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How do I write a book? How do I create compelling characters that readers will love? How do I build a believable world for my story? What does it even mean to write a story that works? Do you have any writing tips? These are just some of the big questions that developmental editor and book coach, Savannah Gilbo, digs into on the Fiction Writing Made Easy Podcast. Each week, Savannah shares actionable tools, tips, and strategies that will help you write, edit, and publish your book. So, whether you’re brand new to writing, or a seasoned author looking to improve your craft, this podcast is for you!
The podcast Fiction Writing Made Easy is created by Savannah Gilbo. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
“I want to write a dual timeline novel, but I’m struggling to weave the storylines together. Help!” 👈 This is something I hear from writers all the time. And while it’s true that writing a story with dual timelines presents its own set of challenges, the possibilities are often worth the effort.
Tune in to this episode to learn the essential elements that make dual timeline novels work, common mistakes to avoid, and practical writing strategies you can use to write a dual timeline story that truly resonates with readers.
In this episode, I cover things like:
If you want to write a novel that has more than one timeline—or if you’re editing a novel with dual timelines—this is an episode you won’t want to miss!
🔗 Links mentioned in this episode:
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Curious about what it’s like to make the switch from writing for TV to writing books? Or maybe you want to learn writing tips from a screenwriter with decades of experience?
Either way, you’re going to love this episode with Michael Jamin. Michael is a TV writer turned author who just published his collection of personal essays, A Paper Orchestra, in 2023. Since then, his book has won a Reedsy Discovery Editor’s Choice Award and has been named one of Vulture’s “Best Comedy Books of 2024.”
Michael’s many credits include writing for King of the Hill, Beavis and Butt-Head, Just Shoot Me, Wilfred, Maron, Rules of Engagement, Out of Practice, Brickleberry, and Tacoma FD. And in this episode, he’s sharing what it was like making the switch from writing for TV to writing his first book.
In the episode, you’ll hear us talk about things like:
Even if you can’t relate to Michael’s TV background, you’ll still get a ton of value from this episode. He knows what it’s like to struggle through your first book—and he’s a great example of what happens if you don’t give up!
🔗 Links mentioned in this episode:
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Calling all Romantasy (and Fantasy) authors! Tune in to learn how to write a Romantasy novel that perfectly blends fantasy elements with romance.
Whether you're drafting your first Romantasy novel or refining your approach to an existing manuscript, this episode will help you deliver exactly what readers are looking for in this booming genre.
Tune in for a deep dive into the Romantasy genre and learn things like:
[01:35] Key differences between books like Fourth Wing, Radiance, and The Name of The Wind, and why only two of these would be marketed as Romantasy, despite having many similar elements
[05:24] What the Romantasy genre spectrum looks like—and why knowing where your story fits on this spectrum changes everything about how you write it
[10:55] How to navigate the thematic differences between “Fantasy Romance” (focused on love's power) versus “Romantic Fantasy” (centered on survival)
[18:22] How to craft character relationships that resonate differently depending on your subgenre—and why this matters more than you think
[22:15] Worldbuilding strategies specific to each end of the Romantasy spectrum that will keep readers immersed in your story and coming back for more
If you’ve ever wondered why some Romantasy novels feel like epic adventures with a dash of romance while others are more like swoon-worthy love stories with magical elements, this episode will help clear out some of that confusion.
🔗 Links mentioned in this episode:
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Romantasy and Fantasy authors! Tune in to learn how the opening pages of House of Earth and Blood hooks readers and pulls them into the rest of the story.
Join me and Abigail K. Perry for a deep dive into the opening chapter of the first Crescent City book, House of Earth and Blood, to find out how and why it works.
We analyze this first chapter from both a macro and micro perspective to see what kind of promise it makes to the reader, how the author introduces us to the story world, and to figure out why we care so much about these fictional characters.
In the episode, you’ll hear us talk about:
Whether you’re writing fantasy, romantasy, or any kind of story that requires world-building, this episode will change how you look at your opening chapter. Plus, you’ll get a fantastic peek at how Sarah J. Maas wrote another bestselling fantasy series (so you can do the same when writing your own novel).
🔗 Links mentioned in this episode:
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Discover how a debut author turned her first novel into an Amazon #1 bestseller using strategic marketing tactics instead of relying on social media.
Meet Margaret Mantor, a science-fantasy romance author from Denver whose novel Air And Ashes hit Amazon's bestseller list one month after launch. Tune in to hear us talk about why giving away books for free can lead to more sales, how to use BookBub promotions and newsletter features to skyrocket your Amazon rankings, and why using social media to promote your book doesn’t always work.
Episode Highlights
[03:45] Meet Margaret, a science-fantasy romance author from Denver
[05:03] Celebrating becoming an Amazon bestseller one month after launch
[05:51] How Margaret's high school story idea became an Amazon bestseller
[07:24] Working with a developmental editor and handling feedback
[13:35] The revision process: Beta readers, line editors, and proofreaders
[18:26] Why Margaret chose self-publishing vs. traditional publishing
[20:33] Book marketing strategies that actually worked without social media
[26:55] Key lessons learned and best advice for aspiring authors
[34:35] Looking ahead to book 2 and how it’s already better
If you’re an aspiring fiction author who wants to successfully self-publish your book (without using social media to market it), this episode is for you!
🔗 Links mentioned in this episode:
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Chronic illness teaches you about pain, loss, and resilience. Find out why this can make you a better storyteller.
Writing a novel can feel impossible when managing a chronic illness. Symptoms, brain fog, and advice that doesn't fit your life can make you wonder if you'll ever finish your story. But your experience with chronic illness also gives you a rare edge that empowers you to connect with readers on a much deeper level.
That's why I'm so excited to introduce you to Sandra Postma. She's a certified book coach who works with writers facing chronic illnesses. Sandra brings such warmth and kindness to this conversation, shaped by her own 20-year journey with chronic illness and writing.
In this episode, Sandra and I talk about turning your chronic illness into your secret weapon for storytelling, finding writing strategies that honor your body, and giving yourself permission to write in a way that works for you.
Here’s what we cover:
[04:55] The top three challenges writers with chronic illnesses face and why traditional writing advice doesn't always work.
[14:28] How to create a writing routine that’s right for you and your body, even if it breaks a few common rules.
[16:13] Why your chronic illness can be the key to connecting with your readers on a raw, emotional level.
[27:30] Understanding the difference between ‘clean pain’ and ‘dirty pain’ and how this writing mindset shift supports you when things get tough.
[33:01] Why it’s okay for your writing journey to take as long as it needs—and how to make peace with your pace.
Whether you're starting your first draft or deep into your novel, this conversation will help you find your own path to storytelling—one that pays tribute to your creativity and well-being.
🔗 Links mentioned in this episode:
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Romance, historical fiction & fantasy writers—tune in to learn how the opening pages of Outlander hook readers into the story.
In this listener-voted episode, I team up with developmental editor and book coach Abigail K. Perry to analyze the opening chapter of Diana Gabaldon's genre-defying masterpiece, Outlander, on a macro and micro level.
And truth be told, this might be one of our most challenging chapter analyses yet, but you'll learn exactly what makes these opening pages super engaging so you can apply it to your own writing.
Here’s what we cover:
[07:13] An Outlander chapter summary that reveals how Gabaldon masterfully sets up relationship tension and an interesting open loop that becomes hugely important later.
[13:05] A chapter one macro analysis using the seven questions from Paula Munier’s book, The Writer’s Guide To Beginnings, to break down what makes this opening so spot-on (from genre to character to stakes).
[39:50] How Gabaldon built Outlander's plot around three major story peaks to keep readers glued to the page. (I found this gem on her website and had to share it with you.)
[43:01] A microanalysis of the two scenes within the first chapter using the "5 Commandments of Storytelling" from Shawn Coyn's book, The Story Grid—to learn how to make your quiet moments as compelling as the action-packed ones.
[56:33] A discussion on how to write tricky relationship moments and emotional turning points in a way that feels natural and not forced.
Whether you're writing historical fantasy, time travel romance, historical romance, or any genre-bending story, you'll get a fantastic overview of how Diana Gabaldon crafted an opening chapter that launched a global phenomenon (so you can do the same for your own novel).
Tune in now.
🔗 Links mentioned in this episode:
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Got writer's block and convinced it's because you lack talent? Think again! And I have the solution that'll change the way you approach your writing…
If you're struggling to finish your novel, I want you to know that your lack of progress has nothing to do with your capabilities or the quality of your ideas. In fact, it boils down to an imbalance of three essential things—or pillars of novel creation, if you will.
In this week's episode, I'm sharing what these three things are so you can overcome writing roadblocks and finish your novel in 2025.
These three things helped Jenny finish her draft in 6 months (after being stuck for 12 years) and gave Laura the confidence to move past self-doubt and finish her 83,000-word fantasy story.
Here’s what I talk about:
[03:43] Your secret roadmap to avoid the endless planning loop where you waste months (or even years) trying to make everything perfect.
[10:01] The most overlooked part of successfully writing a first draft, which many people ignore, and how to leverage it when self-doubt kicks in.
[15:36] The technical piece of the writing puzzle and why even beautiful prose won't help if the other two pieces aren't in place.
And so much more…
If you're ready to stop spinning your wheels and start making real progress on your story, grab your headphones, turn the volume up, and press play. This could be the writing breakthrough you've been waiting for.
🔗 Links mentioned in this episode:
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
See how Notes to Novel™ helped these five writers go from a blank page to a story that works (without the overwhelm).
With Notes to Novel™ (season 6) right around the corner, I'm bringing you something incredibly special today. I'm chatting with five amazing writers from season 5 about their experience inside the course.
And let me tell you, they're in the trenches right now, actively working on their novels. Some have finished their outlines, while others are deep in the drafting phase, and one has already completed her manuscript!
This is what we talk about:
[02:55] How Katherine finished the “cleanest draft” she’s ever written (at 72k words) in only 3 months—and then went on to edit that same draft in just 8 weeks
[09:47] How the Notes to Novel framework helped Kay stay focused on what *really* mattered in her story (and avoid chasing every new shiny object idea that popped into her head)
[15:27] What happened when I suggested one of my students, Danyel, eliminate one of her two point-of-view characters during one of our live Q&A calls
[21:35] How Harlow used her genre’s key scenes to create an outline (and why this made outlining much more approachable)
[27:47] And finally, how Madi wrote her first draft in 6 months (despite being a super busy mom of four)—plus her thoughts on the overall vibe and atmosphere of the group coaching aspect
So, if you’re feeling stuck, flustered, or unsure about your writing process, these 5 Notes to Novel students show you what's possible when you have the right tools and support. Enjoy the episode!
🔗 Links mentioned in this episode:
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Feel stuck writing your novel? These 5 time management strategies will squash all productivity blocks to get your story finished—finally (and fast).
Why does finding the time to write feel so hard sometimes? We often blame our busy schedules (and yes, that's definitely part of it). But there's something else lurking around that stops your writing progress. And it has a way of making you feel like you're failing at this whole writing thing. Which is so not true.
In this episode, I'm pulling back the curtain on this sneaky (and very hidden) productivity block that keeps tripping you up. Plus, I'm sharing 5 powerful time management strategies to squash this writing bottleneck so you can finish your novel in 2025.
You’ll hear me talk about things like:
[03:35] The hidden truth about "not enough time" that's actually blocking your writing progress (and how to fix it).
[06:04] A simple ‘chunking method’ that reduces writing overwhelm and turns your sessions into productive, dopamine-fueled wins.
[10:45] The editing habit that's stealing your momentum, and most writers don't see it coming.
[22:28] A fun way to outsmart your brain into showing up for your writing (hello, guilt-free rewards!)
[26:26] An energy-mapping trick that leverages your best creative flow state to get more writing done in less time.
And so much more…
You've got a story inside you that deserves to be told, and 2025 is your year to hold that finished novel in your hands. Whether it's your debut or your next book in a growing series—your writing journey is too important to let productivity barriers hold you back. You've got this, and I'm here to help.
Enjoy this episode, and make sure to grab your free time management guide in the links section below to start implementing these strategies today.
🔗 Links mentioned in this episode:
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
The best writing advice sticks with us because it changes our thinking about our craft. In this special year-end episode, I'm counting down the top 10 most powerful tips from Fiction Writing Made Easy in 2024—from crafting sizzling character chemistry and developing compelling antagonists to building immersive story worlds and mastering your character's backstory.
Plus, learn how to overcome writer's block and tap into the power of the writing community to fuel your creative success. Let's celebrate the juicy nuggets that helped writers (like you) level up their storytelling this year.
In the episode, you’ll hear me talk about things like:
And that's just a taste of our special year-end top 10 tip countdown. I'm so excited to share these writing tips with you—they're genuinely some of my favorites from this year!
So, cozy up with your favorite writing snacks, and let's celebrate the best writing advice of 2024 together.
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Click here to view the episode page with all the links
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Is the thought of revising your first draft making you nauseous? I got you. These mindset tips will ease revision anxiety for good.
It's one thing to pour your heart into writing a first draft. However, facing revisions and sharing your story with others can feel raw, uncomfortable, and downright scary.
Not to worry. Every writer struggles with this novel writing phase, and that's why I've brought together four brilliant book coaches and editors to share their mindset wisdom to make the first draft revision process less scary and more exciting.
Here's what we talk about:
[02:48] Why you should absolutely love your "hot mess" first draft—it's exactly what it needs to be right now.
[08:01] The right (and wrong) people to ask for first draft feedback and how to prepare yourself emotionally for their response.
[12:40] A practical approach to handling hard-to-hear feedback so that it feels less personal and more purposeful.
[19:05] A unique 3-step revision process that transforms how you think about your first draft to turn it into a ‘must-read’ success.
[22:59] Why comparing your revision journey to other writers only holds you back—and what to focus on instead.
Tune into this episode to discover how to shift your mindset from revision fear to revision readiness. You'll walk away with practical strategies that make revisions less overwhelming, feedback less personal, and the entire process more purposeful.
And this is precisely what you need to turn your first draft into a story readers love.
🔗 Links mentioned in this episode:
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Want a sneak peek into my life as a developmental editor and book coach? Listen in and find out what I do in my work week to help authors transform their story ideas into fully realized novels.
I'll walk you through what I'm learning, how I support fiction writers in finishing their novels, and my exciting plans for 2025. Plus, I'll share all the behind-the-scenes moments that make my book coach life so rewarding.
So, pour yourself a coffee (or matcha tea) and join me as I share:
[02:40] How the recording of my first audiobook is currently going and what I’m doing to keep my voice intact with all the talking.
[07:25] Why I pull out 12 blank calendar pages every December and how this simple planning ritual shapes my entire year ahead.
[10:15] What I learned working with two writers—a romance author and a sci-fi author—who started roughly at the same time but took completely different paths to reach the line editing phase simultaneously.
[22:42] Inside my final Notes To Novel coaching call and how these amazing writers have gained the confidence to take their ideas, turn them into outlines, and start writing noteworthy novels.
[27:10] The fascinating results from my annual listener survey shaping my 2025 content (Hint: you're in great company if you're still working on your debut novel or yet to start.)
Thanks for coming along on this journey with me! I love sharing little glimpses into my world with you.
Whether you're still simmering your first story idea or deep in revisions, I hope this behind-the-scenes peek gives you a real sense of my life as a developmental editor and book coach.
See you next week!
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Need help with tone and mood in your novel writing? Maybe your scenes aren't hitting the right emotional notes, or your story atmosphere feels off. Today, we're breaking down four practical ways to master these tricky writing elements to keep your readers hooked.
In this episode, I'm chatting with Isobelle Lans, a UK-based author, editor, and writing coach who runs Inspired Creative Co. With years of experience helping writers develop their storytelling skills, Isobelle knows exactly how to break down tricky writing elements (like tone and mood) that often feel nebulous or hard to grasp.
Tune into this episode to hear us talk about the four essential techniques for mastering tone and mood in your writing. We talk about specific word choices that create the perfect atmosphere, the power of internal monologue, how setting plays a massive role, and sentence structure that strengthens your story's emotional impact.
In the episode, you’ll hear us talk about things like:
If you're ready to nail tone and mood in your writing, this episode is packed with practical techniques you can start using right away to keep your readers emotionally invested from start to finish.
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Whether you want complete creative freedom, better royalties, or a faster speed to market—get the clarity you need to choose the right publishing path for your novel.
Your novel is (or nearly) complete; now it's time to choose your publishing path. Whether you're drawn to big traditional publishing with major bookstore distribution, love the creative control of self-publishing, want bigger royalties with hybrid publishing, or are interested in the boutique experience of publishing through a small press, this episode will help you get clear on the perfect publishing path for you and your story.
In this week's episode, I'm joined by Nicole Meier, an author turned developmental editor and book coach who brings a unique perspective to the publishing conversation. With four published novels under her belt—released through both traditional and hybrid publishers—Nicole knows firsthand what it takes to navigate the publishing world and make the choices that best serve you.
This is what we talk about…
[04:27] How to get clear on the publishing path that suits your values and needs instead of following what everyone thinks you should do.
[10:28] A complete pro and con breakdown of traditional publishing, self-publishing, hybrid publishing, and small press publishing to help you make the right choice.
[17:01] The big publishing mistake most authors make without even realizing it and how to ensure it doesn't happen to you.
[28:46] What life after publishing looks like and why Nicole's first book became her readers' absolute favorite.
[32:31] A sneak peek reveal of Nicole’s brand new project that's going to make the fiction publishing journey so much easier for writers.
[33:26] Why building your author platform and book marketing matters more than ever when pitching agents and getting exposure.
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Finally, finish your book with effective writing strategies designed to work in harmony with your neurodivergent mind.
Does sitting down to write your book feel impossible on some days, while on other days, you can write for hours on end? Maybe you feel guilty whenever someone says, "Real writers write every day" or "Just stick to a routine,"—but here's the thing—your neurodivergent brain may not work that way. And that's totally okay.
In this episode, I've brought together four amazing writing coaches and book editors who either specialize in working with neurodivergent authors and ADHD writers or are neurodivergent themselves. And they’re here to share their best writing tips for finishing your book.
Even if you're not neurodivergent, you'll want to tune in because these writing strategies are pure gold.
Here’s what we talk about:
[02:55] How to tap into your natural neurodivergent energy cycles (from intense hyperfocus to foggy days) so that these energy cycles become your writing superpower.
[09:16] Why there's nothing wrong with your neurodivergent writing process just because it’s different from the standard writing advice (or what others say you should do.)
[16:08] What to do when writing suddenly feels impossible because your brain sees it as a demand instead of a choice.
[22:06] Discover the magic of having an accountability partner in your corner who understands your unique writing process and celebrates progress on your terms.
[27:57] Why breaking your writing time into small, manageable chunks can help you finally finish your book without the overwhelm.
Tune into this episode to discover how to write your book in a way that honors your neurodivergent mind, celebrates your unique creative rhythms, and turns writing rules into gentle guidelines that actually work for your brain.
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
If you’re serious about becoming a published author, determining your novel’s genre is one of the most important things you’ll have to do. But sometimes that’s easier said than done, especially if your book toes the line between Women’s Fiction and Romance.
In this episode, I’m going to walk you through the difference between Women’s Fiction and Romance so you can write the best book possible and snag the attention of both agents and readers alike. You'll learn things like:
If you’ve ever struggled to understand the difference between Women’s Fiction and Romance, this is an episode you won’t want to miss!
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“When should I start marketing my book?” This is a question I get asked all the time! Along with other similar questions like, “Do I need to build an email list?” And “What are some effective ways to market my book?”
My guest, Lacy Lieffers of Black Fox Marketing, is here to answer all of these questions (and more) in this podcast episode! Tune into this episode to hear us talk about why marketing matters from day one, how to think about book marketing throughout the entire writing, editing, and publishing process, and so much more.
We’ll also cover things like:
I LOVED this conversation with Lacy because she’s so knowledgeable and passionate about book marketing—and no wonder, with over 16 years of experience helping authors build their personal brands and market their books! If you’ve ever felt overwhelmed or uncertain about book marketing, you’re going to love this episode!
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
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Selling 5,000+ copies of a debut novel in 18 months (without a massive social media following) might seem out of reach to most aspiring authors. But, in fact, it’s not. And our incredible podcast guest, Jennifer Lauer, is here to show you how it's done.
When we last spoke, Jennifer was on the brink of launching her debut sci-fi novel, The Girl in the Zoo. Fast-forward to today, and she's sold over 5,000 copies, launched a successful fiction podcast, and released a new paranormal mystery novella series.
In the episode, you’ll hear us talk about things like:
Whether you're gearing up to launch your first novel or looking to breathe new life into your backlist, this episode is packed with actionable strategies you can use today.
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
It’s no secret that one of the biggest roadblocks to getting traditionally published is the dreaded literary agent rejection.
But to find the right literary agent for you and your story, you have to go through the process of querying a handful of agents—which means you should expect to get a handful of rejections before finding your perfect match.
In this episode, I’m sharing the three most common literary agent rejection scenarios and, more importantly, what you can do in each scenario to take the next steps and keep moving forward with your querying journey.
Tune into this episode to hear things like:
If you’ve ever wondered how to interpret the rejection letters you’re receiving (or how to take action on the rejection letters you’re receiving), you’re going to love this episode!
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Ever wonder what happens when you ditch your agent and decide to self-publish instead? This episode is a must-listen if you're curious about the ins and outs of self-publishing and how it can possibly safeguard your creative control.
In this episode, Stefanie Medrek is back on the podcast—and boy, has her story changed! The last time we chatted, she had just landed an agent and was about to go out on submission. But now she's releasing her debut romantic suspense novel as a self-published author. So what happened?
Tune in to hear why Stefanie parted ways with her agent, how she navigated the world of self-publishing, and what it's like to prepare for a self-published book launch (happening this week).
In the episode, you’ll hear things like:
If you've ever felt unsure about which publishing path to take, or if you're just curious about what goes on behind a self-published book launch, you'll LOVE this episode!
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
You finished your book and now you’re looking for a cover designer, but where do you start? Where can you find a good book cover designer? And how much should you expect to pay them for a quality book cover?
These are all questions my guest, Zoe Norvell, will answer in this week’s brand-new podcast episode! Zoe is the mastermind behind INeedABookCover.com and INeedABookInterior.com—and she’s been designing book covers professionally since 2011 (both for big publishers and self-published authors alike).
Tune into this episode to hear us talk about things like:
If you’ve ever wanted a clear answer to some of the most important book cover design questions, you’re going to love this episdoe with Zoe Norvell.
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
One of the questions I get asked by a lot of aspiring authors is, “What books should I read to learn how to start writing a novel?” I get asked this question so often that I decided to turn my answer into a podcast episode!
Tune in to this episode to hear my take on the 5 best writing books that have had the biggest impact on me and the authors I work with. I’ll share what the books are, why I like them, and what kind of writer they’d be best for.
In other words, you’ll hear me talk about:
If you’re looking for another craft book to add to your TBR pile (that can also make you a better writer), you’re going to love this episode!
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Have you ever Googled things like “how many words should be in a novel?” Or “how many scenes should a novel have?” If so, you’ve probably gotten answers like “80,000 words.” Or “somewherre between 40 and 60 scenes.”
Easy enough, in theory…But if you’re like most of the writers I’ve worked with, you’ve probably also had trouble sticking to these guidelines because there’s just so much stuff that needs to go into a novel, right?
Well, in this episode, I’m going to help clear up some of the confusion and overwhelm that many writers face when it comes to outlining, writing, and revising. And to do that, I’m going to share everything I know about scene beats.
Tune into this episode to hear things like:
If you’ve ever felt overwhelmed creating your outline or trying to fit an entire story into a certain number of words or scenes, you’re going to love this episode!
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
How do you know if you’re actually getting better at writing?
In this episode, my guest, Tim Grahl, the CEO of Story Grid and the author of multiple books, both fiction and non-fiction, shares his answer to this question. Tim believes that his new book, The Shithead, is the best book he’s ever written—and I happen to agree with him! So, how did he get here? What did he do to become a better writer? And more importantly, what can YOU learn from Tim’s story to become a better writer yourself?
Tune into this episode to hear things like:
If you’ve ever wondered what it takes to become a better writer—and what you can do to practice your craft in a meaningful way—then you’re going to love this episode!
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Want a peek behind the scenes into my work week? 👀
In this episode, I’m taking you behind the scenes and sharing what I do as a developmental editor and book coach.
I’ll talk through the projects I’m working on, what I’m excited (or not excited) about, what’s coming up in the next few weeks, what I learn from the writers I work with, and basically anything else that happens during the week!
Tune into the episode to hear me talk about things like:
Thanks for coming on this journey with me, and I hope you enjoy this peek behind the scenes! See you next week!
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Would you believe me if I said social media could make you a better writer? If you’re shaking your head NO, you’ll want to check out this episode.
My guest, Lara Ferrari, is an Instagram marketing specialist who has helped hundreds of writers grow engaged communities of readers online (and have FUN while doing it).
In this episode, she’s sharing how you can use social media to increase your creativity and motivation, get reader input and feedback, do market research, and find the accountability and support you need to become a better writer.
In the episode, you’ll hear us talk about things like:
If you’ve ever felt unsure about social media, or if social media consistently feels like something that’s just too hard to tackle, you’re going to LOVE this episode with Lara!
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Earlier this year, I published my first book, The Story Grid Masterwork Analysis Guide to Harry Potter and the Sorcerer’s Stone—and I learned soooo much about book marketing.
Tune into this episode to hear the ten surprising lessons I learned from my first book launch, including things like:
If you want a peek behind the scenes to hear what worked, what didn’t work, what I’m glad I did, and what I’d do differently next time, you’re going to love this episode!
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Do you ever wish you could see a behind-the-scenes look at how other people write?
In this episode, you’ll get to hear directly from five of my Notes to Novel students as they share how they brainstormed, outlined, and wrote their books inside the Notes to Novel course. I asked each of them to share the biggest thing that helped them get to “The End” of their drafts, and that’s exactly what they’re sharing with you today.
In the episode, you’ll hear things like:
Trust me when I say that you will find these writers’ stories so inspirational! I had so much fun putting together this episode and can’t wait to share their insights with you!
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
As someone who’s worked with hundreds of authors, I see people making the same mistakes over and over and over again. Mistakes that are easily avoidable once you know they’re mistakes.
In this episode, I’m sharing some of these mistakes. Specifically, the 10 things that will NOT make you a better writer—and oh boy is it a juicy episode! In it, you’ll hear me talk about:
So, tune in and let me help you avoid making some of the most common mistakes writers make—and let’s make this the year you finish (or publish!) your book.
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“I think your story has a genre identity crisis. That’s probably why you’re not getting responses from agents.” ← That’s what I told my new friend, Jac Sahlin, about the duology she’s currently querying.
Tune into this episode to hear Jac and I talk through her query letter and first five pages—and to hear my thoughts on why she hasn’t received any requests from agents. Although Jac isn’t technically a client of mine, our conversation will give you a peek behind the scenes into what it’s like working with a book coach!
In the episode, you’ll hear us talk about things like:
If you want my help with your story, the doors to my Notes to Novel group coaching program are opening soon! Click here to get on the waitlist.
Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“How many scenes are in the Diagon Alley chapter of Harry Potter and the Sorcerer’s Stone?” Believe it or not, this is one of the most frequently asked questions I get from writers when they hear I’ve written a book breaking apart this mega best seller scene by scene.
And it’s a valid question! This chapter was the hardest chapter for us to analyze when putting together The Story Grid Masterwork Analysis Guide to Harry Potter and the Sorcerer’s Stone.
But this week, Abigail K. Perry and I have an answer for you! Tune into this week’s episode to hear us take a deep dive into the structure of Chapter 5, “Diagon Alley,”—including how many scenes we see in this chapter.
In the episode, you’ll hear us talk about things like:
If you like this episode, you’ll LOVE my book, Harry Potter and the Sorcerer’s Stone: A Story Grid Masterwork Analysis Guide. Click here to pre-order a copy and get access to a collection of bonuses in addition to a copy of the book.
Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
How did Rowling deliver on the life-and-death stakes an action story requires, but in a way appropriate for middle-grade readers? How did she consistently weave together the external plot and Harry’s character arc in such a way that they’re inseparable?
Tune into this episode to hear Abigail K. Perry and I talk through the plot structure of Harry Potter and the Sorcerer’s Stone using the Story Grid’s Five Commandments of Storytelling. Yep, we’ve broken down the beginning, middle, and end of the first Harry Potter book so you don’t have to. Cool, right?
You’ll hear us talk about things like:
If you like this episode, you’ll LOVE my book, Harry Potter and the Sorcerer’s Stone: A Story Grid Masterwork Analysis Guide. Click here to pre-order a copy and get access to a collection of bonuses in addition to a copy of the book.
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Rowling is a master at weaving the external plot with Harry’s internal character arc—and using the external plot events to help Harry grow and change.
In this episode, you’ll hear Abigail K. Perry and I talk through the big-picture plot structure of Harry Potter and the Sorcerer’s Stone using the Story Grid’s Five Commandments of Storytelling. We’ll also discuss how this story fits in the Action Genre Framework and how Rowling adapted that framework to suit a middle-grade audience.
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
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J.K. Rowling is the master of layering things within her scenes. She’s also fantastic at raising the stakes from scene to scene, too. But how does she do it
Tune into this episode to hear Abigail K. Perry and I talk to Tim Grahl (the CEO of Story Grid) about what it was like to study Harry Potter and the Sorcerer’s Stone—what we learned from J.K. Rowling about writing scenes and so much more.
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Ever wonder how Rowling created such a fantastic, three-dimensional story world for her Harry Potter series?
That’s exactly what you’ll hear in this week’s brand-new podcast episode! Join me, Abigail K. Perry, and Tim Grahl, as we discuss the world-building in Harry Potter and the Sorcerer’s Stone—and what we learned from our analysis of this mega best seller.
You’ll hear us talk about things like:
If you like this episode, you’ll LOVE my book, Harry Potter and the Sorcerer’s Stone: A Story Grid Masterwork Analysis Guide. Click here to pre-order a copy and get access to a collection of bonuses in addition to a copy of the book.
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Plot catalysts make it difficult for a character to achieve their goals. If you’re writing an Action story, there are three main plot catalysts you’ll want to include in your book—a speech in praise of the villain, a deadline or ticking clock, and one or more set-piece action sequences.
Tune into this episode to hear a sneak peek from my new book, The Story Grid Masterwork Analysis Guide to Harry Potter and the Sorcerer’s Stone, and hear how Rowling used plot catalysts to keep readers engaged.
⭐ Rate + Review + Follow on Apple Podcasts
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
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Ever wonder how Rowling created such a wonderful cast of quirky and relatable characters in the Harry Potter series?
If so, tune into this episode to hear Abigail K. Perry, Tim Grahl, and me talk about the characters in Harry Potter and the Sorcerer’s Stone.
You’ll hear us talk about things like:
If you like this episode, you’ll LOVE my book, Harry Potter and the Sorcerer’s Stone: A Story Grid Masterwork Analysis Guide. Click here to pre-order a copy and get access to a collection of bonuses in addition to a copy of the book.
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
What made Harry Potter and the Sorcerer’s Stone a worldwide bestseller? Why does this story still resonate with readers almost thirty years later?
And why did Abigail and I agree to spend so much time dissecting every single scene and page to find out how and why it works?!
Tune into this episode to hear Abigail K. Perry and I talk to Tim Grahl (the CEO of Story Grid) about what it was like to study Harry Potter and the Sorcerer’s Stone—why we chose this book, what we learned from our analysis, and so much more.
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Ever wish you could understand exactly what makes your favorite stories so lovable? Me too! So much so that I deconstructed every single scene in the first Harry Potter book to see how and why it worked.
And today, I’m super excited to share with you that my brand-new book, Harry Potter and the Sorcerer’s Stone: A Story Grid Masterwork Analysis Guide, is officially available for pre-order right now!
Tune into this episode to hear me talk about things like:
Click here to pre-order your copy of Harry Potter and the Sorcerer’s Stone: A Story Grid Masterwork Analysis Guide, and you’ll also get access to a collection of bonuses in addition to a copy of the book as soon as it’s available on July 31st, 2024.
Thank you so much for being on this journey with me! Your support means the world to me, and I can’t thank you enough. I’m sooo excited to hear your thoughts on this book, so please tag me on Instagram (@savannah.gilbo) when you get your copy!
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Antagonists can make or break a story—both for the writer and the reader.
Writers who don’t spend time developing their antagonists tend to write drafts that fall apart in the middle. Anyone who reads a story with a weak or unconvincing protagonist is unlikely to finish it.
So, how do we go about making our antagonists just as compelling as our protagonists? How do we write an antagonist with impact?
In this episode, I’m sharing five questions that will help you create a compelling, genre-appropriate antagonist who will provide the central conflict in your novel.
In the episode, you’ll learn things like:
If you’ve ever had trouble fleshing out your story’s antagonist, or if you’ve ever written a draft that falls apart in the middle, this is the episode for you!
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“Never wonder if readers will love your story again.” This is exactly what Theodora Taylor teaches you how to do in her book 7 FIGURE FICTION: How to Use Universal Fantasy to SELL Your Books to ANYONE.
Despite writing fiction in a niche genre (interracial romance), Theodora Taylor has grown a fanbase of rabid readers and fans through the power of something she calls Universal Fantasy—aka “the ingredients you need to write DELICIOUS stories!”
In this episode, Theodora Taylor shares how she discovered Universal Fantasy, and how she uses it to codify what works (or doesn’t work) in her own writing. She gives examples from popular books and movies, and even shares how you can use Universal Fantasy in your back cover copy, query letters, and more.
In the episode, you’ll hear us talk about things like:
If you’ve ever wondered how some books feel like they’re made with magic (or some kind of special secret sauce), you’re going to love this episode with Theodora Taylor!
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Want a peek behind the scenes into my work week? 👀
In this episode, I’m taking you behind the scenes and sharing what I do as a developmental editor and book coach.
I’ll talk through the projects I’m working on, what I’m excited (or not excited) about, what’s coming up in the next few weeks, what I learn from the writers I work with, and basically anything else that happens during the week!
Tune into the episode to hear me talk about things like:
Thanks for coming on this journey with me, and I hope you enjoy this peek behind the scenes! See you next week!
Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
If you’ve ever felt frustrated with your progress (or lack of progress), it’s probably time to take a step back from your writing and consider your mindset.
To help you do just that, I’m sharing a conversation in today’s podcast episode with April Dávila, an award-winning author, speaker, and writing coach who specializes in teaching writers to integrate mediation into their writing practice.
Tune into this episode to hear us talk about how integrating mindfulness in her writing practice helped April push past writer’s block, write fewer drafts, craft more compelling characters, and so much more.
In the episode, you’ll hear us talk about things like:
This is a super fun episode with my guest, April Dávila, and I can’t wait for you to hear her top 6 ways mindfulness can make you a happier and more productive writer.
Click here to listen!
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Crafting compelling backstories for your fictional characters is critical to developing a cohesive story, but it’s sometimes easier said than done.
There are endless options when it comes to which details you can include in your character’s backstory, and what you do include will influence everything that happens in your story—from the plot events to your character’s motivations to your own ability to manage the thematic subtext of your story on a scene-by-scene-basis.
In this episode, I’m going to walk you through how to develop your character’s backstory in three steps, including things like:
Developing your character’s backstory before you start writing can help you develop your theme, craft your plot, build your story world, and so much more. That being said, there’s no “right” or “wrong” time to flesh out your character’s backstory. Do whatever works best for you and your process!
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Have you ever heard someone say that the only difference between a published author and an unpublished author is that the published author never gave up?
I wholeheartedly believe this, and my guest today proves it’s true.
Savannah Carlisle writes heartwarming romance novels that transport readers to fun and quirky small towns where friends feel like family. And her debut novel, The Library of Second Chances, is officially available for purchase as of May 2024.
Tune into this episode to hear us talk about her path to publication—from writing the first draft of this story to breaking up with her agent to working with a developmental editor and #kisspitch mentor to ultimately finding a home at her dream publisher.
In the episode, we talk about things like:
[09:47] How Savannah pulled inspiration from her real-life, You’ve Got Mail, and her dream publisher’s wishlist to write The Library of Second Chances
[11:37] Why Savannah broke up with her agent (and how, in hindsight, this was one of the best decisions Savannah’s made in terms of her writing)
[14:10] The biggest takeaway Savannah had from working with a developmental editor (me!)—and how this still informs her writing today
[16:10] What it was like to work with Jessica Lepe, a #kisspitch mentor and author, who just finished querying a similar story based on You’ve Got Mail
[22:35] How Savannah found her dream publisher as an un-agented author at Harpeth Road (and why she went this route versus self-publishing)
[25:50] What it was like to find her current agent—and why she believes having an agent is important (even though she’s a lawyer herself)
⭐ Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
🔗 Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“Human beings want to hear the stories of other human beings. And that's exactly what podcasts do.” - Michelle Glogovac
You have a finished book, now what? Learn how to pitch yourself to podcasts (and create your own podcast book tour!) in this episode. Here’s a preview of what’s included:
[04:47] What is a podcast book tour? And what are the benefits of doing one?
[12:20] How to pitch yourself, even if you don’t have a finished book.
[31:32] How to repurpose content from your interviews so you get the biggest ROI from your effort.
[36:58] Michelle encourages authors of all experience levels to share their own unique story—and to find value in sharing that story, even if you don't have a finished book just yet.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“I recommend working on your query letter as soon as you feel good enough about the overall shape of your story.” - Savannah Gilbo
Agents and editors must sort through hundreds of query letters to find an outstanding story. So, how do you write a query letter that catches their attention and makes them want to read more? Tune into this episode to learn how to write a query letter that works! Here’s a preview of what’s included:
[01:31] What are query letters, and why are they important?
[03:46] How to write a query letter.
[14:49] How to troubleshoot your query letter if it’s too long or not working.
[18:02] Final thoughts and episode recap
Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know your favorite episodes, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links Mentioned In This Episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“The object itself didn't cause the conflict. The person who made the choice with the object caused the conflict.” - Randy Ellefson
In today’s episode, we’re going to cover something really fun—how to create believable monsters. And I have a special guest joining me today—someone that knows way more about creating monsters than I do. His name is Randy Ellefson, and he is the author of The Art of World Building. Here’s a preview of what’s included:
[03:48] Randy gives us his definition of a monster, what physical or physiological deformities they may have, and whether they are sentient beings.
[16:05] Randy breaks down the three types of monsters: accidental monsters, monsters by design, and monsters by evolution.
[28:42] Is it more effective to compel readers to keep reading despite knowing the outcome, or to cultivate curiosity that propels the audience to move forward?
[29:15] Randy shares common monster motivations, including a popular one that may lack credibility.
[50:47] The idea of exploring diverse topics and genres can expose writers to new ideas and provide fresh perspectives, even for writers not typically inclined towards fantasy, sci-fi, or historical fiction.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“We need to advance the plot and we need to develop the character. When you can marry the two, you have a strong scene.” - Abigail K. Perry
We’re taking a deep dive into Mockingjay by Suzanne Collins to see how and why it works. Join me and Abigail K. Perry as we break down this first chapter of the third book of The Hunger Games trilogy to see how it hooks our interest and pulls us into the story! Here's a preview of what's included:
[04:03] Chapter summary: This opening chapter sets up themes of resistance, manipulation, and personal agency against a backdrop of political turmoil and survival
[07:41] Macro analysis, using Paula Munier’s 7 Key Questions: Suzanne Collins masterfully sets up the expectations by addressing the tone, themes, and stakes of "Mockingjay", ensuring readers are engaged and eager to uncover what lies ahead
[26:17] Microanalysis, using Story Grid’s 5 Commandments: In the opening scene, Katniss Everdeen deals with the pressure to become the Mockingjay. Her internal conflict regarding her future role intensifies, setting the stage for subsequent events in the story.
[53:13] Final thoughts: The opening scene balances macro and microelements, ensuring readers are engaged and invested from the start. Evaluating your opening chapter through this comprehensive lens is invaluable for effectively delivering the big picture and the intricate details to your audience.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Telling a story through multiple viewpoints can be a great way to create a more expansive (and objective) look at your characters, world, plot, and/or theme. But with each additional viewpoint character you add to your story, the more room there is for mistakes. In this episode, I'm sharing the 5 most common multi POV mistakes writers make and how to avoid them in your draft.
Here’s a preview of what’s included:
[2:10] Mistake #1: Including too many POV characters without an intentional reason for including each one.
[6:10] Mistake #2: Not developing each POV character as if they were the protagonist of their own story—they lack their own goal, motivation, and conflict.
[9:01] Mistake #3: Not tying the characters' storylines together via a common plot problem, a central relationship, or binding their fates together.
[11:47] Mistake #4: Head hopping between different POV characters without making the switch clear to the reader.
[14:56] Mistake #5: Rehashing the same scene from different POVs without offering the reader new and potent information.
Links Mentioned In This Episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“Writing is a creative project. It's not an earthquake, but the thoughts and the worries can feel similar. If I can have a positive association or feel prepared for an earthquake, surely I can do that for writing.” - Rhonda Douglas
Ever found yourself staring at the blank page, trying to write but unable to find the right words? You’re not alone! Tune in to hear Rhonda Douglas share strategies for managing creative anxiety and writer’s block. Here’s a preview of what’s included
[01:29] What is creative anxiety and how does it commonly show up?
[12:13] The difference between preventive vs. curative measures for dealing with creative anxiety and some examples of each that you can implement in your routine
[32:21] Dividing the writing process into smaller segments, such as outlining part one of your book or focusing on just one paragraph, can help you overcome creative anxiety
[38:24] I adored Rhonda's insight in this episode about proactively addressing creative anxiety before it even kicks in during your writing sessions. It's such a brilliant notion! Plus, the beauty lies in how personalized this approach can be for each writer. Whether it's a quick meditation session, setting up a cozy ambiance with a flickering candle, or simply brewing a comforting cup of tea while rounding up your favorite snacks, the options are endless!
Links mentioned in this episode:
Read this episode's blog post here!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“Focus your pre-writing and drafting and revising efforts on the present moment of your story.” - Daniel David Wallace
I asked five of my peers to share one of their favorite writing tips, and boy, did they deliver! Tune in to hear 5 editors and coaches talk about their favorite tip and why it’s so helpful. Here’s a preview of what’s included:
[01:40] Tip #1: Fully embrace scene structure in your storytelling process because the narrative will flow seamlessly from beginning to end.
[06:12] Tip #2: Keep your focus on the forward momentum of your story by avoiding excessive backstory or exposition that might slow down the pacing.
[11:05] Tip #3: Dedicate equal attention to crafting your protagonist's internal journey as you do to advancing the external plot of your story.
[14:48] Tip #4: Make the most of your story's midpoint to steer clear of the often chaotic middle of the second act.
[21:52] Tip #5: If you hit a creative roadblock, assess which perspective you're currently in and try shifting to another viewpoint.
[27:26] It's so easy to overlook the three distinct perspectives—be it that of the author, character, or reader—which only adds unnecessary complexity. I find immense joy in discovering what resonates with others and moves the needle for them, particularly within the writing community. After all, different techniques suit different individuals, and exploring various perspectives from writers, coaches, and editors is invaluable.
Connect with Guests:
Emily Golden Website
Story Magic Podcast
Instagram
Daniel David Wallace Website
Instagram
Nicole Meier Website
Steps to Story Podcast
Instagram
Abigail K. Perry Website
LitMatch Podcast
Instagram
Links Mentioned In This Episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“Usually stakes start personal and they become public. That's a way of raising stakes, regardless of the genre.” - Savannah Gilbo
We’re diving deep into Catching Fire by Suzanne Collins to see how and why it works. Join me and Abigail K. Perry as we break down this first chapter to see how it hooks our interest and pulls us into the story! Here's a preview of what's included:
[05:22] Chapter summary: This chapter focuses on Katniss, who is navigating life after winning the Hunger Games. There is a suggestion of impending conflict or tension on a larger scale and overall, the story explores themes of survival, resistance against oppressive systems, and the complexities of relationships under duress.
[13:31] Macro analysis, using Paula Munier’s 7 Key Questions: Suzanne Collins expertly lays the groundwork for an engaging and suspenseful story. Readers are likely to feel curiosity, concern, and wonder throughout the chapter. They are curious about the unfolding events, for Katniss's well-being and relationships, and intrigued by the dystopian world.
[35:16] Micro analysis, using Story Grid’s 5 Commandments: Overall, this scene marks a turning point in the protagonist’s journey, throwing her into a more dangerous and complex conflict with President Snow. It sets the stage for the central conflicts of the narrative, particularly Katniss's struggle to navigate her public image and maintain her autonomy in a society ruled by fear and control.
[50:21] Final thoughts: This first chapter emphasizes the character development of Katniss and the intricate layers of stakes and decisions that drive the narrative forward. Ultimately, the discussion highlights the complexity of storytelling and the various paths that can lead to a compelling climax.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“You, the writer, have a bigger sphere of knowledge. You know more things than the narrator necessarily knows.” - Gabriela Pereira
In today’s episode, I ask Gabriela Pereira of DIY MFA for her thoughts on some of the most commonly asked questions I get about point of view and voice—and she shares some of her favorite tips and strategies for mastering POV and voice in your writing. Here’s a preview of what’s included:
[1:51] What's Gabriela’s advice for writers trying to choose the "right" point of view for their book?
[05:01] 3 Tips from Gabriela for mastering POV and voice in your writing.
[15:27] Using an omniscient third-person narrator may feel easier than a limited third-person but this isn’t necessarily true. We discuss how to utilize third-party omniscient without feeling dated.
[21:10] We talk about voice and Gabriela shares why she hates when people say "Find your voice".
[38:20] The takeaway from this conversation is the importance of approaching the editing process systematically. For instance, beginning with the big picture before focusing on minor sentence-level adjustments, ultimately leads to a better editing process. It is valuable to also maintain consistency in voice and POV, making sure that the writer's voice shines through for clarity and coherence of the story.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“It's really important to focus on the big picture story first and not worry about granular details that you can figure out later.” - Savannah Gilbo
Get more done in less time, overcome procrastination, and become a master at time management with these 5 super simple productivity tips that I’ve been using daily for the last 10 years.
Read the blog post here!
Here’s a preview of what’s included:
[01:07] What is productivity and why does it matter?
[04:44] How to time block your days in a way that works for YOU—plus, what this looks like for me (spoiler alert: I’m a night owl so I do my best work at night!).
[10:49] Tips for prioritizing your most important tasks so you don’t get stuck in the weeds doing things that don’t move the needle in terms of finishing your book.
[17:12] Why multitasking is NOT the answer to higher productivity—and a few surprising ways writers multi-task without even realizing it.
[27:26] Cultivating these habits is a gradual process that requires consistent effort. If incorporating all five tips seems overwhelming, experiment with a single tip this week. As you progress, incorporate additional habits and eventually, you'll evolve into a more productive writer.
Links Mentioned In This Episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“Sometimes it's easy to take feedback to mean that your story's broken when it's not.” - Savannah Gilbo
I’m taking you behind the scenes with me throughout my entire work week! You’ll see how I plan my days, what projects I work on, what I learn from the writers I work with, and so much more!
Read the blog post here!
Here’s a preview of what’s included:
[01:48] Sunday Update - This week will be a mixed bag. I’m taking a 2-day online course from Laura Belgray, who’s sharing a behind-the-scenes look at her most recent book launch. The other fun thing I’m doing is giving a presentation for ProWritingAid’s Romance Writers Week. Also, the third Crescent City book from Sarah J. Maas comes out this week, and I am so excited to read that.
[06:48] Monday Update - Today, there are two big things I need to do: craft some emails for the Women In Publishing Summit, which I'm speaking at in March. The other big thing I'm working on is growing my email list and one of the ways I’m planning to do that is to be a guest on as many other writing podcasts as possible.
[11:08] Tuesday Update - I’m coaching a writer who is working on two stories at once. Working on two projects at once would be hard for most people to handle. However, because this author has two novels in different stages of the process, it allows her to use different parts of her brain on different days.
[16:33] Wednesday Update - The virtual class that Laura Belgray is hosting is about how she launched her book, Tough Titties, and it was awesome. I also have a little bit of a selfish reason for wanting to see what she did because I have a book coming out later this year, and I’m hoping to learn from what Laura did so that I can have a great book launch myself.
[21:03] Thursday Update - It's so easy to second-guess ourselves when it comes to mapping out or outlining our stories. There are so many decisions to be made. If you are a student of my Notes to Novel class, you can submit your loglines for me to review during any of our Q&A calls. If you don't know what a logline is, it’s essentially a 1-2 sentence summary of your story—and you can craft it before you’ve even outlined or written a single word of your book.
[28:57] Friday Update - I am writing a book and it’s an analysis of the first Harry Potter book. It’s a craft book for writers that’s going to dig into the big picture and the small picture to find out why and how this story works so well. This project is something I started 5+ years ago, and it got shelved for various reasons but is now coming back into the spotlight.
Links Mentioned In This Episode
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“In stories that feel society dominant, is survival even worth it if you don't have freedom?” - Abigail K. Perry
We’re taking a deep dive into The Hunger Games by Suzanne Collins to see how and why it works. Join me and Abigail K. Perry as we break down this first chapter to see how it hooks our interest and pulls us into the story!
Read the blog post here!
Here's a preview of what's included:
[04:39] Chapter summary: In the opening chapter, the author employs a tight focus on Katniss's perspective, utilizing vivid imagery and carefully chosen details to immerse the reader in the setting.
[08:57] Macro analysis: We use Paula Munier’s 7 Key Questions to highlight the multifaceted nature of the narrative, incorporating elements of action, societal critique, and internal transformation.
[44:16] Micro analysis: We talk through the structure of the scene using The Story Grid’s 5 Commandments. We focus on a specific scene involving Katniss and Gale since it is a well-crafted and impactful part of the narrative, showcasing the author's adept talent to convey character dynamics, conflicts, and thematic depth.
[01:04 ] Final thoughts: Reflecting on this scene, it becomes apparent how it propels the narrative forward and leaves a lasting impact on the characters entwined within it. Ultimately, this initial chapter accomplishes all the essential functions expected of a compelling opening.
Click here to check out the LitMatch Podcast with Abigail Perry! You can also get in touch with Abigail through her website or on Instagram @abigailkperry.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“The key to making books within a series work is to grow, escalate, and complicate the conflict and stakes from book to book.” - Savannah Gilbo
A good book series allows readers to immerse themselves in a world and stay there. But how do you write a series that works? To start, here are 5 steps to help you start planning your book series.
Read the blog post here!
Here’s a preview of what’s included:
[01:42] Savannah discusses the the three primary categories of book series—static, dynamic, and anthology.
[03:06] The 5 steps to start planning your book series.
[11:48] Analyzing a character's journey across the Hunger Games trilogy.
[14:50] Unpacking Voldemort's grand plot objective versus the specific goals within each book—and the strategic implications.
[21:35] A useful exercise to stimulate plot ideas for your series.
[29:03] A bonus tip for enriching the worldbuilding/setting of your book series.
[32:45] As you can see, there’s a lot that goes into planning a book series. Don’t expect to have everything figured out in one or two sittings. This is something you’ll need to start and add to over time, so please know that going into this process!
Links Mentioned In This Episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“ Flat or boring characters who are underdeveloped are never going to light up a scene, no matter how many tricks you pull.” - Savannah Gilbo
If you’re writing romance, the chemistry and tension between your characters can make or break your story. Let’s explore how to create romantic chemistry between two characters in an authentic and compelling way to keep readers on the edge of their seats.
Read the blog post here!
Here’s a preview of what’s included:
[01:44] What is chemistry?
[03:01] The first thing we need to do when creating chemistry between two characters is to have fully fleshed-out characters with their own goals, motivations, and inner obstacles.
[03:42] Capitalize on opportunities for opposition and harmony between your characters.
[07:41] The 3 key ingredients of chemistry are vulnerability, desire, and resistance
[09:14] Examples from Fourth Wing by Rebecca Yarros.
[17:51] Writing romantic tension between romantic and non-romantic characters
[22:56] If you want to master crafting irresistible chemistry and tension, I highly recommend studying your favorite stories. This is the best way to improve your writing. You can ask yourself questions like:
And if you need help getting started with your story, check out my FREE Story Starter Kit: 5 Questions To Ask Before You Start Writing. This fillable workbook will help you build out the foundational elements of your story: genre, character, setting, plot, and theme. Grab your free copy here!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“Work on being a better writer and work on your craft and the other stuff will follow. As long as you have a great book, marketing comes a lot easier.” - Alexa Bigwarfe
In today’s brand-new episode, I’m sharing a conversation with Alexa Bigwarfe about how writers can overcome the fear of marketing their books and what you can do right now to kickstart your marketing efforts.
Read the blog post here!
Here’s a preview of what’s included:
[3:55] Where should new writers market their books?
[05:14] Alexa advises on what to do if you're afraid of marketing your book.
[09:06] How soon should writers start thinking about marketing their books?
[14:16] After writing 14 non-fiction books, what is it like for Alexa to now be in the fiction world?
[22:22] Alexa shares her ideas for marketing the second book of her series.
[35:56] Alexa talks about the Women In Publishing Summit, a virtual conference for authors of all experience levels to learn and connect with others in the industry.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“When a story doesn't include these key scenes and conventions of its genre, it's just not going to work.” - Savannah Gilbo
Want a framework for your entire story? Learn what readers expect from a story like yours, and then use these obligatory scenes and conventions as a framework to craft a story that works.
Read the blog post here!
Here’s a preview of what’s included:
[03:47] What are obligatory scenes and conventions (and why are they important)?
[06:58] 3 steps to finding the obligatory scenes and conventions for your story's genre.
[10:31] Savannah breaks out most of the required scenes and conventions, which you can download by visiting the blog post for this episode.
[13:58] How to handle the obligatory scenes and conventions of your subplots vs. the main storyline.
[16:51] Final thoughts: If you don’t do the work to understand your genre, you’ll have a hard time getting your books into the hands of readers. And without readers, your story will never be experienced. That’s a terrible thought, right? To avoid this, know your genre and give your readers what they’re expecting in a new and exciting way. Give them the emotional experience they’re looking for, and you’ll earn loyal fans for life.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“It might seem strange to start a story with an ending, but all endings are also beginnings. We just don't know it at the time.” - Abigail K. Perry
In this episode, we’re talking about The Five People You Meet In Heaven by Mitch Albom to see how and why it works. Join Abigail K. Perry and me as we break down this first chapter to see how it hooks our interest and pulls us into the story.
Read the blog post here!
Here's a preview of what's included:
[02:40] Chapter summary: Abigail reads a summary of the first chapter and talks about how (and why) the author gives away the ending of the story upfront.
[15:52] Macro analysis: We talk through the 7 Key Questions as laid out by Paula Munier in her book, The Writer's Guide to Beginnings, and how the chapter serves as a compelling opening for a character-driven story.
[21:42] Abigail talks about how this story is a great example of a novel with a unique voice.
[45:46] Micro analysis: We talk through the structure of the scene using the 5 Commandment scene framework as laid out by Shawn Coyne at The Story Grid, including the use of “postcard scenes”—a term they borrowed from Donald Maass.
[58:30] Final thoughts: The first chapter is essential in driving the story forward so writers should ensure that they are delivering enough of the big picture to engage readers.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“Every time you write something hard, it changes you as a writer, and it makes you a better writer.” - Jessica Brody
Today I'm sharing a conversation with Jessica Brody where we talk about some of the most common mistakes writers make when outlining, writing, and editing their books using the “Save the Cat” method.
Read the blog post here!
Here's a preview of what's included:
[02:30] Jessica introduces herself and shares her experience writing fiction using the Save The Cat! plotting method.
[04:00] Savannah asks Jessica about marrying the external plot of a story to the protagonist's internal arc. Savannah sees a lot of writers focus solely on the external plot events and not enough on character growth and development. Jessica shares her thoughts on how to make sure you're balancing both plot and character as you write.
[11:45] Savannah asks Jessica to talk about two important multi-scene beats—the Fun and Games beat and the Bad Guys Close In beat. Jessica shares her thoughts on breaking these longer beats down into smaller, more manageable chunks.
[18:00] Savannah asks Jessica about being too rigid with the Save The Cat! structure. Specifically, what happens if your beats don't line up with the percentages recommended? Jessica shares her thoughts.
[21:50] Jessica talks about how she had a hard time with the All Is Lost beat and the Dark Night Of The Soul beat until she figured out a very important distinction.
[30:40] Jessica talks about some things to consider in terms of your first 25-50 pages when it comes time to query agents.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“ The purpose of a first draft is not to come up with something that's perfect. Instead, the purpose is to explore your story and get it out of your head.” - Savannah Gilbo
Transform your writing as I reveal 5 all-too-common mistakes that plague writers. Learn the savvy strategies to sidestep these blunders and discover my top-notch tips for rectifying them if you've already fallen prey.
Read the blog post here!
Here’s a preview of what’s included:
[01:20] Having gratitude for every mistake encountered and acknowledging that they served as valuable lessons. The repetition of these errors helped Savannah develop numerous solutions, contributing to her growth as a writer, editor, and book coach
[05:38] The essence of a story lies in how external events impact someone striving for a challenging goal and the subsequent transformation they undergo. The narrative's power lies in the underlying story, not just the eloquence of words. Without a compelling story, the manuscript lacks substance.
[11:07] Common worries and self-doubt faced by writers often revolve around questioning one's capability and self-worth. Shift to tackling these concerns by identifying the content genre of the story, offering a pathway to navigate and overcome these common anxieties in writing.
[17:53] Advice to choose one or two writing methods that resonate with writers and focus on them. Whether it's scene structure or character development, selecting a preferred approach like scene and sequel or goal-motivation-conflict is encouraged.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“That's how much my writing's improved. But not just the writing, it's the ease. It's not a struggle when I sit down in front of the laptop to write. Everything just seems a lot easier.” - Morgan Schrock
In today's episode, I reached out to some of my Notes to Novels Season 3 students and asked them to share the number one thing they learned about writing a first draft. You're going to get to hear from real writers who are in the trenches, actively working on their novels and I think it'll be very fun for you to hear how they did it plus some of their biggest takeaways.
Read the blog post here!
Here’s a preview of what’s included:
[01:26] Lindsay Sfara shares her experience where she initially faced challenges with an insufficiently detailed outline, leading to a lack of direction in her superhero fantasy novel.
She highlights her struggles and the transformative impact of the Notes to Novel course.
[07:56] Liya Gray has been working on a YA series since 2015, facing challenges and halting progress. She credits Savannah’s course for unlocking a new understanding of her story's structure, and realizing the difference between scenes and chapters.
[12:43] Ami Blackford talks about her insights into the Notes to Novel course and its impact on her writing journey. Amy, initially felt there were missing pieces in her eighth novel's outline but she highlights four significant takeaways from the course regarding theme, content genre vs. commercial genre, structured scenes, and fast first draft and magical edits.
[18:46] Tanja Fabsits shares her experience with her first novel, and a significant realization during the course was related to scene structure, but her favorite takeaway was the overall feeling of relaxing into the outlining process.
[20:56] Morgan Schrock, with a background in scientific writing for journals, decided to write a fiction novel. Her most significant realization was that the middle of her story felt boring, and she identified the problem as a lack of agency for her main character. The course's outlining technique proved to be a game-changer for her.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“Try learning new skills and then putting what you learn into practice right away, because, at the end of the day, you can only really learn through doing anyway.” - Savannah Gilbo
Is imposter syndrome holding you back from writing a novel? Here are the EXACT action steps you can take right now to combat your feelings of self-doubt, inadequacy, and fear—and to overcome imposter syndrome for good.
Read the blog post here!
Here’s a preview of what’s included:
[01:28] What exactly is imposter syndrome? How can you conquer it?
[06:18] How overindulgence in work can drain the creativity and enjoyment from crafting a novel and may even jeopardize your relationships.
[11:06] Overly independent writers tend to reject assistance or input from others, even when it is necessary, out of the fear of being perceived as incompetent.
[14:13] Writers who believe that continually reading more craft books, enrolling in additional training, or rewriting the opening chapter repeatedly, might eventually amass enough knowledge to create a flawless novel.
Links mentioned in this episode:
All podcast episodes are available here.
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“My point is that you have to do the work to make the mistakes and learn.” - Savannah Gilbo
The past year on Fiction Writing Made Easy has been a treasure trove of insights, expert advice, and creative hacks, all neatly bundled up in amazing podcast episodes and interviews.
Today, we dive into a delightful countdown, revisiting the very best tips that get into the heart of fiction writing, and uncovering the gems that made 2023 an inspiration for writers.
Read the blog post here!
Here’s a preview of what’s included:
[01:00] Savannah’s favorite ways to brainstorm subplots and then layer them into your story in an organic way.
[13:34] The best technique to write quality fiction that readers will connect to.
[21:30] Being willing as writers to put things out there that aren’t perfect.
[35:09] As a writer, create your milestone list from one to ten.
Links mentioned in this episode:
All podcast episodes are available here.
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“The more work you do up front and the more you get your mindset right, the more likely your chances of success are.” - Savannah Gilbo
In this episode, I'm giving you a glimpse behind the scenes and sharing some of the key takeaways I learned from coaching writers this year. I hope that you'll be able to reap some of the benefits of these lessons so that you can move forward with your writing in the most efficient way possible.
Read the blog post here!
Here’s a preview of what’s included:
[01:50] It's easier to make progress when surrounded by a community of like-minded writers.
[05:48] Before your query letter and submission materials, you should have a finished draft of your synopsis and get outside feedback from a developmental editor or beta readers.
[09:53] Why do more writers seem to be choosing self-publishing over traditional publishing?
[15:04] Savannah’s recommendation of starting a story at a different place and how perfectionism has also impacted almost every writer I worked with this year.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“I think that's really important at the end of every time that you write a scene. Ask yourself, how can I raise the stakes even more?” - Abigail K. Perry
Join us today as we embark on a thrilling literary journey through the fantastical world of Fourth Wing by Rebecca Yaros. In this episode, I'm joined by Abigail K. Perry and I encourage you to read this mesmerizing tale, peel it apart with us, and participate in our analysis of it.
Read the blog post here!
Here's a preview of what's included:
[05:42] Chapter summary: The first chapter of Fourth Wing leaves readers hanging on the edge, both emotionally and figuratively, setting the stage for a tale brimming with intrigue, familial conflict, and the high stakes of a world defined by war and loyalty.
[11:53] Macro analysis: This novel aims to captivate readers with its combination of action, fantasy, and romance within the new adult framework. The novel features a skillful balance between internal character development and external conflicts, seeking approval from parents, creating a rich narrative that explores both the character's inner struggles and the broader context of a war-torn world filled with secrets and conspiracies.
[32:54] Micro analysis: Discussing differing views on the crisis and turning point, a debate about whether to consider the author’s writing as one scene or split it into multiple scenes, and understanding the protagonist’s goal and actions and decisions within it. Also, there is the effectiveness of putting a crisis on the page, illustrating the character's internal struggle and the stakes involved.
[53:08] Final thoughts: The balance between setup and resolution in scenes, emphasizing the need for purposeful content that propels the plot forward, and the careful construction of scenes, focusing on character development, plot progression, and the effective integration of stakes and conflicts.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“It's the inciting incident, the turning point, the crisis moment, the climax, and the resolution, and each scene really needs to have that to move the story forward.” - Fern Bernstein
In today's episode, I’m sitting down for a conversation with Fern Bernstein to talk about her debut novel, Staunch: The Edie's of Grey Gardens. Here’s a preview of what’s included:
[01:44] Savannah reads the back cover of Staunch: The Edie's of Grey Gardens to get context for today’s discussion.
[12:14] The history and unanswered questions around the Edie’s, how they inspired Fern’s book, and the character work and story structure Fern worked through with Savannah about these wonderful women of Grey Gardens, East Hampton, New York.
[21:11] Going through the outline, having consecutive drafts, and the balancing act of taking the reader through a particular emotional journey through two different timelines.
[32:37] How beta readers impacted Fern’s opinion of her writing and being open to feedback and constructive criticism as a writer.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“Every story has one main question that it raises in the beginning and answers by the end.” - Savannah Gilbo
In this latest podcast episode, we'll explore a fundamental element of storytelling: the Major Dramatic Question (MDQ). From the outset of your story, readers should be gripped by this central question. Here’s a preview of what’s included:
[01:31] Savannah talks about why the major dramatic question (MDQ) of a story is a helpful question for writers and how you can find the MDQ of your story.
[04:27] What's going to help you write a story that's full of narrative drive (the thing that keeps readers turning the pages)?
[08:12] Once you know your story's Major Dramatic Question (MDQ), what do you do with it?
[09:44] How your story’s MDQ can help during the publishing process and can pique a potential reader's interest.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“As I kid I was like, I would love to get paid to read.” - Julie Taylor
In today’s episode, I’m sitting down to chat with Julie Taylor, Chief Operating Officer at The Spun Yarn - a company that offers paid beta reading and sensitivity reading services to authors. Here’s a preview of what’s included:
[06:15] How does The Spun Yarn create a perfect matching system between its authors and its beta readers?
[15:37] When would an author need this type of service? How is it different than working with an editor?
[31:14] The beta-readers-questioning-method and thinking process.
[47:28] Making changes throughout the years thanks to feedback given by both authors and beta readers.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“In every story, you want to have that internal change because, without internal change, there is no character change.” - Savannah Gilbo
In today’s episode, both Abigail K. Perry and I talk about the intriguing world of "Anxious People" by Frederick Backman. Buckle up, because this first chapter exploration is different from any other you've encountered before. Here’s a preview of what’s included:
[05:08] Chapter summary: an unnamed narrator describes a plot involving idiots, bad decisions, and a hostage drama. The narrator outlines key events and this summary stands out because it reveals what appears to be the story's conclusion, offering a unique approach.
[16:14] Macro analysis: the challenge of categorizing this book within a specific content genre due to its unique blend of elements and how labeling it solely as a crime story might not align with the reader's expectations.
[41:30] Micro analysis: highlighting the importance of identifying character motivations and understanding the events that propel the story forward, even in the absence of a traditional scene.
[47:37] Final thoughts: the concept of turning points within the narrative structure and dissecting the crucial moments that force characters into dilemmas.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“I tried to ignore it, but when inspiration strikes, sometimes the inspiration keeps striking, and it just didn't want to go.” - Anne Mortensen
In today’s episode, I’m sitting down with Anne Mortensen to talk through what it was like to write, edit, and publish not one, but two of her books. You'll also get an exclusive look at her experience working alongside a developmental editor and book coach (that's me!) to bring her stories to life. Here’s a preview of what’s included:
[02:05] Anne introduces herself, talks about her background, and lets us know what kind of books she writes.
[04:44] A quick highlight reel of Anne’s books and writing journey.
[08:34] Where the inspiration for her novel, The Arcadian Match came from.
[11:03] Working on getting to the essence of the book's characters.
[14:40] How much of the external plot changed from the first draft to after Anne met her character?
[18:21] While pressure testing the outline, does Anne remember having any moments where something clicked?
[22:09] What was it like for Anne to go back to her first book after working on her second book and hitting a roadblock?
[27:30] Is the coaching experience the best? If so, why?
[29:54] What was Anne’s relationship with feedback before coaching?
[32:20] What would Anne say to other writers who are afraid of the feedback of others?
[35:46] How long did it take to get a first draft done for “Arcadian Match”?
[37:21] Is Anne working on her third book now?
[40:24] How to deal with challenges and never give up?
[41:38] What are the things Anne sees that make the writers she works with successful and other writers not?
[43:21] Parting words of wisdom from Anne.
If you enjoyed this episode of the Fiction Writing Made Easy Podcast, please rate, review, and follow this show!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“Dialogue is a form of action. We can utilize what's happening around the dialogue to assist what's being said.” - Savannah Gilbo
Today, I'm thrilled to talk about the intricate art of dialogue with you once more. We're going to explore three common pitfalls that often lurk in dialogue and learning how to navigate these challenges can truly elevate your storytelling. Here’s a preview of what’s included:
[02:34] Savannah explains the meaning of attributions and what to do when you doubt if something being said is clear to the reader.
[06:55] Reading a snippet from “Mockingjay” by Suzanne Collins and why it is a great example of keeping attributions simple.
[11:27] Why asking rhetorical questions undermines the emotional potential of your scenes.
[14:15] The value of not including too much backstory or too much information in your dialogue.
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
“I feel that emotional connection, the emotional struggles here are going to be a big gameplay in how the story is executed.” - Abigail K. Perry
Magic has always fascinated us, hasn't it? The mere thought of a world where the impossible becomes possible, where spells are cast, and extraordinary adventures unfold, has captivated readers for generations. In the realm of adult fantasy novels, one name stands out – Lev Grossman and his masterpiece, "The Magicians."
Today, both Abigail K. Perry, host of the LitMatch podcast, and I embark on a magical yet realistic journey as we unravel the intricacies of the first chapter. Here’s a preview of what’s included:
[06:17] Abigail gives a summary of The Magicians by Lev Grossman
[21:51] A macro analysis of the first chapter using 7 key questions from Paula Munier's book The Writer’s Guide to Beginnings
[58:40] A micro analysis of the scene within the chapter using the "5 Commandments of Storytelling" from The Story Grid
[01:20] Final thoughts on analyzing chapters and scenes
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
You need to get readers asking questions to hook them into your story, but you don’t want them asking the wrong questions or being so confused that they stop reading altogether. In this episode, I share 5 questions your readers should never have to ask—here's a preview of what's included:
[01:58] Who is this person?
[03:35] Where is the scene taking place?
[04:50] Who else is in the scene?
[06:15] What's the point of this?
[07:55] Why should I care?
[10:25] Final thoughts and episode recap
Links Mentioned in the Episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sitting down with Edward J. Cembal to talk through what it was like to write, edit, and publish his debut novel, The Monsters In Our Shadows. Here’s a preview of what’s included:
[04:00] A quick introduction to Edward J. Cembal (including a timeline of his writing, editing, and publishing journey) as well as a summary of his debut dystopian novel, The Monsters In Our Shadows
[09:00] Edward describes what it’s like working with a book coach, an editor, and beta readers—including what it’s like receiving feedback from different sources
[22:00] What it’s like to dig deep and put your “blood on the page” in terms of writing a protagonist who shares some of your own inner struggles—and how Edward feels now that he’s gone through that process
[28:00] Edward shares how his novel accidentally ended up in Hollywood—and how this totally uprooted his plans to self-publish (but why he self-published anyway)
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sharing my thoughts on writing courses—including 5 things that make a fiction writing course worth your time and money. Here’s a preview of what’s included:
[02:15] A good writing course should provide you with more than just “tactics and templates.” It should move you beyond just learning and get you into action.
[04:45] A good writing course should provide you with a community of like-minded writers who share similar goals and access to a mentor who can support you.
[08:05] A good writing course should feel like a “HECK YES!” And if it doesn't, then it's probably a heck no—and that's okay! Trust your gut on this decision.
[09:15] My two cents re: the question, "Can you learn to write a book from all the free resources online and/or in craft books?" (Spoiler alert: YES, you can!)
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Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sharing 5 of the most common “scene level” issues to look for when editing your draft. Here’s a preview of what’s included:
[02:44] Issue #1: The scene isn’t properly structured and it feels flat.
[03:59] Issue #2: The POV character doesn’t have enough agency.
[05:57] Issue #3: There’s too much extra stuff crowding the scene.
[07:50] Issue #4: There’s not enough interiority on the page.
[09:35] Issue #5: The POV is inconsistent (aka there's head hopping)
[11:22] Final thoughts and episode recap.
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sharing one of my favorite mindset tips—and it all has to do with your ability (and willingness) to start from scratch. I call it strengthening your capacity for zero. Here’s a preview of what’s included:
[01:25] Your capacity for zero describes how willing you are to start over if something you’re outlining or writing doesn’t work.
[04:45] What happened when I told one of the writers I work with that she had to start over after writing a 40,000-word first draft
[11:00] How to strengthen your capacity for zero (including some question prompts to get you started thinking about your current capacity for zero)
[12:25] Final thoughts and episode recap.
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
FREE RESOURCE: Need help getting started with your story? This workbook will help you flesh out the foundational elements of your story so you can start writing with confidence and ease. Get your free copy here →
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sharing 3 steps to help you get started with list building. Here’s a preview of what’s included:
[1:45] Having an email list is one of the best ways to build relationships with your readers over time. It’s what helps keep you top of mind the next time readers are looking for a new book to read, or a book to share with their friends and family.
[3:15] Step 1: Define your target audience of readers. These are the people who will buy your book, leave you positive reviews, and recommend it to all their friends. It’s who all your marketing efforts need to speak to!
[5:35] Step 2: Start generating leads for your list by offering a freebie (or lead magnet) in exchange for email addresses. You could offer things like sample chapters, book club questions, free ebooks, character interviews, and more.
[9:30] Step 3: Develop your content strategy so that you can stay in communication with your subscribers and build that “know, like, and trust” factor before you write and sell your next book. Don’t overcomplicate this step!
[12:25] Final thoughts and episode recap.
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
FREE RESOURCE: Need help getting started with your story? This workbook will help you flesh out the foundational elements of your story so you can start writing with confidence and ease. Get your free copy here →
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sharing 5 steps to building an author platform. Here’s a preview of what’s included:
[00:59] Your author platform is the foundation for all your future book marketing efforts. You can start building it no matter where you’re at in the writing process!
[02:07] Step 1: Define your target audience of readers
[03:15] Step 2: Design your unique author brand
[06:10] Step 3: Create your author website
[07:49] Step 4: Setup your email list
[09:51] Step 5: Develop your communication strategy
[15:42] Final thoughts and episode recap.
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
FREE RESOURCE: Need help getting started with your story? This workbook will help you flesh out the foundational elements of your story so you can start writing with confidence and ease. Get your free copy here →
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, Abigail K. Perry and I take a deep dive into the first chapter of Lessons in Chemistry by Bonnie Garmus. Here’s a preview of what we talk about:
[03:17] A very quick summary of the first two chapters
[06:30] Our analysis of the scene/s within the first two chapters using the "5 Commandments of Storytelling" from The Story Grid
[25:11] Final thoughts and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
FREE TRAINING: 5 Secrets to Help You Start and Finish Your Novel. Register here for instant access to the free video training!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sharing my top 10 tips for writing stronger, more impactful dialogue in your novel. Here’s a preview of what’s included:
[02:00] Tip #1: Make sure your dialogue serves a purpose in the overarching story.
[03:00] Tip #2: Think of your dialogue as action vs. exposition (or active vs. passive).
[06:09] Tip #3: Get clear on each character’s goal and motivation within a scene.
[07:43] Tip #4: Make sure your dialogue is ripe with conflict and tension.
[10:02] Tip #5: Check that your dialogue sounds right for your genre and tone.
[11:15] Tip #6: Ensure each character has a unique and rich vocabulary.
[13:13] Tip #7: Curate your dialogue to show readers only what they need to see.
[14:30] Tip #8: Keep your dialogue short and to the point.
[16:16] Tip #9: Aim to have your dialogue do more than one thing—and include subtext.
[18:19] Tip #10: Use dialogue to help you control your story’s pacing.
[20:17] Final thoughts and episode recap.
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
FREE RESOURCE: Need help getting started with your story? This workbook will help you flesh out the foundational elements of your story so you can start writing with confidence and ease. Get your free copy here →
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m covering the conventions of the morality genre using the movie A Man Called Otto as an example. Here’s a preview of what’s included:
[05:09] The protagonist starts the story at their worst (with a "wrong" moral compass)
[06:40] The antagonist pressures the protagonist to face their bad behavior/wrongdoing
[07:54] The protagonist is haunted by their past mistakes or selfish behavior
[09:09] A character who represents the consequences of the protagonist’s wrongdoing
[10:20] At least one mentor figure who helps the protagonist see right from wrong
[11:13] External conflict that pits the protagonist's goals against the needs of others
[12:53] A foil character who positively or negatively demonstrates different behavior
[14:24] The protagonist gets help from unexpected sources
[15:23] The setting must offer the protagonist opportunities to be selfish or altruistic
[16:49] The end of the story is often bittersweet
[18:04] Final thoughts and episode recap.
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
FREE RESOURCE: Need help getting started with your story? This workbook will help you flesh out the foundational elements of your story so you can start writing with confidence and ease. Get your free copy here →
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sharing the 3 most common interiority mistakes I see writers make, as well as how to fix them. Here’s a preview of what’s included:
[03:20] Mistake 1: The “too passive” protagonist. Your protagonist should always crave agency, even if they can't physically take action.
[06:17] Mistake 2: The protagonist whose always present. Real people think about the past and future while making decisions. Your characters should too!
[09:12] Mistake 3: The protagonist knows what the author knows. It's important to separate the character's knowledge from the author's so the reader can properly immerse themselves in the story.
[13:00] Final thoughts and episode recap.
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
FREE RESOURCE: Need help getting started with your story? This workbook will help you flesh out the foundational elements of your story so you can start writing with confidence and ease. Get your free copy here →
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, Abigail K. Perry and I take a deep dive into the first chapter of Remarkably Bright Creatures by Shelby Van Pelt. Here’s a preview of what we talk about:
[05:38] A very quick summary of the first chapter
[13:37] A macro analysis of the first chapter using 7 key questions from Paula Munier's book The Writer’s Guide to Beginnings
[43:08] A micro analysis of the scene within the chapter using the "5 Commandments of Storytelling" from The Story Grid
[52:50] Final thoughts and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
FREE TRAINING: 5 Secrets to Help You Start and Finish Your Novel. Register here for instant access to the free video training!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m taking you behind the scenes with me throughout my entire week, and I’m going to share what I’m working on, what big projects I’m focused on right now, and basically, anything that happens during the week.
I'm always curious as to how people set up their day and what they're working on, and how they choose what they're going to actually work on that week. So, I thought you might be curious to know what I do all day as an editor and book coach—what I focus on and how I navigate through many, many, many action items. So, that’s what this episode is all about. I hope you enjoy this peek behind the scenes!
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sharing a round-up of mindset tips from some of my peers! Here’s a preview of what’s included:
[02:00] Rachel May of Golden May Editing shares a mindset tip about taking the pressure off of your writing practice by letting it be easy. You can learn more about Rachel, Golden May Editing, and her Story Magic podcast here!
[04:43] Georgina Green shares a mindset tip about using better language to talk to yourself about writing. She suggests operating from a growth mindset vs. a fixed one. You can learn more about George and her Calliope Writer’s Group here!
[08:55] Kenny MacKay shares a mindset tip about not letting your self-doubt and limiting beliefs get the best of you. He suggests facing them head-on so that you can start making progress. Learn more about Kenny and his Author Your Dream podcast here!
[12:00] Dani Abernathy shares a mindset tip that will help you infuse more of YOU in your writing so that you can make a bigger impact. Learn more about Dani here!
[16:10] Brooke Adams Law shares six ways to develop your persistence muscle so that you can stick with it and finish your book. Learn more about Brooke here!
[20:40] Final thoughts and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sharing how to add subplots to your novel. Here’s a preview of what’s included:
[1:50] Subplots are secondary storylines that receive less emphasis (and page time) than the main plot. The main purpose of any subplot in a novel is to enhance the main theme and conflict of the story.
[2:45] Subplots have three primary relationships to your main plot. They can contradict or complement your theme and/or complicate the central conflict of your story.
[06:05] Subplots typically come into play at the start of the second act (or at the start of the middle section of your story). However, subplots can also start and develop right alongside your primary plotline in act one (or in the begging section of your story).
[09:00] Examples from Pride and Prejudice and Harry Potter and the Sorcerer’s Stone
[11:20] Final thoughts and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
FREE RESOURCE: Need help getting started with your story? This workbook will help you flesh out the foundational elements of your story so you can start writing with confidence and ease. Get your free copy here →
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, we’re taking a deep dive into the first chapter of A Discovery of Witches by Deborah Harkness. Join me and fellow developmental editor Abigail K. Perry as we talk through the first chapter of this popular fantasy novel. Here’s a preview of what we talk about:
[08:20] A very quick summary of the first chapter
[21:00] A micro-analysis of the first chapter to see how many scenes are present within the opening chapter—as well as how and why the scenes work
[34:00] Our thoughts on how the opening chapter gives readers plenty of clues re: what this story is going to be about (and how it plays on the global stakes)
[47:00] Final thoughts and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
Click here to check out the LitMatch Podcast with Abigail Perry! You can also get in touch with Abigail through her website or on Instagram @abigailkperry.
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, I’m sharing my top 5 worldbuilding tips for science fiction and fantasy writers, with examples from popular novels. Here's a preview of what's included in the episode:
[02:39] Tip #1—Go narrow and deep in your worldbuilding, not wide and shallow. Pick 2-3 worldbuilding categories to focus on, and only flesh out whatever's relevant to your plot and/or characters.
[05:43] Tip #2—Determine what kind of magic or technology will exist in your story world. Will your magic/tech be used to create and solve problems (hard magic/tech)? Or will it be a bit more nebulous (soft magic/tech)?
[09:20] Tip #3—Avoid generalizations when it comes to the people or creatures who populate your story world. Real people have their own unique worldviews, beliefs, fears, and dreams. So should your population!
[11:21] Tip #4—Your story world needs its own internal logic—for every cause, there’s an effect; for every action, there’s a reaction. Whatever you change in your world, consider the ramifications to build your internal logic.
[12:33] Tip #5—Use your target audience’s age range to help inform your story’s learning curve. In general, middle-grade stories will have a more shallow learning curve whereas adult stories will have a steeper one.
[14:56] Final thoughts and episode recap.
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sharing my top five tips to help you get started with your science fiction or fantasy novel. Here’s a preview of what’s included:
[00:00] Step 1: Decide what kind of fantasy or science fiction story you’re writing. Find both the commercial genre and content genre of your story.
[00:00] Step 2: Determine what your protagonist wants and needs. Look to your content genre for guidance, and then make your answer specific to your story idea
[00:00] Step 3: Figure out what kind of conflict your protagonist will face as they pursue their goal. Consider both the external and internal conflict.
[00:00] Step 4: Flesh out your story world. Where and when does your story take place? Focus on a few areas to go deep in—and don’t worry about figuring everything out!
[00:00] Step 5: Summarize the beginning, middle, and end of your story. Write a 1-2 sentence logline and a 2-3 paragraph synopsis that focuses on the primary storyline
[00:00] Final thoughts and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
FREE RESOURCE: Need help getting started with your story? This workbook will help you flesh out the foundational elements of your story so you can start writing with confidence and ease. Get your free copy here →
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, we’re going to talk about writing interiority—aka how to reveal your character’s inner life on the page. Here’s a preview of what’s included:
[03:20] What is interiority? Interiority is on-the-page access to a protagonist’s psyche as they process information in an interesting way.
[06:15] What is the primary purpose of interiority? Interiority helps readers connect with your characters by exposing their inner life (plus so much more!).
[08:20] An example of what interiority looks like from a real-life published novel (and two questions to help you determine if a passage is interiority or not).
[11:00] 10 questions to help you ground yourself in your point of view character’s perspective (and write better interiority in your scenes)
[14:20] Final thoughts and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
FREE RESOURCE: Need help getting started with your story? This workbook will help you flesh out the foundational elements of your story so you can start writing with confidence and ease. Get your free copy here →
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, we’re taking a deep dive into the first chapter of Legendborn by Tracey Deonn. Join me and fellow developmental editor, Abigail Perry, as we talk through the first chapter of this popular YA fantasy novel. Here’s a preview of what we talk about:
[03:25] A very quick summary of the first chapter
[05:00] A microanalysis of the two scenes within the first chapter using the "5 Commandments of Storytelling" from The Story Grid
[18:25] Our thoughts on prologues
[20:00] Final thoughts and episode recap
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
Click here to check out the LitMatch Podcast with Abigail Perry! You can also get in touch with Abigail through her website or on Instagram @abigailkperry.
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, we’re going to look at the five functions of dialogue in your story. Here’s a preview of what’s included:
[03:50] Function #1: Dialogue can help you advance the plot
[05:50] Function #2: Dialogue can help you reveal character
[08:30] Function #3: Dialogue can help you establish context
[12:40] Function #4: Dialogue can help you set the tone and mood
[15:45] Function #5: Dialogue can help you reveal or hint at your theme
[17:40] Key points and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sitting down with Jamie Varon to talk through her incredibly inspiring story of how she went from writing the first draft of her novel to landing her dream agent. Here’s a preview of what’s included:
[04:15] A quick introduction to Jamie Varon (including a timeline of her writing, editing, and publishing journey) as well as a summary of her novel, Main Character Energy
[17:45] Jamie describes what it’s like working with her agent—including what it’s like receiving feedback and collaborating with her on changes to the manuscript
[30:00] Jamie talks about what it was like to hear some really tough feedback from her literary agent—and how this feedback led Jamie to seek representation elsewhere. Spoiler alert: she ended up landing her dream agent shortly after!
[59:30] What it’s like working with a screenwriter to turn her memoir/self-help book, Radically Content, into a movie (plus, our final thoughts on writing)
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👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m going to walk you through how to choose the best point of view and tense for your story. Here’s a preview of what’s included:
[01:35] Point of view is the lens through which your story is told. It’s whose eyes the reader will experience your story through.
[01:56] In first person point of view, your protagonist is the narrator. They’re telling the story in their own words, from their own perspective, and filtering things through their own worldview and biases.
[04:50] In second person point of view, the writer makes the reader the protagonist in the story, speaking directly to “you” as the story unfolds.
[06:03] In third person omniscient point of view, the story is told from a god-like, all knowing perspective, by a narrator who doesn’t have a role in the story.
[09:20] In third person limited point of view, the story is told from a distance following the perspective of one POV character per scene. It’s similar to first person POV, but told from a bit more of a distance.
[13:30] If you’re writing from multiple perspectives, make sure they’re connected in some way. They can be in a relationship together, have their fates tied together, or face a common form of conflict.
[16:39] Key points and episode recap.
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
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👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I’m sitting down with Pauline Yates to talk through how she used short stories to hone her craft and publish her debut novel. Here’s a preview of what’s included:
[03:05] An introduction to Pauline Yates and her story, Memories Don’t Lie.
[03:55] How she used short stories to hone her craft and practice submitting her work to publishers (and spoiler alert: she’s now published many of her short stories!)
[13:45] Pauline’s take on what it was like to work with me (and how there was one little thing I kept harping on—if you know me, you know it was scene structure)
[18:40] How she develops her characters and “spends time” with them until she knows exactly what they’d do and how they’d behave in any given scenario
[24:55] The aspect of writing Pauline struggles with the most—and spoiler alert: it’s worldbuilding—plus, what’s she learned about worldbuilding during revisions
[37:25] A behind-the-scenes look at her experience querying over 30 agents before finally finding her dream publisher in her own (Australian) backyard
[50:25] Final words of wisdom and advice from Pauline
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
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👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m talking about how perfectionism is really just another form of procrastination. I also share some words of wisdom to help you get back on track and moving forward with your writing again. Here’s a preview of what’s included:
[02:20] My two cents on how perfectionism and procrastination are linked and what to do if you find yourself stuck in a neverending loop of procrastination
[05:25] A recent story about how I did an imperfect presentation (and got called out on it)—and how this relates back to your own writing journey
[09:40] A mindset shift that will help you say goodbye to perfectionism and procrastination once and for all—trust me, you’re going to love this!
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, we’re taking a deep dive into the first chapter of The Invisible Life of Addie LaRue by V.E. Schwab. Join me and fellow developmental editor, Abigail Perry, as we talk through the first chapter of this popular fantasy novel. Here’s a preview of what we talk about:
[03:45] A very quick summary of the first chapter
[16:45] A macro analysis of the first chapter using 7 key questions from Paula Munier's book The Writer’s Guide to Beginnings
[26:55] A micro analysis of the scene within the chapter using the "5 Commandments of Storytelling" from The Story Grid
[38:05] Final thoughts and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
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In today’s episode, I’m taking you behind-the-scenes with me throughout my entire week, and I’m going to share what I’m working on, what big projects I’m focused on right now, and basically, anything that happens during the week.
I'm always curious as to how people set up their day and what they're working on and how they choose what they're going to actually work on that week. So, I thought you might be curious to know what I do all day as an editor and book coach—what I focus on and how I navigate through many, many, many action items. So, that’s what this episode is all about. I hope you enjoy this peek behind-the-scenes!
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
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In today's episode, I’m sitting down with Jennifer Lauer to talk through how she overcame her fear of the blank page and indie published her debut novel. Here’s a preview of what’s included:
[03:00] An introduction to Jennifer Lauer and her story, The Girl in the Zoo
[09:30] What the beginning of the writing process looked like for Jennifer—and when she finally realized that her fear of the blank page was preventing her from writing
[14:45] What happened when Jennifer finished the first draft of her book (and changed her genre from love to action)
[26:00] Jennifer’s experience entering a Twitter pitch contest—and how it gave her the courage to submit her pages for a critique on TSNOTYAW podcast
[30:35] Why Jennifer ultimately decided to indie publish her novel (even after getting a positive response from a few industry professionals)
[43:35] The 3 biggest lessons Jennifer learned from this experience (and the advice she’d give to her past self when embarking on this writing journey)
[47:00] Final words of wisdom and advice from Jennifer
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In today’s episode, I’m covering the key scenes that every status story needs. I’ve also included examples of how they show up in the movie The Devil Wears Prada. Here’s a preview of what’s included:
[01:40] Status stories center around the protagonist’s inner need for respect that manifests as a specific desire to achieve or accomplish something in the external world.
[02:40] Readers of status stories want to feel hopeful that the protagonist will succeed. They want to read about someone who works hard to improve their situation–and they want to feel a sense of triumph when that person succeeds.
[04:20] 1- The protagonist becomes aware of an opportunity to rise in position.
[05:07] 2- The protagonist commits to pursuing this new opportunity, leaving their comfort zone or current circumstances to go after it.
[05:55] 3- The protagonist sees the true nature of the antagonist and/or learns what the antagonist wants and why.
[07:00] 4- The protagonist reaches an all-is-lost moment where the antagonist or rival takes the lead and/or destroys the protagonist’s chance at getting what they want.
[08:00] 5- The protagonist faces the antagonist, and either gets what they want or redefines their definition of success to get what they need.
[09:05] 6- The protagonist is rewarded externally, internally, or both.
[09:50] Key points and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
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In today's extra special bonus episode, I'm going to answer some questions from my listeners! Here's a quick overview of what we talk about in this episode:
[01:15] Ame says, “Would you be able to talk more about the coming of age genre, specifically how to develop a good plot and the aim of the book?”
[02:50] Emme says, “I have a really compelling story idea, characters, and full outline that I'm really excited about, but I'm not confident in my writing and abilities to bring it to life. What should I do?”
[05:25] Ben says, “I have a story that fits both the thriller and the horror conventions. Is that possible or would I need to include the conventions for both or just try to pick the one that best fits?”
[06:30] Chris says, “I am completely new to writing fiction. How "rough" can I make my first draft? The sage advice seems to be that the first draft should trump all story construction and prose activities, but I am wondering how "good" does it need to be?"
[09:05] Shamsee says, “Do you have any information (like the key scenes and conventions) on the fairy tale genre?”
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, we’re going to talk through the different types of editors you might need to work with to get your book ready to publish. Here's a preview of what's included:
[01:40] A developmental editor is someone who is concerned with the overall content and structure of your manuscript, and whether or not your story “works.” They focus on things like character development, story structure, plot, genre, theme, and point of view.
[05:32] A line editor is someone who focuses on the way you use language to communicate your story to readers. They help you make sure the voice and style of writing are consistent, too.
[06:40] A copy editor is someone who focuses on spelling, grammar, and punctuation. They will address commonly confused words (for example, affect vs. effect) as well as ensure consistency with capitalization, hyphenation, and numerals.
[07:45] A brief description of some other editing roles including acquisition editors, beta readers, and proofreaders (plus, when you might work with them).
[09:15] Some things to consider when searching for an editor to work with—including a list of questions you can ask to help you find the right editor for your book.
[11:55] Key points and episode recap.
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m sharing what the advice to “show, don’t tell” really means (and spoiler alert: it’s probably not what you think!). We’ll also talk about how to reveal your character’s emotions on the page, too. Here’s a preview of what’s included:
[01:20] In general, the advice to “show, don’t tell” means that a writer should relate information to readers through sensory details and actions rather than exposition.
[03:39] But there’s more to it than that. To me, “show, don’t tell,” means that you need to show your character’s emotional reaction to what’s happening in a scene—and there are three main ways to do this.
[03:56] Method #1: You can tell readers what your character is feeling.
[04:35] Method #2: You can show emotions via body language or physical tells.
[06:14] Method #3: You can show readers what your character is thinking in response to what’s happening in a scene.
[12:15] Final thoughts and episode recap.
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, we’re taking a deep dive into the first chapter of Ugly Love by Colleen Hoover. Join me and fellow developmental editor, Abigail Perry, as we talk through this popular contemporary romance. Here’s a preview of what we talk about:
[03:30] A very quick summary of the first chapter
[05:30] A macro analysis of the first chapter using 7 key questions from Paula Munier's book The Writer’s Guide to Beginnings
[28:15] A micro analysis of the scene within the chapter using the "5 Commandments of Storytelling" from The Story Grid
[55:15] Final thoughts and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
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👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I asked five of my Notes to Novel students to share their biggest lessons learned while working through their first drafts. Here’s a preview of what’s included:
[02:00] Kelsey Evans on how understanding her genre’s framework made the biggest difference in her ability to finally finish her first draft
[06:35] Stefanie Medrek and her favorite advice for battling writer’s block
[11:00] Angela Haas on the popular writing advice to “show, don’t tell”
[16:00] Bree Cox on how she used her outline to test out ideas before writing
[20:30] Kara Kentley on the importance of having a writing community
[28:20] Casey Drillette on how she embraced the outlining process (as a pantser!)
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
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👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m going to share the three things to focus on if you’re a brand new writer—or if I was coaching someone who was brand new to writing. Here’s a preview of what’s included:
[02:17] Getting your mindset right is super important! Don’t expect to write the perfect first draft. Instead, consider your first draft the “discovery draft” and have fun with it!
[04:50] Figure out your story’s content genre so that you have a roadmap to follow. Your content genre can tell you all kinds of things, from the types of characters you’ll need, some of the key scenes readers expect to see, and more.
[07:25] Learn how to write a solid scene. If you can write a scene that works, you can definitely write a story that works! Practice on your own work-in-progress scenes AND break down the structure of scenes in published novels, too.
[09:55] Final thoughts and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
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In this episode, I'm doing a little countdown of some of the best and most listened-to clips from the Fiction Writing Made Easy podcast in 2022. Here's a preview of what you'll hear in the episode:
[01:40] Tip #10: Test out your idea by writing a 1-2 sentence summary of your entire story, focusing on the main story thread.
[04:15] Tip #9: Create a scene-by-scene roadmap for your entire story (and then pressure-test it!) before you start writing.
[07:10] Tip #8: Write (and edit) your story in scenes, not chapters! This will help you stay on track and produce a well-paced story.
[10:40] Tip #7: Not everything that happens in a story needs to be dramatized in a full-blown scene. Sometimes, you can summarize!
[13:05] Tip #6: Establish your character’s mental and emotional state at the very beginning of each one of your scenes.
[16:45] Tip #5: When you finish writing a first draft, the very first thing you should do is take a break!
[19:50] Tip #4: Make sure something meaningful happens in your opening pages if you want to catch the reader’s attention!
[22:35] Tip #3: If you want to hook an agent’s attention with your query letter, don’t be vague when summarizing your story–be specific!
[25:15] Tip #2: If you want to get a traditional publishing deal, consider self-publishing (first) to gain experience and grow your audience.
[26:55] Tip #1: Don’t assume a traditional publisher will provide significant marketing help if you get a book deal.
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In today’s episode, I’m sharing some of the key takeaways I learned from coaching writers in 2022. Here’s a preview of what’s included:
[01:30] Takeaway #1: Don’t be afraid to try new things! Plus, the story of how two different writers tried something new—and had surprisingly good results.
[05:10] Takeaway #2: Writing interiority is hard for almost every writer. And in my opinion, it’s not talked about enough. This is something every writer should study more!
[08:10] Takeaway #3: Sometimes fast drafting is the key to success. Plus, how one writer moved through planning and outlining her story quickly, despite the discomfort.
[11:35] Takeaway #4: Don’t be so precious about the beginning of your first draft. Plus, a tip for what to do if you feel stuck on your opening scenes or pages.
[14:05] Takeaway #5: Trust the process! The ‘a-ha’ moments always come. How one writer was finally able to see the big picture of her story—but how it took getting all the way to ‘The End’ to do so.
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
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In today's episode, I’m sitting down with James Beswick to talk through his incredibly inspiring story of how he finished his first draft in three months. Here’s a preview of what’s included:
[03:30] An introduction to James Beswick and how he decided to write a book
[05:30] How James carved out writing time in his calendar, while working a full time job
[06:30] What James’s Notes to Novel experience was like—and why he decided to enroll in the course in the first place
[08:25] How James initially wanted to write a screenplay, but then decided to write a novel instead (Plus, our thoughts on writing a novel vs. writing a screenplay)
[11:00] How your genre framework removes the terror and overwhelm from the writing process (and pulls back the curtain on how to actually write a novel)
[13:30] A quick description of James’s story
[14:45] What is was like for James to create an outline—and the three things that helped him outline his story the most
[16:30] The secret to avoiding writing problematic scenes where nothing happens
[18:45] My feedback on James’s outline (the 3 main issues he had + what worked)
[21:45] James’s big a-ha moment re: writing the perfect first draft (and the mindset shift that got him through writing a messy first draft)
[24:30] Why James decided to get outside feedback from an editor once he had a finished draft (and what this process was like)
[27:00] Our thoughts on the hardest section of the story to write
[29:00] What it was like for James to get feedback on his first draft—and what some of the biggest issues were in terms of plot and character
[36:00] An update on how the second draft is going for James (and how he’s using his outline to help him navigate the revision process)
[46:00] Final words of wisdom and advice from James
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
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👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I’m covering the conventions of the crime genre. This includes the character roles, settings, and events that need to be present in a crime story in order for it to work and satisfy fans of the genre. Here’s a preview of what’s included:
[01:30] Crime stories are all about the quest to either solve or commit a crime. So, these stories start with a crime, build with an investigation (or a completion of the crime), and end with identifying and bringing the criminal to justice (or not).
[05:15] 1. There’s a crime with at least one victim that launches the investigation.
[06:15] 2. The protagonist is intelligent and determined to solve the crime.
[08:15] 3. There’s an equally smart or crafty antagonist who seems to be a step ahead of the protagonist the whole time.
[09:15] 4. There is a closed circle of suspects, each with a credible motive and a reasonable opportunity to commit the crime.
[10:30] 5. There’s a MacGuffin (or a very specific thing the antagonist wants).
[11:30] 6. A sidekick character who acts as a sounding board for the protagonist.
[12:25] 7. There are clues and red herrings that help (or hurt) the investigation.
[13:40] 8. There’s a ticking clock by which the protagonist must solve the crime.
[14:37] 9. There’s a speech in praise of the antagonist that shows their brilliance.
[15:48] 10. There’s at least one shapeshifter character.
[16:42] Key points and episode recap
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Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I’m covering the difference between writing in scene versus writing in summary. Here’s a preview of what’s included:
[01:45] Scenes are concrete moments that unfold in real time. Readers “watch” the characters move across the setting, interact with other characters or the setting, and speak as if everything’s taking place in the real world, in real time.
[02:55] Summaries happen over a condensed period of time (days, months, years, etc.). They convey ideas, concepts, and information rather than create specific experiences that a character (and readers) are “living through” in that moment.
[04:20] An example from Harry Potter and the Sorcerer’s Stone by J.K. Rowling
[07:30] An example from Sharp Objects by Gillian Flynn (trigger warning: a dead body)
[10:55] Top 3 guidelines for when you should write in scene
[12:20] Top three guidelines for when you should write in summary
[16:15] Do not get hung up on this when writing your first draft! Your main job when writing a first draft is to get to THE END–worry about scene vs. summary later.
[16:45] Key points and episode recap
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, we’re going to talk about how to edit your messy first draft without slipping into overwhelm. Here’s a preview of what’s included:
[01:50] The very first thing you should do when you finish a first draft
[04:15] A quick overview of the four editing phases, and how breaking your edits down into these phases will help you reduce overwhelm.
[05:45] Phase 1: The “Story Level” edit
[09:25] Phase 2: The “Scene Level edit”
[13:35] How your editing plan might change depending on your publishing goals
[14:30] Phase 3: The “Page Level edit”
[16:20] Phase 4: The “Sentence Level edit”
[19:35] My answer to writers who ask me, “Can I do these phases out of order?” (spoiler alert: my answer is almost always no)
[20:00] FAQ: Is there a way to go through all four phases faster?
[20:45] Key points and episode recap
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I’m covering the key scenes that every morality story needs. I’ve also included examples of how they show up in the movie Flight. Here’s a preview of what’s included:
[01:45] Morality stories center around a protagonist with a moral compass that’s about to change, for better or for worse. They’re either seeking redemption from past mistakes or they want to silence their inner conscience so they can keep doing selfish things.
[03:00] Readers choose these types of stories because they want to see what another person will do when given the choice to act selfishly or altruistically. Will they make the “right” choice? Or the “wrong” one?
[05:15] Key Scene #1: The protagonist faces an opportunity or challenge to be selfless
[06:05] Key Scene #2: The protagonist commits to doing nothing about the greater need (and may even move in the opposite direction)
[07:30] Key Scene #3: The protagonist learns what the antagonist wants and why, and the greater external need is starting to become uncomfortable
[08:40] Key Scene #4: The protagonist reaches an all-is-lost moment where it seems like their selfish ways will no longer work
[09:35] Key Scene #5: The protagonist either sacrifices something in service of an individual, or they decide once and for all to maintain their selfish way of being
[11:00] Key Scene #6: The protagonist is either rewarded with forgiveness, or they’re punished for sticking to their selfish ways
[12:15] Key points and episode recap.
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I’m sitting down with Stefanie Medrek to talk through her incredibly inspiring story of how she went from having an idea for a story to landing an agent. Here’s a preview of what’s included:
[05:00] The exact moment Stefanie had the idea for her story—and how she just knew it wouldn’t let her go until she put pen to paper
[08:00] A quick description of Stefanie’s story
[09:35] Stefanie’s initial reaction to my advice to throw out all 40,000 of the words she had written, and what happened when she did
[12:00] A few of the key takeaways Stefanie learned from re-writing her first draft
[15:00] What the editing process was like (and how long it took)
[17:35] How and when Stefanie knew she was ready to start querying
[19:00] Stefanie’s reaction to getting a heart on her #PitMad pitch (IYKYK)
[22:30] The moment Stefanie almost gave up on writing… and then got a call from her (now) agent an hour later
[25:00] How having a fleshed out outline helped Stefanie avoid spiraling into overwhelm
[27:00] What happened when Stefanie got the offer of representation
[28:00] What it was like to get feedback (and suggested changes) from her agent
[30:00] A quick look into what writing book two looks like
[34:00] Stefanie’s thoughts on 1:1 coaching vs. the Notes to Novel course
[38:00] Final words of wisdom and advice from Stefanie
Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I'm going to walk you through the conventions of the status genre. I'm also going to show you how these conventions show up in the movie The Devil Wears Prada. Here's a preview of what's included:
[01:45] Status stories center around the protagonist’s inner need for respect that manifests as a specific desire to achieve or accomplish something in the external world.
[02:55] Readers of status stories want to feel hopeful that the protagonist will succeed. They want to read about someone who works hard to improve their situation–and they want to feel a sense of triumph when that person succeeds.
[05:15] 1- The protagonist wants to gain respect, but what they need is self-esteem.
[06:05] 2- The antagonist opposes the protagonist and threatens their position.
[07:00] 3- There is a clear (and specific) definition of what it means to be successful.
[08:15] 4- The setting is public; people will witness the protagonist's success or failure.
[09:10] 5- At least one social problem or moral challenge for the protagonist to face.
[10:05] 6- At least one foil character who demonstrates a different path to success.
[10:40] 7- At least one mentor figure who guides the protagonist, for better or for worse.
[11:35] 8- At least one shapeshifter character who hinders the protagonist’s progress.
[12:15] 9- The protagonist must overcome an inner obstacle related to success.
[13:25] 10- The ending of a status story is usually bittersweet.
[14:30] Key points and episode recap.
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, we're taking a deep dive into the first chapter of Harry Potter and the Deathly Hallows by J.K. Rowling. Join me and fellow developmental editor, Abigail Perry, as we nerd out about the seventh book in the Harry Potter series.
Here’s a preview of what we talk about:
[07:45] A very quick summary of the first chapter
[11:40] A macro analysis of the first chapter using 7 key questions from Paula Munier's book The Writer’s Guide to Beginnings
[43:30] A micro analysis of the two scenes within the chapter using the "5 Commandments of Storytelling" from The Story Grid
[54:00] Final thoughts and episode recap
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, we're taking a deep dive into the first chapter of Harry Potter and the Half Blood Prince by J.K. Rowling. Join me and fellow developmental editor, Abigail Perry, as we nerd out about the sixth book in the Harry Potter series–here’s a preview of what we talk about:
[05:45] A very quick summary of the first chapter
[07:15] A macro analysis of the first chapter using 7 key questions from Paula Munier's book The Writer’s Guide to Beginnings
[13:45] A micro analysis of the two scenes within the chapter using the "5 Commandments of Storytelling" from The Story Grid
[57:25] Final thoughts and episode recap
Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be
adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m going to walk you through the pros and cons of indie publishing. Here’s a preview of what you’ll hear in the episode:
[01:30] Indie publishing is the pure do-it-yourself publishing path. It's where you, the author, take on ALL the roles of and basically become the publisher of your own book.
[02:30] The pros of indie publishing
[08:20] The cons of indie publishing
[13:20] Final thoughts and episode recap
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"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s episode, I’m going to walk you through the pros and cons of traditional publishing. Here’s a preview of what you’ll hear in the episode:
[01:35] Traditional publishing refers to the established system of submitting a finished manuscript to agents with the goal of getting a book deal with one of the Big Five publishers.
[03:00] The pros of traditional publishing
[08:45] The cons of traditional publishing
[15:20] Final thoughts and episode recap
Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, we're taking a deep dive into the first chapter of Harry Potter and the Order of the Phoenix by J.K. Rowling. Join me and fellow developmental editor, Abigail Perry, as we nerd out about the fifth book in the Harry Potter series!
[03:40] A very quick summary of the first chapter
[06:25] A macro analysis of the first chapter using 7 key questions from Paula Munier's book The Writer’s Guide to Beginnings
[25:00] A micro analysis of the two scenes within the chapter using the "5 Commandments of Storytelling" from The Story Grid
[57:00] Final thoughts and episode recap
Rate + Review + Follow on Apple Podcasts
"I love the Fiction Writing Made Easy podcast!" ← If that sounds like you, please consider rating and reviewing this show! Your rating and review will help other writers find this podcast, and they're also super fun for me to go in and read. Just click here, scroll all the way to the bottom, tap five stars to rate the show, and then select "Write a Review." Be sure to let me know what your favorite part of the episode was, too!
Also, if you haven't done so already, make sure you're following the podcast! I'll be adding a bunch of bonus episodes to the feed, and if you're not following the show, there's a good chance you'll miss them. Click here to follow now!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, we're taking a deep dive into the first chapter of Harry Potter and the Goblet of Fire by J.K. Rowling. Join me and fellow developmental editor, Abigail Perry, as we nerd out about the fourth book in the Harry Potter series:
[03:05] A very quick summary of the first chapter
[05:50] A macro analysis of the first chapter using 7 key questions from Paula Munier's book The Writer’s Guide to Beginnings
[20:30] A micro analysis of the two scenes within the chapter using the "5 Commandments of Storytelling" from The Story Grid
[38:50] Final thoughts and episode recap
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Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix, and if you’re not subscribed, there’s a good chance you’ll miss out on those. So, click here to subscribe to the show on Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast, and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review,” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, I'm sharing the three contextual elements you'll want to include at the beginning of each one of your scenes. We'll also look at how these three elements show up in the opening of a scene from the novel An Ember in the Ashes by Sabaa Tahir. Here's a preview of the key points:
[03:10] Key element #1: Where and when is this scene taking place?
[04:35] Key element #2: What is your POV character's mental and emotional state?
[08:55] Key element #3: What is your POV character's goal and motivation?
[17:35] Final thoughts and episode recap
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Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix, and if you’re not subscribed, there’s a good chance you’ll miss out on those. So, click here to subscribe to the show on Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast, and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review,” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, we're going to talk about the key scenes that every crime story needs to have in order to work and to satisfy fans of the genre. Here's a preview of what's included:
[01:15] Crime stories are all about the quest to either solve or commit a crime. So, these stories start with a crime, build with an investigation (or a completion of the crime), and end with identifying and bringing the criminal to justice (or not).
[02:15] Readers choose crime fiction because they want to follow the trail of clues, make meaning of those clues, and figure out the puzzle right alongside the protagonist. They want to see the wrongs righted, and they want to see justice prevail.
[03:05] Obligatory scenes are the key events, decisions, and discoveries that move a protagonist along their journey from point A to point B. They help us writers craft a story that works AND a story that will deliver a specific emotional experience.
[04:35] Key scene #1: The protagonist discovers a crime that’s indicative of a master antagonist.
[05:55] Key scene #2: The stakes become personal to the protagonist, and they commit to figuring out what’s going on so they can bring the antagonist to justice.
[07:10] Key scene #3: The protagonist learns more about what the antagonist wants and why. This raises the stakes, and the clock starts ticking.
[08:40] Key scene #4: The protagonist reaches an all-is-lost moment where they realize they’ve come to the wrong conclusion or they’ve been pursuing the wrong person.
[10:05] Key scene #5: The protagonist exposes the true criminal in the big climactic moment and unravels all the antagonist’s motives and plans.
[11:40] Key scene #6: The protagonist brings the antagonist to justice (or not).
[12:55] Key points and episode recap.
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Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix, and if you’re not subscribed, there’s a good chance you’ll miss out on those. So, click here to subscribe to the show on Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast, and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review,” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, we're taking a deep dive into the first chapter of Harry Potter and the Prisoner of Azkaban by J.K. Rowling. Join me and fellow developmental editor, Abigail Perry, as we nerd out about the third book in the Harry Potter series:
[03:00] A very quick summary of the first chapter
[04:50] A macro analysis of the first chapter using 7 key questions from Paula Munier's book The Writer’s Guide to Beginnings
[21:00] A micro analysis of the two scenes within the chapter using the "5 Commandments of Storytelling" from The Story Grid
[40:00] Final thoughts and episode recap
Follow & Review in Apple Podcasts
Are you following my podcast? If not, I want to encourage you to do that today so that you don't miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not following the show, there’s a good chance you’ll miss out on those. So, click here to follow this show in Apple Podcasts!
If you're already a follower, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. These reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, we're taking a deep dive into the first chapter of Harry Potter and the Chamber of Secrets by J.K. Rowling. Join me and fellow developmental editor, Abigail Perry, as we nerd out about the second book in the Harry Potter series:
[03:30] A very quick summary of the first chapter
[05:30] A macro analysis of the first chapter using 7 key questions from Paula Munier's book The Writer’s Guide to Beginnings
[25:00] A micro analysis of the two scenes within the chapter using the "5 Commandments of Storytelling" from The Story Grid
[46:00] Final thoughts and episode recap
Follow & Review in Apple Podcasts
Are you following my podcast? If not, I want to encourage you to do that today so that you don't miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not following the show, there’s a good chance you’ll miss out on those. So, click here to follow this show in Apple Podcasts!
If you're already a follower, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. These reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, we're taking a deep dive into the first chapter of Harry Potter and the Sorcerer's Stone by J.K. Rowling. Join me and fellow developmental editor, Abigail Perry, as we nerd out about the first book in the Harry Potter series:
[04:30] A very quick summary of the first chapter
[07:00] A macro analysis of the first chapter using 7 key questions from Paula Munier's book The Writer’s Guide to Beginnings
[38:00] A micro analysis of the two scenes within the chapter using the "5 Commandments of Storytelling" from The Story Grid
[60:00] Final thoughts and episode recap
Follow & Review in Apple Podcasts
Are you following my podcast? If not, I want to encourage you to do that today so that you don't miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not following the show, there’s a good chance you’ll miss out on those. So, click here to follow this show in Apple Podcasts!
If you're already a follower, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. These reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, I'm sharing the 10 most common querying mistakes I see writers make and how to avoid them. Here's a preview of what you'll hear in the episode:
[02:45] Mistake #1: Your story isn't 100% ready to send out just yet.
[04:25] Mistake #2: Sending your query to the wrong person.
[06:15] Mistake #3: Not following the submission guidelines.
[08:45] Mistake #4: You forgot to include your metadata.
[09:50] Mistake #5: Your word count is too high or too low.
[11:10] Mistake #6: The genre of your story isn't clear.
[12:30] Mistake #7: The comp titles listed don't make sense.
[14:25] Mistake #8: Your story summary is too vague.
[16:35] Mistake #9: You've tried to fit too much stuff in your query.
[18:55] Mistake #10: Your query letter is unprofessional or weird.
[21:00] Final thoughts and episode recap
Follow & Review in Apple Podcasts
Are you following my podcast? If not, I want to encourage you to do that today so that you don't miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not following the show, there’s a good chance you’ll miss out on those. So, click here to follow this show in Apple Podcasts!
If you're already a follower, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. These reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today’s extra special bonus episode, I'm sharing an interview I did earlier this year with Emma Dhesi for her Be A Bestseller Summit.
We talked about genre and how your story’s genre can help you write a story that works. And specifically, we dove into the thriller genre and talked about how the key scenes and conventions of the thriller genre show up in The Silence of the Lambs.
This was such a fun event to be a part of because it’s always fun to talk about writing, but also there were 25-30 other speakers who all shared their insights, tips, and strategies on the writing, editing, and publishing process., too.
The event is officially over, but you want to watch a replay of all the interviews, you can click here to purchase an All-Access Pass. Enjoy!
Follow & Review in Apple Podcasts
Are you following my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a follower, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I'm going to walk you through the conventions of the action genre. I'm also going to show you how these conventions show up in the movie The Hunger Games. Here's a preview of what's included:
[01:25] Action stories are about life and death, and good versus evil. They’re about a character who has to rise up, overcome great obstacles, defeat forces of evil, and maybe even save the world. But that being said, these stories aren’t always about superheroes.
[02:35] Readers choose action stories to experience the excitement of the life and death stakes and situations that the protagonist is presented with. But it’s not just about that—we choose these stories because they inspire us to become the best versions of ourselves, too.
[03:35] Genre conventions are the character roles, settings, and micro-events that are specific to a genre. They’re what help us writers write a story that works AND evoke emotional reactions in our readers.
[04:50] #1 - The protagonist has a special talent or gift and the potential for heroism.
[06:55] #2 - The protagonist’s goal is to stop the antagonist and save victims.
[08:10] #3 - There are multiple lives at stake (including the protagonist’s).
[09:10] #4 - The antagonist is stronger and/or more powerful than the protagonist.
[10:25] #5 - The protagonist has a moral compass that the antagonist does not.
[11:50] #6 - There’s a speech in praise of the antagonist.
[13:00] #7 - There’s a MacGuffin (or a very specific thing the antagonist wants).
[13:50] #8 - There are sidekicks who help the protagonist save the victim/s.
[14:45] #9 - There’s at least one mentor figure who gives the protagonist guidance.
[15:25] #10 - There’s a ticking clock that puts pressure on the protagonist.
[17:05] Key points and episode recap.
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👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, I'm exploring 5 reasons why readers might stop reading a novel. Here's a preview of what you'll hear in the episode:
[01:50] Reason #1: Nothing meaningful happens in the opening pages.
[04:15] Reason #2: It’s hard to connect with the point of view characters.
[06:30] Reason #3: Readers don’t know what kind of story they’re reading.
[09:40] Reason #4: Readers have seen the same thing before.
[12:30] Reason #5: Readers don't care what happens next.
[15:45] Final thoughts and episode recap
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Are you following my podcast? If not, I want to encourage you to do that today so that you don't miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not following the show, there’s a good chance you’ll miss out on those. So, click here to follow this show in Apple Podcasts!
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In this episode, I'm sharing three tips for writing a first draft in 90 days. Here's a preview of what you'll hear in the episode:
[01:35] How one of my Notes to Novel students, Jennifer, wrote a draft in 90 days (after creating a flexible, yet very fleshed out scene-by-scene outline)
[04:35] Tip #1: Block out the time and space on your calendar so that you'll actually have the time and space to write a first draft in 90 days.
[05:25] Tip #2: Accept that your first draft will be messy, but don't let that stop you from making forward progress. Use things like "details TK" to keep moving forward.
[07:00] Tip #3: Create a scene-by-scene outline for your story so that you have a roadmap to follow each time you sit down to write.
[09:25] Final thoughts and episode recap
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Are you following my podcast? If not, I want to encourage you to do that today so that you don't miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not following the show, there’s a good chance you’ll miss out on those. So, click here to follow this show in Apple Podcasts!
If you're already a follower, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. These reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In this episode, I'm sharing two of my favorite ways to test out a story idea before you start writing a single word. Here's a preview of what you'll hear in the episode:
[01:50] The goal of these two exercises is to find out which foundational pieces of your story still need to be fleshed out. Better to find out now than halfway through a draft!
[01:10] Exercise #1: Write a 1-2 sentence summary of your story. Try to capture the WHO, the WHAT, and the WHY of your global story.
[04:45] If you don't know all the answers, look to your genre for clues! Your story's global genre will give you the framework for these summaries (and so much more).
[06:00] If an idea does fall flat in this 1-2 sentence summary, this does NOT mean the story idea isn't good. It just means there's more work to do to flesh out the foundational elements required to write a full-length story.
[06:30} Exercise #2: Write a 250-word (or less) summary of your story. Take your short summary and expand the WHO, the WHAT, and the WHY. Add details about your setting, too.
[08:00] An example of a summary from The Hunger Games by Suzanne Collins.
[11:20] Final thoughts and episode recap
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Are you following my podcast? If not, I want to encourage you to do that today so that you don't miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not following the show, there’s a good chance you’ll miss out on those. So, click here to follow this show in Apple Podcasts!
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In this episode, I'm doing my own little countdown of some of the best and most listened to clips from the Fiction Writing Made Easy podcast episodes in 2021. Here's a preview of what you'll hear in the episode:
[00:00] Tip #10: The more clear you are about your goals, the better chance of success you’ll have when it comes to accomplishing them.
[00:00] Tip #9: Knowing your story’s ideal reader can help you write, edit, publish, and market your book.
[00:00] Tip #8: Your point of view character needs to have a goal in each and every scene in your novel.
[00:00] Tip #7: Your point of view character needs to face a tough choice in every single scene.
[00:00] Tip #6: The theme of your story doesn’t have to be original!
[00:00] Tip #5: Focusing on writing solid scenes (vs. chapters) will allow you to finish your draft in the most efficient way (and become a better writer).
[00:00] Tip #4: If you’re stuck between multiple story ideas, ask yourself which one will help you become a better writer and start there.
[00:00] Tip #3: You need to understand your character’s backstory to give them meaningful conflict to face in the story present.
[00:00] Tip #2: Understanding the ins and outs of your genre is the fastest way to write a story that works.
[00:00] Tip #1: Focus on crafting a compelling story before you focus on writing beautiful words and sentences.
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Are you following my podcast? If not, I want to encourage you to do that today so that you don't miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not following the show, there’s a good chance you’ll miss out on those. So, click here to follow this show in Apple Podcasts!
If you're already a follower, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. These reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today’s episode, I'm sharing some of the lessons I learned from coaching writers this year. My hope is that these lessons will help you to keep moving forward with your work in the most efficient way possible. Here's a quick preview:
[01:15] Lesson #1: Most writers have trouble with the emotional layers of their stories. We need to properly learn how to convey our character's emotional reactions in order to successfully evoke emotions in readers.
[05:00] Lesson #2: It's not always going to be easier to write your second book than it was to write your first book. Even if you've "leveled up," you'll still need to go through the process of writing a messy first draft to discover your story. Think of it as practicing your craft.
[07:50] Lesson #3: It's important to speak up about what you want, what you think, and what's important to you--even if you're working with someone like a traditional publisher.
[10:45] Lesson #4: Most writers don't spend enough time developing their antagonist as they do their protagonist, and they should! Your antagonist provides the central conflict for your story, so they're just as important to flesh out and make three-dimensional.
[13:10] Lesson #5: It's so important to get to "The End" of your first draft because then, and only then, will you be able to see your story as a whole. The way forward will be so much easier once you see the big picture.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I'll walk you through three tips for crafting unforgettable supporting characters. Here's a preview of what's included:
[01:15] Supporting characters are any characters that are not your protagonist or your antagonist. In general, each supporting character in your story will either support or thwart your protagonist as they try to achieve their goal.
[03:10] Tip #1: Develop your supporting cast of characters just as fully as you would your protagonist and your antagonist.
[05:15] Tip #2: Let your supporting characters represent an aspect of the overarching story.
[07:15] Tip #3: Give your supporting cast of characters a hook to help them stand out.
[11:30] Key points and episode recap.
Links Mentioned in This Episode
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👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I'm going to walk you through the beats that make up the end of a story, or the final section of Blake Snyder's Save the Cat! (STC!) beat sheet so that you can efficiently outline (or write) your novel. Here's a preview of what's included:
[01:45] A recap of the last three episodes (episodes #47, #48, and #49)/
[03:15] The average novel is about 80k words, and this section (the end) is about 20k of them. If you write 1,500-word scenes, you're looking at about 14 scenes here.
[03:40] Some of the beats are single scene beats while others are multi-scene beats. I will tell you which is which!
[04:20] Beat #14 is the five part finale! And this beat is all about resolving all the problems that were raised in act one and act two. It's also about showing how much your protagonist has changed since page one.
[05:45] Five Part Finale Part 1: Gathering the Team.
[07:00] Five Part Finale Part 2: Executing the Plan.
[08:35] Five Part Finale Part 3: High Tower Surprise.
[10:15] Five Part Finale Part 4: Dig Deep Down.
[12:15] Five Part Finale Part 5: Execution of the New Plan.
[15:00] Beat #15 is the final image. And this is a single scene beat that shows how much your protagonist has changed since the opening image.
[18:25] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I'm going to walk you through the beats that make up the second half of the middle section of Blake Snyder's Save the Cat! (STC!) beat sheet so that you can efficiently outline (or write) your novel. Here's a preview of what's included:
[01:55] A recap of last week's episode that focused on the first half of the middle beats in the STC! method. Click here to listen to episode #48 first!
[03:05] The average novel is about 80k words, and this section (the middle, part two) is about 20k of them. If you write 1,500-word scenes, you're looking at about 14 scenes here.
[03:45] Some of the beats are single scene beats while others are multi-scene beats. I will tell you which is which!
[04:15] Beat #10 is the Bad Guys Close in beat, which is a multi-scene beat where the external and/or internal bad guys put pressure on your protagonist so that they're ultimately set up for change in the upcoming beats.
[09:55 Beat #11 is the All is Lost beat, which is a single scene beat and the worst moment of the story so far for your protagonist where everything feels horrible.
[24:25] Beat #12 is the Dark Night of the Soul beat which is a multi-scene beat where the protagonist evaluates, analyzes, and thinks about everything (especially whatever happened in the All is Lost moment) and has an epiphany regarding what to do next.
[19:00] Beat #13 is the Break Into Three beat which is a single scene beat where the protagonist takes their first step or action to execute their new plan.
[22:15] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I'm going to walk you through the beats that make up the first half of the middle section of Blake Snyder's Save the Cat! (STC!) beat sheet so that you can efficiently outline (or write) your novel. Here's a preview of what's included:
[01:55] A recap of last week's episode that focused on the beginning beats in the STC! method. Click here to listen to episode #47 first!
[02:30] Act two is all about your character changing. In act one, the protagonist starts out one way, then they go on a journey in act two, and come out the other side in act three a new and improved person.
[04:15] In act two, the protagonist needs to have agency over what they’re doing. They need to take active steps toward getting or accomplishing the thing they want (aka the thing they think will bring them happiness or fulfillment).
[05:00] As we go through these beats, pay attention to how they put pressure on the protagonist until he or she changes.
[05:25] The average novel is about 80k words, and this section (the middle, part one) is about 20k of them. If you write 1,500-word scenes, you're looking at about 14 scenes here.
[06:25] Some of the beats are single scene beats while others are multi-scene beats. I will tell you which is which!
[07:00] Beat #7 is the B-Story beat which is a single scene beat that introduces a new character (or characters depending on your story) who will ultimately help the hero learn the lesson of the story.
[10:30] Beat #8 is the fun and games beat which is a multi-scene beat where we see the protagonist really sinking into their new world, and they’re either loving it or they’re hating it.
[18:30] Beat #9 is the midpoint beat which is a single scene beat that ups the stakes, and this is where the protagonist starts to shift from chasing their wants to letting go of the thing they want in order to figure out what they need.
[24:45] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I'm going to walk you through the beginning beats of Blake Snyder's Save the Cat! (STC!) beat sheet so that you can efficiently outline (or write) your novel. Here's a preview of what's included:
[01:05] The STC! method highlights 15 “beats” or plot points that each has a specific purpose and serves a particular function within your global story.
[02:25] The average novel is about 80k words, and this section is about 20k of them. If you write 1,500-word scenes, you're looking at about 14 scenes here.
[03:15] Some of the beats are single scene beats while others are multi-scene beats.
[03:55] Beat #1 is the opening image which is a single scene beat that shows a “before” snapshot of the protagonist’s life and the flawed world that he or she lives in.
[06:10] Beat #2 is the theme stated which is another single scene beat where someone hints at the theme or what the protagonist will learn by the end of the story.
[08:15] Beat #3 is the setup which is a multi-scene beat where readers get to see what the protagonist’s life and world are like–flaws and all. It’s also where important supporting characters and the protagonist’s initial goal are introduced.
[011:30] Beat #4 is the catalyst which is a single scene beat where a life-changing event happens to the protagonist and catapults him or her into a new world or a new way of thinking.
[13:50] Beat #5 is the debate which is a multi-scene beat where the protagonist debates what he or she will do next. This will take up the second half of the beginning section of your story.
[16:40] Beat #6 is the break into two which is a single scene beat that acts as the bridge between act one and act two. Here, the protagonist decides to accept the call to adventure and leave their comfort zone, or adopt a new way of thinking.
[18:15] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, we're going to talk about the key scenes that every worldview story needs to have in order to work and to satisfy fans of the genre. Here's a preview of what's included:
[01:20] Worldview stories focus on a period of the main character’s life where he or she is transitioning from one significant state to another. These stories show how the external events of the plot affect a character in such a way that he or she must grow, change, and awaken to a new understanding of themselves, or the world around him or her.
[02:30] Readers choose to read worldview novels because they are super relatable. Life doesn’t always give us what we want, right? We’ve all experienced some kind of “life problem” that has forced us to stop in our tracks and re-examine who we are and what we value in order to move forward.
[03:45] Obligatory scenes are the key events, decisions, and discoveries that move a protagonist along their journey from point A to point B. They help us writers craft a story that works AND a story that will deliver a specific emotional experience.
[05:40] Key scene #1: A scene in which the protagonist's worldview is challenged.
[06:45] Key scene #2: A scene in which the protagonist commits to the wrong thing.
[07:50] Key scene #3: A scene in which the protagonist sees the truth (either part or all of it) but chooses to ignore it.
[09:00] Key scene #4: A scene in which the protagonist realizes they can't run from the truth anymore. They need to change if they want to move forward.
[10:00] Key scene #5: A scene in which the protagonist embraces the truth.
[11:00] Key scene #6: A scene in which the protagonist's loss of innocence is rewarded.
[12:25] Key points and episode recap.
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In today's episode, I'm sharing three strategies that will help you overcome imposter syndrome. Here's a preview of what's included:
[01:50] A quick story about what my two dogs, Forrest and Luna, taught me about overcoming imposter syndrome (and how you can, too).
[04:35] An example of how a client I worked with suffered from imposter syndrome for twelve years before every querying agents with her story. Spoiler alert: she's now a published author whose book is with one of the big five publishers.
[05:35] Imposter syndrome is defined as a collection of feelings of inadequacy that persist in spite of evident success. Imposters suffer from chronic self-doubt and a sense of intellectual fraudulence that override any feelings of success or external proof of their competence. Almost all writers experience these feelings of inadequacy at some point in the writing, editing, and publishing process.
[06:35] Imposter syndrome shows up differently for everyone. For one person, it might look like paralysis or the inability to move forward. For another, it might look like writer's block or even throwing in the towel and quitting altogether.
[07:15] Strategy #1 is to stop overthinking so that you can reconnect with your heart and show up as your true self. That way, you'll be better able to share your unique message with readers and connect with them on a deep level.
[9:50] Strategy #2 is to take some kind of action, no matter how big or small. This will help you move out of your head and into your heart. Not only that, but it'll also help you get your story done and out into the world.
[11:00] Strategy #3 is to stop chasing shiny objects. If you keep jumping from story idea to story idea, or from one outlining method to another, you're never going to get to the finish line. Instead, keep your head down, stay in your lane, and keep moving forward.
[16:15] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. <a href="https://podcasts.apple.com/us/podcast/fiction-writing-made-easy/id1502307717">Just click here to review</a>, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I'm going to walk you through the conventions of the performance genre. I'm also going to show you how these conventions show up in the movie The Mighty Ducks. Here's a preview of what's included:
[01:15] Performance stories center around a character who wants to achieve something specific in order to prove their worth to the world. For example, they might want to win a certain award, climb Mount Everest, be the best in their field, or be famous.
[01:55] Readers choose performance novels because they are extremely relatable. Every day we deal with the pressure to perform on the world’s stage, and we are constantly faced with decisions that could result in success or failure.
[02:55] Genre conventions are the character roles, settings, and events that are specific to a genre. They’re what help us writers write a story that works AND evoke emotional reactions in our readers.
[04:45] #1 - There is an underdog protagonist who usually has some kind of special gift.
[05:30] #2 - There's a MacGuffin or a specific thing the protagonist wants to get or achieve.
[06:30] #3 - There's a mentor figure with a little bit of baggage.
[07:45] #4 - There's a team of people who support the protagonist.
[08:40] #5 - There are trials or training sequences that help get the protagonist ready for the big event.
[09:55] #6 - The protagonist faces social problems or moral challenges (like bullying or social class divides).
[10:55] #7 - The protagonist faces a worthy opponent.
[11:30] #8 - There's a monkey wrench that gets thrown into the mix just when it seems like victory is in sight.
[12:30] #9 - There's an internal change within the protagonist.
[13:25] #10 - There's usually a bittersweet ending.
[15:10] Key points and episode recap.
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In today's episode, I'm sharing my top ten tips for writing better scenes. Here's a preview of what's included:
[01:45] Tip #1: Stick to one point-of-view character per scene. This will help you avoid head-hopping and getting off track.
[02:45] Tip #2: Establish where and when each scene is taking place as soon as possible. Especially, if things have changed since the last scene.
[03:50] Tip #3: Give your point-of-view character a specific (and meaningful) goal in each scene. What do they want? Why do they want it?
[05:30] Tip #4: Make sure each scene contains a mini-arc of change. These mini-arcs of change will add up to create your story's overarching arc.
[06:45] Tip #5: Give your point-of-view character agency in each scene. Let them make decisions and take actions that move the story forward.
[08:15] Tip #6: Show readers what your point-of-view character is thinking and feeling throughout the scene. Let readers inside your character's head!
[09:15] Tip #7: Try to advance at least one subplot per scene. This will keep things interesting for readers and help you write a cohesive story.
[10:45] Tip #8: Use the "story present" to trigger any backstory, exposition, or worldbuilding details. Don't build whole scenes just for the sake of delivering information.
[12:00] Tip #9: Only include dialogue that's relevant to what's happening in the scene. If it's not relevant, you probably don't need it. It's that simple!
[12:30] Tip #10: Make sure each of your scenes contributes to the global story both externally (the plot) and internally (your character's arc).
[14:30] Key points and episode recap.
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In today's episode, I'm going to walk you through 10 common reasons why manuscripts are rejected by publishers. Here's a preview of what's included:
[02:05] After a rejection, you don't have to wait before making your next move. You can get to work right away and figure out what’s wrong with your draft so that you can fix it and resubmit your story.
[02:25] Reason #1: The category or genre isn’t the right fit for the agent or the publisher. Usually, this means the author didn't do their research.
[03:40] Reason #2: The submission materials are full of bad mechanics (aka poor grammar and spelling) and lackluster writing.
[05:15] Reason #3: The author doesn’t know who their target audience is or, even worse, they say their story is for everyone.
[07:15] Reason #4: The story world isn’t pulling its weight, or it doesn't feel organic.
[08:300] Reason #5: The high-level story summaries are weak or all over the place.
[10:15] Reason #6: The characters aren't unique or interesting. They don't pull readers in and get them invested in the story.
[11:30] Reason #7: The author lacks a strong voice.
[12:25] Reason #8: The plot of the story is predictable or cliche. Usually, this is because your characters are flat or predictable.
[14:20] Reason #9: The theme of the story is overbearing and it reads like a lecture.
[15:40] Reason #10: The story fails to deliver a powerdul emotional experience to readers.
[17:30] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, we're going to talk about the key scenes that every action story needs to have in order to work and to satisfy fans of the genre. Here's a preview of what's included:
[01:25] Action stories are about life and death, and good versus evil. They’re about a character who has to rise up, overcome great obstacles, defeat forces of evil, and maybe even save the world. But that being said, these stories aren’t always about superheroes.
[02:35] Readers choose action stories to experience the excitement of the life and death stakes and situations that the protagonist is presented with. But it’s not just about that -- we choose these stories because they inspire us to become the best versions of ourselves, too.
[03:30] Obligatory scenes are the key events, decisions, and discoveries that move a protagonist along their journey from point A to point B. They help us writers craft a story that works AND a story that will deliver a specific emotional experience.
[05:10] Key scene #1: A scene in which there's a life-threatening attack made by the antagonist.
[06:35] Key scene #2: A scene in which the protagonist half-commits to going against the antagonist or engaging in the conflict.
[07:45] Key scene #3: A scene in which the protagonist understands what the antagonist wants (and why), and/or what the true nature or purpose of the antagonist is.
[09:05] Key scene #4: A scene in which the protagonist's initial strategy for defeating the antagonist fails and he or she reaches an all is lost moment. They must change their approach in order to survive.
[10:15] Key scene #5: A scene in which the protagonist is at the mercy of the antagonist and only one of them can win. In order to survive, the protagonist has to "unleash" their special gift, talent, or skill.
[11:45] Key scene #6: A scene in which the protagonist's sacrifice is rewarded.
[13:15] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I'm going to walk you through how to write a well-structured scene. I'll also show you how this structure shows up in a scene from Harry Potter and the Sorcerer's Stone. Here's a preview of what's included:
[02:50] A scene is a unit of story that takes place in more or less continuous space and time, features a specific cast of characters, is told from one point-of-view, and contains a value shift (or change) from beginning to end.
[04:15] The first thing you need to know about writing a well-structured scene is that every scene needs to start with the point-of-view character’s goal. So, what does this person want to achieve or accomplish or learn in this scene? What are they trying to do?
[05:00] Commandment number one is that there needs to be an inciting incident. And this is really just the first thing that gets in the way of your character accomplishing his or her goal.
[05:35] Commandment number two is that there needs to be a turning point. A turning point is a moment where the conflict reaches its peak and the character can no longer go after their scene goal in the way they had originally planned.
[06:40] Commandment number three is that there needs to be a crisis moment or a moment where your character faces a decision about how to move forward. Will they do X or Y?
[08:10] Commandment number four is that there needs to be a climax or a moment where your character acts on their choice. Did they do X or Y?
[08:45] Commandment number five is that there needs to be a resolution. So, how do they feel now that they’ve acted on their choice? How did their decision work out for them?
[10:20] An example of a well-structured scene from Harry Potter and the Sorcerer's Stone including how these five commandments show up and help create a mini-arc of change.
[13:55] Key points and episode recap.
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Are you subscribed to my podcast? If not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, we’re going to talk about why so many novels go unfinished, and what to do so that you can start finishing every project that you start. Here's a preview of what's included:
[03:20] The #1 reason why so many novels are never finished is because most writers expect to produce a first draft that’s perfect, or at least, really good -- and then, when it’s not perfect or really good, they give up on writing their story altogether.
[04:35] Trying to be a perfect writer (or even a good writer), trying to write a perfect draft (or even write a good draft), is an impossible task. It's like expecting to go through life without making any mistakes.
[05:35] Even if you outline your story in advance, or follow one of the popular plotting methods like Save the Cat or the Hero’s Journey, there’s a process of discovery that needs to happen with every story you write.
[06:45] Too many people think or hope that they can write a perfect first draft. And even worse, they believe if they don’t then that somehow means they aren’t good writers. So they expect perfection, and then the moment they hit any kind of snag, they give up because they feel disappointed in themselves and their story.
[07:45] You need to shift your mindset and allow for things to be a bit messy -- remember, they’re supposed to be. If you go into the drafting process knowing that you’re just figuring things out and that whatever you come up with WILL require revisions, it’s going to be so much easier for you to succeed.
[08:25] A lot of the writers I work with try to do too many things at once. They try to write and revise at the same time. They try to discover the story and perfect the story simultaneously. Don't do this!
[09:15] You have to get to know your story first. You have to get it all down on paper and then worry about cleaning things up later. You can do this with an outline but you still need to allow your first draft to be about getting the story down first before you go back to revise.
[10:35] It’s probably not going to feel easy at first. But every day that you can practice these mindset shifts, they’ll be more ingrained in your mind and you won’t have to think about them so much. They’ll just be a part of you and a part of how you approach the writing process.
[11:25] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I'm going to walk you through the conventions of the romance genre. I'm also going to show you how these conventions show up in the movie Twilight. Here's a preview of what's included:
[01:30] What makes the romance genre unique? In romance novels, everything centers around two characters falling in love despite the odds, and despite the risks.
[01:55] Readers choose romance novels because they want to feel all the excitement of falling in love without taking any of the emotional risks. And like all genre fiction, you have to deliver the emotional experience readers are looking for in order for your story to work.
[02:30] Genre conventions are the character roles, settings, and events that are specific to a genre. They’re what help us writers write a story that works AND evoke emotional reactions in our readers.
[04:00] #1 - There is a love triangle between two or more characters.
[05:55] #2 - There are characters who are for the relationship, and those who are against the relationship (aka "helpers" and "harmers").
[07:05] #3 - The protagonist is pursuing a specific goal that drives the story forward (usually, it has nothing to do with romance).
[08:40] #4 - There's a clear sense of masculine and feminine sensibilities (or differences in how each character approaches love).
[09:45] #5 - There's external conflict that occurs outside the protagonist (usually related to whatever goal he or she is chasing).
[11:00] #6 - There's internal conflict that occurs inside of the protagonist (like a character flaw, a fear, an outdated worldview, etc.).
[12:20] #7 - There's at least one secret.
[13:25] #8 - The couple shares intimacy rituals.
[14:25] #9 - There's an internal change in at least one of your main characters. In other words, they overcome whatever's been holding them back from true love.
[16:30] #10 - A happily ever after (HEA) ending.
[18:25] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I'm going to walk you through five questions to ask before you start writing a first draft. Here's a preview of what's included:
[01:25] The purpose of a first draft is to tell yourself the story. The purpose of a first draft is NOT to be perfect or to have everything 100% figured out.
[01:50] By doing some of the important work or heavy lifting upfront, you CAN write a stronger, more efficient first draft that feels more like a second or third draft. But to do that, you need to know the answer to five really important questions.
[03:15] Question #1: Who is this story about? Who is your protagonist?
[04:40] Question #2: What's the main genre of this story?
[06:10] Question #3: What point are you trying to make with this story?
[07:20] Question #4: Where and when does this story take place?
[08:40] Question #5: What happens in the story's plot?
[10:30] Key points and episode recap.
Subscribe & Review in Apple Podcasts
Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I'm going to cover all the different ways a book coach can help you finish your draft and become a stronger writer. Here's a preview of what's included:
[01:15] A book coach is someone who guides a writer through the entire book writing process from start to finish while giving editorial feedback, accountability, and support along the way.
[04:20] Generally speaking, you can work with a book coach any time -- that’s kind of the beauty of book coaches… they’ll dive in and meet you where you’re at. Plus, a few different scenarios in which a book coach can help you.
[06:30] Tip #1: Ask yourself what you're looking for in a coach. What kind of coaching style works best for you? Do you want to meet on the phone or communicate via email only?
[07:05] Tip #2: Decide whether expertise or experience in your genre is necessary. Make sure that the coach you're thinking about working with doesn't dislike your genre!
[07:45] Tip #3: Read their website thoroughly. Do they have any certifications or special skills that might be relevant to your story? Do they read widely in your genre? Do they have testimonials from writers they've previously worked with?
[08:35] Tip #4: See if you can get them on the phone. Just like in real life, you will probably know pretty quickly if you jive with this person or not. Trust your instincts!
[09:25] Tip #5: Ask them if they think they're the right coach for you! Many coaches will be honest about this and if they're not the best fit, they can recommend you to someone else who might be a more perfect fit for you and your story.
[10:30] Key points and episode recap.
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Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I'm going to cover three roadblocks that might be keeping you from writing. Here's a preview of what's included:
[01:45] So much of writing or editing a book has to do with managing your mind. And there’s no getting out of having to manage your mind either -- you can understand story structure, you can study all the books and take all the courses on character creation or worldbuilding or whatever, but until you understand that what you think about is going to create the emotion that either drives the action or inaction, you’re never going to take action.
[02:45] Reason #1: You're stuck doing a bunch of busywork. What does this look like? Filling out character questionnaires, spending way too much time worldbuilding, taking all the courses, reading all the books, doing all the "things" -- except writing.
[05:05] Reason #2: You're giving yourself too much time to get things done. What does this look like? You're putting in the time to “work on your novel”, what you actually produce doesn’t line up with the many hours you’ve been working.
[08:45] Reason #3: You're avoiding failure or feelings of discomfort. What does this look like? Not taking chances. Not putting yourself out there. Not finishing a draft.
[12:00] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I'm going to walk you through how to plan out your writing projects for the new year. Here's a preview of what's included:
[01:25] Creating a strategic plan is something most writers don't think about doing but it’s the kind of thing that can actually help you achieve the big goals you have like writing a novel, or submitting a short story to publishers, or whatever it is that you're hoping to do.
[02:55] Step #1: Review the last 12 months so that you can make a realistic plan for the future. What worked? What didn't work?
[05:40] Step #2: Brainstorm all the big things you want to do and then choose the 3-5 main projects you want to focus on.
[08:00] Step #3: Consider your non-negotiables. What do you need to make time for? What do you never want to do again?
[09:50] Step #4: Start mapping out how you're going to accomplish your 3-5 main goals. What are the steps? How can you break this down so that it's a more specific, actionable goal?
[14:25] Step #5: Get everything on your calendar and then do a gut check. Does your plan feel overwhelming? Or exciting?
[18:30] Key points and episode recap.
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Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today’s episode, I'm sharing some of the lessons I learned from coaching writers this year. My hope is that these lessons will help you to keep moving forward with your work in the most efficient way possible. Here's a quick preview:
[01:20] Lesson #1: It’s totally possible to write the first draft of a full-length novel in 90 days IF you do the hard work to outline and pressure test your story upfront.
[04:25] Lesson #2: It’s okay to start with the plot of your story, or the external stuff that happens, AS LONG AS you have some idea of your character’s internal arc.
[07:25] Lesson #3: If you learn how to write a scene that works, it will be MUCH easier to write a first draft that works. Plus, your writing will improve a lot, too!
[10:25] Lesson #4: It’s okay if your first draft (or even your second draft) isn’t perfect. No matter how much work you do upfront, you will NEVER have everything figured out before you start writing.
[13:05] Lesson #5: Your second draft is where the magic happens! Focus on getting the first draft done so that you can benefit from all the 'a-ha' moments and new ideas that come from getting to know your story more.
[15:15] Key points and episode recap.
Subscribe & Review in Apple Podcasts
Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
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In today's episode, I'm going to walk you through what to do with your messy first draft now that NaNoWriMo is over. Here's a preview of what's included:
[01:20] Everything we cover in today's episode can be used whether you participated in NaNoWriMo or not. All that matters is that you have a finished draft.
[02:30] Step #1: Take a break from your draft so that you can get some distance and give your imagination time to regenerate.
[03:30] Step #2: Read your draft to familiarize yourself with what you wrote and to see all of the story pieces that you have to work with. Don't make any changes yet!
[04:10] Step #3: Read your draft, again, with your editor's hat on. Focus on the big-picture elements of the story (genre, characters, structure, theme, point of view, etc.) and take notes on things you want to fix, add, delete, or change. Don’t make any changes yet, just take notes.
[09:10] Step #4: Make a plan for exactly HOW you’re going to tackle your revisions. When would you like to be done? How much time will you set aside each day/week/month to work on your revisions?
[10:20] Step #5: Get an outsider's perspective once you've done as much as you can on your own. Enlist the help of beta readers, a developmental editor, or even a book coach.
[11:30] When should you work with a professional editor or book coach? If you're just starting, or if your draft is a big mess, a book coach can help you start over from the ground up. If you have a finished draft, a developmental editor can help you figure out your next steps.
[12:55] Key points and episode recap.
Subscribe & Review in Apple Podcasts
Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, we're going to talk about the key scenes that every thriller novel needs to have in order to work and to satisfy fans of the genre. Here's a preview of what's included:
[01:18] Thrillers combine all the criminality and suspense of a good detective novel with the danger and life and death stakes from the action or horror genre. Usually, these stories center around a protagonist who's focused on stopping a future crime from happening.
[01:40] Readers choose thriller novels because they want to experience the thrill of trying to outsmart and stop the villain before he or she commits more crimes -- all from the comfort of their own homes. And like all genre fiction, you have to deliver the emotional experience readers are looking for in order for your story to work.
[02:15] Obligatory scenes are the key events, decisions, and discoveries that move a protagonist along their journey from point A to point B. They help us writers craft a story that works AND a story that will deliver a specific emotional experience.
[03:55] Key scene #1: A scene where a crime is discovered.
[04:45] Key scene #2: A scene where the stakes become personal for the protagonist and they commit to stopping the antagonist.
[05:55] Key scene #3: A scene where the protagonist learns what the antagonist wants and why. This scene helps to shift the protagonist from being reactive to proactive and helps them recommit to stopping the antagonist.
[06:55] Key scene #4: A scene where the protagonist learns or does something that sets them up to be the antagonist’s final victim.
[7:55] Key scene #5: A scene where the protagonist is at the mercy of the antagonist.
[8:45] Key scene #6: A scene where readers learn whether justice prevailed or not.
[9:45] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, we’re going to talk through four reasons why you should have a target word count for your story. Here's a preview of what's included:
[01:50] Generally speaking, a novel is defined as any story over 40,000 words. But, the average novel is usually somewhere around 80,000-100,000 words.
[02:05] Technically there’s no maximum length for a novel, but there are guidelines you can follow to determine whether your story is the appropriate length, or too long. These guidelines are determined by the genre and the target age range you’re writing for so, it’s always a good idea to know what your genre is and what age range you’re writing for before you land on a target word count.
[03:15] Reason #1: Having a target word count can help you make a realistic writing schedule. You can break your target word count into smaller pieces and then estimate the time it will take to finish those pieces.
[05:15] Reason #2: Having a target word count can help you outline your story. You can break down your target word count into the number of words within each act, the approximate number of scenes within each act, and more.
[07:05] Reason #3: Having a target word count will help you edit your work. And that's because you can use your target word count to figure out approximately how many words you'll need to cut or add. From there, you can make a more realistic plan for editing your draft.
[08:15] Reason #4: Having a target word count will help you when it comes time to publish. If you're planning to traditionally publish, being within your genre's average word count could be the difference between your manuscript being read or not. If you're going the self-publishing route, you'll want to keep story length in mind so that you can budget properly and meet reader's expectations.
[10:00] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I'm going to walk you through the conventions of the horror genre. I'm also going to show you how these conventions show up in the movie Halloween. Here's a preview of what's included:
[01:25] What makes the horror genre unique? In horror novels, bad things happen to good people. There are life and death stakes, a monster intent on death and destruction, claustrophobic settings, and a major fight for survival.
[02:35] Readers choose horror novels because they want to feel the thrill and the terror of being in a life and death situation without actually being in danger in real life. And like all genre fiction, you have to deliver the emotional experience readers are looking for in order for your story to work.
[03:15] Genre conventions are the character roles, settings, and events that are specific to a genre. They’re what help us writers write a story that works AND evoke emotional reactions in our readers.
[04:40] #1 - A monster (or antagonist) that can't be reasoned with.
[05:50] #2 - The monster (or antagonist) is VERY strong or powerful.
[06:50] #3 - There’s some kind of sin or past mistake that the protagonist (or the world) is being punished for.
[08:00] #4 - The settings feel very claustrophobic.
[08:45] #5 - There are multiple lives at stake (including your protagonist's).
[09:25] #6 - The monster(or antagonist) stays hidden as long as possible.
[10:30] #7 - There’s at least one shapeshifter character.
[11:00] #8 - A ticking clock or some kind of deadline by which the protagonist has to stop the monster (or antagonist).
[11:45] #9 - A speech in praise of the monster (or antagonist).
[13:10] #10 - A false ending (and a sense that evil still lurks).
[15:35] Key points and episode recap.
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In today's episode, we’re going to talk about how to mislead and surprise your readers using red herrings. Here's a preview of what's included:
[01:20] A red herring is anything that distracts readers and/or your characters from an important truth. Red herrings can also lead readers and/or your character to mistakenly expect one particular outcome over another.
[02:00] Red herrings are a type of foreshadowing. The term "foreshadowing:" encompasses all the different ways that an author can give readers hints or clues about what’s coming.
[02:10] Red herrings can be used in any genre. If your story has any kind of plot twist or surprise ending, you can use red herrings to distract the reader (or your characters) from the truth of what’s actually happening. Different genres change how the reader will view and respond to the red herrings in your story.
[03:10] I walk you through an example of how red herrings are used in Harry Potter and the Prisoner of Azkaban. This is one of my favorite examples of red herrings!
[06:15] Tip #1: Incorporate red herrings into the fabric of your story so that it feels like an organic part of the plot and not something random to create tension or conflict.
[07:20] Tip #2: Give your innocent characters motivation, means, and opportunity to have committed the crime.
[07:55] Tip #3: Give the reader no (obvious) reason to suspect your guilty character.
[09:00] Tip #4: Focus the reader’s attention elsewhere when you plant "true" clues.
[10:00] Tip #5: Always play fair with the reader. Don't mess with readers by withholding important information that should have been given upfront.
[11:35] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, we're going to talk about the key scenes that every performance story needs to have in order to work and to satisfy fans of the genre. Here's a preview of what's included:
[01:30] Performance stories center around a character who wants to achieve something specific in order to prove their worth to the world. For example, they might want to win a certain award, climb Mount Everest, be the best in their field, or be famous.
[02:25] Readers choose performance novels because they are extremely relatable. Every day we deal with the pressure to perform on the world’s stage, and we are constantly faced with decisions that could result in success or failure.
[03:00] Obligatory scenes are the key events, decisions, and discoveries that move a protagonist along their journey from point A to point B. They help us writers craft a story that works AND a story that will deliver a specific emotional experience.
[04:35] Key scene #1: A scene where your protagonist faces some kind of challenge or opportunity to perform.
[05:45] Key scene #2: A scene where your protagonist’s initial plan for achieving his or her goal (or gaining some kind of external validation) fails.
[06:45] Key scene #3: A scene where your protagonist commits to a specific “big event” which could be a fight, a play, a tournament, a recital, a solo performance, or anything like that.
[08:15] Key scene #4: A scene where your protagonist suffers some kind of defeat and realizes he or she must change their approach in order to succeed. Is the external validation still worth it?
[09:30] Key scene #5: A scene where your protagonist participates in the big event and either wins or loses.
[10:25] Key scene #6: A scene where your protagonist is rewarded (usually on multiple levels) whether they’ve won or lost.
[11:45] Key points and episode recap.
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In today's episode, we’re going to talk about crafting a great inciting incident for your story. I'm also going to show you how the global inciting incident looks different across the content genres. Here's a preview of what's included:
[01:45] The inciting incident is an event that occurs and upsets the balance of your protagonist’s life. Life can't continue on in the same way now.
[02:00] The inciting incident is also what sets your story in motion and gives rise to your protagonist’s overarching story goal. In this way, it gives rise to a specific question in your reader’s minds that they won’t find the answer to until the very end at your story’s climax.
[03:05] The inciting incident is also what puts the protagonist and the antagonist at odds with each other. The protagonist wants one thing, the antagonist wants another thing.
[03:45] The inciting incident of your global story should occur somewhere around the 12% mark or about halfway through your first act.
[05:10] The three types of inciting incidents: the causal inciting incident, the coincidental inciting incident, and the ambiguous inciting incident (plus examples).
[07:20] The inciting incident of your story is genre-specific. In other words, the inciting incident of your global story will most likely be determined by the genre you’re writing in.
[13:15] An example of the global inciting incident in The Hunger Games.
[14:00] An example of the global inciting incident in Harry Potter and the Sorcerer's Stone.
[15:35] Key points and episode recap.
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Are you subscribed to my podcast? If not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's extra special bonus episode, I'm sharing my interview with Dr. Susan Hickman from the Conquering the Writing Blues Summit I took part in earlier this year. Here's a quick preview of what's included:
[02:50] What does a developmental editor do? Plus how and why I became a developmental editor and book coach.
[06:25] My take on plotting versus pantsing -- is one of them the “right way” to write?
[10:00] What does a book coach do? Plus, why book coaching is having a “moment” with the increase in self-publishing.
[12:45] Why don’t more writers choose to work with book coaches or editors?
[15:35] How to stay motivated (aka how keeping the impact that your story will have on others in mind can help fuel your writing).
[19:10] The two main areas where writers go wrong (and what to do instead).
[20:30] How I help writers who are overwhelmed and confused with all the plotting methods out there. What do you do first, second, and third?
[23:45] Why the belief that “you either have what it takes or you don’t” is not true. Plus, why there’s room for every style of writing -- each style has value and will resonate with a particular group of people.
[27:25] What to do when you get bogged down in perfectionism. Plus, 5 questions to ask yourself about your story to make sure you’re headed in the right direction.
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Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I'm going to walk you through the conventions of the worldview genre. I'm also going to show you how these conventions show up in the movie The Perks of Being a Wallflower. Here's a preview of what's included:
[01:45] Worldview stories focus on a period of the main character’s life where he or she is transitioning from one significant state to another. These stories show how the external events of the plot affect a character in such a way that he or she must grow, change, and awaken to a new understanding of themselves, or the world around him or her.
[02:55] Readers choose worldview novels because they are super relatable! They give readers a sense of relief, satisfaction, and maybe even hope that they, too, can survive whatever roadblocks or challenges are appearing in their own lives.
[04:30] Genre conventions are the character roles, settings, and events that are specific to a genre. They’re what help us writers write a story that works AND evoke emotional reactions in our readers.
[06:15] #1 - A mentor that can guide and support your protagonist.
[06:55] #2 - An outdated worldview or some kind of false belief that your protagonist must overcome by the end fo the story.
[07:55] #3 - Social problems or moral challenges for your protagonist to face (ideally, one that relates to your protagonist's outdated worldview).
[09:05] #4 - At least one shapeshifter who says one thing and does another.
[10:15] #5 - An internal change within your protagonist.
[11:35] #6 - Some kind of confrontation with the adult world that helps your protagonist grow and change.
[12:40] #7 - An emphasis on friendship.
[13:45] #8 - External pressure from your protagonist's friends, family, or society to be a certain way.
[15:15] #9 - Secrets.
[16:05] #10 - A bittersweet ending.
[18:10] Key points and episode recap.
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Links mentioned in this episode:
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In today's episode, I'm going to walk you through ten steps to get ready for NaNoWriMo. Here's a preview of what's included:
[03:40] Step 1: Choose one story idea to work on during NaNoWriMo.
[04:40] Step 2: Test out (or flesh out) your story idea by writing a 1-2 sentence logline and a 250-word elevator pitch for your story.
[00:00] Step #3: Choose your story's main genre so that you have a blueprint for writing a story that works.
[07:40] Step #4: Uncover your story's theme so that you know what point you're trying to make with your story.
[08:30] Step #5: Get to know your protagonist. What does he or she want? Why does he or she want that?
[09:50] Step #6: Choose your point-of-view and tense.
[10:55] Step #7: Develop your story's setting. Where and when does your story take place?
[12:00] Step #8: Write a 1-3 page synopsis of your story.
[13:45] Step #9: Create your big picture outline by breaking the goal of 50,000 words into three smaller parts.
[15:15] Step #10: Brainstorm your story's key moments within each act.
[20:30] Key points and episode recap.
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Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, we're going to talk about the key scenes that every romance novel needs to have in order to work and to satisfy fans of the genre. Here's a preview of what's included:
[01:45] Romance novels center around two individuals falling in love despite the odds, despite the risks, and despite the opposing forces in their life. These stories usually end in "happily ever after," or at the very least, "happily for now."
[02:15] Readers choose romance novels because they want to experience all the butterflies and excitement of falling in love without the risks. They want to see love win.
[03:00] Obligatory scenes are the key events, decisions, and discoveries that move a protagonist along their journey from point A to point B. They help us writers craft a story that works AND a story that will deliver a specific emotional experience.
[04:30] Key scene #1: A scene where your characters meet or first appear on the page together. This is the global inciting incident of your story.
[05:20] Key scene #2: A scene where your characters share their first kiss or their first intimate moment. The specifics of this scene will depend on the heat level of your story.
[06:25] Key scene #3: A scene where one character confesses their feelings for the other character. It's now clear that things are no longer platonic for at least one character.
[07:45] Key scene #4: A scene where your characters break up or separate temporarily so that they can go off and learn the lesson of the story.
[09:25] Key scene #5: A scene where one or both of your characters proves their love by sacrificing something for the other character.
[11:25] Key scene #6: A scene where the lovers reunite and come back together. Plus, a glimpse at what "happily ever after" looks like.
[12:55] Key points and episode recap.
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In today’s episode, I’m going to walk you through my five-step process for evaluating the conflict in your novel. Here's a preview of what's included:
[01:20] Progressive complications are moments of conflict that gets harder and harder to deal with overtime. To learn more about writing good conflict, check out last week's episode (episode #21).
[02:30] Step 1: Identify what your POV character wants and how they plan to get it. You’ll also want to have a good understanding of what your character expects to happen. So, do they expect to succeed? Do they expect things to be difficult?
[03:30] Step 2: List everything that gets in your character’s way as they pursue their goal. And remember, these complications can be positive or negative. It’s just whatever gets in your character’s way as they go after their goal.
[04:45] Step 3: Rank your list of complications to see if they escalate properly or not.
[06:10] Step 4: Identify the turning point -- or the moment things change. Ask yourself how you feel about the change that occurs and determine whether it’s impactful or not.
[07:50] Step 5: Consider how the scene (or whatever you’re analyzing) affects the global story. So, if you’re analyzing a scene, how does this scene contribute to the global story? How does it move the story forward?
[08:45] An example of this type of analysis using a scene from the movie Harry Potter and the Goblet of Fire. Plus, how this seemingly insignificant scene is a set up for a lot of important stuff that happens later in the story.
[14:15] Key points and episode recap.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, we're going to talk about writing better conflict in your novel using "progressive complications." Here's a preview of what's included:
[01:20] Progressive complications are moments of conflict that get more and more challenging to deal with over time. These complications can be people, places, things, or events, and they can be negative or positive.
[02:10] Stories exist because of conflict. If there was no conflict, you'd have nothing to write about.
[02:30] Progressive complications can help you build tension in the reader and keep them on the edge of their seats.
[03:05] Progressive complications can help you give the reader insight into who your character is AND how they change over time.
[04:05] Each complication needs to relate to the POV character’s goal. If it doesn’t, you risk writing a story that doesn’t feel cohesive and you risk confusing the reader, too.
[05:15] Each complication needs to be more difficult to deal with than the last complication. Otherwise, the tension in your story won’t build properly and you’ll likely lose the reader’s interest.
[07:05] Each complication needs to require more effort from your character. This is the key way you’ll be able to show that your character is growing and changing into someone that’s capable of handling the upcoming global climax.
[08:40] Each complication needs to be unique and "complex." This not only helps you write an interesting story, but it helps keep the story feeling fresh for the reader, too.
[10:30] Each complication needs to build to a turning point when things change for better or for worse. This is what helps you create that sense of change within a scene or within your global story.
[12:45] Key points and episode recap.
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Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I'm sharing my five favorite strategies for getting unstuck while writing. Here's a preview of what's included:
[01:30] If you need help pushing past the first few pages of your novel, I have a brand new workshop just for you! It's called How to Hook Readers in Your First Five Pages. Click here to learn more about the workshop or to enroll for $47.
[02:00] Strategy #1: Zoom out and look at the big picture of your story before making any micro-level changes. Answer these three questions: What's your story's main genre? What does your protagonist want and need? What's the theme of your story?
[05:25] Strategy #2: Look at the obligatory scenes and conventions of your genre for inspiration and guidance. These will help you flesh out your story and make sure it’s well structured.
[07:20] Strategy #3: Consider what kind of subplots you already have in your story and/or what kind of subplots you might want to add in. Use the obligatory scenes and conventions of your subgenre to flesh these out.
[08:35] Strategy #4:Create a flexible outline for your story that you can use as a place to explore new ideas or to capture changes you want to make to scenes you’ve already written. Update it as you go.
[10:25] Strategy #5: Evaluate the narrative drive in your existing scenes. Does each scene lead into or cause the next scene to happen in a logical way?
[12:00] Key points and episode recap.
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Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I'm going to walk you through the conventions of the thriller genre. I'm also going to show you how these conventions show up in the movie The Silence of the Lambs. Here's a preview of what's included:
[01:25] Thrillers combine all the criminality and suspense of a good mystery novel with the life and death stakes of an action or horror story.
[01:50] Readers choose thriller novels because they want to experience the thrill of trying to outsmart and stop the villain before he or she commits more crimes.
[02:30] Genre conventions are the character roles, settings, and events that are specific to a genre. They’re what help us writers write a story that works AND evoke emotional reactions in our readers.
[04:05] #1 - A crime that indicates that there's a master villain or a master antagonist on the loose.
[05:00] #2 - A victim (or victims) on the receiving end of the crime.
[05:35] #3 - A master villain or a master antagonist who is intent on annihilation or devastation or gaining power at the expense of others.
[06:35] #4 - True clues and red herrings for the protagonist to follow.
[07:25] #5 - A speech in praise of the villain.
[08:55] #6 - A MacGuffin (or the specific thing the antagonist wants).
[09:40] #7 - A shapeshifter who says one thing and does another.
[10:15] #8 - A ticking clock that puts some kind of deadline on the amount of time the protagonist has to defeat the antagonist.
[10:40] #9 - Multiple lives at stake including the victim's life and your protagonist's life (and maybe others, too).
[12:00] #10 - A false ending before the final conflict between protagonist and antagonist.
[14:00] Key points and episode recap.
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In today's episode, I'm going to talk about the five most common mistakes I see writers make in their opening pages. Here's a preview of what's included:
[01:00] Details about my brand new workshop called “How to Hook Readers in Your First 5 Pages.” In this workshop, I'll walk you through the five key elements that you need to include in your first five pages AND I’ll show you how these five key elements manifest in the first five pages of The Hunger Games. If you want to sign up, or if you want to learn more about this workshop, head over to savannahgilbo.com/pages.
[01:45] The first reason your opening pages are so important is that we only have a very small window to catch a reader’s attention and make them want to find out how the story’s going to play out. And if we don’t catch their attention in the first three to five pages, they’re probably not going to keep reading the rest of the story.
[01:55] The second reason your opening pages are so important is that editors, agents, and publishers will use these pages to get an overall sense of your story and your writing skill. And if those pages don’t grab their attention, they know the book isn’t likely to grab the reader's attention either.
[02:30] Mistake #1: There's not enough big picture context and readers feel lost or confused.
[03:30] Mistake #2: The protagonist is introduced too late -- or the story starts with a character who isn't the protagonist.
[04:35] Mistake #3: There's a lot of action happening but it's all just objectively dramatic and doesn't really mean anything.
[06:10] Mistake #4: There's too much info-dumping of backstory or worldbuilding details.
[07:15] Mistake #5: There's nothing at stake -- or there is something at stake but doesn't really matter in terms of the big picture story.
[09:10] Key points and episode recap.
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In today's episode, we're going to talk about the key scenes that every horror novel needs to have in order to work and to satisfy fans of the genre. Here's a preview of what's included:
[01:10] In horror novels, bad things happen to good people. There are life and death stakes, a monster intent on death and destruction, claustrophobic settings, and a major fight for survival.
[02:25] Readers choose horror novels because they want to feel the thrill and the terror of being in a life and death situation without actually being in danger in real life. And like all genre fiction, you have to deliver the emotional experience readers are looking for in order for your story to work.
[03:05] Obligatory scenes are the key events, decisions, and discoveries that move a protagonist along their journey from point A to point B. They help us writers craft a story that works AND a story that will deliver a specific emotional experience.
[04:55] Key scene #1: A scene that includes a threat from, or an attack by, the monster (or antagonist). This is the global inciting incident of your story.
[06:00] Key scene #2: A scene where the protagonist ignores a crucial warning and consequently ends up on a path that's headed directly toward the monster. This usually occurs near the end of act one.
[07:20] Key scene #3: A scene where your protagonist understands the true nature of the monster (or antagonist) and realizes what he or she is up against. This usually happens around the midpoint of a novel, or in the middle of act two.
[08:50] Key scene #4: A scene where your protagonist learns, does, or realizes something that sets themselves up to be the monster’s final victim. This usually occurs near the end of act two.
[10:05] Key scene #5: A scene where your protagonist is at the mercy of the monster. This is the moment readers have been waiting for since page one.
[11:47] Key scene #6: A scene where readers learn whether the protagonist survives the confrontation with the monster (or not). Plus, a sense that "evil still lurks."
[13:45] Key points and episode recap.
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In today's episode, I'm going to walk you through the difference between genre conventions and tropes. Here's a preview of what's included:
[01:28] Genre conventions are story elements such as character archetypes, key events, and settings that are commonly found in a specific genre. These conventions define each specific genre and readers' expectations of a story in that genre.
[03:10] Tropes are a specific way of delivering those genre conventions or obligatory scenes in your novel. They are subjective interpretations of a genre convention.
[04:35] Genre conventions usually have an objective reason WHY they exist in a story while tropes usually do not. Genre conventions need to be met in order for your story to work and to satisfy readers' expectations. The way you deliver those conventions, or the tropes you choose to use, is totally up to you.
[05:45] Some examples of tropes vs. conventions including the "Chosen One" vs. the Dark Lord, a love triangle that includes a "good guy" vs. a "bad guy."
[07:25] Common mistake #1: Ignoring genre conventions because they think all conventions are tropes, and all tropes are predictable or cliche. This isn't true! Genre conventions help us write a story that works and that satisfies readers.
[09:35] Common mistake #2: Including a bunch of tropes in their story without any kind of real purpose. As a general rule of thumb, always ask WHY something needs to be in your book. If you can't think of one, it probably doesn't belong.
[11:00] Common mistake #3: Following every single rule in every single book. Instead, pick one method or one set of "rules" and focus on getting your draft finished. Once it's finished, you can go back through it and start to shape it into a story that works.
[13:15] Do you really have to include all the obligatory scenes and conventions of your genre in your story? Nope. It's your story, you can do whatever you want. But, if you choose to veer away from the guidelines of your genre, you'll also want to readjust your expectations and your goals. Publishers probably won't pick up your book if you don't adhere to the genre guidelines.
[15:05] Key points and episode recap.
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In today's episode, I'm going to walk you through how to figure out the big-picture shape of your story. Here's a preview of what's included:
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[02:45] Each genre asks a specific story question. For example, in an action story, the central story question is some version of, "Will the protagonist defeat the antagonist and survive the encounter?" (This article has the start and end points by genre)
[03:45] The central story question helps you create a framework for your story. That's because these two "ask and answer questions" become the global inciting incident and the global climax of your story.
[04:00] The global inciting incident is a scene that raises the central story question in the readers's mind. It's the question that the whole story will work to answer.
[05:55] The global climax is a scene that answers the central story question. It's what helps you deliver a satisfying emotional experience to the reader.
[07:15] If you're writing an action story... the global inciting incident is usually some kind of threat or attack from the antagonist. These stories end with the protagonist defeating the antagonist (or not).
[08:20] If you're writing a romance... the global inciting incident is usually the first time the lovers meet or appear on the page together. These stories end with these two individuals either committing to a romantic relationship (or not).
[09:25] If you're writing a mystery... the global inciting incident is usually the discovery of some kind of murder or crime. These stories end with revealing the identity of the murder/criminal and bringing them to justice (or not).
[10:35] If you're writing a worldview (or coming of age) story... the global inciting incident is usually a challenge to the protagonist's black and white worldview. These stories end with the protagonist maturing or staying stuck.
[12:15] If you're writing a story with both an external and an internal genre, you can identify these key moments to create a story that feels like a cohesive whole AND a story that has more impact.
[13:25] Key points and a quick recap of the episode.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is or what you'd like to see on a future episode. Thanks in advance!
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In today's episode, I'm going to walk you through my top three tips for weaving your character's backstory into your novel in a way that engages the reader without bogging them down. Here's a preview of what's included:
[01:20] What is character backstory? Character backstory is everything that has ever happened in your character's life that has helped to influence and shape who they are today, in the "story present."
[02:20] The biggest mistake writers make when it comes to handling a character's backstory in their novel is they give too much information too soon -- or too much information at the wrong time in the story.
[03:20] When you start a story with too much backstory or exposition, it's really hard for a reader to engage in the story and feel that "tug" to turn the page to find out what's going to happen next.
[05:00] Tip #1: Only include backstory where it's relevant to what's happening in the story present. Backstory should always be "triggered" by something that's happening in the present moment of a scene.
[06:00] Tip #2: Avoid info-dumping at all costs. Info-dumping is when a writer dumps a ton of information on the reader at one time. Instead, readers should only know what they need to know at the present moment.
[07:00] Tip #3: Always show how the piece backstory you include affects the point-of-view character. If you stop the forward momentum of the story to include a piece of backstory, make sure you show the reader why it's important and how it impacts the present-day scene or situation your character is in.
[08:00] A quick example of backstory done well from Chapter 7 of Harry Potter and the Sorcerer's Stone that hits on the above tips.
[09:45] Recommended exercise: Grab one of your favorite books, pick a random page, and see if you can identify bits of backstory that has been woven into the story present.
[10:30] How do you know if the backstory you've already written works? How do you know if it's too much or if it's in the wrong place? Here's a quick process for analyzing the backstory in your draft.
[12:25] Key points and a quick recap of the episode.
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In today's episode, I'm continuing last week's discussion on narrative drive or that "thing" that hooks a reader's interest and pulls them through the story. Here's a preview of what's included:
[01:10] What is narrative drive? Why should writers care? (Check out last week's episode for some tips on creating narrative drive in your story).
[01:20] A story with "broken" narrative drive feels like it's going nowhere.
[02:00 ] Mistake #1: Putting in too much exposition or backstory or worldbuilding details in a scene at once.
[03:00] Mistake #2: There's no sense of cause and effect. In other words, each scene doesn't lead into the next (and what to do instead).
[4:00] Mistake #3: Using false mystery to tease readers (and how to avoid doing this).
[04:45] Mistake #4: Relying on cheap surprise to thrill or scare readers (and what to do instead).
[05:40] Mistake #5: Solving plot problems with coincidences.
[06:45] What should you do if you make some of these mistakes in your WIP?
[07:30] 10 Questions that can help you fix broken narrative drive in your story (plus where you can go to download a worksheet with these questions!).
[11:05] Key points and a quick recap of the episode.
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In today's episode, I'm exploring narrative drive or that "thing" that hooks a reader's interest and pulls them through the story. Here's a preview of what's included:
[01:25] What is narrative drive? Here's a quick definition.
[01:35] According to Robert McKee, narrative drive is sustained when a story plays on two primary needs within the reader -- an intellectual need (curiosity) and an emotional need (concern).
[01:50] Curiosity is the intellectual need to find answers to questions.
[02:20] Concern is the emotional need to experience positive outcomes.
[04:00] A quick overview of the 3 methods for evoking curiosity and/or concern in readers.
[04:50] Method #1: Mystery evokes mostly curiosity because the reader has LESS information than the characters.
[06:00] Method #2: Dramatic Irony evokes mostly concern because the reader has MORE information than the characters.
[06:40] Method #3: Suspense evokes both curiosity and concern because the reader has THE SAME information as the characters.
[07:25] How does this help you write a story?
[9:15] Key points and a quick recap of the episode.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I'm sharing my top 10 tips for writing better, more compelling love triangles. Here's a preview of what's included:
[01:30] A love triangle is a relationship that takes place between three or more characters. Character A has to choose between character B and character C.
[01:50] Three examples of popular love triangles from Pride and Prejudice, Twilight, and The Hunger Games.
[02:15] Tip #1: Fully develop all three characters involved in the love triangle.
[03:10] Tip #2: Make both suitors a believable and viable choice for the protagonist.
[04:15] Tip #3: Don’t drag out your protagonist's decision or go back and forth between the suitors too much.
[05:10] Tip #4: Have your protagonist actively choose one of the suitors to be with.
[06:05] Tip #5: Give insight into who your protagonist is with the choice they make.
[07:15] Tip #6: Don't feel like both relationships don’t have to start at the same time as the only way to achieve tension in your story.
[08:35] Tip #7: Establish what’s at stake for your protagonist if they choose one suitor over the other.
[09:40] Tip #8: Don’t neglect the rest of the story for the sake of your love triangle.
[10:55] Tip #9: Have a solid reason for including a love triangle in your story.
[11:40] Tip #10: Explore both internal and external conflict with your love triangle.
[12:50] Key points and a quick recap of the episode.
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In today's episode, I'm going to show you how to create unique and memorable characters using "hooks." Here's a preview of what's included:
[01:15] What are character hooks? How do they help readers?
[02:25] Hook #1: Give your character a unique accent or way of speaking.
[03:20] Hook #2: Give your character an identifiable physical feature.
[04:25] Hook #3: Give your character their own body language.
[05:25] Hook #4: Give your character a human or an animal counterpart.
[06:20] Hook #5: Give your character a unique personality.
[07:35] Hook #6: Give your character both strengths and weaknesses.
[08:40] Hook #7: Give your character a specific role in the story.
[09:45] Hook #8: Give your character a connection to some group or family.
[10:55] Hook #9: Give your character a default emotional state.
[12:00] Hook #10: Give your character a part to play in concealing clues.
[13:00] How do you incorporate these types of character hooks into your own story?
[14:50] Key points and a quick recap of the episode.
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In today's episode, we're going to talk about value shifts. Specifically, how understanding the concept of value shifts can help you write an edit a story that works. Here's a preview:
[01:10] What are value shifts and why do I need to care about them?
[01:40] What does it mean to create a mini-arc of change in each scene?
[02:10] How value shifts can help you create a better story outline and write impactful scenes that work.
[03:50] Each genre has a core value at stake. For example, in a romance novel, the main value at stake is love. The protagonist stands to lose or gain love.
[04:50] What should you do once you know the main value at stake in your story?
[05:50] How to turn a low impact scene into a meaningful scene that works.
[06:40] You can also think of story values as mini-answers to your central story question. For example, will Katniss survive the Hunger Games or not?
[07:00] What to do if you can't figure out the exact value that will change in a scene.
[07:50] How value shifts can help you weed out unproductive scenes and/or turn them into scenes that impact your global story.
[08:30] Next level value shifts. How to weave internal changes with external changes to create a compelling story that keeps readers turning page after page.
[12:00] Key points and a quick recap of the episode.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In today's episode, I share the 7 secrets to success that every writer should know. These 7 secrets will help you accomplish your goals, become a better writer, and live a writing life you love. Here's a preview:
[02:00] Secret #1: Courage. Have the courage to take action even when you're not sure where your story is going or what the next step in the process is.
[03:45] Secret #2: Confidence. Confidence is something that anyone can develop. Until you develop confidence in your skills, have confidence in that little voice inside of you that says "I was meant to be a writer" and let it fuel you.
[05:06] Secret #3: Clarity. Get clear on your goals. What exactly are you trying to accomplish? How exactly will you accomplish it? Why is this goal important to you?
[08:00] Secret #4: Consistency. Create a consistent writing habit that works for you. Can you show up every day? Once a week? Twice a month? Consistently taking action is what's going to lead to confidence and what will help you accomplish your goals.
[08:50] Secret #5: Continuing Education. Continue to educate yourself on the craft of writing. Take online classes, read books and blogs, listen to a podcast, or work with a book coach. Anyone can write a book if they have the right tools and strategies, and put in the time to do the work.
[10:40] Secret #6: Community. Find a community of like-minded individuals who share the same goals you have. Not only will you find friendship and support, but you'll become a better writer, too. Plus, it's a great way to find beta readers if you're at that stage of the process.
[12:00] Secret #7: Commitment. Commit to your writing practice and to getting better over time. Put in the work to constantly evolve yourself and your skills. These seven secrets to success will help you learn and constantly evolve as a writer.
[13:30] Key points and a recap of the episode.
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If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
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In this episode, I'll walk you through five questions that will help you write compelling characters. I highly recommend using these questions to flesh out both your protagonist AND your antagonist, but you can also use these questions to help you develop your secondary characters, too. Here's a preview of what we'll cover:
[01:45] Question 1: What does your character want? Your character's goal will help you shape the external plot of your story as well as each of your story's scenes.
[05:00] Question 2: Why does your character want to achieve this goal? Your character's motivation needs to be strong enough to push them through the story without allowing them to give up.
[06:55] Question 3: What's standing in his or her way externally? What's the external conflict? This is essentially the antagonist or the antagonistic force in your story.
[8:20] Question 4: What's standing in his or her way internally? What's the internal conflict? This is essentially any inner demons, fears, or an outdated worldview that your character needs to overcome in order to succeed in accomplishing their goal.
[10:30] Question 5: What's at stake if they fail to accomplish their goal? In other words, what are the consequences for your protagonist if they fail?
[12:30] Key points and episode recap.
[14:00] How many characters should you answer these questions for?
[14:45] Bonus exercise: Grab your favorite book and see if you can answer these five questions for the protagonist. Were the answers easy to identify?
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Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I'm going to give you three reasons why you should write your draft in scenes instead of chapters. Here's a preview of what we'll cover:
[01:20] The difference between scenes and chapters and how they each play a different role in your story's pacing.
[02:45] 3 reasons why you should write in scenes instead of chapters:
[02:55] Reason #1: It's easier to plan out your first draft because you can break down your total target word count into a target number of scenes that's appropriate for your story's genre.
[05:00] Reason #2: It's easier to write a stronger more cohesive first draft because you'll be more focused on writing well-structured versus spinning your wheels over the perfect chapter beginning.
[07:30] Reason #3: It's easier to edit your draft because when you look at each scene in isolation, you're more likely to spot things that don't belong in your story.
[09:15] The best time to worry about chapter breaks is when you are confident that you have a first draft that works.
[09:25] Key points and a recap of the episode.
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Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's episode, I'll walk you through three different ways to figure out the theme of your story. Here's a preview of what we'll cover:
Subscribe & Review in Apple Podcasts
Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In today's extra special bonus episode, I'm going to answer some questions from you guys! Here's a quick overview of what we talk about in this episode:
[01:30] Joe Larkin asks, "Do you have a general rule of thumb for how long a scene should be?"
[02:45] Margo Geary asks, "Your job sounds really awesome! How do you become an editor or book coach?"
[04:45] Julia Pentrose asks, "I get why info-dumping isn't a good idea, but how do you get your character's backstory or worldbuilding details in your story without info-dumping? Isn't that stuff important to show the reader?"
[08:15] Karen Stroud asks, "I've heard that head-hopping is bad, but can you explain what head-hopping is and why exactly is it bad?"
[12:00] James K. asks, "I read your blog post on creating an Ideal Reader Profile for your story and I have a question. What happens if you end up with an unplanned subplot or if your story takes a dif turn than what you were planning and you realize now that your ideal reader doesn't align with the direction your story has taken?"
Subscribe & Review in Apple Podcasts
Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance!
Links Mentioned in this Episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, we're going to talk about your story's ideal reader -- or the one person who is going to love your book just as much as you do. Here's a quick overview of what we talk about in this episode:
Subscribe & Review in Apple Podcasts
Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance--I really appreciate it!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, we're going to talk about the biggest myth that holds writers back and what to do about it if you're falling prey to this myth. Here's a quick overview of what we talk about in this episode:
Subscribe & Review in Apple Podcasts
Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance--I really appreciate it!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, we're going to talk about genre -- specifically how to choose the primary (or global) genre for your story. Here's a quick overview of what we talk about in this episode:
Subscribe & Review in Apple Podcasts
Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance--I really appreciate it!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
In this episode, we're going to talk about how to choose between multiple story ideas, or how to decide which story idea to write next. Here's a quick overview of what we talk about in this episode:
Subscribe & Review in Apple Podcasts
Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode! Especially because I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. So, click here to subscribe to the show in Apple Podcasts!
If you're already a subscriber, and if you enjoy the show, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other writers find my podcast and they’re also super fun for me to go in and read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the show is. Thanks in advance--I really appreciate it!
Links mentioned in this episode:
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
Weekly writing tips from a developmental editor and book coach.
My name is Savannah Gilbo and I'm a fiction editor and book coach. Every day, I help people, just like you, write, edit, and publish their books.
I started this podcast because I want to prove that writing a novel doesn't have to be scary and overwhelming. Every week, I'll bring you a brand new episode with simple, actionable, and step-by-step strategies that you can implement in your writing right away.
So, whether you're brand new to writing, or a more seasoned author looking to improve your craft, this podcast is for you! So pick up a pen and let's get started!
For more writing tips, or to learn more about the show, head on over to https://www.savannahgilbo.com.
👉 Looking for a transcript? If you’re listening on Apple Podcasts or Spotify, scroll down below the episode player until you see the transcript.
En liten tjänst av I'm With Friends. Finns även på engelska.