100 avsnitt • Längd: 35 min • Månadsvis
Welcome to ’MIXOLOGY’, the show where I take Mono, Stereo, and International/Single mixes of classic albums, and compare and contrast all the key differences to create the ultimate in-a-nutshell guide!
The podcast Mixology: The Mono/Stereo Mix Differences Podcast is created by Frederick French-Pounce. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
Hello Friends! We're rounding out Mixology for the year today with a look back over everything we covered this year, including a couple of corrections and updates, as well as a look at a bunch of interesting emails I received through the year. 2024 has been an amazing year for the show that I am incredibly proud of, and while I can't imagine I can really follow-up on some of the highest highs I managed this year, I've got some wonderful things lined up for 2025 I've teased in this episode.
Happy Listening, and see you in 2025,
Frederick
(Except if you head over to the Patreon, where I'll see you next week for Back to Mono 100! Find it at www.patreon.com/backtomono)
Email Instagram - @hypnoticfredHello Friends! As we move into episode 101 we bring you something quite special to follow-up the unfollowable. During my time working on Blonde on Blonde, I was approached by noted reissue producer and historian Andrew Sandoval to investigate a recent acquisition of a large number of Beach Boys 45s, both stock and promo, from across the Brother/Reprise years, and a number of anomalies present in his initial listening to these, most notably in the mono presentations on the promo copies, though the stereo was not without interest. Thus, today I present to you an episode in two parts:
Our first half features a discussion between me and Andrew, both about the discs themselves and how he came to acquire the copies you'll be hearing samples from today, as well as a brief run-down and discussion of my findings. This was a wonderful discussion, and with many suitable tangents into the worlds of both record collecting and The Beach Boys, and proved a learning experience for us both.
The second half of the episode, and the main bulk, is a slightly different take on the Mixology format, working through the singles from 1970 thru 1974 one by one, both in stock and promo, and comparing these to their regular LP presentations where applicable, to discover what had been modified for each release, and where modifications had been made, if these were consistent with current CD and Digital releases of these tracks. Believe it or not, we have a few mixes here today that have never been accurately represented in the digital domain, and remain unissued in authentic representations since these original 45s, while some did receive special processing for both stock and promo release that has not since been replicated, for reasons that are evident when listening.
As a result, today's episode was an absolute joy to research, compile and record, and I want to thank Andrew again for reaching out with this opportunity for the show, and graciously surrendering a portion of his time for the conversation. Hopefully this slightly fresh take on the Mixology format delights you, the listener, and helps you to Add Some Music to Your Day.
Happy Listening,
Frederick
Email Instagram - @hypnoticfredHello Friends! Well, it's finally time for the big one - and not just that today marks Episode 100 of the show. After 6 months of planning, work, and research, we have arrived at what will surely be the peak of the Mixology format, our extensive look at Bob Dylan's 1966 classic Blonde on Blonde. Issued in both mono and stereo as a 14-track double LP, the album was subject to a partially revised stereo mix, issued as soon as 1966 in some countries (Australia never got the initial stereo mix for example), while the UK & Canada got a stack of exclusive mono mixes (more in the latter), and even France got a handful too. Many of the singles from the album were also heavily edited, and in the case of one, remixed too. This gives us a total of 52 vintage mixes and edits from the 60s period for this album - but the fun doesn't stop there...
From the dawn of the CD era, this album has only been issued in remixed form, with new mixes being issued in 1987, 1992, and 1999, the latter of which is the mix you'll find available today. A number of the original and revised mixes have thankfully slipped out on compilations through the years, but for the most part these remain exclusive to the vinyl issues of these albums. Regardless, these remixed albums increase our mix look to a whopping 94 unique mixes and edits for this episode.
As a result, our extensive run-time today comes as no surprise, and is well deserving of placement as episode 100 of Mixology. I hope you're sitting comfortably, with your Leopard-Skin Pill-Box Hat on tight, because we're in for one heck of a ride.
I also want to give a huge thank you to two people whose assistance proved invaluable in the research of this episode. When it came to CD sources for the vintage mixes, James Messina came to me having done the majority of the dirty work, locating discs from all over the world as reference to ensure we had the best sources at hand for comparison. Without him this episode could not be as analytically sound as it is.
Even moreso though I must thank Roger Ford from electricdylan.net, an essential resource for the 1965-66 period of Dylan's career. Much of what you'll hear me cover today comes from the extensive notes present on Roger’s website, and I certainly could never have known the true extent of the mix mountain for the album without his research. Roger has also kindly been extremely helpful along the way in pointing me in the correct direction of sources I needed to pickup for the episode, and without him, this episode could not have been as comprehensive and complete as the final result has become.
And now, it's time for you to all become a part of it. The world - not the album - that is the Thin, Wild, Mercury Sound of Blonde on Blonde.
Happy Listening,
Frederick
Email Instagram - @hypnoticfredHello Friends! Here we are, at episode 99, and what better way to hit the end of double digits with than The Kinks curio of a live album from 1967/68 [US/UK], Live at Kelvin Hall. Notorious for its overbearing loop of screams edited into the mixdown, the album is nothing if not an exciting listen. But what of the two mixes available for this sonic experience? Well, between the Stage Front of the Mono and the Hall Rear of the stereo, they couldn't be more different, including heavy echo usage in stereo only, entirely different guitar overdubs throughout in each mix, and a generally different balance and track edits in each. All-in-all, a vastly different experience that can be hard to initially quantify. So come on now - Batman wants answers!
Happy Listening,
Frederick
Email Instagram - @hypnoticfredHello Friends! It's Beatle time here on the show again, as we finally round out our look at all the catalog LPs in the Beatles canon with a look at 1963's With the Beatles. Originally issued in mono and stereo, this twin-track recording seems like a simple comparison on the surface - and yes, many of the tracks are - but there's some real hidden secrets in these mixes that demand your attention, including unique overdubs in each mix, alternate edit pieces used, and a couple of odd balance moments independent of each other. We also have a couple of curious international variations, one with some extraneous session sounds, and the other the fault of a tape machine. Of course, MONEY makes a completely worthy climax to this knock-out programme. Hope it doesn't leave you too breathless to flip back to Side One for a repeat-play session WITH THE BEATLES.
Happy Listening,
Frederick
Email Instagram - @hypnoticfredHello Cabbages! This week on the show we're taking our first full-length look at Chad & Jeremy, addressed here by their full names, and their 1967 statement piece Of Cabbages and Kings. A tale of two sides, this takes an already very progressive baroque-folk set of songs on Side 1 and pairs it with The Progress Suite on Side 2 - a 5 part, most instrumental look at the rise and fall of society and the politics surrounding it. It's a grand, Gary Usher produced statement of an album that lands for the most part, but how do it's two mixes stand up? Well, for the most part the mono and the stereo are equally strong, especially over speakers, and I never truly feel left wanting from the mixes, but there's plenty of little details that make each unique. So with these two LPs in hand, and a 45 edit/mix of opening cut 'Rest in Piece' trailing behind, let's dig into this album to deep which is the Cabbage, and which is the King.
I've also got to once again give a huge thanks to Ethan Alexanian from the Fans on the Run podcast for his work on the flatlay artwork for today's episode.
Oh, and I want a word with whoever decided to put my name on a gravestone at the start of the album. I'm a little suss now...
Happy Listening,
Frederick
P.S. If you want more Chad & Jeremy, we looked at 'Paxton Quigley...' b/w/ 'You Need Feet: last month over at the Patreon on Mixology on 45.
Email Instagram - @hypnoticfredHello Friends! We're moving into the land down under this month on the show, with a look at the fantastic 2nd LP from Australia's own The Twilight, Once Upon a Twilight. Issued in 1968 in mono and stereo exclusively in Oz, the album has since been reissued on CD, including a Mono/Stereo issue by Aztec. Sadly, this uses a fold-down of the stereo for the mono presentation, while the original LP is wonderfully a dedicated mono affair, complete with drier vocals, and some wildly different use of effects throughout this very 'studio' production. This is a wonderful piece of late 60s Pop-Psych, and if you're a fan of The Beatles' 1967 efforts, or The Hollies' Butterfly, you'll love this album. Not convinced? What a silly thing to do! Be Mr. Nice and Take Action - the Blue Roundabout is waiting!
Happy Listening,
Frederick
EmailHello Friends! Today we're completing our look at the Bee Gees' catalog* here on the show, with their first international release Bee Gees 1st from 1967. Issued originally in both mono and stereo mixes, I was shocked at how much stronger the stereo mix here was than the rather poor showing on Horizontal, generally being comparable to the mono, with a couple of exceptions. But what are these exceptions, and what makes some of the stereo mixes stand out above their mono mixes? Well send those vocals to the echo chamber and turn up those orchestration overdubs, as we head down to Cucumber Castle for the Turn of the Century.
Happy Listening,
Frederick
*Remember, non-LP tracks such as 'Words' & 'I've Gotta Get a Message to You' can be found on Mixology on 45 over at the Patreon
Email Instagram - @hypnoticfredHello Friends! It's time to hop back on the Beach Boys train this month with a look at the group's 2nd LP of 1965, the commercial smash Summer Days (and Summer Nights!!). Containing huge hits 'Help Me, Rhonda' and 'California Girls', the album was only initially issued in mono and Duophonic stereo back in 1965, but once the late 90s hit, the album steadily gained true stereo mixes of it's tracks, until in 2012 the whole album received it's first true stereo edition, using many of the previously issued mixes, and some additional ones created for this issue. However, those stereo mixes had been changed multiple times prior - not always with notice - giving us a perplexing bevy of mixes to look into, along with an alternate fade on the single version of 'California Girls', and a unique 2003 DVD-A mix of 'Summer Means New Love'. In short, you'll need an entire summer day and night to digest it all!
A huge thanks to @vinylbenjy on instagram for his second flatlay artwork to grace the show while my collection makes it's way between countries!
Happy Listening,
Frederick
Patreon Email Instagram - @hypnoticfredHello Friends! As promised, it's finally time to blaze it up, with the 1967 LP from the much derided Herman's Hermits, Blaze. Issued in October of that year, the album was not issued at the time in the UK (though formed popular on the import market), the album comprised of 10 tracks produced by the ardent lover of mono, one Mickie Most. This overall leads to a generally simple stereo presentation, including two reprocessed stereo tracks (though not necessarily of the same mono mixes), but this does not mean these don't feature some significant differences.
Things get more interesting when we bring in Ron Furmanek remixes from 1991 of the first 7 tracks for the album. If one hasn’t heard a Ron Furmanek remix before, it’s important to understand his sound for the period. These are very clean and open mixes, and compared to the often heavy compression and EQ used on ‘60s mixdowns, Ron prefers to keep it dynamic and dry, heavily aided by his very ahead-of-the-curve syncing of stage tapes, albeit with some minor sync issues sadly. I personally find them more fascinating insights than actual preferred listening experiences, and the tracks as presented on the Bear Family set also appear to have a bloated sounding EQ, especially apparent when moving from the ‘60s mixes, so do keep all these pointers in mind as we compare.
As a little bonus, I’m going to be including the song ‘Mum & Dad’, which was recently brought to my attention by Andrew Sandoval as excised from the LP late in the production, present in the tracklist (but not audio) for the US reel-to-reel release, as the second to last track on the LP. Of course, this eventually saw release on The Best of Herman’s Hermits Volume III in the US only, which gave us true mono and stereo mixes of the track, and we were treated to a remix from Ron again for this one.
All in all, this makes for an episode that was far more fun to make than I was expecting, and it was very much one initially done out of the love for the album over anything else. And hopefully you learn a lot too!
Happy Listening, Frederick Patreon Email InstagramHello Friends! We're back with our first proper Mixology breakdown of 2024, taking our first look on the show at The Searchers, and their fantastic 1965 LP Take Me For What I'm Worth. The last LP issued by the group until their late 70s renaissance, the album sees the group moving in a Folk Rock direction, and deep in the throws of a love affair with the echo chamber, giving us some wonderful differing echo levels between the two mixes, along with a few other tidbits. An album deeply worth your time, it's time to see which mix you should be after - if you don't just take either for what they're worth!
Happy Listening,
Frederick
Fans on the Run Podcast (feat. Frederick French-Pounce)
Patreon Email Instagram Back to MonoHappy Listening,
Frederick
Hello Friends! Today on Mixology - you guessed it - we’re covering all the new remixes featured on the 2023 expanded and remixed editions of 1962-1966 & 1967-1970 by The Beatles - better known as the Red and Blue albums. Expanded to 3 LPs each and compiled entirely from either remixes done from 2015 to the present, or from brand new remixes, these LPs pack quite a punch, and these 36 brand new remixes make up our look today. Extending well over an hour, this is a deep dive into the many approaches taken to give this material a fresh shine, and help you understand exactly what makes these mixes different compared to their most recent or common mix options.
Happy Listening,
Frederick
Hello Friends! We've got a slightly different look this week, with The Doors' 3rd LP, Waiting For The Sun. Released in mid 1968, this was at the height of the phase-out of mono in the USA, and is the only Doors mono LP that has never been reissued. As such, I wanted to take a look today and see if we can pick apart the many different takes on this album on the internet. Is it true mono? Is it a fold? Or is it a mixture - and if so, how much? With a fresh needledrop of the original US mono and US stereo in hand, let's breakdown the similarities, and see what secrets we can find...
Happy Listening, Frederick Patreon Email InstagramHello Friends! We're finally taking time out with Gerry and The Pacemakers on Mixology this week, with a look at the soundtrack LP from the group, Ferry Cross The Mersey. Issued in mono and stereo, this album included 9 originals from the group, plus three other cuts produced by George Martin from The Fourmost, Cilla Black, and The George Martin Orchestra. This fantastic beat collection features some huge differences in editing and vocal mixing, as well as a general balance difference between the mono and stereo, making a break down like this shockingly essential. So let's hop on the Ferry and find out Why Oh Why mono is the way forward here...
Happy Listening,
Frederick
Patreon Email Instagram Back to MonoHello Friends!
We're getting back on the Spoonful train this week with a look at the group's 3rd (and arguably best) LP, the fantastic 'Hums of...' from 1966. Including the hit singles 'Summer in The City' and 'Nashville Cats', the album was originally issued in mono and stereo, with the former single weirdly being in low-fidelity on the LP when compared with the shining mono 45 master. Much like Daydream, these are two mixes of different vibes more than actual differences, but there's still a smattering of these too - and of course that textural difference can make for some vastly different feeling songs too. So grab this LP in Full Measure and let's mess around with Voodoo in the Basement...
Happy Listening,
Frederick
Patreon Email Instagram Back to Mono25 All-Time Greatest Summer Songs The Ultimate Collection: https://www.discogs.com/release/8318257-Various-25-All-Time-Greatest-Summer-Songs-The-Ultimate-Collection
Hello Friends! It's Zombies time again on the show, taking a look this time at their UK debut LP Begin Here from 1965. Half originals and Half covers, this LP has a curious mix history, being only issued in mono originally and having a few tracks subject to stereo mixes for international release (some barely issued digitally in poor quality versions on early CD issues and now out of print), all tracks were finally remixed in stereo in 2002 on the Decca Stereo Anthology. But should you stick with that original mono, or recompile it from the mountain of goodies present in said collection? What more can I do than help you answer that...
Happy Listening,
Frederick
Patreon Email Instagram Back to MonoFrederick
Patreon Email Instagram Back to MonoFrederick
Patreon Email Instagram Back to MonoHello Friends! In an episode I teased as coming soon almost a year ago, it's finally time for Mixology to take on The Beach Boys' most unusual offspring, 1967's Smiley Smile. Recorded in the aftermath of Smile's cancellation, this incredibly lofi, yet incredibly intricate little album was only originally issued in mono, getting a couple of stereo mixes for the first time in 2001, and then finally a full LP stereo mix in 2012 for it's issue in Japan - before then being tweaked further before being issued in the rest of the world that same year. Despite this, with only 10 new tracks to look at ('Good Vibrations' was of course covered in my Sounds of Summer episode, but has been pasted in here), this seemed like a quick task. With an episode totaling a hair under an hour later for an LP under 28 mins in length. So, from the odyssey of mixes for 'Heroes & Villain', thru lost ambient sounds, different edit lengths, differing takes, alternate instrumentation, and general mixing tomfoolery, let's dig into the most unique album in The Beach Boys canon, and discover why the mono mix truly has the spook, but the stereo almost manages to be creepier.
Happy Listening,
Frederick
Patreon Email Instagram Back to MonoHello Friends! As is routine, it's time for me to pull out a slightly left-field pick for the show, which means today we're looking at the fantastic LP Neon by The Crykle. Released in 1967 on Columbia in the USA and CBS in the UK, this LP is chock full of killer melodies, fantastic performances, and was issued in two great mixes. As was often the case on Columbia, we either end up with songs that sound very close, or songs with some very dramatic and clear differences, and today we have a lovely helping of both! From edits to shorten tracks, differing speeds, instruments dropping in and out, and changing levels of echo, we've got plenty to dig into today. So, with a Sundazed CD in one hand, and a sealed US Mono LP in the other, our mix choice is in question.
Happy Listening,
Frederick
Patreon Email Instagram Back to MonoHello Friends! The time has come for the first part in a sub-series for Mixology on a topic I've been wanting to cover for a while - fold-downs. Specifically, albums that originally had a stereo and a mono issue (usually as a promo) that was created primarily using the Stereo mix as the source. Today, we’ll be taking a look at 3 fantastic LPs from 1968 - Birthday by The Association, Take a a Picture by Margo Guryan, and Beggars Banquet by The Rolling Stones. Do these albums benefit from the fold down treatment? What makes them unique compared to their Stereo source counterparts? And above all - are these worth seeking out, or should you just stick with the pure Stereo source? It’s time to start breaking down the myths around these mixes, and evaluating the results. And I can assure you - there’s plenty more where these came from!
Happy Listening,
Frederick Patreon Email Instagram Back to MonoHello Friends,
Just a quick message from me regarding a very special announcement Monkees fan of the show won't want to miss!
Hey, hey everyone!
The Headquarters Mixography booklets are being printed!
These are 48 pages, 7.25” x 7.25” (to match the super deluxe edition booklets). This guide lists all variations of recordings made from January to March 1967. There are full mix notes for all Headquarters album tracks and several other key tracks. In full transparency, while all available versions of the Jeff Barry New York tracks are listed ("A Little Bit Me . . . ", "99 Pounds," etc.), there are no detailed mix notes for these tracks in this printing.
If you are interested, I am collecting information via Survey Monkey so I can reach back out once we have actual shipping rates. This is especially critical if you want the booklet shipped outside the United States.
The booklets are $8 plus shipping for a physical copy with download; a PDF will be available for $4 after physical copies have shipped.
Happy Listening,
Frederick
Patreon Email Instagram Back to MonoHello Friends! As voted on by my Patrons, this week on Mixology we’re taking on the 2LP beast from The Bee Gees, the ever-fascinating Odessa. Originally issued in 1969 in stereo, as well as a late mono issue in the UK, this gives us two lovely mixes for this wonderful album, both of which I heartily enjoy, and of course both carry with them their own unique elements. From the grandiose entry of the title cut, through single First of May and the country tinged Marley Purt Drive, and even the orchestral instrumental piece Seven Seas Symphony, there’s a real mix of flavours here, giving us plenty to sink our teeth into across these 17 tracks. So which mix is your Black Diamond? Let’s take a trip down to Melody Fair with Edison and find out…
Happy Listening,
Frederick Patreon Email Instagram Back to MonoHello Friends! We're kicking the year off proper today, with an album I have had requested from the moment I started Mixology, and that is The Piper At The Gates of Dawn by Pink Floyd. The only LP released by the group under Syd Barrett's leadership, this album truly is something else, with seemingly disconnected ideas strung together to somehow make a psychedelic classic. Never remixed, this album was issued in 1967 in both Mono and Stereo, and oh boy, do we have plenty to dig into here. Prepare for extra instrumentation, flanging, phasing, echo, egregious panning - the whole shebang! So, without further ado, take up thy stethoscope and walk with me to find out if the somewhat elusive mono mix of this album is the one to seek out, or if you should be going into interstellar overdrive in stereo!
Happy Listening, Frederick Patreon Email Instagram Back to MonoHello Friends, and welcome to Mixology for 2023! We're starting the year off a little differently, with a wonderful conversation I had recently with Craig Smith. Best known for his work on the Monkees Mixography website and the upcoming Mixing Links: The Monkees on Disc book, Craig has worked with his partner Derek Miner to create the most comprehensive guide to the 900+ unique mixes in the Monkees US discography, in a resource used by everyone from Andrew Sandoval to this very podcast!
Less of an interview and more of a conversation between friends, Craig and I took this opportunity to chat about our love for all things mix difference, from our very different introductions to the world, to how this affects the way we listen to and interact with music today. Of course, we also dig into the history of the Monkees Mixography website and it's origins, and how through a reboot gave life to the concept that became Mixing Links: The Monkees on Disc, as well as an update on the current state of the book itself. And of course, The Beatles come into it. So, don't be feeling Nine Times Blue, come join us in our Conversations!
And if that wasn't enough, I joined Craig over at the Pods and Sods Network for a very special Monkees episode of Two Pick Ten, which you can listen to now at https://podsodcast.com/
Happy Listening,
Frederick
Support the show and get hours of extra content (including Mixology on 45) at: https://www.patreon.com/backtomono
Browse the Monkees Mixography: http://monkeesmixography.wikidot.com/
Get a sneek peek into the Mixing Links book: https://mixinglinksbook.com/
Email the show at: [email protected]
Find me on Instagram @hypnoticfred
Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/Hello Friends! We're taking a trip back again with The Hollies this week, and their second LP on Parlophone, the wonderful In The Hollies Style, released in November of 1964. A huge step up from their debut LP, this saw the bevy of original numbers grown from 1 on the debut to 7 here, along with some fantastic covers to boot. But with this growth, do we see a development in mix differences? Well, with a mono mix only done for the UK, and a stereo mix made for export only, we shall have to dig in and see if the answer is in her kiss by getting down to the nitty gritty!
Happy Listening,
Frederick
Support the show and get hours of extra content (including Mixology on 45) at: https://www.patreon.com/backtomono Email the show at: [email protected] Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/ Find me on Instagram @hypnoticfredHello Friends! We're taking another trip out with The Monkees this week, jumping right back to the beginning with their debut LP. Released in October 1966, we once again have mono and stereo mixes of the whole album to look at today, as well as 3 unique TV mono mixes/edits used in the first series of the show. So Take a Giant Step outside your mind and see which mix truly is definitive, and if Rhino have kept the correct one in circulation...
Happy Listening, Frederick Support the show and get hours of extra content (including Mixology on 45) at: https://www.patreon.com/backtomono Email the show at: [email protected] Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/ Find me on Instagram @hypnoticfredFind me on Instagram @hypnoticfred
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Hello Friends, today on the show we're taking our first trip out with The Association, and their huge hit 1967 album, Insight Out. Featuring hit singles 'Windy' and 'Never My Love', this album is somewhat of a mixed bag mix wise, covering everything from fold-downs, to multiple unique mixes across LP and single mixes for other tracks. Does this add up to a superior stereo mix, or a hodge-podge mono mix that somehow rises above it's creation? Let's find out in this long awaited requiem for the masses...
Happy Listening,
Frederick
Support the show and get hours of extra content at: https://www.patreon.com/backtomono Email the show at: [email protected] Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/Find me on Instagram @hypnoticfred
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Hello Friends! Today we're taking our first Mixology look at The Who, with their 1966 LP A Quick One. Following up on their first LP, this album featured far more original contributions from every member of the group, culminating in Pete Townshend's epic 'A Quick One While He's Away'. Originally released in the UK only in mono, the album received a mostly stereo mix in the US and across Europe, and these are the mixes we'll be looking at today. Many of the tracks were then remixed in 2003, mirroring the original stereo mixes, with a few quality of life improvements here and there. So, with most tracks having 3 mixes to cover, this isn't going to be a quick one, but let's run run run and see if Boris the Spider has the answers!
Happy Listening,
Frederick
Support the show and get hours of extra content at: https://www.patreon.com/backtomono Email the show at: [email protected] Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/Find me on Instagram @hypnoticfred
Join the Facebook Community here: https://www.facebook.com/groups/backtomono
Find me on Instagram @hypnoticfred
Join the Facebook Community here: https://www.facebook.com/groups/backtomono
Hello Friends! After looking at the fabulous self-titled debut LP from The Doors last year on the show, it only felt right to move on and cover their only other mono LP, Strange Days. Released in 1967, this album heralded a step forward for the group sonically, with the use of a greater number of tracks to record, as well as synth sounds and experimentation in the studio. This would naturally lend itself to an album with some even greater mix differences, but something is afoot here. Can we sort the dedicated mixes from the folds, and is the mono worth your time? Come take a Moonlight Drive with me and find out!
Happy Listening, Frederick Support the show and get hours of extra content at: https://www.patreon.com/backtomono Email the show at: [email protected] Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/Find me on Instagram @hypnoticfred
Join the Facebook Community here: https://www.facebook.com/groups/backtomono
Find me on Instagram @hypnoticfred
Join the Facebook Community here: https://www.facebook.com/groups/backtomono
Find me on Instagram @hypnoticfred
Join the Facebook Community here: https://www.facebook.com/groups/backtomono
Happy Listening,
Frederick
Support the show and get hours of extra content at: https://www.patreon.com/backtomono Email the show at: [email protected] Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/Find me on Instagram @hypnoticfred
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Hello Friends, and today we're continuing on with our look at Donovan's 1967 classic, A Gift From a Flower to a Garden, diving in to the second LP of this set, also released individually in the USA as For Little Ones. A diversion from the first LP in the set, this album is comprised of a set of songs based in Celtic folk music, with Donovan's intention of writing an album of songs for children. Strangely, this song actually feels more mature than Wear Your Love Love Heaven, but how does this change in approach affect the mono and stereo mixes of the album? Littered with sound effect intros and stripped back arrangements, this album is a real mish-mash of similarities and differences, which which brings these mixes together best? Come along with The Magpie to The Lullaby of Spring and find the Starfish-on-the-Toast for the answer!
Happy Listening,
Frederick
Support the show and get hours of extra content at: https://www.patreon.com/backtomono Email the show at: [email protected] Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/Find me on Instagram @hypnoticfred
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Hello Friends,
Today on the show we're back again in 1967 with our next Graduate Patron selected album, taking our first look at Donovan and his fantastic double LP A Gift From a Flower to a Garden. Much like our look at The Beatles at the beginning of the year, we will be splitting these two LPs in to two episodes of Mixology, with this week's episode looking at the first LP, also released individually in the USA as Wear Your Love Like Heaven. A glorious psych/folk/pop collection of 10 tunes, this album was released in both mono and stereo upon its original release. Thanks to some insider comments, we can confirm the mono was definitely the focus at the time, but how well does the made-for-USA stereo mix hold up by comparison? Oh Gosh, come along with Skip-a-long Sam and let's listen to Someone Singing Under The Greenwood Tree and find out.
Happy Listening,
Frederick
Support the show and get hours of extra content at: https://www.patreon.com/backtomono Email the show at: [email protected] Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/Find me on Instagram @hypnoticfred
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Hello Friends! In another episode chosen by our Graduate Tier Patrons, today on the show we are taking our first flight with the fabulous Byrds, and their fantastic fourth LP, 'Younger Than Yesterday'. Released in 1967, this album was subject to mono and stereo mixes, and for almost 30 years these were the only mixes of these 11 tracks. However, in 1996, due to the poor state of the stereo master, all 11 songs also received remixes from the 3-track masters to create the current in print and streaming version of the album we hear today. So, with three mixes of the album in hand, and a bonus single edit to boot, how should you be listening to this album? Everybody's Been Burned by one of these mixes, so Why hold back any longer and see what Thoughts and Words I have on the subject.
Happy Listening,
Frederick
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Hello Friends, and today we're in 1967, with Small Faces' first album on the Immediate label, and their second self-titled album overall. Including 14 original compositions, ranging from Pop, Soul, Psych, and Baroque, this album truly covers an undeniably broad range, and leads into a lovely broad range of mixing differences too! So, let's go up the wooden hills to Bedfordshire, and dive right in!
Happy Listening, FrederickSupport the show and get hours of extra content at: https://www.patreon.com/backtomono
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Hello Friends! On this fine Tuesday afternoon I thought I'd treat my listeners, by sharing an example of the sort of exclusive content supporters over at the Back to Mono Patreon have access to, with an episode of Mixology on 45, the Patreon-Only series where I take a look at non album A and B-sides, and their many occurring mix differences. With this in mind, I've decided to dig out my episode on The Beatles' 3rd single, From Me To You. Here's the original description from my Patreon:
In the 3rd installment of Mixology on 45, we're jumping to 1963, with the 3rd single from The Beatles, the great 'From Me To You', and it's flipside 'Thank You, Girl'. These tracks have an interesting history, with From Me To You being mixed in to stereo in 1966 for 'A Collection of Beatles Oldies', and Thank You Girl getting a stereo mix for 'The Beatles' Second Album' in the States, but this was only released after Dexterization. The EMI Stereo mix was not released until 2009! With differences focussed heavily on echo and harmonica, it's once again a rollicking good time with the Fab Four!
With this in mind, if you wish to access the rest of the ever growing catalog of Mixology on 45 episodes, as well as extended Back to Mono episodes, Longplayers in Mono, and even Artists in Mono, you can do so at patreon.com/backtomono
Happy Listening,
Frederick
Hello Friends! Today we're in 1967, with The Turtles, and their wonderful album "Happy Together". Obviously including the title hit, this album has an absolutely wonderful selection of cuts, ranging from the upbeat and uplifting opener "Makin' My Mind Up", to the beautiful ballad "Like The Seasons". However, how does it compare between it's original mono and stereo mixes? The stereo certainly features a number of well thought out panning decisions, but the mono brings in a number of effects used more haphazardly in the stereo. To top it off, we get two mixes only issued on 45s, with missing overdubs and alternate fade outs! So consider this your Guide For The Married Man!
Happy Listening,
Frederick
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Hello Friends! Today we're basking in the summer of 1964, with The Beach Boys' Summertime Magnus Opus, 'All Summer Long'. Featuring Classics such as I Get Around, Wendy, the title track, and Little Honda, this album was originally released in both mono and stereo mixes, but both versions suffered on two differing tracks. With a modern remix or two to help us out, which of these equally fantastic yet equally compromised mixes is the one to go for? Don't Back Down from the decision, let's find out!
Happy Listening,
Frederick
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Hello Friends! Thanks to the appearance of their music in Tarantino's "Once Upon a Time in Hollywood" in 2019, Paul Revere & The Raiders have entered into the musical radar of many people, myself included, and this group are like any other when it comes to their Mono & Stereo mixes! With this in mind, I've today chosen to take a look at their defining LP, "The Spirit of '67", with 11 classic tracks, including an alternate single version for good measure in there as well! So, is the added separation and clarity of the Stereo where it's at, or should you seek out a Mono copy of this album for that grit and punch that can drive those more Garage Rocking tracks home? If you're deeply Hungry for the answer, don't wait 1001 Arabian Nights - let's dig in right away!
Happy Listening,
Frederick
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Hello Friends! Today we're targeting the second half of 1965, with the 3rd LP from The Hollies, simply titled, "Hollies". This album was very much a case of two steps forward and one step back from their previous LP, with Folk Rock seeping into the formula, and some interesting production techniques popping up across the album. However, the decreased level of original material is certainly disappointing, but of course the entire LP is presented with that classic Hollies polish. With that in mind, upon release the UK only saw a mono copy of this album, with the stereo remaining an export until 1969, when it was reissued with a new title and cover under the budget Starline label. With this in mind, should you be seeking out that original mono pressing, or will this readily available stereo pressing suit your needs, despite it's instruments left and vocals right mixing? Let's move on Down the Line and find out!
Happy Listening,
Frederick
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Hello Friends! Today we're returning to Simon & Garfunkel, with their breakout LP "Sounds of Silence". This wonderful hodge-podge collection of Folk and Folk Rock tunes was subject to Mono and Stereo mixes in 1966, along with a faithful 2001 remix of the entire stereo album, as a well as a partially re-recorded single edit of I Am A Rock, giving us plenty here to work with. This has been one of my favourite episodes of Mixology to compile yet, with huge sonic differences between a large number of tracks, with many of the Folk Rock tracks being bathed in echo in mono, and vice versa for the Folk tracks in stereo. So, why sit in silence any longer? Let's get a Groovy Things Goin' and dig right in!
Happy Listening,
Frederick
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Hello Friends! We're jumping to June 1966 today, with The Rolling Stones leap forward into the world of 60s Pop and Swingin' London, and their classic LP 'Aftermath'. Released in both mono and stereo at the time, both these mixes offer us a different flavour for the album, replete with extra echo, longer fades, and just an overall differing vibe between the two. So, with both these mixes, and a copy of Flowers in hand for one more, let's dive in before we're Out of Time!
Happy Listening,
Frederick
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Hello Friends! Today we've got another Patron requested episode, taking a look at the debut LP from The Mamas and The Papas, "If You Can Believe Your Eyes and Ears". This California pop classic includes hit singles "Monday, Monday" and "California Dreamin'", along with classics like "Go Where You Wanna Go" and "I Call Your Name". The stereo mix of this album is notoriously wonky and unpleasurable compared with the cohesive sound of the mono, and with extended fades and variable balance between the two, we've got another treat for you to enjoy!
Happy Listening,
Frederick
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Hello Friends! Today we're making the trip to January 1967, with the debut LP from LA's most renound, The Doors! Classically self titled, 'The Doors' combined the evolving rock, psych, blues, and r'n'b movement at the time, to create a raw yet timeless effort, often heralded as the group's best. As always, the album received mono and stereo mixes upon release, and while there aren't that many explicit differences, the overall sound of the mix is vastly different, with the stereo having the clarity, but the mono having the crunch and the punch. Which is better? Let's take a trip to the Whisky Bar at The End of The Night, and find out...
Happy Listening,
Frederick
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Hello Friends! Today we're hanging out in 1966 with Nancy Sinatra's debut LP, 'Boots'. The first in a string of albums produced by Lee Hazlewood, this album was host to smash hit "These Boots Are Made For Walkin'", along with classic tracks such as "So Long, Babe", and many fantastic covers, including my personal favourite, "Run For Your Life". Remaining unissued in mono since 1966, let's see how the in-print stereo mix holds up to the single-channeled punch of the mono. So, get ready to count those Flowers On The Wall, and let's dig right in!
Happy Listening,
Frederick
P.S. - This episode was voted on by our Graduate Tier Patrons. If you want to control which albums I look at in the future, consider signing up at https://www.patreon.com/backtomono
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Hello Friends! We're travelling back to 1968 this week with The Monkees, and their slightly unusual LP 'The Birds, The Bees, & The Monkees'. Recorded almost totally separately by each of the members of the group, the album is a bizarre mish-mash of styles that just about manages to come together as one. Released at a time when mono was becoming deeply uncool in the USA, many people have never heard the true mono version of this LP, and today we find out if seeking out this incredibly rare mix is worth your time. So, get back upon your feet and come with me to Auntie's Municipal Court!
Happy Listening,
Frederick
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Hello Friends, today we're taking it back to 1965 with the second LP in Bob Dylan's iconic electric trilogy, the incomparable 'Highway 61 Revisited'. Release in both Mono & Stereo mixes in 1965, the album has never been subject to a remix, and as such, these are the mixes we still reference today. So, with every track being longer in stereo, is this an easy decision to make? Let's hop in a car down Highway 61 to Desolation Row and find out!
Happy Listening,
Frederick
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Hello Friends, today we're taking a lazy trip down to the village green, with The Kinks' utterly fantastic 1968 LP, "The Kinks are The Village Green Preservation Society". Released in both mono and stereo mixes at the time, this 15 track collection throws a gratuitous quantity of top quality mix differences at us, with a keen focus on the inclusion/absence of that legendary overdub - the little ol' Tambourine! To top it off, two sneaky alternate mixes leaked out on an alternate 12 Track version of the album in Europe, and of course we couldn't ignore these. So spend your afternoon Sitting By The Riverside with Johnny Thunder & Monica, and let's get in to this utterly scintillating classic.
Happy Listening,
Frederick
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Hello Friends! We're staying in 1968 this week with a look at an underrated pop gem from that summer, 'I Wonder What She's Doing Tonite' from Tommy Boyce & Bobby Hart. The Monkees songwriters would put together a top tier collection of Monkees styled jams, ranging from top tier pop hooks, riffs on psychedelia and beat, to just an all-out good time. Released to the public in a stereo mix in 1968, the album received a mono promo mix for radio airplay, and somehow this is the mix issued digitally today! Which should you seek out? The answers lie in the lap of The Countess down in Tear Drop City!
Happy Listening,
Frederick
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Hello Friends! Today we continue our journey with The Beatles in 1968, covering LP2 of The BEATLES (better known as The White Album), and even diving in to the two cuts from the sessions released on 45, Hey Jude & Revolution. In this half, things start to get a bit dark, a bit weird, but who doesn't love it when the Fab Four get weird...? So let's get munching on a Savoy Truffle with Honey Pie in tow, and let us finish off this beast of an album!
Happy Listening,
Frederick
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Hello Friends, and welcome to the first Mixology of 2021! We're diving headfirst in to a brand new year with our first double album, the 1968 classic 'The BEATLES'. More commonly known as the White Album, we'll be exploring these notoriously different mixes across two episodes, this week focusing on Disc 1. So join me in discovering just why Happiness is a Warm Gun, where the Handclaps went in Ob-La-Di Ob-La-Da, and above all, why does the stereo mix of Back in the USSR end in an arctic storm?
Happy Listening,
Frederick
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Hello Friends, and welcome to a very festive installment of Mixology! Today we'll be taking a look at the wonderful 1964 Christmas Album from The Beach Boys, simply titled 'The Beach Boys' Christmas Album'. Featuring a number of band originals, and big band arrangements of Christmas classics, the album also brings together a few bizarre mono/stereo mix differences for us to dig our mittens in to. Even better, we've got 6 unique mixes of Little Saint Nick, 5 for Auld Lang Syne, and even a non LP B-side thrown in there too. So grab a hold of Santa's Beard, this is going to be one wild ride!
Happy Listening,
Frederick
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Hello Friends, and this week on Mixology we're going soft with the classic debut from Harpers Bizarre, the wonderful 'Feelin' Groovy'! Released in April of 1967, this soft pop classic featured 10 tracks filled to the brim with glorious Wrecking Crew instrumentals and sumptuous vocal harmonies, all of which received both mono and stereo mixes, as well as 3 unique 45 mono mixes. Today, we'll be covering all 23 of these mixes, and closely comparing the textural differences between the two, as this is our closest match yet!
Happy Listening,
Frederick
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Hello Friends, today we're taking a journey to London with The Zombies' outstanding LP 'Odessey and Oracle', recorded at Abbey Road Studios in 1967, and released in 1968. Funded by the band themselves, they only initially delivered a mono mix to CBS, who would then demand that they fund and mix a stereo version of the album. These two mixes will be our focus today, as well as the Stereo Remix of 'This Will be Our Year', only originally issued in mono and artificial stereo in 1968. So, don't get Hung Up on A Dream, it truly is the Time of the Season to break down both these mixes, and truly find out which is better.
Happy Listening,
Frederick
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Hello Friends, and welcome to the one you've all been asking and waiting for, The Beach Boys' 1966 all-time great LP, Pet Sounds. Repeatedly cited as one of the greatest albums of all time, Brian Wilson's baby has won the hearts and souls of listeners for the last 54 years, and was only ever released in mono, until it in 1996 it was finally given the stereo remix treatment as a part of The Pet Sounds Sessions box set. However, there have been a few revisions to this remix since, as well as a few mono oddities to take a look at. Wouldn't It Be Nice if there were four different mixes of said track? Of course it would! So Let's Go Away For Awhile, and see if we can finally settle the mono vs. stereo debate once and for all (spoilers - we don't).
Happy Listening,
Frederick
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Hello Friends, and welcome to a slightly different Mixology today, as we tackle Frank Sinatra's wonderful LP 'The World We Knew' from 1967. Also known simply as 'Frank Sinatra', this LP was my introduction to Frank, and it features a mono mix that has remained unissued since 1967! From the gritty fuzz bass of the title track, to the serene lounge scene of 'Drinking Again', this album features some classic Frank performances, and some even more classic mono/stereo differences. So grab a Jack like Ol' Blue Eyes, and kick back with one of the greatest voices to grace turntables world wide.
Happy Listening,
Frederick
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Hello Friends! We're spending today in 1968, with Nilsson's 2nd LP 'Aerial Ballet', a wonderful collection of Baroque Pop with Beatle-esque melodies, some utterly classic tunes, and of course, two wonderfully different mono and stereo mixes. We're also going to be looking at the overhaul remixes done by Nilsson in 1971 for 'Aerial Pandemonium Ballet', and break down exactly what he did to each song, beyond the short notes provided on the original LP. Everybody's Talkin' about this album, so let's find out why Together!
Happy Listening,
Frederick
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Hello Friends! Today we're taking another Kinky trip back into the world of Ray and his glorious band, with what is often seen as The Kinks' first truly great LP, 'Face to Face', from 1966. Featuring a greater emphasis on Ray's Personal life, and a growth of his social commentary, this is arguably their quintessential album, and luckily for us, it was their first to get both a Mono & Stereo Mix since their first album in 1964... though not as one might expect. So come all, whether you're a Little Miss Queen of Darkness, or you live in a House in The Country, and take a ride through probably the narrowest Stereo album of 1966.
Happy Listening,
Frederick
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Hello Friends, and once again we're back with the Fab Four, at their utmost Fabbest! Today we're looking at the 1964 Beat classic (and soundtrack to the classic film) ' A Hard Day's Night' from none other than The Beatles, an album absolutely littered with both mono and stereo mixing differences big and small, as well as a multitude of mixes made exclusively for the USA (some of which made their way to Germany too...). To top it off, we'll also be looking at the Long Tall Sally EP, as all 4 of it's short tracks came from the same sessions, and boy, did the USA get some crazy mixes here! This is one you certainly won't want to miss.
Happy Listening,
Frederick
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Hello Friends! Today we're breaking tradition on Mixology by looking at an album that didn't get a complete stereo mix until 2017, and that is 1967's Wild Honey by The Beach Boys. One of the first Back-to-Basics LPs of the post-Psych era, Wild Honey has a deceptively simple sound, which the 2017 Stereo Remix on Sunshine Tomorrow blows wide open for exploration. However, even better than that, is the ripe opportunity presented for mix differences to arise, given the 50 year gap between mixes, and the multiple revisions of a select few tracks since 2001. So, Let the Wind Blow these sweets sounds on the Country Air, from Brian's home to yours, and hopefully we can learn A Thing or Two together!
Happy Listening,
Frederick
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Hello Friends! This episode of Mixology is 'Brung To Ewe By' Paul & Linda McCartney, where we're going to be taking a look at one of the last mono mixes issued in the original monophonic era - 1971's RAM, a classic album by any definition! This mono mix, only originally issued as a radio promo, features some tasty mixing differences across all 12 tracks, so Ram On, and enjoy!
Happy Listening,
Frederick
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Hello Friends! In today's show, we're going to be taking a look at The Rolling Stones' 1967 LP "Between The Buttons", without a doubt the most British sounding LP in their catalog. We'll be comparing the UK Mono & Stereo Mixes, a couple of stray mixes, and both non LP tracks "Ruby Tuesday" and "Let's Spend the Night Together" too! So put away Yesterday's Papers, and get your Connection to every little detail on this album!
Happy Listening,
Frederick
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Hello Friends! One of the most sought after mono mixes from the sixties, Simon & Garfunkel's Bookends is full of tasty treats for us to digest in both the mono and stereo mixes of the album, as well as 2 unique mono single mixes, including the classic Mrs. Robinson! So join us as we board a Greyhound for Pittsburgh on the hunt for Joe Di'maggio, and dig in!
Happy Listening,
Frederick
Support the podcast on Patreon here: https://www.patreon.com/backtomono
Email the show at: [email protected]
Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/
Find me on Instagram @hypnoticfred
Join the Facebook Community here: https://www.facebook.com/groups/backtomono
Hello Friends! In 1967 The Hollies released their last LP with Graham Nash, Butterfly, a glorious exploration of pop-psych, and luckily for us, they got the mixes all mixed up around the globe! From the already vastly different UK Mono & Stereo mixes, via the German Stereo mix, to the US only Dear Eloise/King Midas In Reverse Mono & Stereo mixes, along with an Aussie B-Side, and even two non-LP cuts, this is by far our deepest dive yet.
Happy Listening,
Frederick
Support the podcast on Patreon here: https://www.patreon.com/backtomono
Email the show at: [email protected]
Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/
Find me on Instagram @hypnoticfred
Join the Facebook Community here: https://www.facebook.com/groups/backtomono
Hello Friends, and welcome to the main event! The first album that really made me take notice of mono/stereo mixing, and one of the most successful LPs of all time, The Beatles' 8th is undoubtedly a feat in studio engineering. To most, a fascinating collection of songs and sounds. To us, a greater window for differences to arise between the mixes of the album, and indeed there are plenty! So don your moustache and badges, choose your outfit, and get ready for our deepest dive yet.
Happy Listening,
Frederick
Support the podcast on Patreon here: https://www.patreon.com/backtomono
Email the show at: [email protected]
Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/
Find me on Instagram @hypnoticfred
Join the Facebook Community here: https://www.facebook.com/groups/backtomono
Hello Friends! In our first look at The Beach Boys on Mixology, we're taking a dive into the group's 5th studio album, Shut Down Volume 2, originally released on Capitol in March 1964 in the US, and July 1964 in the UK. Released in both dedicated mono and stereo mixes upon release, 3 of the tracks also received alternative mixes and edits for release on 45. So let's take a dive in to one of the more unusual - yet vitally important - early LPs in The Beach Boys' canon.
Happy Listening,
Frederick
Support the podcast on Patreon here: https://www.patreon.com/backtomono
Email the show at: [email protected]
Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/
Find me on Instagram @hypnoticfred
Join the Facebook Community here: https://www.facebook.com/groups/backtomono
Hello Friends, today we're going to be taking a look at The Monkees' second LP, and their first of 3 releases in 1967, More of The Monkees. Recorded across many different studios by no less than 7 producers, this hodge-podge of an album has plenty of mix differences across its mono, stereo, and mono TV mix counterparts from 1966/67! So don your wool hat, grab a fistful of maracas, and let us explore every nook and cranny of this pop classic.
Happy Listening,
Frederick
Support the podcast on Patreon here: https://www.patreon.com/backtomono
Email the show at: [email protected]
Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/
Find me on Instagram @hypnoticfred
Join the Facebook Community here: https://www.facebook.com/groups/backtomono
En liten tjänst av I'm With Friends. Finns även på engelska.