO's House Of Dragons, Andrew Rieger of Elf Power, Lisa Fancher of Frontier Records & Kliph Scurlock of Flaming Lips/Gruff Rhys to name a few.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

Thank you.

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to Vanessa Briscoe Hay of Pylon & PRS (Pylon Reenactment Society), who chose the film ATHENS, GA: INSIDE/OUT to discuss.  We also talk about her growing up in Georgia, her introduction to the Athens music scene, auditioning for Pylon, how the band initially was a conceptual musical art project, how they wrote their songs and lyrics, R.E.M.'s emergence & the growth of the Athens music scene, the economics of being a musician, why bands break up, the Pylon Reenactment Society’s origin story, the beauty of being irresponsible, which member in Pylon is an expert at recreating plane crashes (!?!) & more!  

So, hey kids! Don’t rock n’ roll, no no no no…on this week’s episode of Revolutions Per Movie.

Vanessa Briscoe Hay:

https://pylonreenactmentsociety.com/

https://www.facebook.com/athensgainsideout/

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

patreon.com/revolutionspermovie

@revolutionspermvoie

X, BlueSky: @revpermovie

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to actor, director, writer, and musician John Cameron Mitchell (Hedwig & The Angry Inch, Shortbus, Anthem: Homunculus) about the classic Mayles Brothers film Gimme Shelter, documenting the Stones U.S. tour and the Altamont tragedy. 

We also discuss John’s new upcoming series, ‘Cancelation Island,' the Stones being canceled themselves, the punk rock influence of Little Richard on the band, the backstory behind why the free concert really happened, Jagger & Bowie as the aristocrats of rock, the musical beauty and ramshackle imperfections within the Stones, the power of Tina Turner, rock n' roll skepticism, which rock stars were the pure avatars of id, the documentary influence & legacy of the Mayles Brothers (and how they got the trust of their subjects), The Stones impressive lineage with legendary film directors, several newer Altamont films that we dug up, John’s live Cassette Roulette shows and the sonic influences throughout his life on his art, getting past our Mick Jagger hang-ups, dealing with stage crashers and a look at the end of the hippie era.

So come on and bust a button on your trousers with this week's episode of Revolutions Per Movie!

JOHN CAMERON MITCHELL:

Instagram: @johncameronmitchell

LOT 63, GRAVE C: short film about Meredith Hunter

https://www.youtube.com/watch?v=ZxnVY37b0ME&ab_channel=rxt

THE ROLLING STONES, HELLS ANGELS AND ALTAMONT A NEW VIEW:

https://blogs.loc.gov/loc/2022/01/the-rolling-stones-hells-angels-and-altamont-a-new-view/

Revolutions Per Movie:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

patreon.com/revolutionspermovie

@revolutionspermvoie

X, BlueSky: @revpermovie

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to Gary Jarman of the UK band The Cribs, who chose a film so close to his (and his brother’s) heart, NIRVANA LIVE! TONIGHT! SOLD OUT!  We discussed the massive influence this VHS tape had on the Jarman family and their future in rock, from their decision not to play encores to their affinity for putting noise into their melodies. We also discuss what it was like to come from such a small town where they had never seen anything on a punk level before, the concept of selling out, writing music or lyrics first, saving up stationary store coupons to buy Nirvana cassettes, Britpop, opening for Nirvana the day their album went gold, sabotaging your own live show, dealing with tabloids and the British music press, fantasizing about destroying the Top Of The Pops studio, not playing encores & the endless search for “the next Nirvana.”

So come dive into the drum set on this episode of Revolutions Per Movie!

GARY JARMAN:

cribs.com

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

patreon.com/revolutionspermovie

@revolutionspermvoie

X, BlueSky: @revpermovie

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week’s episode was recorded in front of live audience on Dec. 5th, 2023, at Cinema 21 in Portland, Oregon. Peter Buck of R.E.M. joined us to discuss the documentary R.E.M. by MTV, his early years devouring music, moving to Athens, his first impressions of his bandmates, the surprises of seeing Michael grow as a performer, their relationship with the press, answering fan mail (including Chris reading a letter written to the band in 1984), what influenced songs like Harbourcoat, Michael’s approach to Man On The Moon and so much more.

We also raised over $4900 for The Jeremy Wilson Foundation, which supports musicians and music industry workers in Oregon during times of medical or health-related challenges. Find out more at thejwf.org

REMHQ.com

Live Recording Engineer by Gus Berry 

Cinema21.com

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.

patreon.com/revolutionspermovie

@revolutionspermvoie

X, BlueSky: @revpermovie

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to film director Jack Perez (Some Guy Who Kills People, La Cucaracha), who picked Ralph Bakshi’s intense animated music-stuffed drama ‘American Pop’ to discuss. Jack also discusses working with cult icons Barry Boswich (Rocky Horror Picture Show) & Karen Black (Nashville, Five Easy Pieces), how this film affected him as a 15-year-old moviegoer, how this might be the most ambitious music film of all time & what songs just…well…suck in it.

So take a druggy trip through the cornfields of your mind with this week’s episode of Revolutions Per Movie.

JACK PEREZ:

https://www.jackperezdirector.com/

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app. ALSO, CHECK OUT OUR PATREON LINK BELOW FOR WEEKLY BONUS EPISODES, ADDITIONAL PROGRAMMING AND MORE!!!

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

This week we talked to UK music scribe Camilla Aisa (Shindig, Rock Collector) about the 2020 music documentary ‘Sisters With Transitors.’  We discuss how 2 seconds of a Suzanne Ciani composition might be one of the most perfect pieces of music of all time, pop thievery vs. true innovators, music that can transform your life, and Camilla’s dissertation on the garage/psych music scenes of the Pacific NW. 

So, let’s pull some wires and turn the dial as we discuss one of the greatest music documentaries of all time.

CAMILLA AISA:

https://twitter.com/camillaaisa

https://www.instagram.com/camillaaisa

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

ANNIE ZALESKI:

This week, we talked to the author Annie Zaleski (‘Duran Duran: Rio’ for the 33 1/3 music book series) about the music video spectacles of Duran Duran. We discuss their humble, low-budget beginnings, whether the band’s good looks help or hinder them, why the director of ‘Highlander’ ended up their visual guru & Annie doubles down on the idea that the band is more of a gothic art band than you could ever imagine. 

So, pull up the collar on your favorite tailored jacket as we dive deep into the globe-trotting visual world of Duran Duran’s music videos on this week’s episode of Revolutions Per Movie.

ANNIE ZALESKI:

https://anniez.com/

https://www.bloomsbury.com/us/series/33-13/

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

CHERYL PAWELSKI:

This week, we talked to multiple Grammy Winner Cheryl Pawelski (Written In Their Soul: The Stax Songwriter Demos; Wilco’s Yankee Hotel Foxtrot Deluxe, Omnivore Records) about Respect Yourself: The Stax Records Story. Besides her stories of working with Stax and their artists, we discuss Motown vs. Stax, getting grown-up ears, the magic of demo versions, and how often chance meetings end up creating the greatest musical legacies.  

So, get ready to hop the fence and do the funky chicken on this week’s Revolutions Per Movie.

Cheryl Pawelski:

https://cherylpawelski.com/portfolio/vince-guaraldi-complete-warner-bros/

https://omnivorerecordings.com/

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to L.A.-based musician and podcast producer Devon Bryant, maybe the most obsessed fan of their chosen subject we’ve had on the show to date. We discuss the 1998 Robyn Hitchcock performance film Storefront Hitchcock and how director Jonathan Demme honored the weirdness that is a Robyn performance. Along the way, we talk about the journey to loving music you couldn’t stand on first listen, the success and failure rate of stage banter, the daunting nature of massive discographies, and if we are lyrics first people or music first people.

So, as Robyn says, ‘yip yip yip’ as we push deep into the mind of Storefront Hitchcock.

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

KLIPH SCURLOCK

This week, we talked to Kliph Scurlock (drummer/multi-instrumentalist for The Flaming Lips, Gruff Rhys of Super Furry Animals) about the greatest unreleased music documentary of all-time, MC5: A True Testimonial! We also discuss the by-gone era of famous rock managers, the physicality and sonic push of the MC5, bad band decisions, FBI footage of the band & how bands end.

Kliph Scurlock:

https://www.instagram.com/kliphscurlock

https://twitter.com/KliphScurlock

MC5 live footage:

https://www.youtube.com/watch?v=dfDoUIh23Wg

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

DAVID WEISSMAN:

This week, we talked to David Weissman (the co-director of ‘The Cockettes’ & ‘We Were Here’) about the amazing documentary ‘The Cockettes’—documenting the trailblazing, avant-garde drag & music ensemble from the late 60s.  We discussed the origin stories of The Cockettes, John Waters’ passion for the troupe and his involvement with the documentary, the difference in the ways the 60s played out for The East Coast vs. The West Coast, the emerging SF punk scene & brushing your teeth with drugs.

So let down your hair and put on a show with this week's episode of Revolutions Per Movie!!!

David Weissman:

https://davidweissmanfilms.com/

cockettes.com

https://sylvester.bandcamp.com/album/private-recordings-august-1970

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to Heath Seifert (co-creator of Nickelodeon’s cult classic ‘Good Burger’ & musician in punk legends Angry Samoans) about the films of Weird Al Yankovic, from his music videos to UHF to Weird: The Al Yankovic Story! We also discuss K-TEL novelty records, Dr. Demento’s secret influence, how poorly comedy ages, the punk rock influences on Heath’s writing for kids’ TV, Yankovic’s love of hand fart percussion and so much more!

So get ready to ride the Yankovic bump into the depths of Weird Al’s soul on this week’s Revolutions Per Movie.

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to L.A. comedian & filmmaker Max Beasley, who chose Todd Haynes' glam rock-driven narrative film ‘Velvet Goldmine.’ We discuss the ambitious and experimental nature of the film, how hard it is to adapt fictional characters from real-life musical legends, why this film found an audience long after its theatrical run, and how it ended up having one of the biggest impacts on Max’s life and art.

So as Bowie once sang ‘Come on, come on, we’ve really got a good thing going’ on this week’s episode of Revolutions Per Movie.

Max Beasley:

www.instagram.com/maxbeasleyy/

twitter.com/maxbeasleyyy

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

linktr.ee/mymetalhand

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to musician Andrew Rieger (Elf Power, Elephant 6 Recording Co.) about the Ringo Starr directed film ‘Marc Bolan: Born To Boogie.’ We discussed our long-time obsession with all things Bolan, if Ringo is a good movie director, the missing charisma of certain guitar players, and the visual & filmic sensibilities of the artists that make up the new doc, ‘The Elephant 6 Recording Co.’

Some people like to rock…some people like to roll on this week’s episode of Revolutions Per Movie.

Andrew Rieger:

https://www.orangetwin.com/

https://elephant6.com/

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

VERA DREW:

This week, we talked about Pink Floyd: The Wall with actor/director/writer Vera Drew (The People’s Joker, Tim & Eric, Sasha Baron Cohen’s ‘Who Is America?’).  We discussed how both the album and the film ended up being one of her biggest inspirations in making her film, how Pink Floyd has influenced her life immensely (including her name change), the battle over the release of The People’s Joker, copyright law and fair use, the band Negativland, working with child actors, as well as her time working with Tim & Eric.

Join us as we ask…is there anybody out there...is there anybody out there…is there anybody out there…on this week’s episode of Revolutions Per Movie!

Vera Drew:

veradrew.com

www.thepeoplesjoker.com

watch.eventive.org/weirdweekend

@VeraDrew22

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Hosted on Acast. See acast.com/privacy for more information.

This haunted Halloween week, we talk to the L.A.-based musician Chaki, who is also the legendary host of The Hollywood Punk Rock Graveyard Tour. We discussed the recent music documentary, This Is Gwar, and talked about how the two main creators of the band never buried the hatchet, the arrest of Oderus and censorship in music, the Gwar aesthetic and mythos, and what it’s like to discover your new favorite band while watching Jerry Springer.

So does the cursed offspring Gor Gor doth dane to spoil our moment of triumph and glory? Find out on this week’s episode of Revolutions Per Movie.

Chaki:

www.instagram.com/punkrockgraveyardtour/

www.instagram.com/chakifunkwizard

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

linktr.ee/mymetalhand

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to the legendary UK author & musician Paul Hanley (The Fall, House of All & ‘Leave The Capital’). He picked the divisive Clash film ‘Rude Boy’ to discuss at length. Along the way, we discuss lead ‘actor’ Ray Gange’s perfect aloofness and failure as a roadie, the notion of punk rock musicians as actors, The Clash’s repudiation of the film, and whether or not The Fall’s Mark E. Smith gave The Clash a pass.

On a side note…the original recording of this conversation was corrupted, so we had to use the backup. We apologize for any crunchiness, but maybe you could think of this episode as our ‘Are You Are Missing Winner’ of the series!

So let’s salute the new wave and hope nobody escapes on this week’s episode of Revolutions Per Movie.

Paul Hanley:

https://www.route-online.com/blog/category/authors

https://houseofall.bandcamp.com/

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to actor/writer/musician Julie Klausner (Hulu’s ‘Difficult People, Double Threat Podcast, ‘I Don’t Care About Your Band’) about Nancy Sinatra’s 1967 TV Special ‘Movin’ With Nancy.’ We obsess over Nancy’s dedication to the art of her lip-syncs, the magic of her partnership with Lee Hazlewood, how the special is also an unintentional horror movie & why Ringo Starr, Throbbing Gristle & Davy Jones would have been perfect duet partners with Nancy.

So pour yourself a goblet of that mad, mad, mad, mad cola and take the passenger seat straight into heaven on this week’s episode of Revolutions Per Movie.

JULIE KLAUSNER:

julieklausner.com/

'SILENCE' music video: www.youtube.com/watch?v=FY9DSQJN_…nel=JulieKlausner

JULIE'S BENEFIT FOR TRANS LIFELINE: www.teepublic.com/user/giantgiant/…lence-collection

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

linktr.ee/mymetalhand

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

This week, we talked to musician Nick Aguilar, who chose the documentary film “We Jam Econo,” which focused on the legendary punk band The Minutemen. Since Nick has performed and toured with The Minutemen’s Mike Watt, he has excellent insight into the world of the LA punk rock scene, SST records, growing up in San Pedro, and, of course, being in the van with the legend that is Mike Watt.

So, fellow corndogs, get in and let’s mersh out about The Minutemen and “we Jam Econo” on this episode of Revolutions Per Movie.

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

Nick Aguilar:

www.instagram.com/nickguyone/

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

In celebration of the 40th anniversary & theatrical re-issue of TALKING HEADS' classic concert film, ‘Stop Making Sense’, we discussed the film with EVA WALKER (Sub-Pop recording artist The Black Tones, KEXP’s Early show). We talked about getting to see the original concert tour in person, how the smallest stage moves can create the biggest waves, why Taking Heads initially creeped Eva out, the follies of being a young music snob, Eva working with Stop Making Sense performer Ednah Holt & how Tina Weymouth is the fucking coolest. 

So, all you slippery people, prepare to get your knees wobbling back and forth as we dive into this week’s Revolutions Per Movie.

Eva Walker:

https://www.theblacktones.com/

https://www.subpop.com/artists/the_black_tones

https://www.kexp.org/djs/eva/

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

Hello and welcome to Revolutions Per Movie, a podcast about music documentaries, music-based fiction films, and the art of the music video.

I’m your host, Chris Slusarenko— a musician who has been in bands such as Eyelids & Guided By Voices and was once the owner of an independent video store in Portland, Oregon, for over 22 years.

This week, we talk to Frontier Records founder Lisa Fancher, who chose the 1983 American hardcore documentary “Another State Of Mind” to dig into. We also discuss how Lisa got involved in the ‘70s punk scene, the police violence of the L.A. Punk riots, the innocence of a band booking a U.S. tour, why you don’t put Minor Threat footage in your own documentary, and getting booted in the head from stage divers.

So come meet Monk and learn the correct way to pogo on this episode of Revolutions Per Movie.

Frontier Records:

http://www.frontierrecords.com/

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.

Hello and welcome to Revolutions Per Movie, a podcast about music documentaries, music-based fiction films, and the art of the music video.

I’m your host, Chris Slusarenko— a musician who has been in bands such as Eyelids & Guided By Voices and was once the owner of an independent video store in Portland, Oregon, for over 22 years.

For our inaugural episode, we talk with author/musician Ryan H. Walsh, who chose the Brian Jonestown Massacre/Dandy Warhols documentary film “Dig!” to discuss. We are also joined later by a surprise guest from the Brian Jonestown Massacre camp, Travis Snyder, who was the band’s tour manager for almost 20 years. We talk about how the film was initially commissioned to be a reality series by MTV, how bands in the 90s navigated the major label-feeding frenzy, the unhealthy lifestyle of band life, and how this documentary really did not tell the whole truth.

So listen in as we discuss the revolution that never happened on this episode, Revolutions Per Movie. 

Ryan H. Walsh:

www.astralweeks.net/about

www.hallelujahthehills.com/

Theme by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

Artwork by Jeff T. Owens

https://linktr.ee/mymetalhand

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.

Thanks!

Hosted on Acast. See acast.com/privacy for more information.