The Self-Recording Band

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Josh Rogosin created the iconic sound for the Tiny Desk series for over 800 recordings, collaborating with Fred Again, Yo-Yo Ma, Sting, Post Malone, Taylor Swift and countless others. He also introduced theater to the series, producing and engineering performances from Blue Man Group, Sesame Street, Wicked, The Lion King and more. 

Tiny Desk Concerts has a massive audience and has turned into the holy grail and must-stop for every touring musician. It also hits the sweet spot for demographics featuring every kind of music you can imagine.

Josh says he's learned so much about what makes it work so well and we're so stoked that he's sharing some of those insights with us today.

And of course, we're talking about how you can apply these learnings to your home recording studio.

Now, after 10 years producing and engineering for Tiny Desk, Josh is starting his own show, called Global Sound Concerts, and his own production company.

Global Sound Concerts is a music discovery and travel show that finds musicians where they are from, to learn why being from the place inspires them to make music. 

He's produced a couple of episodes already and he's planning to release them as a pilot season on his own YouTube page. 

We've already been able to watch one of these episodes and can tell you it is totally amazing! So naturally, we had questions about this, too, and cover all of it on this episode.

So here's Josh Rogosin for you! Enjoy!

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/227
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Let's get technical! Today we're gonna talk about how to handle and reduce or remove noise from your recordings. And how to keep it out of your recordings in the first place.

Usually, everything we teach is about the music. About the song. About how we can serve the song and make it connect and resonate with your audience. We try to avoid getting too technical and we don't believe that gear or plugins are the solution to most of your audio problems.

But sometimes we have to do purely technical work to remove what is distracting from the music, so we can go back to the song and fully focus on that again.

Noise is one of those distracting things. And it comes in many different forms. 

So on this episode we're talking about:

• How we deal with noise at the source and keep it out of our recordings. Because capturing a noise-free signal is always better than removing the noise afterwards.
  
  
• Understanding noise:
  • Broadband noise vs specific frequencies
  • Why removing it is always a compromise
  • Why gating isn't enough in many cases
    
    
• Ways to reduce/remove noise if you have to:
  • Why stock plugins won't get you very far here
  • Why it's smart to capture a few seconds of just the noise and not cut it out until you've removed it from the rest of the signal.
  • Cutting it out manually (and or gating)
  • Removing or reducing noise with EQ
  • iZoptope RX / spectral editors
  • Noise removal plugins
  • Embracing it instead of fighting it
  • Understanding the "analog" and "noise" buttons / knobs on your plugins
  • The ground lift switch on your gear

Let's dive into this!

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/226
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Ady Parzentny is back on our podcast! 

If you've been following us for a while, you'll know that we've interviewed him at Studioszene 2023. Now he's back, this time joining us in our usual setting here.

We've asked our community to send us questions for Ady, so this is at least partly a Q&A episode.

But we also have our own questions and topics that we want to cover, because so much has happened since we last talked. 

Ady was involved in starting a recording school in Morocco, which is such a cool project, and he also introduced us to a couple of really exciting people, which we're forever grateful for. 

So we're very glad we met last year and super stoked to have him back!

Here's Ady Parzentny from Hit The Road Music Studio!

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/225
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Benedikt & Malcom mix a LOT of songs every year and therefore notice a fair amount of mistakes that home recording artists are making. With a little know-how and experience, these mistakes are entirely preventable.

The guys admit to having made many of these mistakes themselves in the past, and now, through their experience, you and other home recording artists don't have to. 

Sometimes knowing what NOT to do is more valuable than being told what to do.

So let's look at the 5 biggest recording mistakes that Benedikt has seen and dealt with this week. 

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/224
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Let's go through the entire record making process, start to finish, step by step!

Here's why you need to hear this episode:

If you've never been to a professional studio to go through the entire process without compromise, then you probably don't know all the steps involved and everything that's necessary to get a great sounding result in the end.

So many self-recording artists are cutting corners and skipping important steps without knowing. Let's change that.

And if you've already done it all and know the process, then this is a great reminder to go the extra mile every single time and do whatever is required, even if it seems to be tedious and hard sometimes.

Let's go!

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/223
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Let's go through the entire record making process, start to finish, step by step!

Here's why you need to hear this episode:

If you've never been to a professional studio to go through the entire process without compromise, then you probably don't know all the steps involved and everything that's necessary to get a great sounding result in the end.

So many self-recording artists are cutting corners and skipping important steps without knowing. Let's change that.

And if you've already done it all and know the process, then this is a great reminder to go the extra mile every single time and do whatever is required, even if it seems to be tedious and hard sometimes.

Let's go!

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/222
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

We're super stoked to have Brendan Dekora on the show today! Benedikt has been interviewed on his podcast and now it's Brendan's turn to answer our questions and share his expertise and knowledge with you, our people here at TSRB!



The "Friendly Sonic Sherpa"

Brendan Dekora is a Grammy-winning producer and mixer with over twenty years of experience in the industry, known for his passion for music, technical expertise, and laid-back attitude while working under pressure in the studio. 

He has worked alongside some of the biggest names in rock, including Trent Reznor, Atticus Ross, Foo Fighters and Steven Wilson, and has contributed to numerous Platinum-certified projects by artists like Muse and Crosses.

Brendan knows that every artist, big or small, faces the same challenge: wanting to feel complete, content, and creatively fulfilled with the music you make.

So he specializes in working with artists who are committed to creating music with depth and intention. His focus is on elevating songs that feature thoughtful lyrics, unique arrangements, and a willingness to explore new territories.

By combining technical expertise with creative intuition, he aims to enhance the introspective and emotive elements of your music.

Brendan uses decades of experience working alongside some of the most creative and influential minds in the industry to guide you along your journey, becoming your sonic sherpa.


Be prepared for a true gem of an episode, with Brendan sharing his most valuable insights, as well as super inspiring stories from his sessions with some of the greatest of all time.

Let's go!

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/221
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

This is part one of our "Back To Basics" Mini Series. 

We're doing this because we believe that we need to be reminded more than we need to be taught. 

And also because most self-recording musicians we talk to, even the more experiences ones, still ignore some of the super important basics. And by doing that, they are self-sabotaging. Holding themselves back from making truly exciting records.

So here's part I:

We thought about the term "DIY-Recording" quite a bit and we think it is misleading. It doesn't work. At least not the way that many people think it does.

Most self-recording artists / bands are actually doing themselves a disservice by DIY-ing everything. 

And we know this sounds weird for a podcast that teaches you to do exactly that. The thing is, so many people have a wrong understanding of the record-making process and completely wrong expectations when it comes to this stuff. 

So we think this is an important message and it's time for some real talk, telling you the truth here.

In this episode we're asking each other a few very interesting questions. A little thought experiment. 

Then we show you the different ways you can approach your next (DIY-)record. And what to realistically expect from each.

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/220
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

This is the most personal episode we've ever done and I (Benedikt) was honestly pretty afraid of doing it. But I just had to.

As you might have noticed, we've been taking a break from the podcast. And there are many reasons for it.

I've been quiet about most of those reasons for a long time now and feel like it's finally time to talk about it all.

I've learned a LOT during those last couple of months and I want to share this with our community, because I know that many of you are struggling, as well.

And I also know that, for many of us, art, music and community are what's getting us through these times.


So here's what this episode is about:

• Quick recap and backstory (without too much detail)
• Why I paused the podcast and what I did instead
• How this affected my coaching and mixing and how I want to create content in the future
• Both devastating and exciting events that I'm incredibly grateful for (and key takeaways from those)
• Why taking care of yourself is important and how it negatively affects your art if you ignore that.
• Preview and what's next on this podcast
  
  
  

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/219
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
Apply for The Self-Recording Syndicate, our unique, personalized coaching program and jump on a free clarity call with us to see if it is a great fit for you:
theselfrecordingband.com
-
Get our in-depth video course "Mix-Ready: The Band Recording Essentials":
theselfrecordingband.com/mixready
-
Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

I had the honor of being interviewed on Brendan Dekora's podcast "Pro Audio Perspectives". 

On this show Brendan dives into the heart and soul of the music industry through candid conversations with professionals from across the pro audio field. Each episode explores the deeper emotional connections and the artistry behind the music, moving beyond the technical aspects to uncover what truly inspires great performances. 

And you know, Brendan Dekora is the real deal. He has won a Grammy Award and has worked with artists like the Foo Fighters, Trent Reznor, Steven Wilson, Nine Inch Nails, and many more. 

So, needless to say, I felt very excited and honored when he invited me to be a guest on his show.

We talked about pre-production and about how I work with artists that hire me to mix their songs. About how I guide them through the production process, so that they are actually ready to send me their files for mixing.

We also talked about my personal preferences in terms of music and my style, aesthetic and approach to mixing. 

And I shared my story of how I actually got to be a mixer and producer.

I think what we discussed there is very, very relevant and helpful for you. Those are pretty much the things that I also teach in great detail inside the Self-Recording Syndicate. 

All the things that are so important to me, like 

• how the song and the performance are more important than everything else
• how to prepare for the studio
• how to avoid common mistakes
• the communication that needs to be spot on between artists and producer
• all the different hats you're wearing as a modern mixer, but also of course as a self-recording artist
• the modern role of a mixer and engineer and producer and how it has changed over the years.

So I just had to share it on our show, as well!

Thanks for inviting me and for letting me share this with our people here, Brendan.

Enjoy!

--

PS: Please join the conversation by leaving a comment on YouTube, a rating and review on your podcast app, or a post inside our free Facebook community.
--

For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/218

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
Apply for The Self-Recording Syndicate, our unique, personalized coaching program and jump on a free clarity call with us to see if it is a great fit for you:
theselfrecordingband.com/call
-
Get our in-depth video course "Mix-Ready: The Band Recording Essentials":
theselfrecordingband.com/mixready
-
Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Dan Korneff is a producer, mixer & engineer.

His credit list includes some of the biggest names in new rock. Like Pierce the Veil, Paramore, Papa Roach, Breaking Benjamin, Sleeping With Sirens, or My Chemical Romance. 

And Dan not only has the creative and music skills, but also a deep technical understanding of the electronics of the equipment.

He started his journey towards plug-in development by repairing and modifying his own gear, rebuilding consoles and vintage compressors and equalizers, designing circuits and eventually making custom outboard equipment. This led naturally to the design of plug-ins.

If you've seen any of my mixing tutorials, courses, or playbooks inside our coaching program, you've probably also seen Korneff plugins. Especially the Amplified Instruments Processor has been one of my absolute go-tos for years now.

So Korneff Audio plug-ins are basically taking Dan's workflows, solutions and ideas developed on real-world projects and tuning them into software tools.

Luke DeLalio has an extensive background in just about anything to do with creativity.

He started in music as a guitarist, then moved into engineering and production, working on records in multiple genres through the late 80s into the mid 90s.

Then he pivoted into theatre, directing plays and musicals, teaching acting and somehow becoming a sought-after photographer.

Ever fleeing boredom and the same old thing, Luke took up design and fine art, and now spends his time with Dan developing all things Korneff, writing on all things cultural, consulting on marketing and web projects, and coaching creative people who are sick of it all and want to change things up.

Luke and Dan met almost 30 years ago, when Luke was freelance engineering and took on Dan as an assistant. Now Dan is the master and Luke is the padawan. How cool is that!

Dan, Luke and Benedikt met for the first time at NAMM 2024 in LA and they had an amazing chat which just needed to be continued on this show.

As always, we want to feature only the products that we use and love ourselves, tell the inspiring stories of engineers and producers that we admire and the people behind the products are just as important to us as the products themselves.

So here are Dan Korneff and Luke DeLalio - Enjoy!

--

PS: Please join the conversation by leaving a comment on YouTube, a rating and review on your podcast app, or a post inside our free Facebook community.
--

For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/217
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
Apply for The Self-Recording Syndicate, our unique, personalized coaching program and jump on a free clarity call with us to see if it is a great fit for you:
theselfrecordingband.com/call
-
Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Ken Lewis is a Mixer & Producer with 114 gold records under his belt. On his credits list you'll find BTS, Kanye West, Taylor Swift, Drake, Bruno Mars and many more.

Dom Rivinius is a producer, writer and mix engineer with credits on projects for artists like Eminem, Alicia Keys, Taylor Swift or BTS.

So both got quite the list there and now they also own a plugin company together. It's called Mixing Night Audio and offers really unique tools that you won't find anywhere else! So powerful and fun to use!

KEN LEWIS CALLS HIMSELF A MIXER, PRODUCER AND "FINISHER".

And he also says he has the weirdest resume in the music industry. So, naturally, we needed to hear more about that.

DOM RIVINIUS MET KEN A FEW YEARS AGO AND BECAME PART OF HIS TEAM.

First as an assistant and then he got involved more and more on big projects for artists like Eminem, Alicia Keys, Taylor Swift or BTS.

Dom started out as a drummer, and after he started working with Ken he got to play drums on a few Taylor Swift songs, for example.

A FEW YEARS INTO WORKING TOGETHER THEY'VE STARTED THEIR PLUGIN COMPANY, MIXING NIGHT AUDIO.

We had a chance to play with their tools and use them on a few projects. And wow! These are really powerful and so much fun to use! And... a little different in many ways. 😉

On this episode, Ken & Dom share details about how they came up with those plugin ideas, the philosophy behind them and why they are a great addition to your mixing tool kit.

AND FINALLY, THE TWO HAVE BUILT AN ONLINE COMMUNITY DOING FREE MONTHLY LIVE STREAMS ON YOUTUBE STRAIGHT FROM KEN'S STUDIO.

So overall, we thought this was such a cool partnership between Ken and Dom that we wanted to know everything about how they met, how they got to where they are, what it takes to get that kind of projects and how they balance their insane work loads with other areas of life.

And the answers were super interesting, although not surprising if you've ever met one of them in person.

We hung out with Dom at Studioszene in Hamburg last year, then again at Namm in LA earlier this year and we immediately knew we had to introduce him and Ken to our audience.

So here we are!

And this episode is only the beginning:

ON APRIL 16TH 2024 KEN AND DOM WILL DO A "VOCAL MASTERY" WORKSHOP FOR OUR COMMUNITY!

It's going to be a free live event and if you are not on our email list or in our Facebook group, yet, please sign up or join now because you don't want to miss this!

(Getting our emails is as simple as downloading any of our free guides and tutorials.)
--

PS: Please join the conversation by leaving a comment on YouTube, a rating and review on your podcast app, or a post inside our free Facebook community.
--

For links to everything we've mentioned in this episode, as well as full show notes go to

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
Apply for The Self-Recording Syndicate, our unique, personalized coaching program and jump on a free clarity call with us to see if it is a great fit for you:
theselfrecordingband.com/call
-
Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

"Your song is your baby - and everyone on your team should care as much as you." - Carl Bahner.

Carl is an emotion-focused mix engineer with a hands-on approach, who helps artists and producers from all over the world to build their own sonic dream team.

He has an open-minded, collaborative approach with artists and producers, exploring the jungle of sounds to make each song as unique, memorable, and emotionally impactful as possible.

Carl also calls himself a co-producer. Because even though most people come to him for mixing, one of his biggest strengths is helping artists and producers with that final 3% of the production that keeps you banging your head against the wall.

And finally, Carl helps passionate studio pros become irresistible to their ideal clients by teaching them to communicate their unique passions and perspectives.

Why does he do that? Because he loves being part of magical teams who create magical art. And through helping other producers find their perfect artist and make them happy, Carl can have an even greater impact and change even more lives through the music that's being created.

And why is it all about communicating? Because when you clearly communicate what makes you, YOU - aligned with exactly what your ideal clients crave - your inbox fills with serious inquiries.

That’s why Carl uses his two decades of music industry experience to help producers, engineers, and session musicians find and attract the perfect artists to work with.

And he really cares. It comes through in everything he says.

Here comes Carl Bahner, on The Self-Recording Band Podcast. Let's dive in!

PS: Please join the conversation by leaving a comment on YouTube, a rating and review on your podcast app, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/215
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Get access to our super detailed DIY-recording course "Mix-Ready: The Band Recording Essentials" and our "Everything Bundle" that also includes our mixing courses (feat. Wet Future):
https://theselfrecordingband.com/mixready/

Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
Apply for The Self-Recording Syndicate, our unique, personalized coaching program for those who are taking this seriuosly and jump on a free clarity call with us to see if it is a great fit for you:
theselfrecordingband.com/call
--

Episode show notes:

Wet Future return to the podcast to share details about recording their record, "Under the Weather", DIY-style versus hiring a producer and renting a big high-end recording studio to produce their upcoming new material.

They made both methods work very well and on this episode they explain why that is and what went into it. They talk about the pros and cons of each process and also discuss their current hybrid approach that they are looking to refine in the future.

This is an incredibly valuable episode because it makes a few things very clear that many DIY-musicians are not fully aware of:

The importance of pre-production:

Why most professional records get fully recorded and planned out during this demo process before the actual recording session starts and everything gets recorded again.


What it takes to make great records, DIY or not:

Great songs, great performances, lots of practice and preparation, perfectly set up guitars with great intonation, great rooms, etc.


Why making a DIY record still often means hiring professional mixing and mastering engineers:

Production and engineering is hard enough to do yourself. Most artists are simply not capable of also doing the mixing themselves and are therefore much better off focussing on being musicians.

Unless you are putting in the many hours required to learn mixing properly and with professional guidance, your mixes will not sound professional. Period.

That's why bands like Wet Future record themselves, but hire pros for mixing who can also guide them through the self-recording process and therefore get them a better end result.

Their records and their progress as DIY-producers speak for themselves.


The biggest challenge with DIY-productions:

Someone still needs to produce! Can you do that? 

• Can you keep the big picture in mind and stay objective? 
• Can you coach and guide your bandmates to get the best performances out of them?
• Are you capable of capturing great source tones with the final record and full arrangement in mind? 
• Will you do a proper pre-production process before recording "for real"? 
• Are you willing to learn all of that properly? 
• Are you willing to go the extra mile, do whatever it takes and not accept compromises (like a good producer would)?

Let's dive in!

PS: Please join the conversation by leaving a comment on YouTube, a rating and review on your podcast app, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to:

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our unique, personalized coaching program and jump on a free clarity call with us to see if it is a great fit for you:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Sam Pura is a record producer and audio engineer from Fremont, California. He owns and operates the Panda Studios and is the founder of Purafied Audio, a plugin company turning Sam's ideas and analog workflows into digital mixing tools that will inspire your creativity.

Sam Pura and his team at The Panda Studios are not just about immaculate results. Working with them is an experience.

At The Panda Studios you'll find a great live room, multiple mixing rooms / control rooms, and an amazing collection of gear, combining the best of both analog and digital. Plus a great collection of instruments and amps.

Sam Pura's discography includes breakthrough albums by Basement, The Story So Far, State Champs, Hundredth, and The Dangerous Summer, just to name a few.

He's known for his work on a lot of modern pop punk, punk rock and heavy records. But has also worked on many projects outside of these genres.

And finally, Sam also makes plugins! Purafied is the name of his company there and on this episode we talk about those tools for a bit, as well. 

Because those are some really unique and interesting ideas that Sam has turned into these plugins.

From Sam Pura's website: 

When you work with Sam, it becomes immediately apparent that he will relentlessly push your record to be the best he’s ever done, but for those who come prepared, the environment can be as inspirational as that feeling on release day. And, along with your record, you’ll leave The Panda Studios with a new best friend and a love of Topo Chico.

Let's dive in!

PS: Please join the conversation by leaving a comment on YouTube, a rating and review on your podcast app, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/213
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our unique, personalized coaching program and jump on a free clarity call with us to see if it is a great fit for you:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

We interviewed Lars Deutsch on the podcast and the result is a masterclass in songwriting and sync licensing. Is your song telling a story?

This was our exclusive opportunity to pick the brain of a super successful songwriter and sync-licensing expert.

Lars Deutsch currently lives in L.A. and has worked with brands and artists like Adidas, Amazon, Brett Gelman (Stranger Things, The Other Guys), Budweiser, FOX, Ghostface Killah (Wu-Tang Clan), Katie Melua, Mercedes-Benz, and many more.


The two-time Emmy winner is self-recording his music, but also collaborating with other engineers, depending on the project.

He went from heavy metal guitarist, to singer, to songwriter, to a Masters in classical composition, to international performances of his classical works, to lecturing in composition and audio production to scoring three hundred films / commercials that have collected over one hundred awards.


His songs are in high demand and Lars is a producer at Built To Last Music, a company that features multiple Oscar nominees and Grammy winners.

Recent projects include: Stephen King’s “The Passenger”, “Future Proof” with Keke Palmer, a commercial with James Earle Jones (Darth Vader), plus live mixes and an Intel commercial with the Higher Brothers. 


If you're interested in the sync licensing world and want to know how to get started in this industry, this is for you.

You'll learn how high the bar actually is when it comes to the quality of your music and what Lars does to keep his chops and creativity fresh.

And if just want to improve your songwriting skills for your own projects, this is your chance to learn from a true master of the craft.



PS: Please join the conversation by leaving a comment on YouTube, a rating and review on your podcast app, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/212
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Surprisingly, some of our subscribers are telling us that they are using standalone multitrack recorders instead of computers. 

We actually get these kinds of messages pretty regularly.

So, is it a good alternative? Are there any advantages to using a device like that? Or should you just get an interface and a DAW and start using a computer to produce your music?

Let's discuss!



PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/211
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Casual NAMM 2024 recap episode from Benedikt's LA hotel room, giving Malcom an update on who he met and what he discovered at the conference.

Also, if you ever go to an event like this (highly recommended!), this episode includes a few mindset-related principles and takeaways, so you'll have an incredible time and make new friends in the industry.

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/210
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Casual NAMM 2024 recap episode from Benedikt's LA hotel room, giving Malcom an update on who he met and what he discovered at the conference.

Also, if you ever go to an event like this (highly recommended!), this episode includes a few mindset-related principles and takeaways, so you'll have an incredible time and make new friends in the industry.

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/209
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

>>Please go back to part one of this mini series (episode 207) before you listen to this one!<<

You're not mixing kick drums, you're mixing songs. And the kick drum sound has to serve the song. Here's how to get this right in your mix.

We go through our kick drum chains and show you the tools we use, why we use them and how we use them in the context of the mix.

It's not just about EQ moves or compression techniques. It's about how it all works together to create the sound you want for your song.

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/208
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

You're not mixing kick drums, you're mixing songs. And the kick drum sound has to serve the song. Here's how to get this right in your mix.

We go through our kick drum chains and show you the tools we use, why we use them and how we use them in the context of the mix.

It's not just about EQ moves or compression techniques. It's about how it all works together to create the sound you want for your song.

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/207
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

This is a purely speculative episode on the current state and future of A.I. (artificial intelligence) in (rock) music. 

We're talking about what it can and can't do (yet), where we think things might be going and whether or not we all need to be afraid of it.

Again, we don't know nearly enough about this subject and the tech under the hood to make any serious predictions here. Hardly anyone does. 

But we are already using A.I. tools on a daily basis. In our personal lives, in our businesses and when working on music or other audio & video projects, like this podcast. So we have some experience and have done enough research and testing to at least have an opinion. 

And we're hoping for certain tools to be released soon, so that artists, producers and engineers can be even more creative with even less friction.

Let's dive in!

PS: Please join the conversation by leaving a comment, a rating and review, or a post inside our free Facebook community.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/206
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Have you ever been looking forward to having to go through 637 takes, trying to find the good parts after the recording session is done? Me neither.

How to avoid that? Learn to comp on the fly and commit as you go!

On this episode we're discussing comping on the fly vs "comp diving" after tracking, the pros and cons of each, and the skills you need to be able to pull this off without risking anything or ruining the flow of the session.


Here's why this matters:

• It saves you time later in the process
• It gives you a better idea of the final product
• Moving fast and committing helps avoid getting too close to it and losing perspective
• It prevents you from recording unnecessary takes and wearing out singers/performers
  It will lead to a better end result, because you're not as likely to cut corners

And here's how to do it:

• Know your basic editing tools and hotkeys (scissors, different ways to move events back and forth, fades, etc.)
• Know the comping features of your DAW. You don't have to (and shouldn't) create a new track for each take, etc. 
• Make notes while listening to the performances
• Use breaks to quickly go through notes and adjust the comp
• Learn to listen for feel and emotion, rather than technical perfection (there are some exceptions, though)

Let's dive in!

--

For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/205
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.

Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Jacob Hansen is joining us for this week's episode!

Jacob has worked with some of the biggest names in metal and alternative music. He's produced and or mixed records for bands like Volbeat, Arch Enemy, Amaranthe, The Black Dahlia Murder, Heaven Shall Burn, Evergrey, Fleshgod Apocalypse, Primal Fear and many many more. 

We're getting to pick Jacob's brain and talk about

• DIY recording
• getting amazing guitar tones
• mixing records remotely
• reamping
• the most common home studio pitfalls
• guitar tuning
• workflow and efficiency
• communication
• collaboration best practices
• the future of (home) recording
• evertune bridges
• amp sims and Kempers

among many other things.

Enjoy!

--

For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/204
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

We get dozens of applications every week now and many of you reaching out have asked us these things. So here are your answers!

Your questions:

• What is The Self-Recording Syndicate (our coaching program)? Is it an online course?
• How much does it cost?
• Why is there no price on the website?
• Why do I have to apply?
• Why do you offer a free first call and why are you asking for a budget, when the call is free?
  
  

Also, even before applying and booking their free clarity call, some people are afraid to even give it a shot because they assume it's gonna cost an arm and a leg to work with us.


So I wanted to record this episode (and write a blog post along with it) to give you all the answers.

Of course, we're doing our best to make things crystal clear on our website, the application form, etc. but I also realize that "coaching" is not something that people are very familiar with in our industry.

It's completely normal in other industries. And entrepreneurs, freelancers or businesses of all sizes use consulting or coaching of some sort to make sure they achieve their goals.

But I totally get that most people outside of that don't really know what it means and how the process works.

I'm all about transparency and I'm also about overdelivering and giving way more value than what you'd expect for the price that you're paying. So let me break it down for you in this episode.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/203

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

It's the end of the year - time to do some planning and thinking about our goals as musicians and (DIY) producers.

When it comes to making the best record possible, there are really only 3 ways to accomplish that. Let's discuss and break it down for you, so you can make 2024 your best year ever.

First, it's important to know what you want and what kind of resources you have available. 

Ask yourself these questions: 

• Do you want to make a really great record for your band / yourself now?
• Do you want to make a really great record for your band / yourself some day?
• Do you want to become a producer / mixer and make amazing records for many different artists?
• What do you have more of - time or money?
• Which parts of the process do you really want to do and learn?
• Which kind of investment are you willing to make?

Then take one of the following approaches (or all of them):

1. Done for you - Hire professionals
2. Do it all yourself - With the help of YouTube, courses, books, trial and error and a lot of practice
3. Done with you - Get a mentor and speed up the process through personal guidance, feedback and avoiding common mistakes.

Some kind of effort, practice and investment is always required. A lot of it, to be honest. 

After all, producing music is a skill you don't just learn overnight. Highly skilled professionals have built their taste, technical abilities, workflows, confidence and ears over decades.

But you don't have to be afraid of it either. There's a right approach for every situation. 

And with this episode we aim to guide you toward the best fit for your project, keeping the spotlight on your unique artistic voice.

Your 2024 music resolutions aren't just dreams; they're blueprints for action. So tune in, fuel your musical fires, and step into a year of turning up the volume on your biggest goals.

--

For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/202

--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free clarity call where we talk about your music, give you feedback and a step-by-step roadmap that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching, feedback and recommendations for what to do next.

Sounds fair? Cool. Apply now and book your free clarity call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Ever felt like your mixes are just a snowball's throw away from that nice, wide stereo image you crave? 

Sure, the basics like mic technique, panning, intentional EQ moves, among others are always the most important thing. But there is more. And we want to share one thing with you that you might have overlooked, so far.

Strap in, because we're whisking you up the sonic slopes to conquer the nuances of dual mono vs. stereo compression! 

This seemingly small detail can be the difference between a stable, solid center in your stereo image and a wonky center that won't provide the solid foundation that your groove needs.

Or between a wide, clear mix and a narrow one.

Being intentional about this will also give you extra clarity, separation and width for your rhythm guitars, toms or any other stereo source that you're dealing with in your mix.

First, we dissect when to pan mono sources and when to bask in true stereo glory, providing a roadmap through the complexities of creating a nice, wide stereo image. It's like choosing the right snowboard for the mountain – you need the proper technique to ride the sound waves to their fullest potential.

Finally, we're cranking up the dials on your DAW savvy, revealing the ins and outs of compressor plugins and their different channel linking modes.

Learn how to finesse your compressor settings to keep your mix wide open or dial in that cohesive, 'pumpy' feel when the track calls for it. 

So, tune up your audio kit, and let's hit the play button on this episode!

--

For full show notes go to: https://theselfrecordingband.com/201
--

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Mario Radetzky is the vocalist and guitar player for Alt-Rock band Blackout Problems and he recently co-produced their forthcoming album "Riot".  PRE-ORDER HERE

In our 200th episode Mario tells us the story of how co-producing Blackout Problems' album came about. From getting the green light from the label to assembling the perfect team for the job. 

Dropping your ego is important when in the studio and Mario shares with us the importance of collaborating with other engineers even asking other producers for advice when unsure.

Blackout Problems are an evolutionary band and changing the band's sound is a daunting prospect when it ultimately leads to losing a few fans, but also gaining some new ones. 

Due to their intricate setup of synths and effects, as well as the traditional band setup, Malcom, Benedikt and Mario discuss the usefulness of possibly incorporating Ableton in to live Blackout Problems' live setup.

Mario also shares his appreciation for The Self Recording Band Podcast and tells us what gear he uses to achieve Blackout Problems' unique sound. 

Let's give a warm community welcome to Blackout Problems' very own Mario Radetzky. 👏👏👏

--

Blackout Problems - Website

For full show notes go to: https://theselfrecordingband.com/200

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Click here to receive a special 10% Off Any Course Or First Month Of Membership At The Kohle Audio Kult Academy (Limited Time Offer Ending Late January 2024!)
As well as 2 free Self Recording Band Masterclasses by Benedikt & Malcom


And here are three more steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

This week, we're honored to be able to sit down with the one and only Kristian Kohle.

Kohle is the founder of Kohle Audio Kult, a learning academy for heavy music production. 

Kohle is also known for his collaborative work with Warren Huart both on YouTube and in the Pro Mix Academy.

Kristian shares with us some priceless tips and advice on having a creative mindset and mentality that will maximise your output.  

We bumped in to Kristian recently at Studioszene 2023 which has led to not only this interview but a very exciting coaching partnership. 

Our listeners receive a special 10% Off Any Course Or First Month Of Membership At The Kohle Audio Kult Academy (Limited Time Offer Ending Late January 2024!)
As well as 2 free Self Recording Band Masterclasses by Benedikt & Malcom  You literally can't afford not to take this offer. 

As well as answering some listener's questions, Benedikt, Malcom & Kristian discuss a range of topics including how Kohle became a YouTube personality, the importance of learning how to create something and the brutal precision required for recording metal.

Ladies & gentlemen, let's give a warm welcome to Kristian Kohle. 👏👏👏

--

Click here to receive a special 10% Off Any Course Or First Month Of Membership At The Kohle Audio Kult Academy (Limited Time Offer Ending Late January 2024!)
As well as 2 free Self Recording Band Masterclasses by Benedikt & Malcom

For full show notes go to: https://theselfrecordingband.com/199

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

In failing to prepare you are preparing to fail. Or at least in this context, you are likely gonna give yourself a few problems.  

Going into a recording studio that you've never used before can be a daunting and maybe even confusing prospect. 

It'd be nice if all producers had the same workflow and routing setup that you use in the recording studio, but sadly this aint the case.  

Who knows what the producer that used the recording studio before you was thinking? Only them, that's who. 

If an unconventional, un-labelled routing setup has been used and you're walking in there for the first time with the talent hoping to record, things could get pretty confusing and pretty exhausting, pretty fast. 

Benedikt and Malcom dealt with this situation like a couple of champs recently which was the inspiration behind this episode. 

There are a few things you can do beforehand that will ensure that you're not faced with a day of routing before even thinking about pressing the record button. 

Remember, in the recording studio, time is money and this episode will save you some $$$ and blushes if you follow the approach these two pros take when entering a new recording studio for the first time. 

Let's dive in!

--

For full show notes go to: https://theselfrecordingband.com/198

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

As producers, deep down, if we're honest with ourselves and I mean completely honest, we'd all love to be using analogue gear, am I right?

Well, your man Martin Zobel used to work exclusively in the box. Using plugins was the only thing he knew. 

But Martin had an itch that needed satisfying. He wanted to use analogue gear, but didn't have the thousands of $$$ necessary to get in to this world. 

So one day Martin had an idea… "What if I build my own compressor?"

The only barrier was in his head. Building your own gear is a daunting task, but he persevered. Following schematics and asking the right people for advice, he soon discovered that it's as easy as painting by numbers. 

Jump forward to today and Martin is the man behind Analog Vibes. A platform that gives you everything you need to build your own hardware, at an affordable price. 

"Analog Vibes is about enabling and empowerment."  - Martin Zobel

Martin talks to Benedikt and Malcom about what models are hot right now, how anybody can safely build their own hardware and how sometimes literal crossed wires can lead to a happy accident. 

Also, let it be noted that Benedikt (having never built his own hardware before) has challenged himself to build a hardware unit from scratch in 2024.  Let's hold him to it. 

Wave your soldering irons in the air (safely) and let's welcome Martin Zobel.

--

For full show notes go to: https://theselfrecordingband.com/197

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

It’s Jaycen Joshua. Hands down one of the hottest mix engineers in the industry right now. 

Benny and Malcom chat with Jaycen Joshua on the Studioszene Sofa. 

Jaycen has worked with Beyonce, Justin Bieber, Miley Cyrus, Michael Jackson… the list goes on and on.

Jaycen talks in detail about how the higher status jobs often equal higher stakes and higher pressure. 

But he never lets this tame his approach, he takes risks when mixing no matter how much pressure he’s feeling.

He talks about sometimes being brutally honest with clients when he suspects that demoitis may be playing a part in the artist's love for the shitty sounding demo track. 

How many revisions do you think Jaycen gets on average for his mixes? Here’s a clue. It’s a lot. 

The number one technique that Jaycen uses and absolutely couldn’t work without? Sidechain compression. This and his plugin The God Particle are an essential part of his template. 

Ladies and Gentlemen, Jaycen Joshua. 👏👏👏

--

For full show notes go to: https://theselfrecordingband.com/196

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:
What an episode we’ve got for you this week. Benny & Malcom sit down on the Studioszene Sofa with Ady Parzentny  . 

Ady Parzentny  travels the world, helping locals and displaced people make and record music with his business Hit The Road Music Studio.

About 5 years ago, Ady started out by travelling around in a van with a basic studio setup. Supporting local artists by helping them record their tracks and even making music videos.

Visiting places like Morrocco, Albania and Greece has taught Ady that music is the gateway into a place’s culture. 

Ady’s work also extends to helping bring some normality back to the lives of the displaced people he works with at refugee camps.  

Welcomed wherever he goes, Ady talks about how the generosity of communities has made this possible.

We hear fascinating insights from Ady about how the most expensive mics are not suitable for recording out in the wild, working on a very tight budget and pigeon problems.

Let’s hear Ady’s journey and help spread the joy. 

--

For full show notes go to: https://theselfrecordingband.com/195

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Chris Yetter, the owner of Audioscape joins Benedikt & Malcom in the second of our series of interviews from Studioszene 2023.

Chris and his team at Audioscape hand make analogue hardware without compromising on anything. Astonishingly with an extremely affordable price-tag.  

The guys discuss what to listen for when choosing your hardware and how no two units will ever sound exactly same. 

Audioscape know that there are minute differences in sound from model to model and celebrate the fact that this is what helps create your own unique sound.  

Chris touches on the riddle that has troubled humankind for millenia… "Plugins or Hardware?" The answer might surprise you. 

Two faders you can touch and move with your hands simultaneously might not sound like much, but this level of control that you don't get with a plugin can completely change the way you work. 

Chris also shares with us a few details about an Audioscape reverb plugin that they're working on.  

"A hardware company releasing a plugin? Are Audioscape outside of their minds?" I hear you ask.

Nope. It's going to be incredible. 

Enjoy. 

--

For full show notes go to: https://theselfrecordingband.com/194

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

This is the first of our live interviews from Studioszene 2023 in Hamburg. This week, Malcom & Benedikt are chatting with legendary producer and educator Warren Huart. (Produce Like A Pro)

Warren  has worked with Aerosmith, The Fray,  Ramones... to name but a few. He was one of the highlights of Studioszene 2023 where he hosted a masterclass. 

Warren shares with us details about how he went from musician to producer to educator and how he eventually ended up laying his hat in the USA.

Building a career as a producer these days isn't a linear path and Warren discusses how doing a bit of everything is the norm now. 

He talks about mastering and how it shouldn't be the stage at which things are fixed. He also answers some questions from the audience regarding analogue desks and polishing 💩💩💩

Warren has new book out >>>>>>>>> Home Studio Recording: The Complete Guide

You'll be hard pushed not to take something valuable from this interview with arguably the most passionate man in the industry. 

Ladies & Gentlemen... Mr. Warren Huart.

Marvellous. 

--
For full show notes go to: https://theselfrecordingband.com/193

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Benedikt & Malcom further explore the common mistakes that self-recording artists are making in this continuation of last week’s episode. 

They see a lot of re-occurring errors when working with self-recording artists. So they made these episodes so that you don't have to make these same mistakes.

Everybody makes mistakes and if you find that you have made some of these mistakes, go easy on yourself. We all have at some point! 

Hopefully though, by listening to this episode, you can prevent any future mishaps. 

So here is our list of recent home recording mistakes that we're discussing on the show:

·         Songs lacking layered vocals

·         Creating tight and harmonious vocal layers

·         Arranging your songs in an efficient way. ie: intentionally placing doubles & harmonies in places that serve the song

·         Comping on the fly

·         Drum comping

·         Creating seamless overdubs by punching in/out

·         Why it’s not a good idea to send just the MIDI files or DI tracks to your mixing engineer

So, let’s put the learning van into 6th gear and hurtle down the highway of knowledge, with the windows down. (aka let’s listen to this week’s episode) 😊

--
For full show notes go to: https://theselfrecordingband.com/192

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Benedikt & Malcom notice a fair amount of mistakes that home recording artists are making. With a little know-how and experience, these mistakes are entirely preventable.

The guys admit to having made these mistakes themselves in the past, and now, through their experience, you and other home recording artists don't have to. 

The first topic covered this week is recording overheads. Arguably the most important layer of recording a full kit. 

If your overheads aren't sounding good, your whole drum sound is gonna sound off.


"Overheads should generally sound like a really great drumkit just by themselves" - Malcom Owen-Flood

There are several things home recording artists need to watch out for when  recording overheads. Things that can be easily overlooked leading to phase issues and an unbalanced stereo image.


Also covered is clipping. Home recording artists are sometimes unaware that they are clipping but it's not as straightforward as just watching for the meter in your DAW turning red.
 

This is the first of a two-parter, so buckle up and let's get up to date with what's going wrong in the world of home recording.

--
For full show notes go to: https://theselfrecordingband.com/191

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode Show Notes:

Have you ever asked yourself this question while recording or mixing? 

What is your song about? How is it supposed to feel? How did you come up with it?  

These are important questions to ask yourself. And if you find the answer to it, it might transform your mixes and productions. 

We’ve received a lot of messages lately from people who are saying things like:

"My demos sound cool, but when I'm done mixing, I feel like something got lost along the way"

Or…

"I know exactly what I want my music to sound like, but I can't seem to make it come out of the speakers."

This is a common problem among Self Recording artists and Malcom & Benedikt take a more philosophical approach rather than a technical approach to this topic.  

This isn’t something that can be fixed by adjusting a plugin setting. This is a mindset thing. 

We’ve heard many songs lately that have incredibly dense arrangements. It's like people are feeling the need to add a lot of stuff to their songs to make them sound exciting and big. 

While that can be a good idea sometimes, it’s often not the best approach. You may actually be taking away from your song by continually adding new elements.

So let’s jump in to this weeks episode and find out exactly why your demo is currently sounding better than your final recordings.

--

For full show notes go to: https://theselfrecordingband.com/190

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode Show Notes:

A very special episode this week ladies & gentlemen, as Benedikt welcomes the one and only Warren Huart. 

Warren is a seasoned multi-platinum producer having worked with artists such as Aerosmith, Ace Frehley, The Fray, Ramones, James Blunt, Colbie Caillat… to name but a few. 

He is the founder of the highly popular Youtube Channel “Produce Like A Pro” and a mentor on the educational platform “Pro Mix Academy”. 

Check out Warren’s new book “Home Studio Recording”. If you’re looking to sharpen your knowledge as a producer then it’s targeted specifically at you. 

You can catch Warren at Studioszene Event - Hamburg 2023
-- (Book Tickets Here) -- where he will be running a masterclass session. 

Warren shares some little known facts about his time as a DJ and how his love of electronic music drew him to Berlin in the late 80s, before becoming a full time producer.   

Naturally, a producer with so much experience has some priceless advice to offer for self recording artists. 

"Work fast! If you’re working fast, you get the idea and the inspiration down. That’s more important than anything else."  

Warren covers a range of topics, including how he keeps his guitar skills sharp, how a broad taste in music has helped him as a producer and what sort of impact AI generated music will have on the music industry.

So let’s jump in and see how “marvelously well”  Warren is doing today. 

--

For full show notes go to: https://theselfrecordingband.com/189

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode Show Notes:

A special episode this week as Benedikt sits down with Self-Recording Syndicate graduate Dewi Thompson.  

Dewi is a songwriter from the UK who also produces and mixes his own material as a solo artist and collaborates with another artist under the names Altered States and Brave New World.

Dewi felt that there were some holes in his audio production knowledge and after aimlessly watching hundreds of hours of conflicting YouTube content (we’ve all been there) on how compression is the most important thing to have ever existed, he decided to reach out to Benedikt for some personal feedback and coaching.

It was clear the Dewi was a talented musician and songwriter but there were some blind spots and a lack of direction.

During Dewi’s 18 months in the Self-Recording Syndicate he has developed systems and a reliable process to get amazing results consistently and with confidence.

This journey goes all the way back to the 90’s when Dewi began recording on an Atari ST with some outboard gear including the coveted Alesis QuadraVerb GT.

These days Dewi prefers a more modern setup and is a proficient Cubase user.  

Now that Dewi has the knowledge and skills he needed, he has some very exciting projects in the pipeline. So watch this space.

Let's welcome Dewi and hear about his fascinating journey from where he was to where he is now. 

--

For full show notes go to: https://theselfrecordingband.com/188

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode Show Notes:

Are you mixing into a compressor? I mean mixing with a compressor on your mix bus from the beginning and not just slapping a compressor on at the end and then hoping for the best.

These guys are, and in this episode, Benedikt & Malcom talk about how they’re doing it and why they’re doing it.

Every compressor has its own unique ‘flavor’ and is often used as the glue that brings all of your song’s individual elements together.

Remember, though, your mix bus has EVERYTHING going through it, so you’ve got to be careful. Any changes you make on there will affect the whole song, for better or for worse. 

Where do you start with mix bus compression, though?

Do you know which type of compressor to use for mix bus compression? You have options… 

You could reach for a VCA compressor if you’re looking for a transparent glue. Maybe you’re feeling extra fruity and want to risk destroying your mix, so why not reach for an 1176?

Then there are the settings. Benedikt and Malcom compare notes on their go-to “safe” settings when using mix bus compression. 

“It sounds complicated, but once you get the core concepts, it’s not that complicated at all.” – Benedikt

Mix bus compression can be a complicated subject, but it’s also a fundamental skill that you need to get your head around if you want to make professional-sounding mixes. 

“Learning is sucking, until you don’t.” – Malcom Owen-Flood

A real deep dive episode here, so hold on to your threshold knobs and let the learning begin. 

--

For full show notes go to: https://theselfrecordingband.com/187

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode Show Notes:

This week, we're looking at external mic preamps and helping you decide if you actually need one or if the answer you're looking for lies elsewhere in your recording setup and process. 

External mic preamps are no doubt a useful tool and can sometimes be the component that lifts your recording from sounding good to great.

Specific models of external mic preamps can offer a unique coloration to your recordings and help squeeze an extra 10% of quality into your recordings. However, preamp choice will likely never be the single factor that miraculously saves a recording. 

Wanna record some gentle acoustic guitar with some soft, intimate vocals but the noise floor is making it a pain in the ass? Then maybe an external mic preamp is the answer. 

There's one thing however, that always trumps gear choice, and that is performance. Nail your performance, and a phone recording could beat even the most expensive recording chains. 

Microphone choice is always an important factor too, and do you know what you're doing with your audio interface when putting that external mic preamp into it?

Also covered is whether it's worth splurging on an expensive external mic preamp or simply hiring one. Not many of us are recording frequently enough to justify the cost, so hiring might be your best bet if you only do this a couple of times a year.

Malcom & Benedikt discuss how using one high-end preamp in one killer-sounding chain can ultimately be a game changer. It's better to have one exceptional-quality chain than several average-sounding chains, right?

--

For full show notes go to: https://theselfrecordingband.com/186

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode Show Notes:

Sometimes, a single guitar tone just won't cut it. It sounds weak and out of place; no matter how we EQ and process it, something is still missing. What's the answer to this? Well, it's more guitars. 

Maybe you love the bottom end of one amp or pedal but also crave the mid-range of another. Well, guess what? You can have both by combining guitar tones.

This topic is broad and there are countless approaches to combining guitar tones and doubling guitar tracks. It's easy to become overwhelmed and throw everything at it,  but this can lead to a "more is less" result. Fear not, Benedikt and Malcom discuss their go-to methods in detail so that you can record with intention. 

The subtle differences between a double and a copied performance may seem insignificant, but they are crucial in shaping the overall sound. 

A double is a second performance of the same thing, not a copy and paste of the original performance. This distinction, while seemingly minute, will drastically affect the final tone.

What you'll learn from this episode:

• How subtle changes in the guitar's EQ can give you big results.
• Genre-based decision making. Is the 'Wall of Sound' approach appropriate for your recording?
• When is doubling guitar tracks necessary?
• What hardware to switch out and adjust when recording duplicate parts? Guitars, pickups, amps or pedals? 
• Why adding layers on top of a guitar take doesn't necessarily have to be another guitar. 

In conclusion, creating a unique guitar sound is a blend of understanding your tools, practising different techniques, and experimenting with various combinations.

--

For full show notes go to: https://theselfrecordingband.com/185

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode Show Notes:

Something different this week as Benedikt walks us through his newly updated mixing template. Showing us the tools he uses to nail a mix, we take a peek behind the wizard's curtain.

A mixing template is a very individual thing, tailored to suit the workflow of the engineer, no two are the same.  

This deep dive into Benedikt's mixing template will give you all the knowledge you need to create your very own custom mixing template setting you up for maximum creativity when it comes to the mixing stage.  

Mixing templates are an ever-evolving thing of course and all of these decisions are made over time and with a lot of trial and error. But If you pay attention and understand the "why" behind Benedikt's decision-making here, you only need to do this once. Benefiting from the thousands of hours that Benedikt has spent at the mixing desk. 

Follow along with the accompanying YouTube video to jumpstart your path to creative godliness. (AKA a good, functional mixing template) 

In this deep dive episode Benedikt not only gives you insights into the tools he uses, but why he uses them. See an industry professional cover these topics:

• Drum bus & group bus routing
• The "why?" behind plugin choices
• Parallel sends
• Easy access to everything for speedy workflow
• Mixing in to the master bus

So grab yourself a pen & notebook and get ready to learn as Benedikt walks us step by step through his mixing template. 

--

For full show notes go to: https://theselfrecordingband.com/184

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode Show Notes:

In this episode, we delve into a fundamental aspect of music production that holds the key to professional-quality tracks: basic audio editing. Whether you're a novice producer or a seasoned veteran, honing your proficiency in these essential techniques is pivotal for creating exceptional music and getting your songs mix-ready. 

But we're not just talking theory here. Our discussion extends to the ins and outs of actual cleanup - the nitty-gritty of identifying and eliminating those pesky issues like hums, distracting noises, headphone bleed and pre-rolls that could mar your perfect track. Even seasoned producers can overlook these, so whether you're a newbie or a veteran, you're sure to find some insightful takeaways.

Why Proficiency in Basic Audio Editing Skills is Essential:

Impeccable Mix Integration: Properly edited tracks, free from unwanted noise, clicks, and pops, seamlessly integrate into your mix, preserving its sonic integrity.

Distinction from Mixing: Basic audio editing is distinct from the mixing process. Neglecting this step can lead to confusion and misunderstandings, impacting both individual projects and collaborations with mixing engineers.

Time and Cost Efficiency: Collaborating with a mixing engineer becomes more efficient when tracks are meticulously cleaned. Minimized cleanup requirements can save valuable time and potentially reduce costs.

Enhanced Performance: By removing noise and artifacts, your computer's processing capacity is optimized, leading to smoother production and mixing workflows. We explain how your VST3 plugins can be draining resources even when you think they're not doing anything. 

Focused Mixing: Proficient audio editing allows you or your mix engineer to concentrate solely on refining sonic elements during mixing, free from the distractions of unprocessed tracks.

By mastering these foundational audio editing skills, you can elevate your production quality, fortify collaborations with mixing experts, and experience a more streamlined mixing process. Whether you're a burgeoning DIY producer or an enthusiast aiming to enhance your production prowess, this episode equips you with actionable insights to ensure your tracks are primed for exceptional sound before entering the mixing phase.

--

For full show notes go to: https://theselfrecordingband.com/183

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode Show Notes:

In this episode, we explore drum limiting and how it can transform your drum sound. Join us as we dive into the world of limiters, clippers, and saturation to achieve an impactful drum mix that stands out.

Malcolm & Benedikt discuss the significance of using clippers and limiters to shape the perfect drum sound. Discover how these techniques can level up your music by adding punch or addressing inconsistent playing. They also delve into hard and soft clipping, explaining the difference and why and when you’d use them.

Understanding the differences between hard and soft clipping and when to use limiters versus clippers can lead to significant improvements in your music production skills.

In terms of practical application, we explore how to use limiters and clippers on drums to best benefit the overall drum sound. For example, limiters can fix inconsistent playing and reduce the snare bleed in overheads. In contrast, clippers can create headroom and increase the punch of the drum hits. It's also essential to understand how the type of limiter or clipper used affects the sound of the drums in different ways.

There is a clipper that is always on my snare channel right when I import. I know I'm going to want it every time. It just lives there. So for me, clippers are the priority on drums. - Malcom Owen Flood

Part of the discussion centres around hard and soft clipping. The differences between them are significant, and understanding these differences is key to effectively using limiters and clippers on drums. Additionally, we explore how saturation-based clipping and limiting can be applied to a mix and how these tools can control dynamics and add harmonic color.

To sum up, mastering drum processing through techniques like clipping and limiting can dramatically enhance your music's sound quality. Whether you're a seasoned pro or a DIY enthusiast, gaining knowledge in these areas can provide you with valuable insights and practical tips to get those drums hitting right!

--

For full show notes go to: https://theselfrecordingband.com/182

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

This week we have the pleasure of chatting with the esteemed audio engineer and producer, Hans-Martin Buff. Join Benedikt & Wayne as they delve into Hans-Martin's illustrious career, from his time working with music legends like Prince and Chaka Khan to his current pioneering work in 3D audio creation.

Hans-Martin talks us through his journey, recounting his experiences in iconic studios like Pachyderm, Paisley Park and Real World Studios. 

In this conversation, Hans-Martin shares his unique perspective on technology's transformative impact on music production. As a seasoned audio engineer and educator, continuously pushing the envelope, he shares some of his engaging anecdotes from his work in world-famous studios to his exploration of the shift from stereo to 3D production.

The future of audio technology comes into focus as Hans-Martin explores the exciting potential of 3D music production for artists. He provides invaluable advice for DIY artists, emphasizing the accessibility of 3D music creation. It’s more accessible than you think.

Hans-Martin tells us how he is presently working with 3D audio more than stereo and how his collaboration with Peter Gabriel came about. 

“He (Peter Gabriel) stood me up for Brian Eno, and I said, you know what? I'd stand myself up for Brian Eno.” 

Hans-Martin Buff will conduct a masterclass at the upcoming Studioszene Event - Hamburg 2023 (Book tickets here). Learning from one of the industry's stalwarts is a golden opportunity.

So let’s uncover the brilliance of Hans-Martin Buff’s career and his impact on the ever-evolving music industry.

--
Studioszene Event - Hamburg 2023 (Book tickets here)
Hans-Martin Buff's Website
Hans-Martin Buff's Discography
Current work with Peter Gabriel

For full show notes go to: https://theselfrecordingband.com/181

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

We’re thrilled to introduce you to the brilliant audio engineer, Jill Zimmermann. In this episode, Jill shares her journey in the world of audio engineering and offers invaluable insights into what it takes to be a successful audio engineer.

Jill's accomplishments are awe-inspiring, having engineered on 2 Gold Singles and a Gold Record, as well as working on Juno award-winning albums by AlexIsOnFire and July Talk. Other bands Jill has worked with are Three Days Grace, Alice Cooper, City and Colour, and so many more.

Jill tells us how her unrelenting work ethic and passion for sound and music have led to her not only making a career as an audio engineer but flourishing in the music industry.

Jill has a unique approach to pitch and explains how her skill as a violinist informs her approach to tuning vocals. As well as giving some solid gold advice on the best starting points for creating vocal harmonies. 

Jill Zimmermann is going to be a speaker at this year's  Studioszene Event - Hamburg 2023 (Book tickets here), showing how she produced vocals for the hard rock band "Rise in Vein". Her masterclass will cover the remote-recording process on that record, insights on vocal editing, how to create great vocal arrangements and how to coach and guide singers in a studio session.

This episode also explores her experiences as an audio engineer adapting to the industry during Covid, particularly in remote recording. Jill discusses the importance of a good, consistent set-up, and talks about building a vocal booth in somebody’s home out of necessity.

So, let’s dive into this episode packed with life lessons, personal experiences, and professional advice from one of the industry's most talented and committed audio engineers. 

--
Jill Zimmermann's Website
Jill Zimmermann's Discography
Jukasa Recording Studios
Studioszene Event - Hamburg / (Book tickets here)

For full show notes go to:

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

In this episode, Benedikt Hain & Malcom Owen-Flood are diving deep into the world of snare compression and exploring how you can use this powerful tool to bring out the best in your snare drum recordings.

The snare is the heartbeat of your music, and getting it to cut through the mix with clarity and impact is essential. That's where compression comes in.

Join Benedikt & Malcom as they unlock valuable insights and techniques they use to harness the power of snare compression and elevate your drum sound to new heights.

Here's what’s covered in this episode:

• Understanding the role of compression in shaping your snare sound. 
• Discover why compression is a game-changer for achieving a professional snare drum sound.
• How compression controls dynamics and balances the snare's attack and sustain.
• Essential compression parameters for the snare. 
• Exploring the ideal attack and release settings for different snare drum styles.
• Setting the right threshold and ratio to maintain the snare's natural dynamics.

Parallel compression and advanced snare compression techniques. 

• Unveiling the magic of parallel compression and how it adds depth and punch to your snare.
• Techniques for blending dry and compressed signals to get that perfect snare mix.
• Using sidechain compression to create space for the snare in a dense mix.
• Exploring multi-band compression to address specific frequency areas on the snare.

Malcom and Benedikt also discuss their go-to compressor types and plugins for the job:

• Reviewing popular compressor models and plugins ideal for snare processing.
• Tips for choosing the right compressor for your snare sound.
• Providing insights on how to tailor compression techniques to suit various musical genres.

You’ll also find useful tips on how to avoid the pitfalls and overcome common compression mistakes that can hinder your sound when using snare compression. 

By the end of this episode, you'll have the knowledge and confidence to apply snare compression effectively in your recordings. Whether you're an experienced producer or a self-recording musician, these techniques will help you take your snare sound to a whole new level.

--

For full show notes go to: https://theselfrecordingband.com/179

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Ever feel like your snare tone is just a little bit off? Like, it's close, but no cigar? That's where we step in.

We all know that the snare drum is a crucial element in any recording, and getting it to sit just right can make or break your mix. So join us as we uncover some valuable insights and techniques to help you achieve that perfect snare sound.

In this episode, Malcom & Benedikt dive deep into the world of using EQ on your snare drum (s) and explore how you can use EQ to make your snare drum fit perfectly and sound amazing in your mix.

Making the snare work in the context of the mix is 90% of the battle. 

Benedikt & Malcom go over these crucial points to make sure you get that killer snare sound:

• Understanding why EQ is crucial for achieving a balanced mix.
• Exploring how EQ can enhance the tone and character of your snare drum.
• Key considerations when EQing a snare drum.
• Techniques for addressing frequency imbalances and resonance problems.
• Using samples to augment your snare sound.  
• Tips for sculpting the snare drum sound to fit seamlessly into your mix.
• Choosing the right EQ plugins for the job. 
• How the wrong snare sound can impact on other instruments in the mix. 
• Phase issues. 

This isn't a case of just throwing techniques at you. This is helping you understand the why and the how, so you can apply these insights to your own mixes. 

So whether you're a seasoned producer or a self-recording musician looking to improve your snare drum recordings, this episode has something valuable to offer. Tune in and discover how you can take your snare drum sounds to the next level through the power of EQ.

For full show notes go to: https://theselfrecordingband.com/178

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

I sat down with Wayne Coulson, a producer, engineer and musician from England. 

Wayne primarily works with Indie Rock and Indie Pop artists and frequently releases his own music. He also joined the team here at theselfrecordingband.com in 2022, where he is editing and mixing our podcast, as well as creating content for our social media accounts and our coaching program.

Ever since we first met in 2021, Wayne has significantly improved his audio skills and deepened his understanding of the entire process of creating records. 

His growth has made him an indispensable asset to our work here.

So it’s about time to introduce him to you and tell his story.

He does everything himself: Writing, arranging, producing, engineering, performing (every instrument & vocal), editing, mixing, mastering. 

Wayne is an amazingly talented musician. He plays guitar and releases indie/alt rock, as well as lofi/indie pop songs under his artist name "Glam Hock". So he knows both sides of the studio window very well and speaks the same language as the musicians he's working with.

When he joined the Self-Recording Syndicate it was clear that he was very talented and passionate. But he also had some blind spots and was lacking good systems and processes to get truly amazing results consistently and with confidence. 

He also wanted to start his studio business, get into creating content and find more artists to work with. After all, he wanted to make sure that he can keep doing this for a long time. Because he loves it. 

Wayne is a rather quiet, relaxed and very kind person, which makes working with him incredibly easy and enjoyable. But the passion he has for music and audio comes through in everything he says and does.

And because Wayne is an action taker with a clear vision and dream, he immediately joined our coaching program after we had a conversation about it. 

He wanted a new perspective, real pro tips from someone actively working in this industry, insights into how to run a studio, guidance and feedback, as well as a community of dedicated people to learn from.

He offers a perfect package to bands and artists that are looking for a unique, dirty and vibey aesthetic and don't want to sound like everyone else. 

Super stoked to share Wayne's story with you!

Let's go!

-Benedikt

--

For full show notes go to:

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Recording your live shows is a great idea for many reasons. 

It shows you the honest and brutal truth and the recordings can be used as great content in between your actual releases.

But unfortunately, most bands do it in a less-than-ideal way.

So let us help you out and show you a few proven approaches to capturing your live performances, so you can get exactly the results you want.

When I was still doing live sound, artists would come to me all the time and ask:

"Hey, can we just get the main outs from the board? We have this recorder/thumb drive/etc. and we'd love to capture our show tonight!"

Not a good idea. At least in most cases. And on this episode we'll explain exactly why that is.

And we'll show you better ways to record your shows. 

There are a few different approaches that could work for you, depending on what you want and why you're recording your live show:

• GoPro / phone / cam 
• Main outs from FOH mixer
• Separate mix from FOH mixer
• Multitracks from FOH mixer
• A pair of mics / field recorder
• Splitter box/rack + laptop / recorder to grab XLRs direct on stage (great for personalized and self managed IEM mixes too!)

We'll discuss all of those and more on the show and walk you through how to set it all up. After listening you'll know the pros and cons of each method and can pick the one that works for you.

And finally, we're giving you a few extra pro tips to get the most out of these recordings and make them sound as exciting as your actual live shows:

• Adding audience mics
• Adding "recording only" mics
• Why and how to keep the stage volume quiet
• Using multiple camera angles and what to watch out for in terms of video/audio sync
• Mic technique (especially vocals)
• Gain staging / headroom

Let's go!

-Benedikt

--

For full show notes go to: https://theselfrecordingband.com/176

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Do you need more inputs or outputs but don't want to buy a new interface?

Let us help you expand your current setup and save money! :)

You might have heard about ADAT or SPDIF and maybe you've seen those ins and outs on your interface - here's why they exist and how to use them

Many of us have started with a small interface that only has a few inputs and outputs. But what do we do if want to track live drums or give everyone in the band their own headphone mix?

Time to get a bigger interface? Not necessarily. There might be a better and more affordable alternative.

On this episode we show you how to add more ins and outs to your existing setup

This is what we cover on the show:

• What ADAT and SPDIF are and how they work
• How to know if your interface can be expanded and what it can actually handle
• Which gear to get to expand your current interface
• The benefits outside of just adding more channels (different preamps, additional sonic flavours, more advanced features, etc.)
• How to set it all up
• Common pitfalls and what to watch out for
   

Let's go!

-Benedikt

--

For full show notes go to: https://theselfrecordingband.com/175

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Have you ever asked your mixing engineer to send you the finished, mixed multitracks? 

Or did you try and export every single track after mixing, so you can use them for backing tracks, remixes, etc.?

Let's talk about which types of files you really need in the end.

The one thing everyone needs is the final mix/master of their song.

But what about stems, multitracks, etc.? 

What's the difference between those and what do I export or ask for when I want backing tracks for my live shows, for example?

In this episode, we give you the answers:

• Let's define stems and multitracks
• What do you need for live backing tracks?
• What do you need for potential remixes / remasters / collaborations?
• Why it is not always possible to export multitracks and why it's usually a waste of time anyway.
• Why are my stems not exactly the same as the mix, when I combine them?
• Why it is a good idea to talk about all of this in advance, so your mixer knows which final files you'll need. 

Let's go!

-Benedikt

--

For full show notes go to: https://theselfrecordingband.com/174

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

I've built a page that offers simple explanations for the most common terms in audio, as well as all the common features and functions found on recording studio equipment. It is completely free, super awesome, and today we're gonna introduce it to you on the podcast.

Making and recording music is about the art. About creativity. When you write or record, you want to be in the zone. You want to be in flow state. 

And nothing is more distracting and annoying than having to google seemingly complicated terms, features or functions that you come across while you’re creating.

So here's the resource to find your answers quickly and end the confusion.

The good news is: Most of that stuff is not complicated at all and you don’t have to understand all the technical ins and outs of every piece of gear, in order to make or record a great song.

And once you find out what the important terms mean, you don’t have to be afraid of making a mistake, anymore. You can finally focus on the art and what comes out of the speakers. Because ultimately, that’s all that matters.

To know the right terms and their meaning also helps in situations where you collaborate and communicate with others. Because sometimes people say one thing and actually mean something completely different. We don't want that happening to you.

So, to save you from that frustrating waste of time and energy, I’ve put together categorized lists with short, simple explanations of all those things. Boiled down to what really matters and already filtering out the stuff you don’t necessarily need to know to get started.

On this episode we'll explain some of the most confusing, important and common audio terms. And then you can look up the rest on this page when you need to.

 Let's go!

-Benedikt

--

For full show notes go to: https://theselfrecordingband.com/173

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

I just finished Rick Rubin's book "The Creative Act". A fascinating and very inspiring read that made me want to talk about it on the podcast because there are so many interesting things to discuss and unpack in what he says.

In this episode, I want to highlight one specific, very important concept that is at the heart of the book.

In "The Creative Act", Rubin discusses the phases of any creative project, which he calls the Seed phase, the Experimentation phase, the Craft phase, and the Completion phase.

From working with so many artists, I know that many people find it hard to "plan" art. To follow a process and to be intentional.

I always ask people to tell me why they are making a record, what they want it to sound and feel like, what they are trying to achieve and how they are going to make that happen.

But it's important to understand that not every part of making a record has to be planned. Not every decision needs a "why" behind it, especially not in the early phases.

I realized that the way I used to explain and teach it can easily be misunderstood, so "The Creative Act" provides a perfect opportunity to make this more clear and straightforward.

At every stage of the record-making process there's a bit of both creation and craft involved, so let's have a look at that.

The writing never stops. 

As artists, we are constantly inspired by things happening around us, our emotions, stories we hear, people we meet, things we go through, etc. 

Just observe, pay attention and capture (the seed)

Then we take these notes and develop them into drafts. 

No rules. No limitations. No plan. We create what we feel like creating and let our intuition and inspiration guide us. Whatever comes out becomes the art. Some things will be good, others not so much. We just keep creating and experimenting.

If we separate the craft and creation, we can show up to do either or, focus on the task at hand and will get the most out of both, instead of constantly doing it all at the same time.

Let's discuss!

-Benedikt

--

For full show notes go to: https://theselfrecordingband.com/172

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

I sat down with Flo Reithofer, a producer, engineer and musician from Austria. He was one of the first people to join the Self-Recording Syndicate and I've been working with him for about a year and a half now, helping him refine his audio skills, as well as grow his studio business.

During that time Flo has not only worked on many projects with different bands and artists, but he also produced two songs completely from scratch. 

He did everything himself: Writing, arranging, producing, engineering, performing (every instrument & vocal), editing, mixing, mastering. 

Flo is a true multi-instrumentalist and still plays drums for different bands. So he knows both sides of the studio window very well and speaks the same language as the musicians he's working with.

Since joining the program, Flo has always been open for new ideas and new things to try, produced super exciting records for the artists he's working with and got more projects for his studio.

He has improved the acoustics in his live room, optimized his recording and mixing rigs, created a better workflow for himself and now produces and mixes with much more confidence, compared to just a few months ago. And his artists are loving the results he gets them!
 

His skillset and network lets him offer a perfect package to bands and artists that are looking for an energetic and raw production aesthetic that still sounds modern and punchy, but always in a very authentic way and true to the artist's vision. 

Super stoked to share Flo's story with you!

Let's go!

-Benedikt

--

For full show notes go to: https://theselfrecordingband.com/171

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

I sat down with Clint & Robin, two amazingly talented producers, engineers and musicians from Hamburg, Germany. I've been working with them for about a year now, helping them refine their audio skills and guiding them through the process of starting their own studio.

During that time I was constantly blown away by the conversations we had on our coaching calls and the music they submitted for feedback. 

When they joined the Self-Recording Syndicate it was clear that they were very talented, but they were also lacking focus, systems and a reliable process to get amazing results consistently and with confidence. 

So they took it seriously, put in the work, were always open for new ideas and things to try, produced super exciting records and started getting their first paid projects in their studio, Roobey Records.

They have built out their studio rigs, created processes and a better workflow for themselves and feel so much more confident about their work now, compared to just a few months ago.

Clint & Robin both also play in Snakes In The Pit, a hardcore band from Hamburg, and Clint is an experienced touring drummer. His credits include playing drums for ZSK (a huge German punk band) on their tour with Rise Against.

Their combined skillset and network lets them offer a perfect package to bands and artists that are looking for a big, modern and polished production aesthetic, while still sounding like a real band.

Super stoked to share Robin's and Clint's story with you!

Let's go!

-Benedikt

--

For full show notes go to: https://theselfrecordingband.com/170

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Listen to this episode if you want to know what's keeping your recordings from sounding professional.

Here's what we cover in this episode:

·      We debunk some common myths around music production and around the modern tools used to enhance performances

·      We show you a solution that will help you speed up your music creation process significantly

·      We introduce a system that helps you get professional sounding results with confidence and without killing the vibe

 There's no need to write out more detailed show notes for today's episode, because it's all there for you on this page:

theselfrecordingband.com/deadondrums

Let's go!

-Benedikt

--

For full show notes go to: https://theselfrecordingband.com/169

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Lucas McKinnon is an artist, multi-instrumentalist, session drummer, record producer, owner of Silverside Sound (a beautiful recording studio) and inviting him to the podcast was long overdue!

So let's talk session drums (and all things drum production, actually)!

If you got our Mixes Unpacked - Vol. 2 course, you've seen Malcom dissect his mix of "Dark Ice" by Skov. 

The drums on that song, which many of you loved, have been played and recorded by Lucas McKinnon.

So we wanted to talk to Lucas about what goes into recording drums remotely for other artists. 

What are the challenges, how do you collaborate effectively, how do you make sure to get the vibe right and understand the artist's vision? Those were some of the questions on our minds.

Also things like setting up, choosing the right setup and keeping the drums in good shape for every session.  

Because, let's be honest, your typical remote drummer that you hire online is likely to leave the same drum skins on the kit forever, always use the same setup and not really put serious effort into creating and capturing the perfect tones for your song. From scratch. Every single time. Which is exactly what Lucas does. And how it should be done.

And his job doesn't end there. Sure, you can just get the raw multitracks and drag them into your session. But depending on what the project needs, people like Lucas can edit or even mix the drums in the context of the song, so you can get a finished product, even if you're not an engineer but a writer and musician.

Specialized, professional drummers and engineers like Lucas McKinnon or our very own "Dr. Drums" Thomas Krottenthaler bring a level of expertise to every project that is truly invaluable. 

They solve the biggest problems DIY-producers and musicians have: Drum production and getting the groove right. This is by far the hardest thing to do on your own, especially if you're not experienced and don't have a great room to do it.

Malcom and Lucas have collaborated on many records over the years and have a professional relationship and friendship that is the perfect foundation for an inspiring and insightful conversation like this.
  

Let's go!

-Benedikt

--

For full show notes go to: https://theselfrecordingband.com/168

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

As a follow-up to last week's episode on bus processing, we want to introduce and explore the idea of top-down mixing today.   

Top-down mixing can make your mixing workflow more efficient, intuitive and creative.

It's less destructive and leads to decent results quickly.

It helps you not overthink things, and you'll find yourself mixing with your ears more than reacting to meters and graphics.

It's dangerous if you not done "correctly". 

"Top down mixing is probably the easiest way for beginners to get started, but beginners also will probably really overdo it since they haven't trained their ears for what they SHOULD change, not CAN change. So it's also a great way to fail fast. 😄" -Malcom Owen-Flood

In this week's podcast episode we're gonna explain how we implement top-down mixing it in our own mixing workflows every day and also talk about potential downsides and things to watch out for.
  

There's actually a benefit to combining "bottom-up" and "top-down" approaches in one mix, especially when it comes to balancing. 

How to implement top-down mixing in your mixes

·      Practical examples

·      How to approach a mix from a top-down perspective and how to prioritize elements in the mix

·      Advice on using bus processing and other techniques to shape the overall mix (listen to previous episode)

·      The importance of referencing to make sure that the details are correct, as well. It's easy to overlook things and to be content too early in the process.

·      Do a quick "bottom up" rough mix first to really learn the song and arrangement.

·      Compare your bottom-up and top-down balances. They will likely be different and hearing both will help you get things in the ballpark.

 Now go and try out top-down mixing in your own mixes and experiment with different techniques!

Remember that top-down mixing is just one approach to mixing. It should be used in conjunction with other techniques to achieve the best possible results.

For some people this is their main approach, others can't seem to make it work. 

But almost everyone can benefit from switching perspectives, seeing the big picture again and rebalancing a mix with a different focus and approach.

Let's go!

-Benedikt
--

For full show notes go to: https://theselfrecordingband.com/167

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

In the episode on piano recordings and sparse arrangements we briefly talked about using bus processing to glue things together and keep things a little more organic. Today we want to explore this further. 

Let's discuss what bus processing is and how it can help you achieve a more cohesive and polished sound in your mixes!
 

On this episode, we explain exactly how we use bus processing in our own mixes. Routing, plugins, plugin order, settings and, of course, the reasons behind our decisions, based on the context of the mix.  

Bus processing is just one tool in your mixing toolbox, and it should be used in conjunction with other techniques (clean up, shaping of important individual tracks, etc.) to achieve the best possible results.

Let's go! 

-Benedikt
--
For full show notes go to: https://theselfrecordingband.com/166

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

I got a message from one of our coaching students and it really made me think.

This is what he wrote:
 

"I just wanted to say thank you. It's great to have someone who is so unrelentingly positive and upbeat as part of this. Whether we are talking on zoom, group chat, your video messages or even the podcast. Your positivity comes through all of it and makes it feel like what we're doing (music) is possible, and maybe even fun sometimes!"

While I love and appreciate this message, it also made me think and reflect on the whole topic of music being fun.

A lot of artist and DIY producers that I work with and talk to seem to forget their "why" sometimes. Why they even got into this. Why they wanted to write and produce music in the first place. 

And I've been there, too! When we get ambitious and dive deep into learning something, improving our skills and trying to reach the goals that we set for ourselves, we can get disconnected from the art.

It all turns into projects, tasks, deadlines, schedules and a long list of to-dos.

So how can we separate the to-dos from the process of actually creating art and make sure we enjoy making music?

Malcom and I explore this on the podcast and discuss a long list of ideas on this week's episode.

Let's go!

-Benedikt

--
For full show notes go to: https://theselfrecordingband.com/165

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Recording actual drums is not an option for many people, so naturally a lot of people are programming MIDI drums. 

But have you considered playing your MIDI drums instead?

You can program MIDI drums grooves by drawing MIDI notes with a mouse, using a small MIDI controller/keyboard or using pre-made MIDI loops that you can adjust to taste.

But what if you want to still play the drums? 

Maybe you've even tried using an electronic kit, but it just didn't work out. We know there's a learning curve and there are pros and cons to using e-drums. And there are definitely a lot of things to watch out for. 

If you can make it work, however, it can be the perfect solution to your drum problems.

So we invited our "DR Drums" again, Thomas Krottenthaler, and asked him to share insights from his experience recording professional albums with electronic drums.

Thomas has been working as a freelance engineer at Benedikt's mixing studio, Outback Recordings for a few years now. Together, they've helped bring hundreds of songs to life. Many of them include MIDI drums that they had to refine or re-program from scratch, depending on the project and what the artist delivered.

And Thomas is freaking AWESOME at that. In fact, he's awesome at all things drums. So here we go, this is what we cover on the episode:

Why people choose to use MIDI drums:

·      No big room with good treatment required

·      Acoustic drums are often too loud

·      No good drum kit & no frequent drum setup required (drum tech & tuning skills, etc.) 

·      No expensive mics required no multichannel interface and good preamps required

·      Acoustic drum recording is hard and takes a lot of experience

How to record drums using an electronic kit:

·      Different ways to record E-drums (Stereo out/ Multi out on module/ MIDI)

·      Which E-drum kit to get and how much to spend on it

And much more....

-Benedikt

--
For full show notes go to: https://theselfrecordingband.com/164

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-

2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-

3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

Jack, a podcast listener, commented the following on one of our episodes:

"A problem i've been having lately isn't so much with getting good sounds or mixing as it has been with having a good process for tracking. 

Having a great rhythm track can sometimes be 80% of having a great recording, especially when recording on my own (tracking a band makes things more obvious for me). 

Getting a tightly played and edited rhythm track is so time consuming for me that I usually sub-consciously rush it just to carry on with recording the song, to speed up the process to get to mixing it and fun stuff quicker. The result is me having to go back and do a lot of this in mixing and editing tracks that are played to other tracks poorly."

This is why it's bothering him (it's not just time, but the end result):

"When tracking, I can play super tight eventually with a warm up but I sometimes cant get the feel totally right, even if it's tight, without editing and I'm not entirely sure how to do this properly sometimes. This is more strictly talking about recording demos. 

When I try do a more serious recording of a fleshed out tracking I will usually spend way too long on this and edit it within an inch of its life or rerecord too many things that could be perceived as great characterful mistakes. The end result is usually pretty lifeless and static. "

"I would love to hear you guys wax lyrical about a checklist for making a great rhythm track, with what needs to be ticked off before moving forward. Getting the feel right - ie. The pocket. 

Thank you for those great questions, Jack! 

Of course, we're happy to roll up our sleeves and answer them all! 💪🙂

Let's go!

-Benedikt

--
For full show notes go to: https://theselfrecordingband.com/163

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-

2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-

3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

In this episode we’re taking a dive into something we don’t talk about often… recording piano. 

Mark sent us a message asking if we could talk more about recording piano. Solo piano, piano with vocals and sparse acoustic mixes generally. 

Despite working in heavier genres a lot, both Malcom and I have years of experience playing, recording and mixing pianos so we’re stoked to be answering Mark’s question on this episode.

We’re discussing these important things to consider when capturing a piano:

• Microphone choice
• Microphone placement
• Should you use a real piano or is a virtual MIDI instrument enough?
• What kind of piano should I use? Grand? Upright? Does it matter?
• How important is the room and do I have to capture it with dedicated room mics?
• Is your piano actually in tune and ready to be recorded?
• How do you get a piano to sit well in the mix?
• What makes a piano sound intimate and soulful? And how do you capture those details?
   
   

Pianos aren’t going anywhere and maybe it’s the component that’s missing from your arrangement that you hadn’t considered. 
 

Or maybe you’re a singer songwriter that works exclusively on piano, in this case you’ve got to take recording your instrument very seriously. It has nowhere to hide!
 
 We cover it all in this episode, so come on in. 

Let's go!

-Benedikt

--
For full show notes go to: https://theselfrecordingband.com/162

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-

2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-

3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--

Episode show notes:

And this time, it's not about pre-production or working on your songs and arrangements. It's about how to prepare yourself, physically and mentally, for the recording session. How to practice, so you can make the most out of your studio time and deliver what is needed to make a great record.

Practice to a click track.

Malcom starts by emphasizing the importance of practicing with a click track, both as a band and individually. And how practicing to a click enables you to record great takes, even if you end up tracking without a click. 

But tempo and meter are not everything. There is more that needs to be practiced and prepared for the recording session.

The interaction within the band is super important. When playing as a band, it's essential to pay attention to each other's mistakes and gently address them. 

Recording scratch tracks during pre-production rehearsals can help identify issues that need to be resolved before recording. 

Now that the band can play it all well together and everybody knows what they're doing, you need to practice your individual parts on your own, without other instruments and record them to a click track. Just for practice. 

This allows you to notice small mistakes and analyze your performance with the help of a DAW.  

It's crucial to pay attention to dynamics, tone, overall feel and cleanliness when practicing and recording.

At this stage, get ready to try some cool, unique tricks that Malcom is suggesting on the episode. 😎

And lastly, be prepared to leave your ego at the door if you want the best possible result. 

Proper studio preparation, rehearsal and problem-solving ahead of time can prevent roadblocks during recording.

So listen to this episode and adopt these effective practicing techniques to become world-class studio musicians. 

Let's go!

-Benedikt

--
For full show notes go to: https://theselfrecordingband.com/161

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Today we're going all the way back to day one of the home recording journey and talk about how to get started recording your own music.

We've been covering some pretty advanced topics, lately, so let's take a step back and discuss what we would do if we were to start over.

There's so much that goes into recording your own music that it can seem pretty overwhelming. And many people really don't need to hear about the advanced stuff everybody seems to talk about. 

They just want to know: "How do I start? What gear do I need, how do I set it up and how do I get those first recordings onto my hard drive?"

This is part three were we cover how to navigate your DAW and help you learn the most important tools.

The goal is to create a good first workflow for you, focussing on what really matters. This lets you make your first recordings quickly, without overwhelm or going down the wrong rabbit holes. 

Here's a step-by-step plan for you:

1.    Figure out the internal routing of your DAW (panning, groups, busses, sends/returns)
  

2.    Figure out your basic editing tools
  

3.    Learn how to work with MIDI
  

4.    Learn how plugins work and get familiar with the basics first (EQ, compression & reverb/delay)
  

5.    Create a simple folder structure and backup system that ensures you quickly find your songs and never lose the results of your
  hard work
  

6.    Have fun and practice!

On the episode we talk about exactly what to do at each step, of course.

Let's walk you through this!

-Benedikt

--
For full show notes go to: https://theselfrecordingband.com/160

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Today we're going all the way back to day one of the home recording journey and talk about how to get started recording your own music.

We've been covering some pretty advanced topics, lately, so let's take a step back and discuss what we would do if we were to start over.

There's so much that goes into recording your own music that it can seem pretty overwhelming. And many people really don't need to hear about the advanced stuff everybody seems to talk about. 

They just want to know: "How do I start? What gear do I need, how do I set it up and how do I get those first recordings onto my hard drive?"

This is part two were we cover how to set up your DAW and interface, so you can start recording and avoid the most common mistakes

Here's a step-by-step plan for you:

1.    Set up the DAW & interface (Sample rate, I/O, interface control software, etc.)
  

2.    Understand basic functionality and layout of DAW (editing window & mixer, project folders, file locations)
  

3.    Make sure signals go in and out of your computer and interface
  

4.    Avoid clipping and use the correct inputs of your interface
  

5.    Figure out how to record without latency

On the episode we talk about exactly what to do at each step, of course.

Let's walk you through this!

-Benedikt

--
For full show notes go to: https://theselfrecordingband.com/159

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Today we're going all the way back to day one of the home recording journey and talk about how to get started recording your own music.

We've been covering some pretty advanced topics, lately, so let's take a step back and discuss what we would do if we were to start over.

There's so much that goes into recording your own music that it can seem pretty overwhelming. And many people really don't need to hear about the advanced stuff everybody seems to talk about. 

They just want to know: "How do I start? What gear do I need, how do I set it up and how do I get those first recordings onto my hard drive?"

This is part one were we cover the always important big picture things to keep in mind and of course everyone's favorite topic: Gear! 

Here's a step-by-step plan for you:

1.    Remember and always keep in mind what you are making and why you are making it. This will help you stick with it and overcome the roadblocks that will inevitably come up.
  

2.    Make it less overwhelming by breaking your big goal down into smaller chunks
  

3.    Start with your songs, arrangements, instruments and playing technique
  

4.    Only get the gear you really need

Knowing what we know now, this is the gear we'd get and what we would do with it:

·      Interface (there's better options than Scarletts, these days 😉)

·      Microphone(s)

·      DAW

·      Headphones / Monitors

·      Basic room treatment

·      Supplies (strings, drum heads, picks, etc.)

On the episode we talk about specific choices, of course and explain what really matters when it comes to gear, so that you get the best return on your investment without frustration and headaches. 

Let's go!

-Benedikt

--
For full show notes go to: https://theselfrecordingband.com/158

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Sometimes knowing what not to do is more helpful than learning a new trick. 

So in this episode, I (Benedikt) want to break down the biggest home recording mistakes I've seen from working with self-recording bands this month. So you don't have to make these same mistakes.

I get to work on a lot of different songs every month and many of them are home recordings. So, naturally, the source tones often have problems. I always try to optimize at the source and coach the artists I'm working with, so that we get the best results and so that they can deliver better recordings more easily next time.

This week we start sharing these things with you, too, because that will increase the overall quality of self-recorded records and hopefully make producing your next DIY record an easier and more enjoyable process for everyone.

By the way: 

These things are not only important when you're working with someone else. If you mix yourself, you don't want to self-sabotage, but give yourself the best chance of creating an awesome mix and make it a more creative, straight-forward, less frustrating experience.

Also: Note that none of these have to do with not having expensive gear, or anything that would cost you lots of money. They are all things you can control and fix with the tools you already have.

Let's go!

-Benedikt

--
For full show notes go to: https://theselfrecordingband.com/157

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

Do you know what music producers like Rick Rubin actually do and get paid for?

CBS News just released a 60 minutes piece, featuring Rick Rubin, which caused some pretty wild discussions on the internet. 

Rubin explained his role and said things like

·      "I don't know anything about music"

·      "I can barely play a few instruments"

·      "I don't know how to operate a mixing desk"

Let's discuss this.

On this episode we're answering questions like:
 

·      What do we think about the statements Rick Rubin made there? 

·      Is he just being modest?

·      What does he get paid for if he doesn't know any of these things?

·      Aren't those things exactly what a producer typically does or needs to know?

·      And if you really don't have to know any of these things to be a legendary producer, what is it that a producer actually does?

Let's go!

-Benedikt

--
For full show notes go to: https://theselfrecordingband.com/156

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

How loud does my music need to be and how do we measure it in 2023? 

 We got a very interesting question on Instagram.

An experienced engineer who does great work but took a relatively long break from music production was wondering about how we measure loudness today, whether RMS was still relevant now that we have LUFS, and whether we can still master as loud as we did years ago, without negative consequences when our songs are played next to others on streaming platforms.

And he's definitely not alone. Many people seem to be confused about different ways of measuring loudness and also the always changing trends and opinions on the topic. 

 To answer the question directly, we also explain the difference between RMS and LUFS:

RMS:
 “Root mean square”. The average level of your audio signal, measured over a longer period of time, and close to what your ears perceive as the loudness of your audio.

LUFS:
 “Loudness units relative to Full Scale”. This is a loudness standard designed to enable the matching of perceived audio levels. So that different signals (or songs) will sound equally loud, no matter what the dB meter says. 
 
 Loudness Units (or LU) is a unit that describes loudness by taking into account how our hearing perceives volume. Not just pure sound pressure or amplitude, like “dB” does. 
 
 And again, “FS” means “relative to full scale”. So, for example, -18 LUFS means “18 LU away from the maximum of 0”. The difference between -23 LUFS and -18 LUFS, for example is 5 LU.

 Then we're sharing how we do it in our own projects:

• How loud do we master and why?
• How do we measure it?
• How important is it to us?

 And one final word of caution:

Be careful about different RMS settings on your meters! AES-17 on/off makes a 3dB difference. One RMS value doesn't necessary equal another RMS value. 

Be careful when comparing anything, basically. There's many different ways to measure loudness and volume and it's easy to get confused and compare different things without noticing.

More details on that in the episode.

Let's go!

-Benedikt

--
For full show notes go to: https://theselfrecordingband.com/155

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send us a text

Here are three next steps for you to take:

1. Get our free video training & checklist, "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!

It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.

Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.

Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode show notes:

In this episode, we're going to take a deep dive into the anatomy of a rock bass guitar tone. We'll explore the different components that make up the sound of a bass guitar and how they can be manipulated to achieve the desired tone.

This episode on bass guitar tone was inspired by a message that we got from our long time listeners in a band called Stepa. 

They were fascinated by a particular bass pedal that we're talking about on this episode, too, the Darkglass Microtubes Infinity.

Stepa suggested doing a breakdown of its features and a deep dive into the pedal, while also mentioning alternatives that we all have available in our DAWs. 

Because we agree that this pedal is pretty phenomenal, we thought we should do an episode on what it is that makes tools like this so valuable, what we're actually able to manipulate with it and what makes up a great bass tone in the end.

--
For full show notes go to: https://theselfrecordingband.com/154

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]