The Allusionist

We’re returning to the theme of renaming, for two food-related renamings: the first one that mostly happened, the second that mostly did not - but in a good way.

Dr Erin Pritchard persuaded a British supermarket to rebrand a type of sweets that had a slur in their name. And Chris Strikes recounts the renaming conflict that was the Toronto Patty Wars of 1985.

Content note: the first part of the episode concerns an ableist slur, so there are incidences of that slur, and discussion of ableism and later anti-Black racism.

Get the transcript of this episode, and find out more about the topics therein, at theallusionist.org/gemsandpatties.

This episode was produced by me, Helen Zaltzman. Martin Austwick of Neutrino Watch and Song By Song podcasts provides the Allusionist music.

Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community. You can also sign up for free to receive occasional email reminders about Allusionist stuff.

The Allusionist's online home is theallusionist.org. Stay in touch via facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing on the show in 2024, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:

• Catan, the endlessly reconfigurable social board game. Shop at catanshop.com/allusionist and get 10% off the original base game CATAN by using the promo code ALLUSIONIST at checkout. 
• Ravensburger, who make the world's largest Disney jigsaw puzzle - 40,320 pieces! As well as many other sizes of puzzles. Buy Ravensburger puzzles in your preferred puzzle emporium.
• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. 
• Squarespace, your one-stop shop for building and running your online empire. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

The word 'misophonia' describes a condition that statistically, 20 per cent of you have: an extreme reaction to certain sounds. "For me, it was a relief to have a word for what I'd been experiencing," says Dr Jane Gregory, author of the new book Sounds Like Misophonia: How to Stop Small Noises from Causing Extreme Reactions, "because I thought for a long time that I was really uptight or maybe a bit controlling over other people, and that that was a problem with my character, as opposed to it actually being a problem with the way that my brain processes sounds." Jane offers advice for handling with misophonia, including some very simple verbal techniques.

Find out more about this episode and the topics therein and read the transcript at theallusionist.org/misophonia.

This episode was produced by me, Helen Zaltzman. Martin Austwick of Neutrino Watch and Song By Song podcasts provides the Allusionist music.

Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community. You can also sign up for free to receive occasional email reminders about Allusionist stuff.

The Allusionist's online home is theallusionist.org. Stay in touch via facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing on the show in 2024, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:

• Wildgrain, the subscription box for sourdough breads, fresh pastas, and artisanal pastries that you can cook from frozen in 25 minutes. Get $30 off your first box, PLUS free croissants in every box, when you start your subscription at Wildgrain.com/allusionist or use promo code ALLUSIONIST at checkout.
• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. 
• Squarespace, your one-stop shop for building and running your online empire. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

All aboard, we're off to the 2023 Apple Festival at the University of British Columbia, to taste some apples and, most importantly, enjoy some apple names. And before that, we return to the classic Sporklusionist applesode to refresh our memory about how apple names are chosen - eponyms, portmanteaus, geography, or corporate R&D, just like how our ancestors named apples.

Dan Pashman hosts The Sporkful podcast - head to the Sporkful podfeed or sporkful.com to listen to the companion episode where we learn about how new varietals of apples are made. Kate Evans, Kathryn Grandy and Joanna Crosby explain the history of apple names and the current process for coining new ones.

My companions at the apple festival are Hannah McGregor of Material Girls podcast, and Martin Austwick of Neutrino Watch and Song By Song podcasts. Martin also provides the Allusionist music.

Find out more about this episode and the topics therein, read the transcript, and see pictures of the apple festival at theallusionist.org/applefest.

Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community. You can also sign up for free to receive occasional email reminders about Allusionist stuff.

The Allusionist's online home is theallusionist.org. Stay in touch via facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:

• Wildgrain, the subscription box for sourdough breads, fresh pastas, and artisanal pastries that you can cook from frozen in 25 minutes. Get $30 off your first box, PLUS free croissants in every box, when you start your subscription at Wildgrain.com/allusionist or use promo code ALLUSIONIST at checkout.
• Ravensburger, the official supplier of jigsaw puzzles to the World Jigsaw Puzzle Championships!
• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. 
• Squarespace, your one-stop shop for building and running your online empire. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

When Spanish missionaries arrived in what is now called Florida, there were 100,000-200,000 Timucua people in the region. Just two centuries later, there were fewer than 100. Soon, with all the people who spoke it dead, the Timucua language died out, too, preserved only in a few Spanish-Timucua religious texts.

In the 21st century, linguistic anthropologist Aaron Broadwell and historian Alejandra Dubcovsky have been decoding and translating these texts to understand the Timucua language and the people who were writing it down.

Find out more about this episode and the topics therein, and obtain the transcript, at theallusionist.org/timucua. Content note: in the episode there is mention of slavery, genocide, and mistreatment of the indigenous people of what is now called United States of America.

Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community. We're watching the new season of Great British Bake Off together, and a Death Becomes Her watchalong becomes us later in October.

The Allusionist's online home is theallusionist.org. Stay in touch via facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:

• Ravensburger, the official puzzle supplier of the World Jigsaw Puzzle Championships!
• Catan, the endlessly reconfigurable social board game. Shop at catanshop.com/allusionist and get 10% off the original base game CATAN by using the promo code ALLUSIONIST at checkout. 
• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. 
• Squarespace, your one-stop shop for building and running your online empire. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Lexicographer, author and Dictionary Corner resident Susie Dent has been studying words to make us feel happy. She brings etymologies concerning cows, gas, guts and fat, of bellies and breathing and bonanzas. And some that came from the high seas and aren't made up!

Find out more about this episode and the topics therein, and obtain the transcript, at theallusionist.org/siblings-of-chaos.

Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community. We'll be watching the new season of Great British Bake Off together, starting Tuesday 26 September 2023.

Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:

• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. 
• Ravensburger, who make jigsaw puzzles for ages toddler to ancient and piece preferences from two to 40,000!
• Squarespace, your one-stop shop for building and running your online empire. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. 
• HelloFresh, America’s number 1 meal kit - pre-portioned farm-fresh ingredients and seasonal recipes delivered right to your door. Go to HelloFresh.com/50allusionist and use the code 50allusionist for 50% off plus 15% off the next 2 months.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

There's an abiding myth that the landmark dictionaries are the work of one man, in a dusty paper-filled garrett tirelessly working away singlehandedly. But really it took a village: behind every Big Daddy of Lexicography was usually a team of women, keeping the garrett clean, organising the piles of papers, reading through all the citations, doing research, writing definitions, editing, subediting...essentially being lexicographers, without the credit or the pay. Academic Lindsay Rose Russell, author of Women and Dictionary-Making, talks about the roles of women in lexicography: enabling male lexicographers to get the job done, but also making their own dictionaries, and challenging the very paradigms of dictionaries.

Find out more about this episode and the topics therein, and obtain the transcript, at theallusionist.org/cairns.

Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Sterling Martin was in grad school, studying C. elegans worms, when COVID19 hit and suddenly he found himself in lexicography, as part of a team creating a Navajo-English dictionary of science terms.

Browse the dictionary at EnableNavajo.org, and donate to help the project add more educational materials at navajobiology.square.site.

Find out more about this episode and the topics therein, and obtain the transcript, at theallusionist.org/projectenable.

Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

It's the annual etymology quizlusionist! I’m on a family holiday for the first time since 1988, so enlisted my brother Andy Zaltzman of the Bugle podcast to test his/your wits on singing goats, explosives, mythological Greek sweeteners, attics, left-handedness and whales.

Can you beat Andy’s score? Play along using the interactive scoresheet at theallusionist.org/andyquiz.

Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Have you ever wondered why the planets in our solar system are all named after Roman deities, except two of them? One of those exceptions is Earth. The other is Uranus.

Content note: there are mentions of Ancient Greek and Roman deities and their terrible sexual behaviours and violent vengeance. Also category B and C swears.

Find more information about this episode and a transcript at theallusionist.org/uranus.

This episode was written, performed and produced by Helen Zaltzman and Martin Austwick. The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow,  youtube.com/allusionistshow and twitter.com/allusionistshow.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get regular livestreams and watchalong parties - in July, Little Shop of Horrors! - AND to hang out with your fellow Allusionauts in the delightful Allusioverse Discord community. And for a limited time only, you can submit words and phrases that you would like me to record for you to use as your phone text tone or alarm or doorbell or little message of affirmation. Sign up to the Allusioverse at theallusionist.org/donate by 31 August 2023 to get your choice of me shouting you awake in the morning. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

This is the Tranquillusionist, in which I, Helen Zaltzman, say a load of words which aren’t really about anything, so that your brain gets a little gentle diversion from thinking and/or feeling. Today: a list of gay animals.

Find a transcript at theallusionist.org/gay-animals. Several other Tranquillusionists and nearly 200 Allusionist episodes that are actually about something - are at theallusionist.org.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get glimpses into how the podsausage is made, regular livestreams and watchalong parties, AND to hang out with your fellow Allusionauts in the delightful Allusioverse Discord community.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick composed and played the original music. Hear Martin’s own songs via PaleBirdMusic.com. Information about gay animals was derived from Bruce Bagemihl's work Biological Exuberance: Animal Homosexuality and Natural Diversity.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow,  youtube.com/allusionistshow and twitter.com/allusionistshow.

Our ad partner is Multitude. If you have a product or thing you want me to talk about, sponsor an episode - contact Multitude at multitude.productions/ads. This episode is sponsored by:

• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase.
• Squarespace, your one-stop shop for building and running a beautifully designed website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

“The starting point is, and the research questions are all framed by: 'We know it's terrible to be fat, but how terrible is it?' Not: 'What would it take to give effective healthcare to fat people?'” says Aubrey Gordon, writer of the new book You Just need to Lose Weight and 19 Other Myths About Fat People, star of the documentary Your Fat Friend, and podcaster of Maintenance Phase. And it's not just healthcare where the alignment of 'fat' with 'unhealthy' - and 'thinner' with 'healthier' - becomes problematic and often very dangerous. "I really don't think people contend with the ways in which they are sending a message to everyone around them that there is a weight limit for people that they will love."

Content note: this episode contains discussions of body size, body image, weight, anti-fatness, illness including cancer, diet culture, weight loss - intentional and un - and eating disorders. And there are some category A swears. 

This is the second of two episodes about the word ‘fat’. In Fatlusionist part 1, Aubrey and I discuss euphemisms for fat, why people avoid saying ‘fat’, what else people mean when they say ‘fat’ and how it would be quite good if people said ‘fat’ as just a descriptive term for ‘fat’.

Find out more about this episode and the topics therein at theallusionist.org/fat2, where there's also a transcript.

Thanks so much to everyone who sent in their thoughts and feelings about the word 'fat'.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com. The cast of The Flab is Felix Trench of Wooden Overcoats podcast, find more of his acting and writing work via FelixTrench.com.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get glimpses into how the podsausage is made, regular livestreams and watchalong parties, AND to hang out with your fellow Allusionauts in the delightful Allusioverse Discord community, sharing trinket pics, favourite podcasts, and awful portmanteaus.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

It should just be an accurate descriptor of my body, but the word 'fat' has shaped so much more of my life, and our society. "There is this whole set of baggage that we are all culturally bringing to this word all the time," says Aubrey Gordon, writer of the new book You Just need to Lose Weight and 19 Other Myths About Fat People, star of the documentary Your Fat Friend, and podcaster of Maintenance Phase.

In the next episode, Aubrey and I will discuss how the word 'fat' is often aligned with 'unhealthy', despite ample research demonstrating otherwise.

Content note: this episode contains discussions of body size, body image, weight, fat, and anti-fatness.

Find out more about this episode at theallusionist.org/fat1, where there's also a transcript, and head to the Contact page if you want to send me a voice note or written message about the role the word 'fat' has played in your life.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com. The cast of The Flab is Felix Trench of Wooden Overcoats podcast, find more of his acting and writing work via FelixTrench.com.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get glimpses into how the podsausage is made, regular livestreams and watchalong parties, AND to hang out with your fellow Allusionauts in the delightful Allusioverse Discord community, sharing trinket pics, favourite podcasts, and awful portmanteaus.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow,instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Oh, you thought the Eurovision Song Contest was about songs? Or a fun international TV event that brings people together in lots of different countries? Or watching extremely vigorous dance numbers? OK, it is, but it's also about some pretty thorny language-related politics. Historian Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, discusses Eurovision's many linguistic controversies, and the ways the contest has been exploited politically - and caused political kick-offs too.

This is the second instalment of a two-part Eurovisionallusionist. In the first part: a whole lot of tussling about which languages to compete in.

Find out more about this episode at theallusionist.org/eurovision2, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow,instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get glimpses into how the podsausage is made, regular livestreams, AND membership of the delightful Allusioverse Discord community with whom I will be watching the Eurovision final on 13 May - join us!

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

There aren't many multilingual, multinational television shows that have been running for nearly seven decades. But what makes the Eurovision Song Contest so special to me is not the music, or the dancing, or the costumes that range from spangletastic to tear-off: no, it's the people butting heads about language. Historian Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, recounts the many changes in Eurovision's language rules, and its language hopes and dreams.

This is the first of a two-part Eurovisionallusionist. In the next instalment: dictators. Protests. Boom Bang-A-Bang Ding-a-Dong Diggi-Loo Diggi-Ley. Find out more about this episode at theallusionist.org/eurovision1, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow,instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get glimpses into how the podsausage is made, regular livestreams, AND membership of the delightful Allusioverse Discord community with whom I will be watching the Eurovision final next month.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

"You can't redead the dead by you saying something shit," says Cariad Lloyd of Griefcast and author of You Are Not Alone; nevertheless when you're bereaved, people still are usually so nervous to say the wrong thing that they often don't say anything at all. And especially not the word 'dead'. Maybe what we need, says council funeral officer Evie King, author of Ashes To Admin, is a "jazzy snazzy term for death, the 'bottomless brunch' of death..."

Content warning: this episode is about death*. And it contains mentions of cancer and Parkinson’s, and there are several category B swears and one category A swear.

*But it’s a pretty fun listen, it doesn't get sad.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/death, where there's also a transcript.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, regular livestreams, the delightful Allusioverse Discord community AND you get to listen to a one-off show I made with Arnie Niekamp of Hello from the Magic Tavern where we planned our own funerals!

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow,instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

"The myths, or the received wisdom, about Portuguese language in Brazil is that, of course we know we speak a very different version of the language, but this has always been explained to us as maybe perhaps a defect of sorts?" says linguist and translator Caetano Galindo, author of Latim em Pó, a history of Brazilian Portuguese. "You look deeper into things and you find you have to wrap your mind around a very different reality.” 

Content note: this episode discusses the enslavement of African people.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/brazilian-portuguese, where there's also a transcript.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, and the delightful Allusioverse Discord community with their disco kettles and knitted octopus tentacles.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Last episode, I mentioned that in London, Ontario, in 2019 a 9-year-old named Lyla Wheeler had launched a petition to rename her street, currently called Plantation Road. This episode, Lyla, now aged nearly thirteen, and her mom Kristin Daley recount the reasons why Lyla campaigned for this name change, how the neighbours reacted, what happened when the wider world heard about it, and why the street's name is still Plantation Road.

I hope you will not be deterred from campaigning for different, better words.

Content note: the episode contains references to enslavement of Black people and a brief description of the Canadian residential school system.

This is an instalment of the Telling Other Stories series, about renaming. Find out more about this episode and get extra information about the topics therein at theallusionist.org/supplantation, where there's also a transcript.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, and the Allusioverse Discord community. Over the next few weeks, we're watching Great Pottery Throwdown together.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Over the past few years, numerous products and places with the word 'plantation' in their names have rebranded. As for the word 'plantation' itself, architect and writer Kennedy Whiters of unRedactTheFacts.com advocates for replacing it with a more truthful term. She also watches out for use of the grammatical passive voice, because "It hides who did what to whom."

Content note: this episode contains discussions of anti-Black racism, violence and sexual violence.

This is an instalment of the Telling Other Stories series, about renaming. Find out more about this episode and get extra information about the topics therein at theallusionist.org/actively-passive, where there's also a transcript.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community. Over the next few weeks, we're watching Great Pottery Throwdown together.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Erwin Schrödinger is one of the "fathers of quantum mechanics". He also sexually abused children. Trinity College Dublin recently denamed a lecture theatre that had been named after him - but his name is still on an equation that won the Nobel Prize for physics. And a cat.

Writer and historian Subhadra Das recounts how and why you rename a university building, and retired physicist Martin Austwick considers that renaming an eponymous equation or theory might be more difficult than unscrewing a sign from a wall.

This is an instalment of the Telling Other Stories series, about renaming.

Content note: this episode contains references to  racism and eugenics, and to the sexual abuse of children. There is also a Category B swear.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/box, where there's also a transcript.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community. Over the next few weeks, we're watching Great Pottery Throwdown together.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow, while it still stands.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

There’s been a recurring theme on the show over the years, of filling gaps in language, removing stigma and bias, finding better ways to express ourselves and talk about our feelings and our bodies. Today Kalle Rocklinger, sex educator with RFSU, the National Association for Sexuality Education in Sweden, talks about how and why over the years, the RFSU has come up with and publicised new terms for body parts and sexual acts, and what they would still like to change. This is the first part of the Telling Other Stories series, about renaming things.

Content note: this episode contains discussions of sex and the associated body parts. Towards the end, there’s discussion of consent which includes references to rape (there are no descriptions of acts or anybody’s experiences). I mention when we’re about to arrive at that part of the conversation, so anybody who needs to duck out during that section has some warning.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/debuts, where there's also a transcript.

Join me for the Allusionist's 8th birthday celebration livestream! 14 January 2023, 10-11pm UK time at youtube.com/allusionistshow. There'll be dictionary readings, live Tranquillusionist, and chitchat and camaraderie.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow, while it still stands. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community. Over the next few weeks, we're watching Great Pottery Throwdown together.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provided editorial help and the original music. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

What do the hippocampus, homophones, Little Women, worrying and egg hacks have in common? They all star in the 2022 parade of Allusionist bonus bits! This year's guests provide some extra fascinating facts, thoughts and feelings: in order of reappearance, Jing Tsu, Morénike Giwa Onaiwu, Tim Clare, Stephanie Foo, Lewis Raven Wallace, Charlotte Lydia Riley, Hannah McGregor, Kristen Meinzer and Jolenta Greenberg.

Content note: there's an allusion to bawdy talk, one category A swear, discussions of mental health, and a brief reference to parental violence. 

Get extra information about the topics in this episode and find the transcript at theallusionist.org/bonus2022. This is the last Allusionist for 2022 but the show will be back mid-January 2023.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community. Tonight, we're watching The Muppet Christmas Carol together!

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provided editorial help and the original music. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

“I don't think that anyone should come away from this conversation not wanting to use the name Fiona. I think this is a beautiful and rich history. It might not be quite the history that you imagined, but I think it's a beautiful history," says writer and performer Harry Josie Giles. She and PhD researcher Moll Heaton-Callaway investigate this complicated name with fascinating history. This is the second half of a pair of episodes about the name Fiona; listen to the first episode before this one! theallusionist.org/fiona1.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/fiona2, where there's also a transcript.

Both Josie and I relied heavily on Sharon Krossa's research into the etymology of Fiona; read it at medievalscotland.org/problem/names/fiona.shtml.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow, while it still stands. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provided editorial help and the original music. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

A lot of people assume that Fiona is a very old Scottish name, but the first known Scottish Fiona is from the 1890s: Fiona Macleod, the enormously popular novelist of Scotland's Celtic Revival movement. But when she suddenly stopped writing in 1905... there turned out to be far more surprises about Fiona Macleod than the novelty of her name. Writer and performer Harry Josie Giles and PhD researcher Moll Callaway-Heaton consider the first Scottish Fiona.

This is part one of a pair of episodes about the name Fiona; part two will explore the etymology of the name and similar ones in various languages, and examine the first appearance of Fiona in literature, which comes with its own cocktail of complication.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/fiona1, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow, while it still stands. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community.

The Allusionist is produced by me, Helen Zaltzman. Thanks to Anne Pond from the National Maritime Museum in Cornwall for boat information, and to Martin Austwick for editorial help and the original music. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

When is a war not a war? When the British Empire called it an 'emergency' so they didn't have to abide by wartime rules or lose their insurance payouts. Artist and researcher Sim Chi Yin reflects on the Malayan Emergency, a 12-year conflict that doesn't get talked about much now by either side; and historian Charlotte Lydia Riley considers the various reasons why the British opted for the term 'emergency', and why they don't celebrate even when they supposedly won them.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/emergency, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Provoked by current events, we've got three political eponyms for turmoiled times. Get ready for explosives, presidential pigs, Supreme Court scrapping, and wronged rhinos.

Content note: there is some description of torture about halfway through the episode.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/rhino, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Self-help is a multibillion dollar genre of books, and Kristen Meinzer and Jolenta Greenberg of By the Book podcast have lived by the advice of more than eighty of them. They discuss the ways these books use language to get into your brain, the negging and the euphemisms, what can actually be helpful, and why we should be more like dog.

Content note: we discuss dieting and sizeism, and there are fleeting mentions of rape and abuse. There are also category A and B swears.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/self-help, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Empathy and kindness can be noble concepts in themselves, but as terms are thrown around enough to have become buzzwords, and in the process lose some of their meaning and purpose. Audiomakers Sandhya Dirks and Julia Furlan, and academic and podcaster Hannah McGregor, discuss the value and pitfalls of appealing to the emotions.

Content note: there are mentions of parental death, cancer in adults and babies, and suicide. There are also a few category B swears.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/sentiment, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

“Anxiety is the parrot sidekick that rides on my shoulder and occasionally squawks warnings in my ear,” says Tim Clare, poet and podcaster and author of the book Coward: Why We Get Anxious & What We Can Do About It. We talk about anxiety, cowardice, magic bullets vs silver bullets, the scary Bible, and seagulls.

Content note for discussion about mental health, unsurprisingly, and colonial and military harmful practices.

Find out more about this episode and some sources of the information therein at theallusionist.org/coward, where there's also a transcript. Find Tim's books, podcasts, writing courses and more at timclarepoet.co.uk.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Grab your stake and crucifix pendant, we're going vampire-hunting! Well, vampire-etymology-hunting. The podcast Buffering the Vampire Slayer, which recaps the TV show Buffy the Vampire Slayer episode by episode, invited me to answer their listeners' questions of language that the show had provoked. Together with BVTS hosts Kristin Russo and Jenny Owen Youngs, I tackle the etymology of coven, vampire/vampyre, wigging out, the name Buffy and Bovril; as well as google as a verb, conlang on TV, and why Latin is so often the language of spells and spookiness.

There are several swears in this episode.

Find out more about this episode and some sources of the information therein at theallusionist.org/bufflusionist, where there's also a transcript.

Listen to Buffering the Vampire Slayer on your pod app and at bufferingthevampireslayer.com, where you can also hear the original XL version of this episode, and get tickets for their upcoming live and livestreamed grand finale.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting an independent podcast, you get patron-exclusive video livestreams and a Discord community full of language chat, crafts, pet pics and word games.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

There's lots of fun etymology of creatures and a lot of fun etymology derived from creatures, and now it is gathered into this fun playalong quiz about animal etymologies!

There's an interactive answer sheet at theallusionist.org/creaturequiz, plus more information about various animals and etymologies, and as always the full dictionary entry for the randomly selected word.

And come to see the new live show Your Name Here in Aotearoa New Zealand this month of August 2022! Ticket links are at theallusionist.org/events, and everyone gets a special Allusionist pencil. Each!

Sign up to be a patron at patreon.com/allusionist and not only are you supporting an independent podcast, you get patron-exclusive video livestreams and a Discord community full of language chat, crafts, pet pics and word games.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

This is the Tranquillusionist, in which I, Helen Zaltzman, say a load of deliberately boring words to distract your interior monologue from whatever dystopian stew it is in. Today: a list of the Big Things of Australia.

The Allusionist is on tour in Australia with the new live show Your Name Here, all about eponyms. Before you get too tranquil, visit theallusionist.org/events for dates and tickets to the remaining shows in Australia and the upcoming ones in Aotearoa New Zealand. Hurry!! OK, back to tranqullity.

Find a transcript and some photos of the Big Things I've encountered at theallusionist.org/big-things. All the Allusionist episodes - other Tranquillusionists and also ones that are actually about something - are at theallusionist.org.

The original music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or search for Pale Bird Spotify and Bandcamp, and he’s @martinaustwick on Twitter and Instagram.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

The term 'queerbaiting' has evolved from meaning entrapment to marketing ploy to drawing "queer audiences into a piece of media that has no intention of actually meaningfully exploring queerness" says Leigh Pfeffer, host and producer of the podcast History Is Gay. Leigh tracks where the word's various incarnations came from, and why it should not be confused with 'queer coding'.

This episode contains some swears.

Find out more information about the topics in this episode at theallusionist.org/queerbaiting, plus a transcript and the full dictionary entry for the randomly selected word.

And come to see the new live show Your Name Here in Australia and New Zealand! Ticket links are at theallusionist.org/events, and everyone gets a special Allusionist pencil. Each! You don't even have to share the same pencil!

Sign up to be a patron at patreon.com/allusionist and not only are you supporting an independent podcast, you get patron-exclusive video livestreams and a Discord community full of language chat, crafts, pet pics and word games.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

From whitewash (the paint) we got whitewashing (the covering up of misdeeds) and from there greenwashing, redwashing, bluewashing, purplewashing, pinkwashing - and now rainbow washing, where companies will put Pride flags all over products and posts during the month of June, but behind the scenes will not necessarily be useful - and sometimes they'll be anti-useful. Mitra Kaboli, host of the new podcast Welcome to Provincetown, helps sort the real allyship from the rainbow-washing; and writer Sarah Schulman, who popularised the term 'pinkwashing', explains the more political meaning of that word.

This episode contains some swears.

Find out more information about the topics in this episode at theallusionist.org/rainbow-washing, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting an independent podcast, you get patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. And come to see the new live show Your Name Here in Australia and New Zealand! Ticket links are at theallusionist.org/events.

The Allusionist is produced by me, Helen Zaltzman. The music is composed and sung by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

The name Tiffany has been around for some 800 years. But you can't name a character in a historical novel 'Tiffany', because people don't believe the name is old. Science fiction and fantasy author Jo Walton coined the term "The Tiffany Problem" to express the disparity between historical facts and the common perception of the past.

Find out more information about the topics in this episode at theallusionist.org/tiffany, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting an independent podcast, you get patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The Allusionist is produced by me, Helen Zaltzman. The music is composed and sung by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Couple of easy straightforward questions for us to chew on: 1. What is ‘objectivity’ supposed to mean? And 2. does it exist? Lewis Raven Wallace, a journalist and audiomaker fired from his public radio job over his blog post entitled ‘Objectivity is dead and I'm okay with it’, considers the principals and practice of objectivity, and what might be fairer ones.

Find out more information about the topics in this episode at theallusionist.org/objectivity, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Chinese is one of the oldest still-spoken languages in the world. But when technologies arrived like telegraphy and computing, designed with the Roman alphabet in mind, if Chinese wanted to be able to participate then it had to choose between adapting, or paying a heavy price. And sometimes both were inevitable. Jing Tsu, author of Kingdom of Characters: the Language Revolution that Made China Modern, recounts how Chinese contended with obstacles like alphabetisation, Romanisation and standardisation.

Find out more information about the topics in this episode at theallusionist.org/character, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Hans Asperger would have been merely "a footnote in the history of autism", so why did he get to be the eponym in Asperger's syndrome? Because along with the usual problems medical eponyms pose, and his work not really earning him the honour, he collaborated with Nazis and sent children to a hospital where they would be experimented on and even killed.

Activist, writer and academic Morénike Giwa Onaiwu discusses the stigma around terms like Asperger’s syndrome and autism, and historian Edith Sheffer talks about Hans Asperger and child psychiatry in Nazi Vienna.

Content notes: Nazis, eugenics, ableism, child abuse, murder. 

There are two versions of this episode. The content is the same, but this version contains background music; if you would prefer one with no music, you can get it right next to where you obtained this one.

Find out more information about the topics in this episode at theallusionist.org/asperger, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Hans Asperger would have been merely "a footnote in the history of autism", so why did he get to be the eponym in Asperger's syndrome? Because along with the usual problems medical eponyms pose, and his work not really earning him the honour, he collaborated with Nazis and sent children to a hospital where they would be experimented on and even killed.

Activist, writer and academic Morénike Giwa Onaiwu discusses the stigma around terms like Asperger’s syndrome and autism, and historian Edith Sheffer talks about Hans Asperger and child psychiatry in Nazi Vienna.

Content notes: Nazis, eugenics, ableism, child abuse, murder. 

There are two versions of this episode. The content is the same, but this version contains no background music, just speech; if you would prefer one with music, you can get it right next to where you obtained this one.

Find out more information about the topics in this episode at theallusionist.org/asperger, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Bad hats, cat's pyjamas, banting, goops, creatures, and playing possum - what WERE people going on about during the Golden Age of detective fiction? Caroline Crampton of Shedunnit podcast and I get sleuthing into the slang of the mystery novels of the 1920s and 1930s.

Find out more information about the topics in this episode at theallusionist.org/beesknees, plus a transcript and the full dictionary entry for the randomly selected word. Versions of this episode were originally released by Caroline Crampton's Shedunnit podcast and the Shedunnit Book Club. Find both at shedunnitshow.com.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

"Warning: read and keep," says the piece of paper inside Kinder Surprise Eggs, in 34 languages; yet most people do neither thing. But sociologist Keith Kahn-Harris did read and keep it, and study what the egg is trying to tell us: about Kinder Egg toy safety, yes, but also about multilingualism, about an object that says 'yes!' but the warning says 'no!', about the signs of human idiosyncracy that show themselves even in a mandatory corporate message.

Find out more information about the topics in this episode at theallusionist.org/kinderegg, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The music is by Martin Austwick, made with Kinder Eggs. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Complex PTSD is different to PTSD, but there's not that much understanding of it as its own condition - which was not much help to Stephanie Foo when she was diagnosed with it in 2018. We talk about facing trauma rather than burying it, self-care and self-soothing, endurance being an underrated word, and why people can quit sniping about triggers. Stephanie’s new book is What My Bones Know: A Memoir of Healing from Complex Trauma. 

Content note: Stephanie refers fleetingly to the parental violence and abandonment she experienced, and we also mention sexual violence; but, we don’t discuss any of these things in detail. It’s a more general conversation about psychology and trauma, rather than stories of traumatisation. There are also a couple of swears.

Find out more information about the topics in this episde at theallusionist.org/cptsd, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

I've been saving them up all year, and now it's time for the annual selection box of Bonus Bits! Things this year's guests said that couldn't fit into their episode, or weren't related to language, but ARE related to being a bonus bit. We've got percussive pan protests; the mating habits, and male-killing habits, of ladybirds; Icelandic aunts/uncles/cousins/wait which member of the extended family are you referring to?; Morse code machines; and a surprisingly heated topic, the semantics of salad.

Links to all the original episodes featuring these guests are at theallusionist.org/bonus2021, plus a transcript and the full dictionary entry for the randomly selected word.

The show will return in February 2022, but sign up to be a patron at patreon.com/allusionist for patron-exclusive livestreams in January!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

Visit theallusionist.org/merch to obtain your Potato Fugue State sweatshirts and multidenominational Wintervalwear.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

"It's really good if we can get the changes through here - that can be an inspiration for other other countries or other places in the world," says Þorbjörg Þorvaldsdóttir, chair of Samtökin ’78, the national queer organization of Iceland. In 2019, Iceland passed the Gender Autonomy Act, which added an option for people to register their official gender as X; with it, the country's strictly binary-gendered naming laws were suddenly transformed. Other changes, like a new genderfree pronoun, are catching on; but overhauling a whole grammatically gendered language is no easy undertaking.

Find out more about the topics covered in this episode, and a transcript, at theallusionist.org/todaytomorrow2; and browse down your podfeed to listen to Today, Tomorrow part 1 about how Icelandic officially obtains new words, and navigates the challenges of being an old language in the present day; and the episode Name V Law, about the Icelandic Naming Committee and the strict laws before the updates discusssed in this episode.

Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses, bonus etymologies, a trip around Iceland's museums via me, AND a delightful community of Teamlusionists!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

Visit theallusionist.org/merch to obtain your Potato Fugue State sweatshirts and multidenominational Wintervalwear.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

The Icelandic language has remained so stable over the centuries, speakers can read manuscripts from 900 years ago without too much trouble. And when they need a new word for more recent concepts, there are committees to coin one, so that the modern Icelandic lexicon includes such things as the internet, helicopters and mansplaining. Defending the language from the encroachment of English, however, is rather more challenging.

Find out more about the topics covered in this episode, and a transcript, at theallusionist.org/todaytomorrow1.

Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses, bonus etymologies, a trip around Iceland's museums via me, AND a delightful community of Teamlusionists!

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

When you're trans and pregnant, some of the vocabulary of pregnancy, birth and parenting might not fit you. In fact, some of it might not even work for people of ANY gender. Trans parents Freddy McConnell and CJ talk about gender-additive language, inclusive for women and other genders, and about how in English law, the word 'mother' becomes semantically very complicated indeed.

Find out more about the topics covered in this episode at theallusionist.org/parents.

Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses and bonus etymologies, AND a delightful community of Teamlusionists!

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

The word 'asexual' has been used by humans describing themselves for several decades; 'aromantic' is newer. Both words enable people to voice identities that were unacknowledged for centuries, to find each other and build communities together, and to provide counternarratives to what the allosexuals are pushing.

Lewis Brown, a writer and poet, speaks on behalf of AUREA, the Aromantic spectrum Union for Recognition, Education and Advocacy, about the history and use of 'asexual' and 'aromantic'. Happy Ace Week! aceweek.org.

Find out more about the topics covered in this episode at theallusionist.org/aroace.

Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses and bonus etymologies, AND a delightful community of Teamlusionists!

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Today it's the etymologies you requested! And a few you didn't! We've got witches, wizards, warlocks; conjurers and cloves; wood shavings, nice gone nasty, and a whole lot more. Plus, a bold method of scaring away a ghost, if you must.

Find out more about the topics covered in this episode at theallusionist.org/hedgerider.

Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses and bonus etymologies.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Did any number cause as much trouble as zero? It stranded ships; it scrambles the brains of mathematicians, calendar users and computers; it even got itself banned in Florence. Math(s) communicator and drag queen Kyne explains the Terminator of numbers.

Find out more about this episode at theallusionist.org/zero. And submit requests for words you'd like me to investigate in the next episode at theallusionist.org/requests.

Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses, and discounted tickets for the Allusionist stage show.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Quiz time! Samin Nosrat and Hrishikesh Hirway of Home Cooking podcast join to deliver questions about food etymology, as well as what are the two words that make a dance track, and whether 'za' is an acceptable abbreviation for 'pizza'.

Play along and keep track of your score using the interactive scoresheet at theallusionist.org/foodquiz.

For the rest of September 2021, you can stream the London Podfest performance of the new Allusionist live show, full of eponyms, music and planets. Link is at theallusionist.org/events.

Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get behind the scenes glimpses, and discounted tickets for the Allusionist live show.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. Let me know what you scored in the quiz!

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

We use verbal numbers and we use numerals - why do we need both? Why do we have the ones we have? What happened to Roman numerals? And what's loserish about the fiftieth Super Bowl? Stephen Chrisomalis, professor of anthropology and linguistics and author of the book Reckonings: Numerals, Cognition and History, returns to the Allusionist to explain our current numbers, and why we shouldn't get too arrogant about them.

There's more about this episode, and a transcript, at theallusionist.org/numbers.

Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get discounted tickets to the upcoming Allusionist live show on 4 September 2021.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

This is the Tranquillusionist, in which I, Helen Zaltzman, read all the salads from the 1950 recipe book 282 Ways of Making a Salad, with Favourite Recipes by British and American Personalities and Stars by Bebe Daniels and Jill Algood, with the purpose of giving your internal monologue a break by replacing it with some absolutely inconsequential words. Note: this is NOT the usual Allusionist. You will not learn anything about language at all, in fact the ideal outcome of the Tranquillusionists is that you’re asleep before the end. 

Find all the Allusionist episodes - other Tranquillusionists and also ones that are actually about something - at theallusionist.org.

The original music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. And listen to his podcasts Neutrino Watch and Song By Song.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. Support the show by becoming a patron at patreon.com/allusionist.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

They're not ladies and they're not birds; they're not even technically bugs! But that's not the most surprising thing about ladybirds/ladybugs and their brilliant variety of names. Tamsin Majerus AKA Dr Ladybird explains why ladybirds are so great; and Johanna Mayer and Elah Feder of the podcast Science Diction, about words and the science stories behind them, consider what's in a (ladybird) name.

This episode is one half of a collaboration with Science Diction, so go to their feed to listen to their episode It’ll Never Fly, where they set me a quiz about the outlandish and intriguing names given to fruitfly genes.

There's more about this episode, and a transcript, at theallusionist.org/ladybird.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get discounted tickets to the upcoming Allusionist live show on 4 September 2021, plus the story of my all too brief spell of having a loveliness of pet ladybirds.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Crazy, insane, nuts, mad, bonkers, psycho, schizo, OCD - casual vocabulary is strewn with mental health terms, but perhaps shouldn't be? Psychotherapist and podcaster Lily Sloane talks about what we're really saying when we use such words.

Content note: in the second half of the show there is some mention of eating disorders. So if that’s not what you need to hear about today, tap out at the ad break.

There's more about this episode, and a transcript, at theallusionist.org/mind-my-mind.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

Sign up to be a patron at patreon.com/allusionist by the end of June 2021, and I'll record the word or phrase of your choice to use as your phone alert or alarm!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Exclamation; sign of agreement OR disapproval; gendered, but circumstantially gender-neutral; term of endearment: 'dude' can do it all! But its connotations of a laid-back, cool, masculine person are only a few decades old; before that, it meant...an uptight city-dwelling tourist?? Dude, seriously!

There's more about this episode, and a transcript, at theallusionist.org/dude. Callie Wright's podcast is Queersplaining, which you can find in the kinds of places you obtain this podcast, and at queersplaining.com. 

Want to be barked awake/gently introduced to the day by me saying the word of your choice? Become a patreon at patreon.com/allusionist by the end of this month of June 2021, and I will record the word or short phrase of your choice to use as your phone alert or alarm! All patrons get to choose a word, and all patrons get the recordings of all the patrons’ choices. This is going to be fun. Oh and you’re helping fund the show too, of course.

The Allusionist theme is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. His new podcast is Neutrino Watch, and it's different every time you download it.

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

“It's hard to address something if you can't actually name what it is,” says Moya Bailey, who coined a term that enables people to discuss a specific combination of racism and sexism: misogynoir.

Find Moya Bailey's work at moyabailey.com. Her new book is Misogynoir Transformed: Black Women's Digital Resistance. 

There's more about this episode, and a transcript, at theallusionist.org/misogynoir.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

SOS is a really versatile distress call. You can shout it; you can tap it out in Morse code; you can honk it on a horn; you can signal it with flashes of light; you can spell it out on the beach with debris from your wrecked ship.

Explaining where SOS came from and what it means are maritime archivist Christian Ostersehlte from the German Maritime Museum, and Paul Tyreman from PK Porthcurno, the Museum of Global Telecommunications.

Find more information about the topics in this episode at theallusionist.org/sos. 

There are a couple of category B swears in this episode.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

It’s August 2007. Lauren Marks is a 27-year-old actor and a PhD student, spending the month directing a play at the Edinburgh Fringe Festival. She’s in a bar, standing onstage, performing a karaoke duet of ‘Total Eclipse of the Heart’…and then a blood vessel in her brain bursts. When she wakes up in hospital, days later, she has no internal monologue, and a vocabulary of only about forty words. 

This is a rerun of an all time fave Allusionist, but with a few extra little bits added. Content note: this episode is about a medical crisis (everyone survives, though!), and has some Category A swears in it.

Find out more about this episode at http://theallusionist.org/totaleclipse, and more about Lauren at http://astitchoftime.com.

The special music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

If you were in Brazil during the military dictatorship of 1964-1985, tried to bake a cake from a recipe in the newspaper, and were served with a sorry mess that tasted disgustingly salty, it wasn't your fault. What you thought was a recipe was actually a message from the newspaper that they were being censored. 

Designer and researcher Crystian Cruz opens up the TOP SECRET files, to share the fake weather reports, single nipples vs a pair, soap opera characters getting bumped off, and the problems with kung fu. 

Find more information about the topics in this episode at theallusionist.org/lacuna. 

There is one swear towards the end of this episode.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

What to do to stick it to the powers that be? Send your message through something they really care about: cake.

In Buenos Aires, local tour guides Madi Lang and Juan Palacios introduce me to priest's balls and little cannons, the pastries laced with the sweet taste of 1880s trade union protests.

There are a few swears and saucy references in this episode.

Find more information about the topics in this episode at theallusionist.org/cake-sword. 

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

"Sometimes I've heard people talk about losing a child and people say it's like losing a limb. And as someone who's lost both things, I just want to say, the realities are very different." Musician and writer Christa Couture has experienced way too much of people trying to convey sympathy and instead expressing their discomfort about disability and death. 

Content note: we talk about ableism, cancer and bereavement. Part of the conversation is about the deaths of two of Christa's babies, so stop listening at the 20-minute mark if you need not to hear about that subject right now.

Find more about this episode at theallusionist.org/additions-losses. Christa Couture's website is christacouture.com. Her excellent new memoir How To Lose Everything is out now, and her music is available on Bandcamp, Spotify etc.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

In their podcasts Mija and Moonface, Lory Martinez and James Kim create autobiographical fiction in multiple languages. 

There are a few swears in this episode.

Find out more about this episode at theallusionist.org/podlingual and hear the whole conversation, and the others in the series, on Scripps College's podcast feed. 

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

St Valentine's name may nowadays be all over the romance-related merch for 14 February, but he was also the patron saint of beekeepers, epilepsy and plagues. Let's get to know this multi-hyphenate saint a bit better.

Find out more about topics covered in this episode at theallusionist.org/valentine. All the information in this episode is real, even though it sounds like it's not.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Apologies are such important verbal transactions. So why are so many of them soooo bad? Susan McCarthy and Marjorie Ingall from SorryWatch and Laura Beaudin of fauxpolo.gy pinpoint what to look out for, to sort the apologies from the fauxpologies.

There’s more about this episode at theallusionist.org/sorry.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

To round off the year, here are some choice cuts from the Allusionist vault of interesting things that guests said that there wasn’t room for in the original episodes. Brace yourself for a vivid name for dust bunnies, the scary side of glamour, another reason to be grateful for bears, and Schrödinger’s Fart.

There’s more about this episode at theallusionist.org/bonus2020. The show will be back with new episodes in late January 2021.

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist.

Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

The usual canon of Christmas songs may not really fit people's moods in this year 2020, when I'm not sure a lot of us are feeling all that holly jolly. So I drafted in singer and songwriter Jenny Owen Youngs and we wrote a festive song that is suitable for 2020.

Content note: there are swears. Several of them.

Jenny Owen Youngs makes music - find it at jennyowenyoungs.com - and podcasts - Buffering the Vampire Slayer and Veronica Mars Investigations. She’s @jennyowenyoungs on Twitter and Instagram.

Martin Austwick provided music, backing vocals and linguistic analysis. Hear Martin’s own songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the kids’ science podcast Maddie’s Sound Explorers.

There’s more about this episode at theallusionist.org/mistletoe.

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Also, check out the previous festive Allusionist episodes, absolute bangers, one and all! We’ve got Winterval, a jolly romp through a portmanteau that sparked another war on the war on Christmas; How The Dickens Stole Christmas, about how Charles Dickens became a festive trend-setter; Dear Santa, about how a load of letters to Santa got delivered to a couple in Manhattan, who set out to answer them; and Xmas Man, about the many names for Santa/Father Christmas/St Nick, and deathy and meaty Victorian Christmas cards.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

In Australia, there were hundreds, perhaps thousands, of languages. Until English arrived.

Rudi Bremer and Karina Lester talk about the destruction and revival of indigenous Australian languages.

Content note: this episode refers to violence and genocide.

Find more information about the topics in this episode at theallusionist.org/custodians, and listen to the other episodes in the Survival series: Second Home about Welsh in Patagonia; Oot in the Open, about the suppression and revival of Scots; and Bequest, about queer language in Māori; and the pair of Key episodes are about language extinction and preservation.

The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers.

I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Fill your lungs and get ready to shout out some profane answers: it’s the Swearlusionist Swearalong Quiz! Every answer is a swear word. Swearing, as we know, is good for your health, plus helps vent stress, and you’ll learn many etymological facts along the way, so this is a very wholesome and educational quiz.

CONTENT NOTE: this episode contains swears. Surprise!

Find more information about the topics in this episode at theallusionist.org/swearalong.

The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers.

I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

This is the Alloooooooooosionist, in which we learn about the etymology of some scary words for Halloween, with the help of Paul Bae of The Black Tapes and The Big Loop podcasts, and Chelsey Weber-Smith of the podcast American Hysteria. Beware of demons! Satan! The bogeyman! Lemurs!

Wait - lemurs??

Find more information about these topics and guests at theallusionist.org/nightmare.

The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers.

I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Celebrity used to mean a solemn occasion; X factor was algebraic; and fame was a huge terrifying Godzilla-like beast with many many tongues.

Here to try define celebrity and fame are historian Greg Jenner of the podcast You’re Dead To Me, Lindsey Weber and Bobby Finger of Who? Weekly podcast, and writer, podcaster and videomaker Hank Green.

Find more information about these topics and guests at theallusionist.org/celebrity.

The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers.

I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

The word for ‘ghostwriter’ in French is a racist slur. How did THAT come about? And what word could French-speakers use instead? Ngofeen Mputubwele and Gregory Warner investigate. This piece originally aired on NPR’s Rough Translation; hear their new season at npr.org and on your pod app.

Content note: the piece is about, and therefore contains, offensive terms. And towards the end of the episode, in the Minillusionist, I get into the racist violent etymology of the word ‘bulldozer’.

Find more information about these topics and guests at theallusionist.org/ghostwriter.

The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers.

I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

In 2014, a seemingly trivial and boring incident at the bank propelled me down a linguistic road via medieval werewolves, Ms Marvel and confusingly inscribed gravestones, to find out why the English language is riddled with all this gender. What’s it FOR? How did it GET there? Will it go AWAY now please? It is, at the very least, taking up brainspace and not paying any rent.

This is a recording of a live performance at the Blueberry Hill Duck Room in St Louis, Missouri on 23 November 2019, and there were visuals happening, so I’ll drop in sometimes to explain them, and I’ve also put a transcript and pictures at theallusionist.org/notitle.

There are swears in this. There are also arguments that will be very useful to you if you ever come up against a denier of singular they. You will definitely win.

The show features Martin Austwick and Richard Zaltzman. The original music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers.

I make two other podcasts, Veronica Mars Investigations and Answer Me This.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

This is the Tranquillusionist, in which I, Helen Zaltzman, quell anxiety and calm brain frenzies by replacing your interior monologue with words detached from significance. In this case: the list of HGTV original programming, and lawnmower adverts from before I was born.

Find this episode and a transcript and some pics of lawnmower ads at theallusionist.org/homeandgarden, and all the Allusionist episodes - other Tranquillusionists and also ones that are actually about something - at theallusionist.org.

The original music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers.

I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are also soothingly escapist.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

After yet another spell of the British press and politicians using very dehumanising and derogatory rhetoric about migrants, I felt it necessary to go back to the Away Team episode of the Allusionist, about the language of migration, with lecturer and researcher Emma Briant, and author and editor Nikesh Shukla. This episode originally went out in early 2017, but it is never not relevant.

And there’s a chunk of new material in the Minillusionist, so stick around right till the end to hear that.

Find out more about this episode at theallusionist.org/migration2020.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

It’s great when you coin a phrase that really resonates with people, right? Until they start using it for businesses and ventures that are at odds with the meaning of it… Aminatou Sow and Ann Friedman, hosts of the podcast Call Your Girlfriend and authors of the new book Big Friendship, talk about what their term Shine Theory really means and what they had to do to keep it that way.

Find out more about this episode at theallusionist.org/shinetheory.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

The Yiddish word for ‘black’ is, in certain uses, a slur. So Anthony Mordechai Tzvi Russell, Arun Viswanath and Jonah Boyarin teamed up to translate Black Lives Matter without it.

Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/yiddishblm. Content note: since the episode is discussing a slur, it does contain incidences of the slur. There is also one category B swear.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

When the Europeans arrived in Aotearoa New Zealand, as well as guns, stoats and Christianity, they brought ideas of cisgender monogamous heterosexuality that were imposed upon the Māori people as if there had never been anything else. But one word, takatāpui, proved otherwise.

Lecturer Hemi Kelly and activist Elizabeth Kerekere excavate the linguistic evidence that pre-colonisation, Māori culture had included myriad sexual orientations, gender fluidity and polyamory.

Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/bequest.

Other episodes in the Survival series include Second Home, about the Welsh language seeking a haven in Argentina, Oot in the Open, about the suppression and revival of the Scots language, and The Key, about language demise and revival.

Allusionist episodes covering LGBTQIA+ terms and oppression include Queer, Two Or More, Polari, and Many Ways at Once.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

The Scots language didn’t have much of an LGBTQ+ lexicon. So writer and performer Dr Harry Josephine Giles decided to create one.

Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/manywaysatonce.

Previous Allusionist episodes that go alongside this episode include Oot in the Open, Queer and Two Or More. And Josie has written up a very interesting document about the LGBTQ+ lexicon in Scots which you can read at bit.ly/lgbtscots.

Wishing you all an excellent and kind Pride month.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

I donated 50% of the ad revenue from this episode to the Exist Loudly Fund to Support Queer Black Young People, the Okra Project, the Marsha P. Johnson Institute, the Trevor Project, akt and Mermaids UK.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

The word ‘pornography’ arrived in English in the 1840s so upper class male archaeologists could talk about the sexual art they found in Pompeii without anyone who wasn’t an upper class male archaeologist knowing about it. Even though, at the same time, Victorian England was awash with what we’d now term pornography.

Dr Kate Lister of Whores of Yore and pornography historian Brian Watson of histsex.com explain the history of the word, and how the Victorian Brits dealt with material that gave them stirrings in their trousers. Sorry, ‘sit-down-upons’. ‘Inexpressibles’! If they couldn’t even express trousers, it’s little wonder they struggled to cope with pornography.

Content note: though the episode is educational and thoroughly untitillating - I know, I know, what a disappointment - the nature of the topic is such that the episode may not be suitable for all audiences or circumstances.

Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/pornography.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

I will be donating all ad revenue from this episode to organisations fighting systemic inequality and police brutality towards Black people.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Twenty years ago, a 1939 poster printed by the British government with the words ‘Keep Calm and Carry On’ turned up in a second-hand bookshop in Northern England. And lo! A decor trend was born: teatowels, T-shirts, mugs, phone cases, condoms, and a zillion riffs on the phrase.

Bookshop owner Stuart Manley talks about unearthing the poster that spawned countless imitations; author Owen Hatherley explains why the poster was NOT, in fact, an exemplar of Blitz Spirit and British bulldog courage and whatnot; and psychologist and therapist Jane Gregory considers whether being told to keep calm can keep us calm.

Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/keepcalm.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

This is the Tranquillusionist, in which I, Helen Zaltzman, in the interests of temporarily trying to stop that feeling where you think your brain is trying to claw its way out of your skull, read the punchlines to classic jokes.

This episode, including a transcript, resides at theallusionist.org/punchlines; see if you can figure out all the jokes they belong to.

Find all the Allusionist episodes - other Tranquillusionists and also ones that are actually about something - at theallusionist.org.

The original music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram.

I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are mercifully unconnected to current events, if you’re seeking some escape from those.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

This is the Tranquillusionist, in which I, Helen Zaltzman, for the purposes of calming a frazzled brain, read the winners of Best In Show at the Westminster Kennel Club Dog Show.

This episode resides at theallusionist.org/best-in-show; you can find all the Allusionist episodes, including other Tranquillusionists, at theallusionist.org.

The original music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Hope you are safe and well in body and mind.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

This is the Tranquillusionist, in which I, Helen Zaltzman, for the purposes of quelling anxiety and stress and sleeplessness, read the lyrics to ‘Imagine’ by John Lennon, with the words arranged in reverse alphabetical order.

This episode resides at theallusionist.org/nmiigea; you can find all the Allusionist episodes, including other Tranquillusionists, at theallusionist.org.

The original music is by Martin Austwick, based on the chords of ‘Imagine’ in alphabetical order. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Hope you are safe and well in body and mind.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

We interrupt the Allusionist break to bring an emergency calming episode. I asked you listeners which words you find soothing. Here they are. Put this episode on a loop to help you sleep; play it to quell your inner monologue; use it as an unreasonably long text tone; whatever you want.

View a list of the words at theallusionist.org/tranquillusionist, and find all the Allusionist episodes at theallusionist.org.

Martin Austwick composed the beautiful music. Find his songs at palebirdmusic.com, and he’s @martinaustwick on Twitter and Instagram.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Hope you are safe and well in body and mind.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

As the climate changes, so does the vocabulary around it - to amplify concern, to dampen concern, to serve corporate concerns… It is linguistically fraught! Journalist Amy Westervelt of the podcast Drilled, Alice Bell from the climate charity Possible, and Robin Webster from Climate Outreach explain some of the shifts in terminology, the squabbles and the industry interference - and how to communicate about climate in a way that does result in useful action.

Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/alarm-bells.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Today’s episode is something a bit different to usual. A few months ago, I was a guest on the podcast Ologies, a terrific show where the very funny and delightful and curious Alie Ward interviews an ologist of some kind - bisonologist (ologist of bisons), ludologist (video games), corvid thanatology (crow funerals!).

Alie interviewed me as an etymologist (I’m not a qualified etymologist, mind; just an enthusiast), and we cover etymologies of words including ‘buxom’, ‘mediocre’, ‘coccyx’, ‘lacuna’, bust some etymological myths, discuss some broader attitudes towards language, and wonder why so many people hate the word ‘moist’. Here’s some of our conversation; you can hear the full-length version on Ologies.

There are a couple of swears in it, including what Alie calls ‘the Swiss Army Knife of cussing’.

Visit theallusionist.org/zaltzology for more about this episode, and hear the full-length version of the conversation with Alie on Ologies alieward.com/ologies/etymology.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

For your last Allusionist of 2019, here is a quiz all about words for you to play along with as you listen. Get a pen and paper to jot down your answers, or there’s an interactive answer form all ready for you at theallusionist.org/2019quiz.

Let me know how you score in the quiz a at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

The show will be back in January 2020. For all Allusionist episodes, extra material, transcripts, merch etc, visit http://theallusionist.org.

If you enjoyed this quiz, you can also play the 2018 quiz at theallusionist.org/2018quiz.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Here’s a special episode about the word that brought us all together… aaand a lot of you hate it.

This piece was recorded in front of a live audience at PodCon in Seattle.

Get your regular dose of the Allusionist at theallusionist.org.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Words engraved into metal are intended to last, though you don’t know who in the future is going to be reading them - your grandchildren wearing your wedding ring, the stranger who found your long-lost multitool, yourself at a time of need.

Steven Yardley of Milne & Yardley talks about the disappearing craft of hand engraving. Max Ullmann of the antique jewellery shop A.R. Ullmann Ltd shows the objects engraved in centuries past. Wearing their grandmothers’ rings, Lisa Hack connects to family she doesn’t know, and **Freddy McConnell **to the family he does. When Eeva Sarlin’s ex-boyfriend lost her Leatherman multitool, she thought she’d never see it again - and were it not for an engraving, she wouldn’t have. And Arlie Adlington, who reports this episode, had words engraved into his ring to remind him of his reality when others threaten to ruin it.

Go to theallusionist.org/precious to read more about this episode and find a transcript. Hear the first part of the pair of episodes about engraving at theallusionist.org/epitaph.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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When Dave Nadelberg of Mortified used to visit his mother’s grave, he would look around at the nearby gravestones and see similar - or even the exact same - epitaphs for lots of different people. And it made him curious: who were these people, really? What were their personalities, what happened in their lives? And didn’t they deserve something more meaningful, more personal, than these bland and repetitive epitaphs? So when Dave’s father died a few years later, Dave was determined to choose better words to represent him in perpetuity.

Go to theallusionist.org/epitaph to read more about this episode and find a transcript.

Dave Nadelberg is the founder of Mortified: find the podcast, live events, books, TV series and documentary at getmortified.com.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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On 9 November 1989, the demolition of the Berlin Wall began. Within a year, Germany was unified. East Germany dissolved and was incorporated into the Federal Republic of Germany, took on its currency and its rules - and its lexicon. Both West and East Germany had already been speaking German, of course; but there were differences, from the years of very concerted separation, the attempts at isolating East Germany from what was considered Western culture and capitalism, and the specifically East German concepts that had their own vocabulary. What was that vocabulary, and where did it go?

Go to theallusionist.org/eastwest to find out more about this episode and the people who appear on it.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist live show No Title is on tour in North America - for all event listings, visit theallusionist.org/events.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

In the last Food Season episode of the current batch, we get into the language of restaurant service - specifically those terms that give some of us fiery indigestion, like “Enjoy!” or “Are you still working on that?” Restaurant psychologist Stephani Robson and former server Sara Brooke Curtis explain how what servers say is affected by such things as restaurant furniture, tipping, the need to turn a table around quickly for the next diners, and customer moods and caprices.

Find out more about this episode at theallusionist.org/enjoy.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

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Late 2019 will see the biggest apple launch of our lifetimes. 22 years in the making, ripening on millions of trees into picture-perfect redness, here comes the WA38, more snazzily known as the Cosmic Crisp. The name was the result of a year of focus groups, taste tests and word associations - a far cry from when apples were named after whichever end of a cat they resembled.

This episode is a collaboration with The Sporkful podcast, where we have released companion episodes about apples: hear us talking about the naming of apples on this episode of the Allusionist, and on their episode ‘A New Apple Is Born’ we get into the particulars of how new apples are begotten. Find The Sporkful on your podcatchers and at thesporkful.com.

Find out more about this episode at theallusionist.org/apples.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Ever misspelled a word or committed a typo? It wasn’t your fault; you were demonically possessed. Ian Chillag from Everything is Alive podcast introduces us to Titivillus, the typo demon.

Find out more about this episode at theallusionist.org/typo-demon.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist live show No Title is heading off on a tour of North America from October. For all event listings, visit theallusionist.org/events.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

When is cheese not cheese, or crab not crab? When it’s spelled cheez or krab or even ch’eese or cra’b… Novelty spellings for foods-that-aren’t-made-out-of-the-thing-they-sound-like-they’re-made-out-of go back a pretty long way - ‘cheez’ was THE cheese-like substance of the 1920s - but right now, with plant-based foods on the rise, we’re seeing more of them. Branding consultant and name developer Nancy Friedman casts her expert glance over the apostrophes and deliberate misspellings on foodstuffs; and vegan restaurant owner Melanie Boudens recounts how, this summer, the words ‘cheddar cheese’ on her menu landed her in trouble.

Find out more about this episode at theallusionist.org/foood.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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It’s Food Season at the Allusionist. Last episode we learned all about compiling recipes, turning food into words. This time, we meet someone who turns words into food - no, she doesn’t make Alphabetti Spaghetti. When Kate Young of the Little Library Cafe spots a foodstuff or a feast in a novel, she finds ways to cook it in reality, whether it’s delicious (Babette’s Feast), evil (Edmund’s Turkish delight in The Lion, The Witch and the Wardrobe) or poisonous (the crab and avocado in The Bell Jar).

Find out more at theallusionist.org/words-into-food.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Also! I’m making a NEW PODCAST! Veronica Mars Investigations, wherein Jenny Owen Youngs (of Buffering the Vampire Slayer podcast) and I investigate every episode of Veronica Mars from the beginning. Find Veronica Mars Investigations in your podcast-getting app of choice, and at VMIpod on the social medias and vmipod.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

When recipe writing is done well, the skill and effort involved might not be evident. But explaining the different steps clearly so that people of varying culinary abilities and equipment can cook it, and indeed want to make it, and translating flavour and physical actions and sensory experiences into words - all that takes work. Recipe writers MiMi Aye and Felicity Cloake and cookbook editor Rachel Greenhaus consider the verbal ingredients of a well-written recipe.

Find out more at theallusionist.org/food-into-words.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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I don’t know exactly when or where, but at some point in the past few years, I stopped putting punctuation at the end of sentences. Why? The internet made me do it! Internet linguist Gretchen McCulloch, cohost of Lingthusiasm podcast and the author of the new book Because Internet, explains how the internet changes the rules of language.

Find out more at theallusionist.org/new-rules.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Oysters, fragrances, canoeing, space stations, God, hats, and of course people - the word ‘bisexual’ has described a great deal of different things, with different meanings, in its fairly short existence. And that whole time, it has had a pretty bumpy ride.

Mark Wilkinson studied 70 years of Times newspapers to trace how the British mainstream press used the term.

Find out more at theallusionist.org/bisexual.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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To celebrate Pride Month, I’m playing two of the Allusionist episodes that have stuck with me the most during the show’s existence.

The first is Joins. You listeners talk about your particular experiences in your trans bodies, dealing with the available vocabulary for sex and the associated body parts. Content note: the episode contains language pertaining to sex and the associated body parts.

Second is Pride: the story of how that word was chosen in 1970 for LGBTQ Pride events.

Find out more at theallusionist.org/joins-pride-rerun.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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To mark the 100th* episode of the Allusionist, here’s a celebratory parade of language-related facts: some of your favourites from the Allusionist back catalogue, some of my favourites from the Allusionist back catalogue, and a load of fresh facts making their Allusionist debut.

*short hundred, not long hundred.

Thanks for listening to the Allusionist! If you’ve liked any of the 100 episodes, tell someone else about it.

Content note: this episode contains swears.

Find out more about this episode at theallusionist.org/hundredth.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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When there were no safe spaces to be gay, Polari allowed gay men to identify and communicate with each other, and to keep things secret from outsiders. Professor Paul Baker, author of the Polari dictionary and the new book Fabulosa! The Story of Polari, Britain’s Secret Gay Language, explains how Polari emerged from criminal cant and London’s theatres and docks to be used a code language for gay men in the oppressive 1950s - and then, not long after, it entered the slang lexicons of the general public, via popular sketch comedy and the mouth of an annoyed princess.

Find out more about this episode at theallusionist.org/polari.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Today: three pieces about alter egos, when your name - the words by which the world knows you - is replaced by another for particular purposes, such as competing in roller derby, writing popular but disreputable detective novels, or being legally anonymous, unidentified, or fake.

There is one strong swear in this episode.

Find out more about this episode and the people and facts in it at theallusionist.org/alter-ego.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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“There are two ways to say ‘The future is now’: you can say it optimistically, like, ‘The future is now! Isn't that cool?’ Or you could be like, ‘The future is now, and we're totally screwed.’” Rose Eveleth, of the future-envisioning podcast Flash Forward, tracks the past and present of one of her favourite phrases.

Find out more about this episode at theallusionist.org/future.

The all new Allusionist live show, No Title, is touring in New Zealand and Australia. Visit theallusionist.org/events for information about venues, dates and tickets for shows in Auckland, Wellington, Christchurch, Sydney, Canberra, Melbourne, Adelaide, Perth and a couple more TBA Australian cities.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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“Trust isn't a brand that you should use. It's a social glue that, when it breaks down, has really huge consequences to our lives.” Trust expert and author Rachel Botsman explains why we need to protect this word that has remained steadfast throughout its existence, but may now be too popular for its own good.

Find out more about this episode at theallusionist.org/trust.

The all new Allusionist live show, No Title, is heading to New Zealand! Tickets for Auckland, Wellington and Christchurch are on sale now; find out more at theallusionist.org/events. Australia: you’ll be our next stop.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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When you’re watching a fantasy or science fiction show, and the characters are speaking a language that does not exist in this world but sounds like it could - that doesn’t happen by accident, or improvisation. A lot - a LOT! - of work goes into inventing new languages that sound real. Conlanger David Peterson talks about how he created languages for HBO’s Game of Thrones.

Find out more about this episode at theallusionist.org/verisimilitude.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow and facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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On 15 November 1992, the New York Times printed a ‘Lexicon of Grunge’, a list of slang terms from the Seattle music scene. ‘Harsh realm’ = bummer. ‘Wack slacks’ = old ripped jeans. ‘Swingin’ on the flippity-flop’ = hanging out.

Not familiar with any of these? It’s OK, that’s not because you’re a cob nobbler (= loser). They were all made up. By Megan Jasper. Now the CEO of Sub Pop records, she recounts her linguistic prank.

Find out more about this episode at theallusionist.org/grungehoax.

NB there are a few swears in this episode.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow and facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

‘Idle’, ‘trivial’, ‘scurrilous’: the word ‘gossip’ is often accompanied by uncomplimentary adjectives. But don’t dismiss it; from childbirth to Hollywood to political analysis to whisper networks, gossip may be more useful and serious than you realise. Lainey Lui, founder of laineygossip.com, and Buzzfeed News’ senior culture writer (and doctor of celebrity gossip) Anne Helen Petersen explain why.

Find out more about this episode at theallusionist.org/gossip.

NB there are a few swears in this episode.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow and facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

If you wince when you hear someone say “a whole nother level”, “hone in on” or “right from the gecko”, here’s some bad news: you might have to get used to it. The English language is full of words and expressions that were mistakes that stuck around. Countdown’s Susie Dent holds our hands and takes us on a tour of misspellings, mishearings, scrambled letters and bear cubs.

In the new Minillusionist at the end of the episode, we’re back on your favourite subject: swearing! And why the blazes are there all these fake acronym etymologies for swears?

Find out more about this episode at theallusionist.org/err.

Follow Susie Dent on Twitter @susie_dent for regular doses of etymology, and to keep up with her writing and tour dates.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow and facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Here’s a wordy quiz for you to play along with as you listen. Get a pen and paper, or fill in your answers online at http://theallusionist.org/2018quiz.

Let me know how you fare in the quiz and puzzles at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

The show will be back on 23 January 2019. For all Allusionist episodes, extra material, transcripts, event listings etc, visit http://theallusionist.org.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Throughout the year, the people who appear on the Allusionist tell me a lot of interesting stuff. Not all of which is relevant to the episode they initially appeared in, so I stash it away in preparation for this moment: the annual bonus episode! Get ready for gory 19th century London slang, the rise and fall of superhero capes, the post-WW1 trend for nudism, and more.

Find out more about this episode at http://theallusionist.org/bonus2018.

There is one swear in this episode.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow. And come to see the debut performance of the brand new Allusionist 2019 live show at SF Sketchfest, 7.30pm 25 January! Tickets are on sale now: https://tinyurl.com/allusionistSFsketchfest2019

Support the show: http://patreon.com/allusionist

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Jim Glaub and Dylan Parker didn’t think too much of it when, every year, a few letters for Santa were delivered to their New York apartment.

But then one year, 400 letters arrived. And they decided they had to answer them.

Find out more about this episode at http://theallusionist.org/dear-santa, and visit http://miracleon22ndstreet.com to learn more about the nonprofit Jim and Dylan now run, donate, and get involved.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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This is a story of feats of speed and endurance, of record-breakers, of champions… Typing champions.

Recorded live at the Hot Docs Podcast Festival in the Hot Docs Ted Rogers Cinema in Toronto on 4 November 2018, WPM is performed by me and Martin Austwick. Find out more about this episode at http://theallusionist.org/wpm.

**There is one swear word in this episode. See if you can spot it.**

Get very cute T-shirts, totes and onesies with an exclusive typing artwork by Eleni Kalorkoti at http://theallusionist.org/merch.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Why did you change your name? And why did you choose the name you chose?

Listeners answer these two questions. Hear their stories of gender identity, family fallouts, marriages, divorces, doxxing, cults, and…just not liking your given name very much.

Find more about this episode at http://theallusionist.org/name-changers.\
This episode is part of Name Season here at the Allusionist, along with episode 83. Yes, As In, about having a name that is more usually a noun or adjective; 86. Name Therapy, about the issues people face with their names; and 87. Name v. Law, about the Icelandic Naming Committee and a name change that took 25 years.

The Allusionist live tour is ON NOW, at cities in the US and Canada during October and November 2018: show listings are at http://theallusionist.org/events.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Iceland has quite exacting laws about what its citizens can be named, and only around 4,000 names are on the officially approved list. If you want a name that deviates from that list, you have to send an application to the Icelandic Naming Committee, whose three members will decide whether or not you’re allowed it. And if they say you’re not…you might have to take things pretty far.

There’s more about this episode at http://theallusionist.org/icelandic-names.

The Allusionist live tour is ON NOW, at cities in the US and Canada during October and November 2018: show listings are at http://theallusionist.org/events.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

“It’s the word that you use the most often and the soonest to describe yourself, and yet nobody’s really ever talked about how it kind of makes me feel like this.” Until Duana Taha, who, after a lifetime of feelings about her own unique name, became the Name Therapist.

Duana offers advice on how to name your baby/future adult, so their name works shouted across a playground, whispered into an ear, scribbled on a coffee cup. She also deals with your concerns about being named after a relative or parent’s ex, having a name that elicits playground taunts, or doesn’t describe you as an individual at all.

Find more about this episode at http://theallusionist.org/name-therapy.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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“I wanted a story that actually lives, and actually dies, and disappears.”

In 2003, artist and author Shelley Jackson started the Skin Project: a story printed, word by word, as tattoos on volunteers. https://ineradicablestain.com/skindex.html

Find more about this episode at https://theallusionist.org/skin-story.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and https://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Why would you write books or poems or plays with only one vowel? Or in palindromes? Or only using the example sentences in dictionaries? Sometimes you need to force yourself to jump a few hurdles (and perhaps the rest of the obstacle course) before your creativity will be unleashed.

Find more about this episode at theallusionist.org/trammels. Jez Burrows is the author of the book Dictionary Stories, which is out now; find his work at jezburrows.com. Ross Sutherland makes the podcast Imaginary Advice; find him at rosssutherland.co.uk.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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“Really? As in the animal/foodstuff/music genre?”
“Is that a stripper name?”
“What were your parents thinking?”

When your name is a word that is more usually a noun or adjective than a human moniker, you hear the same questions a lot. But there’s a story in every name, and yours is probably a more interesting story than most.

Find out more about this episode at http://theallusionist.org/nounnames. WARNING: there are a few swears in it. (But none of the people have swear names, thankfully.)

The Allusionist live tour comes to the US, Canada, Britain and Ireland during autumn 2018: show listings are at http://theallusionist.org/events.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

When you’re feeling unwell, what’s the book you read to make yourself feel better? And why does it work? Clinical psychologist Jane Gregory explains why she sometimes prescribes novel-reading to her patients; and academic Guy Cuthbertson tells how post-WW1 Britain was soothed by Agatha Christie.

Find out more about this episode at http://theallusionist.org/convalescence.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Today, we’re dipping into the Allusionist mailbag full of listeners’ linguistic requests, with the help of special guest Hrishikesh Hirway of Song Exploder and The West Wing Weekly podcasts. 

What is the expression ‘beyond the pale’ on about? How do you express the absence of feeling? Does ‘testify’ have anything to do with testicles? Do avocados have anything to do with testicles? How does the phrase “It’s all Greek to me” relate to food styling? Can you have a caper with capers? Are sharks misunderstood, etymologically and morally? And finally: where do allusions come from?

Find out more about this episode at http://theallusionist.org/shark-week.

The Allusionist live tour comes to the US, Canada, Britain and Ireland during late 2018: live show listings are at http://theallusionist.org/events. If your town is not listed, check back soon, because more gigs will soon be added!

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Hello! I’m currently in hospital so am having to take a little time off work. Therefore, instead of a new Allusionist episode today, here’s my favourite audio piece I’ve heard this year: ‘S.E.I.N.F.E.L.D.’ from Ross Sutherland’s podcast Imaginary Advice.

NB: the episode contains a couple of Strong Terms.

Hear more Imaginary Advice episodes – some of my favourites are ‘Six House Parties’ and ‘Me Versus The Spar (parts 1-7)’ – and find the show’s live dates and Patreon, at imaginaryadvice.com. 

The Allusionist will be recuperating for a bit, but should be back at the end of July. In the meantime, catch up on all the previous episodes and goad all your beloved friends and acquaintances to do likewise.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Today will be fine. But wait: fine as in ‘OK’, fine as in ‘really rather good’, or fine as in ‘no precipitation’? When you’re a TV weather forecaster, you have to deal with the mismatch of your specialist vocabulary with that of the meteorological laypeople watching – as well as cover all the weather across a whole country, translate conditions into something the viewer can identify with, and warn people about cyclones without making them too panicked. Or not panicked enough to take sensible cyclone precautions. Nate Byrne, who presents the weather for the Australian Broadcasting Corporation’s News Breakfast, breezes in to shower us with meteorological knowledge.

Find out more about this episode at http://theallusionist.org/warm-front.

See the Allusionist on stages in Australia and New Zealand in June and July 2018: live show listings are at http://theallusionist.org/events. Northern hemisphere-dwellers: check back soon, because more gigs are about to be added!

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Strange or obtuse; a stinging homophobic slur; a radical political rejection of normativity; a broad term encompassing every and any variation on sexual orientation and gender identity: the word ‘queer’ has a multifarious past and complicated present. Tracing its movements are Kathy Tu and Tobin Low from Nancy podcast, Eric Marcus from Making Gay History, historian and author Amy Sueyoshi, and Jonathan Van Ness from Queer Eye. 

Find out more about this episode at http://theallusionist.org/queer. Content note: this episodes contains discussions of sexuality and sexual acts, as well as some problematic terms.

See the Allusionist live in Australia and New Zealand in the next month: show listings are at http://theallusionist.org/events

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

You are born and raised in a household speaking a language. Then you start going to school, and that language is banned. If you speak it, you’ll be punished physically or psychologically. Across your country, there are people like you who associate their first language with shame, or not even being a language at all. This is the predicament of the Scots language.

Find out more about this episode at http://theallusionist.org/scots.

I have several events coming up – in the next few weeks, the live Allusionist stage spectacular is hitting Australia and New Zealand. Check the listings at http://theallusionist.org/events

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

To accompany the current Allusionist miniseries Survival, about minority languages facing suppression and extinction, we’re revisiting this double bill of The Key episodes about why languages die and how they can be resuscitated. The Rosetta Stone and its modern equivalent the Rosetta Disk preserve writing systems to be read by future generations. But how do those generations decipher text that wasn’t written with the expectation of requiring decipherment?

Features mild scenes of linguistic apocalypse.

Find out more about this episode at http://theallusionist.org/survival-key.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

There are two main places in the world where the Welsh language is spoken: Wales, and the Chubut Province in Patagonia. How did this ancient language take root in rural Argentina, 12,000km away from its home base?

Find out more about this episode at http://theallusionist.org/survival1.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Pavement/sidewalk; football/soccer; bum bag/fanny pack: we know that the English language is different in the UK and the USA. But why? Linguist Lynne Murphy points out the geographical, cultural and social influences that separate the common language.

Find out more about this episode at http://theallusionist.org/across-the-pond.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Today we’re going inside to open up the unofficial dictionary of San Quentin state prison, compiled by Earlonne Woods of Ear Hustle podcast.

Content note: this episode contains some Adult Terms.

Find out more about this episode at http://theallusionist.org/ear-hustling.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

You can see the Allusionist live in Australia – http://theallusionist.org/events.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

CONTENT WARNING: there is swearing in this episode. But the happy news is: swearing is good for you! Dr Emma Byrne, author of Swearing Is Good For You, explains how swearing can be beneficial to your physical health and emotional wellbeing, while Matt Fidler of Very Bad Words podcast gives some tips to ensure you swear properly to optimise the positive effects.

Find out more about this episode at http://theallusionist.org/swear-pill.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Up in the sky: look! It’s an adjective! It’s a noun! It’s…Adjectivenoun! 

Your friendly neighbourhood superheroes might have thrilling and varied powers and spandex garments, but the way their names are concocted have followed only a handful of formulae in the past 80 years, since Superman sent superheroes soaring. 

(Yes, alliteration is one such naming formula.)

Glen Weldon of Pop Culture Happy Hour traces the supername’s development from Adjective+Gender through Colour+Noun to Normal Name and Lone Noun.

Find out more about this episode at http://theallusionist.org/supername.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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“Hey.”

“Going to the supermarket, want me to get you anything?”

“Puppies or ice cream?”

“What’s your glasses prescription?”

“I wanna ***** your *********.”

If you’ve used a dating app, maybe you’ve received one of the above messages from a stranger, or sent them. Striking up an interaction with someone is a tricky business. Why Oh Why and Longest Shortest Time host Andrea Silenzi opens up her phone to analyse the kinds of opening messages people send on dating apps, and how easily they can land badly.

Find out more about this episode at http://theallusionist.org/hey, and hear Andrea hosting The Longest Shortest Time podcast on your podblasters of choice.

Content note: this episode contains a couple of instances of Adult Language and references to Adult Behaviours.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

It’s a year since Donald Trump was inaugurated as the 45th president of the United States. And in that year, he’s caused a lot of changes in the job of constitutional law professor Elizabeth Joh of TrumpConLaw podcast – in particular, one verb is now off limits.

Plus: Paul Anthony Jones, aka etymologist extraordinaire Haggard Hawks, describes how politicians’ names work their way into our vocabularies.

Find out more about this episode at http://theallusionist.org/trump.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

It’s the annual bonus episode. Throughout the year, the people who appear on the show tell me a lot of interesting stuff, not all of which is relevant to the episode they initially appeared in, so I stash it away in preparation for this moment. This year, hear about the history of roller skates, zazzification, giant origami, the heat death of the universe and more.

Find information about this episode at http://theallusionist.org/bonus2017.

Come to see the live Allusionist show at SF Sketchfest, 10pm 12 January at the Brava Theater in San Francisco. Tickets are on sale now at http://tinyurl.com/allusionistsfsketchfest2017.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Charles Dickens wrote about the plight of the impoverished and destitute members of British society. So how come his name is a synonym for rosy-cheeked, full-stomached, fattened-goose, hearty merry “God bless us every one” Christmas?

Avery Trufelman and Katie Mingle of 99% Invisible report from the streets of Victorian London at the annual Dickens Christmas Fair in Daly City, California, while historian Greg Jenner explains the origins of the festive traditions for which Dickens gets the credit, without even wanting the credit – in fact, his motivation for writing A Christmas Carol was far from a cash-in on Christmas.

Find out more about this episode at http://theallusionist.org/dickens-christmas.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Somebody has really ticked you off. You’re all steamed up inside and you want to vent that rage using words, but you don’t want to confront them directly because you’re either too polite or too cowardly. So do you:

A. Subtweet them.
B. With your finger, scrawl an insulting message into the dirt on their car.
C. Get a small sheet of lead, scratch into it a message cursing your enemies, roll it up and throw it into your nearest sacred spring?

Oh, I forgot to mention that it’s 1,700-2,000 years ago and you’re living in the Ancient Roman Empire, so the answer is C.

Stephen Clews, the manager of the Roman baths at Bath, shows us the curses that were sloshing around in the waters for hundreds of years.

NB One category A and one category B swear appear in this episode.

Find out more about this episode at http://theallusionist.org/curse-tablets.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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You’re holding a letter. What’s inside? A weather report from 5,000 miles away? Some devastating family history? A single word? A heartfelt dispatch from your past self that’s about to change the course of your life?

Find out more about this episode at http://theallusionist.org/open-me-2.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

From Me To You’s Alison Hitchcock and Brian Greenley didn’t know each other well. But when Brian was diagnosed with stage 4 cancer, Alison offered to write him letters. 100 letters later, their lives were changed.

Ear Hustle is a podcast made inside San Quentin by and about the men incarcerated there, in collaboration with Nigel Poor. In prison, a letter is a precious thing.

Find out more about this episode at http://theallusionist.org/open-me-1.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Roman Mars returns for our annual dose of eponyms – words that derive from people’s names. This year: explosive revelations about the origins of the word ‘guy’. Find out more about this episode at http://theallusionist.org/guy.

CONTENT NOTE: the episode contains a description of 17th century torture and execution.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

You’ve encountered technobabble when Doc Brown is shouting about flux capacitors in Back To The Future, or when Isaac Asimov writes about positronic brains. Astrophysicist Katie Mack and NASA JPL technologist Manan Arya discuss how science fact relates to science fiction.

This episode is a collaboration with Eric Molinsky of Imaginary Worlds; listen to his episode about technobabble, featuring ACTUAL HOLLYWOOD TECHNOBABBLERS, at http://imaginaryworldspodcast.org.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

“Accent is identity. It’s a way of encoding and signaling – almost completely at an unconscious level for most people – who they feel like they are, who they want to be seen as, what group they feel like they belong to.” The podcast Twenty Thousand Hertz investigates how accents have evolved in the UK and USA.

Hear Twenty Thousand Hertz at http://20k.org and find out more about this episode at http://theallusionist.org/evolution-of-accents.

Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Crossword-solving is often a solitary activity – over breakfast; on the train; on the loo… But a few times a year, crossword puzzle enthusiasts gather in their hundreds to compete to be the fastest, most accurate crossword-solver. This episode comes to you from a church basement on the Upper East Side of New York City, wherein takes place America’s second largest crossword puzzle tournament: Lollapuzzoola.

For more about this episode, visit http://theallusionist.org/lollapuzzoola.

Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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“It’s sort of frozen body language; that’s what handwriting analysis is about.”

Since it caught on a couple of hundred years ago, graphology – analysing handwriting to deduce characteristics of the writer – has struggled to be taken seriously as a practice. But undoubtedly, there are things about ourselves that we can’t help but reveal in our handwriting. Graphologist Adam Brand explains the ‘pseudoscience/useful art’.

For more about this episode, visit http://theallusionist.org/graphology.

Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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They look like numbers. They sound like numbers. You kinda know they are numbers. But they’re not actually numbers. Linguistic anthropologist Stephen Chrisomalis explains what’s going on with indefinite hyperbolic numerals like ‘zillion’, ‘squillion’ and ‘kajillion’.

For more about this episode, visit http://theallusionist.org/zillions.

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Translation, A Love Story:

Translator listens to The Allusionist. Translator hears about the podcast The Memory Palace. Translator listens to The Memory Palace. Translator immediately becomes smitten with The Memory Palace. Translator translates The Memory Palace from English to Brazilian Portuguese, and turns it into a book – O Palácio da Memória – which will be published in Brazil two weeks hence.

But, like any love story, it’s not quite that simple.

Literary translator Caetano Galindo recounts the trials and treats of turning Nate DiMeo’s English language audio into Brazilian Portuguese text.

Find out more about this episode at http://theallusionist.org/translation, and hear The Memory Palace at http://thememorypalace.us.

The Allusionist is on a break during July. There’ll be a new episode out on 4 August; meanwhile, stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow. And come to see the live show at the London Podcast Festival in September.

Support the show: http://patreon.com/allusionist

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It’s August 2007. Lauren Marks is a 27-year-old actor and a PhD student, spending the month directing a play at the Edinburgh Fringe Festival. She’s in a bar, standing onstage, performing a karaoke duet of ‘Total Eclipse of the Heart’…and then a blood vessel in her brain bursts. When she wakes up in hospital, days later, she has no internal monologue, and a vocabulary of only forty words.

Find out more about this episode at http://theallusionist.org/eclipse, and more about Lauren at http://astitchoftime.com.

Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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There’s a small matter I trip over regularly in the Allusionist:
Dates.
Not the fruit.

Specicially, the terms BC and AD, Before Christ and Anno Domini (‘the year of the Lord’ (‘the Lord’ also being Christ)). How did Jesus Christ get to be all up in our system of counting the years?

There’s more about the episode at http://theallusionist.org/abdc. 

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As discussed in episode 51, Under the Covers part II, the vocabulary for sex and associated body parts is tricky to navigate in many ways – but even more so if you are trans or gender non-binary.

CONTENT NOTE: this episode contains strong language and frank discussions of sex and bodies.

There’s more about the episode at http://theallusionist.org/joins.

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“You keep using that word. I do not think it means what you think it means.” Hrishikesh Hirway of Song Exploder wants people to stop saying ‘namaste’ after a yoga session.

There’s more about this episode at http://theallusionist.org/namaste.

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“Sometimes you want to make the dictionary sexy but it’s just not a sexy thing,” says Kory Stamper, lexicographer for the Merriam-Webster dictionaries. Sorry if this is disillusioning news for you. The dictionary is not a sexy thing, but as Kory explains, it is a fascinating, complicated, exacting thing.

There’s more about this episode at http://theallusionist.org/authority.

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“Recognizing someone’s humanity is crucial. Calling someone a migrant, calling someone an asylum seeker, calling them a refugee: these are official categories. But in many ways, depending on how they use them, they can change and become more negative.”

So says propaganda and migration specialist Emma Briant, as she explains the dangers of conflating and misusing terms like ‘refugee’ and ‘asylum seeker’, while British/Asian/but-kinda-not author Nikesh Shukla wonders where he’s from – where he is really from.

There’s more about this episode at http://theallusionist.org/migration.

Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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Sometimes words can become your worst enemy. Clinical psychologist Jane Gregory tells how to defuse their power. There’s more about this episode at http://theallusionist.org/behave-rerun.

The main part of this episode is a rerun, but there’s new material as well – get ready for a thrill-ride into medieval accounting technology.

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The term ‘sanctuary cities’ has been in the news a lot in the past few weeks, as places in the USA declare themselves to be havens for undocumented immigrants. Though ‘sanctuary’ has a history of meaning safety for the persecuted, it has an even longer history of meaning something quite different: refuge for criminals.

Rosalind Brown, a canon at Durham Cathedral, and historian John Jenkins explain how and why, for 1000 years, churches in England offered shelter to murders and thieves fleeing justice.

For more information about this episode, visit http://theallusionist.org/sanctuary; and listen to the 99% Invisible episodes about the modern sanctuary movement at http://99pi.org.

Find the show at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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Does the available vocabulary for sex leave something to be desired? Namely desire? (And also the ability to use it without laughing/dying of embarrassment?) Aiding in the search for a better sex lexicon – sexicon – are Kaitlin Prest of The Heart, and romance novelist Mhairi McFarlane.

CONTENT NOTE: this episode contains Sexual Language from the start.

For more information about this episode, visit http://theallusionist.org/covers-ii.

Find the show at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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Escape into the loving embrace of a romance novel – although don’t think you’ll be able to escape gender politics while you’re in there. Bea and Leah Koch, proprietors of America’s sole romance-only bookstore The Ripped Bodice, consider the genre; and publisher Lisa Milton scrolls through the 109-year history of the imprint that epitomises romance novels, Mills & Boon.

For more information about this episode, visit http://theallusionist.org/covers-i.

Find me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Why is gaslighting ‘gaslighting’? What do bodily fluids have to do with personality traits? Why does ‘cataract’ mean a waterfall and an eye condition? And do doctors really say ‘Stat!’ or is that just in ER?

To round off 2016, here’s the bonus edition of The Allusionist, featuring listeners’ etymology requests and extra material from guests who’ve appeared on the show this year. For links and more information about the episode, visit http://theallusionist.org/bonus2016.

The show will return in early February. Meanwhile, catch up on the back catalogue at http://theallusionist.org, and stay in touch at http://facebook.com/allusionistshow and http://twitter.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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There’s a word that has become shorthand for ‘the war on Christmas’ with a side of ‘political correctness gone mad’: Winterval.

It began in November 1998. Newspapers furiously accused Birmingham City Council of renaming Christmas when it ran festive events under the name ‘Winterval’. The council’s then-head of events Mike Chubb explains the true meaning of Winterval.

For more information about this episode, visit http://theallusionist.org/winterval.

Find me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Today: a tale of darkness, gathering storms, and a terrifying creature that resembles a human man…

No, nothing topical: it’s The Year Without A Summer, the story of how Mary Shelley wrote Frankenstein. This piece first appeared on Eric Molinsky’s excellent podcast Imaginary Worlds. Hear all the episodes at http://imaginaryworldspodcast.org.

For more information, visit http://theallusionist.org/frankenstein.

Find me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Each of the 50 states in the USA has its own motto. The motto might be found on the state seal, or the state flag; more often than not, it might be in Latin, or Spanish, or Chinook; it might be a phrase or a single word. And if you think you know what yours is, check that it is not in fact an advertising slogan.

PRX staff reveal their state mottos – or what they thought were their state mottos, until this episode ruined it for them – and how those words have shaped their perception of their state and their selves.

For more information about this episode, visit http://theallusionist.org/state-mottos.

Find me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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If you love eponyms like Roman Mars loves eponyms, I’m afraid physician Isaac Siemens is here to deliver some bad news: medics are ditching them, in favour of terms that a) contain information about what the ailment actually is, and/or b) don’t honour Nazi war criminals. Eponyms are controversial things.

Visit http://theallusionist.org/name-that-disease for more information about this episode.

Find me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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What is your beautiful brain up to as you comprehend language? Cognitive psychologist Jenni Rodd takes a peek.

Visit http://theallusionist.org/brain for more information about this topic.

Find me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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If you don’t have a Rosetta Stone to hand, deciphering extinct languages can be a real puzzle, even though they didn’t intend to be. They didn’t intend to become extinct, either, but such is the life (and death) of languages.

NB: there is a CATEGORY B swear word towards the end of this episode. But it IS there for educational purposes only.

ALSO NB: After the episode was released, I was alerted that listener Ryan’s request was about a FAKE Mike Pence statement. I CAN NEVER TRUST YOU AGAIN, RYAN! The etymological content still stands.

There’s more about this episode at http://theallusionist.org/vestiges. It is a companion to episode 42: The Key part I: Rosetta, which is at http://theallusionist.org/rosetta.

Find me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Languages die. But if they’re lucky, a thousand-odd years later, someone unearths an artefact that brings them back to life.

Laura Welcher of the Rosetta Project shows us the Rosetta Disk, a slice of electroplated nickel three inches in diameter that bears text in 1500 languages for future linguists to decipher. Ilona Regulski of the British Museum describes how its namesake, the Rosetta Stone, unlocked hieroglyphics.

Find out more about this episode at http://theallusionist.org/rosetta. Find me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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When you choose to spend the winter in Antarctica, you’ll be prepared for it to be cold. You know that nobody will be leaving or arriving until springtime. And you’re braced for months of darkness. But a few weeks after the last sunset, you might find you can’t even string a sentence together. And even if you can, that sentence may only make sense in Antarctica.

To explain why are Antarctica veteran Allison ‘Sandwich’ Barden, endocrinologist Tom Baranski, and astrophysicists Amy Lowitz and Christine Moran, reporting from the South Pole in the depths of winter.

Read more about this episode at http://theallusionist.org/antarctica.

Find me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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On your marks…
Get set…
GO!

It’s the Etymolympics, where the gymnastics should be gymnaked and the hurdles are a bloodbath. Find out more about this episode at http://theallusionist.org/olympics.

Seek me out online at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow, and on stage at the London Podcast Festival – get tickets at http://www.kingsplace.co.uk/whats-on/spoken-word/the-allusionist.

Support the show: http://patreon.com/allusionist

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Which are you: Millennial, Generation X, Baby Boomer, Silent Generation, an impressively young-looking Arthurian Generation? Or are you an individual who refuses to be labelled? Demographer Neil Howe, author Miranda Sawyer and Megan Tan, the host of Millennial podcast, consider whether the generational names are useful or reductive. Or both.

Read more about this episode at http://theallusionist.org/generation-what. Seek me out at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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“How are you?”

“Oh, fine – and you?”

“Yeah, not bad. Nice day today, isn’t it?”

“Yes, it was a bit chilly this morning, but now the sun’s come out…” [Continue until the lift arrives, or until the end of time.]

Small talk is usually not conveying much vital information, nor is it especially interesting. But beneath that comfort blanket of tedium lies a valuable social function.

There’s more about this episode at http://theallusionist.org/smalltalk. Chitchat with me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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This week seems like a good one to listen again to last year’s episode Pride, about how the word came to be chosen for LGBTQ Pride. Activist and publisher Craig Schoonmaker tells the story.

There are full show notes and links to additional material at http://theallusionist.org/pride-rerun. Find me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Got a company or a product or a website you need to name? Well, be wary of the potential pitfalls: trademark disputes; pronounceability; being mistaken for a dead body… Name developer Nancy Friedman explains how she helps companies find the right names, and why so many currently end in ‘-ify’. Plus: The Allusionist’s origin story, with Roman Mars.

Read Nancy’s excellent blog about naming and trends in the language of commerce at http://nancyfriedman.typepad.com.

There’s more about this episode at http://theallusionist.org/brands. Greet me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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‘Classics’ started off meaning Latin and Greek works, then works that smacked of similar, and now – what, exactly? Books that are full of bonnets and dust? Author Kevin Smokler and bookseller Jonathan Main unpick what constitutes a classic, old or new.

There’s more about this episode at http://theallusionist.org/biglit. Announce your favourite classics at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Open up a dictionary, and you’ll find the history of human behaviour, the key to your own psychological state, and a lot of fun words about cats. Dictionary.com’s Renae Hurlbutt and Jane Solomon lead the way.

There’s more about this episode at http://theallusionist.org/word-of-the-day. Visit me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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‘Continent’, as in a land mass, is much more complicated semantically than the bodily function control sense of ‘continent’.

Plus: more ‘please’, and how ‘thank you’ is not necessarily an expression of gratitude.

TL;DR: trust nothing.

There’s more about this episode at http://theallusionist.org/continental. Visit me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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There’s an ocean between Britain and the USA, but an even wider division between each country’s use of a particular word: ‘please’.

Linguists Lynne Murphy and Rachele De Felice explain how one nation’s obsequiousness is another nation’s obnoxiousness.

There’s more about this episode at http://theallusionist.org/please. Please greet me at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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Around the world, there are several places called Soho, getting their names from an acronym/portmanteau-ish composite of local streets or neighbouring areas. But not the original Soho in London. In fact, London’s place names are an etymological hotchpotch: landmarks present and long gone; 1,000-year-old vanity projects; and Cockfosters.

This is a companion piece to the 99% Invisible episode ‘The Soho Effect’: http://99percentinvisible.org/episode/the-soho-effect.

There’s more about this episode at http://theallusionist.org/soho. Say ‘soHO!’ at twitter.com/allusionistshow and facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Breaking up is hard to do, and it’s hard to put into appropriate words. Comedian Rosie Wilby seeks a better term for ‘ex’, and family law barrister Nick Allen runs through the vocabulary of divorce.

NOTE: this episode is not full of bawdy talk, but there are adult themes and a couple of category B swearwords.

There’s more about this episode at http://theallusionist.org/post-love. Don’t go breaking my heart: say hi at twitter.com/allusionistshow and facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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The 2016 US election isn’t going away anytime soon, so let’s seek refuge in etymology. Consider the linguistically appropriate age of a senator, and whether Congress should get sexy.

And we revisit the UK Election Lexicon – http://theallusionist.com/electionlexicon – for the origin of words like ‘campaign’, ‘ballot’, ‘democracy’, ‘poll’, ‘debate’ and ‘argue’.

There’s more about this episode at http://theallusionist.org/us-electionlexicon. Tweet @allusionistshow, and convene at facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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You’re looking for your perfect partner, but dating sites keep matching you with duds. So what do you do? Conduct an elaborate linguistic experiment, of course!

At least, that was futurist Amy Webb’s response to the situation. But did it work?

For full show notes and links, visit http://theallusionist.org/wltm-ii. Hear WLTM part I at http://theallusionist.org/wltm-i.

Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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Your online dating profile is the latest spin on a 300-year-old tradition of advertising yourself in order to find a spouse, a sexual partner, or someone to take care of your pigs.

Francesca Beauman, author of Shapely Ankle Preferr’d: A History of the Lonely Hearts Ad, digs into lonely hearts ads to see how British society and desires have evolved over the past three centuries.

For full show notes and links, visit http://theallusionist.org/wltm-i. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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For the last episode of 2015, here’s a melange of etymologies requested by listeners, and anecdotes there wasn’t room for in the show earlier this year. We’ve got Klingon! Acid trips! The plural of ‘octopus’! An unwitting cameo from Cliff Richard!

Warning: this episode contains references to drugs, sex and genitals, plus some mild swears (category B/C).

Find out more about this episode at http://theallusionist.org/bonus2015, and say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow. The show will return on 27th January 2016.

Support the show: http://patreon.com/allusionist

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CONTENT WARNING: Be wary of listening to this episode around young children, as there may be life spoilers. Historian Greg Jenner traces the origins of that mythical beardy man who turns up in December with gifts. Helen Zaltzman also ensures her permanent removal from everybody’s Christmas card lists.

Read more about this episode at http://theallusionist.org/christmas

Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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There’s a language which is said to be the smallest language in the world. It has around 123 words, five vowels, nine consonants, and apparently you can become fluent in it with around 30 hours’ study. It was invented by linguist Sonja Lang in 2001, and it’s called Toki Pona. And Nate DiMeo, from the Memory Palace, decided we should learn it together.

Find the Memory Palace at http://thememorypalace.us/. Read more about this episode at http://theallusionist.org/tokipona and say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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It’s cathartic; it’s a useful historical record; and it might help you behave better on public transport. Neil Katcher and Dave Nadelberg from Mortified discuss the art and practice of keeping a diary.

Find the Mortified podcast, stage shows, documentary, TV series and books at http://getmortified.com.

Read more about this episode at http://theallusionist.org/diaries. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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Phoebe Judge and Lauren Spohrer from the podcast Criminal stop by to talk about the linguistic challenges of crime reporting. They also share their episode ‘Pants on Fire’, about lying. It’s an extremely useful handbook if you fancy becoming either a human polygraph, or an excellent liar.

Find Criminal at http://thisiscriminal.com. Read more about this episode at http://theallusionist.org/criminallusionist. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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La la la, dum di di dum, a wop bop a loo bop a wop bom bom – why are songs riddled with non-words masquerading as words? Hrishikesh Hirway from Song Exploder and songwriter Tony Hazzard explain.

Read more about this episode at http://theallusionist.org/vocables. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow, and find Song Exploder at http://songexploder.net.

Support the show: http://patreon.com/allusionist

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Naming something after yourself: a grand display of egomania, or the humble willingness to be overshadowed by your own product? Stationery expert James Ward tells the tale of the people who begat the eponymous ballpoint pens Bic and Biro, because, according to 99% Invisible’s Roman Mars, “When it comes to word origins, an eponym is the shortest bet you’re going to get a good story out of it.”

Read more about this episode at http://theallusionist.org/ballpoint. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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Why do we all sound like idiots when we talk to babies? Don’t be embarrassed, we’re helping them acquire language. Child psychologist Ben Jeffes explains.

There is more about this episode at http://theallusionist.org/baby-talk. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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“Talking about music is like dancing about architecture” is a problematic statement: not just because nobody can agree on who came up with it, but because dancing about architecture doesn’t seem particularly far-fetched. Talking about dance, however – that’s really difficult. How do you put a wordless form of communication into words?

Audio describer Alice Sanders and choreographer Steven Hoggett take the issue for a twirl.

There is more about this episode at http://theallusionist.org/dance. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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The messiness of English is the price of its success. It is the most widely spoken language in the world, geographically, being an official language in 88 different countries, and there are countless different versions of it all over the world. With so many speakers in so many places, it would be impossible to establish a single ‘correct’ form of English; and, as became evident in Fix part I, to try to do so is a losing game.

In Europe, a new strain of English is emerging. It’s not spoken very widely, but it is used by some of the most powerful people in the world. Hampton and Michael Catlin, founders of the collaborative online dictionary Wordset, lead us into this linguistic netherworld. Beware: excessive suffixes.

There is more about this episode at http://theallusionist.org/fix-ii. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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The English language is a mess. And if you don’t like it, what are you going to do about it – fix it? Good luck with that.

In the early 18th century, a movement of grammarians and authors wanted to set up an official authority to regulate English, like French had in the Academie Francaise. But is trying to fix a language a good move? Linguists Liv Walsh and Thomas Godard weigh up the evidence.

There is more about this episode at http://theallusionist.org/fix-i. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.