914 avsnitt • Längd: 55 min • Veckovis: Torsdag
Interviews with Scholars of Technology about their New Books
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The podcast New Books in Technology is created by New Books Network. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
Balkan Cyberia: Cold War Computing, Bulgarian Modernisation, and the Information Age Behind the Iron Curtain (MIT Press, 2023) examines the history of the computer industry in socialist Bulgaria. Combining the histories of technology and political economy with that of the Cold War and the modern Balkans, Balkan Cyberia challenges the notions of backwardness, the importance of small states in large geopolitical systems, the nature of the Iron Curtain, and the concept of 1989 as a convenient end-point in the history of communism. By drawing on Bulgarian, Indian, and Russian archives, as well as a range of interviews, this work reveals how a small Balkan state used its unique advantages to gain major markets, and in the process transform its political thinking. A local and a global story at the same time, the story of the Bulgarian computer offers unique insights into the history of the twentieth century information age.
Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.
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How do states build vital institutions for market development? Too often, governments confront technical or political barriers to providing the rule of law, contract enforcement, and loan access. In From Click to Boom: The Political Economy of E-Commerce in China (Princeton, 2024) Lizhi Liu suggests a digital solution: governments strategically outsourcing tasks of institutional development and enforcement to digital platforms—a process she calls “institutional outsourcing.”
China’s e-commerce boom showcases this digital path to development. In merely two decades, China built from scratch a two-trillion-dollar e-commerce market, with 800 million users, seventy million jobs, and nearly fifty percent of global online retail sales. Contrary to conventional wisdom, Liu argues, this market boom occurred because of weak government institutions, not despite them. Gaps in government institutions compelled e-commerce platforms to build powerful private institutions for contract enforcement, fraud detection, and dispute resolution. For a surprisingly long period, the authoritarian government acquiesced, endorsed, and even partnered with this private institutional building despite its disruptive nature. Drawing on a plethora of interviews, original surveys, proprietary data, and a field experiment, Liu shows that the resulting e-commerce boom had far-reaching effects on China.
Institutional outsourcing nonetheless harbors its own challenges. With inadequate regulation, platforms may abuse market power, while excessive regulation stifles institutional innovation. China’s regulatory oscillations toward platforms—from laissez-faire to crackdown and back to support—underscore the struggle to strike the right balance.
Lizhi Liu is assistant professor at the McDonough School of Business at Georgetown University, where she is also a faculty affiliate of the Department of Government. Her work has been published by American Economic Review: Insights, Studies in Comparative International Development, Minnesota Law Review, Oxford University Press, and Princeton University Press. She was also listed as a Poets&Quants Top 50 Undergraduate Business Professor of 2021. She holds degrees in Political Science (PhD), Statistics (MS), and International Policy Studies (MA) from Stanford University and in International Relations (LLB) from Renmin University of China.
Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China’s Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master’s of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy.
Lorentzen’s other NBN interviews relating to China’s tech sector include Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba’s business model and organizational culture, Surveillance State, on China’s digital surveillance, Prototype Nation, on the culture and politics of China’s innovation economy.
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Modern biotechnology--genetic engineering and cell manipulation--originated with the 1973 demonstration that genes from different organisms could be recombined and propagated in Escherichia coli. More than 50 years on, biotech is now a science that defines the 21st century.
While still a young scientist, Tim Harris committed himself to this emerging industry. Now an accomplished investigator who became an astute, seasoned, and successful biotech business executive, he has written a captivating memoir chronicling the birth and maturation of the industry that now touches everyone's lives. He combines accounts of scientific successes and failures with a personal story of ambition, challenge, and discovery. From the pioneering early days of gene cloning and monoclonal antibodies to the current cutting-edge advancements in cell therapy, gene editing, and personalized medicine, Harris provides a candidly honest insider's view of biotech's remarkable evolution and its profound impact on health care.
In Pursuit of Unicorns: A Journey Through 50 Years of Biotechnology (Cold Springs Harbor, 2024) is rich in detail about the accomplishments, struggles, and triumphs played out in the laboratories and boardrooms of the many different companies set up to exploit the technology, and the often colourful personalities involved. It is a fascinating blend of science, business, and ethics. Harris's reflections on the complexities that come with rapid technological progress, and the responsibilities of scientists in shaping the future, are thought-provoking and timely.
Tim Harris's story is one of passion, resilience, and an unwavering commitment from those involved to making a difference. His book is a compelling read for working scientists (especially early- and mid-career academic and industry researchers wondering how to apply their research to human health), biotechnology entrepreneurs and investors, and anyone fascinated by how profoundly biotechnology has changed our world and where it is leading us in the future.
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How are human computation systems developed in the field of citizen science to achieve what neither humans nor computers can do alone?
In At the Edge of AI: Human Computation Systems and Their Intraverting Relations (Transcript, 2024), Libuse Hannah Veprek examines the imagination of these assemblages, their creation, and everyday negotiation in the interplay of various actors and play/science entanglements at the edge of AI. Focusing on their human-technology relations, this ethnographic study shows how these formations are marked by intraversions, as they change with technological advancements and the actors' goals, motivations, and practices. This work contributes to the constructive and critical ethnographic engagement with human-AI assemblages in the making.
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North, south, east and west: almost all societies use the four cardinal directions to orientate themselves, to understand who they are by projecting where they are. For millennia, these four directions have been foundational to our travel, navigation and exploration and are central to the imaginative, moral and political geography of virtually every culture in the world. Yet they are far more subjective and various – sometimes contradictory – than we might realise.
Four Points of the Compass: The Unexpected History of Direction (Atlantic Monthly Press, 2024) by Dr. Jerry Brotton takes the reader on a journey of directional discovery. Dr. Brotton reveals why Hebrew culture privileges east; why Renaissance Europeans began drawing north at the top of their maps; why the early Islam revered the south; why the Aztecs used five colour-coded cardinal directions; and why no societies, primitive or modern, have ever orientated themselves westwards. He ends by reflecting on our digital age in which we, the little blue dot on the screen, have become the most important compass point. Throughout, Dr. Brotton shows that the directions reflect a human desire to create order and that they only have meaning, literally and metaphorically, depending on where you stand.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Peoples & Things host, Lee Vinsel, talks with Salem Elzway, postdoctoral fellow in the Society of Fellows in the Humanities at University of Southern California, and Jason Resnikoff, assistant professor of contemporary history at the University of Groningen, about the history of automation. The discussion takes as its launching point an essay Elzway and Resnikoff published in the journal Labor titled, “Whence Automation?: The History (and Possible Futures) of a Concept.” The conversation approaches the history of automation and how to study it from a number of angles, including diving into Elzway’s and Resnikoff’s individual research agendas, as well as discussion of the nature of collaborative work in history, a field that can sometimes be all-too competitive and turf-like.
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It’s the UConn Popcast, and in the second of our series on Thinking Machines we consider Karel Čapek’s “Rossum’s Universal Robots” (1920). Čapek’s play invented the word “robot” and pioneered the genre of the AI uprising. The play - a clear influence on works such as 2001, Blade Runner, The Terminator, and Battlestar Galactica – is a deep rumination on the boundary between the natural and artificial, the mechanical and the ineffable, and the sacred and the profane.
We react to this seminal work in popular thinking about artificial intelligence, written more than a century ago yet retaining deep resonance today.
Music by Aiva.
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Queer men's cultures of intimacy have long been sites of fierce contestation. Indeed, debates have raged for decades over issues such as monogamy, safer sex, sexual racism and gay marriage. The introduction of the smartphone in 2008 only intensified these debates whilst also raising a further set of questions which are explored in this open access book.
Through interviews with a diverse group of 43 queer men about their smartphone mediated intimacies, Digital Intimacies: Queer Men and Smartphones in Times of Crisis (Bloomsbury, 2024) reveals that queer men use their smartphones, not simply to arrange intimate encounters, but more specifically to gain a sense of control over the parts of their intimate lives that make them feel most vulnerable. For instance, some use messaging apps to gain a sense of control over intimate conversations that they feel too vulnerable to have in person. Others use the 'block' function on dating apps to feel in control of the racism and transphobia they are vulnerable to on these apps.
Digital Intimacies therefore illuminates not only hitherto underexplored aspects of queer men's cultures of intimacy but crucially also brings into view previously obscured cultural dynamics, gaining insight into the historical moments in which they occur.
Jamie Hakim is Lecturer at King's College London, UK.
James Cummings is Lecturer at the University of York, UK.
Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.
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Today’s book is: The Last Human Job: The Work of Connecting in a Disconnected World (Princeton University Press, 2024), by Dr. Allison Pugh, which explores the human connections that underlie our work, arguing that what people do for each other is valuable and worth preserving. Drawing on in-depth interviews and observations with people in a broad range of professions—from physicians, teachers, and coaches to chaplains, therapists, caregivers, and hairdressers—Dr. Pugh develops the concept of “connective labor,” a kind of work that relies on empathy, the spontaneity of human contact, and a mutual recognition of each other’s humanity. The threats to connective labor are not only those posed by advances in AI or apps; Dr. Pugh demonstrates how profit-driven campaigns imposing industrial logic shrink the time for workers to connect, enforce new priorities of data and metrics, and introduce standardized practices that hinder our ability to truly see each other. She concludes with profiles of organizations where connective labor thrives, offering practical steps for building a social architecture that works. Vividly illustrating how connective labor enriches the lives of individuals and binds our communities together, The Last Human Job is a compelling argument for us to recognize, value, and protect humane work in an increasingly automated and disconnected world.
Our guest is: Dr. Allison Pugh, who is Professor of Sociology at Johns Hopkins University, and the 2024-25 Vice President of the American Sociological Association. She writes about how people forge connections and find meaning and dignity at work and at home. She is the author of The Tumbleweed Society: Working and Caring in an Age of Insecurity and Longing and Belonging: Parents, Children, and Consumer Culture. Her writing has appeared in leading publications such as The New Yorker, the New York Times, and the New Republic.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Playlist for listeners:
Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived here.
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Technology has surpassed religion as the central focus of our lives, from our dependence on smartphones to the way that tech has infused almost every aspect of our lives including our homes, our relationships, and even our bodies. Beyond these practical matters, Tech has become a religion with multiple sects who follow their own beliefs, practices, hierarchies, and visions of heaven and hell. There are zealous prophets and humble servants, messiahs and visions of a coming apocalypse.
In Tech Agnostic: How Technology Became the World's Most Powerful Religion, and Why It Desperately Needs a Reformation (MIT Press, 2024), Harvard and MIT’s humanist chaplain Greg Epstein approaches Tech with the perspective of a critical thinker who is fascinated by technical innovation and also questions the worth of those advancements in human terms. He places the current faith in Tech in historical and personal context by examining the skeptics, mystics, heretics, and whistleblowers who embody the reform mindset he believes we desperately need.
Epstein argues for demanding that technology serve the development of human lives that are worth living rather than the extreme "up and to the right" transactional approach that is often rewarded in our current age of capitalism.
In this age of global technology worship, Greg Epstein presents the case for taking an agnostic view, one that can both appreciate the benefits of Tech and also remain skeptical about some of the more outlandish claims and seductive promises.
Author recommended reading:
Hosted by Meghan Cochran
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In early 1996, the web was ephemeral. But by 2001, the internet was forever. How did websites transform from having a brief life to becoming long-lasting? Drawing on archival material from the Internet Archive and exclusive interviews, Ian Milligan's Averting the Digital Dark Age (John Hopkins University Press, December 2024) explores how Western society evolved from fearing a digital dark age to building the robust digital memory we rely on today.
By the mid-1990s, the specter of a "digital dark age" haunted libraries, portending a bleak future with no historical record that threatened cyber obsolescence, deletion, and apathy. People around the world worked to solve this impending problem. In San Francisco, technology entrepreneur Brewster Kahle launched his scrappy nonprofit, Internet Archive, filling tape drives with internet content. Elsewhere, in Washington, Canberra, Ottawa, and Stockholm, librarians developed innovative new programs to safeguard digital heritage.
Cataloging worries among librarians, technologists, futurists, and writers from WWII onward, through early practitioners, to an extended case study of how September 11 prompted institutions to preserve thousands of digital artifacts related to the attacks, Averting the Digital Dark Age explores how the web gained a long-lasting memory. By understanding this history, we can equip our society to better grapple with future internet shifts.
Ian Milligan is a professor of history at the University of Waterloo, where he also serves as an associate vice president in the Office of Research. Milligan is the author of The Transformation of Historical Research in the Digital Age and History in the Age of Abundance? How the Web Is Transforming Historical Research.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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It’s the UConn Popcast, and this is the first episode in our new series about artificial intelligence and popular culture. In this first episode, we revisit Alan Turing's seminal1950 paper Computing Machinery and Intelligence, in which he asks "Can machines think?"
In the paper, Turing proposes what became known as "The Turing test," a game of deception which, if a machine were to pass it, could be said to herald the onset of the age of machine intelligence. With large language models (LLMs) today easily passing this test, we react to the paper and examine the implications from a humanistic standpoint.
Did Turing successfully predict contemporary LLMs 75 years ago? What does it mean that Turing’s test was based not on the abilities of a machine per se, but rather on a machine’s ability to deceive humans? How have Turing’s ideas permeated our cultural and popular cultural ideas about AI? And why did Turing think ESP had a role to play in understanding AI.
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It’s the UConn Popcast, and this is the first episode in our new series about artificial intelligence and popular culture. In this first episode, we revisit Alan Turing's seminal1950 paper Computing Machinery and Intelligence, in which he asks "Can machines think?"
In the paper, Turing proposes what became known as "The Turing test," a game of deception which, if a machine were to pass it, could be said to herald the onset of the age of machine intelligence. With large language models (LLMs) today easily passing this test, we react to the paper and examine the implications from a humanistic standpoint.
Did Turing successfully predict contemporary LLMs 75 years ago? What does it mean that Turing’s test was based not on the abilities of a machine per se, but rather on a machine’s ability to deceive humans? How have Turing’s ideas permeated our cultural and popular cultural ideas about AI? And why did Turing think ESP had a role to play in understanding AI.
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Edward Duffield (1730–1803) was a colonial Philadelphia clockmaker, whose elegant brass, mahogany, and walnut timekeepers stand proudly in major American museums and collections. Duffield, unlike other leather-apron ‘mechanics,’ was born rich and owned a country estate, Benfield, and many more properties. He was deeply involved in civic and church affairs during crucial years in American history—his lifelong close friend, Benjamin Franklin, was staying at Duffield’s Benfield estate when Franklin, Thomas Jefferson, and John Adams first discussed the Declaration of Independence. Sally, Franklin’s daughter, brought her family there for extended periods during the Revolution and Franklin’s wife, Deborah, was best friends for fifty years with Duffield’s mother-in-law. Duffield was even one of three executors of Franklin’s will.
In Edward Duffield: Philadelphia Clockmaker, Citizen, Gentleman, 1730-1803 (American Philosophical Society Press, 2024), Bob Frishman catalogs and describes seventy-one known Duffield clocks and instruments and reveals how, during the mid-eighteenth century, they largely were not fabricated from scratch by isolated individuals. He contends that Duffield and his fellow clockmakers were not furniture-makers; they were mechanical artisans whose complex metal machines rang the hours and steadily ticked inside wooden cases made by others. Existing books on Philadelphia clocks have focused on these artifacts as furniture, including their woodwork, cabinetmakers, and decorative aspects. However, Frishman, a professional horologist for nearly four decades, brings his vast expertise to bear on this first comprehensive study of Duffield’s life and work.
Far more than a treatise on pre-industrial horological timekeeping, this book tells the compelling stories of a man, a city, and an era, while deepening our appreciation for Duffield’s stately sentinels—often a colonial American family’s most valuable possession—and the times and places in which their makers lived.
Bob Frishman has professionally repaired nearly 8,000 timepieces and sold more than 1,700 vintage clocks and watches. As a scholar of horology, and assisted by a personal library of 900 books on the subject, he has published more than 100 articles and reviews in Maine Antique Digest, Watch & Clock Bulletin, and elsewhere. Learn more at his website.
Caleb Zakarin is editor at the New Books Network.
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Electrifying Indonesia: Technology and Social Justice in National Development (U Wisconsin Press, 2023) tells the story of the entanglement of politics and technology during Indonesia's rapid post-World War II development. As a central part of its nation-building project, the Indonesian state sought to supply electricity to the entire country, bringing transformative socioeconomic benefits across its heterogeneous territories and populations. While this project was driven by nationalistic impulses, it was also motivated by a genuine interest in social justice. The entanglement of these two ideologies-nation-building and equity-shaped how electrification was carried out, including how the state chose the technologies it did. Private companies and electric cooperatives vied with the hegemonic state power company to participate in a monumental undertaking that would transform daily life for all Indonesians, especially rural citizens.
In this innovative volume, Anto Mohsin brings Indonesian studies together with science and technology studies to understand a crucial period in modern Indonesian history. He shows that attempts to illuminate the country were inseparable from the effort to maintain the new nation-state, chart its path to independence, and legitimize ruling regimes. In exchange for an often dramatically improved standard of living, people gave their votes, and their acquiescence, to the ruling government.
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What can sound technologies tell us about our relationship to media as a whole? This is one of the central questions in the research of Phantom Power‘s host, Mack Hagood. To find its answer, he studies devices that get little attention from media scholars: noise-cancelling headphones, white noise machines, apps that make nature sounds, tinnitus maskers–even musical pillows. The story these media tell is rather different from the standard narrative, in which media are conveyors of information and entertainment. In his book Hush: Media and Sonic Self-Control, Mack argues that media are the way we control how–and how much–we let the world affect us.
On Phantom Power, Mack has always focused on presenting the ideas of other scholars and sound artists. However, during our summer break we thought we’d share a piece by Mack that appeared in another podcast, the audio edition of Real Life, a razor-sharp magazine on digital culture. “Emotional Rescue” begins with the odd example of pillow-based audio technology to make the point that media are really about something more intimate than information:
The cozy conflation of content and comfort… is not a recent digital development. Nor is it, I would argue, a quirky edge case of media use. In fact, this is what media are: tools for altering how the body feels and what it perceives, controlling our relationship to others and the world, enveloping ourselves, and even disappearing ourselves.
Misunderstanding the true nature of our media use isn’t merely of academic concern–it has had disastrous effects on our politics and social cohesion.
The article was written for the Real Life website, then subsequently dropped in podcast form. Writing for the eye is quite different from writing for the ear, but podcast producer and narrator Britney Gil is amazing at elucidating written prose for the listener. If you listen to nonfiction audiobooks and/or want to hear a great narrator reading insightful takes on digital life, be sure to subscribe to Real Life: Audio Edition.
“Emotional Rescue” by Mack Hagood.
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Peoples & Things host, Lee Vinsel, talks with Meryl Alper, Associate Professor of Communication Studies at Northeastern University, about her recent book, Kids Across the Spectrums: Growing Up Autistic in the Digital Age (MIT Press, 2023). In addition to being a professor, Alper is also an educational researcher who has worked over the past 20 years to make inclusive and accessible learning products with media organizations such as Sesame Workshop, Nickelodeon, and PBS KIDS. Vinsel and Alper talk about disability studies, the nature of Alper’s empirical work, the arc of Alper’s career, including her future projects.
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Over the past decades, under the cover of "innovation," technology companies have successfully resisted regulation and have even begun to seize power from governments themselves. Facial recognition firms track citizens for police surveillance. Cryptocurrency has wiped out the personal savings of millions and threatens the stability of the global financial system. Spyware companies sell digital intelligence tools to anyone who can afford them. This new reality--where unregulated technology has become a forceful instrument for autocrats around the world--is terrible news for democracies and citizens.
In The Tech Coup: How to Save Democracy from Silicon Valley (Princeton UP, 2024), Marietje Schaake offers a behind-the-scenes account of how technology companies crept into nearly every corner of our lives and our governments. She takes us beyond the headlines to high-stakes meetings with human rights defenders, business leaders, computer scientists, and politicians to show how technologies--from social media to artificial intelligence--have gone from being heralded as utopian to undermining the pillars of our democracies. To reverse this existential power imbalance, Schaake outlines game-changing solutions to empower elected officials and citizens alike. Democratic leaders can--and must--resist the influence of corporate lobbying and reinvent themselves as dynamic, flexible guardians of our digital world.
Drawing on her experiences in the halls of the European Parliament and among Silicon Valley insiders, Schaake offers a frightening look at our modern tech-obsessed world--and a clear-eyed view of how democracies can build a better future before it is too late.
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A History of Fireworks from: Their Origins to the Present Day (Reaktion, 2024) by John Withington illuminates the glittering history of fireworks, from their mysterious beginnings to the dazzling big-budget displays of today. It describes how they enthralled the world’s royal courts and became a sensation across the British Empire. There are stories of innovations like ‘living fireworks’, fiercely fought international competitions and the technology behind modern showpieces viewed by millions. Practitioners say fireworks are an art, and they have inspired artists from Shakespeare, Handel, Dickens and Whistler to Katy Perry. But Withington also covers fireworks’ practical uses – rescues at sea, attempts to control the weather – while not ignoring their dangers, accidents or efforts to make them safer.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Peoples & Things host, Lee Vinsel, talks with MacArthur “Genius Prize” winning historian Pamela Long about her long career writing about the history of ancient and Medieval technologies. The pair use Long’s forthcoming book, Technology in Mediterranean and European Lands, 600-1600 (Johns Hopkins UP, 2025), as a launching point but also cover her previous work, especially including Engineering the Eternal City: Infrastructure, Topography, and the Culture of Knowledge in Late Sixteenth-Century Rome (University of Chicago Press, 2018), which, among other things, contains deep reflections on the history of maintenance. Long and Vinsel also discuss Long’s future projects, including a fascinating sounding study of the history of sumptuary laws - regulations on expenditures of luxury goods, including food, clothing, and personal items - and their connection to technological change. GET EXCITED!
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Dissecting 45 million tweets from the period that followed the Brexit referendum, Brexit, Tweeted: Polarization and Social Media Manipulation (Bristol University Press, 2024) by Dr. Marco Bastos presents an extensive analysis of social media manipulation.
The book examines emerging changes in partisan politics, nationalist and populist values, as well as broader societal changes that are feeding into polarisation and echo-chamber communication. It pulls the curtain back on the techniques employed to interfere with, and potentially distort, the public discussion. Making complex data accessible to non-technical audiences, this unique post-mortem of the Brexit referendum contributes to our understanding of social media disinformation in the UK and beyond.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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When scholars and policymakers consider how technological advances affect the rise and fall of great powers, they draw on theories that center the moment of innovation—the eureka moment that sparks astonishing technological feats. In Technology and the Rise of Great Powers: How Diffusion Shapes Economic Competition (Princeton UP, 2024), Jeffrey Ding offers a different explanation of how technological revolutions affect competition among great powers. Rather than focusing on which state first introduced major innovations, he investigates why some states were more successful than others at adapting and embracing new technologies at scale. Drawing on historical case studies of past industrial revolutions as well as statistical analysis, Ding develops a theory that emphasizes institutional adaptations oriented around diffusing technological advances throughout the entire economy.
Examining Britain’s rise to preeminence in the First Industrial Revolution, America and Germany’s overtaking of Britain in the Second Industrial Revolution, and Japan’s challenge to America’s technological dominance in the Third Industrial Revolution (also known as the “information revolution”), Ding illuminates the pathway by which these technological revolutions influenced the global distribution of power and explores the generalizability of his theory beyond the given set of great powers. His findings bear directly on current concerns about how emerging technologies such as AI could influence the US-China power balance.
Our guest today is: Jeffrey Ding, an Assistant Professor of Political Science at Georgetown University.
Our host is Eleonora Mattiacci, an Associate Professor of Political Science at Amherst College. She is the author of "Volatile States in International Politics" (Oxford University Press, 2023).
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Screening Big Data: Films that Shape Our Algorithmic Literacy (Routledge, 2024) examines the influence of key films on public understanding of big data and the algorithmic systems that structure our digitally mediated lives.
From star-powered blockbusters to civic-minded documentaries positioned to facilitate weighty debates about artificial intelligence, these texts frame our discourse and mediate our relationship to technology. Above all, they impact society’s abilities to regulate AI and navigate big tech’s political and economic manoeuvres to achieve market dominance and regulatory capture.
Foregrounding data politics with close readings of key films like Moneyball, Minority Report, The Social Dilemma, and Coded Bias, in Screening Big Data by Dr. Gerald Sim reveals compelling ways in which films and tech industry–adjacent media define apprehension of AI. With the mid-2010s techlash in danger of fizzling out, Screening Big Data explores the relationship between this resistance and cultural infrastructure while highlighting the urgent need to refocus attention onto how technocentric media occupy the public imagination.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Why do we assume that computers always get it right?
Today’s book is: Artificial Unintelligence: How Computers Misunderstand the World (MIT Press, 2019), in which Professor Meredith Broussard argues that our collective enthusiasm for applying computer technology to every aspect of life has resulted in a tremendous amount of poorly designed systems. We are so eager to do everything digitally—hiring, driving, paying bills, even choosing romantic partners—that we have stopped demanding that our technology actually work. Broussard, a software developer and journalist, reminds us that there are fundamental limits to what we can (and should) do with technology. With this book, she offers a guide to understanding the inner workings and outer limits of technology—and issues a warning that we should never assume that computers always get things right. Making a case against technochauvinism—the belief that technology is always the solution—Broussard argues that it's just not true that social problems would inevitably retreat before a digitally enabled Utopia. To prove her point, she undertakes a series of adventures in computer programming. She goes for an alarming ride in a driverless car, concluding “the cyborg future is not coming any time soon”; uses artificial intelligence to investigate why students can't pass standardized tests; deploys machine learning to predict which passengers survived the Titanic disaster; and attempts to repair the U.S. campaign finance system by building AI software. If we understand the limits of what we can do with technology, Broussard tells us, we can make better choices about what we should do with it to make the world better for everyone.
Our guest is: Professor Meredith Broussard, who is Associate Professor at the Arthur L. Carter Journalism Institute of New York University and Research Director at the NYU Alliance for Public Interest Technology. She is the author of Artificial Unintelligence, and of More Than A Glitch. Her work has been featured in the New Yorker, the New York Times, the Atlantic, the Economist, and more. She appears in the 2020 documentary Coded Bias and serves on the advisory board for the Center for
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell.
For listeners who want to learn more:
Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.
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Pong. The Legend of Zelda. Final Fantasy VII. Rock Band. Fortnite. Animal Crossing: New Horizons. For each of the 40 years of video game history, there is a defining game, a game that captured the zeitgeist and left a legacy for all games that followed. Through a series of entertaining, informative, and opinionated critical essays, author and tech journalist Jordan Minor investigates, in chronological order, the most innovative, genre-bending, and earth-shattering games from 1977 through 2022. Exploring development stories, critical reception, and legacy, Minor also looks at how gaming intersects with and eventually influences society at large while reveling in how uniquely and delightfully bizarre even the most famous games tend to be.
From portly plumbers to armor-clad space marines and the speedy rodents in between, Video Game of the Year: A Year-By-Year Guide to the Best, Boldest, and Most Bizarre Games from Every Year Since 1977 (Abrams, 2023) paints individual portraits that, as a whole, give readers a stronger appreciation for the vibrant variety and long-lasting impact of this fresh, exciting, and massively popular art form. Illustrated throughout with retro-inspired imagery and featuring contributions from dozens of leading industry voices, including New York Times bestselling author Jason Schreier, Max Scoville, Rebekah Valentine, Blessing Adeoye Jr., and Devindra Hardawar, this year-by-year anthology is a loving reflection on the world’s most popular art form.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Join us as we discuss Dr. Reid Blackman’s new book: Ethical Machines: Your Concise Guide to Totally Unbiased, Transparent, and Respectful AI (Harvard Business Review Press, 2022). We dive into the intricacies of developing AI and the intersection of ethics and innovation.
Reid Blackman, Ph.D., is the author of Ethical Machines, creator and host of the podcast “Ethical Machines,” and Founder and CEO of Virtue, a digital ethical risk consultancy. He is also an advisor to the Canadian government on their federal AI regulations, was a founding member of EY’s AI Advisory Board, and a Senior Advisor to the Deloitte AI Institute. His work, which includes advising and speaking to organizations including AWS, US Bank, the FBI, NASA, and the World Economic Forum, has been profiled by The Wall Street Journal, the BBC, and Forbes. His written work appears in The Harvard Business Review and The New York Times. Prior to founding Virtue, Reid was a professor of philosophy at Colgate University and UNC-Chapel Hill. Learn
Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions
Contributions to and/or sponsorship of guest does not constitute departmental or institutional endorsement of the specific program, speakers or views presented.
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Peoples & Things host, Lee Vinsel, talks to Emily Bender, Professor of Linguistics, Director of the Masters of Science in Computational Linguistics program, and Director of the Computational Linguistics Laboratory at University of Washington, about her work on artificial intelligence criticism. Bender is also an adjunct professor in the School of Computer Science and Engineering and the Information School at UW; she is a member of the Tech Policy Lab, the Value Sensitive Design Lab, the Distributed AI Research Institute, and RAISE, or Responsibilities in AI Systems and Experiences; *AND*, with Alex Hanna, she is co-host of the Mystery AI Hype Theater podcast, which you should check out. Vinsel and Bender talk about the current AI bubble, what is driving it, and the technological potentials and limitations of this technology.
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In many countries, censorship, blocking of internet access and internet content for political purposes are still part of everyday life. Will filtering, blocking, and hacking replace scissors and black ink? This book argues that only a broader understanding of censorship can effectively protect freedom of expression.
For centuries, church and state controlled the content available to the public through political, moral and religious censorship. As technology evolved, the legal and political tools were refined, but the classic censorship system continued until the end of the 20th century. However, the myth of total freedom of communication and a law-free space that had been expected with the advent of the internet was soon challenged. The new rulers of the digital world, tech companies, emerged and gained enormous power over free speech and content management. All this happened alongside cautious regulation attempts on the part of various states, either by granting platforms near-totalimmunity (US) or by setting up new rules that were not fully developed (EU). China has established the Great Firewall and the Golden Shield as a third way.
In Censorship from Plato to Social Media: The Complexity of Social Media’s Content Regulation and Moderation Practices (Springer, 2023), particular attention is paid to developments since the 2010s, when Internet-related problems began to multiply. The state’s solutions have mostly pointed in one direction: towards greater control of platforms and the content they host. Similarities can be found in the US debates, the Chinese and Russian positions on internet sovereignty, and the new European digital regulations (DSA-DMA). The book addresses them all.
This book will be of interest to anyone who wants to understand the complexities of social media’s content regulation and moderation practices. It makes a valuable contribution to the field of freedom of expression and the internet, showing that, with different kinds of censorship, this essentially free form of communication has come – almost by default – under legal regulation and the original freedom may have been lost in too many countries in recent years.
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Today, we’re playing with voice assistants and thinking about the role of voices in gaming with our guest, game designer and NYU professor Frank Lantz.
Over the past nightmare year of the coronavirus, many of us have been hunkered down, trying to figure out how to pass the time with our families. Board game sales on Amazon were up 4,000% percent in March, when Americans began sheltering in place. And, of course, we’ve also spent way more time interacting with digital technology. These two things have come together in a weird and delightful way in Lantz’s game Hey Robot.
Created by Lantz’s family-owned company Everybody House Games, Hey Robot is a guessing game you play with a group of friends—including your voice assistant or smart speaker. The premise is simple: Make Google Home or Alexa utter the words written in a deck of cards. The questions it raises are complex: What are these digital entities that many of us interact with daily? How have web searches and voice-based computing changed the way we talk? And what does this reveal about language itself?
Hey Robot is available in a free online Quarantine Edition that you can play remotely with your friends. The board game edition is available on Amazon.
Today’s show was written and edited by Mack Hagood.
Fake Cumbia music by Mack Hagood.
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Are you a musical theatre fan who loves TikTok? Or are you curious about how this social media app has changed musical theatre fandom - and even the concept of the musical itself?
TikTok Broadway: Musical Theatre Fandom in the Digital Age (Oxford UP, 2024) takes readers inside the world of TikTok Broadway, where fans create, expand, and canonize musical theatre through viral videos. It argues that TikTok democratizes musical theatre fan cultures and spaces, creating a new canon of musical theatre that reflects the preferences and passions of the fans. Readers will also see how TikTok Broadway influences other aspects of U.S. popular culture, from Broadway shows to TV adaptations.
From Six and Beetlejuice to Wicked and Ratatouille: The TikTok Musical, this book covers the most popular and innovative musical theatre content on TikTok. Author Trevor Boffone, a musical theatre scholar and a TikTok creator, shows how fans use the app to express their love for musical theatre, and how they collaborate to produce original works, such as Bridgerton: The Musical.
TikTok Broadway: Musical Theatre Fandom in the Digital Age shows how the app puts power in the hands of the fans.
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If you enjoy video games as a pastime, you are certainly not alone—billions of people worldwide now play video games. However, you may still find yourself reluctant to tell others this fact about yourself. After all, we are routinely warned that video games have the potential to cause addiction and violence. And when we aren’t being warned of their outright harms, we are told we should be doing something better with our time, like going outside, socializing with others, or reading a book. Playing video games is thus often seen at best as a waste of time, and at worst a source of violent tragedy.
Why It's Ok to Be a Gamer (Routledge, 2024) takes on the pervasive assumption that playing video games is a childish and time-wasting hobby, and a potentially addictive and dangerous one at that. It argues instead that there are many ways in which gaming can help us flourish, for example by: developing genuine friendships and other meaningful relationships with others, helping us cultivate a virtuous personal character, giving us a unique aesthetic experience, providing us with psychological benefits, and just plain helping us relax and enjoy ourselves. Video games are not just for those with no life; on the contrary, they can help contribute to a rich and meaningful life.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Chicago is a city with extreme concentrations of racialized poverty and inequity, one that relies on an extensive network of repressive agencies to police the poor and suppress struggles for social justice. Imperial Policing: Weaponized Data in Carceral Chicago (University of Minnesota Press, 2024) examines the role of local law enforcement, federal immigration authorities, and national security agencies in upholding the city’s highly unequal social order.
Collaboratively authored by the Policing in Chicago Research Group (PCRG), Imperial Policing was developed in dialogue with movements on the front lines of struggles against racist policing in Black, Latinx, and Arab/Muslim communities. The members of PCRG are Andy Clarno, Enrique Alvear Moreno, Janaé Bonsu-Love, Lydia Dana, Michael De Anda Muñiz, Ilā Ravichandran, and Haley Volpintesta. Imperial Policing analyzes the connections between three police “wars”—on crime, terror, and immigrants—focusing on the weaponization of data and the coordination between local and national agencies to suppress communities of color and undermine social movements. Topics include high-tech, data-based tools of policing; the racialized archetypes that ground the police wars; the manufacturing of criminals and terrorists; the subversion of sanctuary city protections; and abolitionist responses to policing, such as the Erase the Database campaign.
Andy Clarno is an Associate Professor of Sociology and Black Studies and coordinator of the Policing in Chicago Research Group at the University of Illinois at Chicago. His research examines racism, capitalism, colonialism, and empire in the early 21st century, with a focus on racialized policing and struggles for social justice in contexts of extreme inequality.
Michael De Anda Muñiz is an Assistant Professor in the Latina/Latino Studies Department at San Francisco State University. His research interests include culture, art, community engagement, space, and resistance.
Ilā Ravichandran is an assistant professor of legal studies at the University of Washington, Tacoma. Dr. Ravichandran’s research interests include science, knowledge, technology, biopolitics, policing, surveillance, counterinsurgency, state, queerness & Black studies.
Timi Koyejo is a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor for the City of Chicago.
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Barrels – we rarely acknowledge their importance, but without them we would be missing out on some of the world’s finest wines and spirits. For over two thousand years they’ve been used to store, transport and age an incredibly diverse array of provisions around the globe. In this comprehensive and wide-ranging book titled Wood, Whiskey and Wine: A History of Barrels (Reaktion, 2024), now available in paperback, Henry H. Work tells the intriguing story of the significant and ever-evolving role wooden barrels have played during the last two millennia.
Offering a new way of thinking about one of the most enduring and successful products in history, Wood, Whiskey and Wine is a must-read for everyone from technology and history buffs to wine and whiskey aficionados.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Journalism has been in a state of disruption since the development of the Internet. The Metaverse, or what some describe as the future of the Internet, is likely to fuel even further disruption in journalism. Digital platforms and journalism enterprises are already investing substantial resources into the Metaverse, or its likely components of artificial intelligence, augmented reality and virtual reality. Although research shows most of the public has little knowledge of the Metaverse, many are keenly interested in what it or its components may bring.
Journalism and the Metaverse (Anthem Press, 2024) by Dr. John Pavlik critically examines the nature of the Metaverse and its implications for journalism. In particular, the book will examine how the advance of a broadband, interactive and immersive Internet called the Metaverse may change the content and format of news, the nature of journalistic work, who or what is a journalist, the nature and structure of the new industry and how it is funded, as well as the fundamental role of journalism in a digital society.
In particular, this book builds on a vision of the Metaverse as an immersive and interactive virtual world, a key development in the next generation of the broadband, publicly accessible Internet. Broadband means high-speed, high-bandwidth Internet connectivity, especially wirelessly. Immersive refers to enveloping, 3D forms of media and communication. Today, we often see immersive media in the form of augmented reality (AR) or virtual reality (VR) or other forms of what are labeled extended Reality (XR). Fueled by artificial intelligence, these forms are three dimensional (3D), they have depth and they surround the user in a 360 virtual world visually and aurally (and potentially via other senses, including the haptic). Interactive means both user-to-user engagement (e.g., social media) as well as an exchange between the user and the enveloping content experience of a virtual world. This book examines the implications of the Metaverse for journalism in four broad domains, including content, how journalists work, structural and systemic considerations, and user and public engagement with news.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China (University of Michigan Press, 2024) offers a fascinating approach to modern Chinese theater history by placing the stage at the center of the story. Combining vivid readings of plays with technical manuals and how-to guides, Tarryn Li-Min Chun charts how stage technology changed from the 1920s to the 1980s, showing how Chinese theater artists mobilized staging, lighting, and props to convey different meanings, including political revolution, nationalist nation-building, grassroots ingenuity, and the triumph of science. Throughout, Revolutionary Stagecraft demonstrates how theater, technology, and politics were deeply intertwined in modern China, and how Chinese theater artists manipulated the materiality of stagecraft for their own means.
Revolutionary Stagecraft should be of interest to those who are familiar with Chinese history, but also those who are interested in global theater, material culture, and the history of technology, as well as anyone who wants to know just how difficult it is to make fog appear on the stage (for the answer, see Chapter 2). Written in a clear and accessible way, Revolutionary Stagecraft is available both in print and as an Open Access ebook.
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In this episode, we explore the insights of Jay Richards, author of The Human Advantage: The Future of American Work in an Age of Smart Machines (Forum, 2019). Richards wrote this book during a time when automation and technology were beginning to redefine the boundaries of human work and creativity. His core argument is that, despite the rise of machines, there are certain uniquely human qualities—such as creativity, moral judgment, and entrepreneurial spirit—that cannot be replicated by technology. These traits, he suggests, are what give us a distinct edge in the face of automation.
As we look at today's world, where artificial intelligence and machine learning have advanced at an unprecedented pace, we must ask: Do Richards' ideas still hold true? In an era where AI can perform tasks once thought to be the exclusive domain of humans, from creative endeavors to complex decision-making, is there still a clear-cut human advantage? Richards' book offers a lens through which to examine these questions, urging us to consider how we can harness our inherent strengths to adapt and thrive in this new landscape.
In our conversation, we dive deep into these questions, exploring the relevance of The Human Advantage in today's rapidly evolving technological environment. How can we, as individuals and as a society, ensure that we maintain and even enhance our human edge? What role do creativity, ethics, and entrepreneurship play in a world increasingly driven by algorithms and automation? This episode offers valuable insights for anyone grappling with the implications of modern technology on our work, lives, and future.
Jay Richards is an American analytical philosopher who focuses on the intersection of politics, philosophy, and religion. He is the William E. Simon Senior Research Fellow in Heritage’s DeVos Center for Religion and Civil Society at The Heritage Foundation
Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions
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Listen to this interview of Bram Adams, Professor at the School of Computing, Queen's University, Canada. We talk about current developments in peer review, as it is practised in software engineering research.
Bram Adams : "As an editor, one thing you want to see in a review is a summary that clearly says, 'Okay, my overall scoring is this, and my reasons for that are (a) these few negative points but also (b) these few positive points.' But that, in my experience, is missing from reviews much more often than before. Now it is common for editors to get very long and detailed reviews — very well done, in fact — but the major turning-point-reasons for the reviewer’s final recommendation are really spread all throughout the review. And the problem here is that the editor is now put in the difficult position of having to sift through and to locate and in the end really interpret so that those reasons can be made clear to the authors but also to the presiding editor too.”
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Peoples & Things host, Lee Vinsel, talks to Cyrus Mody, Professor in the History of Science, Technology, and Innovation and Director of the STS Program at Maastricht University, about his book, The Squares: US Physical and Engineering Scientists in the Long 1970s (MIT Press, 2022). Many narratives about contemporary technologies, especially digital computing and the Internet, focus on the influences of 1960s counter-cultures. In _The Squares_, Mody takes the opposite approach and asks how square, non-counter-cultural scientists and engineers reacted to their changing environments in the 1970s. Vinsel and Mody also talk about what this story may suggest about current efforts to refocus STEM education on “values.” The pair also discuss how, over the course of his career, Mody has continually used a set of historical actors he knows a great deal about to examine different historical themes and questions. Finally, they discuss Mody’s current projects and where he is headed.
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Tactical Air Power and the Vietnam War: Explaining Effectiveness in Modern Air Warfare (Cambridge UP, 2023) introduces a much-needed theory of tactical air power to explain air power effectiveness in modern warfare with a particular focus on the Vietnam War as the first and largest modern air war. Phil Haun shows how in the Rolling Thunder, Commando Hunt, and Linebacker air campaigns, independently air power repeatedly failed to achieve US military and political objectives. In contrast, air forces in combined arms operations succeeded more often than not. In addition to predicting how armies will react to a lethal air threat, he identifies operational factors of air superiority, air-to-ground capabilities, and friendly ground force capabilities, along with environmental factors of weather, lighting, geography and terrain, and cover and concealment in order to explain air power effectiveness. The book concludes with analysis of modern air warfare since Vietnam along with an assessment of tactical air power relevance now and for the future.
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Across the world, algorithms are changing the nature of work. Nowhere is this clearer than in the logistics and distribution sectors, where workers are instructed, tracked and monitored by increasingly dystopian management technologies.
In Cyberboss: The Rise of Algorithmic Management and the New Struggle for Control at Work (Verso, 2024), Craig Gent takes us into workplaces where algorithms rule to excavate the politics behind the newest form of managerial power. Combining worker testimony and original research on companies such as Amazon, Uber, and Deliveroo, the cutting edge of algorithmic management technology, this book reveals the sometimes unexpected effects these new techniques have on work, workers and managers. Gent advances an alternative politics of resistance in the face of digital control.
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.
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In Automotive Empire: How Cars and Roads Fueled European Colonialism in Africa (Cornell University Press, 2024), Dr. Andrew Denning uncovers how roads and vehicles began to transform colonial societies across Africa but rarely in the manner Europeans expected. Like seafaring ships and railroads, automobiles and roads were more than a mode of transport—they organised colonial spaces and structured the political, economic, and social relations of empire, both within African colonies and between colonies and the European metropole.
European officials in French, Italian, British, German, Belgian, and Portuguese territories in Africa shared a common challenge—the transport problem. While they imagined that roads would radiate commerce and political hegemony by collapsing space, the pressures of constructing and maintaining roads rendered colonial administration thin, ineffective, and capricious. Automotive empire emerged as the European solution to the transport problem, but revealed weakness as much as it extended power.
As Automotive Empire reveals, motor vehicles and roads seemed the ideal solution to the colonial transport problem. They were cheaper and quicker to construct than railroads, overcame the environmental limitations of rivers, and did not depend on the recruitment and supervision of African porters. At this pivotal moment of African colonialism, when European powers transitioned from claiming territories to administering and exploiting them, automotive empire defined colonial states and societies, along with the brutal and capricious nature of European colonialism itself.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Who were the German scientists who worked on atomic bombs during World War II for Hitler's regime? How did they justify themselves afterwards?
Examining the global influence of the German uranium project and postwar reactions to the scientists involved, Mark Walker explores the narratives surrounding 'Hitler's bomb'. The global impacts of this project were cataclysmic. Credible reports of German developments spurred the American Manhattan Project, the nuclear attacks on Hiroshima and Nagasaki, and in turn the Soviet efforts. After the war these scientists' work was overshadowed by the twin shocks of Auschwitz and Hiroshima.
Hitler's Atomic Bomb: History, Legend, and the Twin Legacies of Auschwitz and Hiroshima (Cambridge UP, 2024) sheds light on the postwar criticism and subsequent rehabilitation of the German scientists, including the controversial legend of Werner Heisenberg and Carl Friedrich von Weizsäcker's visit to occupied Copenhagen in 1941. This scientifically accurate but non-technical history examines the impact of German efforts to harness nuclear fission, and the surrounding debates and legends.
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War in the 21st century will remain a chameleon that takes on different forms and guises. Beyond Ukraine: Debating the Future of War (Oxford University Press, 2024) edited by Tim Sweijs and Jeffrey H. Michaels offers the first comprehensive update and revision of ideas about the future of war since Russia’s 2022 invasion of Ukraine. It argues that the war has fundamentally shifted our perspective on the nature and character of future war, but also cautions against marginalising many other parallel trends, types of war, and ways of waging them.
World-renowned international experts from the War Studies field consider the impact of the war in Ukraine on the broader social phenomenon of war: they analyse visions of future war; examine the impact of technological innovation on its conduct; assess our ability to anticipate its future; and consider lessons learned for leaders, soldiers, strategists, scholars and concerned citizens.
Beyond Ukraine features contributions from Azar Gat, Beatrice Heuser, Antulio Echevarria, Audrey Cronin, T.X. Hammes, Kenneth Payne, Frank Hoffman, David Betz, Jan Willem Honig, and many other pre-eminent thinkers on the past, present and future of war—including an afterword by the late Christopher Coker.
Tim Sweijs is the Director of Research at The Hague Centre for Strategic Studies (HCSS) and a Senior Research Fellow at the Netherlands’ War Studies Research Centre of the Netherlands Defence Academy.
Jeffrey H. Michaels PhD is the IEN Senior Fellow in American Foreign Policy and International Security at the Institut Barcelona d'Estudis Internacionals.
Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Sciences, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history.
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What we see through our windshields reflects ideas about our national identity, consumerism, and infrastructure.
For better or worse, windshields have become a major frame for viewing the nonhuman world. The view from the road is one of the main ways in which we experience our environments. These vistas are the result of deliberate historical forces, and humans have shaped them as they simultaneously sought to be transformed by them. In Consuming Landscapes: What We See When We Drive and Why It Matters (Johns Hopkins UP, 2022), Thomas Zeller explores how what we see while driving reflects how we view our societies and ourselves, the role that consumerism plays in our infrastructure, and ideas about reshaping the environment in the twentieth century.
Zeller breaks new ground by comparing the driving experience and the history of landscaped roads in the United States and Germany, two major automotive countries. He focuses specifically on the Blue Ridge Parkway in the United States and the German Alpine Road as case studies. When the automobile was still young, an early twentieth-century group of designers―landscape architects, civil engineers, and planners―sought to build scenic infrastructures, or roads that would immerse drivers in the landscapes that they were traversing. As more Americans and Europeans owned cars and drove them, however, they became less interested in enchanted views; safety became more important than beauty.
Clashes between designers and drivers resulted in different visions of landscapes made for automobiles. As strange as it may seem to twenty-first-century readers, many professionals in the early twentieth century envisioned cars and roads, if properly managed, as saviors of the environment. Consuming Landscapes illustrates how the meaning of infrastructures changed as a result of use and consumption. Such changes indicate a deep ambivalence toward the automobile and roads, prompting the question: can cars and roads bring us closer to nature while deeply altering it at the same time?”
Eric Grube is a Visiting Assistant Professor in the Department of History at Boston College. He also received his PhD from Boston College in the summer of 2022. He studies modern German and Austrian history, with a special interest in right-wing paramilitary organizations across interwar Bavaria and Austria. His publications include:
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Peoples & Things host Lee Vinsel talks with Paula Bialski, an Associate Professor for Digital Sociology at the University of St. Gallen in St. Gallen, Switzerland, about her recent book, Middle Tech: Software Work and the Culture of Good Enough (Princeton UP, 2024). The pair talk about the art of ethnographic study of software work, and how, maybe, our world could do with a healthy dose of good enough-ness. They also scheme about some potential collaborations here on Peoples & Things, which you should definitely keep an eye out for. (You should also check out Paula’s folk pop group, Paula & Karol, whose music was greatly enjoyed while working on this episode.)
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A short, thought-provoking book about what happens to our online identities after we die.
These days, so much of our lives takes place online—but what about our afterlives? Thanks to the digital trails that we leave behind, our identities can now be reconstructed after our death. In fact, AI technology is already enabling us to “interact” with the departed. Sooner than we think, the dead will outnumber the living on Facebook. In this thought-provoking book, Carl Öhman explores the increasingly urgent question of what we should do with all this data and whether our digital afterlives are really our own—and if not, who should have the right to decide what happens to our data.
The stakes could hardly be higher. In the next thirty years alone, about two billion people will die. Those of us who remain will inherit the digital remains of an entire generation of humanity—the first digital citizens. Whoever ends up controlling these archives will also effectively control future access to our collective digital past, and this power will have vast political consequences. The fate of our digital remains should be of concern to everyone—past, present, and future. Rising to these challenges, Öhman explains, will require a collective reshaping of our economic and technical systems to reflect more than just the monetary value of digital remains.
As we stand before a period of deep civilizational change, The Afterlife of Data: What Happens to Your Information When You Die and Why You Should Care (U Chicago Press, 2024) will be an essential guide to understanding why and how we as a human race must gain control of our collective digital past—before it is too late.
Jake Chanenson is a computer science Ph.D. student and law student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
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It’s the UConn Popcast, and recently UConn’s Center for the Study of Popular Music hosted a panel discussion on Artificial Intelligence and the Future of Music. The panel featured Dr. Mitchell Green, Professor of Philosophy, University of Connecticut; Dustin Ballard, a musician and creator of the social media channel “There I Ruined It”; and Dr. Aaron Dial, a postdoctoral research fellow at the Humanities and Technoscience Lab at Purdue University.
The conversation addressed AI music creation, production, composition, aesthetics, trends, copyright issues, and algorithms.
The panel was moderated by Professor Jeffrey Ogbar, Director of the Center for the Study of Popular Music and Professor of History at the University of Connecticut.
Timestamps:
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There's a lot of talk these days about the existential risk that artificial intelligence poses to humanity -- that somehow the AIs will rise up and destroy us or become our overlords.
In The AI Mirror: How to Reclaim our Humanity in an Age of Machine Thinking (Oxford UP), Shannon Vallor argues that the actual, and very alarming, existential risk of AI that we face right now is quite different. Because some AI technologies, such as ChatGPT or other large language models, can closely mimic the outputs of an understanding mind without having actual understanding, the technology can encourage us to surrender the activities of thinking and reasoning. This poses the risk of diminishing our ability to respond to challenges and to imagine and bring about different futures. In her compelling book, Vallor, who holds the Baillie Gifford Chair in the Ethics and Artificial Intelligence at the University of Edinburgh's Edinburgh Futures Institute, critically examines AI Doomers and Long-termism, the nature of AI in relation to human intelligence, and the technology industry's hand in diverting our attention from the serious risks we face.
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What is data, and why does it matter for us to care about the data traces we leave behind? What are the implications for our lives of how this data is used by other people in other times and places? In a conversation with Joanne Kuai, authors Aram Sinnreich and Jesse Gilbert introduce their new book and talk about how we can rethink our relationship with data and stay informed to make better decisions in the face of technological uncertainty.
In their latest book, The Secret Life of Data: Navigating Hype and Uncertainty in The Age of Algorithmic Surveillance (MIT Press, 2024), Aram Sinnreich and Jesse Gilbert explore the many unpredictable and often surprising ways in which data surveillance, AI, and the constant presence of algorithms impact our culture and society in the age of global networks.
The book focuses primarily on the long-term consequences of humanity's recent rush toward digitizing, storing, and analyzing every piece of data about ourselves and the world we live in. The authors advocate for “slow fixes” regarding our relationship to data, such as creating new laws and regulations, ethics and aesthetics, and models of production for our datafied society.
Aram Sinnreich is an author, professor, and musician. He is Chair of Communication Studies at American University. His books include Mashed Up, The Piracy Crusade, The Essential Guide to Intellectual Property, and A Second Chance for Yesterday (published as R. A. Sinn).
Jesse Gilbert is an interdisciplinary artist exploring the intersection of visual art, sound, and software design at his firm Dark Matter Media. He was the founding Chair of the Media Technology department at Woodbury University, and he has taught interactive software design at both CalArts and UC San Diego.
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There were 20,000 miles of railways in 1865 and about a million by 2020. Scale has always been a key theme in railway history. In the First World War, the London and North West Railway transported 325,000 miles of barbed wire and over twelve million pairs of army boots. At the end of the twentieth century, Indian Railways sold 4.5 billion tickets annually.
In A World History of Rail: From the Steam Regime to Today (Amberley Publishing, 2023), Jeremy Black examines how rail transformed the world. While always shaped by commercial interests, the role of the railway was (and is) strategic in the broadest sense: like Roman roads and Chinese canals, it helped develop the economic links that sustained and strengthened the major powers. For example, the railway was fundamental in integrating the frontiers of settlement with the world economy, in the spread of cultivation and ranching, and in the exploitation of mining opportunities. Rail expanded the 'logistical space' of most states. To give one modern example of the political importance of rail, Ukraine's railway is on the 1.52 metre gauge, rather than the 1.435 metre one used in Poland and most of Europe. In 2022, Denys Shmyhal, Ukraine's Prime Minister, declared that the railways there would be rebuilt to the European gauge. This enhanced capability would counter the Russian ability to blockade Ukraine's Black Sea ports, notably Odessa. The plan was not endorsed by the Kremlin...
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What does an art history of Instagram look like? Appreciation Post: Towards an Art History of Instagram (University of California Press, 2024) by Dr. Tara Ward reveals how Instagram shifts long-established ways of interacting with images. Dr. Ward argues Instagram is a structure of the visual, which includes not just the process of looking, but what can be seen and by whom. She examines features of Instagram use, including the effect of scrolling through images on a phone, the skill involved in taking an “Instagram-worthy” picture, and the desires created by following influencers, to explain how the constraints imposed by Instagram limit the selves that can be displayed on it. The proliferation of technical knowledge, especially among younger women, revitalises on Instagram the myth of the masculine genius and a corresponding reinvigoration of a masculine audience for art.
Dr. Ward prompts scholars of art history, gender studies, and media studies to attend to Instagram as a site of visual expression and social consequence. Through its insightful comparative analysis and acute close reading, Appreciation Post argues for art history’s value in understanding the contemporary world and the visual nature of identity today.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The latest developments in robotics and artificial intelligence and a preview of the coming decades, based on research and interviews with the world's foremost experts. If there’s one universal trait among humans, it’s our social nature. The craving to connect is universal, compelling, and frequently irresistible.
This concept is central to Robots and the People Who Love Them: Holding on to Our Humanity in an Age of Social Robots (St. Martin's Press, 2024). Socially interactive robots will soon transform friendship, work, home life, love, warfare, education, and nearly every nook and cranny of modern life. This book is an exploration of how we, the most gregarious creatures in the food chain, could be changed by social robots. On the other hand, it considers how we will remain the same, and asks how human nature will express itself when confronted by a new class of beings created in our own image. Drawing upon recent research in the development of social robots, including how people react to them, how in our minds the boundaries between the real and the unreal are routinely blurred when we interact with them, and how their feigned emotions evoke our real ones, science writer Eve Herold takes readers through the gamut of what it will be like to live with social robots and still hold on to our humanity. This is the perfect book for anyone interested in the latest developments in social robots and the intersection of human nature and artificial intelligence and robotics, and what it means for our future.
Sophia the Robot Tries to Convince the Experts
Eve Herold is an award-winning science writer and consultant in the scientific and medical nonprofit space. A longtime communications and policy executive for scientific organizations, she currently serves as Director of Policy Research and Education for the Healthspan Action Coalition.
Caleb Zakarin is editor at the New Books Network.
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We commonly think of trolls as anonymous online pranksters who hide behind clever avatars and screen names. In Trolling Ourselves to Death: Democracy in the Age of Social Media (Oxford UP, 2024), Jason Hannan reveals how the trolls have emerged from the cave and now walk in the clear light of day. Once limited to the darker corners of the internet, trolls have since gone mainstream, invading our politics and eroding our civic culture. Trolls are changing the norms of democratic politics and shaping how we communicate in the public sphere. Adding a twist to Neil Postman's classic thesis, this book argues that we are not so much amusing as trolling ourselves to death. But how did this come to be? Is this transformation attributable solely to digital technology? Or are there deeper political, economic, and cultural roots?
This book moves beyond the familiar picture of trolls by recasting trolling in a broader historical light. It shows how trolling is the logical expression of widespread alienation, cynicism, and paranoia deeply rooted in a culture of possessive individualism. Drawing from Postman, Alasdair MacIntyre, Karl Marx, and Hannah Arendt, this book explores the disturbing rise of political unreason in the form of mass trolling. It explains the proliferation of disinformation, conspiracy theory, "cancel culture," and public shaming. Taking inspiration from G. F. W. Hegel, Paulo F reire, and bell hooks, this book makes a case for building a spirit of trust to counter the culture of mass distrust that feeds the epidemic of political trolling.
Dr. Jason Hannan is Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of Trolling Ourselves to Death: Democracy in the Age of Social Media (Oxford University Press, 2023) and the editor of Meatsplaining: The Animal Agriculture Industry and the Rhetoric of Denial (Sydney University Press, 2020). His current book project is Reactionary Speech: Conservatism and the Rhetoric of Denial.
Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College.
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A probing examination of the dynamic history of predictive methods and values in science and engineering that helps us better understand today's cultures of prediction.
The ability to make reliable predictions based on robust and replicable methods is a defining feature of the scientific endeavor, allowing engineers to determine whether a building will stand up or where a cannonball will strike. Cultures of Prediction: How Engineering and Science Evolve with Mathematical Tools (MIT Press, 2024), which bridges history and philosophy, uncovers the dynamic history of prediction in science and engineering over four centuries. Ann Johnson and Johannes Lenhard identify four different cultures, or modes, of prediction in the history of science and engineering: rational, empirical, iterative-numerical, and exploratory-iterative. They show how all four develop together and interact with one another while emphasizing that mathematization is not a single unitary process but one that has taken many forms.
The story is not one of the triumph of abstract mathematics or technology but of how different modes of prediction, complementary concepts of mathematization, and technology coevolved, building what the authors call “cultures of prediction.” The first part of the book examines prediction from early modernity up to the computer age. The second part probes computer-related cultures of prediction, which focus on making things and testing their performance, often in computer simulations. This new orientation challenges basic tenets of the philosophy of science, in which scientific theories and models are predominantly seen as explanatory rather than predictive. It also influences the types of research projects that scientists and engineers undertake, as well as which ones receive support from funding agencies.
Nikki Stevens, PhD is a critical technology researcher and software engineer. Find more of their work here.
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How do Chinese citizens make sense of digital surveillance and live with it? What narratives do they come up with to deal with the daily and all-encompassing reality of life in China? What mental tactics do they apply to dissociate themselves from surveillance? Ariane Ollier-Malaterre explores these questions in her book Living with Digital Surveillance in China (Routledge, 2023).
Ariane Ollier-Malaterre, Professor of Management and Canada Research Chair on Digital Regulation at Work and in Life at the Université du Québec à Montréal, Canada talks with Joanne Kaui about her research that investigates Chinese citizens’ imaginaries about surveillance and privacy from within the Chinese socio-political system.
Based on in-depth qualitative research interviews, detailed diary notes, and extensive documentation, Ariane Ollier-Malaterre attempts to ‘de-Westernise’ the internet and surveillance literature. In the book, she shows how the research participants weave a cohesive system of anguishing narratives on China’s moral shortcomings and redeeming narratives on the government and technology as civilizing forces.
Although many participants cast digital surveillance as indispensable in China, their misgivings, objections, and the mental tactics they employ to dissociate themselves from surveillance convey the mental and emotional weight associated with such surveillance exposure.
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In Camera Geologica: An Elemental History of Photography (Duke UP, 2024) Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism.
This conversation discusses the meta-narrative and performative aspects of some of the photographs shown in the text, dives into some of the stories and examples from Ann Atkin's cyanotypes of the 1800s to Warren Cariou's contemporary bitumin prints, and asks what ethical photography looks like given the resource extraction required.
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How does a delivery driver distribute hundreds of packages in a single working day? Why does remote Alaska have such a large airport? Where should we look for elusive serial killers? The answers lie in the crucial connection between maps and maths.
In Mapmatics: How We Navigate the World Through Numbers (Pan Macmillan, 2024), Dr Paulina Rowinska embarks on a fascinating journey to discover the mathematical foundations of cartography and cartographical influences on mathematics.
From a sixteenth-century map that remains an indispensable navigation tool despite emphasising the North–South divide to public transport maps that both guide and mislead passengers, she reveals how maps and maths shape not only our sense of space and time but also our worldview.
Through entertaining stories, surprising real-world examples and a cast of unforgettable characters, Mapmatics helps us to appreciate the mathematical methods and ideas behind maps. And, by illuminating how our world works, leaves us better equipped to understand and look after it.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Peoples & Things host Lee Vinsel talks with danah boyd, Partner Researcher at Microsoft Research, founder of the Data & Society Research Institute, and a distinguished visiting professor at Georgetown University, about her career and work. The pair discuss boyd's the genesis and intellectual background of boyd's now classic text, It's Complicated: The Social Lives of Teens (Yale UP, 2014) as well as her more recent work on digital infrastructure and the US Census Bureau.
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With the rapid development of artificial intelligence and labor-saving technologies like self-checkouts and automated factories, the future of work has never been more uncertain, and even jobs requiring high levels of human interaction are no longer safe. The Last Human Job: The Work of Connecting in a Disconnected World (Princeton UP, 2024) explores the human connections that underlie our work, arguing that what people do for each other in these settings is valuable and worth preserving.
Drawing on in-depth interviews and observations with people in a broad range of professions--from physicians, teachers, and coaches to chaplains, therapists, caregivers, and hairdressers--Allison Pugh develops the concept of "connective labor," a kind of work that relies on empathy, the spontaneity of human contact, and a mutual recognition of each other's humanity. The threats to connective labor are not only those posed by advances in AI or apps; Pugh demonstrates how profit-driven campaigns imposing industrial logic shrink the time for workers to connect, enforce new priorities of data and metrics, and introduce standardized practices that hinder our ability to truly see each other. She concludes with profiles of organizations where connective labor thrives, offering practical steps for building a social architecture that works.
Vividly illustrating how connective labor enriches the lives of individuals and binds our communities together, The Last Human Job is a compelling argument for us to recognize, value, and protect humane work in an increasingly automated and disconnected world.
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Today’s book is: More Than A Glitch: Confronting Race, Gender, and Ability Bias in Tech (MIT Press, 2024), by Meredith Broussard. When technology reinforces inequality, it's not just a glitch—it's a signal that we need to redesign our systems to create a more equitable world. The word “glitch” implies an incidental error, as easy to patch up as it is to identify. But what if racism, sexism, and ableism aren't just bugs in mostly functional machinery? What if they're coded into the system itself?
Meredith Broussard demonstrates in More Than a Glitch how neutrality in tech is a myth and why algorithms need to be held accountable. Broussard, a data scientist and one of the few Black female researchers in artificial intelligence, masterfully synthesizes concepts from computer science and sociology. She explores a range of examples: from facial recognition technology trained only to recognize lighter skin tones, to mortgage-approval algorithms that encourage discriminatory lending, to the dangerous feedback loops that arise when medical diagnostic algorithms are trained on insufficiently diverse data. Even when such technologies are designed with good intentions, Broussard shows, fallible humans develop programs that can result in devastating consequences. Broussard argues that the solution isn't to make omnipresent tech more inclusive, but to root out the algorithms that target certain demographics as “other” to begin with. With sweeping implications for fields ranging from jurisprudence to medicine, the ground-breaking insights of More Than a Glitch are essential reading for anyone invested in building a more equitable future.
Our guest is: Meredith Broussard, who is an associate professor at the Arthur L. Carter Journalism Institute of New York University, research director at the NYU Alliance for Public Interest Technology, and the author of several books, including More Than a Glitch: Confronting Race, Gender, and Ability Bias in Tech, and Artificial Unintelligence: How Computers Misunderstand the World. Her academic research focuses on artificial intelligence in investigative reporting and ethical AI, with a particular interest in using data analysis for social good.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. You can help support the show by downloading, sharing, posting about, or assigning any of our 200+ episodes.
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Artificial intelligence started with programmed computers, where programmers would manually program human expert knowledge into the systems. In sharp contrast, today's artificial neural networks – deep learning – are able to learn from experience, and perform at human-like levels of perceptual categorization, language production, and other cognitive abilities at h. This difference has been portrayed as roughly parallel to the philosophical divide between rationalists or nativists on the one hand, and empiricists on the other.
In From Deep Learning to Rational Machines (Oxford UP, 2024), Cameron Buckner lays out a program for future AI development based on discussions of the human mind by such figures as David Hume, Ibn Sina (Avicenna), and Sophie de Grouchy, among others. Buckner, who is an associate professor of philosophy at the University of Houston, offers a conceptual framework that occupies a middle ground between the extremes of 'blank slate' empiricism and innate domain specific faculty psychology, and defends the claim that neural network modelers have found, at least in some cases, a sweet spot of abstraction from the messy details of biological cognition so as to capture the relevant similarities in their artificial networks.
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In this debut conversation, we speak to Dr. Nina Beguš, a researcher at UC Berkeley and the founder of InterpretAI who holds a PhD in Comparative Literature from Harvard University. Listen to learn about Nina’s path at the intersection of AI and the humanities, the challenges and rewards of working across disciplines, what questions to ask as an ethical researcher, and practical advice for how to succeed in a multifaceted, multidisciplinary career in today’s fast-changing digital landscape.
Beguš' first book, titled Artificial Humanities: A Fictional Perspective on Language in AI, is currently under an advance contract with the University of Michigan Press.
Towards Knowledge is a Latent Knowledge podcast series where we interview industry and academic leaders about research in the real world — from career development to the most pressing philosophical questions in today’s changing research landscape.
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Brynn Quick speaks with best-selling author and linguist Gretchen McCulloch about her 2019 New York Times bestselling book Because Internet: Understanding the New Rules of Language (Riverhead Books, 2020). Gretchen has written a Resident Linguist column at The Toast and Wired. She is also the co-creator of Lingthusiasm, a wildly popular podcast that’s enthusiastic about linguistics.
Because Internet is for anyone who’s ever puzzled over how to punctuate a text message or wondered where memes come from. It’s the perfect book for understanding how the internet is changing the English language, why that’s a good thing, and what our online interactions reveal about who we are.
For additional resources, show notes, and transcripts, go here.
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The Dangerous Art of Text Mining: A Methodology for Digital History (Cambridge UP, 2022) celebrates the bold new research now possible because of text mining: the art of counting words over time. However, this book also presents a warning: without help from the humanities, data science can distort the past and lead to perilous errors. The book opens with a rogue's gallery of errors, then tours the ground-breaking analyses that have resulted from collaborations between humanists and data scientists.
Jo Guldi explores how text mining can give a glimpse of the changing history of the past - for example, how quickly Americans forgot the history of slavery. Textual data can even prove who was responsible in Congress for silencing environmentalism over recent decades. The book ends with an impassioned vision of what text mining in defence of democracy would look like, and why humanists need to be involved.
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Cyrus McCormick invented the revolutionary mechanical reaper in 1831...right? At least, that's how the story has been told for decades. In Harvesting History: McCormick's Reaper, Heritage Branding, and Historical Forgery (U Nebraska Press, 2023), National Park Service historian Daniel Ott argues that not only have textbooks and other sources of historical knowledge gotten this wrong, but that they've done so because of a massive PR campaign. Ott argues that McCormick, his family, and the company that bears his name, all engaged in a multi-decade long fight to convince potential buyers that their reaper was the first, and given the potentially millions of dollars at stake in a competitive farm implement marketplace, claiming so was no exercise in arcane trivia. In the late 19th and early 20th century. McCormick's company recruited salesmen, advertisers, and newly professionalized historians to shape a narrative about the reaper that sanded over the complex and contingent nature of its invention, and turned McCormick into an American hero. The history told by these groups was malleable enough to fit changing times, as populists and progressives came and went - the claim of "first" gave McCormick's reaper credibility its competitiors could never match. Harvesting History is a story about the importance of getting the story right, and why some people will go to great lengths to make sure we keep getting the story wrong.
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Well into the new millennium, the analog cassette tape continues to claw its way back from obsolescence. New cassette labels emerge from hipster enclaves while the cassette’s likeness pops up on T-shirts, coffee mugs, belt buckles, and cell phone cases. In Unspooled: How the Cassette Made Music Shareable (Duke University Press, 2024), Dr. Rob Drew traces how a lowly, hissy format that began life in office dictation machines and cheap portable players came to be regarded as a token of intimate expression through music and a source of cultural capital.
Drawing on sources ranging from obscure music zines to transcripts of Congressional hearings, Dr. Drew examines a moment in the early 1980s when music industry representatives argued that the cassette encouraged piracy. At the same time, 1980s indie rock culture used the cassette as a symbol to define itself as an outsider community. Indie’s love affair with the cassette culminated in the mixtape, which advanced indie’s image as a gift economy. By telling the cassette’s long and winding history, Dr. Drew demonstrates that sharing cassettes became an acceptable and meaningful mode of communication that initiated rituals of independent music recording, re-recording, and gifting.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Through a skillful combination of economic and cultural history, this book describes the impact on Moldavia and Wallachia of steam navigation on the Danube. The Danube route integrated the two principalities into a dense network of European roads and waterways. From the 1830s to the 1860s, steamboat transport transformed time and space for the areas that benefited from regular services. River traffic accelerated urban development along the Lower Danube and contributed directly to institutional modernization in one of Europe's peripheries. Beyond technological advances and the transportation of goods on a trans-imperial waterway, steamboat travel revolutionized human interactions, too. Steamboat Modernity: Travel, Transport, and Social Transformation on the Lower Danube, 1830–1860 (CEU Press, 2024) offers a fascinating insight into the social and cultural milieu of the nineteenth century, drawing on first-hand accounts of Danube cruising.
Describing the story of travelers who interacted, met, and visited the places they stopped, Constantin Ardeleanu creates a transnational history of travel up and down the Danube from Vienna to Constantinople. The pleasures and sometimes the travails of the travelers unfold against a backdrop of technical and economic transformation in the crucial period of modernization.
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From the seventeenth to the nineteenth century, the industrial revolution transformed Britain from an agricultural and artisanal economy to one dominated by industry, ushering in unprecedented growth in technology and trade and putting the country at the center of the global economy. But the commonly accepted story of the industrial revolution, anchored in images of cotton factories and steam engines invented by unfettered geniuses, overlooks the true root of economic and industrial expansion: the lucrative military contracting that enabled the country's near-constant state of war in the eighteenth century. Demand for the guns and other war materiel that allowed British armies, navies, mercenaries, traders, settlers, and adventurers to conquer an immense share of the globe in turn drove the rise of innumerable associated industries, from metalworking to banking.
Bookended by the Glorious Revolution of 1688 and the end of the Napoleonic Wars in 1815, Empire of Guns: The Violent Making of the Industrial Revolution (Bloomsbury, 2019) traces the social and material life of British guns over a century of near-constant war and violence at home and abroad. Priya Satia develops this story through the life of prominent British gun-maker and Quaker Samuel Galton Jr., who was asked to answer for the moral defensibility of producing guns as new uses like anonymous mass violence rose. Reconciling the pacifist tenet of his faith with his perception of the economic realities of the time, Galton argued that war was driving the industrial economy, making everyone inescapably complicit in it. Through his story, Satia illuminates Britain's emergence as a global superpower, the roots of the government's role in economic development, and the origins of our own era's debates over gun control and military contracting.
Priya Satia is the Raymond A. Spruance Professor of International History and Professor of British History at Stanford University. She is the author of Spies in Arabia: The Great War and the Cultural Foundations of Britain's Covert Empire in the Middle East (2009), and her writing has appeared in Slate, the Financial Times, the Nation, and the Huffington Post, among other publications.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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What isn't counted doesn't count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide: Data Feminism in Action (MIT Press, 2024) brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work.
Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D'Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account. This book is also a forceful intervention that challenges hegemonic data science by exploring the possibilities and limitations of counting and quantification and drawing lessons for a restorative and transformative data science.
This book is available open access here.
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Thousands of shows have opened on Broadway. Why do we remember some and not others?
The musical theatre repertory is not composed of titles popular in the theatre but by those with successful cast recordings, movie versions, or even illegal bootlegs on YouTube. The shows audiences know, and the texts and music they expect to hear when they attend a production, are defined by media consumed at home more than by memories of performances witnessed in the theatre. For example, author Doug Reside shows that it is no accident that the serious book musical with a fixed score developed in the 1940s - when commercially pressed and marketed record albums made it possible to record most of the score of a new musical in a fixed medium. And Hamilton, a musical with dense lyrics and revolutionary musical style, would not have been as easily accessible to world audiences if most hadn't already had the opportunity to learn the score by listening to free digital streams of the original cast recording.
The technologies that made these media possible developed concurrently with and shaped the American musical as an art form. Reside uncovers how the affordances and limitations of these technologies established a repertory of titles that are most frequently performed and defined by the texts used in these performances. Fixing the Musical: How Technologies Shaped the Broadway Repertory (Oxford UP, 2023) argues that the musicals we most remember are those which most effectively used their era's best recording and distribution technologies to document and share the work with those who would never see the original production on Broadway.
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In this episode of the CEU Press Podcast, host Andrea Talabér (CEU Press/CEU Review of Books) sat down with Per Högselius and Achim Klüppelberg to discuss their new book with CEU Press entitled, The Soviet Nuclear Archipelago: A Historical Geography of Atomic-Powered Communism (CEU Press, 2023).
The book is available Open Access, click here to download.
The war in Ukraine, with the exposure of nuclear power stations and the danger of atomic warfare, has made the legacy of the Soviet nuclear sector of critical importance.
The two authors map the Soviet nuclear industry in a shifting historical context, making sense of a complex socio-technical and environmental history. Taking an innovative approach, this book explores the history of atomic power in the former Soviet Union using the spatial dimensions of the nuclear industry as a point of departure.
Per and Achim’s book is part of our new series, CEU Press Perspectives. The series offers the latest viewpoints on both new and perennial issues, these books address a wide range of topics of critical importance today. The new series, originating from an international collection of leading authors, encourages us to look at issues from a different viewpoint, to think outside the box, and to stimulate debate.
You can learn more about the series here.
The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We will also talk to series editors and authors, who will share their experiences of getting published and talk about their series or books.
Interested in CEU Press’s publications? Click here to find out more here.
Stay tuned for future episodes and subscribe to our podcast to be the first to be notified.
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We all sometimes ‘lurk’ in online spaces without posting or engaging, just reading the posts and comments. But neither reading nor lurking are ever passive acts. In fact, readers of social media are making decisions and taking grassroots actions on multiple dimensions. Unpacking this understudied phenomenon, Just Here for the Comments: Lurking as Digital Literacy Practice (Bristol UP, 2024) by Gina Sipley challenges the conventional perspective of what counts as participatory online culture. Presenting lurking as a communication and literacy practice that resists dominant power structures, it offers an innovative approach to digital qualitative methods. Unique and original in its subject, this is a call for internet researchers to broaden their methods to include lurkers’ participation and presence.
Just Here for the Comments will be released on May 28th by Bristol University Press. Pre-orders are now open here. Readers can also get a 25% discount on ALL Bristol University Press and Policy Press books by signing up to their newsletter.
A portion of the proceeds from this book will benefit The Children’s Greenhouse, which provides high-quality, low-cost childcare to the children of SUNY Nassau Community College students, faculty, and staff. The Greenhouse is the reason many of our student parents persist and graduate with their degrees. Many of these students are first generation, too. You can learn more about this organization and how to donate, here.
Dr. Gina Sipley is an Associate Professor of English at SUNY Nassau Community College. Dr Sipley is in the process of developing with Bristol University Press free resources for academics, K-12 teachers, and book clubs interested in teaching and researching the social and economic effects of lurker literacies. Anyone interested in receiving these materials when they become available can hit subscribe on her website.
Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College.
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Listen to this interview of Courtney Miller, PhD student in Software Engineering at Carnegie Mellon University. We talk about her paper "Did You Miss My Comment or What?" Understanding Toxicity in Open Source Discussions (ICSE 2022).
Courtney Miller : "One of the things I really enjoyed after publication was the interest of other communities in our work. I mean, just the summer after we published, I went and gave a talk at the Linux Open Source conference, and it was really great to learn that — there's a lot of duality of thought in this world, but there's a lot of people who are pretty much studying the same types of problems as you but from completely different fields and completely different directions. And so, being able to incorporate their work in as well, while also having the bulk of our citations be to ICSE, of course, because that's our bread and butter in software engineering — all that comes together to make a better foundation for the paper."
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What are the tactics needed for a world of platforms and algorithms? In Algorithms of Resistance: The Everyday Fight against Platform Power (MIT Press, 2024), Tiziano Bonini, Associate Professor in Sociology of Culture and Communication at the University of Siena, and Emiliano Treré, a Reader in Data Agency and Media Ecologies at Cardiff University, examine the impact of platforms and algorithms on people, communities, and global social life. The book explores these issues using three case studies of gig work, culture, and politics. At its heart, the book demonstrates the potential for transforming the seeming total control of platforms and algorithms through the tactics and strategies of workers, artists, and social movements. The book is essential reading across humanities, social sciences, and computing, as well as for anyone interested in contemporary digital life. The book is available open access here.
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Peoples & Things host, Lee Vinsel, talks with MC Forelle, Assistant Professor of Engineering & Society at the School of Engineering and Applied Science at University of Virginia, about their research on the “chipification” of automobiles. MC’s work examines how computerization affects repair and a wide variety of other automotive experiences. In recent years, they have continued broadening out to include electric and autonomous vehicles and the environmental impacts thereof. Lee and MC also chew the fat about a bunch of other issues along the way.
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The Bolex camera, 16mm reversal film stocks, commercial film laboratories, and low-budget optical printers were the small-gauge media technologies that provided the infrastructure for experimental filmmaking at the height of its cultural impact. Technology and the Making of Experimental Film Culture (Oxford University Press, 2023) by Dr. John Powers examines how the avant-garde embraced these material resources and invested them with meanings and values adjacent to those of semiprofessional film culture.
By reasserting the physicality of the body in making time-lapse and kinesthetic sequences with the Bolex, filmmakers conversed with other art forms and integrated broader spheres of humanistic and scientific inquiry into their artistic process. Drawing from the photographic qualities of stocks such as Tri-X and Kodachrome, they discovered pliant metaphors that allowed them to connect their artistic practice to metaphysics, spiritualism, and Hollywood excess. By framing film labs as mystical or adversarial, they cultivated an oppositionality that valorized control over the artistic process. And by using the optical printer as a tool for excavating latent meaning out of found footage, they posited the reworking of images as fundamental to the exploration of personal and cultural identity.
Providing a wealth of new detail about the making of canonised avant-garde classics by such luminaries as Carolee Schneemann, Jack Smith, and Stan Brakhage, as well as rediscovering works from overlooked artists such as Chick Strand, Amy Halpern, and Gunvor Nelson, Technology and the Making of Experimental Film Culture uses technology as a lens for examining the process of making: where ideas come from, how they are put into practice, and how arguments about those ideas foster cultural and artistic commitments and communities.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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How are digital platforms transforming heritage? In Geopolitics of Digital Heritage (Cambridge UP, 2023), Dr Natalia Grincheva, Program Leader of the BA (Hons) Arts Management at the University of the Arts Singapore and Honorary Senior Research Fellow at the University of Melbourne, and Dr Elizabeth Stainforth, a lecturer in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds explore the global political context for digital heritage. Drawing on 4 detailed case studies- Singapore Memory Project, the National Library of Australia’s Trove, the EU’s Europeana, and Google Arts and Culture- the book shows the political ideas and imperatives underpinning the aggregation of heritage on digital platforms. Both an accessible introduction and a significant intervention to the field of heritage studies, the book will be essential reading across the arts, humanities and social sciences.
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The global battle among the three dominant digital powers―the United States, China, and the European Union―is intensifying. All three regimes are racing to regulate tech companies, with each advancing a competing vision for the digital economy while attempting to expand its sphere of influence in the digital world. In Digital Empires: The Global Battle to Regulate Technology (Oxford UP, 2023), her provocative follow-up to The Brussels Effect, Anu Bradford explores a rivalry that will shape the world in the decades to come.
Across the globe, people dependent on digital technologies have become increasingly alarmed that their rapid adoption and transformation have ushered in an exceedingly concentrated economy where a few powerful companies control vast economic wealth and political power, undermine data privacy, and widen the gap between economic winners and losers. In response, world leaders are variously embracing the idea of reining in the most dominant tech companies. Bradford examines three competing regulatory approaches―the American market-driven model, the Chinese state-driven model, and the European rights-driven regulatory model―and discusses how governments and tech companies navigate the inevitable conflicts that arise when these regulatory approaches collide in the international domain. Which digital empire will prevail in the contest for global influence remains an open question, yet their contrasting strategies are increasingly clear.
Digital societies are at an inflection point. In the midst of these unfolding regulatory battles, governments, tech companies, and digital citizens are making important choices that will shape the future ethos of the digital society. Digital Empires lays bare the choices we face as societies and individuals, explains the forces that shape those choices, and illuminates the immense stakes involved for everyone who uses digital technologies.
Jake Chanenson is a computer science Ph.D. student and law student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
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Peoples & Things host, Lee Vinsel, talks with Asif Siddiqi, Professor of History at Fordham University, about the arc of his career and his wide-ranging interests and work. The pair start by discussing Siddiqi's wonderful book, The Red Rockets' Glare: Spaceflight and the Russian Imagination, 1857-1957 (Cambridge University Press, 2014), a history of the social and cultural trends, including a heavy dose of science fiction and mysticism, in Russia and the Soviet Union that led to Sputnik. They then talk about Siddiqi's other projects and interests from prisons to pop songs to global histories of space infrastructures. They also discuss the promises of recent turns to global and international research projects and stories in the history of technology.
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In Code Work: Hacking Across the US/México Techno-Borderlands (Princeton UP, 2023), Héctor Beltrán examines Mexican and Latinx coders’ personal strategies of self-making as they navigate a transnational economy of tech work. Beltrán shows how these hackers apply concepts from the code worlds to their lived experiences, deploying batches, loose coupling, iterative processing (looping), hacking, prototyping, and full-stack development in their daily social interactions—at home, in the workplace, on the dating scene, and in their understanding of the economy, culture, and geopolitics. Merging ethnographic analysis with systems thinking, he draws on his eight years of research in México and the United States—during which he participated in and observed hackathons, hacker schools, and tech entrepreneurship conferences—to unpack the conundrums faced by workers in a tech economy that stretches from villages in rural México to Silicon Valley.
Beltrán chronicles the tension between the transformative promise of hacking—the idea that coding will reconfigure the boundaries of race, ethnicity, class, and gender—and the reality of a neoliberal capitalist economy divided and structured by the US/México border. Young hackers, many of whom approach coding in a spirit of playfulness and exploration, are encouraged to appropriate the discourses of flexibility and self-management even as they remain outside formal employment. Beltrán explores the ways that “innovative culture” is seen as central in curing México’s social ills, showing that when innovation is linked to technological development, other kinds of development are neglected. Beltrán’s highly original, wide-ranging analysis uniquely connects technology studies, the anthropology of capitalism, and Latinx and Latin American studies.
Mentioned in this episode, among others:
Héctor Beltrán is Class of 1957 Career Development Assistant Professor of Anthropology at MIT, where he teaches “Cultures of Computing,” “Hacking from the South,” and “Latin American Migrations.”
Liliana Gil is Assistant Professor of Comparative Studies (STS) at the Ohio State University.
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Measurements, and their manipulation, have been underestimated as crucial historical forces motivating and guiding the way we think about disability.
Using measurement technology as a lens, and examining in particular the measurement of hearing and breathing, Coreen McGuire's book Measuring Difference, Numbering Normal: Setting the Standards for Disability in the Interwar Period (Manchester UP, 2020) draws together several existing discussions on disability, phenomenology, healthcare, medical practice, big data, embodiment, and emerging medical and scientific technologies around the turn of the twentieth century. These are popular topics of scholarly attention but have not, until now, been considered as interconnected topics within a single book. As such, this work connects several important, and usually separate academic subject areas and historical specialisms. The standards embedded in instrumentation created strict, but, ultimately arbitrary thresholds of what is categorised as normal and abnormal. Considering these standards from a long historical perspective reveals how these dividing lines shifted when pushed.
This book is available open access here.
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In the future, we’ll all be having sex with robots… won’t we?
Roboticists say they’re a distracting science fiction, yet endless books, films and articles are written on the subject. Campaigns are even mounted against them. So why are sex robots such a hot topic?
Electric Dreams: Sex Robots and Failed Promises of Capitalism (404 Ink, 2024) by Heather Parry picks apart the forces that posit sex robots as either the solution to our problems or a real threat to human safety, and looks at what’s being pushed aside for us to obsess about something that will never happen.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In War and Conflict in the Middle Ages (Polity, 2022), Dr. Stephen Morillo offers the first global history of armed conflict between 540 and 1500 or as late as 1800 CE, an age shaped by climate change and pandemics at both ends. Examining armed conflict at all levels, and ranging across China and the central Asian steppes to southwest Asia, western Europe, and beyond, Morillo explores the technological, social, cultural, and environmental determinants of warfare and the tools and tactics used by warriors on land and at sea.
Part I explains the geographical, political, and technological rules that shaped patterns of military activity everywhere. Part II explores how these rules played out in various historical contexts. Armed conflict played a central role in the making of the medieval world, and medieval people used war and conflict to create, expand, and defend their communities and identities. But the devastating effects of climate change and epidemic disease continually reshaped these communities and the nature of their conflicts.
Broad in its scope and rich in detail, War and Conflict in the Middle Ages will be the go-to guide for students and aficionados of military history, medieval history, and global history.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In 1971, the first lunar rover arrived on the moon. The design became an icon of American ingenuity and the adventurous spirit and vision many equated with the space race.
Fifty years later, that vision feels like a nostalgic fantasy, but the lunar rover's legacy paved the way for Mars rovers like Sojourner, Curiosity, and Perseverance. Other rovers have made accessible the world's deepest caves and most remote tundra, extending our exploratory range without risking lives. Still others have been utilised for search and rescue missions or in clean up operations after disasters such as Chernobyl.
Space Rover (Bloomsbury, 2024) by Stewart Lawrence Sinclair is the addition to the Object Lessons series that explores all of this and more. The book shows that for all these achievements, rovers embody not just our potential, but our limits. Examining rovers as they wander our terrestrial and celestial boundaries, we might better comprehend our place, and fate, in this universe.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Health Apps, Genetic Diets and Superfoods: When Biopolitics Meets Neoliberalism (Bloomsbury, 2023) critically examines contemporary health and wellness culture through the lens of personalization, genetification and functional foods. These developments have had a significant impact on the intersecting categories of gender, race, and class in light of the increasing adoption of digital health and surveillance technologies like MyFitnessPal, Lifesum, HealthyifyMe, and Fooducate. These three vectors of identity, when analysed in relation to food, diet, health, and technology, reveal significant new ways in which inequality, hierarchy, and injustice become manifest.
In the book, Tina Sikka argues that the corporate-led trends associated with health apps, genetic testing, superfoods, and functional foods have produced a kind of dietary-genomic-functional food industrial complex. She makes the positive case for a prosocial, food secure, and biodiverse health and food culture that is rooted in community action, supported by strong public provisioning of health care, and grounded in principles of food justice and sovereignty.
Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities.
High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect.
Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical.
Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
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Peoples & Things host, Lee Vinsel, talks with Guru Madhavan, Norman R. Augustine Senior Scholar and Senior Director of Programs at the National Academy of Engineering, about his recent book, Wicked Problems: How to Engineer a Better World (W. W. Norton & Company, 2024). In Wicked Problems, Madhavan draws on a rich body of literature from the humanities and social sciences to think through how engineers can do a better job working on problems that include complex social and technical realities. The pair also talk about how Madhavan came to the National Academy of Engineering after working as an engineer and entrepreneur and some of his future work, including ongoing writing on the importance of maintenance and “grind problems” in engineering.
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A Brief History of Intelligence: Evolution, Ai, and the Five Breakthroughs That Made Our Brains (Mariner Books, 2023) tells two fascinating stories. One is the evolution of nervous systems. It started 600 million years ago, when the first brains evolved in tiny worms. The other one is humans' quest to create more and more intelligent systems. This story begins in 1951 with the first reinforcement learning algorithm trying to mimic neural networks.
Max Bennett is an AI entrepreneur and neuroscience researcher. His work combines insights from evolutionary neuroscience, comparative psychology, and AI. As each chapter describes how a skill evolved, it also explains whether(!) and how an AI system has managed to implement something similar. A recurring theme is how human brains and neural circuits have influenced AI architecture. The other side of this bi-directional connection is also intriguing. AI has often served as a litmus test, giving a clue how a not well understood neurobiological phenomenon might work, how plausible a hypothesis is.
The organzining principle of this book is a framework of five breakthroughs, which compares evolution to technological innovation. Like a new technology enables several innovative products, a new brain capability enables several new skills. For example, mammals show several new intelligent behaviors compared to their ancestors: vicarious trial and error, episodic memory, and planning. The foundation of all these novelties, is probably the same capability: simulation.
The five breakthroughs are:
This framework guides the readers through a time travel of 600 million years. We learn about the environment in which these capabilities evolved: Who were the first mammals and why did planning benefit them? We see what contemporary animals can and can't do: Fish aren't as dumb as folklore suggests. And we take a look at AI's baffling achievements and limitations: Why can AI write decent essays but not load a dishwasher?
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Robert Willim's new book Mundania: How and Where Technologies Are Made Ordinary (Bristol University Press, 2024), takes the reader on a journey through the realm of Mundania, a realm that is both familiar and incomprehensible, banal and uncanny. Mundania is the realm in which technology, which seemed unspeakable before its arrival in our world, becomes an everyday fixture of life, and, more specifically, mundane.
Jeff Adler is an ex-linguist and occasional contributor to New Books Network!
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In Dark Star: A New History of the Space Shuttle (MIT Press, 2023), Dr. Matthew Hersch challenges the existing narrative of the most significant human space program of the last 50 years, NASA's space shuttle. He begins with the origins of the space shuttle: a century-long effort to develop a low-cost, reusable, rocket-powered airplane to militarize and commercialize space travel, which Hersch explains was built the wrong way, at the wrong time, and for all the wrong reasons. Describing the unique circumstances that led to the space shuttle's creation by President Richard Nixon's administration in 1972 and its subsequent flights from 1981 through 2011, Dr. Hersch illustrates how the space shuttle was doomed from the start.
While most historians have accepted the view that the space shuttle's fatal accidents—including the 1986 Challenger explosion—resulted from deficiencies in NASA's management culture that lulled engineers into a false confidence in the craft, Dark Star reveals the widespread understanding that the shuttle was predestined for failure as a technology demonstrator. The vehicle was intended only to give the United States the appearance of a viable human spaceflight program until funds became available to eliminate its obvious flaws. Hersch's work seeks to answer the perilous questions of technological choice that confront every generation, and it is a critical read for anyone interested in how we can create a better world through the things we build.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The fascinating, untold story of how the Chinese language overcame unparalleled challenges and revolutionized the world of computing. A standard QWERTY keyboard has a few dozen keys. How can Chinese—a language with tens of thousands of characters and no alphabet—be input on such a device?
In The Chinese Computer: A Global History of the Information Age (MIT Press, 2024), Thomas Mullaney sets out to resolve this paradox, and in doing so, discovers that the key to this seemingly impossible riddle has given rise to a new epoch in the history of writing—a form of writing he calls “hypography.” Based on fifteen years of research, this pathbreaking history of the Chinese language charts the beginnings of electronic Chinese technology in the wake of World War II up through to its many iterations in the present day. Mullaney takes the reader back through the history and evolution of Chinese language computing technology, showing the development of electronic Chinese input methods—software programs that enable Chinese characters to be produced using alphanumeric symbols—and the profound impact they have had on the way Chinese is written. Along the way, Mullaney introduces a cast of brilliant and eccentric personalities drawn from the ranks of IBM, MIT, the CIA, the Pentagon, the Taiwanese military, and the highest rungs of mainland Chinese establishment, to name a few, and the unexpected roles they played in developing Chinese language computing. Finally, he shows how China and the non-Western world—because of the hypographic technologies they had to invent in order to join the personal computing revolution—“saved” the Western computer from its deep biases, enabling it to achieve a meaningful presence in markets outside of the Americas and Europe. An eminently engaging and artfully told history, The Chinese Computer is a must-read for anyone interested in how culture informs computing and how computing, in turn, shapes culture.
Thomas S. Mullaney is Professor of Chinese History at Stanford University and a Guggenheim Fellow.
Caleb Zakarin is Editor at the New Books Network.
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Our privacy is besieged by tech companies.
Companies can do this because our laws are built on outdated ideas that trap lawmakers, regulators, and courts into wrong assumptions about privacy, resulting in ineffective legal remedies to one of the most pressing concerns of our generation.
Drawing on behavioral science, sociology, and economics, Ignacio Cofone challenges existing laws and reform proposals and dispels enduring misconceptions about data-driven interactions. This exploration offers readers a holistic view of why current laws and regulations fail to protect us against corporate digital harms, particularly those created by AI. Cofone then proposes a better response: meaningful accountability for the consequences of corporate data practices, which ultimately entails creating a new type of liability that recognizes the value of privacy.
Jake Chanenson is a computer science Ph.D. student and law student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
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Global adoption of the Internet has exploded, yet we are only beginning to understand the Internet's profound political consequences. Authoritarian states are digitally catching up with their democratic counterparts, and both are showing a growing interest in the use of cyber controls--online censorship and surveillance technologies--that allow governments to exercise control over the Internet. Under what conditions does a digitally connected society actually help states target their enemies? Why do repressive governments sometimes shut down the Internet when faced with uprisings? And how have cyber controls become a dependable tool in the weapons arsenal that states use in civil conflict?
In Repression in the Digital Age: Surveillance, Censorship, and the Dynamics of State Violence (Oxford University Press, 2023), Dr. Anita R. Gohdes addresses these questions, and provides an original and in-depth look into the relationship between digital technologies and state violence. Drawing on large-scale analyses of fine-grained data on the Syrian conflict, qualitative case evidence from Iran, and the first global comparative analysis on Internet outages and state repression, Dr. Gohdes makes the case that digital infrastructure supports security forces in their use of violent state repression. More specifically, she argues that mass access to the Internet presents governments who fear for their political survival with a set of response options. When faced with a political threat, they can either temporarily restrict or block online public access or they can expand mass access to online information and monitor it to their own advantage. Surveillance allows security forces to target opponents of the state more selectively, while extreme forms of censorship or shutdowns of the Internet occur in conjunction with larger and more indiscriminate repression. As digital communication has become a bedrock of modern opposition and protest movements, Repression in the Digital Age breaks new ground in examining state repression in the information age.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Peoples & Things host Lee Vinsel talks with writer and editor John Warner, who taught writing at the college level for more than twenty years. Warner is the author of at least three - or four depending on whether you count a work of parody - books on writing and higher education, and today he is perhaps best known for his Substack, The Biblioracle Recommends. Vinsel and Warner talk about how teaching writing will need to shift after the arrival of ChatGPT and other generative AI tools, but only after discussing a deeper truth: Teaching writing and thinking at the college level has had big problems for years, problems that AI tools simply exacerbate. The pair talk about Warner’s experiences and his approach to teaching writing as well as about a book he is writing about teaching writing in the age of generative AI.
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In this episode of International Horizons, RBI director John Torpey interviews Gabriele Mazzini, a lawyer and officer of the European Commission and expert in AI regulation. Mazzini discusses the means through which European countries have found agreement on the definition of AI and how to regulate it. Moreover, Mazzini stresses that the fears of an apocalyptic AI revolution taking over humankind are not well-grounded. He also comments on the United States case and how it differs from Europe when it comes to regulating AI, acknowledging that there's been big progress in legislation in this area.
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Object Lessons is a series of concise, collectable, beautifully designed books about the hidden lives of ordinary things. Each book starts from a specific inspiration: an historical event, a literary passage, a personal narrative, a technological innovation—and from that starting point explores the object of the title, gleaning a singular lesson or multiple lessons along the way.
This interview discusses the series with one of the two editors of the series, Dr. Christopher Schaberg. Featuring contributions from writers, artists, scholars, journalists, and others, the emphasis throughout is lucid writing, imagination, and brevity. Object Lessons paints a picture of the world around us, and tells the story of how we got here, one object at a time. Many Object Lessons books have been interviewed on the New Books Network to date, including: Trench Coat, Mushroom, Ok, Grave, Wine, Magazine, Stroller, Barcode, Recipe, Hyphen, Pregnancy Test, Gitter, Relic, Pencil, Air Conditioning, and Swimming Pool.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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A vivid, thoughtful examination of how technological innovation—especially AI—is shaping the tensions between democracy and autocracy during the new Cold War.
So much of what we hear about China and Russia today likens the relationship between these two autocracies and the West to a “rivalry” or a “great-power competition.” Some might consider it alarmist to say we are in the midst of a second Cold War, but that may be the only responsible way to describe today’s state of affairs. What’s more, we have come a long way from Mao Zedong’s infamous observation that “political power grows out of the barrel of a gun.” Now we live in an age more aptly described by Vladimir Putin’s cryptic prophecy that “artificial intelligence is the future not only of Russia, but of all mankind, and whoever becomes the leader in this sphere will become ruler of the world.”
George S. Takach’s incisive and meticulously researched new volume, Cold War 2.0: Artificial Intelligence in the New Battle between China, Russia, and America (Pegasus Book, 2024), is the book we need to thoroughly understand these frightening and perilous times. In the geopolitical sphere, there are no more pressing issues than the appalling mechanizations of a surveillance state in China, Russia’s brazen attempt to assert its autocratic model in Ukraine, and China’s increasingly likely plans to do the same in Taiwan. But the key here, Takach argues, is that our new Cold War is not only ideological but technological: the side that prevails in Cold War 2.0 will be the one that bests the other in mastering the greatest innovations of our time. Artificial intelligence sits in our pockets every day—but what about AI that coordinates military operations and missile defense systems? Or the highly sophisticated semiconductor chips and quantum computers that power those missiles and a host of other weapons? And, where recently we have seen remarkable feats of bio-engineering to produce vaccines at record speed, shouldn’t we be concerned how catastrophic it would be if bio-engineering were co-opted for nefarious purposes? Takach thoroughly examines how each of these innovations will shape the tension between democracy and autocracy, and how each will play a central role in this second Cold War. Finally, he crafts a precise blueprint for how Western democracies should handle these innovations to respond to the looming threat of autocracy—and ultimately prevail over it.
AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram.
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The first critical examination of death and remembrance in the digital age—and an invitation to imagine Black digital sovereignty in life and death.
In Resurrecting the Black Body: Race and the Digital Afterlife (U California Press, 2023), Tonia Sutherland considers the consequences of digitally raising the dead. Attending to the violent deaths of Black Americans—and the records that document them—from slavery through the social media age, Sutherland explores media evidence, digital acts of remembering, and the right and desire to be forgotten.
From the popular image of Gordon (also known as "Whipped Peter") to photographs of the lynching of Jesse Washington to the video of George Floyd's murder, from DNA to holograms to posthumous communication, this book traces the commodification of Black bodies and lives across time. Through the lens of (anti-)Blackness in the United States, Sutherland interrogates the intersections of life, death, personal data, and human autonomy in the era of Google, Twitter, and Facebook, and presents a critique of digital resurrection technologies. If the Black digital afterlife is rooted in bigotry and inspires new forms of racialized aggression, Resurrecting the Black Body asks what other visions of life and remembrance are possible, illuminating the unique ways that Black cultures have fought against erasure and oblivion.
Peter C. Kunze is an assistant professor of communication at Tulane University.
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In the mid-2010s, a passionate community of Los Angeles-based storytellers, media artists, and tech innovators formed around virtual reality (VR), believing that it could remedy society’s ills. Lisa Messeri offers an ethnographic exploration of this community, which conceptualized VR as an “empathy machine” that could provide glimpses into diverse social realities. She outlines how, in the aftermath of #MeToo, the backlash against Silicon Valley, and the turmoil of the Trump administration, it was imagined that VR—if led by women and other marginalized voices—could bring about a better world. Messeri delves into the fantasies that allowed this vision to flourish, exposing the paradox of attempting to use a singular VR experience to mend a fractured reality full of multiple, conflicting social truths. She theorizes this dynamic as unreal, noting how dreams of empathy collide with reality’s irreducibility to a “common” good. With In the Land of the Unreal: Virtual and Other Realities in Los Angeles (Duke UP, 2024), Messeri navigates the intersection of place, technology, and social change to show that technology alone cannot upend systemic forces attached to gender and race.
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Listen to Episode No.9 of All We Mean, a Special Focus of this podcast. All We Mean is an ongoing discussion and debate about how we mean and why. The guests on today's episode are Bill Cope and Mary Kalantzis, professors at the University of Illinois; and joining us, as well, is James Gee, Regents Professor and Mary Lou Fulton Presidential Professor of Literacy Studies at Arizona State University. In this episode of the Focus, our topic is the generativity of machines.
James Gee : "I fundamentally believe that humans are a screwed-up species — one of the few species that will put themselves out of business in a shorter evolutionary time than any species that has lived on Earth. So, something must be wrong with us. And I think what's wrong with us is, we don't understand what sort of animal we are. That's why our schools are no good — we don't understand how humans really learn. We don't understand what a human really is. We have an elevated view of our own rationality, of our own intelligence, and the consequence is, we are depleting the world. So, the biggest attempt we can still make now is to use everything we can (including Chat) to retheorize who we are as a being before we put ourselves out of existence."
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How abstract design decisions in 2D platform games create rich worlds of meaning for players.
Since the 1980s, 2D platform games have captivated their audiences. Whether the player scrambles up the ladders in Donkey Kong or leaps atop an impossibly tall pipe in Super Mario Bros., this deceptively simple visual language has persisted in our cultural imagination of video games. In Run and Jump: The Meaning of the 2D Platformer (MIT Press, 2024), Peter McDonald surveys the legacy of 2D platform games and examines how abstract and formal design choices have kept players playing. McDonald argues that there is a rich layer of meaning underneath, say, the quality of an avatar’s movement, the pacing and rhythm of level design, the personalities expressed by different enemies, and the emotion elicited by collecting a coin.
To understand these games, McDonald draws on technical discussions by game designers as well as theoretical work about the nature of signs from structuralist semiotics. Interspersed throughout are design exercises that show how critical interpretation can become a tool for game designers to communicate with their players. With examples drawn from over forty years of game history, and from games made by artists, hobbyists, iconic designers, and industry studios, Run and Jump presents a comprehensive—and engaging—vision of this slice of game history.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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The Graphic User Interface, or GUI, is the adhesive centre of today’s screen entertainment web. From films and television to apps and videogames, it holds together a multitude of media and shapes the way they are accessed, organised, created, consumed, and manipulated. However, it does not do so without leaving viscous traces, and Gooey Media: Screen Entertainment and the Graphic User Interface (Edinburgh University Press, 2023) by Dr. Nick Jones examines this residue and its consequences, revealing how the GUI exerts a powerful influence on contemporary media.
Focusing on aesthetics and adopting a media agnostic approach, Dr. Jones explores cinema, streaming platforms, television, user-generated content, videogames, apps, virtual reality, VFX, design software, and more in order to show how they cross-pollinate with one another and with our desktop interfaces. The result is a new approach for analysing convergent media in the digital era.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Are you into the end of the world? Well, have we got the guest for you. In this episode, Peoples & Things host Lee Vinsel interviews Zachary Loeb, assistant professor of history at Purdue University, about his work. On his faculty page, Loeb describes himself as “interested in the idea that humanity’s romance with technology has the species (and the planet) on a course that may lead to catastrophe.” Vinsel and Loeb talk about this idea and its history before turning to a discussion of Loeb’s dissertation and forthcoming book, a history of Y2K. The pair also discuss potential future directions of Loeb’s research. Peoples & Things has a new newsletter, where you can learn behind the scenes details about the podcast and much more. Check it out here.
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"Luddite" has become an insult and Brain Merchant wants to change that. Blood in the Machine: The Origins of the Rebellion Against Big Tech (Little, Brown, 2023) tells the story of when machines starting taking human jobs, when an underground network of 19th century rebels, the Luddites, took up arms against the industrialists that were automating their work--and how it explains the power, threat, and toll of big tech today. Two hundred years ago in rural England, working men and women rose up en masse rather than starve at the hands of the factory owners who were using machines to erase and degrade their livelihoods. Under the banner of a mythical General Loud, they organized guerrilla raids, smashed specific machines, and threatened wealthy machine owners. Luddites won the support of Lord Byron, inspired Mary Shelley, and enraged the louche Prince Regent and his bloodthirsty government. Before it was over, much blood would be spilled--of rich and poor, of the invisible and of the powerful. This deeply misunderstood class struggle nearly brought 19th century England to its knees. Currently many fear that big tech is dominating our lives and machines replacing human labor run high. We worry that technology imperils millions of jobs, robots are ousting workers from factories, and artificial intelligence will soon remove drivers from cars. Saving the movement from what E. P. Thompson called "the enormous condescension of posterity", Merchant finds inspiration in Luddism for our current crises.
Brian Merchant is the author of The One Device: The Secret History of the iPhone (2017, Little, Brown). His work has appeared in a variety of places including Wired and The Atlantic. He is a founder of VICE’s speculative fiction outlet Terraform and was the technology columnist at the Los Angeles Times.
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Air conditioning aspires to be unnoticed. Yet, by manipulating the air around us, it quietly conditions the baseline conditions of our physical, mental, and emotional experience. From offices and libraries to contemporary art museums and shopping malls, climate control systems shore up the fantasy of a comfortable, self-contained body that does not have to reckon with temperature. At the same time that air conditioning makes temperature a non-issue in (some) people's daily lives, thermoception-or the sensory perception of temperature-is being carefully studied and exploited as a tool of marketing, social control, and labour management.
Yet air conditioning isn't for everybody: its reliance on carbon fuels divides the world into habitable, climate-controlled bubbles and increasingly uninhabitable environments where AC is unavailable. Hsuan Hsu's Air Conditioning (Bloomsbury, 2024) explores questions about culture, ethics, ecology, and social justice raised by the history and uneven distribution of climate controlling technologies.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In this episode, Peoples & Thing host Lee Vinsel interviews engineer, businessman, consultant, author, contributing editor at IEEE Magazine, and former P&T guest Bob Charette about his research method. Charette really excels at finding great and telling numbers for his pieces on technology, business, and public policy, including in his 12-part IEEE Magazine article series and now ebook, The EV Transition Explained. Vinsel and Charette use Bob's June 2023 IEEE Magazine article, “EV Chargers for ALL,” to talk about how Bob uncovers these numbers. In this episode, you'll also hear from graduate students in Lee's Fall 2023 grad seminar Communicating Academic Ideas to Non-Academic Audiences. We were so glad to have them on the show! ICYMI, Peoples & Things has a new newsletter, where you can learn behind the scenes details about the podcast and much more. Check it out here.
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Artificial intelligence may be the most transformative technology of our time. As AI's power grows, so does the need to figure out what--and who--this technology is really for. AI Needs You argues that it is critical for society to take the lead in answering this urgent question and ensuring that AI fulfills its promise.
Verity Harding draws inspiring lessons from the histories of three twentieth-century tech revolutions--the space race, in vitro fertilization, and the internet--to empower each of us to join the conversation about AI and its possible futures. Sharing her perspective as a leading insider in technology and politics, she rejects the dominant narrative, which often likens AI's advent to that of the atomic bomb. History points the way to an achievable future in which democratically determined values guide AI to be peaceful in its intent; to embrace limitations; to serve purpose, not profit; and to be firmly rooted in societal trust.
AI Needs You: How We Can Change AI's Future and Save Our Own (Princeton UP, 2024) gives us hope that we, the people, can imbue AI with a deep intentionality that reflects our best values, ideals, and interests, and that serves the public good. AI will permeate our lives in unforeseeable ways, but it is clear that the shape of AI's future--and of our own--cannot be left only to those building it. It is up to us to guide this technology away from our worst fears and toward a future that we can trust and believe in.
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A cylinder of baked graphite and clay in a wood case, the pencil creates as it is being destroyed. To love a pencil is to use it, to sharpen it, and to essentially destroy it.
Pencils were used to sketch civilization's greatest works of art. Pencils were there marking the choices in the earliest democratic elections. Even when used haphazardly to mark out where a saw's blade should make a cut, a pencil is creating. Pencil offers a deep look at this common, almost ubiquitous, object.
Pencils are a simple device that are deceptively difficult to manufacture. At a time when many use cellphones as banking branches and instructors reach students online throughout the world, pencil use has not waned, with tens of millions being made and used annually. In Pencil (Bloomsbury, 2024) Carol Beggy sketches out how the lowly pencil is still a mighty useful tool.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In Technofeudalism: What Killed Capitalism (Melville House, 2023), Yanis Varoufakis argues that capitalism is dead and a new economic era has begun.
Insane sums of money that were supposed to re-float our economies in the wake of the financial crisis and the pandemic have ended up supercharging big tech's hold over every aspect of the economy. Capitalism's twin pillars - markets and profit - have been replaced with big tech's platforms and rents. Meanwhile, with every click and scroll, we labour like serfs to increase its power. Welcome to technofeudalism.
Drawing on stories from Greek Myth and pop culture, from Homer to Mad Men, Varoufakis explains this revolutionary transformation: how it enslaves our minds, how it rewrites the rules of global power and ultimately what it will take overthrow it.
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.
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An award-winning defense expert tells the story of today’s great power rivalry―the struggle to control artificial intelligence.
A new industrial revolution has begun. Like mechanization or electricity before it, artificial intelligence will touch every aspect of our lives―and cause profound disruptions in the balance of global power, especially among the AI superpowers: China, the United States, and Europe. Autonomous weapons expert Paul Scharre takes readers inside the fierce competition to develop and implement this game-changing technology and dominate the future.
Four Battlegrounds: Power in the Age of Artificial Intelligence (Norton, 2023) argues that four key elements define this struggle: data, computing power, talent, and institutions. Data is a vital resource like coal or oil, but it must be collected and refined. Advanced computer chips are the essence of computing power―control over chip supply chains grants leverage over rivals. Talent is about people: which country attracts the best researchers and most advanced technology companies? The fourth “battlefield” is maybe the most critical: the ultimate global leader in AI will have institutions that effectively incorporate AI into their economy, society, and especially their military.
Scharre’s account surges with futuristic technology. He explores the ways AI systems are already discovering new strategies via millions of war-game simulations, developing combat tactics better than any human, tracking billions of people using biometrics, and subtly controlling information with secret algorithms. He visits China’s “National Team” of leading AI companies to show the chilling synergy between China’s government, private sector, and surveillance state. He interviews Pentagon leadership and tours U.S. Defense Department offices in Silicon Valley, revealing deep tensions between the military and tech giants who control data, chips, and talent. Yet he concludes that those tensions, inherent to our democratic system, create resilience and resistance to autocracy in the face of overwhelmingly powerful technology.
Engaging and direct, Four Battlegrounds offers a vivid picture of how AI is transforming warfare, global security, and the future of human freedom―and what it will take for democracies to remain at the forefront of the world order.
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Listen to Episode No.8 of All We Mean, a Special Focus of this podcast. All We Mean is an ongoing discussion and debate about how we mean and why. The guests on today's episode are Bill Cope and Mary Kalantzis, professors at the University of Illinois. Today we welcome, too, Duane Searsmith, E-Learning Technical Specialist, Information Trust Institute, also at the University of Illinois. In this episode of the Focus, our topic is the meaning of generation by machine.
It's stunning what Generative AI can produce, but what exactly is it there that is being produced? What does it mean, and what do we do with it? And actually, more important, what do we do with the AI that's doing the producing?
AI in our lives now and will continue infiltrating and embedding only more as each day passes and each new update and redesign is released. Therefore, we are the responsible parties in this — we, us, the users. We are the ones we must ask: What does AI mean to us? Because what AI just means, itself... well, that is still only whatever we can mean, ourselves.
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In Visions of a Digital Nation: Market and Monopoly in British Telecommunications (MIT Press, 2024), Jacob Ward explains why the privatization of British Telecom signaled a pivotal moment in the rise of neoliberalism, and how it was shaped by the longer development and digitalization of Britain’s telecommunications infrastructure.
When Margaret Thatcher sold British Telecom for £3.6 billion in 1984, it became not only, at the time, the largest stock flotation in history, but also a watershed moment in the rise of neoliberalism and deregulation. In Visions of a Digital Nation, Ward offers an incisive interdisciplinary perspective on how technology prefigured this pivot. Giving due consideration to the politicians, engineers, and managers who paved the way for this historic moment, Ward illustrates how the decision validated the privatization of public utilities and tied digital technology to free market rationales. In this examination of the national and, at times, global history of technology, Ward’s approach is sweeping. Utilizing infrastructure studies, environmental history, and urban and local history, Ward explores Britain’s nationalist and welfarist plans for a digital information utility and shows how these projects contested and adapted to the “market turn” under Margaret Thatcher. Ultimately, Visions of a Digital Nation compellingly argues that politicians did not impose neoliberalism top-down, but that technology, engineers, and managers shaped these politics from the bottom up.
Jacob Ward is Assistant Professor in the History Department and Science, Technology and Society Studies Research Program at the Faculty of Arts and Social Sciences at Maastricht University. He is coeditor of Histories of Technology, the Environment and Modern Britain.
Filippo De Chirico is a PhD student in History and Politics of Energy at Roma Tre University (Italy).
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How can we build a more equal economy? In Innovation for the Masses: How to Share the Benefits of the High-Tech Economy (U California Press, 2024), Neil Lee, a Professor of Economic Geography at the London School of Economics, explores the question of how societies have fostered and supported innovation. The book challenges conventional assumptions that innovative economies must be unequal. Drawing on 4 detailed, and critical, case studies- Switzerland, Austria, Taiwan and Sweden, the book shows how Europe has good models of innovation; how the state matters; and how innovation and shared prosperity policies are mutually reinforcing. Accessible and clearly written, the book will be essential reading across social sciences and public policy, as well as anyone wanting a blueprint for equitable economic development,
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In the 1950s, an obsessive firearms designer named Eugene Stoner invented the AR-15 rifle in a California garage. High-minded and patriotic, Stoner sought to devise a lightweight, easy-to-use weapon that could replace the M1s touted by soldiers in World War II. What he did create was a lethal handheld icon of the American century.
In American Gun: The True Story of the AR-15 (FSG, 2023), the veteran Wall Street Journal reporters Cameron McWhirter and Zusha Elinson track the AR-15 from inception to ubiquity. How did the same gun represent the essence of freedom to millions of Americans and the essence of evil to millions more? To answer this question, McWhirter and Elinson follow Stoner--the American Kalashnikov--as he struggled mightily to win support for his invention, which under the name M16 would become standard equipment in Vietnam. Shunned by gun owners at first, the rifle's popularity would take off thanks to a renegade band of small-time gun makers. And in the 2000s, it would become the weapon of choice for mass shooters, prompting widespread calls for proscription even as the gun industry embraced it as a financial savior. Writing with fairness and compassion, McWhirter and Elinson explore America's gun culture, revealing the deep appeal of the AR-15, the awful havoc it wreaks, and the politics of reducing its toll. The result is a moral history of contemporary America's love affair with technology, freedom, and weaponry.
Cameron McWhirter is a national reporter for The Wall Street Journal, based in Atlanta. He has covered mass shootings, violent protests and natural disasters across the South. He is also the author of Red Summer: The Summer of 1919 and the Awakening of Black America. Previously, he reported for other publications in the U.S., as well as Bosnia, Iraq, and Ethiopia.
Zusha Elinson is a national reporter, writing about guns and violence for the Wall Street Journal. Based in California, he has also written for the Center for Investigative Reporting and the New York Times Bay Area section.
Recommended Books:
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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With the avalanche of information we get every day, closing down our minds and hearts seems to be the only way to survive. We close down to our inner experience by compulsively checking our devices. We close down to others by getting caught in echo chambers of outrage. But what if there's another way? What if being more open to life is actually what brings us sanity and happiness? In this climate of distraction and division, Nate Klemp's Open: Living with an Expansive Mind in a Distracted World (Sounds True, 2024) offers a path back to a way of living that is expansive, creative, and filled with wonder.
Drawing on new science, age-old practices, and personal stories, Klemp examines why we close down when faced with stressors or threats, then reveals how we can train ourselves to open up to the fullness that life offers--even when frightened, outraged, or heartbroken.
Nate Klemp, PhD, is a philosopher, writer, and mindfulness entrepreneur.
Caleb Zakarin is the Assistant Editor of the New Books Network.
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Screens are ubiquitous today. Yet contemporary screen media eliminate the presence of the screen and diminish the visibility of its boundaries. As the image becomes indistinguishable from the viewer’s surroundings, this unsettling prompts re.examination of how screen boundaries demarcate.
Through readings of three media forms – Virtual Reality; holograms; and light projections – The Post-Screen Through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie (University of Amsterdam Press, 2021) by Dr. Jenna Ng develops new theories of the surfaces on and spaces in which images are displayed. Interrogating contemporary contestations of reality against illusion, this open-access book argues that the disappearance of difference reflects shifted conditions of actuality and virtuality in understanding the human condition. These shifts further connect to the current state of politics by way of their distorted truth values, corrupted terms of information, and internalizations of difference.
The Post.Screen Through Virtual Reality, Holograms and Light Projections thus thinks anew the image’s borders and delineations, evoking the screen boundary as an instrumentation of today’s intense virtualizations which do not tell the truth. In the process, a new imagination for images emerges for a gluttony of the virtual; for new conceptualizations of object and representation, materiality and energies, media and histories, real and unreal; for new understandings of appearances, dis-appearances, replacement and re.placement – the post-screen.
This book is available open access here.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The Server: A Media History from the Present to the Baroque (Yale UP, 2018) is a cutting–edge media history on a perennially fascinating topic that attempts to answer the crucial question: Who is in charge, the servant or the master?
Though classic servants like the butler or the governess have largely vanished, the Internet is filled with servers: web, ftp, mail, and others perform their daily drudgery, going about their business noiselessly and unnoticed. Why then are current–day digital drudges called servers? Markus Krajewski explores this question by going from the present back to the Baroque to study historical aspects of service through various perspectives, be it the servants’ relationship to architecture or their function in literary or scientific contexts. At the intersection of media studies, cultural history, and literature, this work recounts the gradual transition of agency from human to nonhuman actors to show how the concept of the digital server stems from the classic role of the servant.
Markus Krajewski is professor of media history at the University of Basel, Switzerland. He is the author of numerous articles and several books, including Paper Machines: About Cards and Catalogs, 1548–1929 and World Projects: Global Information Before World War I, which was awarded the 2007 Prize of the German Society for the History of Medicine, Science and Technology. He also works as a software developer and maintainer of his bibliography software Synapsen: A Hypertextual Card Index (www.synapsen.ch). Ilinca Iurascu is assistant professor of German at the University of British Columbia, specializing in nineteenth-century cultural studies and media theory.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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Today, the concept of noise is employed to characterize random fluctuations in general. Before the twentieth century, however, noise only meant disturbing sounds. In the 1900s-50s, noise underwent a conceptual transformation from unwanted sounds that needed to be domesticated into a synonym for errors and deviations to be now used as all kinds of signals and information. Transforming Noise examines the historical origin of modern attempts to understand, control, and use noise. Its history sheds light on the interactions between physics, mathematics, mechanical technology, electrical engineering, and information and data sciences in the twentieth century.
This book explores the process of engineers and physicists turning noise into an informational concept, starting from the rise of sound reproduction technologies such as the phonograph, telephone, and radio in the 1900s-20s until the theory of Brownian motions for random fluctuations and its application in thermionic tubes of telecommunication systems. These processes produced different theoretical treatments of noise in the 1920s-30s, such as statistical physicists' studies of Brownian fluctuations' temporal evolution, radio engineers' spectral analysis of atmospheric disturbances, and mathematicians' measure-theoretic formulation. Finally, it discusses the period during and after World War II and how researchers have worked on military projects of radar, gunfire control, and secret communications and converted the interwar theoretical studies of noise into tools for statistical detection, estimation, prediction, and information transmission.
To physicists, mathematicians, electrical engineers, and computer scientists, this book offers a historical perspective on themes highly relevant in today's science and technology, ranging from Wi-Fi and big data to quantum information and self-organization. This book also appeals to environmental and art historians to modern music scholars as the history of noise constitutes a unique angle to study sound and society. Finally, to researchers in media studies and digital cultures, Transforming Noise demonstrates the deep technoscientific historicity of certain notions - information, channel, noise, equivocation - they have invoked to understand modern media and communication.
Interview by Pamela Fuentes historian and editor of New Books Network en español Communications officer- Institute for the History and Philosophy of Science and Technology, University of Toronto
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Throughout much of the 21st century thus far, the common argument among military pundits was that war has or will soon be radically changed in manners that exist beyond imagination. The main catalyst for such extraordinary changes would be new advancements in technology and weaponry. With the on-going war in Ukraine, one fundamental surprise that has stunned many military analysts is that in spite of major technological advancements such as drones and open-source intelligence (OSINT) via social media, the main character of the conflict seems more akin to World War I (1914-1918) style trench warfare. What can explain this perplexing paradox?
Peter Roberts and Paddy Walker explain in their co-authored book War's Changed Landscape?: A Primer on Conflict's Forms and Norms (Howgate Publishing Limited, 2023) that all change in war is often outweighed by continuity in military history. Even when change does occur, it is often a slow evolution of norms rather than a sudden rupture. The role of technology in such is often grossly exaggerated in the popular media.
Peter Roberts is a Senior Associate Fellow for the Royal United Services Institute (RUSI), having been Director of Military Sciences there between January 2014 and November 2021.
Paddy Walker is Managing Director of the Leon Group, a senior research Fellow in Modern War Studies at The University of Buckingham, an Associate Fellow at RUSI and previously London chair of NGO Human Rights Watch.
Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Analysis, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history.
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This remarkably clearly written and timely critical evaluation of core issues in the study and application of interactive digital narrative (IDN) untangles the range of theories and arguments that have developed around IDN over the past three decades.
Looking back over the past 30 years of theorizing around interactivity, storytelling, and the digital across the fields of game design/game studies, media studies, and narratology, as well as interactive documentary and other emerging forms, Hartmut Koenitz's book Understanding Interactive Digital Narrative: Immersive Expressions for a Complex Time (Routledge, 2023) offers important and insightful correctives to common misunderstandings that pervade the field. This book also changes the perspective on IDN by introducing a comprehensive conceptual framework influenced by cybernetics and cognitive narratology, addressing limitations of perspectives originally developed for legacy media forms. Applying its framework, the book analyzes successful works and lays out concrete design advice, providing instructors, students, and practitioners with a more precise and specific understanding of IDN.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Listen to Episode No.5 of All We Mean, a Special Focus of this podcast. All We Mean is an ongoing discussion and debate about how we mean and why. The guests on today's episode are Bill Cope and Mary Kalantzis, professors at the University of Illinois, and also Gang Wang, Associate Professor in the Department of Computer Science, University of Illinois. In this episode of the Focus, our topic is what decision means.
Decision is no simple matter, whether the decider in question is human or machine. In a sense, both are black boxes to us, and yet the urgency today to open the lid on A.I. is heightened because of how human-like the machine seems to be able to do decision. This is why, across disciplines, we need to convene and discuss and decide together on how to understand and use A.I. The alternative is grisly: Everyone using a tool that no one fully understands — no one using the tool in full understanding or for that matter, in any understanding at all.
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Governments and consumers expect internet platform companies to regulate their users to prevent fraud, stop misinformation, and avoid violence. Yet, so far, they've failed to do so. The inability of platforms like Facebook, Google, and Amazon to govern their users has led to stolen elections, refused vaccines, counterfeit N95s in a pandemic, and even genocide. Such failures stem from these companies' inability to manage the complexity of their userbases, products, and their own incentives under the eyes of internal and external constituencies.
In The Networked Leviathan: For Democratic Platforms (Cambridge UP, 2023), Paul Gowder argues that countries should adapt the institutional tools developed in political science for platform governance to democratize major platforms. Democratic institutions allow knowledgeable actors to freely share and apply their understanding of the problems they face while leaders more readily recruit third parties to help manage their decision-making capacity.
This book is also available open access on Cambridge Core.
Paul Gowder is Professor of Law and Associate Dean of Research and Intellectual Life at Northwestern University's Pritzker School of Law and a Founding Fellow of the Integrity Institute. He is the author of The Rule of Law in the Real World and The Rule of Law in the United States: An Unfinished Project of Black Liberation.
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In Nautilus to Columbia: 70 Years of the US Navy's Nuclear Submarines (Osprey, 2023), James C. Goodall covers the origins, design and development of the US Navy's fleet of nuclear-powered submarines. This program was developed under the command of Hiram G. Rickover, the "Father of the Nuclear Navy" who oversaw the commissioning of the very first nuclear-powered attack submarine, the USS Nautilus (SSN 571) in 1952. This was a truly revolutionary design. Until the advent of nuclear power, the world's submarine fleets traveled on the surface at night to charge their batteries, and only dove below the surface when enemy ships or planes were spotted. With the development of the USS Nautilus, the US Navy now had the ability to stay submerged for not just hours or days, but to hide out of harm's way for weeks or months at a time
This highly illustrated book covers all of the 220+ submarine hulls built and delivered to the US Navy from the USS Nautilus through to the Navy's newest class of submarine, the Columbia class SSBNs. The story of the Nuclear Navy from its origins up to the present day is told through more than 1,300 images from official and archive sources, as well as the author's own personal collection, some of which have never been published before.
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Listen to Episode No.4 of All We Mean, a Special Focus of this podcast. All We Mean is an ongoing discussion and debate about how we mean and why. The guests on today's episode are Bill Cope and Mary Kalantzis, professors at the University of Illinois. In this episode of the Focus, our topic is whether A.I. can mean.
The short answer is yes, A.I. can mean... whatever we make it mean.
For instance, ChatGPT does has access to text on certain kinds of subject matter, like, for example, the assembly of explosives or specifications on suicide. This kind of stuff is on the web, so ChatGPT has “read it” these subjects into its corpus. However, human programmers have applied filters telling the A.I. not to speak about these things. Nonetheless, you may be able to get to what it “thinks” about these things with some clever prompts, called “jailbreaks” in the hacker trade.
But does the A.I. really think, as we humans would associate with the act of thinking? Not really, because an A.I. like ChatGPT does not think about bombs or self-destruction. It just has words about these subjects which it doesn’t itself “understand.” And on top of that, its human-programmer masters have told it not to repeat them.
But whose purpose is meant to be served here, the A.I.'s or our own? In our discussion in this instalment of All We Mean, we argue, of course, for the A.I. serving the purposes of us humans. But there the questions immediately arises, which of us humans will be served? It may be that only the big stakeholders in the large Internet companies get served, and who knows what purposes they have. Perhaps they're quite content to see A.I. create the illusion of fact and consciousness, if for no other reason than to increase profits.
We, on the opposite side of that, say that the technology has tremendous potential for everyone, if used in everyone's interests. For example, people who want to learn can use A.I. technologies to improve their own performance, just as people who want to discover can use A.I. technologies to communicate their findings more effectively. These are the sorts of purpose we believe A.I. can be used to accomplish, by anyone, for everyone. But, we wonder, will purposes such as these also count when the technology rests firmly in the hands of the very few, because what if they don't really care what the rest of us want?
Read Bill's and Mary's multimodal grammar of A.I.
And read their work on using A.I. in education.
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We see notebooks everywhere we go. But where did this simple invention come from? How did they revolutionise our lives, and why are they such powerful tools for creativity? And how can using a notebook help you change the way you think?
In The Notebook: A History of Thinking on Paper (Profile Books, 2023), Roland Allen reveals all the answers. Ranging from the bustling markets of mediaeval Florence to the quiet studies of our greatest thinkers, he follows a trail of dazzling ideas, revealing how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of artists like Leonardo and Frida Kahlo, scientists from Isaac Newton to Marie Curie, and writers from Chaucer to Henry James. We watch Darwin developing his theory of evolution in tiny pocketbooks, see Agatha Christie plotting a hundred murders in scrappy exercise books, and learn how Bruce Chatwin unwittingly inspired the creation of the Moleskine.
On the way we meet a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers and mathematicians, who all used their notebooks as a space for thinking and to shape the modern world.
In an age of AI and digital overload, the humble notebook is more relevant than ever. Allen shows how bullet points can combat ADHD, journals can ease PTSD, and patient diaries soften the trauma of reawakening from coma. The everyday act of moving a pen across paper can have profound consequences, changing the way we think and feel: making us more creative, more productive - and happier.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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A century ago, the emergence of radio, along with organized systems of broadcasting, sparked a global fascination with the 'wonder' of sound transmission and reception. The thrilling experience of tuning in to the live sounds of this new medium prompted strong affective responses in its listeners.
This book introduces a new concept of "radiophilia," defined as the attachment to, or even a love of radio. Treating radiophilia as a dynamic cultural phenomenon, it unpacks the various pleasures associated with radio and its sounds, the desire to discover and learn new things via radio, and efforts to record, re-experience, and share radio. Surveying 100 years of radio from early wireless through to digital audio formats like podcasting, Carolyn Birdsall's Radiophilia (Bloomsbury Press, 2023) engages in debates about fandom, audience participation, listening experience, material culture, and how media relate to affect and emotions.
Alejandra Bronfman is Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany.
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Social media platforms hold vast amounts of biographical data about our lives. They repackage our past content as ‘memories’ and deliver them back to us. But how does that change the way we remember?
Drawing on original qualitative research as well as industry documents and reports, Social Media and the Automatic Production of Memory: Classification, Ranking and the Sorting of the Past (Bristol University Press, 2021) by Dr. Ben Jacobsen and Dr. David Beer critically explores the process behind this new form of memory making. In asking how social media are beginning to change the way we remember, it will be essential reading for scholars and students who are interested in understanding the algorithmically defined spaces of our lives.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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How are geographies of communication changing with contemporary digital media and data infrastructure? What is ‘geomedia’ and ‘transmedia’? Where are the possibilities for human agency to emerge in the increasingly digitally mediated world? André Jansson, Professor at the Department of Geography, Media and Communication, Karlstad University, Sweden, introduces his latest book, Rethinking Communication Geographies: Geomedia, Digital Logistics and the Human Condition (Edward Elgar, 2022).
In a conversation with Joanne Kuai, André speaks about how he uses a humanistic and interdisciplinary approach to the study of communication geographies, introducing the framework for understanding ‘geomedia’ as an environmental regime that shapes human subjectivity. The book explores the human condition under digital capitalism, depicting an environment in which digital logistics have taken centre stage in day-to-day life. It argues that human activities are accommodated to sustain the circulation of digital data.
André Jansson is director of the Centre for Geomedia Studies. His research is oriented towards questions of media use, identity and power from an interdisciplinary perspective. His work links various theoretical strands from social phenomenology, human geography and sociology of culture. A particular interest regards the relationship between mediatization processes and the production of social space. He is currently leading the project Hot Desks in Cool Places: Coworking Spaces as Post-Digital Industry and Movement (with Karin Fast), which studies the ‘future of work’ and struggles over this future in relation to so-called coworking spaces in urban settings.
Joanne Kuai is a PhD Candidate at Karlstad University, Sweden, with a research project on Journalism as an Institution in the Age of AI. She is also an affiliated PhD student with the Graduate School of Asian Studies at Lund University and with the Nordic Institute of Asian Studies at the University of Copenhagen. Her research interests center around data and AI for media, computational journalism, and the social implications of automation and algorithms. Find her on LinkedIn or on X @JoanneKuai.
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Key Changes: The Ten Times Technology Transformed the Music Industry (Oxford University Press, 2023) by Howie Singer and Bill Rosenblatt tells a new story about the history of the music business and the ten technological advances that disrupted it over the last century.
In recent years, narratives about the music industry tend to hew to a common theme: it was humming along for decades until the Internet and Napster came along and disrupted it. Key Changes shows that this view is incorrect: the industry was actually shaken up not once in the 1990s, but ten times over more than 100 years. These ten disruptions came with the introduction of new formats for enjoying recorded music: starting with the cylinders and discs played on early phonographs; then moving through radio, LPs, tapes, CDs, television, digital downloads, streaming, and streaming video; and then into Artificial Intelligence (AI), which enables a wide range of new capabilities with profound impacts upon the business. This book devotes a chapter to each of these formats, illustrating how such innovations beget shifts in creativity, consumer behavior, economics, and law.
Each of the technological innovations covered in this book not only disrupted the music business, but also fundamentally altered the industry's character. And while the technologies themselves have evolved in unique and varied ways over the decades, the changes within the business follow a clear pattern. Veteran music industry professionals and music technology experts Howie Singer and Bill Rosenblatt illuminate this pattern through a framework they term "the 6 Cs": cutting edge technology, channels of distribution, creators, consumers, cash, copyright. This framework provides insight into how such disparate innovations similarly disrupted and transformed the music business in each era. Extensively researched and supplemented by interviews with Grammy-winning artists, producers and executives, the book provides an insightful perspective on the ways technology has fundamentally altered the music industry, throughout history and into the present era.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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John D. Hosler's book Seven Myths of Military History (Hackett Publishing, 2022) "offers snapshots of seven pernicious myths in military history that have been perpetrated on unsuspecting students, readers, moviegoers, game players, and politicians. It promotes awareness of how myths are created by 'the spurious misuse and ignorance of history' and how misleading ideas about a military problem, as in asymmetric warfare, can lead to misguided solutions. Both scholarly and engaging, this book is an ideal addition to military history and historical methodology courses. In fact, it could be fruitfully used in any course that teaches critical thinking skills, including courses outside the discipline of history. Military history has a broad appeal to students, and there’s something here for everyone. From the so-called 'Western Way of War' to its sister-myth, technological determinism, to the ‘academic party game’ of once-faddish ‘Military Revolutions,’ the book shows that while myths about history may be fun, myth busting is the most fun of all." —Reina Pennington, Norwich University
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A provocative investigation of the future of photography and human perception in the age of AI.
We are constantly photographing and being photographed while feeding machine learning databases with our data, which in turn is used to generate new images. Analyzing the transformation of photography by computation—and the transformation of human perception by algorithmically driven images, from CGI to AI—The Perception Machine: Our Photographic Future between the Eye and AI (MIT Press, 2023) investigates what it means for us to live surrounded by image flows and machine eyes. In an astute and engaging argument, Joanna Zylinska brings together media theory and neuroscience in a Vilém Flusser–Paul Virilio remix. Her “perception machine” names a technical universe of images and their infrastructures. But it also refers to a sociopolitical condition resulting from today's automation of vision, imaging—and imagination.
Written by a theorist-practitioner, the book incorporates Zylinska's own art projects, some of which have been co-created with AI. The photographs, collages, films, and installations available as part of the book (and its companion website) provide a different mode of thinking about our technological futures, at a local as well as a planetary level. Offering provocative concepts such as eco-eco-punk, AUTO-FOTO-KINO, planetary micro-vision, loser images, and sensography, the book outlines an existential philosophy of messy media for a time when our practices of imaging and self-imaging are being radically redesigned. Importantly, it also offers a new vision of our future.
Joanna Zylinska is Professor of Media Philosophy + Critical Digital Practice at King's College London. The author of Nonhuman Photography (MIT Press) and many other books on art, technology, and ethics, she is also an artist and curator.
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Laila Shereen Sakr's book Arabic Glitch: Technoculture, Data Bodies, and Archives (Stanford UP, 2023) explores an alternative origin story of twenty-first century technological innovation in digital politics—one centered on the Middle East and the 2011 Arab uprisings. Developed from an archive of social media data collected over the decades following the 2003 U.S. invasion of Iraq, this book interrogates how the logic of programming technology influences and shapes social movements.
Engaging revolutionary politics, Arab media, and digital practice in form, method, and content, Laila Shereen Sakr formulates a media theory that advances the concept of the glitch as a disruptive media affordance. She employs data analytics to analyze tweets, posts, and blogs to describe the political culture of social media, and performs the results under the guise of the Arabic-speaking cyborg VJ Um Amel. Playing with multiple voices that span across the virtual and the real, Sakr argues that there is no longer a divide between the virtual and embodied: both bodies and data are physically, socially, and energetically actual. Are we cyborgs or citizens—or both? This book teaches us how a region under transformation became a vanguard for new thinking about digital systems: the records they keep, the lives they impact, and how to create change from within.
Laila Shereen Sakr is Assistant Professor of Media Theory and Practice at the University of California, Santa Barbara.
Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.
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Forensic genetic technologies are popularly conceptualized and revered as important tools of justice. The research and development of these technologies, however, has been accomplished through the capture of various Indigenous Peoples' genetic material and a subsequent ongoing genetic servitude.
In Forensic Colonialism: Genetics and the Capture of Indigenous Peoples (McGill-Queen's UP, 2023), Mark Munsterhjelm explores how controversial studies of Indigenous Peoples have been used to develop racializing forensic technologies. Making moral and political claims about defending the public from criminals and terrorists, international networks of scientists, police, and security agencies have developed forensic genetic technologies firmly embedded in hierarchies that target and exploit many Indigenous Peoples without their consent. Collections began under the guise of the highly controversial Human Genome Diversity Project and related efforts, including the 1987 sampling of Brazilian Indigenous Peoples as they recovered from near genocide. After 9/11, War on Terror rhetoric began to be used to justify research on ancestry estimation and physical appearance (phenotyping) markers, and since 2019, international research cooperation networks' use of genetic data from thousands of Uyghurs and other Indigenous Peoples from Xinjiang and Tibet has contributed to a series of controversies.
Munsterhjelm concludes that technologies produced by forensic genetics advance the biopolitical security only of privileged populations, and that this depends on imposing race-based divisions between who lives and who dies. Meticulously researched, Forensic Colonialism adds to growing debates over racial categories, their roots in colonialism, and the political hierarchies inherent to forensic genetics.
Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.
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Predictive algorithms are changing the world – that is the claim of Christopher E. Mason who has co-authored (with Igor Tulchinsky) the book The Age of Prediction: Algorithms, AI, and the Shifting Shadows of Risk (MIT Press, 2023). Listen to him in conversation with Owen Bennett Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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In Episode 4 of "Practical History" I talk to Larry McGrath, a user researcher at Amazon (and author of Making Spirit Matter Neurology, Psychology, and Selfhood in Modern France (University of Chicago Press, 2020). Larry earned his PhD in the history of science, briefly taught at a university, and then decided to move into the consulting and tech industries. We discuss Larry's experiences of translating his historical skills and expertise into UX research, a burgeoning field focused on discovering the needs of product users. We talk about what it means to be a historian in UX and what historical methods / concepts / habits are useful in helping companies in these domains solve problems. Larry shares concrete examples of challenges he solved using the historian's toolbox while working for a medical consultancy and then at Facebok/Meta and Amazon Sports. We also discuss why it is so important for those eager to apply their skills in business and tech to focus on the value that they could offer to companies.
Patryk Babiracki is a historian, researcher and writer; professor & MA student advisor at the University of Texas at Arlington. PhD from Johns Hopkins. Promoter of #AppliedHistory: using historical concepts, frameworks, and methodologies to solve real-world organizational problems.
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Who dresses the astronauts for flight? Why are the suits orange? And how are they cared for? Sharon Caples McDougle joins us to talk about her work as a modern day hidden figure, a space suit technician responsible for processing the orange launch and re-entry pressure suit assemblies worn by all NASA space shuttle astronauts. She explains how she became one of only two women CEE Suit Technicians, led the first and only all-female suit tech crew, and how she made history when she suited up Dr. Mae Jemison.
Our guest is: Sharon Caples McDougle, who began her aerospace career in the Air Force where she served proudly as an Aerospace Physiology Specialist at Beale Air Force Base, in California. She was the first female and first Black Crew Chief in CEE. As Crew Chief she had the honor of leading the first and only all-female suit tech crew. McDougle went on to become the first, and only female, and Black person, to become the Manager of the CEE Processing Department. She managed the team of more than twenty-five employees responsible for the equipment worn by the astronaut crews aboard the space shuttle. This team suited up the astronauts, tested the equipment, strapped the astronauts into the space shuttle before launch, and recovered the crew upon landing. McDougle is a United States Air Force (USAF) veteran, and the author of Suit Up for Launch with Shay.
Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:
Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived here.
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The United States has more guns than people – a condition that is “unprecedented in world history.” Scholars often focus on gun culture, the Second Amendment, or the history of gun safety, duties, and rights. Often, people assume that the number of guns is a natural state – the guns were always there. But were the guns always there? What caused the drastic boom in firearms, and when did it happen?
In Gun Country: Gun Capitalism, Culture, and Control in Cold War America (UNC Press, 2023), Dr. Andrew McKevitt investigates how and when the guns arrived – and why so many people bought them. McKevitt argues that what Americans refer to as “gun culture” in the 21st century “emerged out of the intersections of the Cold War and consumer capitalism in the 1950s and 1960s.” A booming consumer market following World War II coupled with a surplus of cheap firearms readily available for American entrepreneurs to resell to citizens laid the groundwork for rampant firearm distribution in the country. War made the United States into a “gun country” but US gun politics – “interwoven with struggles over race and gender” cannot be detached from consumer politics. Gun safety and gun rights organizations both demand consumer regulation and protection.
Dr. Andrew C. McKevitt is the John D. Winters Endowed Professor of History at Louisiana Tech University. His previous book, Consuming Japan: Popular Culture and the Globalizing of 1980s America (2017) was published by the University of North Carolina Press and he received the Stuart L. Bernath Scholarly Article Prize from the Society for Historians of American Foreign Relations.
George Lobis served as the editorial assistant for this podcast.
Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.
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The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism (NYU Press, 2023) slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership.
The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making.
The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.
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Transparency is a mantra of our day. It is key to the Western understanding of a liberal society. We expect transparency from, for instance, political institutions, corporations, and the media. But how did it become such a powerful—and global—idea?
From ancient glass to Apple’s corporate headquarters, Transparency: the Material History of an Idea (Yale University Press, 2023) is the first to probe how Western people have experienced, conceptualized, and evaluated transparency. Dr. Daniel Jütte argues that the experience of transparency has been inextricably linked to one element of Western architecture: the glass window.
Windows are meant to be unnoticed. Yet a historical perspective reveals the role that glass has played in shaping how we see and interpret the world. A seemingly “pure” material, glass has been endowed, throughout history, with political, social, and cultural meaning, in manifold and sometimes conflicting ways. At the same time, Jütte raises questions about the future of vitreous transparency—its costs in terms of visual privacy but also its ecological price tag in an age of accelerating climate change.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The age of print is a grand exception in history. For five centuries it fostered what some call print culture – a worldview shaped by the completeness, permanence, and authority of the printed word. As a technology, print at its birth was as disruptive as the digital migration of today. Now, as the internet ushers us past print culture, journalist Jeff Jarvis offers important lessons from the era we leave behind in The Gutenberg Parenthesis: The Age of Print and Its Lessons for the Age of the Internet (Bloomsbury, 2023).
To understand our transition out of the Gutenberg Age, Jarvis first examines the transition into it. Tracking Western industrialized print to its origins, he explores its invention, spread, and evolution, as well as the bureaucracy and censorship that followed. He also reveals how print gave rise to the idea of the mass – mass media, mass market, mass culture, mass politics, and so on – that came to dominate the public sphere.
What can we glean from the captivating, profound, and challenging history of our devotion to print? Could it be that we are returning to a time before mass media, to a society built on conversation, and that we are relearning how to hold that conversation with ourselves? Brimming with broader implications for today's debates over communication, authorship, and ownership, Jarvis' exploration of print on a grand scale is also a complex, compelling history of technology and power.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The SAGE Handbook of Human-Machine Communication (Sage, 2023) has been designed to serve as the touchstone text for researchers and scholars engaging in new research in this fast-developing field. Chapters provide a comprehensive grounding of the history, methods, debates and theories that contribute to the study of human-machine communication. Further to this, the Handbook provides a point of departure for theorizing interactions between people and technologies that are functioning in the role of communicators, and for considering the theoretical and methodological implications of machines performing traditionally ‘human’ roles. This makes the Handbook the first of its kind, and a valuable resource for students and scholars across areas such as communication, media and information studies, and computer science, as well as for practitioners, engineers and researchers interested in the foundational elements of this emerging field.
Among the chapters you will find in this book are: Machines are Us: An Excursion in the History of HMC; Computer-Supported Cooperative Work (CSCW) and Human–Machine Communication (HMC); Philosophical Contexts and Consequences of Human–Machine Communication; An ethnography for studying HMC: What can we learn from observing how humans communicate with machines?; Feminist, Postcolonial, and Crip Approaches to Human-Machine Communication Methodology; AI, Human–Machine Communication and Deception; Human-Machine Communication in Marketing and Advertising; and Conceptualizing Empathic Child–Robot Communication.
Interview by Pamela Fuentes historian and editor of New Books Network en español Communications officer- Institute for the History and Philosophy of Science and Technology, University of Toronto.
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Peter Bellerby is the founder of Bellerby & Co. Globemakers, the world's only truly bespoke makers of globes. His team of skilled craftspeople make exquisite terrestrial, celestial and planetary globes for customers around the world. In The Globemakers: The Curious Story of an Ancient Craft (Bloomsbury, 2023), he introduces us to this world. The story began after his attempt to find a special globe for his father's 80th birthday. Failing to find anything suitable, he decided to make one himself which took him on an extraordinary journey of rediscovering this forgotten craft.
The chapters of The Globemakers take us through the journey of how to build a globe, or 'earth apples' as they were first known, and include fascinating vignettes on history, art history, astronomy and physics, as well as the day-to-day craftsmanship at the workshop itself. This beautiful book uses illustration, photography and narrative to tell the story of our globe and many different globes it has inspired.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The IS-2 is the quintessential Soviet heavy tank from World War 2. Heavily armored and boasting a fearsome 122mm gun, this tank matched the German panzers on the Eastern front by more than just its fierce appearance.
In Peter Samsonov's book IS-2: Development, Design, and Production of Stalin's Warhammer (Military History Group, 2022), this tank's history is told from the beginning of the Soviet heavy tank programme until the very end of World War 2, in the most detailed and complete account of its development, design and production available in English. Supported by extensive research of Russian language sources, this publication includes a comprehensive breakdown of prototypes, the Soviet analysis of weaknesses in German tanks including the Tiger and Panther, the development of the 122mm gun, the principles of the new tank's armor layout and a wealth of technical data.
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Infrastructure is essential to defining how the public functions, yet there is little public knowledge regarding why and how it became today's strongest global force over government and individual lives. Who should build and maintain infrastructures? How are they to be protected? And why are they all in such bad shape?
In Lifelines of our Society: A Global History of Infrastructure (MIT Press, 2023), Dr. Dirk van Laak offers broad audiences a history of global infrastructures—focused on Western societies, over the past two hundred years—that considers all their many paradoxes. He illustrates three aspects of infrastructure: their development, their influence on nation building and colonialism, and finally, how individuals internalise infrastructure and increasingly become not only its user but regulator.
Beginning with public works, infrastructure in the nineteenth century carried the hope that it would facilitate world peace. Dr. van Laak shows how, instead, it transformed to promote consumerism's individual freedoms and our notions of work, leisure, and fulfilment. Lifelines of Our Society reveals how today's infrastructure is both a source and a reflection of concentrated power and economic growth, which takes the form of cities under permanent construction. Symbols of power, Dr. van Laak describes, come with vulnerability, and this book illustrates the dual nature of infrastructure's potential to hold nostalgia and inspire fear, to ease movement and govern ideas, and to bring independence to the nuclear family and control governments of the Global South.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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From the telegraph to the touchscreen, how the development of binary switching transformed everyday life and changed the shape of human agency.
The Switch: An Off and On History of Digital Humans (U Minnesota Press, 2023) traces the sudden rise of a technology that has transformed everyday life for billions of people: the binary switch. By chronicling the rapid growth of binary switching since the mid-nineteenth century, Jason Puskar contends that there is no human activity as common today as pushing a button or flipping a switch--the deceptively simple act of turning something on or off. More than a technical history, The Switch offers a cultural and political analysis of how reducing so much human action to binary alternatives has profoundly reshaped modern society.
Analyzing this history, Puskar charts the rapid shift from analog to digital across a range of devices--keyboards, cameras, guns, light switches, computers, game controls, even the "nuclear button"--to understand how nineteenth-century techniques continue to influence today's pervasive digital technologies. In contexts that include musical performance, finger counting, machine writing, voting methods, and immersive play, Puskar shows how the switch to switching led to radically new forms of action and thought.
The innovative analysis in The Switch makes clear that binary inputs have altered human agency by making choice instantaneous, effort minimal, and effects more far-reaching than ever. In the process, it concludes, switching also fosters forms of individualism that, though empowering for many, also preserve a legacy of inequality and even domination.
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Florentine Koppenborg’s Japan’s Nuclear Disaster and the Politics of Safety Governance (Cornell UP, 2023) begins with the understated observation that the triple disaster of March 2011 “exposed severe deficiencies in Japan’s nuclear safety governance.” This is the starting point for the rather curious story of the regulatory reforms taken up in the wake of the Fukushima disaster and how they created a new system with a strong independent nuclear safety regulator that has refused to back down even as the political tides have changed, and what this has meant for energy policy in Japan in the past dozen years. Koppenborg’s history of nuclear power regulation in Japan also seriously considers the implications of this dramatic break for regimes in other countries. This case study provides a complex and thought-provoking contribution to discussions of the role of nuclear power and independent regulation in global efforts to decarbonize our energy supply.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
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Danger Sound Klaxon!:The Horn That Changed History (University of Virginia Press, 2023) reveals the untold story of the Klaxon automobile horn, one of the first great electrical consumer technologies of the twentieth century. Although its metallic shriek at first shocked pedestrians, savvy advertising strategies convinced consumers across the United States and western Europe to adopt the shrill Klaxon horn as the safest signaling technology available in the 1910s. The widespread use of Klaxons in the trenches of World War I, however, transformed how veterans heard this car horn, and its traumatic association with gas attacks ultimately doomed this once ubiquitous consumer technology.
By charting the meteoric rise and eventual fall of the Klaxon, Dr. Matthew Jordan highlights how perceptions of sound-producing technologies are guided by, manipulated, and transformed through advertising strategies, public debate, consumer reactions, and governmental regulations. Jordan demonstrates in this fascinating history how consumers are led toward technological solutions for problems themselves created by technology.
Dr. Jordan also directs the News Literacy Initiative, including co-hosting its podcast News Over Noise.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Simon Johnson (MIT Sloan Economics Professor and Former IMF Chief Economist) joins the podcast to discuss his new book "Power and Progress", co-authored with his MIT colleague Daron Acemoglu, on the interplay between technology, political economy, and economic development.
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The University of Connecticut Humanities Institute recently sponsored a panel discussion on the topic, “Can you fall in love with ChatGPT?” and we recorded this discussion as a live podcast. The panel, which brought together a computer scientist, humanities scholars, and social scientists, focused in part on the latest advances in sociable AI, but much more on the impact these technologies are having, and are going to have, on human relationships.
As our AI becomes more able to anticipate and perform human-like conversation and emotional responses will we, as the sociologist Sherry Turkle suspects, develop ever deeper relationships with our machines? What will this mean for our relationships with other humans? In an America beset by a loneliness epidemic, is the future of companionship, and of care, to be found in the artificial? To put the issue at its starkest: can, or should, you fall in love with ChatGPT?
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The technological revolution we are facing today is artificial intelligence. At least this is what we are told. Those doing the telling include tech experts such as Elon Musk, linguist Noam Chomsky, as well as philosophers, politicians and intellectuals of all stripes.
What are to make of all this and how are we to manage a world experiencing such rapid change as practitioners?
We explore the role of A.I. and its place in a line of societal change that has serious consequences for all of us. We discuss practice, and thinkers including Guy Debord, Jean Baudrillard, Noam Chomsky and a bunch of contemporary commentators and their thoughts. We look at the big picture of society in turmoil and ask what practices might help us navigate this moment of intense change and disruption. We look at what it means to remain human despite the push to merge ourselves with the spectacle of social media and the calls to become more than human by tech dudes and the emergent forms of Capitalism and their need for us all to discard ever more of our humanity.
My companion in this episode is the co-founder of the podcast, Stuart Baldwin, who came back for this one off episode. The topic of tech and A.I. is close to his heart and the conversation both captures past glories of earlier episodes and signals a new maturation in our relationship in what we hope will be a stimulating conversation for serious practitioners.
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Xaq Frohlich’s From Label to Table: Regulating Food in America in the Information Age (U California Press, 2023) is a biography of the Nutrition Facts label that adorns millions of food products and has become an integral part of the food and information landscape in the United States. Frohlich’s story unfolds in part as an institutional history of the U.S. Food and Drug Administration (FDA), the agency responsible for the label, using the agency as a way to understand the ideological and policy debates about responsibility for communicating scientific information to the public, from regulation and gatekeeping to information brokering and nudging. From Label to Table is the story of how the contemporary American food information environment emerged out of this history of transformation from paternalism to “informationism.”
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
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Sand, salt, iron, copper, oil, and lithium. These fundamental materials have created empires, razed civilizations, and fed our ingenuity and greed for thousands of years. Without them, our modern world would not exist, and the battle to control them will determine our future.
The fiber-optic cables that weave the World Wide Web, the copper veins of our electric grids, the silicon chips and lithium batteries that power our phones and cars: though it can feel like we now live in a weightless world of information—what Ed Conway, author of Material World: The Six Raw Materials That Shape Modern Civilization (Knopf, 2023)--calls “the ethereal world”—our twenty-first-century lives are still very much rooted in the material. Listen to him in conversation with Owen Bennett-Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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Barcodes are about as ordinary as an object can be. Billions of them are scanned each day and they impact everything from how we shop to how we travel to how the global economy is managed. But few people likely give them more than a second thought. In a way, the barcode's ordinariness is the ultimate symbol of its success.
However, behind the mundanity of the barcode lies an important history. Barcodes bridged the gap between physical objects and digital databases and paved the way for the contemporary Internet of Things, the idea to connect all devices to the web. They were highly controversial at points, protested by consumer groups and labor unions, and used as a symbol of dystopian capitalism and surveillance in science fiction and art installations.
Jordan Frith's book Barcode (Bloomsbury, 2023) tells the story of the barcode's complicated history and examines how an object so crucial to so many parts of our lives became more ignored and more ordinary as it spread throughout the world.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Our data-intensive world is here to stay, but does that come at the cost of our humanity in terms of autonomy, community, dignity, and equality? In We, the Data: Human Rights in the Digital Age (MIT Press, 2023), Wendy H. Wong argues that we cannot allow that to happen. Exploring the pervasiveness of data collection and tracking, Wong reminds us that we are all stakeholders in this digital world, who are currently being left out of the most pressing conversations around technology, ethics, and policy. This book clarifies the nature of datafication and calls for an extension of human rights to recognize how data complicate what it means to safeguard and encourage human potential.
Wendy H. Wong is Professor of Political Science and Principal's Research Chair at the University of British Columbia, Okanagan. She is the author of two award-winning books: Internal Affairs: How the Structure of NGOs Transforms Human Rights and (with Sarah S. Stroup) The Authority Trap: Strategic Choices of International NGOs.
Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at [email protected]
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The inside story of the most expensive and controversial military program in history, as told by those who lived it.
The F-35 has changed allied combat warfare. But by the time it’s completed, it will cost more than the Manhattan Project and the B-2 Stealth Bomber. It has been subject to the most aggressive cyberattacks in history from China, Russia, North Korea, and others. Its stealth technology required nearly 9 million lines of code; NASA’s Curiosity Mars rover required 2.5 million. And it was this close to failure.
F-35: The Inside Story of the Lightning II (Skyhorse, 2023) is the only inside look at the most advanced aircraft in the world and the historic project that built it, as told by those who were intimately involved in its design, testing, and production. Based on the authors' personal experience and over 100+ interviews, F-35 pulls back the curtain on one of the most heavily criticized government programs in history from start to finish: the dramatic flights that won Lockheed Martin the contract over Boeing; the debates and decisions over capabilities; feats of software, hardware, and aeronautical engineering that made it possible; how the project survived the Nunn-McCurdy breach; the conflicts among all three branches of the U.S. military, between the eight other allied nation partners, and against spy elements from enemies. For readers of Skunk Works by Ben Rich and The Making of the Atomic Bomb by Richard Rhodes, F-35 will pique the interest of airplane enthusiasts, defense industry insiders, military history aficionados, political junkies, and general nonfiction readers.
AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram.
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Will the COVID-19 pandemic be remembered as a turning point in how universities deliver teaching and learning? How might the widespread use of digital tools change higher education?
Leveling the Learning Curve: Creating a More Inclusive and Connected University (Columbia UP, 2023) explores the role of digital education at this crucial crossroads. Built on interviews with more than fifty leading practitioners from major universities and ed-tech firms, Leveling the Learning Curve is an indispensable guide to the inner workings of digital education. Written for university managers and leaders, it explores how new tools can allow universities to reach new audiences and address long-standing imbalances. The authors examine challenges to implementing digital education programs and provide insight into how universities have managed to balance the needs of faculty and on- and off-campus students. The book traces the history of digital education initiatives from Khan Academy, TED Talks, and MOOCs through the pandemic, examining both successes and failures. It offers compelling examples of what a "connected university" looks like in practice, sharing ways digital tools can bring in wider audiences, expand interdisciplinary teaching and learning, connect students to real-life issues, help meet equity goals, and open new revenue streams.
Designed as both a manual and an in-depth study, Leveling the Learning Curve is required reading for educational leaders looking to navigate the complex waters of postpandemic digital education.
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How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today’s kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public’s understanding of what the photographic image is, while building vast collections with universalizing ambitions.
Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices.
Links Mentioned in the Episode
Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.
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Is it really harder to pay attention to something than it used to be? No doubt the world is getting faster, and social media platforms are so good at grabbing attention. But how real is the problem and in particular, does it impact our creativity? Carolyn Dicey Jennings is based at the University of California, Merced, and has just co-written a chapter called “Attention, Technology, and Creativity” in a book called Scenes of Attention: Essays on Mind, Time, and the Senses published by Columbia UP (2023) Listen to her in conversation with Owen Bennett Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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The inspiration for Christopher Nolan’s major motion picture, Oppenheimer, this Pulitzer Prize-winning biography explores the life and times of J. Robert Oppenheimer – the “Father of the Atomic Bomb” – who, like the mythological Prometheus, brought atomic fire to mankind. In deep detail, Kai Bird and Martin J. Sherwin's American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer (Vintage, 2006) explores Oppenheimer’s early career at the forefront of quantum physics, his associations with left-wing politics and the Communist Party, his leadership of the Manhattan Project, and his confrontations with the moral and political consequences of scientific progress during the Cold War. Twenty-five years in the making, this definitive biography charts the rise and fall of one of the twentieth century’s most iconic and paradoxical characters and restores Oppenheimer’s legacy and his humanity.
Andrew O. Pace is a historian of moral dilemmas of US foreign relations and an adjunct professor of history at Salt Lake Community College.
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In March 2011, people in a coastal Japanese city stood atop a seawall watching the approach of the tsunami that would kill them. They believed—naively—that the huge concrete barrier would save them. Instead they perished, betrayed by the very thing built to protect them. Erratic weather, blistering drought, rising seas, and ecosystem collapse now affect every inch of the globe. Increasingly, we no longer look to stop climate change, choosing instead to adapt to it.
Never have so many undertaken such a widespread, hurried attempt to remake the world. Predictably, our hubris has led to unintended—and sometimes disastrous—consequences. Academics call it maladaptation; in simple terms, it’s about solutions that backfire. Over the Seawall: Tsunamis, Cyclones, Drought, and the Delusion of Controlling Nature (Island Press, 2023) by Stephen Robert Miller tells us the stories behind these unintended consequences and about the fixes that can do more harm than good. From seawalls in coastal Japan, to the reengineered waters in the Ganges River Delta, to the artificial ribbon of water supporting both farms and urban centres in parched Arizona, Miller traces the histories of engineering marvels that were once deemed too smart and too big to fail. In each he takes us into the land and culture, seeking out locals and experts to better understand how complicated, grandiose schemes led instead to failure, and to find answers to the technologic holes we’ve dug ourselves into.
Over the Seawall urges us to take a hard look at the fortifications we build and how they’ve fared in the past. It embraces humanity’s penchant for problem-solving, but argues that if we are to adapt successfully to climate change, we must recognize that working with nature is not surrender but the only way to assure a secure future.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In this episode of International Horizons, RBI director John Torpey talks with economists Luciana Lazzaretti and Stefania Oliva of the University of Florence about the role of artificial intelligence in contemporary cultural transformation. The authors discuss the genesis of computer culture from the garages of California hippies who dreamed of a changed world and unexpectedly unleashed the forces of science and art for the sake of entrepreneurship. Moving forward, the authors discuss the nature of a “post-truth” world and how the many faces of reality can converge towards the truth. Finally, Lazaretti and Oliva address the need to foster critical thinking to cope with the threats posed by AI in terms of misinformation and disinformation.
International Horizons is a podcast of the Ralph Bunche Institute for International Studies that brings scholarly expertise to bear on our understanding of international issues. John Torpey, the host of the podcast and director of the Ralph Bunche Institute, holds conversations with prominent scholars and figures in state-of-the-art international issues in our weekly episodes.
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In The New Screen Ecology in India: Digital Transformation of Media (British Film Institute, 2023), Smith Mehta takes a deep dive into the world of social media platforms and their impact on contemporary film and television production, arguing that they have fundamentally shifted the creator dynamics of these industries. Through first-hand research with creators, platform and portal executives, and intermediaries such as talent agents and multi-channel networks, Mehta develops the concept of the 'new screen ecology'. He reveals how the Indian screen industries are affected by the social relations between these agents and how industrial practices are blurring the amateur-professional divide through creator and content interdependencies.
Mehta goes beyond theoretical analysis by interrogating the production practices of 13 different platforms and portals, including Hotstar, Netflix, YouTube, and TVFPlay. He analyses the extent to which they benefit from the lack of censorship and restrictive industrial practices that are characteristic of traditional media structures. By doing so, he provides a unique and insightful examination of the dynamics of digital transformation in the screen industries in a region-specific context.
Priyam Sinha is a doctoral candidate in the South Asian Studies Programme at the National University of Singapore. She has interdisciplinary academic interests that lie at the intersection of film studies, disability studies, production cultures, creative media industries and cultural studies. She can be reached on Twitter here.
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In this episode of High Theory, Matthew Kirschenbaum talks about txt, or text. Not texting, or textbooks, but text as a form of data that is feeding large language models. Will the world end in fire, flood, or text?
In the full interview, Matthew recommended Tim Maughan’s novel Infinite Detail (Macmillan, 2019) as an excellent example of writing about the end of the internet, and Emily St. John Mandel’s Station Eleven (Knopf, 2014) as a positive example of a post-internet apocalypse. In the episode he references a paper by Beder et al., “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” FAccT '21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency (March 2021): 610–623. And several apocalyptic scenarios, including the dead internet theory and the gray goo hypothesis.
Matthew Kirschenbaum is Distinguished University Professor of English and Digital Studies at the University of Maryland and Director of the Graduate Certificate in Digital Studies. His books include Track Changes: A Literary History of Word Processing (Harvard UP 2016) and Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008). With Kari Kraus, he co-founded and co-directs BookLab, a makerspace, studio, library, and press devoted to what is surely our discipline's most iconic artifact, the codex book. See mkirschenbaum.net or follow him on Twitter (or X?) as @mkirschenbaum for more.
Because we are hoping to encourage the text apocalypse, we made today’s image using generative AI. Specifically Saronik made it using the prompt “Text” in Canva’s AI interface.
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Economic journalist and broadcaster Doug Henwood revisits his 2003 book, After the New Economy (New Press), with Peoples & Things host, Lee Vinsel. “The New Economy” was a catchphrase that became extremely popular with economists, politicians, pundits, and many others during Bill Clinton’s presidency. The phrase was thought to describe a new economic reality rooted in information and computing technologies that would give rise to an extended period of abundance and prosperity that Clinton compared to the industrial revolution. But the phrase became unpopular after the dot com bust of 2000-2002, which also marked the end of the 1990s economic expansion. Henwood and Vinsel discuss Henwood’s long career as an economic journalist and how he came to write the book as well as how studying “the New Economy” makes the technology bubbles of the 2010s feel like deja vu.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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For too long, our system of higher education has been defined by scarcity: scarcity in enrollment, scarcity in instruction, and scarcity in credentials. In addition to failing students professionally, this system has exacerbated social injustice and socioeconomic stratification across the globe. In The Abundant University, Michael D. Smith argues that the only way to create a financially and morally sustainable higher education system is by embracing digital technologies for enrolling, instructing, and credentialing students—the same technologies that we have seen create abundance in access to resources in industry after industry.
The Abundant University: Remaking Higher Education for a Digital World (MIT Press, 2023) explains how we got our current system, why it’s such an expensive, inefficient mess, and how a system based on exclusivity cannot foster inclusivity. Smith challenges the resistance to digital technologies that we have already seen among numerous institutions, citing the examples of faculty resistance toward digital learning platforms. While acknowledging the understandable self-preservation instinct of our current system of residential education, Smith makes a case for how technology can engender greater educational opportunity and create changes that will benefit students, employers, and society as a whole.
Smith, the J. Erik Johnson Chaired Professor of Information Technology and Marketing at Carnegie Mellon University, argues that American higher education is subject to market forces just like any other industry. Forbes says, “With a straightforward, conversational style, Smith succeeds in portraying the current problems bearing down on higher education and offering a set of bold solutions for a future where he envisions a college education becoming ‘more open, flexible, inclusive, and lower-priced.’ The Abundant University is a provocative book that should be read by higher ed insiders as well as those in the general public who care about expanding the reach and the impact of higher education.”
John Emrich has worked for decades in corporate finance, investment management, and corporate strategy. He has a podcast about the investment advisory industry called Kick the Dogma.
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New York Times tech reporter Kashmir Hill was skeptical when she got a tip about a mysterious app called Clearview AI that claimed it could, with 99 percent accuracy, identify anyone based on just one snapshot of their face. The app could supposedly scan a face and, in just seconds, surface every detail of a person’s online life: their name, social media profiles, friends and family members, home address, and photos that they might not have even known existed. If it was everything it claimed to be, it would be the ultimate surveillance tool, and it would open the door to everything from stalking to totalitarian state control. Could it be true?
In this riveting account, Hill tracks the improbable rise of Clearview AI, helmed by Hoan Ton-That, an Australian computer engineer, and Richard Schwartz, a former Rudy Giuliani advisor, and its astounding collection of billions of faces from the internet. The company was boosted by a cast of controversial characters, including conservative provocateur Charles C. Johnson and billionaire Donald Trump backer Peter Thiel—who all seemed eager to release this society-altering technology on the public. Google and Facebook decided that a tool to identify strangers was too radical to release, but Clearview forged ahead, sharing the app with private investors, pitching it to businesses, and offering it to thousands of law enforcement agencies around the world.
Facial recognition technology has been quietly growing more powerful for decades. This technology has already been used in wrongful arrests in the United States. Unregulated, it could expand the reach of policing, as it has in China and Russia, to a terrifying, dystopian level.
Your Face Belongs to Us: A Secretive Startup's Quest to End Privacy as We Know It (Random House, 2023) is a gripping true story about the rise of a technological superpower and an urgent warning that, in the absence of vigilance and government regulation, Clearview AI is one of many new technologies that challenge what Supreme Court Justice Louis Brandeis once called “the right to be let alone.”
Jake Chanenson is a computer science Ph.D. student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
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In Platformization and Informality: Pathways of Change, Alteration, and Transformation (Palgrave MacMillan, 2023), scholars from Mumbai, Bengaluru, Jakarta, Cape Town, Sao Paulo and other cities of the global South explore the complex relationship between platformization and informality through a different lens. Drawing on extensive theoretical, quantitative and qualitative scholarship, they provide both a useful overview and insights into the lived realities of gig work for platforms covering a range of skills, working conditions, and forms of algorithmic management. Platform work has attracted considerable attention from scholars in the global North, who have tended to view it as a form of casualisation of work that was previously regulated. But what about the global South, where most employment, especially that of women and migrant workers was historically already informal?
Beyond a focus on livelihoods, employment, and work, the authors show how labour platforms take on powers that bring about broader impacts, including those affecting identity and personal wellbeing. They also illustrate the impact of platformization on the governance of affected sectors by public agencies, thus affecting political power, and how public data infrastructures contribute to further platformization. The purpose of this pioneering work is to lay bare these interactions to then rebuild our understanding of platformization and its social, political, cultural and economic impacts. Its insights are attentive to gender and ethnic differences, as well as geographical ones.
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In the 1970s, the invention of the home pregnancy test changed what it means to be pregnant. For the first time, women could use a technology in the privacy of their own homes that gave them a yes or no answer. That answer had the power to change the course of their reproductive lives, and it chipped away at a paternalistic culture that gave gynecologists-the majority of whom were men-control over information about women's bodies.
However, while science so often promises clear-cut answers, the reality of pregnancy is often much messier. Pregnancy Test (Bloomsbury, 2023) explores how the pregnancy test has not always lived up to the fantasy that more information equals more knowledge. Karen Weingarten examines the history and cultural representation of the pregnancy test to show how this object radically changed sex and pregnancy in the late 20th and early 21st centuries.
Jana Byars is an independent scholar located in Amsterdam.
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How marketers learned to dream of optimization and speak in the idiom of management science well before the widespread use of the Internet.
Algorithms, data extraction, digital marketers monetizing "eyeballs": these all seem like such recent features of our lives. And yet, Lee McGuigan tells us in this eye-opening book, digital advertising was well underway before the widespread use of the Internet. Explaining how marketers have brandished the tools of automation and management science to exploit new profit opportunities, Selling the American People: Advertising, Optimization, and the Origins of Adtech (MIT Press, 2023) traces data-driven surveillance all the way back to the 1950s, when the computerization of the advertising business began to blend science, technology, and calculative cultures in an ideology of optimization. With that ideology came adtech, a major infrastructure of digital capitalism.
To help make sense of today's attention merchants and choice architects, McGuigan explores a few key questions: How did technical experts working at the intersection of data processing and management sciences come to command the center of gravity in the advertising and media industries? How did their ambition to remake marketing through mathematical optimization shape and reflect developments in digital technology? In short, where did adtech come from, and how did data-driven marketing come to mediate the daily encounters of people, products, and public spheres? His answers show how the advertising industry's efforts to bend information technologies toward its dream of efficiency and rational management helped to make "surveillance capitalism" one of the defining experiences of public life.
Blyss Cleveland is a PhD candidate in sociology at Stanford University.
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Stephen Barley, professor emeritus at both Stanford University and the University of California, Santa Barbara, talks about the long arc of his forty-year career studying organizations and technologies with Peoples & Things host, Lee Vinsel. Barley describes how he came to study the sociology of technology when that topic area really didn’t exist and how he came to write classic works, such as his 1986 article, “Technology as an occasion for structuring.” Barley and Vinsel also talk about institution building and how one creates research teams capable of doing strong and interesting work. This is the second of what will hopefully be a series of episodes featuring scholars who, in the 1980s, began studying how organizations adopted information and communications technologies. The first was our earlier episode with JoAnne Yates.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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Avery Dame-Griff's The Two Revolutions: A History of the Transgender Internet (NYU Press, 2023) explores how the rise of the internet shaped transgender identity and activism from the 1980s to the present. Through extensive archival research and media archeology, Avery Dame-Griff reconstructs the manifold digital networks of transgender activists, cross-dressing computer hobbyists, and others interested in gender nonconformity who incited the second revolution of the title: the ascendance of “transgender” as an umbrella identity in the mid-1990s.
Dame-Griff argues that digital communications sparked significant momentum within what would become the transgender movement, but also further cemented existing power structures. Covering both a historical period that is largely neglected within the history of computing, and the poorly understood role of technology in queer and trans social movements, The Two Revolutions offers a new understanding of both revolutions—the internet’s early development and the structures of communication that would take us to today’s tipping point of trans visibility politics. Through a history of how trans people online exploited different digital infrastructures in the early days of the internet to build a community, The Two Revolutions tells a crucial part of trans history itself.
Scholars and Works Mentioned in the Episode
Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.
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Technosleep: Frontiers, Fictions, Futures (Palgrave Macmillan, 2023) draws on a variety of substantive examples from science, technology, medicine, literature, and popular culture to highlight how a new technoscientifically mediated and modified phase and form of technosleep is now in the making – in the global north at least; and to discuss the consequences for our relationships to sleep, the values we accord sleep and the very nature and normativities of sleep itself.
The authors discuss how technosleep, at its simplest denotes the ‘coming together’ or ‘entanglements’ of sleep and technology and sensitizes us to various shifts in sleep–technology relations through culture, time and place. In doing so, it pays close attention to the salience and significance of these trends and transformations to date in everyday/night life, their implications for sleep inequalities and the related issues of sleep and social justice they suggest.
Katie Coveney, Ph.D. is a medical sociologist with expertise in social and ethical aspects of medicine and health care. She has particular research interests in the sociology of sleep, medical technology, and disability. Katie is the School of Social Sciences and Humanities Ethics Lead and Criminology, Sociology and Social Policy Lead Admissions officer.
Katie has been a senior lecturer in Sociology at Loughborough since 2018. She was co-convener of the British Sociological Association Medical Sociology Group (2019 – 2021). Before this she worked as a research fellow in the Centre for Reproduction Research at De Montfort University (2017-8), the Centre for Global Health Policy at the University of Sussex (2014-7), the Department of Sociology at the University of Warwick (2010-2014) and the School of Nursing, Midwifery and Physiotherapy at the University of Nottingham (2009 -2010).
Eric L. Hsu, Ph.D. is a Lecturer in Sociology at the Justice & Society Academic Unit at the University of South Australia, where he also serves as a Research Platform Leader at the UniSA Jean Monnet Centre of Excellence. With Dr Louis Everuss, Dr Hsu hosts and produces the Sociology of Everything podcast. This podcast aims to stimulate interest in sociological ideas by offering a sideways and engaging look at the wonders of sociology. More information can be found on his website: www.ericlhsu.com.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at emotional labor performed by employees and passengers at airports. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at [email protected].
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Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities.
Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.
Caleb Zakarin is the Assistant Editor of the New Books Network.
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Conor Harrison, Associate Professor of Geography and the School of Earth, Ocean, and Environment at the University of South Carolina, talks about his research into the racist development of electrical systems in the Jim Crow South with Peoples & Things host, Lee Vinsel. The pair discuss how Harrison’s research fits within larger trends in the academic discipline of geography and the kinds of empirical research Harrison did to support his articles on the racial dimensions of electricity infrastructure. They also discuss how Harrison’s research has shifted in recent years to focus on the financial structures of the electricity industry.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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What role do algorithms play in the construction of images and the representation of the world and weather in computer games? How does the design of rooms, levels and topographies influence the decisions and behavior of the players? Is Brutalism the first genuine architectural style of computer games? What is the importance of landscape gardens and national parks in structuring game worlds? How is nature represented in times of climate change?
Particularly in the last 20 years, digital game worlds are adapting features of the physical real world more meticulously than ever before. Through elaborate production processes and complex visualization strategies, the adaptation to the rest of our everyday world is always created in dependence on game mechanics and worldliness. As can be seen at the latest in the example of open-world games, the adoption of certain worldviews and visual traditions leads to ideological implications that go far beyond the narrative conventions transferred from other media formats that have been the focus of research so far.
With his theory of architecture as a medial hinge, Marc Bonner reveals that digital game worlds exhibit media-specific properties that were previously out of reach and awaited exploration. By interweaving concepts from media studies, game studies, philosophy, architectural theory, human geography, landscape theory, and art history, among others, Bonner develops a transdisciplinary theoretical model and, using the analytical methods developed from it, makes it possible for the first time to understand and name the complex structure of today's computer games - from indie games to AAA open worlds.
Open World Structures (Offene-Welt-Strukturen (Büchner-Verlag, 2023)) makes the architectonics of digital game worlds comprehensively accessible.
Rudolf Inderst is a professor of Game Design at the IU International University of Applied Science.
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Today, conspiracy theories run rampant, attacks on facts have become commonplace, and systemic inequities are on the rise as individual and collective agency unravels. The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers (MIT Press, 2022) explains the educational, technological, and ideological preconditions for these contemporary crises of truth and agency and explores the contradictions and competing visions for the future of education that lie at the center of the problem.
Schools are increasingly reimagined as businesses, and high-stakes standardized testing and curricula, for-profit charter schools, and the rise of educational AI put capital and technology at the center of education. Yet even as our society demands measure, data, and facts, politicians and news outlets regularly make unfounded assertions. How should we make sense of the contradictions between the demand for radical data-driven empiricism and the flight from evidence, argument, or theoretical justification?
In this critical investigation of the new digital directions of educational privatization—AI education, adaptive learning technology, biometrics, the quantification of play and social emotional learning—and the politics of the body, Saltman shows how the false certainty of bodies and numbers replaces deliberative and thoughtful agency in a time of increasing precarity. A distinctive contribution to scholarship on public school privatization and educational technology, politics, policy, pedagogy, and theory, The Alienation of Fact is a spirited call for democratic education that values creating a society of “thinking people” over capitalistic gains.
This book is available open access here.
Joao Souto-Maior is a postdoc at the New York University’s Institute of Human Development and Social Change.
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Stephen Ramsey's On the Digital Humanities: Essays and Provocations (University of Minnesota Press, 2023) is a witty and incisive exploration of the philosophical conundrums that animate the digital humanities. Since its inception, the digital humanities has been repeatedly attacked as a threat to the humanities: warnings from literary and cultural theorists of technology overtaking English departments and the mechanization of teaching have peppered popular media.
Stephen Ramsay’s On the Digital Humanities, a collection of essays spanning the personal to the polemic, is a spirited defense of the field of digital humanities. A founding figure in what was once known as “humanities computing,” Ramsay has a well-known and contentious relationship with what is now called the digital humanities (DH). Here Ramsay collects and updates his most influential and notorious essays and speeches from the past fifteen years, considering DH from an array of practical and theoretical perspectives.
The essays pursue a broad variety of themes, including the nature of data and its place in more conventional notions of text and interpretation, the relationship between the constraints of computation and the more open-ended nature of the humanities, the positioning of practical skills and infrastructures in both research and pedagogical contexts, the status of DH as a program for political and social action, and personal reflections on the author’s journey into the field as both a theorist and a technologist. These wide-ranging essays all center around one idea: that DH not forsake its connection to the humanities. While “digital humanities” may sound like an entirely new form of engagement with the artifacts of human culture, Ramsay argues that the field well reveals what is most essential to humanistic inquiry.
Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.
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In Industry Unbound: The Inside Story of Privacy, Data, and Corporate Power (Cambridge UP, 2021), Ari Ezra Waldman exposes precisely how the tech industry conducts its ongoing crusade to undermine our privacy. With research based on interviews with scores of tech employees and internal documents outlining corporate strategies, Waldman reveals that companies don't just lobby against privacy law; they also manipulate how we think about privacy, how their employees approach their work, and how they weaken the law to make data-extractive products the norm. In contrast to those who claim that privacy law is getting stronger, Waldman shows why recent shifts in privacy law are precisely the kinds of changes that corporations want and how even those who think of themselves as privacy advocates often unwittingly facilitate corporate malfeasance. This powerful account should be read by anyone who wants to understand why privacy laws are not working and how corporations trap us into giving up our personal information.
Jake Chanenson is a computer science Ph.D. student at the University of Chicago and an AY23-24 affiliate at the Center for Information, Technology, and Public Life (CITAP). Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
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Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted new ways of imagining sound, the body, and personhood.
Connecting sometimes bizarre snippets of history, this multi-disciplinary book moves backward and forward in time, deliberately troubling the meaning of concepts like “technology” and “human.” Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds (U Chicago Press, 2023) attends to the ways that early modern encounters and inventions—including settler colonialism, emergent racialized worldviews, the printing press, gunpowder, and the telescope—participated in making castrati. In Bonnie Gordon’s revealing study, castrati serve as a critical provocation to ask questions about the voice, the limits of the body, and the stories historians tell.
Nathan Smith is a PhD candidate in Music Theory at Yale University. Email: [email protected]
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A concise overview of fertility technology—its history, practical applications, and ethical and social implications around the world. In the late 1850s, a physician in New York City used a syringe and glass tube to inject half a drop of sperm into a woman’s uterus, marking the first recorded instance of artificial insemination. From that day forward, doctors and scientists have turned to technology in ever more innovative ways to facilitate conception. Fertility Technology (MIT Press, 2023) surveys this history in all its medical, practical, and ethical complexity, and offers a look at state-of-the-art fertility technology in various social and political contexts around the world. Donna J. Drucker’s concise and eminently readable account introduces the five principal types of fertility technologies used in human reproduction—artificial insemination; ovulation timing; sperm, egg, and embryo freezing; in vitro fertilization; and IVF in uterine transplants—discussing the development, manufacture, dispersion, and use of each. Geographically, it focuses on countries where innovations have emerged and countries where these technologies most profoundly affect individuals and population policies. Drucker’s wide-ranging perspective reveals how these technologies, used for birth control as well as conception in many cases, have been critical in shaping the moral, practical, and political meaning of human life, kinship, and family in different nations and cultures since the mid-nineteenth century.
Donna J. Drucker is Assistant Director of Scholarship and Research Development at the Columbia University School of Nursing.
Caleb Zakarin is the Assistant Editor of the New Books Network.
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There is no doubt science is currently suffering from a credibility crisis. Gary Smith's book Distrust: Big Data, Data-Torturing, and the Assault on Science (Oxford UP, 2023) argues that, ironically, science's credibility is being undermined by tools created by scientists themselves. Scientific disinformation and damaging conspiracy theories are rife because of the internet that science created, the scientific demand for empirical evidence and statistical significance leads to data torturing and confirmation bias, and data mining is fuelled by the technological advances in Big Data and the development of ever-increasingly powerful computers.
Using a wide range of entertaining examples, this fascinating book examines the impacts of society's growing distrust of science, and ultimately provides constructive suggestions for restoring the credibility of the scientific community.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at [email protected]. She's on Twitter @embracingwisdom. She blogs here.
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Avi Staiman, CEO of Academic Language Experts discusses the how advancements in artificial intelligence are shaping academic publishing. Avi offers various solutions and remedies to concerns around misuse, in addition to offering several tools that can support academics in their writing and research.
Caleb Zakarin is the Assistant Editor of the New Books Network.
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Smartphones, skyscrapers, spacecraft. Modern technology seems mind-bogglingly complex. But beneath the surface, it can be beautifully simple.
In Nuts & Bolts: Seven Small Inventions that Changed the World (in a Big Way) (W. W. Norton, 2023), award-winning Shard engineer and broadcaster Roma Agrawal deconstructs our most complex feats of engineering into seven fundamental inventions: the nail, spring, wheel, lens, magnet, string and pump. Each of these objects is itself a wonder of design, the result of many iterations and refinements. Together, they have enabled humanity to see the invisible, build the spectacular, communicate across vast distances, and even escape our planet.
Tracing the surprising journeys of each invention through the millennia, Agrawal reveals how handmade Roman nails led to modern skyscrapers, how the potter’s wheel enabled space exploration, and how humble lenses helped her conceive a child against the odds.
She invites us to marvel at these small but perfectly formed inventions, sharing the stories of the remarkable, and often unknown, scientists and engineers who made them possible. The nuts and bolts that make up our world may be tiny, and are often hidden, but they’ve changed our lives in dramatic ways.
This interview was conducted by Dr. Miranda Melcher.
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Niko Pfund joins the podcast to discuss the value of scientific content for building out Large Language Models and some of the challenges around tracking the quality and ownership of aggregated content from unknown sources. We also discuss potential avenues for collaboration between Generative AI companies and scholarly publishers.
Niko Pfund is Academic Publisher at Oxford University Press and President of Oxford’s US office.
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The Nintendo Wii, introduced in 2006, helped usher in a moment of retro-reinvention in video game play. This hugely popular console system, codenamed Revolution during development, signaled a turn away from fully immersive, time-consuming MMORPGs or forty-hour FPS games and back toward family fun in the living room. Players using the wireless motion-sensitive controller (the Wii Remote, or “Wiimote”) play with their whole bodies, waving, swinging, swaying. The mimetic interface shifts attention from what's on the screen to what's happening in physical space. Codename Revolution describes the Wii's impact in technological, social, and cultural terms, examining the Wii as a system of interrelated hardware and software that was consciously designed to promote social play in physical space.
Each chapter of Codename Revolution focuses on a major component of the Wii as a platform: the console itself, designed to be low-powered and nimble; the iconic Wii Remote; Wii Fit Plus, and its controller, the Wii Balance Board; the Wii Channels interface and Nintendo's distribution system; and the Wii as a social platform that not only affords multiplayer options but also encourages social interaction in shared physical space. Finally, the authors connect the Wii's revolution in mimetic interface gaming—which eventually led to the release of Sony's Move and Microsoft's Kinect—to some of the economic and technological conditions that influence the possibility of making something new in this arena of computing and culture.
Steven E. Jones is Professor of English at Loyola University Chicago.
George K. Thiruvathukal is Professor of Computer Science at Loyola University Chicago.
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What do computers, cells, and brains have in common? Computers are electronic devices designed by humans; cells are biological entities crafted by evolution; brains are the containers and creators of our minds. But all are, in one way or another, information-processing devices. The power of the human brain is, so far, unequaled by any existing machine or known living being. Over eons of evolution, the brain has enabled us to develop tools and technology to make our lives easier. Our brains have even allowed us to develop computers that are almost as powerful as the human brain itself. In The Digital Mind, Arlindo Oliveira describes how advances in science and technology could enable us to create digital minds.
Exponential growth is a pattern built deep into the scheme of life, but technological change now promises to outstrip even evolutionary change. Oliveira describes technological and scientific advances that range from the discovery of laws that control the behavior of the electromagnetic fields to the development of computers. He calls natural selection the ultimate algorithm, discusses genetics and the evolution of the central nervous system, and describes the role that computer imaging has played in understanding and modeling the brain. Having considered the behavior of the unique system that creates a mind, he turns to an unavoidable question: Is the human brain the only system that can host a mind? If digital minds come into existence—and, Oliveira says, it is difficult to argue that they will not—what are the social, legal, and ethical implications? Will digital minds be our partners, or our rivals?
In this episode Chris Gondek speaks with author Arlindo Oliveira about intelligence in respect to consciousness, and how artificial intelligence has spawned and will grow.
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Emoji Speak: Communication and Behaviours on Social Media (Bloomsbury, 2023) by Dr. Jieun Kiaer provides an in-depth discussion of emoji use in a global context, this volume presents the use of emoji as a hugely important facet of computer-mediated communication, leading Dr. Kiaer to coin the term 'emoji speak'.
Exploring why and how emojis are born, and the different ways in which people use them, this book highlights the diversity of emoji speak. Presenting the results of empirical investigations with participants of British, Belgian, Chinese, French, Japanese, Jordanian, Korean, Singaporean, and Spanish backgrounds, it raises important questions around the complexity of emoji use.
Though emojis have become ubiquitous, their interpretation can be more challenging. What is humorous in one region, for example, might be considered inappropriate or insulting in another. Whilst emoji use can speed up our communication, we might also question whether they convey our emotions sufficiently. Moreover, far from belonging to the youth, people of all ages now use emoji speak, prompting Kiaer to consider the future of our communication in an increasingly digital world.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Limited legal protections for privacy leave minority communities vulnerable to concrete injuries and violence when their information is exposed. In Privacy at the Margins (Cambridge UP, 2021), Scott Skinner-Thompson highlights why privacy is of acute importance for marginalized groups. He explains how privacy can serve as a form of expressive resistance to government and corporate surveillance regimes - furthering equality goals - and demonstrates why efforts undertaken by vulnerable groups (queer folks, women, and racial and religious minorities) to protect their privacy should be entitled to constitutional protection under the First Amendment and related equality provisions. By examining the ways even limited privacy can enrich and enhance our lives at the margins in material ways, this work shows how privacy can be transformed from a liberal affectation to a legal tool of liberation from oppression.
Jake Chanenson, CS Ph.D. at UChicago
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Long ago, in 1985, personal computers came in two general categories: the friendly, childish game machine used for fun (exemplified by Atari and Commodore products); and the boring, beige adult box used for business (exemplified by products from IBM). The game machines became fascinating technical and artistic platforms that were of limited real-world utility. The IBM products were all utility, with little emphasis on aesthetics and no emphasis on fun. Into this bifurcated computing environment came the Commodore Amiga 1000. This personal computer featured a palette of 4,096 colors, unprecedented animation capabilities, four-channel stereo sound, the capacity to run multiple applications simultaneously, a graphical user interface, and powerful processing potential. It was, Jimmy Maher writes in The Future Was Here, the world's first true multimedia personal computer.
Maher argues that the Amiga's capacity to store and display color photographs, manipulate video (giving amateurs access to professional tools), and use recordings of real-world sound were the seeds of the digital media future: digital cameras, Photoshop, MP3 players, and even YouTube, Flickr, and the blogosphere. He examines different facets of the platform--from Deluxe Paint to AmigaOS to Cinemaware--in each chapter, creating a portrait of the platform and the communities of practice that surrounded it. Of course, Maher acknowledges, the Amiga was not perfect: the DOS component of the operating systems was clunky and ill-matched, for example, and crashes often accompanied multitasking attempts. And Commodore went bankrupt in 1994. But for a few years, the Amiga's technical qualities were harnessed by engineers, programmers, artists, and others to push back boundaries and transform the culture of computing.
Jimmy Maher is an independent scholar and writer living in Norway.
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Daily life is connected life, its rhythms driven by endless email pings and responses, the chimes and beeps of continually arriving text messages, tweets and retweets, Facebook updates, pictures and videos to post and discuss. Our perpetual connectedness gives us endless opportunities to be part of the give-and-take of networking.
Some worry that this new environment makes us isolated and lonely. But in Networked, Lee Rainie and Barry Wellman show how the large, loosely knit social circles of networked individuals expand opportunities for learning, problem solving, decision making, and personal interaction. The new social operating system of “networked individualism” liberates us from the restrictions of tightly knit groups; it also requires us to develop networking skills and strategies, work on maintaining ties, and balance multiple overlapping networks.
Rainie and Wellman outline the “triple revolution” that has brought on this transformation: the rise of social networking, the capacity of the Internet to empower individuals, and the always-on connectivity of mobile devices. Drawing on extensive evidence, they examine how the move to networked individualism has expanded personal relationships beyond households and neighborhoods; transformed work into less hierarchical, more team-driven enterprises; encouraged individuals to create and share content; and changed the way people obtain information. Rainie and Wellman guide us through the challenges and opportunities of living in the evolving world of networked individuals.
Lee Rainie is Director of the Pew Research Center’s Internet & American Life Project and former managing editor of U.S. News and World Report.
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Hello Avatar Or, {llSay(0, Hello, Avatar ); is a tiny piece of user-friendly code that allows us to program our virtual selves. In Hello Avatar, B. Coleman examines a crucial aspect of our cultural shift from analog to digital: the continuum between online and off-, what she calls the "x-reality" that crosses between the virtual and the real. She looks at the emergence of a world that is neither virtual nor real but encompasses a multiplicity of network combinations. And she argues that it is the role of the avatar to help us express our new agency--our new power to customize our networked life.
By avatar, Coleman means not just the animated figures that populate our screens but the gestalt of images, text, and multimedia that make up our online identities--in virtual worlds like Second Life and in the form of email, video chat, and other digital artifacts. Exploring such network activities as embodiment, extreme (virtual) violence, and the work in virtual reality labs, and offering sidebar interviews with designers and practitioners, she argues that what is new is real-time collaboration and copresence, the way we make connections using networked media and the cultures we have created around this. The star of this drama of expanded horizons is the networked subject--all of us who represent aspects of ourselves and our work across the mediascape.
B. Coleman is Assistant Professor of Writing and New Media in MIT’s Program in Writing and Humanistic Studies and Comparative Media Studies. She is Faculty Director of the C3 Game Culture and Mobile Media initiative.
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Both before and after the 2011 "Triple Disaster" of earthquake, tidal wave, and consequent meltdown at the Fukushima Daiichi nuclear power plant, anthropologist Satsuki Takahashi visited nearby communities, collecting accounts of life and livelihoods along the industrialized seascape. The resulting environmental ethnography examines the complex relationship between commercial fishing families and the Joban Sea--once known for premium-quality fish and now notorious as the location of the world's worst nuclear catastrophe.
Satsuki Takahashi's book Fukushima Futures: Survival Stories in a Repeatedly Ruined Seascape (U Washington Press, 2023) follows postwar Japan's maritime modernization from the perspectives of those most entangled with its successes and failures. In response to unrelenting setbacks, including an earlier nuclear accident at neighboring Tokaimura and the oil spills of stranded tankers during typhoons, these communities have developed survival strategies shaped by the precarity they share with their marine ecosystem. The collaborative resilience that emerges against this backdrop of vulnerability and uncertainty challenges the progress-bound logic of futurism, bringing more hopeful possibilities for the future into sharper focus.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
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How much of US power is underground? We hear a lot about the US military assets used on land, on the sea, and in the air - but not much about what’s going on underground and on the sea bed. It turns out what goes on down there is a significant source of US power – which has been documented by Henry Farrell in his co-authored book (with Abraham Newman), Underground Empire: How America Weaponized the World Economy (Henry Holt, 2023). Listen to him describe it all with Owen Bennett-Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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From facial recognition―capable of checking people into flights or identifying undocumented residents―to automated decision systems that inform who gets loans and who receives bail, each of us moves through a world determined by data-empowered algorithms. But these technologies didn’t just appear: they are part of a history that goes back centuries, from the census enshrined in the US Constitution to the birth of eugenics in Victorian Britain to the development of Google search.
In How Data Happened: A History from the Age of Reason to the Age of Algorithms (Norton, 2023), Chris Wiggins and Matthew L. Jones illuminate the ways in which data has long been used as a tool and a weapon in arguing for what is true, as well as a means of rearranging or defending power. They explore how data was created and curated, as well as how new mathematical and computational techniques developed to contend with that data serve to shape people, ideas, society, military operations, and economies. Although technology and mathematics are at its heart, the story of data ultimately concerns an unstable game among states, corporations, and people. How were new technical and scientific capabilities developed; who supported, advanced, or funded these capabilities or transitions; and how did they change who could do what, from what, and to whom?
Wiggins and Jones focus on these questions as they trace data’s historical arc, and look to the future. By understanding the trajectory of data―where it has been and where it might yet go―Wiggins and Jones argue that we can understand how to bend it to ends that we collectively choose, with intentionality and purpose.
Jake Chanenson is a computer science Ph.D. student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
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Philosophy professor Jacob Howland applies the lessons of Greek classics and Jewish scripture to this our curious moment at the inception of Artificial intelligence when computers are doing more and more work for us, and we humans—like miniature Gods—can make up new simulated realities and even identities for ourselves. There’s a word for when people worship the things they create: idolatry. Looking to the Bible (from the Garden of Eden, the Fall, Cain and Abel, the Tower of Babel, and the Golden Calf) and literature (from Homer, Plato, and Hesiod, all the way to Milton), Professor Howland and I talk about where we are, and where we might be headed.
Krzysztof Odyniec is a historian of Medieval and Early Modern Europe; he is also the host of the 'Almost Good Catholics' podcast.
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Big Tech locked us into their systems by making their platforms hard to leave by design. The impossibility of staying connected to people on their platforms after you delete your account has nothing to do with technological limitations: it's an intentional business strategy.
In The Internet Con: How to Seize the Means of Computation (Verso, 2023), Cory Doctorow explains how to seize the means of computation, by forcing Silicon Valley to do the thing it fears most: interoperate. Interoperability will tear down the walls between technologies, allowing users leave platforms, remix their media, and reconfigure their devices without corporate permission.
This book comes out September 5, 2023. See seizethemeansofcomputation.org for book details.
Note: Cory mentioned that the book website is seizethemeansofcommunication.org it is actually seizethemeansofcomputation.org.
Jake Chanenson is a computer science Ph.D. student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
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Gretchen Sorin, Director and Distinguished Professor of the Cooperstown Graduate Program at the State University of New York - Oneonta, talks about her book, Driving While Black: African American Travel and the Road to Civil Rights (Liveright, 2020), with Peoples & Things host, Lee Vinsel. Driving While Black examines how cars fit into black lives and sheds light on how this technology fits into much larger patterns of history, including the Civil Rights and Black Lives Matter movements. Sorin and Vinsel also talk about the field of public history and communicating to non-academic audiences.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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We may think of video games as being "fun," but in The Art of Failure, Jesper Juul claims that this is almost entirely mistaken. When we play video games, our facial expressions are rarely those of happiness or bliss. Instead, we frown, grimace, and shout in frustration as we lose, or die, or fail to advance to the next level. Humans may have a fundamental desire to succeed and feel competent, but game players choose to engage in an activity in which they are nearly certain to fail and feel incompetent. So why do we play video games even though they make us unhappy? Juul examines this paradox.
In video games, as in tragic works of art, literature, theater, and cinema, it seems that we want to experience unpleasantness even if we also dislike it. Reader or audience reaction to tragedy is often explained as catharsis, as a purging of negative emotions. But, Juul points out, this doesn't seem to be the case for video game players. Games do not purge us of unpleasant emotions; they produce them in the first place. What, then, does failure in video game playing do?
Juul argues that failure in a game is unique in that when you fail in a game, you (not a character) are in some way inadequate. Yet games also motivate us to play more, in order to escape that inadequacy, and the feeling of escaping failure (often by improving skills) is a central enjoyment of games. Games, writes Juul, are the art of failure: the singular art form that sets us up for failure and allows us to experience it and experiment with it.
The Art of Failure is essential reading for anyone interested in video games, whether as entertainment, art, or education.
Jesper Juul is Assistant Professor at the New York University Game Center. He is the author of Half-Real: Video Games between Real Rules and Fictional Worlds and A Casual Revolution: Reinventing Video Games and Their Players, both published by the MIT Press.
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The expansion of space travel is much discussed but always seems subject to delay. Why is that and when will it happen on a much larger scale? Douglas Ligor has been considering that issue for the Rand corporation – and he talks to Owen Bennett-Jones about the prospects for space travel. Ligor is co-author of Assessing the Readiness for Human Commercial Spaceflight Safety Regulations (Rand, 2023) and International Space Traffic Management: Charting a Course for Long-Term Sustainability (Rand, 2023).
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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With robots, we are inventing a new species that is part material and part digital. The ambition of modern robotics goes beyond copying humans, beyond the effort to make walking, talking androids that are indistinguishable from people. Future robots will have superhuman abilities in both the physical and digital realms. They will be embedded in our physical spaces, with the ability to go where we cannot, and will have minds of their own, thanks to artificial intelligence. In Robot Futures, the roboticist Illah Reza Nourbakhsh considers how we will share our world with these creatures, and how our society could change as it incorporates a race of stronger, smarter beings.
Nourbakhsh imagines a future that includes adbots offering interactive custom messaging; robotic flying toys that operate by means of “gaze tracking”; robot-enabled multimodal, multicontinental telepresence; and even a way that nanorobots could allow us to assume different physical forms. Nourbakhsh examines the underlying technology and the social consequences of each scenario. He also offers a counter-vision: a robotics designed to create civic and community empowerment. His book helps us understand why that is the robot future we should try to bring about.
Illah Reza Nourbakhsh is Professor of Robotics at Carnegie Mellon University, where he also directs the Community Robotics, Education, and Technology Empowerment (CREATE) Lab. He is a coauthor of Introduction to Autonomous Mobile Robots (MIT Press).
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The vast majority of all email sent every day is spam, a variety of idiosyncratically spelled requests to provide account information, invitations to spend money on dubious products, and pleas to send cash overseas. Most of it is caught by filters before ever reaching an in-box. Where does it come from? As Finn Brunton explains in Spam, it is produced and shaped by many different populations around the world: programmers, con artists, bots and their botmasters, pharmaceutical merchants, marketers, identity thieves, crooked bankers and their victims, cops, lawyers, network security professionals, vigilantes, and hackers. Every time we go online, we participate in the system of spam, with choices, refusals, and purchases the consequences of which we may not understand.
This is a book about what spam is, how it works, and what it means. Brunton provides a cultural history that stretches from pranks on early computer networks to the construction of a global criminal infrastructure. The history of spam, Brunton shows us, is a shadow history of the Internet itself, with spam emerging as the mirror image of the online communities it targets. Brunton traces spam through three epochs: the 1970s to 1995, and the early, noncommercial computer networks that became the Internet; 1995 to 2003, with the dot-com boom, the rise of spam's entrepreneurs, and the first efforts at regulating spam; and 2003 to the present, with the war of algorithms—spam versus anti-spam. Spam shows us how technologies, from email to search engines, are transformed by unintended consequences and adaptations, and how online communities develop and invent governance for themselves.
Finn Brunton is Assistant Professor of Information in the School of Information at the University of Michigan.
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Computer graphics (or CG) has changed the way we experience the art of moving images. Computer graphics is the difference between Steamboat Willie and Buzz Lightyear, between ping pong and PONG. It began in 1963 when an MIT graduate student named Ivan Sutherland created Sketchpad, the first true computer animation program. Sutherland noted: "Since motion can be put into Sketchpad drawings, it might be exciting to try making cartoons." This book, the first full-length history of CG, shows us how Sutherland's seemingly offhand idea grew into a multibillion dollar industry.
In Moving Innovation, Tom Sito--himself an animator and industry insider for more than thirty years--describes the evolution of CG. His story features a memorable cast of characters--math nerds, avant-garde artists, cold warriors, hippies, video game enthusiasts, and studio executives: disparate types united by a common vision. Sito shows us how fifty years of work by this motley crew made movies like Toy Story and Avatar possible.
Tom Sito has been a professional animator since 1975. One of the key players in Disney’s animation revival of the 1980s and 1990s, he worked on such classic Disney films as The Little Mermaid (1989), Beauty and the Beast (1991), and The Lion King (1994). He left Disney to help set up the Dreamworks Animation Unit in 1995. He is Professor of Cinema Practice in the School of Cinematic Arts at the University of Southern California.
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As television began to overtake the political landscape in the 1960s, network broadcast companies, bolstered by powerful lobbying interests, dominated screens across the nation. Yet over the next three decades, the expansion of a different technology, cable, changed all of this. 24/7 Politics: Cable Television and the Fragmenting of America from Watergate to Fox News (Princeton UP, 2023) tells the story of how the cable industry worked with political leaders to create an entirely new approach to television, one that tethered politics to profits and divided and distracted Americans by feeding their appetite for entertainment--frequently at the expense of fostering responsible citizenship.
In this timely and provocative book, Kathryn Cramer Brownell argues that cable television itself is not to blame for today's rampant polarization and scandal politics--the intentional restructuring of television as a political institution is. She describes how cable innovations--from C-SPAN coverage of congressional debates in the 1980s to MTV's foray into presidential politics in the 1990s--took on network broadcasting using market forces, giving rise to a more decentralized media world. Brownell shows how cable became an unstoppable medium for political communication that prioritized cult followings and loyalty to individual brands, fundamentally reshaped party politics, and, in the process, sowed the seeds of democratic upheaval.
24/7 Politics reveals how cable TV created new possibilities for antiestablishment voices and opened a pathway to political prominence for seemingly unlikely figures like Donald Trump by playing to narrow audiences and cultivating division instead of common ground.
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Games are the most engaging medium of all time: they harness storytelling and heuristics, drive emotion and push the evolution of technology in a way that no other platform has or can. It's no surprise, then, that games and gamification are revolutionizing the market research industry, offering opportunities to reinvigorate the notoriously sluggish engagement levels seen in traditional surveying methods. This not only improves data quality, but offers untapped insights unattainable through traditional methods. Games and Gamification in Market Research: Increasing Consumer Engagement in Research for Business Success (Kogan Page, 2018) shows readers how to design ResearchGames and Gamified Surveys that will intrinsically engage participants and how best to use these methodologies to become, and stay, commercially competitive.
In a world where brands and organizations are increasingly interested in the feelings and contexts that drive consumer choices, Games and Gamification in Market Research gives readers the skills to use the components in games to encourage play and observe consumer behaviours via simulations for predictive modelling. Written by Betty Adamou, the UK's leading research game designer and named as one of seven women shaping the future of market research, it explains the ways in which these methodologies will evolve with technologies such as virtual reality and artificial intelligence, and how it will shape research careers. Alongside a companion website, this book provides a fully immersive and fascinating overview of game-based research.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Richard Hirsh, Professor of History at Virginia Tech, talks about his book, Powering American Farms: The Overlooked Origins of Rural Electrification (Johns Hopkins UP, 2022), with Peoples & Things host, Lee Vinsel. Powering American Farms is a revisionist history of rural electrification that calls into question a long standard story that rural electrification only began through the powers of the US federal government during the New Deal. Through extensive archival research, Hirsh finds a wide variety of activities around electrification on farms, through efforts of utilities, academic researchers, agricultural extension programs, and farmers themselves.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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Online privacy is under constant attack by social media and big data technologies. But we cannot rely on individual actions to remedy this—it is a matter of social justice.
In The Private Is Political: Networked Privacy and Social Media (Yale UP, 2023), Alice E. Marwick offers a new way of understanding how privacy is jeopardized, particularly for marginalized and disadvantaged communities—including immigrants, the poor, people of color, LGBTQ+ populations, and victims of online harassment.
Marwick shows that there are few resources or regulations for preventing personal information from spreading on the internet. Through a new theory of “networked privacy,” she reveals how current legal and technological frameworks are woefully inadequate in addressing issues of privacy—often by design. Drawing from interviews and focus groups encompassing a diverse group of Americans, Marwick shows that even heavy social media users care deeply about privacy and engage in extensive “privacy work” to protect it. But people are up against the violation machine of the modern internet. Safeguarding privacy must happen at the collective level.
Jake Chanenson is a computer science Ph.D. student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
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From cell phone footage of police killing unarmed Black people to leaked racist messages and even comments from friends and family on social media, online communication exposes how racism operates in a world that pretends to be colorblind. In When the Hood Comes Off: Racism and Resistance in the Digital Age (U California Press, 2023), Rob Eschmann blends rigorous research and engaging personal narrative to examine the effects of online racism on communities of color and society, and the unexpected ways that digital technologies enable innovative everyday tools of antiracist resistance.
Drawing on a wealth of data, including interviews with students of Color around the country and analyses of millions of social media posts over the past decade, Eschmann investigates the influence of online communication on face-to-face interactions. When the Hood Comes Off highlights the power of the internet as an organizing tool, and shows that online racism can be a profound wake-up call. How will we respond?
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Jeremy Black's book A History of Artillery (Rowman & Littlefield, 2023) traces the development of artillery through the ages, providing a thorough study of these weapons. From its earliest recorded use in battle over a millennium ago, up to the recent Gulf War, Balkan, and Afghanistan conflicts, artillery has often been the deciding factor in battle. Black shows that artillery sits within the general history of a war as a means that varied greatly between armies and navies, and also across time.
Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.
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Picture Research: The Work of Intermediation from Pre-Photography to Post-Digitization (MIT Press, 2023) focuses on how pictures were saved, stored, and searched for in a time before scanners, servers, and search engines, and describes the dramatic difference it made when images became scannable, searchable, and distributable via the internet. While the camera, the darkroom, and the printed page are well-known sites of photographic production that have been replaced by cell phones, imaging software, and websites, the cultural intermediaries of mass-circulation photography—picture librarians and researchers, editors, and archivists—are less familiar. In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization.
Drawing on documents and representations across a range of cultural expressions, Picture Research reveals the intermediation that has been performed by skilled workers in a variety of roles, making use of pre-photographic, photographic, and digital machineries of capture, accumulation, extraction, and transmission. Tracing a history of the modern pictorial economy from the pre-photographic 1830s to the post-digitized 2010s, it makes visible and explicit the invisible labor that has built—and still sustains—the visual commodity culture of everyday life.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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When the "sharing economy" launched a decade ago, proponents claimed that it would transform the experience of work--giving earners flexibility, autonomy, and a decent income. It was touted as a cure for social isolation and rampant ecological degradation. But this novel form of work soon sprouted a dark side: exploited Uber drivers, neighborhoods ruined by Airbnb, racial discrimination, and rising carbon emissions. Several of the most prominent platforms are now faced with existential crises as they prioritize growth over fairness and long-term viability.
Nevertheless, the basic model--a peer-to-peer structure augmented by digital tech--holds the potential to meet its original promises. Based on nearly a decade of pioneering research, After the Gig: How the Sharing Economy Got Hijacked and How to Win It Back (U California Press, 2021) dives into what went wrong with this contemporary reimagining of labor. The book examines multiple types of data from thirteen cases to identify the unique features and potential of sharing platforms that prior research has failed to pinpoint. Juliet B. Schor presents a compelling argument that we can engineer a reboot: through regulatory reforms and cooperative platforms owned and controlled by users, an equitable and truly shared economy is still possible.
Juliet B. Schor is an American economist and Sociology Professor at Boston College. She has studied trends in working time, consumerism, the relationship between work and family, women's issues and economic inequality, and concerns about climate change in the environment. She is a New York Times bestselling author and the Chair of the Board of Directors of the Better Future Project.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
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Hello, world! This is the Global Media & Communication podcast series.
In this episode, our host Jing Wang discusses the book The Labor of Reinvention: Entrepreneurship in the New Chinese Digital Economy (Columbia UP, 2023) by Lin Zhang.
You’ll hear about:
About the book
From start-up founders in the Chinese equivalent of Silicon Valley to rural villages experiencing an e-commerce boom to middle-class women reselling luxury goods, the rise of internet-based entrepreneurship has affected every part of China. For many, reinventing oneself as an entrepreneur has appeared to be an appealing way to adapt to a changing economy and society. Yet in practice, digital entrepreneurship has also reinforced traditional Chinese ideas about state power, labor, gender, and identity. Lin Zhang explores how the everyday labor of entrepreneurial reinvention is remaking China amid changing geopolitical currents. She tells the stories of people from diverse class, gender, and age backgrounds across rural, urban, and transnational settings in rich detail, providing a multifaceted and ground-level view of the twenty-first-century Chinese economy. You can find more about the book here by the Columbia University Press.
Author: Lin Zhang is an associate professor of communication and media studies at the University of New Hampshire.
Host: Jing Wang is Senior Research Manager at the Center for Advanced Research in Global Communication (CARGC), Annenberg School for Communication at the University of Pennsylvania, with an affiliation at the Center of the Study of Contemporary China (CSCC).
Editor & Producer: Jing Wang
Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.
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Jenna Grant is a cultural anthropologist from the University of Washington and author of Fixing the Image: Ultrasound and the Visuality of Care in Phnom Penh, published by University of Washington Press in 2022.
Introduced in Phnom Penh around 1990, at the twilight of socialism and after two decades of conflict and upheaval, ultrasound took root in humanitarian and then privatized medicine. Services have since multiplied, promising diagnostic information and better prenatal and general health care. In Fixing the Image Jenna Grant draws on years of ethnographic and archival research to theorize the force and appeal of medical imaging in the urban landscape of Phnom Penh. Set within long genealogies of technology as tool of postcolonial modernity, and vision as central to skilled diagnosis in medicine and Theravada Buddhism, ultrasound offers stabilizing knowledge and elicits desire and pleasure, particularly for pregnant women. Grant offers the concept of "fixing"--which invokes repair, stabilization, and a dose of something to which one is addicted--to illuminate how ultrasound is entangled with practices of care and neglect across different domains. Fixing the Image thus provides a method for studying technological practice in terms of specific materialities and capacities of technologies--in this case, image production and the permeability of the body--illuminating how images are a material form of engagement between patients, between patients and their doctors, and between patients and their bodies.
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The Synchronized Society: Time and Control From Broadcasting to the Internet (Rutgers University Press, 2023) by Dr. Randall Patnode traces the history of the synchronous broadcast experience of the twentieth century and the transition to the asynchronous media that dominate today. Broadcasting grew out of the latent desire by nineteenth-century industrialists, political thinkers, and social reformers to tame an unruly society by controlling how people used their time.
The idea manifested itself in the form of the broadcast schedule, a managed flow of information and entertainment that required audiences to be in a particular place – usually the home – at a particular time and helped to create “water cooler” moments, as audiences reflected on their shared media texts. Audiences began disconnecting from the broadcast schedule at the end of the twentieth century, but promoters of social media and television services still kept audiences under control, replacing the schedule with surveillance of media use.
Dr. Randall Patnode offers compelling new insights into the intermingled roles of broadcasting and industrial/post-industrial work and how Americans spend their time.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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This is the second Peoples & Things episode featuring a guest host. In this case, it is M. R. “Mols” Sauter, an assistant professor of information studies at the University of Maryland. Sauter and Lee Vinsel interview writer Malcolm Harris about his recent book, Palo Alto: A History of California, Capitalism, and the World. Palo Alto (Little, Brown, and Company, 2023) is a BIG history of a single US city, how it developed, and how it fits into larger trend and processes of capitalist production and change. Harris, who grew up in the area, finds Palo Alto to be a place haunted by its many dark legacies, and the book’s conclusion raises large questions about the future of capitalism, justice, and the fate of the planet. This interview was recorded as a live stream as a part of Red May, “a month-long spree of red arts, red theory, and red politics based in Seattle, Washington” that “plots ways forward to a world beyond capitalism.” We are very grateful to all the Red May organizers for asking Peoples & Things to take part in the event and for allowing us to re-publish the recording as this episode.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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Behind the lectern stands the professor, deploying course management systems, online quizzes, wireless clickers, PowerPoint slides, podcasts, and plagiarism-detection software. In the seats are the students, armed with smartphones, laptops, tablets, music players, and social networking. Although these two forces seem poised to do battle with each other, they are really both taking part in a war on learning itself. In The War on Learning, Elizabeth Losh examines current efforts to “reform” higher education by applying technological solutions to problems in teaching and learning. She finds that many of these initiatives fail because they treat education as a product rather than a process. Highly touted schemes—video games for the classroom, for example, or the distribution of iPads—let students down because they promote consumption rather than intellectual development.
Losh analyzes recent trends in postsecondary education and the rhetoric around them, often drawing on first-person accounts. In an effort to identify educational technologies that might actually work, she looks at strategies including MOOCs (massive open online courses), the gamification of subject matter, remix pedagogy, video lectures (from Randy Pausch to “the Baked Professor”), and educational virtual worlds. Finally, Losh outlines six basic principles of digital learning and describes several successful university-based initiatives. Her book will be essential reading for campus decision makers—and for anyone who cares about education and technology.
Elizabeth Losh directs the Culture, Art, and Technology Program at Sixth College at the University of California, San Diego. She is the author of Virtualpolitik: An Electronic History of Government Media-Making in a Time of War, Scandal, Disaster, Miscommunication, and Mistakes (MIT Press) and the coauthor of Understanding Rhetoric: A Graphic Guide to Writing.
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Feature films, television shows, homemade videos, tweets, blogs, and breaking news: digital media offer an always-accessible, apparently inexhaustible supply of entertainment and information. Although choices seems endless, public attention is not. How do digital media find the audiences they need in an era of infinite choice? In The Marketplace of Attention, James Webster explains how audiences take shape in the digital age.
Webster describes the factors that create audiences, including the preferences and habits of media users, the role of social networks, the resources and strategies of media providers, and the growing impact of media measures—from ratings to user recommendations. He incorporates these factors into one comprehensive framework: the marketplace of attention. In doing so, he shows that the marketplace works in ways that belie our greatest hopes and fears about digital media.
Some observers claim that digital media empower a new participatory culture; others fear that digital media encourage users to retreat to isolated enclaves. Webster shows that public attention is at once diverse and concentrated—that users move across a variety of outlets, producing high levels of audience overlap. So although audiences are fragmented in ways that would astonish midcentury broadcasting executives, Webster argues that this doesn't signal polarization. He questions whether our preferences are immune from media influence, and he describes how our encounters with media might change our tastes. In the digital era's marketplace of attention, Webster claims, we typically encounter ideas that cut across our predispositions. In the process, we will remake the marketplace of ideas and reshape the twenty-first century public sphere.
James G. Webster is Professor in the School of Communication at Northwestern University.
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The human right to science, outlined in the 1948 Universal Declaration of Human Rights and repeated in the 1966 International Covenant on Economic, Social, and Cultural Rights, recognizes everyone's right to "share in scientific advancement and its benefits" and to "enjoy the benefits of scientific progress and its applications." This right also requires state parties to develop and disseminate science, to respect the freedom of scientific research, and to recognize the benefits of international contacts and co-operation in the scientific field.
The right to science has never been more important. Even before the COVID-19 health crisis, it was evident that people around the world increasingly rely on science and technology in almost every sphere of their lives from the development of medicines and the treatment of diseases, to transport, agriculture, and the facilitation of global communication. At the same time, however, the value of science has been under attack, with some raising alarm at the emergence of "post-truth" societies. "Dual use" and unintended, because often unforeseen, consequences of emerging technologies are also perceived to be a serious risk.
The important role played by science and technology and the potential for dual use makes it imperative to evaluate scientific research and its products not only on their scientific but also on their human rights merits. In Science as a Cultural Human Right (U Pennsylvania Press, 2022), Helle Porsdam argues robustly for the role of the right to science now and in the future. The book analyzes the legal stature of this right, the potential consequences of not establishing it as fundamental, and its connection to global cultural rights. It offers the basis for defending the free and responsible practice of science and ensuring that its benefits are spread globally.
Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.
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When "metadata" became breaking news, appearing in stories about surveillance by the National Security Agency, many members of the public encountered this once-obscure term from information science for the first time. Should people be reassured that the NSA was "only" collecting metadata about phone calls--information about the caller, the recipient, the time, the duration, the location--and not recordings of the conversations themselves? Or does phone call metadata reveal more than it seems? In Metadata, Jeffrey Pomerantz offers an accessible and concise introduction to metadata.
In the era of ubiquitous computing, metadata has become infrastructural, like the electrical grid or the highway system. We interact with it or generate it every day. It is not, Pomerantz tell us, just "data about data." It is a means by which the complexity of an object is represented in a simpler form. For example, the title, the author, and the cover art are metadata about a book. When metadata does its job well, it fades into the background; everyone (except perhaps the NSA) takes it for granted.
Pomerantz explains what metadata is, and why it exists. He distinguishes among different types of metadata--descriptive, administrative, structural, preservation, and use--and examines different users and uses of each type. He discusses the technologies that make modern metadata possible, and he speculates about metadata's future. By the end of the book, readers will see metadata everywhere. Because, Pomerantz warns us, it's metadata's world, and we are just living in it.
Jeffrey Pomerantz is an information scientist. He was most recently Associate Professor in the School of Information and Library Science at the University of North Carolina at Chapel Hill, where he developed and taught the MOOC “Metadata: Organizing and Discovering Information,” and a Visiting Professor at the University of Washington.
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Historian Paula de la Cruz-Fernandez talks about her book, Gendered Capitalism: Sewing Machines and Multinational Business in Spain and Mexico, 1850-1940 (Routledge, 2021), with Peoples & Things host, Lee Vinsel. Gendered Capitalism tells the fascinating tale of how the Singer corporation operated in Spain and Mexico. Along the way, Cruz-Fernandez finds that selling sewing machines was not a top-down process by which an American corporation forced its products on unwilling consumers, but a complex development that involved collective entrepreneurship and most importantly the dreams, ideals, and efforts of women who worked with sewing machines in the home. The book raises larger questions about how we think about processes of technology adoption in different cultures and about the relationship between corporations and consumers.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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California's Silicon Valley is home to the greatest concentration of designers in the world: corporate design offices at flagship technology companies and volunteers at nonprofit NGOs; global design consultancies and boutique studios; research laboratories and academic design programs. Together they form the interconnected network that is Silicon Valley. Apple products are famously “Designed in California,” but, as Barry Katz shows in this first-ever, extensively illustrated history, the role of design in Silicon Valley began decades before Steve Jobs and Steve Wozniak dreamed up Apple in a garage.
In Make it New, Katz tells how design helped transform Silicon Valley into the most powerful engine of innovation in the world. From Hewlett-Packard and Ampex in the 1950s to Google and Facebook today, design has provided the bridge between research and development, art and engineering, technical performance and human behavior. Katz traces the origins of all of the leading consultancies—including IDEO, frog, and Lunar—and shows the process by which some of the world's most influential companies came to place design at the center of their business strategies. At the same time, universities, foundations, and even governments have learned to apply “design thinking” to their missions. Drawing on unprecedented access to a vast array of primary sources and interviews with nearly every influential design leader—including Douglas Engelbart, Steve Jobs, and Don Norman—Katz reveals design to be the missing link in Silicon Valley's ecosystem of innovation.
Barry M. Katz is Professor of Industrial and Interaction Design at California College of the Arts, Consulting Professor in the Design Group at Stanford University, and Fellow at IDEO, Inc. He is coauthor of Change by Design, with Tim Brown, and NONOBJECT, with Branko Lukić (MIT Press).
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Bibliophobia: The End and the Beginning of the Book (Oxford UP, 2022) is a book about material books, how they are cared for, and how they are damaged, throughout the 5000-year history of writing from Sumeria to the smartphone. Its starting point is the contemporary idea of 'the death of the book' implied by the replacement of physical books by digital media, with accompanying twenty-first-century experiences of paranoia and literary apocalypse. It traces a twin fear of omniscience and oblivion back to the origins of writing in ancient Babylon and Egypt, then forwards to the age of Google. It uncovers bibliophobia from the first Chinese emperor to Nazi Germany, alongside parallel stories of bibliomania and bibliolatry in world religions and literatures. Books imply cognitive content embodied in physical form, in which the body cooperates with the brain. At its heart this relationship of body and mind, or letter and spirit, always retains a mystery. Religions are founded on holy books, which are also sites of transgression, so that writing is simultaneously sacred and profane. In secular societies these complex feelings are transferred to concepts of ideology and toleration. In the ambiguous future of the internet, digital immateriality threatens human equilibrium once again.
Bibliophobia is a global history, covering six continents and seven religions, describing written examples from each of the last thirty centuries (and several earlier). It discusses topics such as the origins of different kinds of human script; the development of textual media such as scrolls, codices, printed books, and artificial intelligence; the collection and destruction of libraries; the use of books as holy relics, talismans, or shrines; and the place of literacy in the history of slavery, heresy, blasphemy, censorship, and persecution. It proposes a theory of writing, how it relates to speech, images, and information, or to concepts of mimesis, personhood, and politics. Originating as the Clarendon Lectures in the Faculty of English at the University of Oxford, the methods of Bibliophobia range across book history; comparative religion; philosophy from Plato to Hegel and Freud; and a range of global literature from ancient to contemporary. Richly illustrated with textual forms, material objects, and art works, its inspiration is the power that books always (and continue to) have in the emotional, spiritual, bodily, and imaginative lives of readers.
Brian Cummings is Anniversary Professor at the University of York. Before arriving at York, he was Fellow of Trinity College, Cambridge, and then Professor of English at the University of Sussex.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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Online comment can be informative or misleading, entertaining or maddening. Haters and manipulators often seem to monopolize the conversation. Some comments are off-topic, or even topic-less. In Reading the Comments, Joseph Reagle urges us to read the comments. Conversations "on the bottom half of the Internet," he argues, can tell us much about human nature and social behavior.
Reagle visits communities of Amazon reviewers, fan fiction authors, online learners, scammers, freethinkers, and mean kids. He shows how comment can inform us (through reviews), improve us (through feedback), manipulate us (through fakery), alienate us (through hate), shape us (through social comparison), and perplex us. He finds pre-Internet historical antecedents of online comment in Michelin stars, professional criticism, and the wisdom of crowds. He discusses the techniques of online fakery (distinguishing makers, fakers, and takers), describes the emotional work of receiving and giving feedback, and examines the culture of trolls and haters, bullying, and misogyny. He considers the way comment--a nonstop stream of social quantification and ranking--affects our self-esteem and well-being. And he examines how comment is puzzling--short and asynchronous, these messages can be slap-dash, confusing, amusing, revealing, and weird, shedding context in their passage through the Internet, prompting readers to comment in turn, "WTF?!?"
Joseph M. Reagle, Jr. is Assistant Professor in the Department of Communication Studies at Northeastern University and the author of Good Faith Collaboration: The Culture of Wikipedia (MIT Press).
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Games and art have intersected at least since the early twentieth century, as can be seen in the Surrealists' use of Exquisite Corpse and other games, Duchamp's obsession with Chess, and Fluxus event scores and boxes--to name just a few examples. Over the past fifteen years, the synthesis of art and games has clouded for both artists and gamemakers. Contemporary art has drawn on the tool set of videogames, but has not considered them a cultural form with its own conceptual, formal, and experiential affordances. For their part, game developers and players focus on the innate properties of games and the experiences they provide, giving little attention to what it means to create and evaluate fine art. In Works of Game, John Sharp bridges this gap, offering a formal aesthetics of games that encompasses the commonalities and the differences between games and art.
Sharp describes three communities of practice and offers case studies for each. "Game Art," which includes such artists as Julian Oliver, Cory Arcangel, and JODI (Joan Heemskerk and Dirk Paesmans) treats videogames as a form of popular culture from which can be borrowed subject matter, tools, and processes. "Artgames," created by gamemakers including Jason Rohrer, Brenda Romero, and Jonathan Blow, explore territory usually occupied by poetry, painting, literature, or film. Finally, "Artists' Games"--with artists including Blast Theory, Mary Flanagan, and the collaboration of Nathalie Pozzi and Eric Zimmerman--represents a more synthetic conception of games as an artistic medium. The work of these gamemakers, Sharp suggests, shows that it is possible to create game-based artworks that satisfy the aesthetic and critical values of both the contemporary art and game communities.
John Sharp is Associate Professor of Games and Learning at Parsons the New School for Design and a member of the game design collective Local No. 12.
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Young people in the West are more likely to encounter religion in videogames than in places of worship like churches, mosques or temples. Lars de Wildt interviews developers and players of games such as Assassin’s Creed to find out how and why the Pop Theology of Videogames is so appealing to modern audiences.
Based on extensive fieldwork, Lars de Wildt's book The Pop Theology of Videogames: Producing and Playing with Religion (Amsterdam UP, 2023) argues that developers of videogames and their players engage in a ‘Pop Theology’ through which laymen reconsider traditional questions of religion by playing with them. Games allow us to play with religious questions and identities in the same way that children play at being a soldier, or choose to ‘play house.’
This requires a radical rethinking of religious questions as no longer just questions of belief or disbelief; but as truths to be tried on, compared, and discarded at will.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Internet trolls live to upset as many people as possible, using all the technical and psychological tools at their disposal. They gleefully whip the media into a frenzy over a fake teen drug crisis; they post offensive messages on Facebook memorial pages, traumatizing grief-stricken friends and family; they use unabashedly racist language and images. They take pleasure in ruining a complete stranger's day and find amusement in their victim's anguish. In short, trolling is the obstacle to a kinder, gentler Internet. To quote a famous Internet meme, trolling is why we can't have nice things online. Or at least that's what we have been led to believe. In This is Why We Can’t Have Nice Things, Whitney Phillips argues that trolling, widely condemned as obscene and deviant, actually fits comfortably within the contemporary media landscape. Trolling may be obscene, but, Phillips argues, it isn't all that deviant. Trolls' actions are born of and fueled by culturally sanctioned impulses--which are just as damaging as the trolls' most disruptive behaviors.
Phillips describes, for example, the relationship between trolling and sensationalist corporate media--pointing out that for trolls, exploitation is a leisure activity; for media, it's a business strategy. She shows how trolls, "the grimacing poster children for a socially networked world," align with social media. And she documents how trolls, in addition to parroting media tropes, also offer a grotesque pantomime of dominant cultural tropes, including gendered notions of dominance and success and an ideology of entitlement. We don't just have a trolling problem, Phillips argues; we have a culture problem. This Is Why We Can't Have Nice Things isn't only about trolls; it's about a culture in which trolls thrive.
Whitney Phillips is a Lecturer in the Department of Communications at Humboldt State University.
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In The Money Revolution: How to Finance the Next American Century, economist and bestselling author Richard Duncan lays out a farsighted strategy to maximize the United States' unmatched financial and technological potential. In compelling fashion, the author shows that the United States can and should invest in the industries and technologies of the future on an unprecedented scale in order to ignite a new technological revolution that would cement the country’s geopolitical preeminence, greatly enhance human wellbeing, and create unimaginable wealth. This book also features a history of the Federal Reserve.
Richard Duncan has served as Global Head of Investment Strategy at ABN AMRO Asset Management in London, worked as a financial sector specialist for the World Bank in Washington, D.C., and headed equity research departments for James Capel Securities and Salomon Brothers in Bangkok, Thailand. He is now the publisher of Macro Watch, a video-newsletter that analyzes the forces driving the global economy in the 21st Century.
Caleb Zakarin is the Assistant Editor of the New Books Network.
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By providing capital to back the ideas and efforts of others, venture capitalists can make absurd amounts of money. But there is another way of looking at it – venture capitalists take huge risks and produce great benefits. Many of the companies we rely on today began with a punt by a venture capitalist. Sebastian Mallaby discusses venture capitalists with Owen Bennett Jones. Mallaby is the author of The Power Law: Venture Capital and the Making of the New Future (Penguin, 2022) among other books.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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The City Authentic: How the Attention Economy Builds Urban America (U California Press, 2023) is the first book to explore how our cities gentrify by becoming social media influencers—and why it works.
Cities, like the people that live in them, are subject to the attention economy. In The City Authentic, author David A. Banks shows how cities are transforming themselves to appeal to modern desires for authentic urban living through the attention-grabbing tactics of social media influencers and reality-TV stars.
Blending insightful analysis with pop culture, this engaging study of New York State’s Capital Region is an accessible glimpse into the social phenomena that influence contemporary cities. The rising economic fortunes of cities in the Rust Belt, Banks argues, are due in part to the markers of its previous decay—which translate into signs of urban authenticity on the internet. The City Authentic unpacks the odd connection between digital media and derelict buildings, the consequences of how we think about industry and place, and the political processes that have enabled a new paradigm in urban planning. Mixing urban sociology with media and cultural studies, Banks offers a lively account of how urban life and development are changing in the twenty-first century.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is on media representations of people and place. He is currently conducting research on the branding of cities. I am particularly interested in the similarities and differences in how travel and tourism agencies see a city as compared to how residents and visitors see the same city. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at [email protected].
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In The Celluloid Specimen: Moving Image Research into Animal Life (U of California Press, 2023), Benjamín Schultz‑Figueroa examines rarely seen behaviorist films of animal experiments from the 1930s and 1940s. These laboratory recordings—including Robert Yerkes's work with North American primate colonies, Yale University's rat‑based simulations of human society, and B. F. Skinner's promotions for pigeon‑guided missiles—have long been considered passive records of scientific research. In Schultz‑Figueroa's incisive analysis, however, they are revealed to be rich historical, political, and aesthetic texts that played a crucial role in American scientific and cultural history—and remain foundational to contemporary conceptions of species, race, identity, and society.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.
Dr. Benjamín Schultz-Figueroa is Assistant Professor in Film Studies at Seattle University. His research focuses on the history of scientific filmmaking, nontheatrical film, and animal studies. Among other venues, his writing has been published in JCMS: Journal of Cinema and Media Studies, Film History, Millennium Film Journal, The Brooklyn Rail and Journal of Environmental Media.
Callie Smith is a poet and museum educator with a PhD in English. She currently lives in Louisiana.
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What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies.
Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes.
In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe’s aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today.
Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections.
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Could an artificial intelligence diagnosis what ails you? Medical futurists offer a techno-utopian vision of perfect personalized risk assessments, diagnoses, and treatment recommendations. Yet, recent stories belie this optimism. Many of these robot doctors are rather stupid, and they seem more interesting in cutting costs than providing care.
Medical AIs are largely unregulated and unverified, and this has made them woefully inadequate and sometimes blatantly racist. Plus, they have been weaponized as tools to deny treatment to the patients who need it. We explore the world of AI in medicine with STAT News investigative reporter Casey Ross, and hematologist and philosopher Ben Chin-Yee.
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This episode is a first for the Peoples & Things podcast: it features a guest host. It is something you will be seeing more of in the future. Guest host Aaron Benanav, assistant professor of sociology at and a senior research associate of the Autonomous Systems Policy Institute at Syracuse University, and Lee Vinsel interview writer Cory Doctorow, the author of over 20 books including several best-sellers and multi-award winners and special advisor to the Electronic Frontier Foundation, about his new novel, Red Team Blues (Tor, 2023). Red Team Blues is a taut neo-noir technothriller that examines crypto technologies and the many social and economic inequities of Silicon Valley. The conversation puts Red Team Blues in the larger context of Doctorow’s career and writings.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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Competitive gaming, or esports - referring to competitive tournaments of video games among both casual gamers and professional players - began in the early 1970s with small competitions like the one held at Stanford University in October 1972, where some 20 researchers and students attended. By 2022, the estimated revenue of the global esports industry is in excess of $947 million, with over 200 million viewers worldwide. Regardless of views held about competitive gaming, esports have become a modern economic and cultural phenomenon.
This book studies the full history of competitive gaming from the 1970s to the 2010s against the background of the arrival of the electronic and computer age. It investigates how competitive gaming has grown into a new form of entertainment, a sport-like competition, a lucrative business and a unique cultural sensation. It also explores the role of competitive gaming in the development of the video game industry, making a distinctive contribution to our knowledge and understanding of the history of video games.
Zhouxiang Lu's A History of Competitive Gaming (Routledge, 2022) will appeal to all those interested in the business and culture of gaming, as well as those studying modern technological culture.
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The future of work is at the centre of debates related to the emerging digital society. Concerns range from the inclusion, equity, and dignity of those at the far end of the value chain, who participate on and off platforms, often in the shadows, invisible to policymakers, designers, and consumers. Precarity and informality characterize this largely female workforce, across sectors ranging from artisanal work to salon services to ride-hailing and construction. A feminist reimagining of the futures of work - what we term “FemWork” - is the need of the day and should manifest in multiple and various forms, placing the worker at the core and drawing on her experiences, aspirations, and realities.
Payal Arora, Usha Raman, and René König's book Feminist Futures of Work: Reimagining Labour in the Digital Economy (Amsterdam UP, 2023) offers grounded insights from academic, activist, legal, development and design perspectives that can help us think through these inclusive futures and possibly create digital, social, and governance infrastructures of work that are fairer and more meaningful.
The book is published open access and can be downloaded from here.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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The videogame industry, we're invariably told, is a multibillion-dollar, high-tech business conducted by large corporations in certain North American, European, and East Asian cities. But most videogames today, in fact, are made by small clusters of people working on shoestring budgets, relying on existing, freely available software platforms, and hoping, often in vain, to rise to stardom—in short, people working like artists.
Aiming squarely at this disconnect between perception and reality, Brendan Keogh's book The Videogame Industry Does Not Exist: Why We Should Think Beyond Commercial Game Production (MIT Press, 2023) presents a much more accurate and nuanced picture of how the vast majority of videogame-makers work—a picture that reveals the diverse and precarious communities, identities, and approaches that make videogame production a significant cultural practice.
Drawing on insights provided by over 400 game developers across Australia, North America, Europe, and Southeast Asia, Keogh develops a new framework for understanding videogame production as a cultural field in all its complexity. Part-time hobbyists, aspirational students, client-facing contractors, struggling independents, artist collectives, and tightly knit local scenes—all have a place within this model. But proponents of non-commercial game making don't exist in isolation; Keogh shows how they and their commercial counterparts are deeply interconnected and codependent in the field of videogame production.
A cultural intervention, The Videogame Industry Does Not Exist challenges core assumptions about videogame production—ideas about creativity, professionalism, labor, diversity, education, globalization, and community. Its in-depth, complex portrayal suggests new ways of seeing, and engaging in, the videogame industry that really does exist.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Drone Warfare is the first comprehensive analysis of one of the fastest growing--and most secretive--fronts in global conflict: the rise of robot warfare. In 2000, the Pentagon had fewer than fifty aerial drones; ten years later, it had a fleet of nearly 7,500, and the US Air Force now trains more drone "pilots" than bomber and fighter pilots combined. Drones are already a $5 billion business in the US alone. The human cost? Drone strikes have killed more than 200 children alone in Pakistan and Yemen.
CODEPINK and Global Exchange cofounder Medea Benjamin provides the first extensive analysis of who is producing the drones, where they are being used, who controls these unmanned planes, and what are the legal and moral implications of their use. In vivid, readable style, this book also looks at what activists, lawyers, and scientists across the globe are doing to ground these weapons. Benjamin argues that the assassinations we are carrying out from the air will come back to haunt us when others start doing the same thing--to us.
Hugh Gusterson is Professor of Anthropology and International Affairs at George Washington University. He is the author of Nuclear Rites and People of the Bomb: Portraits of America’s Nuclear Complex.
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Ice is everywhere: in gas stations, in restaurants, in hospitals, in our homes. Americans think nothing of dropping a few ice cubes into tall glasses of tea to ward off the heat of a hot summer day. Most refrigerators owned by Americans feature automatic ice machines. Ice on-demand has so revolutionized modern life that it’s easy to forget that it wasn’t always this way—and to overlook what aspects of society might just melt away as the planet warms.
In Ice: From Mixed Drinks to Skating Rinks--a Cool History of a Hot Commodity (G. P. Putnam's Sons, 2023), journalist and historian Amy Brady shares the strange and storied two-hundred-year-old history of ice in America: from the introduction of mixed drinks “on the rocks,” to the nation’s first-ever indoor ice rink, to how delicacies like ice creams and iced tea revolutionized our palates, to the ubiquitous ice machine in every motel across the US. But Ice doesn’t end in the past. Brady also explores the surprising present-day uses of ice in sports, medicine, and sustainable energy—including cutting-edge cryotherapy breast-cancer treatments and new refrigerator technologies that may prove to be more energy efficient—underscoring how precious this commodity is, especially in an age of climate change.
Amy Brady is the executive director of Orion magazine, a contributing editor for Scientific American, and coeditor of The World as We Knew It: Dispatches from a Changing Climate. Twitter. Website.
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
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Over the last half century, "smartness"—the drive for ubiquitous computing—has become a mandate: a new mode of managing and governing politics, economics, and the environment. Smart phones. Smart cars. Smart homes. Smart cities. The imperative to make our world ever smarter in the face of increasingly complex challenges raises several questions: What is this "smartness mandate"? How has it emerged, and what does it say about our evolving way of understanding—and managing—reality? How have we come to see the planet and its denizens first and foremost as data-collecting instruments?
In The Smartness Mandate (MIT Press, 2023), Orit Halpern and Robert Mitchell radically suggest that "smartness" is not primarily a technology, but rather an epistemology. Through this lens, they offer a critical exploration of the practices, technologies, and subjects that such an understanding relies upon—above all, artificial intelligence and machine learning.
Orit Halpern is Lighthouse Professor and Chair of Digital Cultures and Societal Change at Technische Universität Dresden.
Robert Mitchell is Professor of English at Duke University.
Caleb Zakarin is the Assistant Editor of the New Books Network.
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What is the future of education? In Digital Futures for Learning: Speculative Methods and Pedagogies (Routledge, 2022), Jen Ross, a senior lecturer in digital education at the University of Edinburgh, analyses the way ideas about the future are produced and become accepted in education (and in society). This analysis is the basis for offering radical alternatives. In the educational context, the book reflects on four research projects that demonstrate the power of particular approaches- speculative methods- to engaging with digital pedagogy and research. The book has a rich theoretical engagement with a range of social and educational theory, as well as giving detailed practical guidance for educators. The detailed guidance for researchers and teachers who want to make alternative digital futures make the book essential reading for anyone interested in the future of education.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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The Sistema de Alerta Sísmica Mexicano is the world’s oldest public earthquake early warning system. Given the unpredictability of earthquakes, the technology was designed to give the people of Mexico City more than a minute to prepare before the next big quake hits. How does this kind of environmental monitoring technology get built in the first place? How does its life-saving promise align with reality? And who shapes modern risk mitigation?
In ¡Alerta!: Engineering on Shaky Ground (MIT Press, 2023), Elizabeth Reddy surveys this innovation to shed light on what it means to imagine a world where sirens could sound out an ¡alerta sísmica! at any moment—and what it would be like to live in such a world.
Proponents of earthquake early warnings have long held that the technology can save lives and limit economic losses. Drawing on ethnographic fieldwork and archival data, Reddy conducts a thorough, qualitative analysis of these claims and considers the requirements and uses of the alert system. She embeds her study in a rich narrative of the engineers who designed the system in conjunction with contingent political and environmental conditions. The result demonstrates how addressing earthquake dangers is no small task: it means trying to change relationships between the environment, society, and technology. Doing so, she critiques universalist and techno-centric approaches to hazard risk mitigation and celebrates the potential of contextually appropriate and broadly supported efforts.
¡Alerta! takes readers on a vivid journey into the world of Mexican earthquake risk mitigation, with critical insights for anthropologists and science and technology studies scholars, as well as specialists in the geosciences, engineering, and emergency management.
Mentioned in this episode:
Donna Riley’s interview with Lee Vinsel on the NBN Peoples & Things series.
Elizabeth Reddy is Assistant Professor of Engineering, Design, & Society at the Colorado School of Mines, with a joint appointment in Geophysics.
Liliana Gil is an anthropologist. She is incoming Assistant Professor of Comparative Studies (STS) at the Ohio State University.
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The fear of algorithmic decision-making and surveillance capitalism dominate today's tech policy discussions. But instead of simply criticizing big data and automation, we can harness technology to correct discrimination, historical exclusions, and subvert long-standing stereotypes.
Orly Lobel is the author of The Equality Machine: Harnessing Digital Technology for a Brighter, More Inclusive Future and Warren Distinguished Professor of Law at the University of San Diego School of Law. Lobel is one of the nation's foremost legal experts on labor and employment law. She is also one of the nation's top-cited young legal scholars.
Orly and Greg discuss how collecting more data and adding more inputs into decision algorithms may be beneficial to expose disparities in current frameworks in the real world, and help us to right past injustices and ongoing inequities.
Gregory LaBlanc is a lifelong educator with degrees in History, PPE, Business, and Law, Greg currently teaches at Berkeley, Stanford, and HEC Paris. He has taught in multiple disciplines, from Engineering to Economics, from Biology to Business, from Psychology to Philosophy. He is the host of the unSILOed podcast. unSILOed is produced by University FM.
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The recent rise of dollar, pound, and euro inflation rates has rekindled the debate over potential alternative monies, particularly gold and Bitcoin. Though Bitcoin has been much discussed in recent years, a basic understanding of how it and gold would work as monetary standards is rare. Accessibly written by a pioneering economist, Better Money explains and evaluates gold, fiat, and Bitcoin standards without hype. White uses simple supply-and-demand analysis to explain how these standards work, evaluating their relative merits and explaining their response to shocks, allowing for informed comparisons between them. This book addresses common misunderstandings of the gold standard and Bitcoin, using historical evidence to review the history of money with emphasis on the contest between market and government provision. Known for his work on alternative monetary institutions, White offers a reasoned discussion of which standard is most likely to provide a better money.
In Better Money: Gold, Fiat, or Bitcoin? (Cambridge UP, 2023), Lawrence H. White offers a summary of previous work while explaining differences and similarities of the gold standard and how crypto currencies work in an authoritative yet non technical way with a non-specialist audience in mind. His main idea is to explore alternatives to fiat money in a digital world.
Bernardo Batiz-Lazo is currently straddling between Newcastle and Mexico City. You can find him on twitter on issues related to business history of banking, fintech, payments and other musings. Not always in that order. @BatizLazo.
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Western culture has been obsessed with regulating society by the precise, accurate measurement of time since the Middle Ages. In On Time: A History of Western Timekeeping (Johns Hopkins UP, 2020), Ken Mondschein explores the paired development of concepts and technologies of timekeeping with human thought. Without clocks, he argues, the modern world as we know it would not exist. From the astronomical timekeeping of the ancient world to the tower clocks of the Middle Ages to the seagoing chronometer, the quartz watch, and the atomic clock, greater precision and accuracy have had profound effects on human society--which, in turn, has driven the quest for further precision and accuracy. This quest toward automation--which gave rise to the Gregorian calendar, the factory clock, and even the near-disastrous Y2K bug--has led to profound social repercussions and driven the creation of the modern scientific mindset.
Surveying the evolution of the clock from prehistory to the twenty-first century, Mondschein explains how both the technology and the philosophy behind Western timekeeping regimes came to take over the entire world. On Time is a story of thinkers, philosophers, and scientists, and of the thousand decisions that continue to shape our daily lives.
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Among the many things expectant parents are told to buy, none is a more visible symbol of status and parenting philosophy than a stroller. Although its association with wealth dates back to the invention of the first pram in the 1700s, in recent decades, four-figure strollers have become not just status symbols but cultural identifiers.
There are sleek jogging strollers for serious athletes, impossibly compact strollers for parents determined to travel internationally with pre-ambulatory children, and those featuring a ride-on kick board or second, less “babyish” seat, designed with older siblings in mind. Despite the many models available, we are all familiar with the image of a harried mother struggling to use a stroller of any kind in a public space that does not accommodate it. There are anti-stroller evangelists, fervently preaching the gospel of baby wearing and attachment parenting. All of these attitudes, seemingly about an object, are also revealing of how we believe parents and children ought to move through the world.
Amanda Parrish Morgan's book Stroller (Bloomsbury, 2022) is part Object Lessons, a series of short, beautifully designed books about the hidden lives of ordinary things.
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The concept of transhumanism emerged in the middle of the 20th century, and has influenced discussions around AI, brain–computer interfaces, genetic technologies and life extension. Despite its enduring influence in the public imagination, a fully developed philosophy of transhumanism has not yet been presented.
In We Have Always Been Cyborgs: Digital Data, Gene Technologies, and an Ethics of Transhumanism (Bristol UP, 2023), leading philosopher Stefan Lorenz Sorgner explores the critical issues that link transhumanism with digitalization, gene technologies and ethics. He examines the history and meaning of transhumanism and asks bold questions about human perfection, cyborgs, genetically enhanced entities, and uploaded minds.
Offering insightful reflections on values, norms and utopia, this will be an important guide for readers interested in contemporary digital culture, gene ethics, and policy making.
Frances Sacks is a graduate of Wesleyan University where she studied in the Science and Society Program.
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The word "glitch" implies an incidental error, as easy to patch up as it is to identify. But what if racism, sexism, and ableism aren't just bugs in mostly functional machinery--what if they're coded into the system itself? In the vein of heavy hitters such as Safiya Umoja Noble, Cathy O'Neil, and Ruha Benjamin, Meredith Broussard demonstrates in More than a Glitch: Confronting Race, Gender, and Ability Bias in Tech (MIT Press, 2023) how neutrality in tech is a myth and why algorithms need to be held accountable.
Broussard, a data scientist and one of the few Black female researchers in artificial intelligence, masterfully synthesizes concepts from computer science and sociology. She explores a range of examples: from facial recognition technology trained only to recognize lighter skin tones, to mortgage-approval algorithms that encourage discriminatory lending, to the dangerous feedback loops that arise when medical diagnostic algorithms are trained on insufficiently diverse data. Even when such technologies are designed with good intentions, Broussard shows, fallible humans develop programs that can result in devastating consequences.
Broussard argues that the solution isn't to make omnipresent tech more inclusive, but to root out the algorithms that target certain demographics as "other" to begin with. With sweeping implications for fields ranging from jurisprudence to medicine, the ground-breaking insights of More Than a Glitch are essential reading for anyone invested in building a more equitable future.
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Around the world, liberal democracies are in crisis. Citizens have lost faith in their government; right-wing nationalist movements frame the political debate. At the same time, economic inequality is increasing dramatically; digital technologies have created a new class of super-rich entrepreneurs. Automation threatens to transform the free economy into a zero-sum game in which capital wins and labor loses. But is this digital dystopia inevitable?
In our final discussion before the election, George Zarkadakis, author of Cyber Republic, reflects on the long term technological challenges and opportunities facing democracy.
George Zarkadakis leads Future of Work at Willis Towers Watson in Great Britain, a global risk and human capital consulting firm. The author of In Our Own Image: The History and Future of Artificial Intelligence and other books, he has written extensively on science and technology for publications including Aeon and Wired.
Hosted by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
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Prisons are not typically known for cutting-edge media technologies. Yet from photography in the nineteenth century to AI-enhanced tracking cameras today, there is a long history of prisons being used as a testing ground for technologies that are later adopted by the general public. If we recognize the prison as a central site for the development of media technologies, how might that change our understanding of both media systems and carceral systems? In Prison Media: Incarceration and the Infrastructures of Work and Technology (MIT Press, 2023), Anne Kaun and Fredrik Stiernstedt foreground the ways in which the prison is a model space for the control and transmission of information, a place where media is produced, and a medium in its own right.
Examining the relationship between media and prison architecture, as surveillance and communication technologies are literally built into the facilities, this study also considers the ways in which prisoners themselves often do hard labor as media workers—labor that contributes in direct and indirect ways to the latest technologies developed and sold by multinational corporations like Amazon. There is a fine line between ankle monitors and Fitbits, and Prison Media helps us make sense of today's carceral society.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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Ethics and civics have always mattered, but perhaps they matter now more than ever before. Recently, with the rise of online teaching and movements like #PlayApartTogether, games have become increasingly acknowledged as platforms for civic deliberation and value sharing. We the Gamers: How Games Teach Ethics and Civics (Oxford UP, 2021) explores these possibilities by examining how we connect, communicate, analyze, and discover when we play games. Combining research-based perspectives and current examples, this volume shows how games can be used in ethics, civics, and social studies education to inspire learning, critical thinking, and civic change.
We the Gamers introduces and explores various educational frameworks through a range of games and interactive experiences including board and card games, online games, virtual reality and augmented reality games, and digital games like Minecraft,Executive Command, Keep Talking and Nobody Explodes, Fortnite, When Rivers Were Trails, Politicraft, Quandary, and Animal Crossing: New Horizons. The book systematically evaluates the types of skills, concepts, and knowledge needed for civic and ethical engagement, and details how games can foster these skills in classrooms, remote learning environments, and other educational settings. We the Gamers also explores the obstacles to learning with games and how to overcome those obstacles by encouraging equity and inclusion, care and compassion, and fairness and justice.
Featuring helpful tips and case studies, We the Gamers shows teachers the strengths and limitations of games in helping students connect with civics and ethics, and imagines how we might repair and remake our world through gaming, together.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.
Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London.
Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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Final Fantasy VII altered the course of video game history when it was released in 1997 on Sony's PlayStation system. It converted the Japanese role-playing game into an international gaming standard with enhanced gameplay, spectacular cutscenes and a vast narrative involving an iconic cast. In the decades after its release, the Final Fantasy VII franchise has grown to encompass a number of video game sequels, prequels, a feature-length film, a novel and a multi-volume remake series.
Jason C. Cash and Craig T. Olsen's The World of Final Fantasy VII: Essays on the Game and Its Legacy (McFarland, 2023), the first edited collection of essays devoted only to the world of Final Fantasy VII, blends scholarly rigor with fan passion in order to identify the elements that keep Final Fantasy VII current and exciting for players. Some essays specifically address the game's perennially relevant themes and scenarios, ranging from environmental consciousness to economic inequity and posthumanism. Others examine the mechanisms used to immerse the player or to improve the narrative. Finally, there are several essays devoted specifically to the game's legacy, from its influence on later games to its characters' many crossovers and cameos.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture, editor-in-chief at Suisse cultural journal Nahaufnahmen.ch and curator of @gamestudies at tiktok.
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How have platforms transforming the world of work? In Work and Alienation in the Platform Economy: Amazon and the Power of Organisation (Bristol UP, 2023), Sarrah Kassem, a Lecturer and Research Associate in the field of Political Economy at the Institute of Political Science at the University of Tübingen, uses a case study of Amazon to explore issues of alienation and resistance in contemporary working life. The book adapts and develops key Marxist inspired theories to chart the rise of the platforms, and Amazon’s role within this set of both digital and physical industries. Examining warehouses, MTurk, and the broader gig economy, the book offers strategies for resistance and solidarity as well as detailed analysis. It will be essential reading across the social sciences, as well as for anyone interested in work and labour today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Power and Progress: Our Thousand-Year Struggle Over Technology and Prosperity (PublicAffairs, 2023) is a groundbreaking work by bestselling authors Daron Acemoglu and Simon Johnson, in which they challenge conventional wisdom about the role of technology in driving prosperity. The authors argue that technology is not a neutral force working in the public interest but is shaped by the interests and beliefs of the powerful. Those who control technology are the ones who benefit from it, leaving the rest of society with the illusion of progress.
The authors provide a historical account of how technological choices have shaped the course of history, from the appropriation of the economic surplus of the Middle Ages by an ecclesiastical elite to the making of vast fortunes from digital technologies today, while millions of people are pushed towards poverty. The authors emphasize that technological progress can either serve the narrow interests of an elite or become the foundation for widespread prosperity.
The book presents a manifesto for building a better society by using the tremendous digital advances of the last half century to create useful and empowering tools, rather than marginalizing most people through automated work and political passivity. The authors argue that to achieve the true potential of innovation, we need to ensure that technology is creating new jobs and opportunities for everyone. The book offers a vision to reimagine and reshape the path of technology, ensuring that it leads to true shared prosperity.
Power and Progress offers a fresh perspective on how technology shapes our lives and highlights the need for a more democratic approach to technological progress. The book provides a compelling argument that the path of technology is not predetermined but can be brought under control to ensure that it benefits everyone, not just a few powerful individuals or corporations. The authors provide an insightful analysis of the power dynamics that underlie technological progress, and their manifesto for a better society is a call to action for policymakers, business leaders, and individuals alike.
Javier Mejia is an economist at Stanford University who specializes in the intersection of social networks and economic history. His research interests also include entrepreneurship and political economy, with a particular focus on Latin America and the Middle East. He holds a Ph.D. in Economics from Los Andes University. Mejia has previously been a Postdoctoral Associate and Lecturer at New York University-Abu Dhabi and a Visiting Scholar at the University of Bordeaux. He is also a frequent contributor to various news outlets, currently serving as an op-ed columnist for Forbes Magazine.
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An interview with Dariusz Jemielniak and Aleksandra Przegalinska about Collaborative Society (The MIT Press Essential Knowledge series) and how networked technology enables the emergence of a new collaborative society.
Humans are hard-wired for collaboration, and new technologies of communication act as a super-amplifier of our natural collaborative mindset. This volume in the MIT Press Essential Knowledge series examines the emergence of a new kind of social collaboration enabled by networked technologies. This new collaborative society might be characterized as a series of services and startups that enable peer-to-peer exchanges and interactions though technology. Some believe that the economic aspects of the new collaboration have the potential to make society more equitable; others see collaborative communities based on sharing as a cover for social injustice and user exploitation.
The book covers the "sharing economy," and the hijacking of the term by corporations; different models of peer production, and motivations to participate; collaborative media production and consumption, the definitions of "amateur" and "professional," and the power of memes; hactivism and social movements, including Anonymous and anti-ACTA protest; collaborative knowledge creation, including citizen science; collaborative self-tracking; and internet-mediated social relations, as seen in the use of Instagram, Snapchat, and Tinder. Finally, the book considers the future of these collaborative tendencies and the disruptions caused by fake news, bots, and other challenges.
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Flying Camelot: The F-15, the F-16, and the Weaponization of Fighter Pilot Nostalgia (Cornell UP, 2021) brings us back to the post-Vietnam era, when the US Air Force launched two new, state-of-the art fighter aircraft: the F-15 Eagle and the F-16 Fighting Falcon. It was an era when debates about aircraft superiority went public--and these were not uncontested discussions. Michael W. Hankins delves deep into the fighter pilot culture that gave rise to both designs, showing how a small but vocal group of pilots, engineers, and analysts in the Department of Defense weaponized their own culture to affect technological development and larger political change.
The design and advancement of the F-15 and F-16 reflected this group's nostalgic desire to recapture the best of World War I air combat. Known as the "Fighter Mafia," and later growing into the media savvy political powerhouse "Reform Movement," it believed that American weapons systems were too complicated and expensive, and thus vulnerable. The group's leader was Colonel John Boyd, a contentious former fighter pilot heralded as a messianic figure by many in its ranks. He and his group advocated for a shift in focus from the multi-role interceptors the Air Force had designed in the early Cold War towards specialized air-to-air combat dogfighters. Their influence stretched beyond design and into larger politicized debates about US national security, debates that still resonate today.
A biography of fighter pilot culture and the nostalgia that drove decision-making, Flying Camelot deftly engages both popular culture and archives to animate the movement that shook the foundations of the Pentagon and Congress.
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Shashi Shekhar and Pamela Vold, authors of Spatial Computing, from The MIT Press Essential Knowledge series, discuss the reach, risks and importance of spatial computing in confronting COVID-19.
An accessible guide to the ideas and technologies underlying such applications as GPS, Google Maps, Pokémon Go, ride-sharing, driverless cars, and drone surveillance.
Billions of people around the globe use various applications of spatial computing daily--by using a ride-sharing app, GPS, the e911 system, social media check-ins, even Pokémon Go. Scientists and researchers use spatial computing to track diseases, map the bottom of the oceans, chart the behavior of endangered species, and create election maps in real time. Drones and driverless cars use a variety of spatial computing technologies. Spatial computing works by understanding the physical world, knowing and communicating our relation to places in that world, and navigating through those places. It has changed our lives and infrastructures profoundly, marking a significant shift in how we make our way in the world. This volume in the MIT Essential Knowledge series explains the technologies and ideas behind spatial computing.
The book offers accessible descriptions of GPS and location-based services, including the use of Wi-Fi, Bluetooth, and RFID for position determination out of satellite range; remote sensing, which uses satellite and aerial platforms to monitor such varied phenomena as global food production, the effects of climate change, and subsurface natural resources on other planets; geographic information systems (GIS), which store, analyze, and visualize spatial data; spatial databases, which store multiple forms of spatial data; and spatial statistics and spatial data science, used to analyze location-related data.
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Jonathan Abel’s The New Real: Media and Mimesis in Japan from Stereographs to Emoji (U of Minnesota Press, 2023) is a history of our relationships to new media. The book centers on different modalities of mimesis and mediation and more as it explores the important transformation of “new media” into “the new real.” Abel describes this “new real” as the phase when the newer, better, faster, more realistic media of marketing hype becomes absorbed into the fabric of society and daily life. The New Real uses diverse case studies from over a century of modern Japanese history―including stereoscopic photographs, the phonograph, the television, video games, and even emoji―to explore the social effects of the new real.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
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In this episode of High Theory, Bernard Dionysius Geoghegan talks with us about computer graphics. Emerging from tools for sailing and warmaking, like sea charts and radar, modern computer graphics are technologies of mapping and managing risk. They seem intent on absorbing the human sensorium into the machine.
In the episode Bernard refers to computer graphics as “techniques of addressing,” a term he attributes to Ranjodh Singh Dhaliwal. He also uses the term “operational images” which comes from the work of Harun Farocki, and talks about SAGE, the US Government’s Cold War era Semi-Automatic Ground Environment Air Defense System. Bernard references Paul Edward’s book A Vast Machine: Computer Models, Climate Data, and the Politics of Global Warming (MIT Press, 2013). He also mentions the German scholar Christoph Borbach who has written on auditory computer interfaces, and American disability studies scholar Mara Mills, who has written on the Deaf history of computing. He was kind enough to give us an extensive bibliography on this topic, which is posted below.
Bernard Dionysius Geoghegan is a reader in the History and Theory of Digital Media at King’s College London. He has a brand new book out on the cybernetic history of French theory, called Code: From Information Theory to French Theory (Duke UP, 2023). Kim met him when he came to give a talk at the Stanford Humanities Center in January 2023. He wore denim and had a slightly manic affect. People came all the way from Berkeley to hear what he had to say, which is quite impressive in the Bay Area.
This week’s image is a radar loop of the December 16 2007 Eastern North America winter storm, found on Wikimedia Commons. The loop runs from Saturday Morning at 7 AM (Dec 15) to Sunday Night at 7 PM (Dec 16). The image is in the public domain because it was made by someone who works for the National Weather Service.
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In this episode we hear from John Troyer, author of Technologies of the Human Corpse and the Director of The Center for Death and Society at The University of Bath. We discuss the way technology is blurring the distinctions between life and death, the emergence of death studies from the 70s social and political milieu and how his own experiences of bereavement inform his research.
The relationship of the dead body with technology through history, from nineteenth-century embalming machines to the death-prevention technologies of today.
Death and the dead body have never been more alive in the public imagination—not least because of current debates over modern medical technology that is deployed, it seems, expressly to keep human bodies from dying, blurring the boundary between alive and dead. In this book, John Troyer examines the relationship of the dead body with technology, both material and conceptual: the physical machines, political concepts, and sovereign institutions that humans use to classify, organize, repurpose, and transform the human corpse. Doing so, he asks readers to think about death, dying, and dead bodies in radically different ways.
Troyer explains, for example, how technologies of the nineteenth century including embalming and photography, created our image of a dead body as quasi-atemporal, existing outside biological limits formerly enforced by decomposition. He describes the “Happy Death Movement” of the 1970s; the politics of HIV/AIDS corpse and the productive potential of the dead body; the provocations of the Body Worlds exhibits and their use of preserved dead bodies; the black market in human body parts; and the transformation of historic technologies of the human corpse into “death prevention technologies.” The consequences of total control over death and the dead body, Troyer argues, are not liberation but the abandonment of Homo sapiens as a concept and a species. In this unique work, Troyer forces us to consider the increasing overlap between politics, dying, and the dead body in both general and specifically personal terms.
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What is digital politics? What new creative and experimental tools can we use to study digital politics historically and analyse and create future imaginaries of digital politics? Adi Kuntsman and Liu Xin about their co-edited book Digital Politics, Digital Histories, Digital Futures: New Approaches for Historicising, Politicising and Imagining the Digital (2023, Emerald Publishing Limited).
In a conversation with Joanne Kuai, Adi Kuntsman and Liu Xin speak about how they managed to bring together contributions from junior and experienced scholars in a book that examines digital politics theoretically, methodologically, and ethically, offering interdisciplinary perspectives and innovative pedagogies.
The first part of the book presents research chapters that look at misinformation and reactionary online activism, digital imperialism and capitalism, future internet governance, digital memory, digital waste, and environmental imagination. The second part showcases several creative and experimental tools for studying digital politics historically, and for analysing and creating future imaginaries of digital politics.
Adi Kuntsman is Reader in Digital Politics at the Department of History, Politics and Philosophy at Manchester Metropolitan University, UK. Adi’s work lies at the intersection of cybercultures/digital and social media; anti-colonial and feminist scholarship; queer theory; and social research on war, nationalism and colonialism. Read more on the Digital Politics blog.
Liu Xin is a senior lecturer at the Center for Gender Studies, Karlstad University, Sweden. Her recent research projects are located at the intersection of feminist theory, environmental humanities, critical race studies, science and technology studies, social theory and digital media research. Find her on Twitter @LiuxinYB.
Joanne Kuai is a PhD Candidate at Karlstad University, Sweden, with a research project on Artificial Intelligence in Chinese Newsrooms. Her research interests centre around data and AI for media, computational journalism, and the social implications of automation and algorithms. Find her on LinkedIn or Twitter @JoanneKuai.
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Consumers and policy makers have unprecedented choices to make in the years to come about how and what we eat. If we continue down our current path of food production, we risk ever-increasing levels of animal exploitation, environmental destruction, biodiversity loss, and challenges to human health. In vitro meat production, or the process of growing meat in a lab, has the potential to reduce the severity of these problems. This proposal would change our food systems dramatically. Edibility and In Vitro Meat: Ethical Considerations (Lexington Books, 2022) explores the ethical questions that it’s important to ask every stage of this process. Rachel Robison-Greene considers arguments for and against the production of in vitro meat, as well as challenges for implementation. She argues that in vitro meat should be implemented and that we should re-think how we use the term “edible.”
Rachel Robison-Greene is Assistant Professor of Philosophy at Utah State University. Her research interests are largely in meta-ethics, epistemology, and applied ethics, especially as it pertains to animals, the environment, and technology. Rachel serves as the Secretary of the Public Philosophy Network, the Secretary of the Culture and Animals Foundation, and is the Chair Elect of the Intercollegiate Ethics Bowl.
Kyle Johannsen is a philosophy instructor at Trent University and Wilfrid Laurier University. His most recent book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
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Social scientists have long studied the ways in which smartphone use can distract us from the proper performance of means-ends tasks, such as driving or medical procedures. In Distracted from Meaning: A Philosophy of Smartphones (Bloomsbury, 2022), Tiger Roholt discusses a distinct type of distraction: when smartphone use interferes with our active engagement with meaningful experiences, such as dinner with friends or a musical performance or gardening. In these cases, Roholt argues, we risk stunting the experiences that would otherwise give meaning to our lives, or even missing out on discovering new types of meaningful experiences.
Roholt, who is an associate professor of philosophy at Montclair State University, draws on writings from John Dewey, Susan Wolf, Albert Borgmann and others in this engagingly written meditation on how ubiquitous uses of smartphones and wearable technologies affects our lives in ways that other types of interruptions do not.
Carrie Figdor is professor of philosophy at the University of Iowa.
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Nostalgia for the 1980s is in the air. From Stranger Things to the relaunch of 80s franchises like Top Gun, the American entertainment industry casts the period as an age of simpler things, clearer dichotomies, and less technology. Yet not all was simple. The 1980s were the heyday of the Cold War. They were the decade of rapid social change, of deregulation and selfish consumption, of Ronald Reagan and Margaret Thatcher. They were also the decade when a new technology swept the world, setting the stage for our all-too-digital present.
A lot has been written about the rise of video in the United States, the format wars, the impact it had on the entertainment industry, on personal entertainment consumption habits, and new business models. But the rise of video was not a uniquely American phenomenon, nor was the American experience normative. In fact, wherever the new technology arrived, from the US, to the Middle East, to Eastern Europe, it reshaped social and business practices, as well as government responses to it, in ways that reflected the political, social, and economic arrangements of each space.
Johnny Walker’s Rewind, Replay: Britain and the Video Boom, 1972-1992 (Edinburgh UP, 2022) tells the story of Britain’s vide boom in the 1980s by focusing on the first video distributors who took chances on a wide range of films, from documentaries, to horror, to kids entertainment, in order to attract consumer interest. The new video shops that mushroomed across Britain turned video rental into a common practice among the public. Soon, despite a crushing recession, more and more industry players started to invest into what media at the time was dismissing as a mere ‘plaything.’ Rewind, Replay chronicles the idiosyncratic ways in which British distributors and store owners navigated various local political and economic pressures including piracy, the infamous video nasties moral panic and the government crackdown on the industry, as well as the corporate expansion of the industry which, by the end of the decade, eliminated independent distributors, and turned the pre-recorded videocassette from morally questionable enterprise into a staple of high street retail.
Oana Godeanu-Kenworthy is Teaching Professor of American Studies at Miami University of Ohio. Her book, Between Empire and Republic: America in the Colonial Canadian Imagination, came out in 2022. Twitter: @OanaGodyKenw. Oana’s webpage.
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Everyone knows the yellow school bus. It’s been invisible and also omnipresent for a century. Dr. Antero Garcia shows how the U.S. school bus, its form unaltered for decades, is the most substantial piece of educational technology to ever shape how schools operate. As it noisily moves young people across the country every day, the bus offers the opportunity for a necessary reexamination of what “counts” as educational technology.
Particularly in light of these buses being idled in pandemic times, All through the Town: The School Bus as Educational Technology (University of Minnesota Press, 2023) questions what we take for granted and what we overlook in public schooling in America, pushing for liberatory approaches to education that extend beyond notions of school equity.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The remarkable progress in algorithms for machine and deep learning have opened the doors to new opportunities, and some dark possibilities. However, a bright future awaits those who build on their working methods by including HCAI strategies of design and testing. As many technology companies and thought leaders have argued, the goal is not to replace people, but to empower them by making design choices that give humans control over technology.
In Human-Centered AI (Oxford UP, 2022), Professor Ben Shneiderman offers an optimistic realist's guide to how artificial intelligence can be used to augment and enhance humans' lives. This project bridges the gap between ethical considerations and practical realities to offer a road map for successful, reliable systems. Digital cameras, communications services, and navigation apps are just the beginning. Shneiderman shows how future applications will support health and wellness, improve education, accelerate business, and connect people in reliable, safe, and trustworthy ways that respect human values, rights, justice, and dignity.
Jake Chanenson is a computer science Ph.D. student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
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JoAnne Yates, Sloan Distinguished Professor of Management, Emerita and Professor of Managerial Communication and Work and Organization Studies at MIT’s Sloan School of Management, talks about her classic and award-winning 1989 book, Control Through Communication: The Rise of System in American Management (Johns Hopkins University Press), with Peoples & Things host, Lee Vinsel.
Control Through Communication tells the fascinating story of how corporations came to adopt modern communications systems, including typewriters, filing cabinets, card catalogs, memos, and reports. Over the past twenty years, the book has been hugely influential in history, communications, and media studies. Yates and Vinsel also talk about how Yates came to move from literature to business history and organization studies, what it was like working as a woman in a business school in the 1980s, how she managed to have a dual writing career in history and business school journals, and much more.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech.
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NFT, BTC, DAO, ETH, WAGMI, HODL. It would have been hard to avoid these acronyms only a year ago. The hype around cryptocurrencies and blockchain art was almost as annoying as the glee with which crypto sceptics welcomed the sudden onset of the crypto winter.
But for all the popularity of Bored Apes and Ponzi scheme stories, there seems to have been little serious engagement with the philosophical, political, and aesthetic implications of the blockchain. The academy appears to have dismissed the crypto world out of hand, citing its financial unviability and the deeply ‘problematic’ philosophical foundations of its technology.
Rhea Myers is a crypto artist, writer, and hacker who searches for faces in cryptographic hashes, follows a day in the life of a young shibe in the year 2032, and patiently explains why all art should be destructively uploaded to the blockchain. Her engagement in the technical history and debates in blockchain technology is complemented by a broader sense of the crypto movement and the artistic and political sensibilities that accompanied its ascendancy.
Remodelling the tropes of conceptual art and net art to explore what blockchain technology reveals about our concepts of value, culture and currency, Myers’s work has become required viewing for anyone interested in the future of art, consensus, law, and collectivity.
Rhea Myers speaks to Pierre d’Alancaisez about art’s role in mapping and shaping the emergent properties of blockchain technologies, the crypto-libertarian, anarchy-capitalist nexus, and the enduring legacy of the conceptual art movement.
Proof of Work brings together annotated presentations of Myers’s blockchain artworks with essays, reviews, and fictions—a sustained critical encounter between the cultures and histories of the artworld and crypto-utopianism, technically accomplished but always generously demystifying and often mischievous.
Rhea Myers is an artist, writer, and blockchain developer and activist. Now an acknowledged pioneer whose work has graced the auction room at Sotheby’s, Myers focussed on blockchain tech in 2011, becoming one of the first artists to enter into creative, speculative, and conceptual engagement with ‘the new internet’.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
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The Internet plays a central role in how we communicate, share information, disseminate ideas, maintain social connections, and conduct business. The Internet also exacerbates existing problems regarding irrationality, bias, wrongful discrimination, exploitation, and dehumanization. Moreover, the Internet gives rise to new ethical and epistemological problems – fake news, sock-puppetry, internet hoaxes, disinformation, and so on.
In Who Should We Be Online?: A Social Epistemology for the Internet (Oxford University Press 2023), Karen Frost-Arnold proposes a multi-layered social epistemology designed to assist us in navigating the fraught normative landscape of the online world.
Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University.
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Why laws focused on data cannot effectively protect people—and how an approach centered on human rights offers the best hope for preserving human dignity and autonomy in a cyberphysical world.
Ever-pervasive technology poses a clear and present danger to human dignity and autonomy, as many have pointed out. And yet, for the past fifty years, we have been so busy protecting data that we have failed to protect people. In Beyond Data: Reclaiming Human Rights at the Dawn of the Metaverse (MIT Press, 2023), Elizabeth Renieris argues that laws focused on data protection, data privacy, data security and data ownership have unintentionally failed to protect core human values, including privacy. And, as our collective obsession with data has grown, we have, to our peril, lost sight of what’s truly at stake in relation to technological development—our dignity and autonomy as people.
Far from being inevitable, our fixation on data has been codified through decades of flawed policy. Renieris provides a comprehensive history of how both laws and corporate policies enacted in the name of data privacy have been fundamentally incapable of protecting humans. Her research identifies the inherent deficiency of making data a rallying point in itself—data is not an objective truth, and what’s more, its “entirely contextual and dynamic” status makes it an unstable foundation for organizing. In proposing a human rights–based framework that would center human dignity and autonomy rather than technological abstractions, Renieris delivers a clear-eyed and radically imaginative vision of the future.
At once a thorough application of legal theory to technology and a rousing call to action, Beyond Data boldly reaffirms the value of human dignity and autonomy amid widespread disregard by private enterprise at the dawn of the metaverse.
Jake Chanenson is a computer science Ph.D. student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
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The Avatar Faculty: Ecstatic Transformations in Religion and Video Games (University of California Press, 2023) creatively examines the parallels between spiritual and digital activities to explore the roles that symbolic second selves—avatars—can play in our lives. The use of avatars can allow for what anthropologists call ecstasy, from the Greek ekstasis, meaning "standing outside oneself." The archaic techniques of promoting spiritual ecstasy, which remain central to religious healing traditions around the world, now also have contemporary analogues in virtual worlds found on the internet. In this innovative book, Jeffrey G. Snodgrass argues that avatars allow for the ecstatic projection of consciousness into alternate realities, potentially providing both the spiritually possessed and gamers access to superior secondary identities with elevated social standing. Even if only temporary, self-transformations of these kinds can help reduce psychosocial stress and positively improve health and well-being.
Jeffrey G. Snodgrass is Professor of Anthropology at Colorado State University.
Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.
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Every day, Internet users interact with technologies designed to undermine their privacy. Social media apps, surveillance technologies, and the Internet of Things are all built in ways that make it hard to guard personal information. And the law says this is okay because it is up to users to protect themselves―even when the odds are deliberately stacked against them.
In Privacy's Blueprint: The Battle to Control the Design of New Technologies (Harvard UP, 2018), Woodrow Hartzog pushes back against this state of affairs, arguing that the law should require software and hardware makers to respect privacy in the design of their products. Current legal doctrine treats technology as though it were value-neutral: only the user decides whether it functions for good or ill. But this is not so. As Hartzog explains, popular digital tools are designed to expose people and manipulate users into disclosing personal information.
Against the often self-serving optimism of Silicon Valley and the inertia of tech evangelism, Hartzog contends that privacy gains will come from better rules for products, not users. The current model of regulating use fosters exploitation. Privacy’s Blueprint aims to correct this by developing the theoretical underpinnings of a new kind of privacy law responsive to the way people actually perceive and use digital technologies. The law can demand encryption. It can prohibit malicious interfaces that deceive users and leave them vulnerable. It can require safeguards against abuses of biometric surveillance. It can, in short, make the technology itself worthy of our trust.
Jake Chanenson is a computer science Ph.D. student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
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Reaching net zero emissions will not be the end of the climate struggle, but only the end of the beginning. For centuries thereafter, temperatures will remain elevated; climate damages will continue to accrue and sea levels will continue to rise. Even the urgent and utterly essential task of reaching net zero cannot be achieved rapidly by emissions reductions alone. To hasten net zero and minimize climate damages thereafter, we will also need massive carbon removal and storage. We may even need to reduce incoming solar radiation in order to lower unacceptably high temperatures. Such unproven and potentially risky climate interventions raise mind-blowing questions of governance and ethics.
Wake Smith's book Pandora's Toolbox: The Hopes and Hazards of Climate Intervention (Cambridge UP, 2022) offers readers an accessible and authoritative introduction to both the hopes and hazards of some of humanity's most controversial technologies, which may nevertheless provide the key to saving our world.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.
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Robert Charette, engineer, consultant, and contributing editor at IEEE Spectrum magazine, talks about his twelve-part series, “The Electric Vehicle Transition Explained,” with Peoples & Things host, Lee Vinsel. The series takes a systems perspective on electric vehicles, and talks about all of the potential barriers – from a lack of minerals, to stressing out the electricity grid, to being short on consumers or workers – that face EVs, which are too often cast as a climate change cure-all. Charette and Vinsel also talk about the kinds of thinking that are necessary if we are to have realistic policies around EVs.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech.
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Today I talked to Felix Zimmermann about his book Virtual Realities: Atmospheric Experience of the Past in Digital Games (Virtuelle Wirklichkeiten: Atmosphärisches Vergangenheitserleben im Digitalen Spiel (Büchner-Verlag, 2023)
Atmospheres are everywhere: at the workplace, in the soccer stadium, in front of the crackling fireplace. They shape our everyday language and have become quite natural expressions of how we find ourselves in certain environments and how we feel about them. Their influence is far-reaching: aesthetic atmospheres are closely linked to a contemporary experience-oriented historical culture whose products and practices claim to establish an immediate contact with the past.
With 'Vergangenheitsatmosphären' Felix Zimmermann offers for the first time a term to adequately describe this striving for immediacy. Using in-depth analyses of the digital games Anno 1800 (2019), Assassin's Creed Syndicate (2015), and Dishonored: The Mask of Wrath (2012), the concept is contoured and the productivity of atmospheric research trained on theories and methods of public history, game studies, and phenomenology is demonstrated.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Over the past three decades, digital technologies like smartphones and laptops have transformed the way we work in the US. At the same time, workers at both ends of the income ladder have experienced rising levels of job insecurity and anxiety about their economic futures. In Left to Our Own Devices: Coping with Insecure Work in a Digital Age (Oxford UP, 2022), Julia Ticona explores the ways that workers use their digital technologies to navigate insecure and flexible labor markets. Through 100 interviews with high and low-wage precarious workers across the US, she explores the surprisingly similar "digital hustles" they use to find work and maintain a sense of dignity and identity. Ticona then reveals how the digital hustle ultimately reproduces inequalities between workers at either end of polarized labor markets.
A moving and accessible look at the intimate consequences of contemporary capitalism, Left to Our Own Devices will be of interest to sociologists, communication and media studies scholars, as well as a general audience of readers interested in digital technologies, inequality, and the future of work in the US.
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Sally Wilson, VP of Publishing at Emerald opens up about the challenges publishers are facing in contending with the onset of the mass adoption of AI tools including ChatGPT, and its ramifications for scholarly publishing. She also talks about the potential positive use cases for ChatGPT for reducing inequality in publishing. In addition, Sally discusses the nature of mission-based publishing and leading the charge in tackling United Nations SDG goals in publishing.
Avi Staiman is the founder and CEO of Academic Language Experts.
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Space technology was developed to enhance the killing power of the state. The Moon landings and the launch of the Space Shuttle were mere sideshows, drawing public attention away from the real goal: military and economic control of space as a source of power on Earth.
Today, as Bleddyn E. Bowen vividly recounts in Original Sin: Power, Technology and War in Outer Space (Oxford UP, 2022), thousands of satellites work silently in the background to provide essential military, intelligence and economic capabilities. No major power can do without them. Beyond Washington, Moscow and Beijing, truly global technologies have evolved, from the ground floor of the nuclear missile revolution to today's orbital battlefield, shaping the wars to come. World powers including India, Japan and Europe are fully realizing the strategic benefits of commanding Earth's 'cosmic coastline', as a stage for war, development and prestige.
Yet, as new contenders spend more and more on outer space, there is scope for cautious optimism about the future of the Space Age-if we can recognize, rather than hide, its original sin.
Bleddyn E. Bowen is Associate Professor of International Relations at the University of Leicester, specializing in space policy and military uses of outer space. The internationally recognized author of War in Space, he consults on space policy for institutions including the UK Parliament, the European Space Agency, and the Pentagon.
Sam Canter is a policy and strategy analyst, PhD candidate, and Army Reserve intelligence officer. His views are his own and do not reflect any institution, organization, or entity with which he is affiliated.
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Michael Gurevich, lecturer at the Sonic Arts Research Centre at the Queen’s University, Belfast School of Music and Sonic Arts, serves as guest editor of the Winter 2010 issue of Computer Music Journal. In this podcast, Michael discusses the fields of Computer Music and Human Computer Interaction (HCI). He describes how these fields intersect and what they can learn from each other, touching on how the field of Computer Music has grown and how this affects performance and composition of electronic music. This conversation was recorded on December 14, 2010.
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It’s common to feel that technology removes the magic of the world, but Hindu worshippers in Bangalore have shown that it's all in the approach.
Guest
Tulasi Srinivas, associate professor of anthropology at the Institute for Interdisciplinary Studies at Emerson College. Fellow of the Royal Asiatic Society and the Indian Sociological Society. Author of Winged Faith: Rethinking Globalization and Religious Pluralism, among other books.
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For over twenty years, James W. Cortada has pioneered research into how information shapes society. In Birth of Modern Facts: How the Information Revolution Transformed Academic Research, Governments and Businesses (Rowman & Littlefield, 2023), he tells the story of how information evolved since the mid-nineteenth century. Cortada argues that information increased in quantity, became more specialized by discipline (e.g., mathematics, science, political science), and more organized. Information increased in volume due to a series of innovations, such as the electrification of communications and the development of computers, but also due to the organization of facts and knowledge by discipline, making it easier to manage and access. He looks at what major disciplines have done to shape the nature of modern information, devoting chapters to the most obvious ones. Cortada argues that understanding how some features of information evolved is useful for those who work in subjects that deal with their very construct and application, such as computer scientists and those exploring social media and, most recently, history. The Birth of Modern Facts builds on Cortada's prior books examining how information became a central feature of modern society, most notably as a sequel to All the Facts: A History of Information in the United States since 1870 (OUP, 2016) and Building Blocks of Society: History, Information Ecosystems, and Infrastructures (R&L, 2021).
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The internet has become a battleground. Although it was unlikely to live up to the hype and hopes of the 1990s, only the most skeptical cynics could have predicted the World Wide Web as we know it today: commercial, isolating, and full of, even fueled by, bias. This was not inevitable.
The Gentrification of the Internet: How to Reclaim Our Digital Freedom (U California Press, 2023) argues that much like our cities, the internet has become gentrified, dominated by the interests of business and capital rather than the interests of the people who use it. Jessa Lingel uses the politics and debates of gentrification to diagnose the massive, systemic problems blighting our contemporary internet: erosions of privacy and individual ownership, small businesses wiped out by wealthy corporations, the ubiquitous paywall. But there are still steps we can take to reclaim the heady possibilities of the early internet. Lingel outlines actions that internet activists and everyday users can take to defend and secure more protections for the individual and to carve out more spaces of freedom for the people—not businesses—online.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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The play element at the heart of our interactions with computers—and how it drives the best and the worst manifestations of the information age.
Whether we interact with video games or spreadsheets or social media, playing with software shapes every facet of our lives. In Playing Software: Homo Ludens in Computational Culture (MIT Press, 2023), Miguel Sicart delves into why we play with computers, how that play shapes culture and society, and the threat posed by malefactors using play to weaponize everything from conspiracy theories to extractive capitalism. Starting from the controversial idea that software is an essential agent in the information age, Sicart considers our culture in general—and our way of thinking about and creating digital technology in particular—as a consequence of interacting with software's agency through play.
As Sicart shows, playing shapes software agency. In turn, software shapes our agency as we adapt and relate to it through play. That play drives the creation of new cultural, social, and political forms. Sicart also reveals the role of make-believe in driving our playful engagement with the digital sphere. From there, he discusses the cybernetic theory of digital play and what we can learn from combining it with the idea that playfulness can mean pleasurable interaction with human and nonhuman agents inside the boundaries of a computational system. Finally, he critiques the instrumentalization of play as a tool wielded by platform capitalism.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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In this episode Chris Gondek speaks with author Tom Mullaney on the invention of the Chinese typewriter, and how the characters originally utilized are still the ones available on modern keyboards.
Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters--in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter.
The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for "Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained "typewriter girls" and "typewriter boys." Still later was the "Double Pigeon" typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of "predictive text."
Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an "object history" but grappling with broad questions of technological change and global communication, shows how this happened.
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In this widely praised history of an infamous institution, award-winning scholar Marcus Rediker shines a light into the darkest corners of the British and American slave ships of the eighteenth century. Drawing on thirty years of research in maritime archives, court records, diaries, and firsthand accounts, The Slave Ship: A Human History (Penguin, 2008) is riveting and sobering in its revelations, reconstructing in chilling detail a world nearly lost to history: the “floating dungeons” at the forefront of the birth of African American culture.
Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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From news about World War II to the broadcasting of music from popular movies, radio played a crucial role in an increasingly divided South Asia for more than half a century. Radio for the Millions: Hindi-Urdu Broadcasting Across Borders (Columbia University Press, 2023) by Isabel Huacuja Alonso examines the history of Hindi-Urdu radio during the height of its popularity from the 1930s to the 1980s, showing how it created transnational communities of listeners.
Huacuja Alonso argues that despite British, Indian, and Pakistani politicians’ efforts to usurp the medium for state purposes, radio largely escaped their grasp. She demonstrates that the medium enabled listeners and broadcasters to resist the cultural, linguistic, and political agendas of the British colonial administration and the subsequent independent Indian and Pakistani governments. Rather than being merely a tool of nation building in South Asia, radio created affective links that defied state agendas, policies, and borders. It forged an enduring transnational soundscape, even after the 1947 Partition had made a united India a political impossibility.
The book traces how people engaged with radio across news, music, and drama broadcasts, arguing for a more expansive definition of what it means to listen. She develops the concept of “radio resonance” to understand how radio relied on circuits of oral communication such as rumor and gossip and to account for the affective bonds this “talk” created. By analyzing Hindi film-song radio programs, she demonstrates how radio spurred new ways of listening to cinema. Drawing on a rich collection of sources, including newly recovered recordings, listeners’ letters to radio stations, original interviews with broadcasters, and archival documents from across three continents, Radio for the Millions rethinks assumptions about how the medium connects with audiences.
Isabel Huacuja Alonso is an Assistant Professor in the Department of Middle Eastern, South Asia, and African Studies (MESAAS) at Columbia University. She is a historian of sound media and modern South Asia.
Shatrunjay Mall is a PhD candidate at the Department of History at the University of Wisconsin-Madison. He works on transnational Asian history, and his dissertation explores intellectual, political, and cultural intersections and affinities that emerged between Indian anti-colonialism and imperial Japan in the twentieth century.
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John and Elizabeth, in this special Centennial episode of Recall this Book, explore spectral radiation with Ryo Morimoto, Assistant Professor of Anthropology at Princeton University. His new book Nuclear Ghost: Atomic Livelihoods in Fukushima's Grey Zone (University of California Press, 2023) is based on several years of fieldwork in coastal Fukushima after the triple disaster of earthquake, tsunami, and nuclear accident. Ryo's book shows how residents of the region live with and through the "nuclear ghost" that resides with them.
The trio discuss ways that residents acclimatize themselves to the presence of radiation, efforts to live their lives in ways not only shaped by catastrophe and irradiation, and the Geiger counter as a critical object.
Ryo relates the astonishing--but when you stop to think unsurprising—fact that "once you have [a Geiger counter] you actually want to see higher scores."
Mentioned in this episode:
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In this episode Chris Gondek interviews Ed Finn, author of the new book What Algorithms Want. Tune in for an interesting discussion on algorithm disconnect revolving around things humans regularly use, like Siri. And listen in for a definition of the phrase "culture machines".
We depend on--we believe in--algorithms to help us get a ride, choose which book to buy, execute a mathematical proof. It's as if we think of code as a magic spell, an incantation to reveal what we need to know and even what we want. Humans have always believed that certain invocations--the marriage vow, the shaman's curse--do not merely describe the world but make it. Computation casts a cultural shadow that is shaped by this long tradition of magical thinking. In this book, Ed Finn considers how the algorithm--in practical terms, "a method for solving a problem"--has its roots not only in mathematical logic but also in cybernetics, philosophy, and magical thinking.
Finn argues that the algorithm deploys concepts from the idealized space of computation in a messy reality, with unpredictable and sometimes fascinating results. Drawing on sources that range from Neal Stephenson's Snow Crash to Diderot's Encyclopédie, from Adam Smith to the Star Trek computer, Finn explores the gap between theoretical ideas and pragmatic instructions. He examines the development of intelligent assistants like Siri, the rise of algorithmic aesthetics at Netflix, Ian Bogost's satiric Facebook game Cow Clicker, and the revolutionary economics of Bitcoin. He describes Google's goal of anticipating our questions, Uber's cartoon maps and black box accounting, and what Facebook tells us about programmable value, among other things.
If we want to understand the gap between abstraction and messy reality, Finn argues, we need to build a model of "algorithmic reading" and scholarship that attends to process, spearheading a new experimental humanities.
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The Dating Divide: Race and Desire in the Era of Online Romance (U California Press, 2021) is the first comprehensive look at "digital-sexual racism," a distinct form of racism that is mediated and amplified through the impersonal and anonymous context of online dating. Drawing on large-scale behavioral data from a mainstream dating website, extensive archival research, and more than seventy-five in-depth interviews with daters of diverse racial backgrounds and sexual identities, Curington, Lundquist, and Lin illustrate how the seemingly open space of the internet interacts with the loss of social inhibition in cyberspace contexts, fostering openly expressed forms of sexual racism that are rarely exposed in face-to-face encounters. The Dating Divide is a fascinating look at how a contemporary conflux of individualization, consumerism, and the proliferation of digital technologies has given rise to a unique form of gendered racism in the era of swiping right--or left.
The internet is often heralded as an equalizer, a seemingly level playing field, but the digital world also acts as an extension of and platform for the insidious prejudices and divisive impulses that affect social politics in the "real" world. Shedding light on how every click, swipe, or message can be linked to the history of racism and courtship in the United States, this compelling study uses data to show the racial biases at play in digital dating spaces.
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Andrew Simon, a historian of media, popular culture, and the Middle East at Dartmouth College, discusses his new book Media of the Masses: Cassette Culture in Modern Egypt (Stanford University Press, 2022) , with Peoples & Things host, Lee Vinsel. Media of the Masses is an engaging book that examines the impact of cassettes, cassette players, and their users during a particular period in Egypt's recent past. It provides a brilliant example of how disparate and surprising sources can be used to uncover the extraordinary story of an ordinary technology. Along the way, Simon directs our attention to a significant truth: audiocassettes provided countless people with the opportunity to create and circulate cultural content long before the internet and social media ever entered our daily lives. This book will captivate anyone interested in the history of technology, mass media, or popular culture.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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In 2021, a famous Vietnamese businesswoman hosted a three-hour long Facebook livestream, in which she named and shamed celebrities for their controversial public behaviours. This formed part of a regular pattern of personal attacks, in which she weaponised livestreaming to denounce media and charity organisations in front of huge online audiences. This case marked a turning point in Vietnam, forcing the government to contend with growing political activity in the online environment, and prompting new digital media regulation.
In this episode, Dr Jonathon Hutchinson joins Dr Natali Pearson to discuss this case and other examples of online socio-political activism in Vietnam, reflecting on the tension between social media influencing and digital media regulation, and highlighting its potential positive and negative effects.
About Jonathon Hutchinson:
Dr Jonathon Hutchinson is a Senior Lecturer in Online Communication and Media at the University of Sydney. He is a Chief Investigator on the Australian Research Council Discovery Project, Online News and Media Pluralism, and is also a Chief Investigator on the eSafety Commission Research project, Emerging online safety issue: co-creating social media education with young people. His research explores cultural production, public service media, cultural intermediation, everyday social media, automated media, and algorithms in media. He is the Editor-in-Chief of the Policy & Internet journal and the Treasurer for the Australian and New Zealand Communication Association. Dr Hutchinson is on the Board of Directors for the Wholistic World Innovation Trophy as part of the Diplomatic World Institute and is an active and regular contributor to the media. He is an award-winning author with articles in a number of national and international Scimago Q1 journals, government submissions, and his book, Cultural Intermediaries: Audience Participation and Media Organisations (2017), is published through Palgrave Macmillan.
For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac.
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Artist Penelope Umbrico talks about her work, images as currency, and how technology and various platforms herd images. And is photography tyrannical? Umbrico has some thoughts.
Learn more about the Seeing Truth exhibition at our website.
Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod
Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute
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Let's plays are among the most popular genres on YouTube. The visual worlds of video games shape the worldviews of millions. Gaming is a hobby and a mass spectacle.
For a long time, the history of video games was primarily one of technical progress: from pixelated figures in 2D to increasingly convincing illusions of reality in games like Control. At the same time, independent game worlds emerge, such as in the expressionist dystopia Disco Elysium.
In Video Games: Digital Image Cultures (Videospiele: Digitale Bildkulturen), Jacob Birken vividly analyzes the different types and generations of games, provides insights into the interaction of hardware and software, and shows how newer video games stylistically reference the past of their own medium. But does this also revive the unfulfilled promises of the future of the information society?
Jacob Birken writes and researches on the history, aesthetics, and theory of media technologies. In 2018, he published "The California Institution" on the 1906 San Francisco earthquake. He currently works at the UAS Düsseldorf and the University of Cologne.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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The story of the British amusement arcade from the 1800s to the present.
Amusement arcades are an important part of British culture, yet discussions of them tend to be based on American models. Alan Meades, who spent his childhood happily playing in British seaside arcades, presents the history of the arcade from its origins in traveling fairs of the 1800s to the present. Drawing on firsthand accounts of industry members and archival sources, including rare photographs and trade publications, he tells the story of the first arcades, the people who made the machines, the rise of video games, and the legislative and economic challenges spurred by public fears of moral decline.
Arcade Britannia: A Social History of the British Amusement Arcade (MIT Press, 2022) highlights the differences between British and North American arcades, especially in terms of the complex relationship between gambling and amusements. He also underlines Britain’s role in introducing coin-operated technologies into Europe, as well as the industry’s close links to America and, especially, Japan. He shows how the British arcade is a product of centuries of public play, gambling, entrepreneurship, and mechanization. Examining the arcade’s history through technological, social, cultural, biographic, and legislative perspectives, he describes a pendulum shift between control and liberalization, as well as the continued efforts of concerned moralists to limit and regulate public play.
Finally, he recounts the impact on the industry of legislative challenges that included vicious taxation, questions of whether copyright law applied to video-game code, and the peculiar moment when every arcade game in Britain was considered a cinema.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Why technology is most transformative when it is playful, and innovative spatial design happens only when designers are both tinkerers and dreamers.
In Urban Play: Make-Believe, Technology, and Space (MIT Press, 2021), Fábio Duarte and Ricardo Álvarez argue that the merely functional aspects of technology may undermine its transformative power. Technology is powerful not when it becomes optimally functional, but while it is still playful and open to experimentation. It is through play—in the sense of acting for one's own enjoyment rather than to achieve a goal—that we explore new territories, create new devices and languages, and transform ourselves. Only then can innovative spatial design create resonant spaces that go beyond functionalism to evoke an emotional response in those who use them.
The authors show how creativity emerges in moments of instability, when a new technology overthrows an established one, or when internal factors change a technology until it becomes a different technology. Exploring the role of fantasy in design, they examine Disney World and its outsize influence on design and on forms of social interaction beyond the entertainment world. They also consider Las Vegas and Dubai, desert cities that combine technology with fantasies of pleasure and wealth. Video games and interactive media, they show, infuse the design process with interactivity and participatory dynamics, leaving spaces open to variations depending on the users' behavior. Throughout, they pinpoint the critical moments when technology plays a key role in reshaping how we design and experience spaces.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at [email protected].
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Pegasus: How a Spy in Your Pocket Threatens the End of Privacy, Dignity, and Democracy (Henry Holt, 2023) is the inside story of a worldwide investigation, sparked by the leak which revealed that cyber-intrusion and cyber-surveillance are happening with exponentially increasing frequency, across the globe. Pegasus, it turns out, is less a law enforcement tool than a weapon for hire and not only a threat to privacy but also to democracy, as the most notorious human-rights-violating governments and autocrat-wannabes are licensing and utilizing Pegasus spyware in the most vulnerable democracies in the world. Pegasus follows the personal stories of real victims--intrepid individuals who have spoken truth to some of the most corrupt, risible powers around the globe.
Laurent Richard is a Paris-based award-winning documentary filmmaker and journalist who was named the 2018 European Journalist of the Year at the Prix Europa in Berlin. He is the founder of Forbidden Stories, a network of investigative journalists devoted continuing the unfinished work of murdered reporters to ensure the work they died for is not buried with them.
Sandrine Rigaud is a French investigative journalist. As editor of Forbidden Stories since 2019, she coordinated the award-winning Pegasus Project and the Cartel Project, an international investigation of assassinated Mexican journalists.
Caleb Zakarin is the Assistant Editor of the New Books Network.
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What’s actually going on in a cell–or on the spiky outside of an invading virus? Gael McGill, Director of Molecular Visualization at the Center for Molecular and Cellular Dynamics at Harvard Medical School is founder and CEO of Digizyme and has spent his career exploring and developing different modes for visualizing evidence.
For this scientific conversation taped back in 2021, Recall this Book host John is joined once again by Brandeis neuroscientist Gina Turrigiano (think ep 4 Madeline Miller; think ep 2 Addiction!).
You may want to check out Digizyme‘s images of the spike protein attaching the SARS-CoV2 virus to a hapless cell and fusing their membranes. Or click through to watch a gorgeous video Gael and his team have created.
Mentioned in the Episode:
Listen and Read Here:
47 Glimpsing COVID: Gael McGill on Data Visualization
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Zack Furness, an associate professor of communications at Penn State Greater Allegheny, talks about his 2010 book, One Less Car: Bicycling and the Politics of Automobility (Temple University Press), with Peoples & Things host, Lee Vinsel. One Less Car examines the history of how bicycles became a tool and object of advocacy and activism. With roots going back 1960s countercultures and growing through punk subcultures and the Critical Mass movement, bicycle activism has been an important focus of environmentalism and countering what Furness calls the “automobile-industrial complex.” Over a wide-ranging conversation, Furness and Vinsel also discuss Furness’s more recent research project on the history of Israeli punk bands.
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Before there were Instagram likes, Twitter hashtags, or TikTok trends, there were bloggers who seemed to have the passion and authenticity that traditional media lacked. The Influencer Industry: The Quest for Authenticity on Social Media (Princeton UP, 2023) tells the story of how early digital creators scrambling for work amid the Great Recession gave rise to the multibillion-dollar industry that has fundamentally reshaped culture, the flow of information, and the way we relate to ourselves and each other.
Drawing on dozens of in-depth interviews with leading social media influencers, brand executives, marketers, talent managers, trend forecasters, and others, Emily Hund shows how early industry participants focused on creating and monetizing digital personal brands as a means of exerting control over their professional destinies in a time of acute economic uncertainty. Over time, their activities coalesced into an industry whose impact has reached far beyond the dreams of its progenitors--and beyond their control. Hund illustrates how the methods they developed for creating, monetizing, and marketing social media content have permeated our lives and untangles the unforeseen cultural and economic costs.
The Influencer Industry reveals how, in an increasingly fractured and profit-driven communications environment, the people we think of as "real" are merely those who have learned to exploit the industry's ever-shifting constructions of authenticity.
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Eric Hintz, a historian and fellowship coordinator with the Lemelson Center for the Study of Invention and Innovation at the Smithsonian Institution’s National Museum of American History, talks about his book, American Independent Inventors in an Era of Corporate R&D, with Peoples & Things host, Lee Vinsel. The two discuss why independent inventors are often invisible in histories of 20th century invention and innovation, the role that independent inventors played in the two world wars, and the complicated history of gender and race around invention, which was a path of both promise and risk for women and black people.
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Aaron Gordon, Senior Writer at Motherboard, Vice’s science and technology website, talks about his co-authored article, “‘The Least Safe Day’: Rollout of Gun-Detecting AI Scanners Has Been a ‘Cluster,’ Emails Show,” with Peoples & Things host, Lee Vinsel. They also discuss Gordon’s career trajectory, going from a sports reporter to a writer focused on infrastructure, maintenance, bureaucracy, and related topics. Additionally, the two chat about systematic bottlenecks around electric vehicles, a promising technology too-often cast as a cure-all.
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In 14 original essays, The Oxford Illustrated History of the Book (Oxford UP, 2022) reveals the history of books in all their various forms, from the ancient world to the digital present. Leading international scholars offer an original and richly illustrated narrative that is global in scope.
The history of the book is the history of millions of written, printed, and illustrated texts, their manufacture, distribution, and reception. Here are different types of production, from clay tablets to scrolls, from inscribed codices to printed books, pamphlets, magazines, and newspapers, from written parchment to digital texts. The history of the book is a history of different methods of circulation and dissemination, all dependent on innovations in transport, from coastal and transoceanic shipping to roads, trains, planes and the internet. It is a history of different modes of reading and reception, from learned debate and individual study to public instruction and entertainment. It is a history of manufacture, craftsmanship, dissemination, reading and debate.
Yet the history of books is not simply a question of material form, nor indeed of the history of reading and reception. The larger question is of the effect of textual production, distribution and reception - of how books themselves made history. To this end, each chapter of this volume, succinctly bounded by period and geography, offers incisive and stimulating insights into the relationship between books and the story of their times.
James Raven is Professor of Modern History at the University of Essex and a Fellow of Magdalene College, Cambridge. Formerly he was Reader in Social and Cultural History, University of Oxford, and Professorial Fellow of Mansfield College. He is the author, editor and co-editor of numerous books in early modern and modern British, European and colonial history, including Judging New Wealth (1992); The Practice and Representation of Reading (1996); The English Novel 1770-1829 (2000); Free Print and Non-Commercial Publishing (2000); London Booksellers and American Customers (2002); Lost Libraries (2004); The Business of Books: Booksellers and the English Book Trade (2007); Books between Europe and the Americas (2011); Publishing Business (2014) and Bookscape: Geographies of Printing and Publishing in London before 1800 (2014).
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm.
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What would happen if microchips suddenly disappeared from our world? From phones to cars, medical equipment to heating units, they are crucial for the safe and smooth functioning of much of society. While they may not actually disappear anytime soon, we have learned from the COVID pandemic about the real and potential consequences of an essential microchips shortage. Listen to Hermann Aubié, senior researcher at the Centre for East Asian Studies at the University of Turku in Finland, speak about the current state of the complex global microchips industry and attempts by governments to control its technology and supply-chain. Dr. Aubié focuses in particular on the United States' 2022 CHIPS and Science Act and October Export Rules, largely considered to target China's capacity to produce advanced microchips. Learn about responses by Taiwan, the largest producer of advanced microchips with TSMC (Taiwan Semiconductor Manufacturing Company), as well as the position of the European Union, itself dealing with ongoing negotiations to finalize the EU Chips Act. Dr. Aubié speaks to Satoko Naito, also of the Centre for East Asian Studies.
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Communication researcher Nirit Weiss-Blatt talks about her book, The Techlash and Tech Crisis Communication, as well as some of her recent and forthcoming pieces on the digital technology industry with Peoples & Things host, Lee Vinsel. Weiss-Blatt’s work examines both the rise of the “techlash”—the development of negative public and expert sentiment about the digital technology industry—and how company public relations efforts responded to this development. Weiss-Blatt and Vinsel also talk about how some claims about the negative impacts of social media do not seem to hold up to empirical scrutiny and what all of this means for regulation of the digital technology industry.
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Journalist Katherine Blunt, who writes about renewable energy and utilities for the Wall Street Journal, talks about her new book, California Burning: The Fall of Pacific Gas and Electric—and What It Means for America’s Power Grid with Peoples & Things host, Lee Vinsel. The book tells the fascinating story of how declining performance at an electrical utility eventually led to wildfires and staggering loss of human life. Blunt and Vinsel also talk about what this story means for the future of electricity utilities in the face of global climate change.
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Gaming the Past: Using Video Games to Teach Secondary History (Routledge, 2022) is a complete handbook to help pre-service teachers, current teachers, and teacher educators use historical video games in their classes to develop critical thinking skills. It focuses on practical information and specific examples for integrating critical thinking activities and assessments using video games into classes. Chapters cover the core parts of planning, designing, and implementing lessons and units based on historical video games.
Topics include:
Gaming the Past also includes sample unit and lesson plans, worksheets and assessment questions, and a list of historical games currently available, both commercial and freely available Internet games.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Journalist and STS graduate student Gemma Milne talks about her book, Smoke and Mirrors: How Hype Obscures the Future and How to See Past It, with Peoples & Things host, Lee Vinsel. The book examines how hype works and how it plays out in a number of scientific and technical fields, including artificial intelligence, quantum computing, brain implants, cancer drugs, fusion energy, and the future of food.
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How can we build greener infrastructure in the face of the global climate emergency? In Trade Winds: A Sailing Voyage to a Sustainable Future for Shipping (Manchester UP, 2023), Christiaan De Beukelaer, a Senior Lecturer in Arts and Cultural Management at the University of Melbourne intertwines an depth analysis of modern shipping, with a memoir of being aboard a sailing ship during the 2020 pandemic. The book is a fascinating read, with both an extensive critique of the failures of the global shipping and trade system to be sustainable, as well as offering moving insights into a unique experience of a very different form of 2020’s lockdown. Concluding with both the return to land, and a detailed consideration of how shipping, trade, and the world might adapt to the climate crisis, the book is essential reading for anyone interested in a sustainable future for the planet.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Information scholar Daniel Greene, an assistant professor at University of Maryland, talks about his book, The Promise of Access: Technology, Inequality, and the Political Economy of Hope, with Peoples & Things host, Lee Vinsel. The Promise of Access examines how the “digital divide” became a policy problem, and draws on fascinating ethnographies of a “tech” startup, a public library, and a charter school to examine how organizations come to chase technological solutions to social problems.
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How useful will nuclear fusion be? In a major breakthrough last year at the National Ignition Facility in California, 192 lasers achieved fusion – and created energy - for the first time. It was clearly an important moment. But might the development of fusion technology come too late? Owen Bennett Jones speaks with Sharon Ann Holgate, author of Nuclear Fusion: The Race to Build a Mini Sun on Earth (Icon Books, 2022).
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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Samantha Kleinberg, an associate professor of computer science at Stevens Institute of Technology, talks about a book she’s been writing on how we can (and can’t) use information to make better decisions with Peoples & Things host, Lee Vinsel. Kleinberg and Vinsel also talk about barriers to artificial intelligence getting dramatically better anytime soon, and why ideas, like “the singularity,” are mere fantasies.
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As we interact online we are creating new kinds of knowledge and community. How are these communities formed? How do we know whether to trust them as sources of information? In other words, should we believe Wikipedia?
Should You Believe Wikipedia?: Online Communities and the Construction of Knowledge (Cambridge UP, 2022) explores what community is, what knowledge is, how the internet facilitates new kinds of community, and how knowledge is shaped through online collaboration and conversation. Along the way the author tackles issues such as how we represent ourselves online and how this shapes how we interact, why there is so much bad behavior online and what we can do about it. And the most important question of all: What can we as internet users and designers do to help the internet to bring out the best in us all?
Amy Bruckman is Regents’ Professor and Senior Associate Chair in the School of Interactive Computing at the Georgia Institute of Technology. Her research focuses on social computing, with interests in collaboration, social movements, content moderation, and internet research ethics. She is an ACM Fellow and a member of the ACM CHI Academy. Bruckman received her Ph.D. from the MIT Media Lab's Epistemology and Learning group in 1997, and a B.A. in physics from Harvard University in 1987.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.
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The people who make music recommender systems have lofty goals: they want to broaden listeners’ horizons and help obscure musicians find audiences, taking advantage of the enormous catalogs offered by companies like Spotify, Apple Music, and Pandora. But for their critics, recommender systems seem to embody all the potential harms of algorithms: they flatten culture into numbers, they normalize ever-broadening data collection, and they profile their users for commercial ends. Drawing on years of ethnographic fieldwork, anthropologist Nick Seaver describes how the makers of music recommendation navigate these tensions: how product managers understand their relationship with the users they want to help and to capture; how scientists conceive of listening itself as a kind of data processing; and how engineers imagine the geography of the world of music as a space they care for and control.
Computing Taste: Algorithms and the Makers of Music Recommendation (U Chicago Press, 2022) rehumanizes the algorithmic systems that shape our world, drawing attention to the people who build and maintain them. In this vividly theorized book, Seaver brings the thinking of programmers into conversation with the discipline of anthropology, opening up the cultural world of computation in a wide-ranging exploration that travels from cosmology to calculation, myth to machine learning, and captivation to care.
Nick Seaver is Assistant Professor in the Department of Anthropology and the director of the Science, Technology, and Society program at Tufts University.
Mathew Gagné is Assistant Professor in the Department of Sociology and Social Anthropology at Dalhousie University.
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Historian Richard John, professor of journalism at Columbia University, talks about his book, Network Nation: Inventing American Telecommunications, with Peoples & Things host, Lee Vinsel. Network Nation is a history of the telegraph and telephone in the United States, and one of its key findings is that, from the very beginning of these technologies, thinking about the state, regulation, and ideas of political economy was at the heart of business strategy. John and Vinsel also talk about the nature of historical research and why it is so important to go back to primary sources.
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Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.
Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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We have usually relied on public intellectuals to provide facts, ideas, and cultural leadership--though not all have lived up to the ideal of “speaking truth to power.” Today, however, online networks and social media mean we are all public intellectuals, and we have new responsibilities that come with this role.
Guests:
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Patrick McCray, Professor of History at University of California, Santa Barbara, talks about his book, Making Art Work: How Cold War Engineers and Artists Forged a New Creative Culture, with Peoples & Things host, Lee Vinsel. The book shows how artists eagerly collaborated with engineers and scientists to explore new technologies and create visually and sonically compelling multimedia works after World War II. McCray and Vinsel also discuss how this history connects to more recent developments such as the creation of the MIT Media Lab and so-called “STEAM education.”
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Microchips are both important and in short supply. So how important? And what can be done to make them more plentiful? Also, what are the geopolitical implications of having the production of microchips concentrated in relatively few hands. Owen Bennett Jones talks microchips with Julian Kamasa of the Centre for Security Studies in Zurich.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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In her detailed cultural history of technological change, Electrifying Mexico, Diana Montaño argues that ordinary Mexicans became electrifying agents who actively negotiated the extent and manner electricity entered their lives and lived spaces in Mexico City. An Assistant Professor of History at Washington University in St. Louis, Dr. Montaño's teaching and research interests broadly include the construction of modern Latin American societies with a focus on technology and its relationship to nationalism, everyday life and domesticity.
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Catherine Frieman, an associate professor of European Archaeology at the School of Archaeology, talks about her recent book, An Archaeology of Innovation: Approaching Social and Technological Change in Human Society, with Peoples & Things host, Lee Vinsel. Her book offers a long-term perspective on innovation that only archaeology can offer and draws on case studies from across human history, from our earliest hominin ancestors to the present. The book makes several different arguments, but one of them is that our present narrow focus on pushing the adoption of technical innovations—especially so called “disruptive innovations”—ignores the complex social, technological, and environmental systems that undergirds successful societies.
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During the ongoing COVID-19 pandemic, vulnerable communities have been hit especially hard by disruptive online attacks. But calling these attacks "violent" could jeopardize the future of disruptive protests designed to protest those same communities.
Guests:
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Disruption resulting from the proliferation of AI is coming. The authors of the bestselling Prediction Machines describe what you can do to prepare. Banking and finance, pharmaceuticals, automotive, medical technology, retail. Artificial intelligence (AI) has made its way into many industries around the world. But the truth is, it has just begun its odyssey toward cheaper, better, and faster predictions to drive strategic business decisions--powering and accelerating business. When prediction is taken to the max, industries transform. The disruption that comes with such transformation is yet to be felt--but it is coming. How do businesses prepare?
In Prediction Machines, eminent economists Ajay Agrawal, Joshua Gans, and Avi Goldfarb explained the simple yet game-changing economics of AI. Now, in Power and Prediction: The Disruptive Economics of Artificial Intelligence (HBR Press, 2022), they go further to reveal AI as a prediction technology directly impacting decision-making and to teach businesses how to identify disruptive opportunities and threats resulting from AI. Their exhaustive study of new developments in artificial intelligence and the past history of how technologies have disrupted industries highlights the striking phase we are now in: after witnessing the power of this new technology and before its widespread adoption--what they call "the Between Times." While there continue to be important opportunities for businesses, there are also threats of disruption. As prediction machines improve, old ways of doing things will be upended. Also, the process by which AI filters into the many systems involved in application is very uneven. That process will have winners and losers. How can businesses leverage, or protect, their positions? Filled with illuminating insights, rich examples, and practical advice, Power and Prediction is the must-read guide for any business leader or policy maker on how to make the coming AI disruptions work for you rather than against you.
Interviewee Avi Goldfarb is the Rotman Chair in Artificial Intelligence and Healthcare and a professor of marketing at the Rotman School of Management, University of Toronto. Avi is also Chief Data Scientist at the Creative Destruction Lab and the CDL Rapid Screening Consortium, a faculty affiliate at the Vector Institute and the Schwartz-Reisman Institute for Technology and Society, and a Research Associate at the National Bureau of Economic Research. Avi’s research focuses on the opportunities and challenges of the digital economy.
He has published academic articles in marketing, statistics, law, management, medicine, political science, refugee studies, physics, computing, and economics. Avi is a former Senior Editor at Marketing Science. His work on online advertising won the INFORMS Society of Marketing Science Long Term Impact Award. He testified before the U.S. Senate Judiciary Committee on competition and privacy in digital advertising. His work has been referenced in White House reports, European Commission documents, the New York Times, the Economist, and elsewhere.
Peter Lorentzen is economics professor at the University of San Francisco. He heads USF's Applied Economics Master's program, which focuses on the digital economy. His research is mainly on China's political economy.
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Jaipreet Virdi talks about her book Hearing Happiness: Deafness Cures in History with Peoples & Things host Lee Vinsel. The book details the long history of attempts to “fix” deaf people, including a great deal of quackery. Towards the end of the conversation, Virdi and Vinsel also talk about what a world beyond solutionist fantasies that disability can be “cured” would look like.
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Author L. M. Sacasas talks about the life, thought, and legacy of the Catholic priest, philosopher, and social critic Ivan Illich with Peoples & Things host Lee Vinsel. Sacasas and Vinsel discuss Illich’s critiques of bureaucracy, technology, scale, and expertise and how these critiques apply to medicine, education, our credential society, and life with media technologies.
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Ever since early scientists began experimenting with immortality elixirs in the middle ages, religion has been influencing transhumanism. Now, we’re beginning to see transhumanism influencing religion.
Guests
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Political Theorist Jennifer Forestal’s new book is a fascinating exploration of contemporary democracy and how it operates in different spaces. Forestal’s avenue into the question of democracy and the space in which it functions comes out of the idea of how spaces are designed and for what reasons. This idea of built environments—be they city centers in urban areas, software architecture, or the existence and width of sidewalks—contribute to how we, as individuals and community members, operate in those spaces. Forestal is paying particular attention to participatory democracy, where community members come together to solve problems collectively.
Designing for Democracy: How to Build Community in Digital Environments (Oxford UP, 2021)weaves together the concrete, the actual spaces where we can gather together or where we are pushed apart, and the theoretical, the way democracy, as a concept, draws on the will of the people to govern themselves. In examining democratic theory, Forestal integrates work from Aristotle, Alexis de Tocqueville, and John Dewey, all of whom provide frameworks for thinking about and understanding interactions between individuals and the effort to share responsibility to govern in common.
Forestal unpacks the many ways that built environments guide our choices and behavior—from how the layout of a grocery store pushes us towards certain kinds of purchases, to the design of sidewalks or the absence of sidewalks as determining our public engagement or disengagement—and how this is an often overlooked or obscured exertion of power, especially political power. The power of the built environment trains us in a variety of ways, and this is an area where changing the design of the space in which we exist can also change our behavior and can shift our perspectives. Democratic theory is predicated on individuals acting together, and the space in which we do this contributes to the success of these efforts, or their fragmentation. Social media spaces are very much like the physical built environment, and Forestal examines three different social media spaces, Twitter, Facebook, and Reddit, exploring how they are and are not hospitable spaces for democracy.
Designing for Democracy: How to Build Community in Digital Environments is an original analysis of how physical and virtual spaces provide individuals with barriers or openings to engagement, and how these spaces can shift our behavior and our priorities. Ultimately, democracy is an idea that must be translated by real people in real spaces and places, and how we all engage with one another is not just important, it is the basis for the implementation of this concept of self-government.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her comments at [email protected] or tweet to @gorenlj.
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A special bonus episode. Peoples & Things host Lee Vinsel talks about the podcast’s recent move to the New Books Network and plans the Peoples & Things team have for the next year or two.
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Sociologist Juan Pablo Pardo-Guerra, a professor at University of California San Diego, talks about his book Automating Finance: Infrastructures, Engineers, and the Making of Electronic Markets with Peoples & Things host Lee Vinsel. The book traces the long, largely anonymous, and in some senses boring history of how experts applied computers to financial systems since the 1970s, creating a digital infrastructure of the trading world. The conversation also touches on Pardo-Guerra’s more recent work on how systems of quantitative metrics have been applied to the management of universities and what might be done about it.
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Historian Hanna Rose Shell, a professor at University of Colorado, Boulder, talks about her book Shoddy: From Devil’s Dust to the Renaissance of Rags with Peoples & Things host Lee Vinsel. Along the way, Shell raises a number of important and interesting things, including the long history of reuse and recycling and how forms of technology and work become tied to social status. With shoddy, it was the anxieties of low class, low social status work and poverty. Shell also discusses how individual technologies become mirrors for the worries, fears, hatreds, and other feelings of society – how when we look into the history of any technology we often see ourselves reflected back.
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Patrick Chung, assistant professor of history at the University of Maryland, talks about his research on the rise of shipping and manufacturing in South Korea with Peoples & Things host Lee Vinsel. Along the way, Chung provides fascinating insights into the role that both the US Department of Defense and local South Korean actors played in globalization.
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Daniel Armanios, associate professor of Engineering and Public Policy at Carnegie Mellon University, talks about his work on infrastructure and inequality with Peoples & Things host Lee Vinsel. Armanios’ recent work has focused on coming up with quantitative measures of how infrastructure relates to inequalities around race, gender, and class, both to address historical injustices and to inform future infrastructure construction. Armanios also talks about how he brings these topics into his teaching and his larger project around engineering and social justice.
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Medieval manuscripts are our shared inheritance, and today they are more accessible than ever—thanks to digital copies online. Yet for all that widespread digitization has fundamentally transformed how we connect with the medieval past, we understand very little about what these digital objects really are. We rarely consider how they are made or who makes them. Digital Codicology: Medieval Books and Modern Labor (Stanford UP, 2022) demystifies digitization, revealing what it's like to remake medieval books online and connecting modern digital manuscripts to their much longer media history, from print, to photography, to the rise of the internet.
Examining classic late-1990s projects like Digital Scriptorium 1.0 alongside late-2010s initiatives like Bibliotheca Philadelphiensis, and world-famous projects created by the British Library, Corpus Christi College Cambridge, Stanford University, and the Walters Art Museum against in-house digitizations performed in lesser-studied libraries, Bridget Whearty tells never-before-published narratives about globally important digital manuscript archives. Drawing together medieval literature, manuscript studies, digital humanities, and imaging sciences, Whearty shines a spotlight on the hidden expert labor responsible for today's revolutionary digital access to medieval culture. Ultimately, this book argues that centering the modern labor and laborers at the heart of digital cultural heritage fosters a more just and more rigorous future for medieval, manuscript, and media studies.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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Meredith Whittaker, co-founder and faculty director of the AI Now Institute and Minderoo Research Professor at New York University, talks about the politics of digital technologies with Peoples & Things host Lee Vinsel. The conversation examines Whittaker’s fascinating career moving between industry and academia, her role in the Google walkout, and her hopes for the future, including the role of social movements in fomenting political change.
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Is it ever morally wrong to enjoy fantasizing about immoral things? Many video games allow players to commit numerous violent and immoral acts. But should players worry about the morality of their virtual actions? A common argument is that games offer merely the virtual representation of violence. No one is actually harmed by committing a violent act in a game. So, it cannot be morally wrong to perform such acts. While this is an intuitive argument, it does not resolve the issue.
Focusing on why individual players are motivated to entertain immoral and violent fantasies, Christopher Bartel's book Video Games, Violence, and the Ethics of Fantasy: Killing Time (Bloomsbury, 2020) advances debates about the ethical criticism of art, not only by shining light on the interesting and under-examined case of virtual fantasies, but also by its novel application of a virtue ethical account. Video games are works of fiction that enable players to entertain a fantasy. So, a full understanding of the ethical criticism of video games must focus attention on why individual players are motivated to entertain immoral and violent fantasies.
Video Games, Violence, and the Ethics of Fantasy engages with debates and critical discussions of games in both the popular media and recent work in philosophy, psychology, media studies, and game studies.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Data journalist Meredith Broussard talks about her book, Artificial Unintelligence: How Computers Misunderstand the World, with Peoples & Things host Lee Vinsel. The book how artificial intelligence systems do and don’t work and why people have come to have such unrealistic understandings of the technologies’ capabilities. One central factor is what Broussard calls technochauvinism, “the belief that technology is always the solution.” Broussard also discusses her early career as a computer scientist, why she became her journalist, and her hopes for a more humane technological future.
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What needs are satisfied in digital gaming? And what does the shift of these need satisfactions into the digital space say about the social realities in which they are embedded?
Harald Koberg lets gamers themselves have their say and follows their traces of the described fascinations and passions in his latest book Free Play: Digital Gaming and the Longing for Effectiveness (Freies Spiel: Digitales Spielen und die Sehnsucht nach Wirkmächtigkeit). The answers found aim at experiences of efficacy: digital games and the communication spaces around them offer particular opportunities to experience one's own decisions and actions as relevant and effective. It is not only about narrated stories and interactions with the game, but also about the rules and limits of communication, spaces of unfolding, self-dramatization, and norm-setting.
Using the examples of adolescent search for free spaces, insecure masculinity, and achievement society overload, Harald Koberg shows why critique of the medium of video games must focus on people and how much can be determined about larger social contexts along the way.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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In 1974, India surprised the world with “Smiling Buddha”: a secret underground nuclear test at Pokhran, Rajasthan. India called it a “peaceful nuclear explosion”—but few outside of India saw it that way.
The 1974 nuclear tests became a symbol of India’s ability to help itself, especially given how the country was left out of the Nuclear Non-Proliferation Treaty, an agreement the country argued was colonial. But, as Jayita Sarkar’s Ploughshares and Swords: India’s Nuclear Program in the Global Cold War (Cornell University Press, 2022) points out, India’s nuclear program was in fact the product of Cold War tensions and international networks–including some foreign sources of nuclear knowledge and material. (An open-access version of Jay’s book can be found here)
Jayita Sarkar is Senior Lecturer in Economic and Social History at the University of Glasgow and the Founding Director of the Global Decolonization Initiative. She can be followed on Twitter at @DrJSarkar, and her Linktree can be found here.
In this interview, Jay and I talk about India’s nuclear program, from its very beginnings through to when India was brought back into the world’s—or, at least, the U.S.’s–nuclear good graces in 2008.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ploughshares and Swords. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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Brent Goldfarb and David Kirsch, professors of entrepreneurship and strategy at the University of Maryland's Robert H. Smith School of Business, talk about their book, Bubbles and Crashes: The Boom and Bust of Technological Innovation, with Peoples & Things host Lee Vinsel. Bubbles and Crashes puts forward a parsimonious model of how and when economic bubbles develop around new technologies. In the conversation, Goldfarb and Kirsch reflect on a variety of topics, including why it matters that Elon Musk is such a good story teller, whether we are currently in a technology bubble, and what we can do to prevent bubbles in the future.
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Historian Ruth Schwartz Cowan talks about her book, More Work for Mother, with Peoples & Things host Lee Vinsel. The book examines the history of how Americans industrialized their homes over the past two hundred years and how supposedly labor-saving technologies led women to do increased housework. Cowan also reflects on what it was like to work as a professor as a woman and mother in the 1970s and how families have changed their relationship to technology and housework in the nearly forty years since the book was published.
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The Moog synthesizer ‘bent the course of music forever’ Rolling Stone declared.
Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation---suddenly everyone wanted a Moog. The Beatles, The Doors, The Byrds, and Stevie Wonder discovered his synthesizer, and it came to be featured in seminal film scores including Apocalypse Now and A Clockwork Orange. The Moog's game-changing sounds saturated 60's counterculture and burst into the disco party in the 70's to set off the electronic dance music movement. Bob had singlehandedly founded the synth industry and become a star in the process.
But he was also going broke. Imitators copied his technology, the musicians' union accused him of replacing live players, and Japanese competitors started overtaking his work. He struggled to hang on to his inventions, his business, and his very name. Bob's story upends our notions of success and wealth, showing that the two don't always go together.
In Switched On: Bob Moog and the Synthesizer Revolution (Oxford UP, 2022), author Albert Glinsky draws on exclusive access to Bob Moog's personal archives and his probing interviews with Bob's family and a multitude of associates, for this first complete biography of the man and his work. Switched On takes the reader on a roller coaster ride at turns triumphant, heart-breaking, and frequently laugh out loud absurd---a nuanced trip through the public and private worlds of this legendary inventor who altered the course of music.”
Nathan Smith is a PhD Student in Music Theory at Yale University. He can be reached at [email protected].
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16th-century glass mirrors and 21st-century camera phones actually share a lot in common; they both are technologies that shaped new forms of the self.
Guests
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Twenty-first century life is increasingly governed by artificial intelligence (AI) technologies such as machine learning, big data analysis, facial recognition, and robotics. For decades, an ideology of apocalyptic progress and cosmic transformation has accompanied the advancement of AI in the United States; that vision is intimately connected to transhumanism, the idea that humanity can transcend its limits, even mortality, using technology. By describing the arrival and reconfiguration of transhumanist ideas in India, Robert M. Geraci's book Futures of Artificial Intelligence: Perspectives from India and the U.S. (Oxford UP, 2021) reveals how the nexus of religion and technology contributes to public life and our modern self-understanding while suggesting that the apocalyptic approach to AI should be tempered by other visions.
Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.
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In Oceans Under Glass: Tank Craft and the Sciences of the Sea (University of Chicago Press, 2022), Samantha Muka, Assistant Professor of Science, Technology, and Society at Stevens Institute of Technology, dives into the unexpected world of tank crafting. Throughout the book, Muka tells the stories behind the development of various kinds of aquariums, such as photography tanks and reef tanks. She explains how the knowledge and ingenuity of a variety of actors have been contributing to furthering our knowledge of oceanic environments. The myriad of technical and technological challenges that arise when attempting to maintain aquatic species in artificial environments has been the source of at least as many experiments in tank tinkering.
Focusing on aquariums as complex, situated, and constantly evolving technological devices, Muka shows how the production of knowledge about the ocean depends on interactions between communities holding different knowledge, expertise, and interests: public aquarists, academic researchers, and hobbyists. Analyzing the “craft circulation” between these three groups, the author provides us with a dynamic picture that challenges a series of assumptions on how scientific knowledge is and can be produced.
More than a history and sociology of tank craft, Oceans under Glass offers a meditation on the necessity of aquariums and their artificiality not only to learn about the ocean, but also to preserve some of their biodiversity. “Imagined worlds”, as Muka puts it, aquariums should also be understood as critical places where our future relationship to the oceans, for better and for worst, is being shaped.
Victor Monnin, Ph.D. is an historian of science specialized in the history of Earth sciences. He is teaching the Humanities and French language to undergraduates.
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Hello, world! This is the Global Media & Communication podcast series.
In this episode, our host Juan Llamas-Rodriguez discusses the book The Digital Border: Migration, Technology, Power (2022) by Dr. Lilie Chouliaraki and Dr. Myria Georgiou.
You’ll hear about:
About the book
What is the role of digital technologies is shaping migration today? How do digital infrastructures, platforms, and institutions control the flow of people at the border? And how do they also control the public narratives of migration as a “crisis”? Finally, how do migrants themselves use these same platforms to speak back and make themselves heard in the face of hardship and hostility? Taking their case studies from the biggest migration event of the twenty-first century in the West, the 2015 European migration “crisis” and its aftermath up to 2020, Lilie Chouliaraki and Myria Georgiou offer a holistic account of the digital border as an expansive assemblage of technological infrastructures (from surveillance cameras to smartphones) and media imaginaries (stories, images, social media posts) to tell the story of migration as it unfolds in Europe’s outer islands as much as its most vibrant cities. You can find this book on the NYU Press website.
Authors:
Lilie Chouliaraki is Professor of Media and Communications at the London School of Economics, where she also serves as the department’s Doctoral Program Director.
Myria Georgiou is Professor of Media and Communications at the London School of Economics, where she also serves as Research Director.
Host: Juan Llamas-Rodriguez is an assistant professor at the Annenberg School for Communication, where he researches and teaches global media cultures, digital technologies, border studies, infrastructure studies, and Latin American media.
Editor & Producer: Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.
Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.
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In this episode of High Theory, Alex Hanna talks with Nathan Kim about Ethical AI. Their conversation is part of our High Theory in STEM series, which tackles topics in science, technology, engineering, and medicine from a highly theoretical perspective. In this episode, Alex helps us think about the complicated recipes we call “artificial intelligence” and what we mean when we ask our technologies to be ethical.
In the episode Alex references an article by Emily Tucker, called “Artifice and Intelligence,” (Tech Policy Press, 17 March 2022) which suggests we should stop using terms like “artificial intelligence” and an opinion piece in the Washington Post, on a similar theme, by Timnit Gebru and Margaret Mitchell, “We warned Google that people might believe AI was sentient. Now it’s happening” (17 June 2022). She also mentions a claim by Blake Lemoine that Google’s LaMDA (Language Model for Dialogue Applications) is sentient. We’ll leave that one to your googling, if not your judgment.
Dr. Alex Hanna is Director of Research at the Distributed AI Research Institute (DAIR). A sociologist by training, her work centers on the data used in new computational technologies, and the ways in which these data exacerbate racial, gender, and class inequality. You can read her recent article, “AI Ethics Are in Danger. Funding Independent Research Could Help,” co-authored with Dylan Baker in the Stanford Social Innovation Review, and learn more about her work on her website.
This week’s image was produced by DALL-E 2 responding to the prompt: "generate the image of an artificial intelligence entity, deciding to protect shareholder interests over public good, in the style of Van Gogh."
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For some, automation will usher in a labor-free utopia; for others, it signals a disastrous age-to-come. Yet whether seen as dream or nightmare, automation, argues Munn, is ultimately a fable that rests on a set of triple fictions. There is the myth of full autonomy, claiming that machines will take over production and supplant humans. But far from being self-acting, technical solutions are piecemeal; their support and maintenance reveals the immense human labor behind "autonomous" processes. There is the myth of universal automation, with technologies framed as a desituated force sweeping the globe. But this fiction ignores the social, cultural, and geographical forces that shape technologies at a local level. And, there is the myth of automating everyone, the generic figure of "the human" at the heart of automation claims. But labor is socially stratified and so automation's fallout will be highly uneven, falling heavier on some (immigrants, people of color, women) than others.
In Automation Is a Myth (Stanford UP, 2022), Munn moves from machine minders in China to warehouse pickers in the United States to explore the ways that new technologies do (and don't) reconfigure labor. Combining this rich array of human stories with insights from media and cultural studies, Munn points to a more nuanced, localized, and racialized understanding of the "future of work."
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
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How has digitalisation changed Russian politics? How has Russia’s invasion of Ukraine changed Russia studies? What is special about Russia’s approach to algorithmic governance and internet control? Assistant Professor in Cyber-Security and Politics from Maastricht University, Mariëlle Wijermars, talks about her ongoing research on Russian politics, internet policy and platform governance.
In a conversation with Joanne Kuai, Mariëlle Wijermars also talks about The Palgrave Handbook of Digital Russia Studies. This open-access handbook was published by Palgrave Macmillan in 2020 and was edited by Mariëlle together with Daria Gritsenko and Mikhail Kopotev.
This handbook presents a multidisciplinary and multifaceted perspective on how the ‘digital’ is simultaneously changing Russia and the research methods scholars use to study Russia. It provides a critical update on how Russian society, politics, economy, and culture are reconfigured in the context of ubiquitous connectivity and accounts for the political and societal responses to digitalization.
Dr. Mariëlle Wijermars is an Assistant Professor in Cyber-Security and Politics at Maastricht University in the Netherlands. She is currently a CORE Fellow at the Helsinki Collegium for Advanced Studies, where she researches internet freedom and the human rights’ implications of internet policy and platform governance, in particular in authoritarian states.
You can connect with Mariëlle Wijermars on Twitter @Marielle_W_ and on Mastodon @[email protected].
Joanne Kuai is a PhD Candidate at Karlstad University, Sweden, with a research project on Artificial Intelligence in Chinese Newsrooms. Her research interests centre around data and AI for media, computational journalism, and the social implications of automation and algorithms. Find her on LinkedIn or on Twitter @JoanneKuai.
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On July 6, 1998, the last flight took off from Kai Tak International Airport, marking the end of an era for Hong Kong aviation. For decades, international flights flew over the roofs of Kowloon apartments, before landing on Kai Tak’s runway, extending out into the harbor.
Kai Tak–frankly, a terrible place for one of the world’s busiest international airports–is a good symbol of the story of Hong Kong’s aviation, as told in Hong Kong Takes Flight: Commercial Aviation and the Making of a Global Hub, 1930s–1998 (Harvard University Press, 2022) by John D. Wong and published by Harvard University Press.
Hong Kong’s growth as a hub for commercial aviation was often unplanned, often the result of compromise–and yet wildly successful. The city was able to carve a niche for itself, in both the declining British empire and the wider world, while also having to deal with colonial bureaucracy, geopolitics, fierce competition and an entirely new Communist government across the border.
In this interview, John and I talk about Hong Kong’s history with aviation, from its very start with flying boats and puddlejumpers right through to the jumbo jet era.
John D. Wong is Associate Professor at the Hong Kong Institute for the Humanities and Social Sciences and the School of Modern Languages and Cultures, The University of Hong Kong. He is also the author of Global Trade in the Nineteenth Century: The House of Houqua and the Canton System (Cambridge University Press, 2016)
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Hong Kong Takes Flight. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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Why is the internet making us so unhappy? Why is it in capital’s interests to cultivate populations that are depressed and desperate rather than driven by the same irrational exuberance that moves money?
Sadness is now a design problem. The highs and lows of melancholy are coded into social media platforms. After all the clicking, browsing, swiping and liking, all we are left with is the flat and empty aftermath of time lost to the app.
Sad by Design: On Platform Nihilism (Pluto Press, 2019) by Geert Lovink offers a critical analysis of the controversies which drive our online media behaviours. Lovink calls for us to embrace the engineered intimacy of social media, messenger apps and selfies because boredom is the first stage of overcoming ‘platform nihilism’.
Geert Lovink speaks to Pierre d'Alancaisez about the frustrations of studying the internet as it evolves from networks to platforms, the politically-contingent notions of online 'communities', and cycles of ideological production and capture.
Geert Lovink is a media theorist and internet critic who has chronicled the development of internet and network cultures as they came of age alongside him. He is the author of Zero Comments, Networks Without a Cause, Social Media Abyss, and most recently Struck on the Platform. He is the founder of the Institute of Network Cultures.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
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A close reading of Wikipedia's article on the Egyptian Revolution reveals the complexity inherent in establishing the facts of events as they occur and are relayed to audiences near and far.
Wikipedia bills itself as an encyclopedia built on neutrality, authority, and crowd-sourced consensus. Platforms like Google and digital assistants like Siri distribute Wikipedia's facts widely, further burnishing its veneer of impartiality. But as Heather Ford demonstrates in Writing the Revolution: Wikipedia and the Survival of Facts in the Digital Age (MIT Press, 2022), the facts that appear on Wikipedia are often the result of protracted power struggles over how data are created and used, how history is written and by whom, and the very definition of facts in a digital age.
In Writing the Revolution, Ford looks critically at how the Wikipedia article about the 2011 Egyptian Revolution evolved over the course of a decade, both shaping and being shaped by the Revolution as it happened. When data are published in real time, they are subject to an intense battle over their meaning across multiple fronts. Ford answers key questions about how Wikipedia's so-called consensus is arrived at; who has the power to write dominant histories and which knowledges are actively rejected; how these battles play out across the chains of circulation in which data travel; and whether history is now written by algorithms.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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A conceptual update of affordance theory that introduces the mechanisms and conditions framework, providing a vocabulary and critical perspective.
Technological affordances mediate between the features of a technology and the outcomes of engagement with that technology. The concept of affordances, which migrated from psychology to design with Donald Norman's influential 1988 book, How Artifacts Afford: The Power and Politics of Everyday Things (MIT Press, 2020), offers a useful analytical tool in technology studies—but, Jenny L. Davis argues in How Artifacts Afford, it is in need of a conceptual update. Davis provides just such an update, introducing the mechanisms and conditions framework, which offers both a vocabulary and necessary critical perspective for affordance analyses.
The mechanisms and conditions framework shifts the question from what objects afford to how objects afford, for whom, and under what circumstances. Davis shows that through this framework, analyses can account for the power and politics of technological artifacts. She situates the framework within a critical approach that views technology as materialized action. She explains how request, demand, encourage, discourage, refuse, and allow are mechanisms of affordance, and shows how these mechanisms take shape through variable conditions—perception, dexterity, and cultural and institutional legitimacy.
Putting the framework into action, Davis identifies existing methodological approaches that complement it, including critical technocultural discourse analysis (CTDA), app feature analysis, and adversarial design. In today's rapidly changing sociotechnical landscape, the stakes of affordance analyses are high. Davis's mechanisms and conditions framework offers a timely theoretical reboot, providing tools for the crucial tasks of both analysis and design.
Jenny L. Davis is Associate Professor of Sociology at Australian National University.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at [email protected].
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How and why early modern European artisans began to record their knowledge. In From Lived Experience to the Written Word: Reconstructing Practical Knowledge in the Early Modern World (U Chicago Press, 2022), Pamela H. Smith considers how and why, beginning in 1400 CE, European craftspeople began to write down their making practices. Rather than simply passing along knowledge in the workshop, these literate artisans chose to publish handbooks, guides, treatises, tip sheets, graphs, and recipe books, sparking early technical writing and laying the groundwork for how we think about scientific knowledge today. Focusing on metalworking from 1400-1800 CE, Smith looks at the nature of craft knowledge and skill, studying present-day and historical practices, objects, recipes, and artisanal manuals. From these sources, she considers how we can reconstruct centuries of largely lost knowledge. In doing so, she aims not only to unearth the techniques, material processes, and embodied experience of the past but also to gain insight into the lifeworld of artisans and their understandings of matter. Please visit MS FR 640 at The Making and Knowing Project.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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Economists and other social scientists are used to working with data that comes nicely organized into a table with a series of variable names across the top and a list of observations or datapoints down the right hand side. Data also naturally falls into this format when it comes from surveys we run. But the vast amounts of data generated by businesses and by all our online activities are usually organized in different ways. In corporate settings that first step of getting the right data and putting it into a table where it can be analyzed can be as important and challenging as the subsequent analyses. SQL (Structured Query Language) has been the standard language for accessing information in databases since the 1980s.
In this episode I interview Renee Teate, also known as “Data Science Renee” on Twitter, about her new book, SQL for Data Scientists: A Beginner’s Guide for Building Datasets for Analysis (Wiley, 2022). I learned about Renee from her popular blog and podcast, “Becoming a Data Scientist,” in which she talked about the paths she and others took to becoming a data scientist. While she was coming from more of an engineering background, many economists have been becoming data scientists from the other direction. They are building up their skills with databases and programming to complement their statistical and social science training, either because of new jobs in the tech sector or because of the new academic research possibilities this opens up. SQL is a crucial part of this toolkit, and this book is a great way to get started learning it.
In our conversation, we also discuss her current role as a lead data scientist at higher education analytics company Heliocampus, and some of her tips for aspiring data scientists as they apply for and interview for their first jobs.
Host Peter Lorentzen is the Chair of the Economics Department at the University of San Francisco, where he created a new Master’s degree in Applied Economics designed specifically to train students in a combination of economics and data science skills that equips them to succeed in the new digital economy.
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If you read the business pages of most newspapers, they are filled with stories about the sort of companies that people do business with – airlines, retail outlets, football clubs and the like. There tend to be far fewer stories about the arms industry - unless it’s about some scandal – generally bribes or sales to governments with poor human rights records. So today we are discussing the future of the arms industry with Pieter D. Wezeman who researches these matters at the leading institute in this area, the Stockholm International Peace Research Institute or SIPRI.
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When viewed through the context of an interactive play, a video game player fulfills the roles of both actor and spectator, watching and influencing a game's story in real time. This book presents video gaming as a virtual medium for performance, scrutinizing the ways in which a player's interaction with the narrative informs personal, historical, social and cultural understanding.
Centering the author's own experiences as both video game player and performance scholar, The Performance of Video Games: Enacting Identity, History and Culture Through Play (McFarland, 2022) thoroughly applies concepts from theatre and performance studies. Chapters argue that the posthuman player position now challenges what can be contextualized as a lived experience, and how video games can change players' relationships with historical events and contemporary concerns, ultimately impacting how they develop a sense of self.
Using the author's own gaming experiences as a framework, the book focuses on the intersection between player and narrative, exploring what engagement with a storyline reveals about identity and society.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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The boundary that once protected our intimate lives from outside interests is an artefact of the 20th century. In the 21st, we have embraced a vast array of technology that enables constant access and surveillance of the most private aspects of our lives. From non-consensual pornography, to online extortion, to the sale of our data for profit, we are vulnerable to abuse. As Citron reveals, wherever we live, laws have failed miserably to keep up with corporate or individual violators, letting our privacy wash out with the technological tide. And the erosion of intimate privacy in particular, Citron argues, holds immense toxic power to transform our lives and our societies for the worse (and already has).
With vivid examples drawn from interviews with victims, activists and lawmakers from around the world, The Fight for Privacy: Protecting Dignity, Identity, and Love in the Digital Age (Norton, 2022) reveals the threat we face and argues urgently and forcefully for a reassessment of privacy as a human right. And, as a legal scholar and expert, Danielle Citron is the perfect person to show us the way to a happier, better protected future.
Jake Chanenson is a computer science Ph.D. student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Previously, Jake has done some research in mixed reality, human-robot interaction, and AI ethics.
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This groundbreaking book argues that the fundamental issues around how victim-survivors of digital gender-sexual violations (DGSVs) are abused can be understood in terms of gender and sexual dynamics, constructions, positioning and logics. Digital Gender-Sexual Violations: Violence, Technologies, Motivations (Routledge, 2022) builds upon Hall and Hearn's previous work, Revenge Pornography, but has been substantially reworked to examine other forms of DGSV such as upskirting and sexual deepfakes, as well as the latest research and debates in the field.
Facilitated by developments in internet and mobile technologies, the non-consensual posting of real or fake sexually explicit images of others for revenge, entertainment, homosocial status or political leverage has become a global phenomenon. Using discourse and thematic analytical approaches, this text examines digital, survey and interview data on gendered sexual violences, abuses, and violations. The words of both the perpetrators and victim-survivors are presented, showing the impact on victim-survivors and the complex ways in which phallocentric power relations and existing hegemonic masculinities are reinforced and invoked by perpetrators to position girls and women as gendered and sexualised commodities to be traded, admired, violated or abused for the needs of individual men or groups of men.
Hall, Hearn, and Lewis explore their research in a broader social and political context, evaluating and suggesting changes to existing legislative frameworks, education, victim support, and practical and policy interventions against DGSV, along with wider political considerations. This is a unique resource for students, academics and researchers as well as professionals dealing with issues around digital gender-sexual violations.
Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Check out their latest book: The Other #MeToos. Follow them on Twitter.
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Long-haul truckers are the backbone of the American economy, transporting goods under grueling conditions and immense economic pressure. Truckers have long valued the day-to-day independence of their work, sharing a strong occupational identity rooted in a tradition of autonomy. Yet these workers increasingly find themselves under many watchful eyes. Data Driven: Truckers, Technology, and the New Workplace Surveillance (Princeton UP, 2022) examines how digital surveillance is upending life and work on the open road, and raises crucial questions about the role of data collection in broader systems of social control.
Karen Levy takes readers inside a world few ever see, painting a bracing portrait of one of the last great American frontiers. Federal regulations now require truckers to buy and install digital monitors that capture data about their locations and behaviors. Intended to address the pervasive problem of trucker fatigue by regulating the number of hours driven each day, these devices support additional surveillance by trucking firms and other companies. Traveling from industry trade shows to law offices and truck-stop bars, Levy reveals how these invasive technologies are reconfiguring industry relationships and providing new tools for managerial and legal control--and how truckers are challenging and resisting them.
Data Driven contributes to an emerging conversation about how technology affects our work, institutions, and personal lives, and helps to guide our thinking about how to protect public interests and safeguard human dignity in the digital age.
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The first book to examine the rarely-acknowledged Waverly Train Disaster of 1978 - the catastrophic accident that changed America forever and led to the formation of FEMA.
Coinciding with the 45th anniversary of the event, Walk Through Fire: The Train Disaster That Changed America (Citadel Press, 2023) is a tribute to the first responders, as well as an examination of the strengths and vulnerabilities in rural America. On the night of February 22, 1978, a devastating freight train derailment drastically altered Waverly, Tennessee, and its place in history. This was one of the worst train explosions of the twentieth century, killing 16 people, injuring hundreds more, and causing millions of dollars in damage. What could have been dismissed as a single community's terrible misfortune instead became the catalyst for radical change, including the formation of FEMA, much-needed reforms in emergency response training, and the creation and enforcement of national and state safety regulations. Response to the disaster reshaped American infrastructure and laid the groundwork for the future of emergency management and disaster relief . . . and yet most Americans have never heard of Waverly.
Dr. Yasmine S. Ali, an award-winning medical writer and Waverly native, sets out to change this in Walk Through Fire, drawing from over a decade of meticulous research and interviews with survivors, first responders, and other firsthand accounts, including those of her own parents, first-generation Americans who were on call at the local hospital that treated the victims. Ali weaves a compelling narrative of small-town tragedy set against the broader backdrop of U.S. railroad history, rural healthcare, and other elements of American infrastructure that played a part in the creation--and the aftermath--of the Disaster. A tribute to resiliency and a call to action, Walk Through Fire tells the harrowing story of the Waverly Train Disaster from the perspectives of those who survived it, and those who still feel its impact today, illuminating how much a nation still has to learn from one small town in Tennessee.
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If the COVID-19 pandemic taught us anything, it is that the world is bound together by shared challenges—and that at the center of those challenges stands China. China's Next Act: How Sustainability and Technology Are Reshaping China's Rise and the World's Future (Oxford UP, 2022) re-envisions China’s role in the world in terms of sustainability and technology. The danger is that China’s next act will drive divergence on the rules and standards the world desperately needs in the decades ahead. This book helps foreign countries, companies, and other organizations prepare for a future shaped by sustainability, technology—and a dramatic new chapter for China and our world.
Sample takeaways:
Dr. Scott Moore is an acclaimed authority on China, sustainability, and technology whose career has spanned the U.S. government, multi-lateral institutions, and academia. He currently teaches at the University of Pennsylvania, where he is also Director of China Programs and Strategic Initiatives. Before returning to academia, Dr. Moore worked extensively on the Paris Agreement on climate change at the U.S. Department of State and at the World Bank. He graduated from Princeton University and received his doctorate from Oxford University, where he was a Rhodes Scholar.
Dong Wang is collection editor of Asian Studies books at Lived Places Publishing (New York & the UK), H-Diplo review editor, director of the Wellington Koo Institute for Modern China in World History (Germany & USA), research associate at Harvard Fairbank Center (since 2002), distinguished professor of history at Shanghai University (since 2016), a member of the Royal Institute of International Affairs, and an elected Fellow of the Royal Asiatic Society of Great Britain and Ireland.
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In this episode I got to chat about two of my favorite things: the history of imperialism and Star Wars with Daniel Immerwahr, Professor of History at Northwestern University. Our conversation focused on his recent article “The Galactic Vietnam: Technology, Modernization, and Empire in George Lucas’s Star Wars,” in Ideology in U.S. Foreign Relations: New Histories, edited by David Milne and Christopher Nichols (Columbia University Press, 2022). In the piece her uses the film and the figure of George Lucas to explore various aspects of the United States in the Cold War. Were Ewoks the Viet Cong? Was the Death Star a B-52? Was Alderaan Hanoi? Listen and find out.
Daniel Immerwahr earned his Ph.D. at UC Berkeley in 2011 after undergraduate studies at both Columbia and Cambridge. His previous work includes Thinking Small: The United States and the Lure of Community Development (Harvard, 2015) and the award winning and best-selling How to Hide an Empire: A Short History of the Greater United States (Farrar, Straus and Giroux, 2019), which has been translated into German, Dutch, Italian, Korean, and Chinese so far. Dr. Immerwahr's writings have appeared in the New York Times, The Guardian, the Washington Post, The New Republic, The Nation, Dissent, Jacobin, Slate, and elsewhere.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
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Hello, world! This is the Global Media & Communication podcast series.
In this episode, our host Florence Madenga discusses the book Left to Our Own Devices
Coping with Insecure Work in a Digital Age (2022) by Dr. Julia Ticona.
You’ll hear about:
About the book
Over the past three decades, digital technologies like smartphones and laptops have transformed the way we work in the US. At the same time, workers at both ends of the income ladder have experienced rising levels of job insecurity and anxiety about their economic futures. In Left to Our Own Devices, Julia Ticona explores the ways that workers use their digital technologies to navigate insecure and flexible labor markets. Through 100 interviews with high and low-wage precarious workers across the US, she explores the surprisingly similar "digital hustles" they use to find work and maintain a sense of dignity and identity. Ticona then reveals how the digital hustle ultimately reproduces inequalities between workers at either end of polarized labor markets. A moving and accessible look at the intimate consequences of contemporary capitalism, Left to Our Own Devices will be of interest to sociologists, communication and media studies scholars, as well as a general audience of readers interested in digital technologies, inequality, and the future of work in the US.
You can find this book on the Oxford University Press website.
Author: Julia Ticona is an assistant professor at the Annenberg School for Communication, University of Pennsylvania.
Host: Florence Madenga is a doctoral fellow at CARGC at the Annenberg School for Communication, University of Pennsylvania.
Editor & Producer: Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.
Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.
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What exactly can artificial intelligence do? It’s an issue some of the professions are grappling with – on the face of it, law is an area that rests on fine human judgment – but in fact many of tasks it involves can be performed by AI and if that is true for law then presumably it is also true for many other areas too. Daniel Susskind of Oxford University discusses his book The Future of the Professions: How Technology Will Transform the World of Human Experts (Oxford UP, 2022),
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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Advances in medicine have made possible better treatments for widespread, familiar human illnesses like cancer, diabetes, and heart disease. Yet there are thousands of much less common diseases, most of genetic origin, each classed as rare because it afflicts only a small number of people. These patient groups were long ignored by a pharmaceutical industry that judged them too small to provide a return on the investment needed to develop an effective remedy. Yet these orphaned diseases collectively caused misery and expense, often far greater than did more common ailments, for tens of millions of individuals and their families.
Forty years ago, a revolution that transformed the prospects of patients with rare diseases was lit by three sparks. The passage of the 1983 U.S. Orphan Drug Act resulted from public pressure brought by rare disease patients, their families, and advocates. The AIDS epidemic triggered additional activism, compounded when patients with the rare disease hemophilia became HIV-positive after infusion of tainted blood products. And the third spark was the emergence in the early 1980s of biotechnology companies like Genentech, Amgen, and Biogen employing then-new genetic engineering instead of conventional approaches to pharmaceutical development. Soon after, Genzyme became the first company to develop a treatment for a rare genetic disorder, Gaucher disease, which would come to transform the industry.
Jim Geraghty has been a passionate participant in the orphan drug revolution since its inception--a leader in the field as a strategy consultant, biotechnology executive, and venture entrepreneur. Inside the Orphan Drug Revolution: The Promise of Patient-Centered Biotechnology (Cold Springs Harbor Lab Press, 2022) is in part a history, with eyewitness accounts of advances as they occurred and portraits of the pioneering scientists and physicians, tireless activists, and visionary business leaders who made the revolution happen. And it tells deeply personal stories of patients and parents willing to risk new, untried therapies. But Geraghty also uses his exceptional experience and vantage point to look forward to the immense promise of the newest technologies like gene therapy and gene editing for the treatment of patients today and tomorrow. He concludes with thoughtful consideration of important questions. Why do drugs to treat orphan diseases cost so much? How can we ensure they are affordable? How can their effectiveness be responsibly assessed? And how can access to them be expanded internationally? This book graphically and poignantly illustrates how far an important healthcare revolution has come and reminds us that if not nurtured, it could end before its immense promise has been fulfilled.
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In Wandering Games (MIT Press, 2022), Melissa Kagen analyzes wandering within different game worlds, viewed through the lenses of work, colonialism, gender, and death. Wandering in games can be a theme, a formal mode, an aesthetic metaphor, or a player action. It can mean walking, escaping, traversing, meandering, or returning. Kagen introduces the concept of “wandering games,” exploring the uses of wandering in a variety of game worlds. She shows how the much-derided Walking Simulator—a term that began as an insult, a denigration of games that are less violent, less task-oriented, or less difficult to complete—semi-accidentally tapped into something brilliant: the vast heritage and intellectual history of the concept of walking in fiction, philosophy, pilgrimage, performance, and protest. Kagen examines wandering in a series of games that vary widely in terms of genre, mechanics, themes, player base, studio size, and funding, giving close readings to Return of the Obra Dinn, Eastshade, Ritual of the Moon, 80 Days, Heaven’s Vault, Death Stranding, and The Last of Us Part II. Exploring the connotations of wandering within these different game worlds, she considers how ideologies of work, gender, colonialism, and death inflect the ways we wander through digital spaces. Overlapping and intersecting, each provides a multifaceted lens through which to understand what wandering does, lacks, implies, and offers. Kagen’s account will attune game designers, players, and scholars to the myriad possibilities of the wandering ludic body.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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How should humans respond to our ongoing human-made climate catastrophe? To answer that question, Recall this Book turned to prize-winning climate reporter Elizabeth Kolbert, who visited Brandeis this Fall. The topic was Under a White Sky, her recent book that documents the responses to the climate crisis ranging from a form of climate engineering that shoots reflective particles into the air to cool the atmosphere, to negative emission technologies that capture and inject carbon dioxide underground.
"You'd have to be pretty hard-hearted not to feel called to some kind of action when you see what we humans have done." But Elizabeth wonders what the best alternatives are. Should we set aside half the earth for biodiversity? Why is it that genetic engineering has become the cultural flashpoint for fear of unintended consequences? There are no easy answers at this point. Elizabeth thinks that if you're not frightened by what's going right now, including American politics around vaccination refusal, you're not paying attention.
Because this episode is associated with the annual Brandeis New Student Book Forum, first-year students Hedy Yang and Srinidhi Sriraman (who also goes by Nidhi) jump in with some thoughts.
Noticing repeated mentions of Henry David Thoreau in the book, Nidhi inquires about his role in inspiring Elizabeth's writing. Hedy's question about environmental justice and the comparative agency of rich and poor countries moves Elizabeth to talk about the staggering inequities in consumption and the goal of convergence in carbon emissions. What is the mechanism by which this happens, though? Do humans have the right to implement these technologies? Is the solution to issues created by human control really more control?
Mentioned in the Episode
Listen to the episode here.
Special credit and thanks for this episode goes to Hedy Yang and Srinidhi Sriraman, who took part in the audio editing and the preparation of the show notes, respectively.
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The Nuclear Club: How America and the World Policed the Atom from Hiroshima to Vietnam (Stanford UP, 2022) reveals how a coalition of powerful and developing states embraced global governance in hopes of a bright and peaceful tomorrow. While fears of nuclear war were ever-present, it was the perceived threat to their preeminence that drove Washington, Moscow, and London to throw their weight behind the 1963 Limited Test Ban Treaty (LTBT) banishing nuclear testing underground, the 1967 Treaty of Tlatelolco banning atomic armaments from Latin America, and the 1968 Nuclear Non-Proliferation Treaty (NPT) forbidding more countries from joining the most exclusive club on Earth.
International society, the Cold War, and the imperial U.S. presidency were reformed from 1945 to 1970, when a global nuclear order was inaugurated, averting conflict in the industrial North and yielding what George Orwell styled a "peace that is no peace" everywhere else. Today the nuclear order legitimizes foreign intervention worldwide, empowering the nuclear club and, above all, the United States, to push sanctions and even preventive war against atomic outlaws, all in humanity's name.
Grant Golub is an Ernest May Fellow in History and Policy at the Harvard Kennedy School and a PhD candidate in the Department of International History at the London School of Economics and Political Science. His research focuses on the politics of American grand strategy during World War II.
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Digital Activism in Russia: The Communication Tactics of Political Outsiders (Palgrave MacMillan, 2022) examines various forms of Russian online anti-establishment resistance, focusing in particular on the period between 2016 and 2019. Grounded in qualitative content analysis of the YouTube videos and social media activities of opposition activist Alexey Navalny and his associates, the book covers the history of digital resistance associated with this cohort, its style and strategies, and the impact that this form of political communication has had on the Russian public sphere.
Sofya Glazunova is a Postdoctoral Research Fellow within the Digital Media Research Centre at the Queensland University of Technology in Australia. Glazunova specialises in political communication, digital resistance, Russian media, disinformation, fake news, and digital propaganda. In addition to Digital Activism in Russia: The Communication Tactics of Political Outsiders (2022), she is the co-author of the Global Disinformation Index report entitled Disinformation Risk Assessment: The Online News Market in Australia (2021).
Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.
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Digital platforms controlled by Alibaba, Alphabet, Amazon, Facebook, Netflix, Tencent and Uber have transformed not only the ways we do business, but also the very nature of people's everyday lives. It is of vital importance that we understand the economic principles governing how these platforms operate. Paul Belleflamme and Martin Peitz's book The Economics of Platforms: Concepts and Strategy (Cambridge UP, 2021) explains the driving forces behind any platform business with a focus on network effects. The authors use short case studies and real-world applications to explain key concepts such as how platforms manage network effects and which price and non-price strategies they choose. This self-contained text is the first to offer a systematic and formalized account of what platforms are and how they operate, concisely incorporating path-breaking insights in economics over the last twenty years.
Martin Peitz is professor of economics at the University of Mannheim (since 2007), a director of the Mannheim Centre for Competition and Innovation – MaCCI (since 2009). He has been member of the economic advisory group on competition policy (EAGCP) at the European Commission (2013–2016), an academic director of the Centre on Regulation in Europe, CERRE (2012–2016) and head of the Department of Economics (2010–2013). Martin has widely published in leading economics journals. He also frequently trains and advises government agencies in Europe and abroad on competition and regulation issues.
Peter Lorentzen is economics professor at the University of San Francisco. He heads USF's Applied Economics Master's program, which focuses on the digital economy. His research is mainly on China's political economy.
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Over the past twenty years, DNA ancestry testing has morphed from a niche market into a booming international industry that encourages members of the public to answer difficult questions about their identity by looking to the genome. At a time of intensified interest in issues of race and racism, the burgeoning influence of corporations like AncestryDNA and 23andMe has sparked debates about the commodification of identity, the antiracist potential of genetic science, and the promises and pitfalls of using DNA as a source of "objective" knowledge about the past.
Permanent Markers: Race, Ancestry, and the Body After the Genome (University of North Carolina Press, 2021) engages these debates by looking at the ways genomic ancestry testing has been used in Brazil and the United States to address the histories and legacies of slavery, from personal genealogical projects to collective racial politics. Reckoning with the struggles of science versus capitalism, "race-blind" versus "race-positive" public policies, and identity fluidity versus embodied experiences of racism, Permanent Markers seeks to explain why those of us in societies that have broadly embraced the social construction of race continue to search for, and find, evidence that our bodies are marked permanently by the past.
Sarah Abel is British Academy Postdoctoral Fellow at the University of Cambridge's Centre of Latin American Studies.
Reighan Gillam is Associate Professor in the Department of Anthropology at University of Southern California.
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In The Handbook of Banking Technology (John Wiley & Sons, 2021), Walker and Morris provide a first comprehensive view of the systems that support a bank. During the interview, they bring out the interactions of these components and how the themes they touch on in the book come together. Years of first-hand experience combined with detailed research come together to explain the intricacies of the technological architecture of modern banking. Quite often the authors provide a long-term perspective of how these applications develop in order to provide a better understanding of how we got to where we are.
The other podcast mentioned in this interview is James Bessen "The New Goliaths".
Bernardo Batiz-Lazo is currently straddling between Newcastle and Mexico City. You can find him on twitter on issues related to business history of banking, fintech, payments and other musings. Not always in that order. @BatizLazo
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Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both.
In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we’re in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon’s use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook’s siphoning away of ad revenues from news media, and the Big Three record labels’ use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere.
By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices.
In the book’s second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work.
Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that’s being heisted away—before it’s too late.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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On August 6, 2020, the Trump Administration issued a ban on TikTok in the United States, requiring that the owner, Beijing-based Bytedance, sell the company to American investors or shut it down. Legions of TikTokers were devastated at the possible loss of their beloved platform, and for what: a political grudge with China? American suitors like Walmart and Oracle tried to make a deal with Bytedance to keep the platform operating in the US. But then something curious happened. The Chinese government refused to let Bytedance sell TikTok on national security grounds. As it turns out, the pandemic era platform for dance challenges is a Chinese government asset.
As digital technologies and social media have evolved into organizing forces for the way in which we conduct our work and social lives, the business logic that undergirds these digital platforms has become clear: we are their product. We give these businesses information about everything--from where we live and work to what we like to do for entertainment, what we consume, where we travel, what we think politically, and with whom we are friends and acquaintances. We do this willingly, but often without a full understanding of how this information is stored or used, or what happens to it when it crosses international boundaries. As Aynne Kokas argues, both corporations and governments traffic much of this data without our consent--and sometimes illegally--for political and financial gain.
In Trafficking Data: How China Is Winning the Battle for Digital Sovereignty (Oxford UP, 2022), Aynne Kokas looks at how technology firms in the two largest economies in the world, the United States and China, have exploited government policy (and the lack thereof) to gather information on citizens, putting US national security at risk. Kokas argues that US government leadership failures, Silicon Valley's disruption fetish, and Wall Street's addiction to growth have fuelled China's technological goldrush. In turn, American complacency yields an unprecedented opportunity for Chinese firms to gather data in the United States and quietly send it back to China, and by extension, to the Chinese government. Drawing on years of fieldwork in the US and China and a large trove of corporate and policy documents, Trafficking Data explains how China is fast becoming the global leader in internet governance and policy, and thus of the data that defines our public and private lives.
Peter Lorentzen is economics professor at the University of San Francisco. He heads USF's Applied Economics Master's program, which focuses on the digital economy. His research is mainly on China's political economy.
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Many of today’s digital technologies inadvertently amplify the power structures and prejudices of wider society. By examining the way digital tools and platforms are designed, built, and maintained, this BWB Text aims to identify how we can do better for everyone in Aotearoa.
Following on from the success of Shouting Zeros and Ones (BWB Texts), More Zeros and Ones: Digital Technology, Maintenance and Equity in Aotearoa New Zealand (Bridget Williams Books, 2022) includes writers with specific expertise in applying topics such as environmental science, law, and Te Tiriti o Waitangi to recent developments in technology. More Zeros and Ones continues the exploration of emerging issues for digital technology and society in Aotearoa New Zealand.
Contributors
Dr Nessa Lynch, Amber Craig, Hīria Te Rangi, Dr Sarah Bickerton, Sarah Pritchett, Hannah Blumhardt, Dr Paul Smith, Professor Graeme Austin, Siobhan McCarthy, Dr Karaitiana Taiuru, Dr Andrew Chen, Dr Karly Burch, Dr Moana Nepia, Nicholas Jones, Dr Marama Muru-Lanning, Dr Henry Williams, Mira O’Connor, and Professor Anna Brown.
Key Point About the Book:
Ed Amon has a Master of Indigenous Studies from the University of Auckland, New Zealand. He is a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter @edamoned or email him at [email protected]
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In 1997, scientists at Brookhaven National Laboratory found a small leak of radioactive water near their research reactor. Brookhaven was--and is--a world-class, Nobel Prize-winning lab, and its reactor was the cornerstone of US materials science and one of the world's finest research facilities. The leak, harmless to health, came from a storage pool rather than the reactor. But its discovery triggered a media and political firestorm that resulted in the reactor's shutdown, and even attempts to close the entire laboratory.
A quarter century later, the episode reveals the dynamics of today's controversies in which fears and the dismissal of science disrupt serious discussion and research of vital issues such as vaccines, climate change, and toxic chemicals. This story has all the elements of a thriller, with vivid characters and dramatic twists and turns. Key players include congressmen and scientists; journalists and university presidents; actors, supermodels, and anti-nuclear activists, all interacting and teaming up in surprising ways. The authors, each with insider knowledge of and access to confidential documents and the key players, reveal how a fact of no health significance could be portrayed as a Chernobyl-like disaster. The Leak: Politics, Activists, and Loss of Trust at Brookhaven National Laboratory (MIT Press, 2022) reveals the gaps between scientists, politicians, media, and the public that have only gotten more dangerous since 1997.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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The contemporary internet's de facto business model is one of surveillance. Browser cookies follow us around the web, Amazon targets us with eerily prescient ads, Facebook and Google read our messages and analyze our patterns, and apps record our every move. In Profit over Privacy: How Surveillance Advertising Conquered the Internet (U Minnesota Press, 2021), Matthew Crain gives internet surveillance a much-needed origin story by chronicling the development of its most important historical catalyst: web advertising.
The first institutional and political history of internet advertising, Profit over Privacy uses the 1990s as its backdrop to show how the massive data-collection infrastructure that undergirds the internet today is the result of twenty-five years of technical and political economic engineering. Crain considers the social causes and consequences of the internet's rapid embrace of consumer monitoring, detailing how advertisers and marketers adapted to the existential threat of the internet and marshaled venture capital to develop the now-ubiquitous business model called "surveillance advertising." He draws on a range of primary resources from government, industry, and the press and highlights the political roots of internet advertising to underscore the necessity of political solutions to reign in unaccountable commercial surveillance.
The dominant business model on the internet, surveillance advertising is the result of political choices--not the inevitable march of technology. Unlike many other countries, the United States has no internet privacy law. A fascinating prehistory of internet advertising giants like Google and Facebook, Profit over Privacy argues that the internet did not have to turn out this way and that it can be remade into something better.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
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A few big companies are selling information about us to governments and companies. But beyond a general sense of unease, what do we need to know about this and what do we need to do about it? Professor Sarah Lamdan gives answers to those questions in her book Data Cartels: The Companies that Control and Monopolise our Information (Stanford UP, 2022). Listen to her conversations with Owen Bennett Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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How do transnational Filipino families remain connected through mobile media technologies?
In (Im)mobile Homes: Family Life at a Distance in the Age of Mobile Media (Oxford UP, 2022), Earvin Charles B. Cabalquinto explains the different ways in which smartphones, messaging apps, and social media facilitate transnational connectivity. He explains how relationships of care, intimacy, and connection to the homeland are established through digital routines shaped by power relations and familial expectations. Aside from providing an overview of the book’s key themes, the podcast goes deep into the methodological complexities of documenting intimate lives through mobile phone technologies as well as the ethical challenges of writing intimate portraits of Filipinos’ everyday lives.Earvin Charles B. Cabalquinto is a lecturer at Deakin University in Australia.
Like this interview? You may also be interested in:
Nicole Curato is a Professor of Sociology in the Centre for Deliberative Democracy and Global Governance at the University of Canberra. She co-hosts the New Books in Southeast Asia Studies channel.
This episode was created in collaboration with Erron C. Medina of the Development Studies Program of Ateneo De Manila University.
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Ernest M. Valea's Artificial Intelligence, Reincarnation, and Resurrection: An Inquiry Into the Ultimate Fulfillment of Human Nature (Resource Publications, 2021) explores old and new hopes that have emerged in the human quest to defeat death. On the one hand, it answers questions such as: Are we just physical machines of great complexity, with the brain as the hardware on which consciousness operates as its software? If so, can we speculate on ways in which the mind could be uploaded to a machine and no longer suffer the frailty of this biological body? And could an android robot or a mindfile in a computer simulation be conscious? On the other hand, the book examines the hope of survival through reincarnation according to the teachings of Eastern religions and New Age thought. All these topics are discussed from the perspectives of Christian theology and the philosophy of mind. This dual investigation will help Christians formulate a coherent response to old and new challenges to their faith.
Ernest M. Valea is the author of The Buddha and the Christ: Reciprocal Views (2008), Buddhist-Christian Dialogue as Theological Exchange (2015), and The Spiritual Dimension of Alternative Medicine (2020).
Adrian Guiu holds a PhD in History of Christianity from the University of Chicago and teaches at Wright College in Chicago.
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The natural world teems with remarkable conversations, many beyond human hearing range. Scientists are using groundbreaking digital technologies to uncover these astonishing sounds, revealing vibrant communication among our fellow creatures across the Tree of Life.
At once meditative and scientific, The Sounds of Life: How Digital Technology Is Bringing Us Closer to the Worlds of Animals and Plants (Princeton UP, 2022)shares fascinating and surprising stories of nonhuman sound, interweaving insights from technological innovation and traditional knowledge. We meet scientists using sound to protect and regenerate endangered species from the Great Barrier Reef to the Arctic and the Amazon. We discover the shocking impacts of noise pollution on both animals and plants. We learn how artificial intelligence can decode nonhuman sounds, and meet the researchers building dictionaries in East African Elephant and Sperm Whalish. At the frontiers of innovation, we explore digitally mediated dialogues with bats and honeybees. Technology often distracts us from nature, but what if it could reconnect us instead?
The Sounds of Life offers hope for environmental conservation and affirms humanity's relationship with nature in the digital age. After learning about the unsuspected wonders of nature's sounds, we will never see walks outdoors in the same way again.
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Adam Crowley's book Representations of Poverty in Videogames (Palgrave MacMillan, 2022) argues that digital games address contemporary, middle-class anxieties about poverty in the United States. The early chapters consider gaming as a modern form of slumming and explore the ways in which titles like The Elder Scrolls V: Skyrim and World of Warcraft thematize poverty.
The argument turns to the field of literary studies to identify analytical frameworks for addressing and understanding these themes. Throughout, the book considers how the academic area of inquiry known as game studies has developed over time, and makes use of such scholarship to present, frame, and value its major claims and findings.
In its conclusion, the book models how poverty themes might be identified and associated for the purpose of gaining greater insights into how games can shape, and also be shaped by, the player’s economic expectations.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish’s edited book Food Instagram: Identity, Influence, and Negotiation (published by the University of Illinois Press in 2022) explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food’s connection to Instagram from vantage points as diverse as Hong Kong’s camera-centric foodie culture, the platform’s long history with feminist eateries, and the photography of Australia’s livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power.
Interdisciplinary in approach and transnational in scope, Food Instagram: Identity, Influence, and Negotiation offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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America’s Greatest Generation (born before 1945) witnessed incredible changes in technology and social progress. From simple improvements in entertainment to life-changing medical advances, technology changed the way they live, work, and identify. Sadly, with each passing year, fewer members of the Greatest Generation remain alive to share their wisdom as the last Americans to grow up before the digital revolution.
In 2015, Millennial author and cultural anthropologist Veronica Kirin drove 12,000 miles across more than 40 states to interview the last living members of the Greatest Generation. Stories of Elders is the result of her years of work to capture and share their perspective for generations to come.
Stories of Elders: What the Greatest Generation Knows about Technology that You Don't (2018) preserves the wisdom, thoughts, humor, knowledge, and advice of the people who make up one of America’s finest generations, including the Silent Generation. Their stories include the devastation that came from major events in U.S. history like World War I, the Dust Bowl, the Great Depression, and World War II.
The Greatest Generation (many of whom are now centenarians) saw the routine use of airplanes, cars, microwave ovens, telephones, radios, electricity, and the Internet come to fruition in their lifetimes. Their childhoods were simple, relying on outdoor games and imagination for fun. How they went to school, pursued their careers, and raised their kids was radically different than the way we live today.
By chronicling more than 8,000 years of life lived during the most transitional time in American history, Stories of Elders offers old-fashioned wisdom and insight for America’s future generations.
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Doomsday prophets of technology predict that robots will take over the world, leaving humans behind in the dust. Tech industry boosters think replacing people with software might make the world a better place--while tech industry critics warn darkly about surveillance capitalism. Despite their differing views of the future, they all agree: machines will soon do everything better than humans. In How to Stay Smart in a Smart World: Why Human Intelligence Still Beats Algorithms (MIT Press, 2022), Gerd Gigerenzer shows why that's not true, and tells us how we can stay in charge in a world populated by algorithms.
Machines powered by artificial intelligence are good at some things (playing chess), but not others (life-and-death decisions, or anything involving uncertainty). Gigerenzer explains why algorithms often fail at finding us romantic partners (love is not chess), why self-driving cars fall prey to the Russian Tank Fallacy, and how judges and police rely increasingly on nontransparent "black box" algorithms to predict whether a criminal defendant will reoffend or show up in court. He invokes Black Mirror, considers the privacy paradox (people want privacy, but give their data away), and explains that social media get us hooked by programming intermittent reinforcement in the form of the "like" button. We shouldn't trust smart technology unconditionally, Gigerenzer tells us, but we shouldn't fear it unthinkingly, either.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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There are few thinkers who engender as much debate about their legacy as Leo Strauss (1899 –1973). His critics and biographers often don’t even agree about what scholarly discipline he practiced. Political theory or philosophy? Was he a proto-neoconservative or a middle-of-the-road Cold War defender of liberal democracy? He is often depicted as a major intellectual influence on sections of the national security state right, especially during the presidency of George W. Bush when he was portrayed as a puppeteer pulling from the grave the strings of such notable hawks as Paul Wolfowitz.
But the writings of Strauss often go unexamined. That is partly because they lean towards the abstruse. Strauss was not a general-audience-friendly public intellectual in his day and much of the homage to and attacks on him at this point are to be found in the pages of academic journals and in the halls of think tanks.
We are fortunate, therefore, that we can turn to the 2021 book, Leo Strauss on Democracy, Technology, and Liberal Education by Timothy W. Burns for elucidation of Strauss's thinking about how we can preserve liberal democracy in the face of apathy from moderates, classical liberals and traditional conservatives flummoxed by the rise of an aggressive left that questions whether the United States is a democracy at all and an alienated alt-right that regards liberal democracy as now practiced as a character-sapping anachronism leading to civilizational decline.
We learn from Burns of Strauss's admiration for Winston Churchill and touting of him as an exemplar of greatness within democracy. In one of the most absorbing sections of the book we learn of a 1941 lecture by Strauss entitled, “German Nihilism” in which he examined the arguments of such groups as rightist German students in the 1920s that liberal democracy fostered moral mediocrity.
Burns contrasts in detail the ideas of Strauss and Martin Heidegger and shows that Strauss foresaw that the other man’s emphasis on resoluteness would metastasize into Heidegger’s support for Nazism. Burns tells us that Strauss can speak to us today via his call to defend democratic constitutionalism and its spiritual and religious traditions.
That call can lead to charges of elitism against Strauss because it entailed his championing of the idea of an “aristocracy within democracy,” a cadre of cultivated, well-educated leaders who would help maintain the intellectual and cultural moorings of democracies.
Let’s hear now from Professor Burns about who Leo Strauss was and what he actually wrote and thought.
Hope J. Leman is a grants researcher.
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Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people--in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In Sensing Machines: How Sensors Shape Our Everyday Life (MIT Press, 2022), Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations.
Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the "sensed self," investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter's story isn't just about what these machines want from us, but what we want from them--new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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This podcast features Brian A. Wong, discussing his new book, The Tao of Alibaba: Inside the Chinese Digital Giant That is Changing the World (Public Affairs, 2022). Brian joined Alibaba early, as its 52nd employee and first American employee, and worked for them for nearly twenty years. His book provides both insider insights and an analytical perspective on how Alibaba grew to become one of the most important companies in the global digital economy. This well-written and engaging book explains Alibaba’s unique organizational culture and how the Alibaba platform has helped spread economic opportunity beyond the elites in China’s big cities to the broader world of small and medium businesses throughout the country.
Brian Wong’s Radii China is an independent media platform founded in 2017 dedicated to bridging the East and West by highlighting topics and issues that connect the world’s young, globally-minded citizens. Listeners interested in the development of the US-China relationship are encouraged to participate in the NCUSCR’s CHINA Town Hall, on November 17th, featuring a national webcast by former Ambassador Jon Huntsman Jr. Local partner events around the US, including one at the University of San Francisco, provide opportunities to discuss the topic further in person with other community members and local experts on China. In the interview, we also discuss Benjamin Ho’s book Why Trust Matters, featured on this show last year.
Peter Lorentzen is the Chair of the Economics Department at the University of San Francisco, where he leads a new Master's program in Applied Economics focused on the digital economy. His research focus is the political economy of governance in China and he is a member of the National Committee on US-China Relations (NCUSCR) and USF’s new Center on Business Studies and Innovation in the Asia-Pacific.
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Dr. Ashley Sweetman works in cyber security for a London-based global bank and holds a PhD from the Department of War Studies at King’s College London. While studying for his PhD he spent a short time as Researcher-in-Residence at No. 10 Downing Street while working for The Strand Group in the Policy Institute at King's. Before this, Ashley studied History at Queen Mary, University of London. Ashley is a proud Welshman and was brought up in Neath, South Wales. He currently lives in North London.
In his first book Cyber and the City: Securing London's Banks in the Computer Age (Springer, 2022), Sweetman provides evidence that cyber security is a long-lived phenomenon. Banks started to worry about it early in the adoption of computers in the late 1950s. The UK has a particular feature where banks rapidly agree on the measures to be taken, making the overall system more resilient.
Sweetman uses a wealth of archival material and introduces de concepts of proportionality and the confidentiality-integrity-availability triumvirate to explain and interconnect the evolution and articulation of security in bank networks.
Bernardo Batiz-Lazo is currently straddling between Newcastle and Mexico City. You can find him on twitter on issues related to business history of banking, fintech, payments and other musings. Not always in that order. @BatizLazo
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Paris Marx is one of the sharpest modern writers on Silicon Valley and transit. We have been talking a lot lately about the idea of techno-utopian thinking, but we’re coming to a somewhat surprising conclusion: there isn’t as much of it as there used to be. Our Silicon Valley tech bros have quite a curtailed vision. If they do have a utopia, it is a utopia of sustaining the unsustainable, of paving over the continent to keep everyone in their cars.
With Paris we’ll traverse the intellectual history of hippies-turned-arch-capitalists, and focus especially on their ideas for transportation policy. Do they have a radical vision for a different transportation future, or is it a vision of maintaining the status quo? Marx is author of the book Road to Nowhere: What Silicon Valley Gets Wrong about the Future of Transportation, out now from Verso Books.
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What are teens actually doing on their smartphones? Contrary to many adults' assumptions, they are not simply "addicted" to their screens, oblivious to the afterlife of what they post, or missing out on personal connection. They are just trying to navigate a networked world. In Behind Their Screens: What Teens Are Facing (and Adults Are Missing) (MIT Press, 2022), Emily Weinstein and Carrie James, Harvard researchers who are experts on teens and technology, explore the complexities that teens face in their digital lives, and suggest that many adult efforts to help--"Get off your phone!" "Just don't sext!"--fall short.
Weinstein and James warn against a single-minded focus by adults on "screen time." Teens worry about dependence on their devices, but disconnecting means being out of the loop socially, with absence perceived as rudeness or even a failure to be there for a struggling friend. Drawing on a multiyear project that surveyed more than 3,500 teens, the authors explain that young people need empathy, not exasperated eye-rolling. Adults should understand the complicated nature of teens' online life rather than issue commands, and they should normalize--let teens know that their challenges are shared by others--without minimizing or dismissing. Along the way, Weinstein and James describe different kinds of sexting and explain such phenomena as watermarking nudes, comparison quicksand, digital pacifiers, and collecting receipts. Behind Their Screens offers essential reading for any adult who cares about supporting teens in an online world.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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In this episode, we discuss a book that will be appealing to a general audience and which helps to bridge the gap of the story of communication in the broad history of computer technology. In Cellular: An Economic and Business History of the International Mobile-Phone Industry (MIT Press, 2022), Daniel D. Garcia-Swartz and Martin Campbell-Kelly make a splendid job to portray the evolution of this industry from the times of Marconi all the way to 5G networks, while considering developments in places as diverse as China, Mexico, New Zealand and of course, Europe, Japan and the USA.
Bernardo Batiz-Lazo is currently straddling between Newcastle and Mexico City. You can find him on twitter on issues related to business history of banking, fintech, payments and other musings. Not always in that order. @BatizLazo
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Andrei Nae's book Immersion, Narrative, and Gender Crisis in Survival Horror Video Games (Routledge, 2021) investigates the narrativity of some of the most popular survival horror video games and the gender politics implicit in their storyworlds. In a thorough analysis of the genre that draws upon detailed comparisons with the mainstream action genre, Andrei Nae places his analysis firmly within a political and social context.
In comparing survival horror games to the dominant game design norms of the action genre, the author differentiates between classical and postclassical survival horror games to show how the former reject the norms of the action genre and deliver a critique of the conservative gender politics of action games, while the latter are more heterogeneous in terms of their game design and, implicitly, gender politics.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
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Warehouse workers pack boxes while a virtual dragon races across their screen. If they beat their colleagues, they get an award. If not, they can be fired. Uber presents exhausted drivers with challenges to keep them driving. China scores its citizens so they behave well, and games with in-app purchases use achievements to empty your wallet.
Points, badges, and leaderboards are creeping into every aspect of modern life. In You’ve Been Played, game designer Adrian Hon delivers a blistering takedown of how corporations, schools, and governments use games and gamification as tools for profit and coercion. These are games that we often have no choice but to play, where losing has heavy penalties. You’ve Been Played is a scathing indictment of a tech-driven world that wants to convince us that misery is fun, and a call to arms for anyone who hopes to preserve their dignity and autonomy.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
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Gwen Shuni D'Arcangelis's book Bio-Imperialism: Disease, Terror, and the Construction of National Fragility (Rutgers UP, 2020) focuses on an understudied dimension of the war on terror: the fight against bioterrorism. This component of the war enlisted the biosciences and public health fields to build up the U.S. biodefense industry and U.S. global disease control. The book argues that U.S. imperial ambitions drove these shifts in focus, aided by gendered and racialized discourses on terrorism, disease, and science. These narratives helped rationalize American research expansion into dangerous germs and bioweapons in the name of biodefense and bolstered the U.S. rationale for increased interference in the disease control decisions of Global South nations. Bio-Imperialism is a sobering look at how the war on terror impacted the world in ways that we are only just starting to grapple with.
Rachel Pagones is an acupuncturist, educator, and author. Before moving to the UK in 2021 she was chair of the doctoral program in acupuncture and Chinese medicine at Pacific College of Health and Science in San Diego.
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Wendy Hui Kyong Chun sees value in the truth, but worries what data we might be looking at to find it. Chun discusses her new book, Discriminating Data (MIT Press, 2021), and how we might use data, objects, and truth in better ways. She also considers the violence of a drawing of a gorilla and the one thing she knows is true.
Learn more about the Seeing Truth exhibition at here.
Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod.
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Today I talked to Jim Wilson about his book (co-authored with Paul Daugherty) Radically Human: How New Technology Is Transforming Business and Shaping Our Future (HBR Press, 2022).
Technology has evolved from device intelligence to data intelligence (big data) to now the new stage of a more human-centric approach where the user/worker’s needs, wants and biases are being taken into account to make technology easier to deploy and more of an equal partner. That’s the progression Jim Wilson champions in this book and on-air conversation. Covid-19 ushered in not only a host of human behavior changes, e.g., hybrid work arrangements and the Great Resignation, the pandemic also spurred the Great Acceleration as companies rushed to adopt technology that will transform their business practices. How to do so in a way that will democratize technology, empowering employees and rewarding customers along the way, is the challenge that Wilson addresses here. After all, technology innovations that don’t also safeguard and enhance trust will instead create “algorithm aversion,” and undercut the promise of how technology can benefit companies, societies and individuals alike.
Jim Wilson is the Managing Director of Thought Leadership & Technology Research at Accenture Research. Jim speaks to business audiences worldwide, is a long-time contributor to the Harvard Business Review and has been cited as one of the top 50 Business Innovators by CODEX.
Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His newest book is Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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With Memory Activism and Digital Practices after Conflict: Unwanted Memories (Amsterdam UP, 2022), Orli Fridman traces the emergence of memory activism in the aftermath of conflict and war, with a focus on Serbia after the Yugoslav Wars of the 1990s. The study offers in-depth accounts of memory activism both on-site and online, analysing the evolution of this practice in the context of generational belonging. In doing so, this work provides a framework for the study of phenomena such as alternative commemorations and commemorative solidarity.
Orli Fridman is Associate Professor at the Faculty of Media and Communications, Singidunum University, where she heads the Center for Comparative Conflict Studies. She is also the Academic Director of the School for International Training Learning Center in Belgrade, Serbia. Her interdisciplinary research focuses on critical peace and conflict studies, memory politics and digital memory activism. Her recent works include Memory Activism and Digital Practices after Conflict: Unwanted Memories (2022) and chapters in Agency in Transnational Memory Politics (2020) and in The Palgrave Encyclopedia of Peace and Conflict Studies (2020).
Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.
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The first two episodes of this series told stories of technocrats who tied themselves to a muscular state. They believed the state could remake society, if it had the right expertise.
However, the state under neoliberalism doesn’t have the technocratic ambition it used to. zIs technocracy dead, then? No, technocracy is just moving into the private sector. More and more of our lives are governed by unaccountable private tyrannies—tyrannies that employ ruthlessly efficient technocratic systems, with even less democratic input than the technocracies of old.
For instance, many modern workplaces function like technocracies. The Amazon warehouse is the most technologically-sophisticated and totalizing manifestation of this. Their algorithmically-managed systems micro-manage workers’ every step, turning their bodies into machines. On part #3 of our technocracy series, we take a look inside the new frontiers of digital Taylorism.
Plus, what is the future of technocracy? An emerging slew of Peter Thiel-funded neo-reactionaries want to install a Silicon Valley CEO as our new techno-monarch. We discuss Thiel and Blake Masters, their broader intellectual trajectory from seasteaders to techno-populists, and the technocratic liberal disinformation machine that wants to defeat the neo-reactionaries.
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What happens to the cultural politics of human rights when atrocities are rendered calculable, abuses are transformed into data, and victims become vectors? As human rights organizations have increasingly embraced information technologies this ‘datafication’ of rights has become both a reality and a pressing concern, one inextricably tangled up with questions regarding the broader political valences of human rights.
In The Informational Logic of Human Rights (Edinburgh UP, 2022), Josh Bowsher resituates recent critiques of human rights within ongoing theoretical discussions concerning informational capitalism, digital culture and the politics of data.
Critically analysing the contemporary human rights movement as an informational politics, Bowsher provides a new conceptual agenda for both exploring and overcoming the limits of human rights in an era shaped by the data flows, network infrastructures and informational logic of late capitalism.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at [email protected].
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In 1997, scientists at Brookhaven National Laboratory found a small leak of radioactive water near their research reactor. Brookhaven was--and is--a world-class, Nobel Prize-winning lab, and its reactor was the cornerstone of US materials science and one of the world's finest research facilities. The leak, harmless to health, came from a storage pool rather than the reactor. But its discovery triggered a media and political firestorm that resulted in the reactor's shutdown, and even attempts to close the entire laboratory.
A quarter century later, the episode reveals the dynamics of today's controversies in which fears and the dismissal of science disrupt serious discussion and research of vital issues such as vaccines, climate change, and toxic chemicals. This story has all the elements of a thriller, with vivid characters and dramatic twists and turns. Key players include congressmen and scientists; journalists and university presidents; actors, supermodels, and anti-nuclear activists, all interacting and teaming up in surprising ways. The authors, each with insider knowledge of and access to confidential documents and the key players, reveal how a fact of no health significance could be portrayed as a Chernobyl-like disaster. The Leak: Politics, Activists, and Loss of Trust at Brookhaven National Laboratory (MIT Press, 2022) reveals the gaps between scientists, politicians, media, and the public that have only gotten more dangerous since 1997.
Peter Bond is a retired physicist who worked at Brookhaven National Laboratory for 43 years in a wide variety of roles, including interim laboratory director during much of the period covered by this book.
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How do digital technologies shape the experiences and meanings of migration?
As the numbers of people fleeing war, poverty, and environmental disaster reach unprecedented levels worldwide, states also step up their mechanisms of border control. In this, they rely on digital technologies, big data, artificial intelligence, social media platforms, and institutional journalism to manage not only the flow of people at crossing-points, but also the flow of stories and images of human mobility that circulate among their publics. What is the role of digital technologies is shaping migration today? How do digital infrastructures, platforms, and institutions control the flow of people at the border? And how do they also control the public narratives of migration as a “crisis”? Finally, how do migrants themselves use these same platforms to speak back and make themselves heard in the face of hardship and hostility?
Taking their case studies from the biggest migration event of the twenty-first century in the West, the 2015 European migration “crisis” and its aftermath up to 2020, Lilie Chouliaraki and Myria Georgiou offer a holistic account of the digital border as an expansive assemblage of technological infrastructures (from surveillance cameras to smartphones) and media imaginaries (stories, images, social media posts) to tell the story of migration as it unfolds in Europe’s outer islands as much as its most vibrant cities.
The Digital Border: Migration, Technology, Power (NYU Press, 2022) is a story of exclusion, marginalization, and violence, but also of care, conviviality, and solidarity. Through it, the border emerges neither as strictly digital nor as totally controlling. Rather, the authors argue, the digital border is both digital and pre-digital; datafied and embodied; automated and self-reflexive; undercut by competing emotions, desires, and judgments; and traversed by fluid and fragile social relationships—relationships that entail both the despair of inhumanity and the promise of a better future.
Lilie Chouliaraki is Professor of Media and Communications at the London School of Economics, where she also serves as the department’s Doctoral Program Director. She is the author of several books, including The Spectatorship of Suffering and The Ironic Spectator, Solidarity in the Age of Post-Humanitarianism and co-editor of The Routledge Handbook of Humanitarian Communication
Myria Georgiou is Professor of Media and Communications at the London School of Economics, where she also serves as Research Director. She is the author, editor, and co-editor of five books, including Diaspora, Identity and the Media; Media and the City: Cosmopolitanism and Difference; and the Sage Handbook of Media and Migration.
Padmapriya Vidhya-Govindarajan is a doctoral candidate at the Department of Media, Culture and Communication at NYU Steinhardt. Her research interests lie at the intersection of environmental justice, digital and film cultures, and community media-use practices.
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“We’ll compete with confidence; we’ll cooperate wherever we can; we’ll contest where we must.” That’s the new China strategy as outlined by U.S. Secretary of State Antony Blinken earlier this year. But just exactly how countries should deal with China—including working with it, when the times call for it—is perhaps the thorniest question in international relations right now, at least in the West.
Scott Moore gives his framework on the U.S. and China in China's Next Act: How Sustainability and Technology are Reshaping China's Rise and the World's Future (Oxford University Press, 2022). With reference to issues like public health, A.I and biotechnology, he gives his views on how the U.S. should approach China–cooperation, competition or conflict.
In this interview, Scott and I talk about the U.S.-China relationship, how it’s changed–and how U.S.-China competition could, under the right circumstances, still lead to global progress.
Scott M. Moore is Director of China Programs and Strategic Initiatives in the Office of the Provost as well as a Lecturer in Political Science at the University of Pennsylvania. Moore was previously a Young Professional with the World Bank Group and served as Environment, Science, Technology, and Health Officer for China at the U.S. Department of State. He is also the author of Subnational Hydropolitics: Conflict, Cooperation, and Institution-Building in Shared River Basins (Oxford University Press: 2018). You can follow Scott on Twitter at @water_futures.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of China’s Next Act. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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We’re all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you’re too fried to log out of Facebook? We’re addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump.
Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week.
Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here.
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Today I talked to Christopher Lukman about his new book Control Machines: Toward a Dispositive Theory of Computer Games (Lit Verlag, 2022).
In light of its immense popularity, a critical examination of the medium of the videogame is due. This particular anthology – Control Machines. Computergames and the theory of the dispositifs – works on a theory of the 'dispositif' of the videogame and is thus dedicated to the connections between knowledge and power.
The medium of the videogame is looked at in its complicity with neoliberalism and the control society as well as in its media-technological conditionality and its qualities of self-reflection and self-criticism.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
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On part #2 of Technocracy Now, we tell stories of cybernetic technocracies.
First, we hear the story of Charles A. McClelland, a liberal political scientists who proposed a cybernetic computer system that claimed to predict conflicts before they happened. With this information, US policy makers could usher in a new age of peace and stability (and forever ensure a US-dominated global order). The project never accomplished everything it set out to do, but it is now being resurrected behind closed doors by Lockheed Martin. It's a techno-utopian dream of mathematical certainty in an uncertain world.
Then, why not cyber-socialism? In Salvador Allende's Chile, they were building a cybernetic computer network that connected factories to state planners. It seems technocratic, but these cyber-revolutionaries saw it as anything but. The short-lived Cybersyn Project promised using science to develop a more rationally-ordered economy. However, it also promised to guarantee the freedom and autonomy of workers. The project was destroyed in the brutal coup of 1973. However, did it work, and is it a dream worth resurrecting?
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Paul Roquet is an MIT associate professor in media studies and Japan studies; his earlier work includes Ambient Media. It was his recent mind-bending The Immersive Enclosure that prompted John and Elizabeth to invite him to discuss the history of "head-mounted media" and the perceptual implications of virtual reality.
Paul Elizabeth and John discuss the appeal of leaving actuality aside and how the desire to shut off immediate surroundings shapes VR's rollout in Japan. The discussion covers perceptual scale-change as part of VR's appeal--is that true of earlier artwork as well? They explore moral panic in Japan and America, recap the history of early VR headset adapters on trains and compare various Japanese words for "virtual" and their antonyms. Paul wonders if the ephemerality of the views glimpsed in a rock garden served as guiding paradigm for how VR is experienced.
Mentioned in the episode
Recallable Books
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Dr. Elizabeth Ellcessor presents a much-needed look at the growth of emergency media and its impact on our lives in In Case of Emergency: How Technologies Mediate Crisis and Normalize Inequality (NYU Press, 2022).
In an emergency, we often look to media: to contact authorities, to get help, to monitor evolving situations, or to reach out to our loved ones. Sometimes we aren’t even aware of an emergency until we are notified by one of the countless alerts, alarms, notifications, sirens, text messages, or phone calls that permeate everyday life. Yet most people have only a partial understanding of how such systems make sense of and act upon an “emergency.” In Case of Emergency argues that emergency media are profoundly cultural artifacts that shape the very definition of “emergency” as an opposite of “normal.” Looking broadly across a range of contemporary emergency-related devices, practices, and services, Dr. Ellcessor illuminates the cultural and political underpinnings and socially differential effects of emergency media.
By interweaving in-depth interviews with emergency-operation and app-development experts, archival materials, and discursive and technological readings of hardware and infrastructures, Dr. Ellcessor demonstrates that emergency media are powerful components of American life that are rarely, if ever, neutral. The normalization of ideologies produced and reinforced by emergency media result in unequal access to emergency services and discriminatory assumptions about who or what is a threat and who deserves care and protection. As emergency media undergo massive growth and transformation in response to digitization and attendant entrepreneurial cultures, Dr. Ellcessor asks where access, equity, and accountability fit in all of this.
The first book to develop a typology of emergency media, In Case of Emergency opens a much-needed conversation around the larger cultural meanings of “emergency,” and what an ethical and care-based approach to emergency could entail.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Technocracy is the idea that experts should govern. For the common good, presumably. In fact, it's an idea as old as politics itself, and it emerges just about everywhere across the ideological spectrum. Technocracy is seductive. In fact, it's an idea as old as politics itself.
This episode is the first in a three-part series telling stories of technocracies past, present, and future. First, Gordon takes us through the story of Technocracy, Inc. - the 1930s movement that wanted to install a non-democratic “technate” in North America. And then, you’ll hear a wide-ranging conversation on intellectuals and expertise with perhaps the most influential intellectual of our time: Noam Chomsky.
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Today power is in the hands of Wall Street and Silicon Valley. How do we understand this transformation in power? And what can we do about it?
We cannot change anything until we have a better understanding of how power works, who holds it, and why that matters. Through upgrading the concept of hegemony—understanding the importance of passive consent; the complexity of political interests; and the structural force of technology—Jeremy Gilbert and Alex Williams offer us an updated theory of power for the twenty-first century.
Alex Williams and Jeremy Gilbert book Hegemony Now: How Big Tech and Wall Street Won the World (And How We Win it Back) (Verso, 2022) explores how these forces came to control our world. The authors show how they have shaped the direction of politics and government as well as the neoliberal economy to benefit their own interests. However, this dominance is under threat. Following the 2008 financial crisis, a new order emerged in which the digital platform is the central new technology of both production and power. This offers new opportunities for counter hegemonic strategies to win back power. Hegemony Now outlines a dynamic socialist strategy for the twenty-first century.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at [email protected].
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We are all familiar with the spread of disinformation on social media platforms such as Facebook, Twitter, and YouTube. But just when we thought we’d seen the worst of it, along comes TikTok. What started out as an app for dance challenges and musical duets has, in recent times, emerged as one of the most concerning tools for amplifying political propaganda and lies. What does this mean in a country like the Philippines, where there are more than 89 million social media users?
Joining Dr Natali Pearson on SSEAC Stories, Assistant Professor Maria Elize Mendoza analyses the influential role of social media in Philippine political affairs, revealing intricate webs of disinformation, propaganda, and citizen mobilisation, with colossal political ramifications.
About Maria Elize Mendoza:
Maria Elize H. Mendoza is currently an Assistant Professor at the Department of Political Science, University of the Philippines Diliman. She obtained her BA (magna cum laude) and MA degrees in Political Science under the BA-MA (Honours) Program of the Department of Political Science, University of the Philippines Diliman. She teaches courses on Philippine politics and social, economic, and political thought. Her research interests include Philippine local politics, the politics of education, and the relationship between social media and political participation.
For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac.
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Steve Jobs called Jony Ive his "spiritual partner at Apple." The London-born genius was the second-most powerful person at Apple and the creative force who most embodies Jobs's spirit, the man who designed the products adopted by hundreds of millions the world over: the iPod, iPad, MacBook Air, the iMac G3, and the iPhone. In the wake of his close collaborator's death, the chief designer wrestled with grief and initially threw himself into his work designing the new Apple headquarters and the Watch before losing his motivation in a company increasingly devoted more to margins than to inspiration.
In many ways, Cook was Ive's opposite. The product of a small Alabama town, he had risen through the ranks from the supply side of the company. His gift was not the creation of new products. Instead, he had invented countless ways to maximize a margin, squeezing some suppliers, persuading others to build factories the size of cities to churn out more units. He considered inventory evil. He knew how to make subordinates sweat with withering questions.
Jobs selected Cook as his successor, and Cook oversaw a period of tremendous revenue growth that has lifted Apple's valuation to $2 trillion. He built a commanding business in China and rapidly distinguished himself as a master politician who could forge global alliances and send the world's stock market into freefall with a single sentence.
Author Tripp Mickle spoke with more than 200 current and former Apple executives, as well as figures key to this period of Apple's history, including Trump administration officials and fashion luminaries such as Anna Wintour while writing After Steve: How Apple Became a Trillion-Dollar Company and Lost Its Soul (William Morrow, 2022). His research shows the company's success came at a cost. Apple lost its innovative spirit and has not designed a new category of device in years. Ive's departure in 2019 marked a culmination in Apple's shift from a company of innovation to one of operational excellence, and the price is a company that has lost its soul.
Tripp Mickle is a technology and corporate reporter for the Wall Street Journal.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
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In this episode of High Theory, Tung-Hui Hu talks with Júlia Irion Martins about Digital Lethargy, as part of our High Theory in STEM series. As a modern ailment, digital lethargy is a societal pathology, like earlier forms of acedia, otium, and neurasthenia, but also a disease of performing selfhood within the disposable identities of contemporary, digital service work. In this episode, Tung-Hui Hu makes the argument that digital lethargy helps us turn away from the demand to constantly “be ourselves” and see the potential of quieter, more ordinary forms of survival in the digital age such as collective inaction.
In the episode he discusses Heike Geissler’s Seasonal Associate (Semiotexte/Native Agents, 2018, trans. Katy Derbyshire). He also references the film Sleeping Beauty (dir. Julia Leigh, 2011), Douglas A. Blackmon’s Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II (Anchor, 2008), Heike Geissler’s Seasonal Associate (Semiotexte/Native Agents, 2018, trans. Katy Derbyshire), and Cathy Park Hong’s Minor Feelings: An Asian American Reckoning (Penguin Random House, 2020). Other mentions include the artist Aria Dean and scholar Achille Mbembe.
Tung-Hui Hu is a poet and scholar. His new website has the best domain ending: tunghui.hu He is a 2022-23 Rome Prize Fellow in Literature at the American Academy in Rome and an associate professor of English at the University of Michigan. His book on this topic, Digital Lethargy: Dispatches from an Age of Disconnection (MIT Press, 2022), will be published on October 4
This week’s image was made by Saronik Bosu.
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In Black Software: The Internet and Racial Justice, from AfroNet to Black Lives Matter (Oxford Univeristy Press), Charlton McIlwain, Vice Provost for Faculty Engagement and Development and professor of media, culture, and communication at NYU’s Steinhardt School of Culture, Education, and Human Development, examines the intersection of racial justice movements, technology, and culture.
McIlwain names the often ignored or neglected African American pioneers of computer and Internet technology. At the same time, he explores how technological innovations are deployed on Black and other marginalized communities. In connecting these threads, McIlwain demonstrates the centrality of African Americans to both the history and future of the Internet.
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Amber Sinha works at the intersection law, technology and society, and studies the impact of digital technologies on socio-political processes and structures. His research aims to further the discourse on regulatory practices around internet, technology, and society. He is currently a Senior Fellow-Trustworthy AI at Mozilla Foundation studying models for algorithmic transparency.
Networks, whether in the form of Facebook and Twitter or WhatsApp groups, are exerting immense, unchecked power in subverting political discourse and polarizing the public in India. If people’s understandings of their political reality can be so easily manipulated through misinformation, then what role can they play in fostering deliberative democracies? Amber Sinha asks this much ignored and often-misunderstood question in his book The Networked Public: How Social Media is Changing Democracy (Rupa Publications, 2019). In search for an answer, he investigates the history of misinformation and the biases that make the public susceptible to it, how digital platforms and their governance impacts the public’s behaviour on them, as well as the changing face of political targeting in this data-driven world.
The book weaves sharp analysis with academic rigour to show that while the public can be irrational and gullible, their actions—be it mob violence or spreading fake news—are symptoms of deeper social malaise and products of their technological contexts.The Networked Public is essential reading for anyone who wants to understand how social media and the Internet is transforming democracy not only in India, but across the world.
Alok Prasanna Kumar is Co-Founder and Lead, Vidhi Karnataka. Sarayu Natarajan is the Founder of Aapti Institute. In the past, she has worked in management consulting and the venture fund industry before the plunge into researching politics.
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For much of the Cold War the United States had thousands more nuclear weapons than it needed. And it took decades for American political leaders to realise no one had ever asked: ‘how many nuclear weapons is enough?’ As for Ronald Reagan, he went into office a nuclear hawk and came out considering total disarmament. These aspects of the history the US nuclear programme are described in Fred Kaplan’s book The Bomb: Presidents, Generals, and the Secret History of Nuclear War (Simon & Schuster, 2021). Owen Bennett-Jones has been speaking with Fred Kaplan.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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Alex Nathanson's book A History of Solar Power Art and Design (Routledge, 2021) examines the history of creative applications of photovoltaic (PV) solar power, including sound art, wearable technology, public art, industrial design, digital media, building integrated design, and many others.
The growth in artists and designers incorporating solar power into their work reflects broader social, economic, and political events. As the cost of PV cells has come down, they have become more accessible and have found their way into a growing range of design applications and artistic practices. As climate change continues to transform our environment and becomes a greater public concern, the importance of integrating sustainable energy technologies into our culture grows as well.
The book will be of interest to scholars working in art history, design history, design studies, environmental studies, environmental humanities, and sustainable energy design.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture
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Today I talked to Stefan Höltgen about his book Open History: The Archaeology of Retrocomputing (Kulturverlag Kadmos, 2021).
How can historical computers be described properly from the viewpoint of computer science? By considering media archaeology’s theory of operative and thus a-historical media computer archaeology combines an interdisciplinary set of theories and methods to answer this question. At first, the problems of computer historiography (technical inaccuracy, inconsistency, and idiosyncrasy) will be deconstructed with the help of history criticism (H. Whyte, R. G. Collingwood), discourse archaeology (M. Foucault), and media archaeology (W. Ernst). Following that, technology–oriented tools and methods are gathered for describing ‘old’ computers within an ‘archaeography’ and analyzing them within a mid-range theory. Methods of computer science (from theoretical, practical, and technical c.s.), electronics, logics, mathematics, and diagrammatics supersede hermeneutical methods of historiography. Additional tools (re-enactment, demonstration, computer philology) from media science and other disciplines complement this set of methods. The objects of the following analyzation are early microcomputers (1975-95).
Retro computing, that has been practiced for decades as a hobbyistic way of computer archaeology, sets the frame for four computer archaeological projects that had been implemented within media scientific seminars (and other occasions): 1. a computer philological analysis of a ‘traditional’ computer demo (simulating a jumping ball) on different platforms and in different programming languages since the 1960s; 2. the development of a “Game of Life” on an 8-bit platform to examine the didactical and ‘historiographical’ potentialities of cellular automata; 3. the development of a new computer game for a 1978 gaming console to examine the differences between software emulation and material hardware; 4. the reparation of an 8-bit computer from 1976 done by a hardware hacker to analyze the tools, methods and knowledge-gaining process of such a non-professional approach.
These projects are discussed afterwards to gain the specific didactical modus operandi of retro computing hobbyists. Just like historical home computing (starting from the late 1970s) retro computing autodidactically gathers theoretical, historical, and practical knowledge by trial and error, gamification, and e-learning through a “learning by doing” procedure. The confrontation of three historical examples with three actual retro computing projects will prove this. The didactical reflection of retro computing projects describes a ‘retro didactic’ that would be useful for a broad application of historic sensitive, computer scientific knowledge with the help of less complex systems (like early microcomputers are).
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
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We're being formed by our devices. Unpacking the soft tyranny of the digital age, Felicia Wu Song combines insights from psychology, neuroscience, sociology, and theology as she considers digital practices through the lens of "liturgy" and formation. The book is called Restless Devices: Recovering Personhood, Presence, and Place in the Digital Age (IVP Academic: 2021). Exploring pathways of meaningful resistance found in Christian tradition, this resource offers practical experiments for individual and communal change.
Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
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For two decades, Rockstar Games have been making games that interrogate and represent the idea of America, past and present. Commercially successful, fan-beloved, and a frequent source of media attention, Rockstar’s franchises are positioned as not only game-changing, ground-breaking interventions in the games industry, but also as critical, cultural histories on America and its excesses.
But what does Rockstar’s version of American history look like, and how is it communicated through critically acclaimed titles like Red Dead Redemption (2010) and L.A. Noire (2011)? By combining analysis of Rockstar’s games and a range of official communications and promotional materials, Rockstar Games and American History: Promotional Materials and the Construction of Authenticity (de Gruyter, 2022) offers critical discussion of Rockstar as a company, their video games, and ultimately, their attempts at creating new narratives about U.S. history and culture. It explores the ways in which Rockstar’s brand identity and their titles coalesce to create a new kind of video game history, how promotional materials work to claim the "authenticity" of these products, and assert the authority of game developers to perform the role of historian.
By working at the intersection of historical game studies, U.S. history, and film and media studies, this book explores what happens when contemporary demands for historical authenticity are brought to bear on the way we envisage the past – and whose past it is deemed to be. Ultimately, this book implores those who research historical video games to consider the oft-forgotten sources at the margins of these games as importance spaces where historical meaning is made and negotiated.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
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As we build the AI-powered digital economy, how far do we want to go? Surveillance State: Inside China's Quest to Launch a New Era of Social Control (St. Martin's Press, 2022) explores how China’s Communist Party is harnessing new technologies in an effort to achieve an unprecedented level of social control. The authors outline the most brutal and extreme applications of these technologies to the Uighur people of western China. They contrast this with the relatively benign-seeming applications to traffic control, crime, and public order in the prosperous Han Chinese heartland, where a little loss of privacy can feel like a small price to pay.
They also make clear that these developments are not isolated to China. They show how America faces similar tradeoffs between using the benefits these tools can bring for crime fighting and other goals, against the risks of losing privacy and potentially making our criminal justice system even less fair. They examine the role of US companies in selling crucial elements of the technology package to Chinese firms and government agencies and challenge their defense that they had no way of knowing how or where these technologies would be used. And they examine China’s export of surveillance technologies to other countries around the world.
This book is essential reading for anyone thinking about how the digitization of the economy and our lives can benefit us or be turned against us.
Authors Josh Chin and Liza Lin are award-winning journalists with the Wall Street Journal. The book grows out of years of reporting on these developments within China, as well as an extensive investigation into the roots of these trends and their connections around the world.
Host Peter Lorentzen is the Chair of the Economics Department at the University of San Francisco, where he leads a new Master's program in Applied Economics focused on the digital economy. His research focus is the political economy of governance in China.
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Digital discourse has become a widespread way of communicating worldwide, WhatsApp being one of the most popular Instant Messaging tools. A Linguistic Overview of Whatsapp Communication (Brill, 2022) offers a critical state-of-the-art review of WhatsApp linguistic studies. After evaluating a wide range of sources, and seeking to identify relevant works, two major thematic domains were found. On the one hand, references addressing WhatsApp linguistic characteristics: status notifications, multimodal elements such as emojis or memes, and language variation, among others. On the other, the volume offers an overview of references describing the use of WhatsApp to learn English as a foreign or second language (EFL/ESL). The author provides a broad critical review of previous works to date, which has enabled her to detect areas of research still unexplored.
Lucia Fernandez Amaya is Professor in English at the Department of Philology and Translation, Pablo de Olavide University in Seville.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
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The pickup truck is the symbol of rural conservative masculinity. So, it often takes centre stage in the tired culture wars between reactionary neo-populists and liberal moralists. Like today, with Canada’s right crudely embracing the truck–and tweeting furiously about those ‘Laurentian elites,‘ and ‘Toronto columnists‘ who thumb their nose at it. But, if you really want to piss off the libs: don’t just post about it. Why not hang some big veiny nuts from your truck? Today on the show, we talk about the political history of trucks and trucking.
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From social media posts and text messages to digital government documents and archives, researchers are bombarded with a deluge of text reflecting the social world. This textual data gives unprecedented insights into fundamental questions in the social sciences, humanities, and industry. Meanwhile new machine learning tools are rapidly transforming the way science and business are conducted. Text as Data shows how to combine new sources of data, machine learning tools, and social science research design to develop and evaluate new insights.
Text as Data: A New Framework for Machine Learning and the Social Sciences (Princeton UP, 2022) is organized around the core tasks in research projects using text--representation, discovery, measurement, prediction, and causal inference. The authors offer a sequential, iterative, and inductive approach to research design. Each research task is presented complete with real-world applications, example methods, and a distinct style of task-focused research.
Bridging many divides--computer science and social science, the qualitative and the quantitative, and industry and academia--Text as Data is an ideal resource for anyone wanting to analyze large collections of text in an era when data is abundant and computation is cheap, but the enduring challenges of social science remain.
Peter Lorentzen is economics professor at the University of San Francisco. He heads USF's Applied Economics Master's program, which focuses on the digital economy. His research is mainly on China's political economy.
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From one of the world's leading economists, a grand narrative of the century that made us richer than ever, yet left us unsatisfied Before 1870, humanity lived in dire poverty, with a slow crawl of invention offset by a growing population. Then came a great shift: invention sprinted forward, doubling our technological capabilities each generation and utterly transforming the economy again and again. Our ancestors would have presumed we would have used such powers to build utopia. But it was not so. When 1870-2010 ended, the world instead saw global warming; economic depression, uncertainty, and inequality; and broad rejection of the status quo.
Brad DeLong's Slouching Towards Utopia: An Economic History of the Twentieth Century (Basic Books, 2022) tells the story of how this unprecedented explosion of material wealth occurred, how it transformed the globe--and why it failed to deliver us to utopia. Of remarkable breadth and ambition, it uncovers the last century to have been less a march of progress than a slouch in the right direction.
Javier Mejia is a Postdoctoral Research Fellow at the Political Science Department at Stanford University.
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One of the most fiercely debated issues of this era is what to do about "bad" speech, hate speech, disinformation, propaganda campaigns, incitement of violence on the internet, and, in particular, speech on social media platforms such as Facebook and Twitter. In Social Media, Freedom of Speech, and the Future of our Democracy (Oxford University Press, 2022), Lee C. Bollinger and Geoffrey R. Stone have gathered an eminent cast of contributors--including Hillary Clinton, Amy Klobuchar, Sheldon Whitehouse, Mark Warner, Newt Minow, Tim Wu, Cass Sunstein, Jack Balkin, Emily Bazelon, and others--to explore the various dimensions of this problem in the American context. They stress how difficult it is to develop remedies given that some of these forms of "bad" speech are ordinarily protected by the First Amendment. Bollinger and Stone argue that it is important to remember that the last time we encountered major new communications technology-television and radio-we established a federal agency to provide oversight and to issue regulations to protect and promote "the public interest." Featuring a variety of perspectives from some of America's leading experts on this hotly contested issue, this volume offers new insights for the future of free speech in the social media era.
Lee C. Bollinger became Columbia University's 19th president in 2002 and is the longest-serving Ivy League president. He is also Columbia's first Seth Low Professor of the University, and a member of the Law School faculty.
Geoffrey R. Stone is the Edward H. Levi Distinguished Service Professor at the University of Chicago.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
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In this episode of High Theory, Erin McElroy talks with Nathan Kim about Property Technology. This is the first episode in the High Theory in STEM series, that tackles topics in science, technology, engineering, and medicine from a highly theoretical perspective.
Not only is “property technology” a term for digital tools and other methods used by landlords to track and dispossess tenants, but property itself is a technology. In the episode, Nathan references Erin’s article “Property as Technology,” in which they write that "property itself has long served as a technology of racial dispossession, constituting a palimpsest for the contemporary gentrifying moment." You can read the whole article here: McElroy, Erin. "Property as technology: temporal entanglements of race, space, and displacement." City 24, no. 1-2 (2020): 112-129. <https://www.tandfonline.com/doi/abs/10.1080/13604813.2020.1739910>
Erin McElroy is an assistant professor in American Studies at UT Austin, a co-founder of the Anti-Eviction Mapping Project, and an editor of the Radical Housing Journal. They are fighting the good fight. We hope you do too.
This week’s image was made by Saronik Bosu for this episode.
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In this timely collection, gender, sex, and technology are explored through an intersectional and interdisciplinary lens. Gender, Sex, and Tech!: An Intersectional Feminist Guide (Canadian Scholars, 2022) provides insight into the ways that technology affects, and is affected by, cultural perceptions of gender and sex. Through an examination of a range of past and present issues, the text highlights our relationships to technology and illustrates how gendered relations are shaped and transformed through social and technological innovations. Contributors bring to the fore feminist, decolonizing, and anti-racist methods to examine our everyday uses of technology, from the mundane to the surreal to the playful to the devastating. Original research and scholarship is skillfully grounded in real-world scenarios like revenge pornography, gender bias in artificial intelligence, menstrual tracking, online dating, and the COVID-19 pandemic, inviting students to take a closer look at technological transformations and their impact on gendered lived experience and to consider how the benefits of technology are inequitably shared within society. Centring Canadian scholars and Canadian perspectives without losing sight of the broader global connection, Gender, Sex, and Tech! is bursting with timely and of-the-moment content, making this collection a must-read for courses focused on gender and technology.
Dr. Iqra Shagufta Cheema writes and teaches about transnational feminisms, Global South #MeToos, postmodernist postcolonial literatures, transnational feminisms, and global cinema.
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On this episode of Darts and Letters, we took a personal journey into virtual sport. Listen in as guest host (and regular lead producer) Jay Cockburn gets ready to enter the world of e-sports, with a lesson in Super Smash Bros from a top player and professional coach. Find out why he won’t make it (spoiler alert: he doesn’t have that reaction time he used to); but also, find out why he might not want to make it. Unfortunately, e-sports have many of the problems that ‘real’ sports do, and some are even worse. E-sports have lower pay, more stringent IP regimes, singular corporate control, and less labour organizing. However, could things be changing? Jay talks to Alexander Lee, esports and games reporter at Digiday. He takes us through the booming world of esports: the good, the bad, the repetitive stress injuries, and what to do about it.
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Just about every major film now comes to us with an assist from digital effects. The results are obvious in superhero fantasies, yet dramas like Roma also rely on computer-generated imagery to enhance the verisimilitude of scenes. But the realism of digital effects is not actually true to life. It is a realism invented by Hollywood—by one company specifically: Industrial Light & Magic.
The Empire of Effects: Industrial Light & Magic and the Rendering of Realism (University of Texas Press, 2022) shows how the effects company known for the puppets and space battles of the original Star Wars went on to develop the dominant aesthetic of digital realism. Julie A. Turnock finds that ILM borrowed its technique from the New Hollywood of the 1970s, incorporating lens flares, wobbly camerawork, haphazard framing, and other cinematography that called attention to the person behind the camera. In the context of digital imagery, however, these aesthetic strategies had the opposite effect, heightening the sense of realism by calling on tropes suggesting the authenticity to which viewers were accustomed. ILM’s style, on display in the most successful films of the 1980s and beyond, was so convincing that other studios were forced to follow suit, and today, ILM is a victim of its own success, having fostered a cinematic monoculture in which it is but one player among many.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
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The term “metaverse” was coined in a 1993 science fiction novel. Since then, it’s grown from a dystopian literary concept to a reality that corporations want to sell you. Strap on some VR goggles and escape your tired analog life! Except that the systemic issues we already have seem to be creeping into the metaverse, too.
As the lines between virtuality and physicality continue to blur, companies like Mark Zuckerberg’s Meta are setting their sights on virtual worlds. It’s a new frontier, full of potential – and full of our valuable data. Metaverses like Second Life or World of Warcraft can be positive and even game-changing experiences on the individual level, but when it comes to navigating a virtual society with a capitalist backdrop…things get a bit dicey.
On this episode, guest host and producer Ren Bangert explores the metaverse. First, we hear a love story from the glory days of Second Life, told to us by Sandrine Han – a scholar of virtual worlds and a long-time Second Lifer. Then, writer and game developer Ian Bogost takes us on a deep dive into the corporatization of the metaverse. We’ll hear how the metaverse has grown from a dystopian warning from science fiction to a sinister data-mining reality – and how even the shiniest of tech utopias are still functioning under the same old capitalism.
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Picture a typical computer geek. Likely white, male, and someone you’d say has a “natural instinct” for technology. Yet, after six years teaching technology classes to first-generation, low-income middle school students in Oakland, California, Cassidy Puckett has seen firsthand that being good with technology is not something people are born with—it’s something they learn. In Redefining Geek: Bias and the Five Hidden Habits of Tech-Savvy Teens (U Chicago Press, 2022), she overturns the stereotypes around the digitally savvy and identifies the habits that can help everyone cultivate their inner geek.
Drawing on observations and interviews with a diverse group of students around the country, Puckett zeroes in on five technology learning habits that enable tech-savvy teens to learn new technologies: a willingness to try and fail, management of frustration and boredom, use of models, and the abilities to use design logic and identify efficiencies. In Redefining Geek, she shows how to measure and build these habits, and she demonstrates how many teens historically marginalized in STEM are already using these habits and would benefit from recognition for their talent, access to further learning opportunities, and support in career pathways. She argues that if we can develop, recognize, and reward these technological learning habits in all kids—especially girls and historically marginalized racial and ethnic groups—we can address many educational inequities and disparities in STEM.
Revealing how being good with technology is not about natural ability but habit and persistence, Redefining Geek speaks to the ongoing conversation on equity in technology education and argues for a more inclusive technology learning experience for all students.
Joao Souto-Maior is PhD Candidate in Sociology of Education at the New York University.
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In Cloudmoney: Cash, Cards, Crypto, and the War for Our Wallets (Harper Business, 2022), Brett Scott tells an urgent and revelatory story about how the fusion of Big Finance and Big Tech requires “cloudmoney”—digital money underpinned by the banking sector—to replace physical cash. He dives beneath the surface of the global financial system to uncover a long-established lobbying infrastructure: an alliance of partners waging a covert war on cash. He explains the technical, political, and cultural differences between our various forms of money and shows how the cash system has been under attack for decades, as banking and tech companies promote a cashless society under the banner of progress.
Cloudmoney takes us to the front lines of a war for our wallets that is also about our freedom, from marketing strategies against cash to the weaponization of COVID-19 to push fintech platforms, and from there to the rise of the cryptocurrency rebels and fringe groups pushing back. It asks the most pressing questions:
Brett Scott is an economic anthropologist, financial activist, and former broker. In 2013 he published The Heretic’s Guide to Global Finance: Hacking the Future of Money, and since then has spoken at hundreds of events across the globe and has appeared across international media, including BBC World News and Sky News. He has written extensively on financial reform, digital finance, alternative currency, blockchain technology, and the cashless society for publications like the Guardian, New Scientist, Huffington Post, Wired, and CNN.com, and also publishes the Altered States of Monetary Consciousness newsletter. He has worked on financial reform campaigns and alternative currency systems with a wide range of groups and is a Senior Fellow of the Finance Innovation Lab (UK). He currently resides in Berlin.
Utsav Saksena is a Research Fellow at the National Institute of Public Finance and Policy (NIPFP), an autonomous institute under the Ministry of Finance, Government of India. He can be reached at [email protected]. Note: opinions expressed in this podcast are purely personal and do not reflect the official position of NIPFP or the Ministry of Finance, Government of India.
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Setting goals for the new year? Learning a language? Going for a run? Delivering food? Picking packages off a warehouse shelf for delivery? There’s a game for that. Or, at least, a gamified system designed to nudge you in a series of pre-programmed directions in the service of the state, techno-capitalist overlords, or any number of other groups and entities that chart the course of our hyper-connected, cutting-edge, dystopian 21st century lives. On this episode of Darts and Letters, guest host Jay Cockburn and our guests take us through the gamification of…everything.
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We are in the middle of a 'desirevolution' - a fundamental and political transformation of the way we desire as human beings. Perhaps as always, new technologies - with their associated and inherited political biases - are organising and mapping the future. What we don’t seem to notice is that the primary way in which our lives are being transformed is through the manipulation and control of desire itself.
Our very impulses, drives and urges are 'gamified' to suit particular economic and political agendas, changing the way we relate to everything from lovers and friends to food and politicians. Digital technologies are transforming the subject at the deepest level of desire – re-mapping its libidinal economy - in ways never before imagined possible. From sexbots to smart condoms, fitbits to VR simulators and AI to dating algorithms, the 'love industries' are at the heart of the future smart city and the social fabric of everyday life.
Alfie Bown's Dream Lovers: The Gamification of Relationships (Pluto Press, 2022) considers these emergent technologies and what they mean for the future of love, desire, work and capitalism.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science.
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Information is everywhere. We live in an “Information” Society. We can get more of it faster, quicker, and in more different shapes and sizes than at probably any other time in history. Meanwhile, misinformation (a very old word) and disinformation (a neologism of the 20th century) have worked their way into our collective cultural lexicon.
Like everything, information has a history and Information: A Historical Companion (Princeton UP, 2021)—just shy of 900 pages, comprising 13 narrative essays, followed by 100 shorter pieces on particular technologies, practices, etc. relevant to information history—is an invaluable and highly readable reference work to help us orient in that history. This collaboration of 107 contributing experts has been brought to fruition by a team of four editors: Ann Blair, Paul Duguid, Anja-Silvia Goeing, and Anthony Grafton. In the interview, we talk with Ann Blair and Anthony Grafton, experts who know, among a great many other things, as much anybody about the history of one of the earliest and stable means of storing and transmitting information, the book. They have also been paying close attention to how the information ecosystem of our own day is evolving. Listen in for this wide-ranging conversation.
Erika Monahan is an associate professor of history at the University of New Mexico.
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We’ll save the Moby Dick puns for the episode itself, but suffice it to say that sinister game developers are on a whale hunt. This episode, originally published last fall, is about the sophisticated psychological tactics they use to hunt and capture their prey. Free to play mobile games as glorified slot machines, in-game purchases even for triple-A titles, game design that keep gamers hooked to their rigs. These practices are often exploitative and, for some who fall victim to them, devastating. Some countries, like China, are pushing back. But their restrictions are overbearing and unlikely to work as people skirt the restrictions. There are better ways. On this episode of Darts and Letters, we take a journey to save the whales.
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Today’s Postscript (a special series that allows scholars to comment on pressing contemporary issues) focuses on the US Supreme Court and the Second Amendment. It is hard to exaggerate the extent to which the most recent term of the U.S. Supreme Court changed the substance of the laws Americans live by and the method by which the Court determines whether a law is unconstitutional. The Court upended 50 years of abortion jurisprudence, challenged laws that govern tribal sovereignty, and undercut the power of Congress to make and implement laws regarding climate change. The abortion ruling in Dobbs v. Jackson consumed much of the press coverage and public outrage but our podcast conversation focuses New York State Rifle & Pistol Association v. Bruen. The Supreme Court not only overturned a century-old statute regulating the concealed carrying of guns in public – it changed the rules for determining what is or is not protected by the US Constitution under the Second Amendment. The podcast engages the relationship between state gun policy and this new originalist methodology, the origins of so-called originalism in the 1980s, the role of secondary scholarship, Duke Center for Firearms Law searchable database’s role in providing evidence for legal claims, and whether analogical reasoning (or politics) have triumphed at the SCOTUS – and how to teach that to law students.
Joseph Blocher, Lanty L. Smith ’67 Professor of Law at Duke University School of Law and one of the attorneys who helped write the brief for the District of C in Heller. He co-authored The Positive Second Amendment: Rights, Regulation, and the Future of Heller (Cambridge University Press, 2018) with Darrell Miller and his numerous influential law review articles are complemented by nuanced public facing scholarship.
Andrew Willinger is the Executive Director of the Duke Center for Firearms Law at Duke University Law School – and now writes commentary for the Center’s Second Thoughts blog. He joined the Center in June 2022, after practicing as a litigation associate at Patterson Belknap Webb & Tyler in New York. At Patterson, Willinger litigated complex commercial disputes and false advertising and defamation cases. He previously clerked for Judge William L. Osteen, Jr. of the Middle District of North Carolina.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
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You can learn much about a media and political culture by examining when it panics, and who it panics about. And we’ve always panicked about video games, from the early arcades until this very day. Whether you are a prudish Christian conservative, or a concerned liberal-minded paternalist, demonizing video games has long been good politics.
On this episode: guest host and lead producer Jay Cockburn travels back to the 90s, and looks at the story of Mortal Kombat. The game was violent, gory, glorious. It was a youth rebellion in miniature. Parents rebelled against the rebellion, staging their own petulant counter-revolution, and politicians embraced it. It triggered a moral panic and even congressional hearings into violence in games. But why did it happen, who did it serve, and what does it tell us about our own culture?
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Inventing the Alphabet: The Origins of Letters from Antiquity to the Present (University of Chicago Press, 2022) by Dr. Johanna Drucker provides the first account of two-and-a-half millennia of scholarship on the alphabet. Drawing on decades of research, Dr. Drucker dives into sometimes obscure and esoteric references, dispelling myths and identifying a pantheon of little-known scholars who contributed to our modern understanding of the alphabet, one of the most important inventions in human history.
Beginning with Biblical tales and accounts from antiquity, Dr. Drucker traces the transmission of ancient Greek thinking about the alphabet’s origin and debates about how Moses learned to read. The book moves through the centuries, finishing with contemporary concepts of the letters in alpha-numeric code used for global communication systems. Along the way, we learn about magical and angelic alphabets, antique inscriptions on coins and artifacts, and the comparative tables of scripts that continue through the development of modern fields of archaeology and paleography.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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There is no shortage of words written about climate change and the goal of reaching net zero - but there is a shortage of practical suggestions about to get to net zero. Even governments committed to net zero are wondering how they are going to do it. Eric Lonergan has tried to address that problem with the book Super Charge Me: Net Zero Faster (Agenda, 2022) - co-authored with Corrine Sawyers - which sets out to suggest ways Net Zero can be achieved.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
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In Road to Nowhere: What Silicon Valley Gets Wrong about the Future of Transportation (Verso, 2022), Paris Marx identifies two convergent forces in the 20th century: the growth of the climate killing automobile industry and the rise of Silicon Valley with its California Ideology (a hypocritical self-rationalization). Their narrative shows how these two forces merged in the early 21st century with less-than-ideal, even deadly, results. Marx challenges many of the tech industry’s myths, misrepresentations, and lies and offers some suggestions for how we can build a better world. While Road to Nowhere is a book about our current crisis it situates our this mess in its historical context. Marx illustrates how many of the most problematic aspects of automobility are the consequences of specific policy decisions, often made in the interest of capital and not the social good. Marx is not shy about naming names, specifically calling out Elon Musk and Über.
Paris Marx is Canadian tech critic and host of the award-winning Tech Won’t Save Us podcast. Their work has been published in Business Insider, NBC News, CBC News, Jacobin, and Tribune. And just this week, they published a piece in Time Magazine on Elon Musk. Paris earned a Master’s degree in urban geography from McGill University, researching Silicon Valley’s efforts to transform how we move.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
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The Future of Money: How the Digital Revolution is Transforming Currencies and Finance (The Belknap Press of Harvard University Press, 2021) provides a cutting-edge look at how accelerating financial change, from the end of cash to the rise of cryptocurrencies, will transform economies for better and worse. We think we have seen financial innovation. We bank from laptops and buy coffee with the wave of a phone. But these are minor miracles compared with the dizzying experiments now underway around the globe, as businesses and governments alike embrace the possibilities of new financial technologies. As Eswar Prasad explains, the world of finance is at the threshold of major disruption that will affect corporations, bankers, states, and indeed all of us. The transformation of money will fundamentally rewrite how ordinary people live. Above all, Prasad foresees the end of physical cash. The driving force won't be phones or credit cards but rather central banks, spurred by the emergence of cryptocurrencies to develop their own, more stable digital currencies. Meanwhile, cryptocurrencies themselves will evolve unpredictably as global corporations like Facebook and Amazon join the game. The changes will be accompanied by snowballing innovations that are reshaping finance and have already begun to revolutionize how we invest, trade, insure, and manage risk. Prasad shows how these and other changes will redefine the very concept of money, unbundling its traditional functions as a unit of account, medium of exchange, and store of value. The promise lies in greater efficiency and flexibility, increased sensitivity to the needs of diverse consumers, and improved market access for the unbanked. The risk is instability, lack of accountability, and erosion of privacy. A lucid, visionary work, The Future of Money shows how to maximize the best and guard against the worst of what is to come.
Eswar Prasad is the Tolani Senior Professor of Trade Policy at Cornell University. He is also a Senior Fellow at the Brookings Institution, where he holds the New Century Chair in International Economics, and a Research Associate at the National Bureau of Economic Research. He was previously chief of the Financial Studies Division in the International Monetary Fund's Research Department and, before that, was the head of the IMF's China Division.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
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This is part 2 of a 2-part series from Cited - the predecessor of Darts and Letters.
For the final episode of our “Activism & Academia”-themed week of programming, we’re returning to Cited’s series on genetically modified corn, Indigenous rights, and environmental law in Mexico. Return with us to our story on how the discovery of genetically modified corn in the Mexican highlands resulted in a revelatory battle over science, culture, trade and more. In this episode, we take you even further into the story.
If you missed part 1 of this series, do go back to yesterday’s episode and give it a listen. And stay tuned for next week’s themed programming: we’re talking to you all about left opinion makers.
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This is part 1 of a 2-part series from Cited - the predecessor of Darts and Letters.
When genetically modified corn was found in the highlands of Mexico, Indigenous campesino groups took to the streets to protect their cultural heritage, setting off a 20-year legal saga. The battle brought Indigenous rights, scientific methods, academic freedom, and law and trade into the mix. It’s a fascinating and eternally relevant story. You’ll hear from scientists, activists, farmers and more. In an era when food security, environmental protections, and Indigenous rights are as crucial and as fraught as ever before, this story is closer to home than you might think.
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You think you know British Rail. But you don't know the whole story. Now, award-winning writer Christian Wolmar provides a new perspective on national loss in a time of privatisation in British Rail: A New History (Michael Joseph, 2022).
From its creation after the Second World War, through its fifty-year lifetime, British Rail was an innovative powerhouse that transformed our transport system. Uniting disparate lines into a highly competent organisation - heralding 'The Age of the Train' - and, for a time, providing one of the fastest regular rail services in the world.
Born into post-war austerity, traumatised, impoverished and exploited by a hostile press, the state-owned railway was dismissed as a dinosaur unable to evolve, and swept away by a government hellbent on selling it off.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design.
In Why We Can't Have Nice Things: Social Media's Influence on Fashion, Ethics, and Property (Duke UP, 2022), Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.
Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.
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What happens when you bring together an important collection of previously secret archival documents dealing with France's nuclear detonations in the Pacific from 1966 to 1996, a nuclear scientist, and an investigative journalist? Working together beginning in early 2020, Sébastien Philippe and Tomas Statius, the authors of Toxique: Enquête sur les essais nucléaires français en Polynésie (Presses universitaires de France and Disclose, 2021) have now shared with readers the meaningful and provocative results of just such a collaboration. Revisiting the history of France's nuclear weapons program over a period of three decades (following an initial set of atmospheric and underground detonations in the Algerian Sahara from 1960 to 1966), Toxique is a scientific and journalistic interrogation of the immediate and long-term health and environmental effects of the 193 bombs the French military exploded in the region, exposing civilians, as well as French military and other personnel to the fallout and radiation emitted by these explosions.
The significance of this interdisciplinary investigation cannot be overstated. As Toxique shows, these nuclear detonations continue to have harmful effects on the everyday lives of thousands of local residents, along with those veterans who served in the area. As Philippe and Statius have shown, the toxicity of these nuclear blasts has been consistently underestimated and misrepresented by the French military and state. Holding important implications for the victims of these detonations in terms of both recognition and financial compensation, the book and its accompanying online platform, Moruroa Files, have made a huge impact. I was thrilled to have the chance to speak with these remarkable researchers and writers and hope listeners will learn from and enjoy our conversation. The more people within and beyond the field of French Studies who are aware of this damaging past and present, the better.
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Hanford is the most-polluted place in America. In our last episode, you heard about the nuclear plant's largely-forgotten history--how it poisoned the people living downwind. On our season finale: a nuclear safety auditor tries to get it shut down, the downwinders struggle for justice, and we take you into the plant itself.
This is part two, if you haven’t heard part one yet go check out yesterday’s episode.
The story of Hanford reveals that expertise is always a political battle, and never as straightforward as simply collecting facts--whether it’s executives putting profit over a safety auditor’s well-documented warnings, a community-based research pitted against government-backed studies, or turning a world-changing nuclear reactor into a scientific lecture.
This episode is from the pre-Darts and Letters era when we produced a documentary series called Cited.
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In this episode of Cited: What it means to live in a place where your home can give you cancer.
Richland, Washington is a company town that sprang up almost overnight in the desert of southeastern Washington. Its employer is the federal government, and its product is plutonium.
The Hanford nuclear site was one of the Manhattan Project sites, and it made the plutonium for the bomb that devastated Nagasaki. The official history is one of scientific achievement, comfortable houses, and good-paying jobs. But it doesn’t include the story of what happened after the bomb was dropped -- neither in Japan, nor right there in Washington State. In part one of this Cited two-parter we tell the largely-forgotten story of the most toxic place in America. This episode was produced before Darts and Letters existed, when Cited Media was all about a documentary series called Cited.
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Since the 1970s, there has been a rich, global lineage of broadly guitar-based music scenes which have enacted a political critique of the commercial music industries under the banner of ‘DIY’. DIY music practice has involved taking control of production and distribution processes and lowering barriers to participation and performance, as a form of cultural resistance. In DIY Music and the Politics of Social Media (Bloomsbury, 2020), Ellis Jones analyses the effects of the internet and social media on the inner lives and the communal music-making of practitioners in contemporary DIY music scenes.
Jones provides a nuanced and original reading of the points of convergence and (substantial) divergence between the emancipatory and participatory rhetoric of digital platforms and the ethical imperatives of DIY music, past and present. He argues that the imperatives toward self-branding, commodification and individualization that are baked into the affordances of social media are fundamentally inimical to the convivial, oppositional politics of DIY music. As digital platforms seep into and mediate more and more facets of everyday life, this book underscores the need for a renewed critique of the conditions of cultural production – and offers valuable points of departure for forms of culturally resistant DIY musicking in the 21st Century.
Ellis Jones is a Lecturer in Music and Management in the Department of Music at the University of Leeds.
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Recently a major outage took nearly a third of Canada offline. No phone, no internet… even access to 911 got shut down in some places. So why does one company get so much control over a vital service… the internet?
This is the story in the USA as well as Canada, so at Darts and Letters we wanted to look for a different way. We also don’t necessarily believe the market is the solution… so what is? How do we make a more democratic, socially driven internet?
Gordon Katic interviews Ben Tarnoff, author of Internet for the People, to help us answer these questions - and most importantly, we ask whether the internet is indeed a series of tubes.
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Techno-utopianism is everywhere. It’s driven by a new tech-bro/crypto culture, supported by online hordes of true believers, and couched in philosophies of meritocracy and technocracy. But this thinking is not new, and World’s Fairs are a perfect example.
One of our ongoing series within Darts and Letters is techno utopias, and we do mean that with all the skepticism it’s due. Silicon Valley is trying to change the world with NFTs and metaverses and electric cars and all kinds of nonsense technologies that will do nothing to improve the lives of the world’s poor, but will increase the wealth of Zuckerburg and Musk, probably while destroying the planet in the process.
To start that series off we decided to go to the original techno-utopia: The World’s Fair. Host Gordon Katic talks to a historian of world’s fairs, and then to a photographer who spends her time in the dilapidated abandoned glory of former world’s fair sites. We’ve got loads of really fun historical footage in this episode too… it’s funny and nostalgic, I think you’re gonna love it.
It’s not all world’s fairs though. We also explore the nature of technology itself… like what actually is a technology?
So that seemed a good place to start off this week’s theme of the politics of technology and techno utopias. We’re doing a different theme every week until we relaunch the show on September 18th.
So here it is… Lost Utopias: A History of World’s Fairs.
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The crossbow is an iconic weapon of the Middle Ages and, alongside the longbow, one of the most effective ranged weapons of the pre-gunpowder era. Unfortunately, despite its general fame it has been decades since an in-depth history of the medieval crossbow has been published, which is why Dr. Stuart Ellis-Gorman’s detailed, accessible, and highly illustrated book The Medieval Crossbow: A Weapon Fit to Kill a King (Pen & Sword, 2022) is so valuable.
The book approaches the history of the crossbow from two directions. The first is a technical study of the design and construction of the medieval crossbow, the many different kinds of crossbows used during the Middle Ages, and finally a consideration of the relationship between crossbows and art.
The second half of the book explores the history of the crossbow, from its origins in ancient China to its decline in sixteenth-century Europe. Along the way it explores the challenges in deciphering the crossbow’s early medieval history as well as its prominence in warfare and sport shooting in the High and Later Middle Ages.
This fascinating book brings together the work of a wide range of accomplished crossbow scholars and incorporates the author’s own original research to create an account of the medieval crossbow that will appeal to anyone looking to gain an insight into one of the most important weapons of the Middle Ages.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Nic Maclellan's book Grappling with the Bomb: Britain’s Pacific H-Bomb Tests (ANU Press, 2017) is a history of Britain’s 1950s program to test the hydrogen bomb, code name Operation Grapple. In 1957–58, nine atmospheric nuclear tests were held at Malden Island and Christmas Island—today, part of the Pacific nation of Kiribati. Nearly 14,000 troops travelled to the central Pacific for the UK nuclear testing program—many are still living with the health and environmental consequences.
Based on archival research and interviews with nuclear survivors, Grappling with the Bomb presents i-Kiribati woman Sui Kiritome, British pacifist Harold Steele, businessman James Burns, Fijian sailor Paul Ah Poy, English volunteers Mary and Billie Burgess and many other witnesses to Britain’s nuclear folly.
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Automation and Autonomy: Labour, Capital and Machines in the Artificial Intelligence Industry (Palgrave Macmillan, 2021) argues that Marxist theory is essential for understanding the contemporary industrialization of the form of artificial intelligence (AI) called machine learning. It includes a political economic history of AI, tracking how it went from a fringe research interest for a handful of scientists in the 1950s to a centerpiece of cybernetic capital fifty years later. It also includes a political economic study of the scale, scope and dynamics of the contemporary AI industry as well as a labour process analysis of commercial machine learning software production, based on interviews with workers and management in AI companies around the world, ranging from tiny startups to giant technology firms. On the basis of this study, Steinhoff develops a Marxist analysis to argue that the popular theory of immaterial labour, which holds that information technologies increase the autonomy of workers from capital, tending towards a post-capitalist economy, does not adequately describe the situation of high-tech digital labour today. In the AI industry, digital labour remains firmly under the control of capital. Steinhoff argues that theories discerning therein an emergent autonomy of labour are in fact witnessing labour’s increasing automation.
James Steinhoff is a Postdoctoral Fellow at the University of Toronto, Canada.
Reuben Niewenhuis works as a software developer for a warehouse automation company. He double majored in computer science and philosophy at Calvin University. In addition to philosophical theory, he is interested in interdisciplinary topics.
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Felix Schniz's book Genre and Video Game: Introducing an Impossible Taxonomy (Genre und Videospiel: Einführung in eine unmögliche Taxonomie) explains video game genres as multidimensional and deeply mutable concepts enacted by the interplay of three dimensions: In addition to the hybrid approaches of genre theory, fiction genre and game genre, there are also social components that shape the gaming experience.
Working with video games (and working with their genres) turns out to be working with an objet ambigu: an intangible object of art whose potential is revealed and developed, again and again, in the process of interacting with the user.
Rudolf Inderst is a professor of Game Design at the IU International University of Applied Science.
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Labor's End: How the Promise of Automation Degraded Work (U Illinois Press, 2021) traces the discourse around automation from its origins in the factory to its wide-ranging implications in political and social life. As Jason Resnikoff shows, the term automation expressed the conviction that industrial progress meant the inevitable abolition of manual labor from industry. But the real substance of the term reflected industry's desire to hide an intensification of human work--and labor's loss of power and protection--behind magnificent machinery and a starry-eyed faith in technological revolution. The rhetorical power of the automation ideology revealed and perpetuated a belief that the idea of freedom was incompatible with the activity of work. From there, political actors ruled out the workplace as a site of politics while some of labor's staunchest allies dismissed sped-up tasks, expanded workloads, and incipient deindustrialization in the name of technological progress.
A forceful intellectual history, Labor's End challenges entrenched assumptions about automation's transformation of the American workplace.
Jason Resnifoff is Assistant Professor of Contemporary History at the University of Groningen (Rijksuniversiteit Groningen) in the Netherlands.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
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The process of manipulating the genetic material of one animal to include the DNA of another creates a new transgenic organism. Several animals, notably goats, mice, sheep, and cattle are now genetically modified in this way. In Our Transgenic Future: Spider Goats, Genetic Modification, and the Will to Change Nature (NYU Press, 2022), Lisa Jean Moore wonders what such scientific advances portend. Will the natural world become so modified that it ceases to exist? After turning species into hybrids, can we ever get back to the original, or are they forever lost? Does genetic manipulation make better lives possible, and if so, for whom?
Moore centers the story on goats that have been engineered by the US military and civilian scientists using the DNA of spiders. The goat’s milk contains a spider-silk protein fiber; it can be spun into ultra-strong fabric that can be used to manufacture lightweight military body armor. Researchers also hope the transgenically produced spider silk will revolutionize medicine with biocompatible medical inserts such as prosthetics and bandages. Based on in-depth research with spiders in Florida and transgenic goats in Utah, Our Transgenic Future focuses on how these spider goats came into existence, the researchers who maintain them, the funders who have made their lives possible, and how they fit into the larger science of transgenics and synthetics. This book is a fascinating story about the possibilities of science and the likely futures that may come.
Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021.
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Genome sequencing is one of the most exciting scientific breakthroughs of the past thirty years. But what precisely does it involve and how is it developing?
In Genomics: How Genome Sequencing Will Change Healthcare (Random House, 2022), Rachael Pells explains the science behind genomics. She analyses its practical applications in medical diagnosis and the treatment of conditions that range from cancer to severe allergic reactions to cystic fibrosis. She considers its potential to help with advances in agriculture and environmental science. She explores the ethics of genetic modification and the dangers involved when humans 'play God'. And she addresses the fundamental question: to what extent will future advances transform human longevity and the quality of life.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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In Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art (Duke University Press, 2022) Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience.
Daniela Meneses Sala is Peruvian Academic and Journalist. She holds an MSc in Gender (Sexuality) from the London School of Economics and Political Science. In October, she is starting a PhD in Latin American Studies at Cambridge University, funded by the Harding Distinguished Postgraduate Scholars Programme.
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The story of DDT as you’ve never heard it before: a fresh look at the much-maligned chemical compound as a cautionary tale of how powerful corporations have stoked the flames of science denialism for their own benefit In the 1940s, DDT helped the Allies win the Second World War by wiping out the insects that caused malaria, with seemingly no ill effects on humans. After the war, it was sprayed willy-nilly across fields, in dairy barns, and even in people's homes. Thirty years later the U.S. would ban the use of DDT—only to reverse the ban in the 1990s when calls arose to bring it back to fight West Nile and malaria. What changed?
How to Sell a Poison: The Rise, Fall, and Toxic Return of DDT (Bold Type Books, 2022) traces the surprising history of DDT’s rapid rise, infamous fall, and controversial revival to reveal to show that we’ve been taking the wrong lesson from DDT’s cautionary tale. Historian Elena Conis uncovers new evidence that it was not the shift in public opinion following the publication of Rachel Carson’s Silent Spring that led to the ban but in fact the behind-the-scenes political machinations of Big Business. She makes a compelling case that the real threat was not DDT itself but the prioritization of profits over public health. If we don't change the ways we make decisions about new scientific discoveries and technologies, Conis argues, we’re doomed to keep making the same mistakes and putting people at risk—both by withholding technologies that could help them and by exposing them to dangerous chemicals without their knowledge or consent. In an age when corporations and politicians are shaping our world behind closed doors and deliberately stoking misinformation around public health issues, from pesticides to vaccines to COVID-19 to climate change, we need greater transparency and a new way of communicating about science—as a discipline of discovery that's constantly evolving, rather than a finite and immutable collection of facts—in order to combat the war on facts and protect ourselves and our environment.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.
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From one of the leading intellectuals of the digital age, The Digital Republic: On Freedom and Democracy in the 21st Century (Pegasus Books, 2022) is the definitive guide to the great political question of our time: how can freedom and democracy survive in a world of powerful digital technologies? A Financial Times “Book to Read” in 2022. Not long ago, the tech industry was widely admired, and the internet was regarded as a tonic for freedom and democracy. Not anymore. Every day, the headlines blaze with reports of racist algorithms, data leaks, and social media platforms festering with falsehood and hate. In The Digital Republic, acclaimed author Jamie Susskind argues that these problems are not the fault of a few bad apples at the top of the industry. They are the result of our failure to govern technology properly. The Digital Republic charts a new course. It offers a plan for the digital age: new legal standards, new public bodies and institutions, new duties on platforms, new rights and regulators, new codes of conduct for people in the tech industry. Inspired by the great political essays of the past, and steeped in the traditions of republican thought, it offers a vision of a different type of society: a digital republic in which human and technological flourishing go hand in hand.
Jamie Susskind is a barrister and the author of the award-winning bestseller Future Politics: Living Together in a World Transformed by Tech (Oxford University Press, 2018), which received the Estoril Global Issues Distinguished Book Prize 2019, and was an Evening Standard and Prospect Book of the Year. He has fellowships at Harvard and Cambridge and currently lives in London.
Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program, where my research addresses the intersection of artificial intelligence, human rights, and democracy.
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Trevor Boffone's book TikTok Cultures in the United States (Routledge, 2022) examines the role of TikTok in US popular culture, paying close attention to the app’s growing body of subcultures. Featuring an array of scholars from varied disciplines and backgrounds, this book uses TikTok (sub)cultures as a point of departure from which to explore TikTok’s role in US popular culture today. Engaging with the extensive and growing scholarship on TikTok from international scholars, chapters in this book create frameworks and blueprints from which to analyse TikTok within a distinctly US context, examining topics such as gender and sexuality, feminism, race and ethnicity and wellness. Shaping TikTok as an interdisciplinary field in and of itself, this insightful and timely volume will be of great interest to students and scholars of new and digital media, social media, popular culture, communication studies, sociology of media, dance, gender studies, and performance studies.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Ploughshares and Swords: India’s Nuclear Program in the Global Cold War (Cornell University Press, 2022) by Jayita Sarkar challenges this received wisdom by narrating a global story of India's nuclear program during its first forty years. The book foregrounds the program's civilian and military features by probing its close relationship with the space program. Through nuclear and space technologies, India's leaders served the technopolitical aims of economic modernity and the geopolitical goals of deterring adversaries.
The politically savvy, transnationally connected scientists and engineers who steered the program obtained technologies, materials, and information through a variety of state and nonstate actors from Europe and North America, including both superpowers. They thus maneuvered around Cold War politics and the choke points of the nonproliferation regime. Hyperdiversification increased choices for the leaders of the nuclear program but reduced democratic accountability at home. The nuclear program became a consensus-enforcing device in the name of the nation.
Ploughshares and Swords is a provocative new history with global implications. It shows how geopolitical and technopolitical visions influence decisions about the nation after decolonization.
Thanks to generous funding from the Swiss National Science Foundation, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellopen.org) and other repositories. You can access the ebook here.
Jayita Sarkar is Senior Lecturer in Economic and Social History at the University Of Glasgow and the Founding Director of the Global Decolonization Initiative. Follow her on Twitter @DrJSarkar or check out her website (www.JayitaSarkar.com).
Shatrunjay Mall is a PhD candidate at the Department of History at the University of Wisconsin-Madison. He works on transnational Asian history, and his dissertation explores intellectual, political, and cultural intersections and affinities that emerged between Indian anti-colonialism and imperial Japan in the twentieth century.
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Today I talked to Samuel Ulbricht about his book Ethics of Computer Gaming: A Groundwork (Palgrave MacMillan, 2022).
Despite the increasing number of gamers worldwide, the moral classification of computer gaming marks an as yet unsolved riddle of philosophical ethics. In view of the explosive nature of the topic in everyday life (as seen in various debates about rampages), it is obvious that a differentiated professional clarification of the phenomenon is needed: Can playing computer games be immoral?
To answer this question, the author first discusses what we do at all when we play computer games: What kind of action are we talking about? The second step is a moral classification that reveals whether (and if so, why) some cases of computer gaming are morally problematic. The considerations made here provide a fundamental insight into the normative dimension of computer gaming.
This book is a translation of the original German 1st edition Ethik des Computerspielens by Samuel Ulbricht in 2020.
Rudolf Inderst is a professor of Game Design at the IU International University of Applied Science.
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The bicycle is a vestige of the Victorian era, seemingly at odds with our age of smartphones and ride-sharing apps and driverless cars. Yet we live on a bicycle planet. Across the world, more people travel by bicycle than any other form of transportation. Almost anyone can learn to ride a bike--and nearly everyone does.
In Two Wheels Good: The History and Mystery of the Bicycle (Crown Publishing, 2022), journalist and critic Jody Rosen reshapes our understanding of this ubiquitous machine, an ever-present force in humanity's life and dream life--and a flash point in culture wars--for more than two hundred years. Combining history, reportage, travelogue, and memoir, Rosen's book sweeps across centuries and around the globe, unfolding the bicycle's saga from its invention in 1817 to its present-day renaissance as a "green machine," an emblem of sustainability in a world afflicted by pandemic and climate change. Readers meet unforgettable characters: feminist rebels who steered bikes to the barricades in the 1890s, a prospector who pedaled across the frozen Yukon to join the Klondike gold rush, a Bhutanese king who races mountain bikes in the Himalayas, a cycle-rickshaw driver who navigates the seething streets of the world's fastest-growing megacity, astronauts who ride a floating bicycle in zero gravity aboard the International Space Station.
Two Wheels Good examines the bicycle's past and peers into its future, challenging myths and clichés while uncovering cycling's connection to colonial conquest and the gentrification of cities. But the book is also a love letter: a reflection on the sensual and spiritual pleasures of bike riding and an ode to an engineering marvel--a wondrous vehicle whose passenger is also its engine.
Jody Rosen is a contributing writer for The New York Times Magazine. His work has appeared in Slate, New York, The New Yorker, and many other publications. He lives in Brooklyn with his family.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
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A critical look at how the US military is weaponizing technology and data for new kinds of warfare—and why we must resist. War Virtually: The Quest to Automate Conflict, Militarize Data, and Predict the Future (University of California Press, 2022) is the story of how scientists, programmers, and engineers are racing to develop data-driven technologies for fighting virtual wars, both at home and abroad. In this landmark book, Roberto J. González gives us a lucid and gripping account of what lies behind the autonomous weapons, robotic systems, predictive modeling software, advanced surveillance programs, and psyops techniques that are transforming the nature of military conflict. González, a cultural anthropologist, takes a critical approach to the techno-utopian view of these advancements and their dubious promise of a less deadly and more efficient warfare.
With clear, accessible prose, this book exposes the high-tech underpinnings of contemporary military operations—and the cultural assumptions they're built on. Chapters cover automated battlefield robotics; social scientists' involvement in experimental defense research; the blurred line between political consulting and propaganda in the internet era; and the military's use of big data to craft new counterinsurgency methods based on predicting conflict. González also lays bare the processes by which the Pentagon and US intelligence agencies have quietly joined forces with Big Tech, raising an alarming prospect: that someday Google, Amazon, and other Silicon Valley firms might merge with some of the world's biggest defense contractors. War Virtually takes an unflinching look at an algorithmic future—where new military technologies threaten democratic governance and human survival.
Dr. Gonzalez is Professor and Chair of the San Jose State University Anthropology Department. He has authored four books including Connected: How a Mexican Village Built Its Own Cell Phone Network and Militarizing Culture: Essays on the Warfare State. You can learn more about his work here.
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In this era of pervasive automation, Mark Andrejevic provides an original framework for tracing the logical trajectory of automated media and their social, political, and cultural consequences.
Automated Media (Routledge, 2019) explores the cascading logic of automation, which develops from the information collection process through to data processing and, finally, automated decision making. It argues that pervasive digital monitoring combines with algorithmic decision making and machine learning to create new forms of power and control that pose challenges to democratic forms of accountability and individual autonomy alike. Andrejevic provides an overview of the implications of these developments for the fate of human experience, describing the "bias of automation" through the logics of pre-emption, operationalism, and "framelessness."
Automated Media is a fascinating and groundbreaking new volume: a must-read for students and researchers of critical media studies interested in the intersections of media, technology, and the digital economy.
Mark Andrejevic is Professor of Media Studies at Monash University where he heads the Automated Society Working Group in the School of Media, Film and Journalism. He is the author of Infoglut: How Too Much Information Is Changing the Way We Think and Know, iSpy: Surveillance and Power in the Interactive Era; and Reality TV: The Work of Being Watched, as well as numerous journal articles and book chapters on surveillance, popular culture, and digital media.
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In this uncompromising essay, Jonathan Crary presents the obvious but unsayable reality: our ‘digital age’ is synonymous with the disastrous terminal stage of global capitalism and its financialisation of social existence, mass impoverishment, ecocide, and military terror. Scorched Earth: Beyond the Digital Age to a Post-Capitalist World (Verso, 2022) surveys the wrecking of a living world by the internet complex and its devastation of communities and their capacities for mutual support.
This polemic by the author of 24/7 dismantles the presumption that social media could be an instrument of radical change and contends that the networks and platforms of transnational corporations are intrinsically incompatible with a habitable earth or with the human interdependence needed to build egalitarian post-capitalist forms of life.
Dr. Jonathan Crary is the Meyer Schapiro Professor of Modern Art and Theory at Columbia University in the Art history and Archeology Department. He is a prolific art and culture critic and is the co-founder (and co-editor) of Zone Books. Professor Crary has been the recipient of Guggenheim, Getty, Mellon, and National Endowment for the Arts Fellowships and has been a member of the Institute for Advanced Study in Princeton. In 2005, his teaching and mentoring were recognized with a Distinguished Columbia Faculty Award. Dr. Crary is also the author of Techniques of the Observer: On Vision and Modernity in the Nineteenth Century, Suspensions of Perception: Attention, Spectacle and Modern Culture (winner of the 2001 Lionel Trilling Book Award), and 24/7 (a finalist for the 2016 Terzani International Literary Prize).
Cody Skahan ([email protected]) is an anthropologist by training, starting an MA program in Anthropology at the University of Iceland in August 2022 as a Leifur Eriksson Fellow. His work focuses on the intersections of queerness, environmentalisms, and tourism in Iceland. Cody has a blog here where he sometimes writes about Games User Research and will totally, 100% in the future post the podcast and other projects he is working on.
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Amy Gaeta uses the relationship between humans and technology, non-military use of drones being a prime example, to rethink concepts of passivity and how it can bring about change. She makes an intervention in science and technology studies from her position in feminist and disability studies, drawing from diverse theoretical sources like the work of Eve Kosofsky Sedgwick, Saidiya Hartman, Alexander Weheliye, and Mark Fisher.
Amy Gaeta is not utopian; she is a student of understanding how we survive a world that is killing us on a dying planet, a feminist disability activist and scholar, poet, punk, and PhD candidate in the English Department at the University of Wisconsin-Madison. Her academic work specializes in the psychological aspects of human-technology relations under the surveillance state. In poetry, she explores mental illness, desire, and the impossibility of being human.
Image: “‘Little Planet’ style edit of a 180-degree panorama of my daughter’s little league game this summer” by Tim Bish.
Music used in promotional material: ‘Unsunny Sundays’ by Chris Herb.
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What is artificial intelligence (AI) with Chinese characteristics? Why is the Chinese Government labelling AI as a matter of security? How has AI been empowering China’s authoritarian governance? Jinghan Zeng, Professor of China and International Studies at Lancaster University, talks about his latest book Artificial Intelligence (AI) with Chinese Characteristics: National Strategy, Security and Authoritarian Governance (Palgrave, 2022) at the Nordic Asia Podcast.
In his conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden and affiliated PhD at the Nordic Institute of Asian Studies, Jinghan Zeng introduces his book which argues that China’s AI approach is sophisticated and multifaceted, and it has brought about both considerable benefits and challenges to China. The book suggests that a more accurate understanding of AI with Chinese characteristics is essential in order to inform the debate regarding what lessons can be learnt from China’s AI approach and how to respond to China’s rise as the AI leader, if not a superpower.
Jinghan Zeng is Professor of China and International Studies at Lancaster University. He is also Academic Director of China Engagement and Director of Lancaster University Confucius Institute. He plays a key role in supporting the development and implementation of the University’s China strategy. He is the author of Slogan Politics: Understanding Chinese Foreign Policy Concepts (2020) and The Chinese Communist Party's Capacity to Rule: Ideology, Legitimacy and Party Cohesion (2015). He is also the co-editor of One Belt, One Road, One Story?: Towards an EU-China Strategic Narrative (2021).
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
About NIAS: www.nias.ku.dk
Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast
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When Facebook, Twitter, YouTube, and Instagram were first introduced to the public, their mission was simple: they were designed to help people become more connected to each other. Social media became a thriving digital space by giving its users the freedom to share whatever they wanted with their friends and followers. Unfortunately, these same digital tools are also easy to manipulate. As exemplified by Russia's interference in the 2016 U.S. presidential election, authoritarian states can exploit social media to interfere with democratic governance in open societies.
Tyrants on Twitter: Protecting Democracies from Information Warfare (Stanford UP, 2022) is the first detailed analysis of how Chinese and Russian agents weaponize Facebook, Instagram, Twitter, and YouTube to subvert the liberal international order. In addition to examining the 2016 U.S. election, David L. Sloss explores Russia's use of foreign influence operations to threaten democracies in Europe, as well as China's use of social media and other digital tools to meddle in Western democracies and buttress autocratic rulers around the world. Sloss calls for cooperation among democratic governments to create a new transnational system for regulating social media to protect Western democracies from information warfare. Drawing on his professional experience as an arms control negotiator, he outlines a novel system of transnational governance that Western democracies can enforce by harmonizing their domestic regulations. And drawing on his academic expertise in constitutional law, he explains why that system―if implemented by legislation in the United States―would be constitutionally defensible, despite likely First Amendment objections. With its critical examination of information warfare and its proposal for practical legislative solutions to fight back, this book is essential reading in a time when disinformation campaigns threaten to undermine democracy.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
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Media of the Masses: Cassette Culture in Modern Egypt (Stanford UP, 2022) investigates the social life of an everyday technology—the cassette tape—to offer a multisensory history of modern Egypt. Over the 1970s and 1980s, cassettes became a ubiquitous presence in Egyptian homes and stores. Audiocassette technology gave an opening to ordinary individuals, from singers to smugglers, to challenge state-controlled Egyptian media. Enabling an unprecedented number of people to participate in the creation of culture and circulation of content, cassette players and tapes soon informed broader cultural, political, and economic developments and defined "modern" Egyptian households.
Drawing on a wide array of audio, visual, and textual sources that exist outside the Egyptian National Archives, Andrew Simon provides a new entry point into understanding everyday life and culture. Cassettes and cassette players, he demonstrates, did not simply join other twentieth century mass media, like records and radio; they were the media of the masses. Comprised of little more than magnetic reels in plastic cases, cassettes empowered cultural consumers to become cultural producers long before the advent of the Internet. Positioned at the productive crossroads of social history, cultural anthropology, and media and sound studies, Media of the Masses ultimately shows how the most ordinary things may yield the most surprising insights.
Avery Weinman is a PhD student in History at the University of California, Los Angeles. She researches Jewish history in the modern Middle East and North Africa, with emphasis on Sephardi and Mizrahi radicals in British Mandatory Palestine. She can be reached at [email protected].
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In 1975, design engineer Dave Nutting completed work on a new arcade machine. A version of Taito's Western Gun, a recent Japanese arcade machine, Nutting's Gun Fight depicted a classic showdown between gunfighters. Rich in Western folklore, the game seemed perfect for the American market; players easily adapted to the new technology, becoming pistol-wielding pixel cowboys. One of the first successful early arcade titles, Gun Fight helped introduce an entire nation to video-gaming and sold more than 8,000 units.
In Gamer Nation: Video Games and American Culture (Johns Hopkins UP, 2019), John Wills examines how video games co-opt national landscapes, livelihoods, and legends. Arguing that video games toy with Americans' mass cultural and historical understanding, Wills show how games reprogram the American experience as a simulated reality. Blockbuster games such as Civilization, Call of Duty, and Red Dead Redemption repackage the past, refashioning history into novel and immersive digital states of America. Controversial titles such as Custer's Revenge and 08.46 recode past tragedies. Meanwhile, online worlds such as Second Life cater to a desire to inhabit alternate versions of America, while Paperboy and The Sims transform the mundane tasks of everyday suburbia into fun and addictive challenges.
Working with a range of popular and influential games, from Pong, Civilization, and The Oregon Trail to Grand Theft Auto, Silent Hill, and Fortnite, Wills critically explores these gamic depictions of America. Touching on organized crime, nuclear fallout, environmental degradation, and the War on Terror, Wills uncovers a world where players casually massacre Native Americans and Cold War soldiers alike, a world where neo-colonialism, naive patriotism, disassociated violence, and racial conflict abound, and a world where the boundaries of fantasy and reality are increasingly blurred. Ultimately, Gamer Nation reveals not only how video games are a key aspect of contemporary American culture, but also how games affect how people relate to America itself.
Rudolf Inderst is a professor of Game Design at the IU International University of Applied Science.
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Hidden from view, microfluidics underlies a variety of devices that are essential to our lives, from inkjet printers to glucometers for the monitoring of diabetes. Microfluidics--which refers to the technology of miniature fluidic devices and the study of fluids at submillimeter levels--is invisible to most of us because it is hidden beneath ingenious user interfaces. In this book, Albert Folch, a leading researcher in microfluidics, describes the development and use of key microfluidic devices. He explains not only the technology but also the efforts, teams, places, and circumstances that enabled these inventions.
Folch reports, for example, that the inkjet printer was one of the first microfluidic devices invented, and traces its roots back to nineteenth-century discoveries in the behavior of fluid jets. He also describes how rapid speed microfluidic DNA sequencers have enabled the sequencing of animal, plant, and microbial species genomes; organs on chips facilitate direct tests of drugs on human tissue, leapfrogging over the usual stage of animal testing; at-home pregnancy tests are based on clever microfluidic principles; microfluidics can be used to detect cancer cells in the early stages of metastasis; and the same technology that shoots droplets of ink on paper in inkjet printers enables 3D printers to dispense layers of polymers.
In Hidden in Plain Sight: The History, Science, and Engineering of Microfluidic Technology (MIT Press, 2022), Folch tells the stories behind these devices in an engaging style, accessible to nonspecialists. More than 100 color illustrations show readers amazing images of microfluids under the microscope.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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Machine Learning for Criminology and Crime Research: At the Crossroads (Routledge, 2022) reviews the roots of the intersection between machine learning, artificial intelligence (AI), and research on crime; examines the current state of the art in this area of scholarly inquiry; and discusses future perspectives that may emerge from this relationship.
As machine learning and AI approaches become increasingly pervasive, it is critical for criminology and crime research to reflect on the ways in which these paradigms could reshape the study of crime. In response, this book seeks to stimulate this discussion. The opening part is framed through a historical lens, with the first chapter dedicated to the origins of the relationship between AI and research on crime, refuting the novelty narrative that often surrounds this debate. The second presents a compact overview of the history of AI, further providing a nontechnical primer on machine learning. The following chapter reviews some of the most important trends in computational criminology and quantitatively characterizing publication patterns at the intersection of AI and criminology, through a network science approach. This book also looks to the future, proposing two goals and four pathways to increase the positive societal impact of algorithmic systems in research on crime. The sixth chapter provides a survey of the methods emerging from the integration of machine learning and causal inference, showcasing their promise for answering a range of critical questions.
With its transdisciplinary approach, Machine Learning for Criminology and Crime Research is important reading for scholars and students in criminology, criminal justice, sociology, and economics, as well as AI, data sciences and statistics, and computer science.
Geert Slabbekoorn works as an analyst in the field of public security. In addition he has published on different aspects of dark web drug trade in Belgium. Find him on twitter, tweeting all things drug related @GeertJS.
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“My underlying goal,” writes my guest Tom Misa, “has been to display the variety of technologies, to describe how they changed across time, and to understand how they interacted with diverse societies and cultures. There’s no simple definition of technology that adequately conveys the variety of its forms or sufficiently emphasizes the social and cultural interactions and consequences that I believe are essential to understand. The key point is that technologies are consequential for social and political futures. There is not “one path” forward.”
These words come from the conclusion of Misa’s Leonardo to the Internet: Technology and Culture from the Renaissance to the Present, now being published in a third edition by Johns Hopkins University Press, as one of the structural pillars of the Johns Hopkins Series in the History of Technology.
Thomas J. Misa recently retired as Professor of the History of Technology at the University of Minnesota, where he directed the Charles Babbage Center (dedicated to the history of computing); taught courses in the Program for the History of Science, Technology, and Medicine; and was a faculty member in the Department of Electrical and Computer Engineering
For Further Investigation
Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts.
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Since 2010 it has been possible to determine a person's genetic makeup in a matter of days at an accessible cost for many millions of people. Along with this technological breakthrough there has emerged a movement to use this information to help prospective parents "eliminate preventable genetic disease." As the prospect of systematically excluding the appearance of unwanted mutations in our children comes within reach, David B. Goldstein examines the possible consequences from these types of choices.
Engaging and accessible, The End of Genetics: Designing Humanity's DNA (Yale UP, 2022) is a clarion call for responsible and informed stewardship of the human genome provides an overview of what we do and do not know about human genetics and looks at some of the complex, yet largely unexplored, issues we must be most careful about as we move into an era of increasing numbers of parents exercising direct control over the genomes of their children.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where 'the digital won't let [us] go…' Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and listening to music.
Virtual Music: Sound, Music, and Image in the Digital Era (Bloomsbury, 2021) explores the interactive relationship of sound, music, and image, and its users (creators/musicians/performers/audience/consumers). Areas involving the historical, technological, and creative practices of virtual music are surveyed including its connection with creators, musicians, performers, audience, and consumers. Shara Rambarran looks at the fascination and innovations surrounding virtual music, and illustrates key artists (such as Grace Jones, The Weeknd), creators (such as King Tubby, Kraftwerk, MadVillain, Danger Mouse), audiovisuals in video games and performances (such as Cuphead and Gorillaz), audiences, and consumers that contribute in making this musical experience a phenomenon. Whether it is interrogating the (un)realness of performers, modified identities of artists, technological manipulation of the Internet, music industry and music production, or accessible opportunities in creativity, the book offers a fresh understanding of virtual music and appeals to readers who have an interest in this digital revolution.
Shara Rambarran is Assistant Professor of Music at Bader International Study Centre, UK (Queen’s University, Canada). She co-runs the Art of Record Production conferences and is an editor on the Journal on the Art of Record Production and co-editor of The Oxford Handbook of Music and Virtuality (2016). Shara Rambarran on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
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In AI in Talent Development: Capitalize on the AI Revolution to Transform the Way You Work, Learn, and Live (ASTD, 2020), Margie Meacham describes the benefits, uses, and risks of AI technology and offers practical tools to strengthen and enhance learning and performance programs. In layman's terms, Meacham demonstrates how we can free time for ourselves by employing a useful robot "assistant," create a chatbot for specific tasks (such as a new manager bot, a sales coach bot, or new employee onboarding bot), and build personalized coaching tools from AI-processed big data. She concludes each of the six chapters with helpful tips and includes a resource guide with planning tools, templates, and worksheets.
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Jessamyn Abel’s Dream Super-Express: A Cultural History of the World’s First Bullet Train (Stanford UP, 2022) is a history of Japan’s famous super-express (shinkansen) and “the bullet train imaginary.” In other words, it is both a history of infrastructure and mobility on the one hand, and a cultural and social history of the ways that the train was planned, interpreted, and built up as a symbol of a new Japan both at home and in the world on the other. The bullet train transformed the speed and volume of the flows of people and information across Japan, and became the embodiment of a dawning information society and a national brand. But it was also an agent of destruction for communities in its way; a source of anxiety for artists, activists, and others; and an object of nostalgia for those who connected it to Japan’s imperial past. While triumphalism eventually became hegemonic in public narratives about the shinkansen, Abel unearths the tensions, conflicts, and concerns often drowned out in the “monumentalization” of the bullet train as Japan’s Dream Super-Express.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
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The toxicity of pesticides to the environment and humans is often framed as an unfortunate effect of their benefits to agricultural production. In Economic Poisoning: Industrial Waste and the Chemicalization of American Agriculture (U California Press, 2021), Adam M. Romero upends this narrative and provides a fascinating new history of pesticides in American industrial agriculture prior to World War II. Through impeccable archival research, Romero reveals the ways in which late nineteenth- and early twentieth-century American agriculture, especially in California, functioned less as a market for novel pest-killing chemical products and more as a sink for the accumulating toxic wastes of mining, oil production, and chemical manufacturing. Connecting farming ecosystems to technology and the economy, Romero provides an intriguing reconceptualization of pesticides that forces readers to rethink assumptions about food, industry, and the relationship between human and nonhuman environments.
Eyad Houssami makes theatre and has participated in the revitalization of an ancient organic farm in southern Lebanon. He is editor of the Arabic-English book Doomed by Hope: Essays on Arab Theatre (Pluto/Dar Al Adab) and was editor-at-large of Portal 9, a bilingual literary and academic journal about urbanism. His doctoral research project on ecology and agriculture in post-independence Lebanon sat the University of Leeds and this work are supported by the UK Arts & Humanities Research Council (grant number AH/R012733/1) through the White Rose College of the Arts & Humanities.
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Should academic scholars trust machine translation for the publication of their academic articles? In this episode, Avi Staiman and Ana Guerberof Arenas discuss how the evolution of machine translation and the most recent developments in machine translation technology. Ana shares her insight on the potential pitfalls of relying on machine translation for unpublished manuscripts as opposed to when getting the 'gist' suffices for understanding the research of others. She also shares the results of her recent study on the advantages of human translation for creative and literary texts.
Ana Guerberof Arenas is a Marie Skłodowska Curie Research Fellow at University of Groningen. Her project (CREAMT) looks at the impact of MT on translation creativity and the reader's experience in the context of literary texts. Ana is also a Senior Lecturer in Translation and Multimodal Technologies at University of Surrey (UK) where she is a member of the Centre for Translation Studies. She has worked more than twenty years in the translation/localization industry in roles that ranged from translator to operations manager. She has authored refereed articles and book chapters on MT post-editing productivity, quality and experience; pre-editing and post-editing; reading comprehension of MT output; translator training and creativity and reading experience with different translation modalities.
Avi Staiman is the founder and CEO of Academic Language Experts.
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How the debate over genetically modified crops in India is transforming science and politics Genetically modified or transgenic crops are controversial across the world. Advocates see such crops as crucial to feeding the world's growing population; critics oppose them for pushing farmers deeper into ecological and economic distress, and for shoring up the power of agribusinesses. India leads the world in terms of the intensity of democratic engagement with transgenic crops.
In Genetically Modified Democracy: Transgenic Crops in Contemporary India (Yale UP, 2022), anthropologist Aniket Aga excavates the genealogy of conflicts of interest and disputes over truth that animate the ongoing debate in India around the commercial release of transgenic food crops. The debate may well transform agriculture and food irreversibly in a country already witness to widespread agrarian distress, and over 300,000 suicides by farmers in the last two decades. Aga illustrates how state, science, and agrarian capitalism interact in novel ways to transform how democracy is lived and understood, and sheds light on the dynamics of technological change in populous, unequal polities.
Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College.
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Alice Dailey’s How to Do Things with Dead People: History, Technology, and Temporality from Shakespeare to Warhol (Cornell University Press, 2022) is an exploration of Shakespeare’s chronicle plays through the theoretical rubric of modern technology. Dailey is Professor of English at Villanova University and is the author of the monograph The English Martyr from Reformation to Revolution (from Notre Dame Press).
How to Do Things with Dead People is a study of the representational strategies of the porous boundary between past and present, and dead and undead, in Shakespeare’s history plays. Drawing on Roland Barthes, Susan Sontag, Lee Edelman, Peggy Phelan, and Derrida, Dailey creates new space for how we might think about the unruly interrelationships of the present, the past, and the future, including how twentieth-century technology can reanimate our engagement with early modern theories of kingship, ableism, and reproductive futurity.
John Yargo recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Studies in Philology, and Shakespeare Studies.
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In this Pandemic Perspectives Podcast, Ideas Roadshow founder and host Howard Burton talks to renowned cognitive psychologist Stephen Kosslyn about how the COVID-19 pandemic influenced, or didn't influence, our understanding of the learning process.
Ideas Roadshow's Pandemic Perspectives Project consists of three distinct, reinforcing elements: a documentary film (Pandemic Perspectives), book (Pandemic Perspectives: A filmmaker's journey in 10 essays) and a series of 24 detailed podcasts with many of the film's expert participants. Visit www.ideasroadshow.com for more details.
Howard Burton is the founder of Ideas Roadshow and host of the Ideas Roadshow Podcast. He can be reached at [email protected].
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Algorithms that work with deep learning and big data are getting so much better at doing so many things that it makes us uncomfortable. How can a device know what our favorite songs are, or what we should write in an email? Have machines become too smart? In Artificial Communication: How Algorithms Produce Social Intelligence (MIT Press, 2022), Elena Esposito argues that drawing this sort of analogy between algorithms and human intelligence is misleading. If machines contribute to social intelligence, it will not be because they have learned how to think like us but because we have learned how to communicate with them. Esposito proposes that we think of "smart" machines not in terms of artificial intelligence but in terms of artificial communication.
To do this, we need a concept of communication that can take into account the possibility that a communication partner may be not a human being but an algorithm--which is not random and is completely controlled, although not by the processes of the human mind. Esposito investigates this by examining the use of algorithms in different areas of social life. She explores the proliferation of lists (and lists of lists) online, explaining that the web works on the basis of lists to produce further lists; the use of visualization; digital profiling and algorithmic individualization, which personalize a mass medium with playlists and recommendations; and the implications of the "right to be forgotten." Finally, she considers how photographs today seem to be used to escape the present rather than to preserve a memory.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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Why has "car society" proven so durable, even in the face of mounting environmental and economic crises? In Globalizing Automobilism: Exuberance and the Emergence of Layered Mobility, 1900–1980 (Berghahn Books, 2020), Gijs Mom traces the global spread of the automobile in the postwar era and investigates why adopting more sustainable forms of mobility has proven so difficult. Drawing on archival research as well as wide-ranging forays into popular culture, Mom reveals here the roots of the exuberance, excess, and danger that define modern automotive culture.
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Four Shades of Gray: The Amazon Kindle Platform (MIT Press, 2022) is the first book-length analysis of Amazon's Kindle explores the platform's technological, bibliographical, and social impact on publishing.
Dr. Simon Peter Rowberry recounts how Amazon built the infrastructure for a new generation of digital publications, then considers the consequences of having a single company control the direction of the publishing industry. Exploring the platform from the perspectives of technology, texts, and uses, he shows how the Kindle challenges traditional notions of platforms as discrete entities. Dr. Rowberry argues that Amazon's influence extends beyond “disruptive technology” to embed itself in all aspects of the publishing trade; yet despite industry pushback, he says, the Kindle has had a positive influence on publishing.
Dr. Rowberry documents the first decade of the Kindle with case studies of Kindle Popular Highlights, an account of the digitization of books published after 1922, and a discussion of how Amazon's patent filings reflect a shift in priorities. Rowberry argues that while it was initially convenient for the book trade to outsource ebook development to Amazon, doing so has had adverse consequences for publishers in the mid- and long term, limiting opportunities for developing an inclusive and forward-thinking digital platform. While it has forced publishers to embrace digital forms, the Kindle has also empowered some previously marginalized readerships. Although it is still too early to judge the long-term impact of ebooks compared with that of the older technologies of clay tablets, the printing press, and offset printing, the shockwaves of the Kindle continue to shape publishing.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In The Digital Frontier: Infrastructures of Control on the Global Web (Indiana University Press, 2021), Sangeet Kumar interrogates the world wide web and the digital ecosystem has spawned to reveal how its conventions, protocols, standards, and algorithmic regulations represent a novel form of global power. Kumar shows the operation of this power through the web's "infrastructures of control" visible at sites where the universalizing imperatives of the web run up against local values, norms, and cultures. These include how the idea of the "global common good" is used as a ruse by digital oligopolies to expand their private enclosures, how seemingly collaborative spaces can simultaneously be exclusionary as they regulate legitimate knowledge, how selfhood is being redefined online along with Eurocentric ideals, and how the web's political challenge is felt differentially by sovereign nation-states.
In analysing this new modality of cultural power in the global digital ecosystem, The Digital Frontier is an important read for scholars, activists, academics and students inspired by the utopian dream of a truly representative global digital network.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and the public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Saronik talks to Tuhin Chakrabarty about the creative processes of Artificial Intelligence, what we can expect from it, and how to keep the results fair.
(Saronik messes up the word GPT-3 twice!)
Reading List:
GPT3 Creativity
When AI Falls in Love, GPT-3 Creative Fiction, Are You Ready for NaNoWriMo?
Papers/Posts on Computational Creativity
Generating Similes Like a Pro, Content Planning for Neural Story Generation, Reverse, Retrieve, and Rank for Sarcasm Generation , The Comedian is in the Machine
Music and Art
Creating Image from Text
Dall-E, Creative Text Generation
Bias in Language Models
Stereoset measures Racism, Sexism, and other Forms of Bias in AI Language Models, Towards Controllable Biases in Language Generation, The Woman worked as a Babysitter, Timnit Gebru’s thread about Google firing her, RealToxicityPrompts, Measuring and Reducing Gendered Correlations in Pre-trained Models
Bias in Poetry
Investigating Societal Biases in a Poetry Composition System
AI Poetry
Google’s New AI Helps You Write Poetry like Poe, Generating Topical Poetry
Academic Venues
Computational Creativity, Machine Learning for Creativity and Design
Image: created using Dall-E
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Artificial intelligence, or AI for short, has generated a staggering amount of hype in the past several years. Is it the game-changer it's been cracked up to be? If so, how is it changing the game? How is it likely to affect us as customers, tenants, aspiring homeowners, students, educators, patients, clients, prison inmates, members of ethnic and sexual minorities, and voters in liberal democracies? Authored by experts in fields ranging from computer science and law to philosophy and cognitive science, A Citizen's Guide to Artificial Intelligence (MIT Press, 2022) offers a concise overview of moral, political, legal and economic implications of AI. It covers the basics of AI's latest permutation, machine learning, and considers issues such as transparency, bias, liability, privacy, and regulation.
Both business and government have integrated algorithmic decision support systems into their daily operations, and the book explores the implications for our lives as citizens. For example, do we take it on faith that a machine knows best in approving a patient's health insurance claim or a defendant's request for bail? What is the potential for manipulation by targeted political ads? How can the processes behind these technically sophisticated tools ever be transparent? The book discusses such issues as statistical definitions of fairness, legal and moral responsibility, the role of humans in machine learning decision systems, “nudging” algorithms and anonymized data, the effect of automation on the workplace, and AI as both regulatory tool and target.
Dr John Zerilli is a philosopher with particular interests in cognitive science, artificial intelligence, and the law. He is currently a Leverhulme Fellow at the University of Oxford, a Research Associate in the Oxford Institute for Ethics in AI, and an Associate Fellow in the Centre for the Future of Intelligence at the University of Cambridge.
Frances Sacks is a journalist and graduate of Wesleyan University where she studied in the Science and Society Program.
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Digital connections permeate our lives-and so do data breaches. Given that we must be online for basic communication, finance, healthcare, and more, it is alarming how difficult it is to create rules for securing our personal information. Despite the passage of many data security laws, data breaches are increasing at a record pace. In Breached!: Why Data Security Law Fails and How to Improve It (Oxford UP, 2022), Daniel Solove and Woodrow Hartzog, two of the world's leading experts on privacy and data security, argue that the law fails because, ironically, it focuses too much on the breach itself.
Drawing insights from many fascinating stories about data breaches, Solove and Hartzog show how major breaches could have been prevented or mitigated through a different approach to data security rules. Current law is counterproductive. It pummels organizations that have suffered a breach but doesn't address the many other actors that contribute to the problem: software companies that create vulnerable software, device companies that make insecure devices, government policymakers who write regulations that increase security risks, organizations that train people to engage in risky behaviors, and more.
Although humans are the weakest link for data security, policies and technologies are often designed with a poor understanding of human behavior. Breached! corrects this course by focusing on the human side of security. Drawing from public health theory and a nuanced understanding of risk, Solove and Hartzog set out a holistic vision for data security law-one that holds all actors accountable, understands security broadly and in relationship to privacy, looks to prevention and mitigation rather than reaction, and works by accepting human limitations rather than being in denial of them. The book closes with a roadmap for how we can reboot law and policy surrounding data security.
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Has the internet really been the main culprit behind the upheaval of the contemporary media industries? In Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars (MIT Press, 2021), Professor Amanda Lotz provides a rebuttal to persistent myths about disruption across the mediascape of the late 20th and early 21st Centuries. Through a granular reading of four media industries – newspapers, recorded music, film and television – Lotz demonstrates that the internet has had diffuse and divergent effects in each, none of which are adequately explained through simplistic narratives of piracy or cannibalism. Lotz suggests that the speed and scale of reconfiguration in these industries has stemmed more from built up consumer demand and business (mal)practices, often with deep historical roots, which have only then been catalysed by the advent of the internet.
Alongside laying out what we often get wrong about the internet and the media industries, Lotz provides detailed analyses of those media businesses which managed to negotiate this tumultuous period successfully. Media Disruption helps us understand how the media industries got to where they are today and provides valuable lessons for those seeking to weather disruptions to come.
Professor Amanda Lotz works at the Digital Media Research Centre at Queensland University of Technology.
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In Media Primitivism: Technological Art in Africa (Duke University Press, 2020) Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.
Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.
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In Breaking Things at Work: The Luddites are Right About Why You Hate Your Job (Verso, 2021), Gavin Mueller provides a bracing and wide-ranging study of the fractious relationship between workers and technology under capitalism. Mueller traces the thought and actions of ordinary people past and present – including hackers, dockers, musicians and the titular textile workers - who have recognised that technological ‘progress’ too often comes at the expense of their autonomy and dignity. The book pushes back against visions of machine-driven utopia that have continually re-emerged on both the right and the left, arguing instead that resistance to technology is a key site of struggle throughout modernity, and that a Marxist neo-Luddism is crucial to understanding, and changing, the world today.
Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
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Media Hot and Cold (Duke UP, 2021) attunes the reader to temperature as a crucial but often overlooked terrain of control, communication and contestation. The book skilfully unpacks the complex technical operations of a vast array of heat-based communication technologies in parallel with a close analysis of the cultural and political resonances of these media, taking in early experiments in heat ray technologies, the development of the thermostat, undersea fibre optic cables and torture sweatboxes from the US plantation. Today’s thermal media are framed as politically neutral and scientifically objective technologies of personalised comfort and climate mitigation. However, Starosielski pushes back against this reading, arguing that the manipulation of temperature as a means of coercion and domination has been integral to the construction, normalization and maintenance of unequal relations of power. The book is a timely and significant call for an unflinching analysis of the sociocultural function of temperature in a period of unprecedented thermal volatility.
Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
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In Technology of the Oppressed: Inequity and the Digital Mundane in Favelas of Brazil (MIT Press, 2022), David Nemer draws on extensive ethnographic fieldwork to provide a rich account of how favela residents engage with technology in community technology centers and in their everyday lives. Their stories reveal the structural violence of the information age. But they also show how those oppressed by technology don’t just reject it, but consciously resist and appropriate it, and how their experiences with digital technologies enable them to navigate both digital and nondigital sources of oppression—and even, at times, to flourish. Nemer uses a decolonial and intersectional framework called Mundane Technology as an analytical tool to understand how digital technologies can simultaneously be sites of oppression and tools in the fight for freedom. Building on the work of the Brazilian educator and philosopher Paulo Freire, he shows how the favela residents appropriate everyday technologies—technological artifacts (cell phones, Facebook), operations (repair), and spaces (Telecenters and Lan Houses)—and use them to alleviate the oppression in their everyday lives. He also addresses the relationship of misinformation to radicalization and the rise of the new far right. Contrary to the simplistic techno-optimistic belief that technology will save the poor, even with access to technology these marginalized people face numerous sources of oppression, including technological biases, racism, classism, sexism, and censorship. Yet the spirit, love, community, resilience, and resistance of favela residents make possible their pursuit of freedom.
David Nemer is an Assistant Professor in the Department of Media Studies and in the Latin American Studies program at the University of Virginia. He is also a Faculty Associate at Harvard University's Berkman Klein Center and Princeton University's Brazil Lab. His research and teaching interests cover the intersection of Science and Technology Studies (STS), Anthropology of Technology, ICT for Development (ICT4D), and Human-Computer Interaction (HCI). Nemer is an ethnographer whose fieldworks include the Slums of Vitória, Brazil; Havana, Cuba; Guadalajara, Mexico; and Eastern Kentucky, Appalachia. Nemer is the author of Technology of the Oppressed (MIT Press, 2022) and Favela Digital: The other side of technology (Editora GSA, 2013).
Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program, where my research addresses the intersection of artificial intelligence, human rights, and democracy.
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In Black Earth, White Bread: A Technopolitical History of Russian Agriculture and Food (University of Wisconsin Press, 2022), Dr. Susanne A. Wengle shows how agrotechnology served—and undermined—Soviet and Russian political projects. “The book emphasises a tight connection between political change, technological change in food systems, and the transformation of everyday lives - a connection that we can grasp and understand through the lens of technopolitics.”
Like all facets of daily life, the food that Russian farms produced and citizens ate—or, in some years, didn’t eat—underwent radical shifts in the century between the Bolshevik Revolution and Vladimir Putin’s presidency. The modernization of agriculture during this time is usually understood in terms of advances in farming methods. Dr. Susanne A. Wengle’s important interdisciplinary history of Russia’s agriculture and food systems, however, documents a far more complex story of the interactions between political policies, daily cultural practices, and technological improvements.
“A central augment of this book is that politics and technologies together drive a change in food systems and that we should think of food systems as technopolitical regimes. Technopolitics refers to the support of and reliance on agricultural technologies - from tractors to CRISPR techniques - in policy regimes that seek to realise particular political goals and utopias. A technopolitical regime is forged by privileged agents of change and the technologies they employ to grow crops and raise animals.”
Examining governance, production, consumption, nature, and the ensuing vulnerabilities of the agrifood system, Dr. Wengle reveals the intended and unintended consequences of Russian agricultural policies since 1917. Ultimately, Black Earth, White Bread calls attention to Russian technopolitics and how macro systems of government impact life on a daily, quotidian level. “Food systems can be a lens to track interactions between domains of life that are too often seen as discrete and disconnected, such as rural production and urban consumption. They can also tell us about the interactions between human realms and the nonhuman realms of crops, livestock, climate and soil conditions.”
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In The World Computer: Derivative Conditions of Racial Capitalism (Duke UP, 2021) Jonathan Beller forcefully demonstrates that the history of commodification generates information itself. Out of the omnipresent calculus imposed by commodification, information emerges historically as a new money form. Investigating its subsequent financialization of daily life and colonization of semiotics, Beller situates the development of myriad systems for quantifying the value of people, objects, and affects as endemic to racial capitalism and computation. Built on oppression and genocide, capital and its technical result as computation manifest as racial formations, as do the machines and software of social mediation that feed racial capitalism and run on social difference. Algorithms, derived from for-profit management strategies, conscript all forms of expression-language, image, music, communication-into the calculus of capital such that even protest may turn a profit. Computational media function for the purpose of extraction rather than ameliorating global crises, and financialize every expressive act, converting each utterance into a wager. Repairing this ecology of exploitation, Beller contends, requires decolonizing information and money, and the scripting of futures wagered by the cultural legacies and claims of those in struggle.
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
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In Black Earth, White Bread: A Technopolitical History of Russian Agriculture and Food (University of Wisconsin Press, 2022), Dr. Susanne A. Wengle shows how agrotechnology served—and undermined—Soviet and Russian political projects. “The book emphasises a tight connection between political change, technological change in food systems, and the transformation of everyday lives - a connection that we can grasp and understand through the lens of technopolitics.”
Like all facets of daily life, the food that Russian farms produced and citizens ate—or, in some years, didn’t eat—underwent radical shifts in the century between the Bolshevik Revolution and Vladimir Putin’s presidency. The modernization of agriculture during this time is usually understood in terms of advances in farming methods. Dr. Susanne A. Wengle’s important interdisciplinary history of Russia’s agriculture and food systems, however, documents a far more complex story of the interactions between political policies, daily cultural practices, and technological improvements.
“A central augment of this book is that politics and technologies together drive a change in food systems and that we should think of food systems as technopolitical regimes. Technopolitics refers to the support of and reliance on agricultural technologies - from tractors to CRISPR techniques - in policy regimes that seek to realise particular political goals and utopias. A technopolitical regime is forged by privileged agents of change and the technologies they employ to grow crops and raise animals.”
Examining governance, production, consumption, nature, and the ensuing vulnerabilities of the agrifood system, Dr. Wengle reveals the intended and unintended consequences of Russian agricultural policies since 1917. Ultimately, Black Earth, White Bread calls attention to Russian technopolitics and how macro systems of government impact life on a daily, quotidian level. “Food systems can be a lens to track interactions between domains of life that are too often seen as discrete and disconnected, such as rural production and urban consumption. They can also tell us about the interactions between human realms and the nonhuman realms of crops, livestock, climate and soil conditions.”
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Internet-enabled mobilization begins long before there is a call for protest. In the book Internet Use and Protest in Malaysia and other Authoritarian Regimes (Palgrave Macmillan, 2021), Kris Ruijgrok examines the case of Bersih – an anti-corruption movement in Malaysia – to track the sequence of events that lead citizens to take part in protest action. Contrary to the impression that social media platforms like Twitter spontaneously spark protests around the world, the book takes a longer and wider view of how the internet challenges information scarcity in authoritarian regimes, which, consequently, creates conditions for citizens to carefully consider their sympathies for a protest movement and defy their fears about state control.
In this podcast, Kris discusses the reasons why the Malaysian government is unable to successfully control the digital public sphere in the same way it controlled the information environment of traditional media. He makes a case for going beyond what he considers to be technologically deterministic debate between cyber-pessimists and cyber-optimists. Instead, Kris foregrounds the importance of context – how different social conditions result to different outcomes.
Kris Ruijgrok is a lecturer in the Faculty of Law at the University of Amsterdam.
Like this interview? You may also be interested in:
Nicole Curato is a Professor of Sociology in the Centre for Deliberative Democracy and Global Governance at the University of Canberra. She co-hosts the New Books in Southeast Asia Studies channel.
This episode was produced in collaboration with Erron C. Medina of the Development Studies Program of Ateneo De Manila University.
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Robert Jacob’s book Nuclear Bodies: The Global Hibakusha (Yale UP, 2022) re‑envisions the history of the Cold War as a slow nuclear war, fought on remote battlegrounds against populations powerless to prevent the contamination of their lands and bodies. Jacobs’s book put these “nuclear bodies” and the legacy of our eighty years history of nuclear weapon and power use at the center of his inquiry. The contaminated bodies of the hibakusha and the contaminated grounds on which they live (or in many cases lived. As many lost their homes), Jacobs argues, are largely invisible because of the colonial and post -colonial power relations that made these communities a target to begin with. Nuclear weapon tests and power stations usually were set at remote places, and the harm was done to people with no political power. Furthermore, it is not just contemporary communities that were harmed, but also future generations. “Plutonium will remain dangerous for over two hundred thousand years, and uranium particles for more than one million years”. Eighty years of tests and nuclear power have saddled our future descendants with radiative waste, most of which is still not safely stored, “a global legacy currently sitting in spent fuel pools and dry storage casks, waiting.” The invisibility of the problem and people affected by it, Jacobs argues, is manufactured in science and politics. Furthermore, the way we study the problem historically further obscured its scope. Different sites have been studied through different national historical “silos,” Jacobs, however, takes a global approach, and look at sites from Nevada to Hiroshima and Nagasaki, Kazakhstan to Xinjian, and the various Pacific sites that were sites of nuclear tests and accidents since 1945 to make the invisible global hibakusha visible.
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Although there is often opposition to individual wars, most people continue to believe that the arms industry is necessary in some form: to safeguard our security, provide jobs and stimulate the economy. Not only conservatives, but many progressives and liberals, support it for these reasons. Indefensible puts forward a devastating challenge to this conventional wisdom, which has normalized the existence of the most savage weapons of mass destruction ever known.
Indefensible: Seven Myths that Sustain the Global Arms Trade (Zed Books, 2017) is the essential handbook for those who want to debunk the arguments of the industry and its supporters: deploying case studies, statistics and irrefutable evidence to demonstrate they are fundamentally flawed, both factually and logically. Far from protecting us, the book shows how the arms trade undermines our security by fanning the flames of war, terrorism and global instability. In countering these myths, the book points to ways in which we can combat the arms trade's malignant influence, reclaim our democracies and reshape our economies.
The book can be read here for free.
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Kendall Square in Cambridge, Massachusetts, has been called “the most innovative square mile on the planet.” It's a life science hub, hosting Biogen, Moderna, Pfizer, Takeda, and others. It's a major tech center, with Google, Microsoft, IBM, Amazon, Facebook, and Apple all occupying big chunks of pricey office space. Kendall Square also boasts a dense concentration of startups, with leading venture capital firms conveniently located nearby. And of course, MIT is just down the block. In Where Futures Converge: Kendall Square and the Making of a Global Innovation Hub (MIT Press, 2022), Robert Buderi offers the first detailed account of the unique ecosystem that is Kendall Square, chronicling the endless cycles of change and reinvention that have driven its evolution.
Buderi, who himself has worked in Kendall Square for the past twenty years, tells fascinating stories of great innovators and their innovations that stretch back two centuries. Before biotech and artificial intelligence, there was railroad car innovation, the first long-distance telephone call, the Polaroid camera, MIT's once secret, now famous Radiation Laboratory, and much more. Buderi takes readers on a walking tour of the square and talks to dozens of innovators, entrepreneurs, urban planners, historians, and others. He considers Kendall Square's limitations—it's “gentrification gone rogue,” by one description, with little affordable housing, no pharmacy, and a scarce middle class—and its strengths: the “human collisions” that spur innovation.
What's next for Kendall Square? Buderi speculates about the next big innovative enterprises and outlines lessons for aspiring innovation districts. More important, he asks how Kendall Square can be both an innovation hub and a diversity, equity, and inclusion hub. There's a lot of work still to do.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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In A New History of Modern Computing (MIT Press, 2021), Thomas Haigh and Paul Ceruzzi trace changes leading to the computer becoming a ubiquitous technology. Over the past fifty years, the computer has been transformed from a hulking scientific super tool and data processing workhorse, remote from the experiences of ordinary people to a diverse family of devices that billions rely on to play games, shop, stream music, and movies, communicate, and count their steps. A comprehensive reimagining of Ceruzzi's A History of Modern Computing, this new volume uses each chapter to recount one such transformation, describing how a particular community of users and producers remade the computer into something new. Haigh and Ceruzzi ground their accounts of these computing revolutions in the longer and deeper history of computing technology. They begin with the story of the 1945 ENIAC computer, which introduced the vocabulary of "programs" and "programming," and proceed through email, pocket calculators, personal computers, the World Wide Web, videogames, smartphones, and our current world of computers everywhere--in phones, cars, appliances, watches, and more. Finally, they consider the Tesla Model S as an object that simultaneously embodies many strands of computing.
Dr. Thomas Haigh is a Professor of History at the University of Wisconsin-Milwaukee and Comenius Visiting Professor at Siegen University. He has been researching the history of computing for more than twenty years and is a past chair of SIGCIS, the group for historians of information technology. He is the lead author, with Mark Priestley and Crispin Rope, of ENIAC in Action: Making and Remaking the Modern Computer, about the design, construction, and use of the first general-purpose programmable electronic computer, the ENIAC. His new book, with Paul Ceruzzi, is New History of Modern Computing: a comprehensive history of computing from ENIAC to the Covid-19 pandemic.
Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program, where my research addresses the intersection of artificial intelligence, human rights, and democracy.
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I spoke with Hannah Star Rogers, one of the editors of the Routledge Handbook of Art, Science, and Technology Studies (Routledge, 2021). Art and science work is experiencing a dramatic rise coincident with burgeoning Science and Technology Studies (STS) interest in this area. Science has played the role of muse for the arts, inspiring imaginative reconfigurations of scientific themes and exploring their cultural resonance. Conversely, the arts are often deployed in the service of science communication, illustration, and popularization. STS scholars have sought to resist the instrumentalization of the arts by the sciences, emphasizing studies of theories and practices across disciplines and the distinctive and complementary contributions of each. The manifestation of this commonality of creative and epistemic practices is the emergence of Art, Science, and Technology Studies (ASTS) as the interdisciplinary exploration of art–science.
This handbook defines the modes, practices, crucial literature, and research interests of this emerging field. It explores the questions, methodologies, and theoretical implications of scholarship and practice that arise at the intersection of art and STS. Further, ASTS demonstrates how the arts are intervening in STS. Drawing on methods and concepts derived from STS and allied fields including visual studies, performance studies, design studies, science communication, and aesthetics, and the knowledge of practicing artists and curators, ASTS is predicated on the capacity to see both art and science as constructions of human knowledge-making. Accordingly, it posits a new analytical vernacular, enabling new ways of seeing, understanding, and thinking critically about the world.
This book provides scholars and practitioners already familiar with the themes and tensions of art–science with a means of connecting across disciplines. It proposes organizing principles for thinking about art–science across the sciences, social sciences, humanities, and arts. Encounters with art and science become meaningful in relation to practices and materials manifest as perceptual habits, background knowledge, and cultural norms. As the chapters in this book demonstrate, a variety of STS tools can be brought to bear on art–science so that systematic research can be conducted on this unique set of knowledge-making practices.
Hannah Star Rogers is Visiting Scholar at the University of Edinburgh in Science, Technology, and Innovation Studies (STIS) and lead editor of the Routledge Handbook of Art, Science, and Technology Studies.
Frances Sacks is a journalist and graduate of Wesleyan University, where she studied in the Science and Society Program. She is also a drummer who has studied Gamelan in Bali, Berber in Morocco, and most traditional Ga patterns with master drummers in Ghana.
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As much of daily life migrates online, broadband—high-speed internet connectivity—has become a necessity. The widespread lack of broadband in rural America has created a stark urban–rural digital divide. In Farm Fresh Broadband: The Politics of Rural Connectivity (MIT Press, 2021), Dr. Christopher Ali analyzes the promise and the failure of national rural broadband policy in the United States and proposes a new national broadband plan. He examines how broadband policies are enacted and implemented, explores business models for broadband providers, surveys the technologies of rural broadband, and offers case studies of broadband use in the rural Midwest.
Ali argues that rural broadband policy is both broken and incomplete: broken because it lacks coordinated federal leadership and incomplete because it fails to recognize the important roles of communities, cooperatives, and local providers in broadband access. For example, existing policies favor large telecommunication companies, crowding out smaller, nimbler providers. Lack of competition drives prices up—rural broadband can cost 37 percent more than urban broadband. The federal government subsidizes rural broadband by approximately $6 billion. Where does the money go? Ali proposes democratizing policy architecture for rural broadband, modeling it after the wiring of rural America for electricity and telephony. Subsidies should be equalized, not just going to big companies. The result would be a multi-stakeholder system, guided by thoughtful public policy and funded by public and private support.
Dr. Christopher Ali is Associate Professor in the Department of Media Studies at the University of Virginia and is also the author of Media Localism: The Policies of Place. He is a Knight News Innovation Fellow with the Tow Center for Digital Journalism at Columbia University and former Fellow with the Benton Institute for Broadband & Society.
Michael O. Johnston, Ph.D. is Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at [email protected].
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As the US contends with issues of populism and de-democratization, this timely study considers the impacts of digital technologies on the country’s politics and society.
In Algorithms and the End of Politics: How Technology Shapes 21st-Century American Life (Bristol University Press, 2021), Dr. Scott Timcke provides a Marxist analysis of the rise of digital media, social networks and technology giants like Amazon, Apple, Facebook and Microsoft. He looks at the impact of these new platforms and technologies on their users who have made them among the most valuable firms in the world.
Offering bold new thinking across data politics and digital and economic sociology, this is a powerful demonstration of how algorithms have come to shape everyday life and political legitimacy in the US and beyond.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at [email protected].
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Howard Burton has been talking to very wise people for decades--scientists, historians, political thinkers, philosophers, etc. When Covid "hit" he was, like many of us, puzzled. Where did it come from? How should we respond to it? What does it say about us? So he did what he does: Had conversations with 32 very wise people about Covid. He filmed the discussions, and you can watch them here. Some of them will be released as podcasts on the Ideas Roadshow Podcast, which you can find here. He also wrote a book about his conversations: Pandemic Perspectives: A Filmmaker's Journey in 10 Essays (Open Agenda, 2022). You can buy it here.
Today I talked to Howard about the book, and what he learned in his discussions with these people. Enjoy.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected].
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What happens when artificial intelligence saturates political life and depletes the planet? How is AI shaping our understanding of ourselves and our societies? In The Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence (Yale University Press, 2021), Kate Crawford reveals how this planetary network is fuelling a shift toward undemocratic governance and increased racial, gender, and economic inequality. Drawing on more than a decade of research, award‑winning science, and technology, Crawford reveals how AI is a technology of extraction: from the energy and minerals needed to build and sustain its infrastructure, to the exploited workers behind “automated” services, to the data AI collects from us.
Rather than taking a narrow focus on code and algorithms, Crawford offers us a political and a material perspective on what it takes to make artificial intelligence and where it goes wrong. While technical systems present a veneer of objectivity, they are always systems of power. This is an urgent account of what is at stake as technology companies use artificial intelligence to reshape the world.
Matthew Jordan is a university instructor, funk musician, and clear writing enthusiast. He studies the history of science and technology, driven by the belief that we must understand the past in order to improve the future.
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The digital revolution has not only transformed multiple aspects of social life – it also shakes sociological theory, transforming the most basic assumptions that have underlain it. In this timely book, Ori Schwarz explores the main challenges digitalization poses to different strands of sociological theory and offers paths to adapt them to new social realities in his book Sociological Theory for Digital Society: The Codes that Bind Us Together, published by Polity Press in 2021.
What would symbolic interactionism look like in a world where interaction no longer takes place within bounded situations and is constantly documented as durable digital objects? How should we understand new digitally mediated forms of human association that bind our actions and lives together but have little in common with old-time 'collectives'; and why are they not simply ‘social networks’? How does social capital transform when it is materialized in a digital form, and how does it remold power structures? What happens to our conceptualization of power when faced with the emergence of new forms of algorithmic power? And what happens when labor departs from work? By posing and answering such fascinating questions, and offering critical tools for both students and scholars of social theory and digital society to engage with them, this thought-provoking book draws the outline of future sociological theory for our digital society.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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The Constitution of Algorithms: Ground-Truthing, Programming, Formulating (MIT Press, 2021) is a laboratory study that investigates how algorithms come into existence. Algorithms--often associated with the terms big data, machine learning, or artificial intelligence--underlie the technologies we use every day, and disputes over the consequences, actual or potential, of new algorithms arise regularly. In this book, Florian Jaton offers a new way to study computerized methods, providing an account of where algorithms come from and how they are constituted, investigating the practical activities by which algorithms are progressively assembled rather than what they may suggest or require once they are assembled.
Florian Jaton is a Postdoctoral Researcher at the STS Lab, a research unit of the Institute of Social Sciences of the University of Lausanne, Switzerland. Florian studied Philosophy, Mathematics, Literature, and Political Sciences before receiving his PhD in Social Sciences at the University of Lausanne. He also worked at the Donald Bren School of Information and Computer Science at the University of California Irvine and at the Centre de Sociologie de l'Innovation at the École des Mines de Paris. His research interests are the sociology of algorithms, the philosophy of mathematics, and the history of computing.
Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program, where my research addresses the intersection of artificial intelligence, human rights, and democracy.
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For this episode, I met historian and writer Dr. Lydia Pyne. She is author of Postcards: The Rise and Fall of the World’s First Social Network (Reaktion, 2021).. Postcards is a global exploration of postcards as artifacts at the intersection of history, science, technology, art, and culture. Postcards are usually associated with banal holiday pleasantries, but they are made possible by sophisticated industries and institutions, from printers to postal services. When they were invented, postcards established what is now taken for granted in modern times: the ability to send and receive messages around the world easily and inexpensively.
Fundamentally they are about creating personal connections—links between people, places, and beliefs. Lydia Pyne examines postcards on a global scale, to understand them as artifacts that are at the intersection of history, science, technology, art, and culture. In doing so, she shows how postcards were the first global social network and also, here in the twenty-first century, how postcards are not yet extinct.
Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. Editor New Books Network en español. Edita CEO.
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Prototype Nation: China and the Contested Promise of Innovation (Princeton University Press, 2020) reveals how a growing distrust in Western models of progress and development, including Silicon Valley and the tech industry after the financial crisis of 2007–8, shaped the vision of China as a “new frontier” of innovation. Author Silvia Lindtner unpacks how this promise of entrepreneurial life has influenced governance, education, policy, investment, and urban redesign in ways that normalize the persistence of sexist and racist violence and various forms of labor exploitation.
Silvia Margot Lindtner (she/her) is a writer and ethnographer. She is Associate Professor at the University of Michigan in the School of Information and Director of the Center for Ethics, Society, and Computing (ESC). She is also a PIP (Public Intellectual Program) Fellow with the National Committee on United States-China Relations. Lindtner's research focuses on the cultures and politics of technology innovation, including the labor necessary to incubate entrepreneurial life, data-driven futures, and the promise of democratized agency. Drawing from more than ten years of multi-sited ethnographic research, she writes about China's shifting position in the global political economy of computing, supply chains, industrial and agricultural production, and science and technology policy.
Host Peter Lorentzen is an Associate Professor in the Department of Economics at the University of San Francisco, where he leads a new Master's program in Applied Economics focused on the digital economy. His own research focuses on China’s political economy and governance.
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Many have experienced moments where algorithms have made us uncomfortable or suspicious. In Algorithms and Autonomy: The Ethics of Automated Decision Systems (Cambridge University Press, 2021), Rubel, Phan, and Castro outline the stories of teachers and citizens subject to the criminal justice system who face serious consequences at the hands of algorithms. With a focus on locating the a philosophical touchstone to these harms, the authors look at how ideas of autonomy and freedom are affected by algorithms. When algorithms afford those subject to their decisions no transparency to endorse its use or worse hide responsibility for their decision in a network of actors laundering their own agency, citizens are harmed and democracy is harmed. This book mount a forceful lens of what exactly algorithms in criminal justice, education, housing, elections and beyond can do to autonomy, freedom, and democracy. This title is also available as Open Access on Cambridge Core.
Dr. Alan Rubel is Professor and Director of the Information School at University of Wisconsin Madison.
Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program, where my research addresses the intersection of artificial intelligence, human rights, and democracy.
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Police use of advanced data collection and analysis technologies—or, "big data policing"—continues to receive both positive and negative attention through media, activism, and politics. While some high-profile cases illustrate its potential to hasten investigations or even solve previously unsolved crimes, and others showcase risks to individual liberties and vulnerable communities, we know surprisingly little about how and why police departments actually adopt and deploy these tools.
Sarah Brayne's new book, Predict and Surveil: Data, Discretion, and the Future of Policing (Oxford UP, 2021) provides the first in-depth study of these questions. Dr. Brayne recorded observations and interviews over a 5-year period of ethnographic fieldwork and follow-up with the LAPD. In the book, she examines the roles of extra- and intra-departmental factors in the uptake of big data tools, their relationship to the practice and culture of policing, and the impacts and reactions they've precipitated among captains, sworn officers, civilian analysts, and policed communities.
A major theme of the book is the role of discretion: While data-driven decision-making tools may promise to replace biased human judgment, in practice they can instead displace human judgment—to earlier and less visible steps in the process, exacerbating the problem they are invoked to solve. Conversely, i was also interested in how Dr. Brayne suggests we shift our perspectives on these tools: She proposes to think of a "big data environment" that shapes our social behavior, and she flips the analogy of data as capital to describe a "cumulative disadvantage" that accrues to those with less access to and control over the data collected on them.
Dr. Brayne's study has legal and scholarly as well as policy implications, and it will be of interest to anyone interested in the societal role of data or in that of police. I hope that it becomes part of the foundation for urgently needed future work at their intersection.
Suggested companion work: Ballad of the Bullet by Forrest Stuart (listen to Stuart's interview with Sarah E. Patterson here)
Sarah Brayne is an Assistant Professor of Sociology at The University of Texas at Austin. Prior to joining the faculty at UT-Austin, she was a Postdoctoral Researcher at Microsoft Research. Dr. Brayne is the founder and director of the Texas Prison Education Initiative, a group of faculty and students who volunteer to teach college classes in prisons throughout Texas.
Cory Brunson is an Assistant Professor at the Laboratory for Systems Medicine at the University of Florida. His research focuses on geometric and topological approaches to the analysis of medical and healthcare data.
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Privacy is gravely endangered in the digital age, and we, the digital citizens, are its principal threat, willingly surrendering it to avail ourselves of new technology, and granting the government and corporations immense power over us. In Life After Privacy: Reclaiming Democracy in a Surveillance Society (Cambridge UP, 2020), Firmin DeBrabander begins with this premise and asks how we can ensure and protect our freedom in the absence of privacy. Can--and should--we rally anew to support this institution? Is privacy so important to political liberty after all? DeBrabander makes the case that privacy is a poor foundation for democracy, that it is a relatively new value that has been rarely enjoyed throughout history--but constantly persecuted--and politically and philosophically suspect. The vitality of the public realm, he argues, is far more significant to the health of our democracy, but is equally endangered--and often overlooked--in the digital age.
Austin Clyde is a Ph.D. candidate at the University of Chicago Department of Computer Science. He researches artificial intelligence and high-performance computing for developing new scientific methods. He is also a visiting research fellow at the Harvard Kennedy School's Science, Technology, and Society program, where my research addresses the intersection of artificial intelligence, human rights, and democracy.
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Today I talked to Shameen Prashantham about his book Gorillas Can Dance: Lessons from Microsoft and Other Corporations on Partnering with Startups (Wiley, 2021).
In a nutshell, the distrust that must be overcome in business partnerships involving large companies and startups consists of Will they screw up? versus Will they screw us over? In other words, corporations harbor concerns about the competency and reliability of their startup partners. In turn, entrepreneurs worry that they will be taken advantage of, with their I.P. being co-opted or outright stolen. To establish trust rather than fear isn’t easy, as Dr. Prashantham acknowledges in this episode. A lot of stress can only be resolved by establishing how the partnership is a true win-win. At the same time, the person at the “bridge” on the corporation’s side must be at once an advocate, a diplomat and mentor, spanning boundaries within the corporation to bring multiple business units on-board to ensure the collaboration can succeed. All this and more gets covered in this episode, which concludes by exploring how the answer to what’s the “next China” may actually be China outside of its largest, showcase cities.
Dr. Shameen Prasantham is Professor of International Business & Strategy and Associate Dean (MBA) at China Europe International Business School (CEIBS) in Shanghai, China. His academic specialty is business partnerships that contribute to sustainable development goals.
Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Lingo. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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Have you logged into Facebook recently? Searched for something on Google? Chosen a movie on Netflix? If so, you've probably been an unwitting participant in a variety of experiments—also known as randomized controlled trials—designed to test the impact of different online experiences. Once an esoteric tool for academic research, the randomized controlled trial has gone mainstream. No tech company worth its salt (or its share price) would dare make major changes to its platform without first running experiments to understand how they would influence user behavior. In The Power of Experiments: Decision Making in a Data-Driven World (MIT Press, 2021), Michael Luca and Max Bazerman explain the importance of experiments for decision-making in a data-driven world.
Luca and Bazerman describe the central role experiments play in the tech sector, drawing lessons and best practices from the experiences of such companies as StubHub, Alibaba, and Uber. Successful experiments can save companies money—eBay, for example, discovered how to cut $50 million from its yearly advertising budget—or bring to light something previously ignored, as when Airbnb was forced to confront rampant discrimination by its hosts. Moving beyond tech, Luca and Bazerman consider experimenting for the social good—different ways that governments are using experiments to influence or “nudge” behavior ranging from voter apathy to school absenteeism. Experiments, they argue, are part of any leader's toolkit.
In this show, Peter Lorentzen interviews economist Michael Luca about this new book on how organizations—including Google, StubHub, Airbnb, and Facebook—learn from experiments in a data-driven world.
Michael Luca, a professor of business administration at Harvard University, is an expert on the design of online platforms and the use of data to inform managerial and policy decision-making.
Host Peter Lorentzen is an Associate Professor in the Department of Economics at the University of San Francisco, where he leads a new digital economy-focused Master's program in Applied Economics.
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For fans of computers and comedy alike, an accessible and entertaining look into how we can use artificial intelligence to make smart machines funny.
Most robots and smart devices are not known for their joke-telling abilities. And yet, as computer scientist Tony Veale explains in Your Wit Is My Command (MIT Press, 2021), machines are not inherently unfunny; they are just programmed that way. By examining the mechanisms of humor and jokes—how jokes actually works—Veale shows that computers can be built with a sense of humor, capable not only of producing a joke but also of appreciating one. Along the way, he explores the humor-generating capacities of fictional robots ranging from B-9 in Lost in Space to TARS in Interstellar, maps out possible scenarios for developing witty robots, and investigates such aspects of humor as puns, sarcasm, and offensiveness.
In order for robots to be funny, Veale explains, we need to analyze humor computationally. Using artificial intelligence (AI), Veale shows that joke generation is a knowledge-based process—a sense of humor is blend of wit and wisdom. He notes that existing technologies can detect sarcasm in conversation, and explains how some jokes can be pre-scripted while others are generated algorithmically—all while making the technical aspects of AI accessible for the general reader. Of course, there's no single algorithm or technology that we can plug in to make our virtual assistants or GPS voice navigation funny, but Veale provides a computational roadmap for how we might get there.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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In Designing Motherhood: Things that Make and Break Our Births (MIT Press, 2021), Michelle Millar Fisher and Amber Winick along with more than fifty contributors consider over a hundred designs that have defined the arc of human reproduction. The designed objects that surround people during menstruation, birth control, conception, pregnancy, childbirth, and early motherhood vary as oddly, messily, and dramatically as the stereotypes suggest. This volume considers a breadth of designs that have defined the relationships between people and babies during the past century.
It is organized around four sections (Reproduction, Pregnancy, Birth, and Postpartum) and includes designs such as the menstrual cup, population policy posters, home pregnancy tests, tie-waist skirts, cesarean birth curtains, birth in film, the Kuddle Up blanket, breast pumps, and car seats.
Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.
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How has digital communication technologies impacted the dynamics of political contention in China? What is the role of mobile technology in the country with the world’s largest number of mobile and internet users? Why is there little domestic resistance about surveillance and technology-related privacy risks in China during the pandemic? Jun Liu, Associate Professor in the Department of Communication, University of Copenhagen, Denmark, shares his book Shifting Dynamics of Contention in the Digital Age: Mobile Communication and Politics in China (Oxford UP, 2020) with the Nordic Asia Podcast.
In his talk with Joanne Kuai, PhD candidate at Karlstad University, Sweden and affiliated PhD at the Nordic Institute of Asian Studies, Jun Liu introduces his work on mobile communication and political activism based on first-hand in-depth interview and fieldwork data. He also draws on one of his latest papers to explain how China’s unprecedented measures to mobilise its diverse surveillance apparatus played a crucial part in the country’s containment of the ongoing coronavirus pandemic.
Jun Liu’s research stands at the intersection of communication, technology, politics, and society, with particular attention to the social, cultural, and political implications of digital communication. Drawing upon theories from communication, sociology, and political science, his research focuses on how digital technology interacts with socio-cultural forms and settings and generates new power dynamics in politics in specific cultural and institutional contexts such as authoritarian regimes like China.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.
We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
About NIAS: www.nias.ku.dk
Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast
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The Ubiquitous Presidency: Presidential Communication and Digital Democracy in Tumultuous Times (Oxford UP, 2021) is part of the Oxford Studies in Digital Politics book series, and it makes an important contribution to the literature on the American presidency and the understanding of presidential rhetoric. There are decades of literature on the concept of the rhetorical presidency, dating back to the 1960s and 1970s. This area of study of executive politics focuses on public communication by the president, which is distinct from examining the powers and norms of the presidency itself. The media environment in which the president operates and in which the presidency exists has shifted and changed rather dramatically over the past century, moving the presidency to a position that is often or regularly the focus of news media, however consumed or delivered.
Josh Scacco and Kevin Coe’s new book examines this changed and continuing to change media landscape and to re-assess the capacity of presidential rhetoric, but they have also expanded and reconceptualized the idea of presidential communication, positioning it within important political contexts and goals that presidents often pursue. The Ubiquitous Presidency posits that accessibility, personalization, and pluralism (read as either exclusion or inclusion, depending on the president) are the dominant contexts in which to examine presidential communication. And that the goals that most presidents pursue within these contexts include visibility, adaptability, and control. Thus, Scacco and Coe have written about what has changed about the contemporary presidency, how it has adapted to changing circumstances, evolving digital spaces, and the need to seek audiences in these new spaces. They have also explained, within the research, how the president’s words may have more of an impact than is often considered to be the case. Given the changing environment in which presidential communication transpires, and the results that we have observed as individuals and group make choices and engage in activities based on communication from the president, there may, indeed, be significant effects connected to presidential rhetoric and communication.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj.
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The Moving City: Scenes from the Delhi Metro and the Social Life of Infrastructure (U California Press, 2021) is a rich and intimate account of urban transformation told through the story of Delhi's Metro, a massive infrastructure project that is reshaping the city's social and urban landscapes. Ethnographic vignettes introduce the feel and form of the Metro and let readers experience the city, scene by scene, stop by stop, as if they, too, have come along for the ride. Laying bare the radical possibilities and concretized inequalities of the Metro, and how people live with and through its built environment, this is a story of women and men on the move, the nature of Indian aspiration, and what it takes morally and materially to sustain urban life. Through exquisite prose, Rashmi Sadana transports the reader to a city shaped by both its Metro and those who depend on it, revealing a perspective on Delhi unlike any other.
Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. To know more about Sneha's work, please visit www.snehanna.com
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In Cogs and Monsters: What Economics Is, and What It Should Be (Princeton UP, 2021), Diane Coyle explores the enormous problems—but also opportunities—facing economics today if it is to respond effectively to these dizzying changes and help policymakers solve the world’s crises, from pandemic recovery and inequality to slow growth and the climate emergency. Mainstream economics, Coyle says, still assumes people are “cogs”—self-interested, calculating, independent agents interacting in defined contexts. But the digital economy is much more characterized by “monsters”—untethered, snowballing, and socially influenced unknowns. Coyle argues that economic policy is fundamentally normative, as any policy decision will imply political trade-offs. She argues for a more diverse methodological and conceptually inform analysis while reflecting on broader issues of today such as ethics and the challenges of the digital economy.
This book has been recognized as the Financial Times Best Economics Book of the Year 2021 and a CapX Book of the Year, 2021.
Bernardo Batiz-Lazo is currently straddling between Newcastle and Mexico City. You can find him on twitter on issues related to business history of banking, fintech, payments and other mussings. Not always in that order. @BatizLazo
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Every medical decision—whether to have chemotherapy, an X-ray, or surgery—is a risk, no matter which way you choose. In You Bet Your Life: From Blood Transfusions to Mass Vaccination, the Long and Risky History of Medical Innovation (Basic Book, 2021), physician Paul A. Offit argues that, from the first blood transfusions four hundred years ago to the hunt for a COVID-19 vaccine, risk has been essential to the discovery of new treatments. More importantly, understanding the risks is crucial to whether, as a society or as individuals, we accept them.
Told in Offit’s vigorous and rigorous style, You Bet Your Life is an entertaining history of medicine. But it also lays bare the tortured relationships between intellectual breakthroughs, political realities, and human foibles. Our pandemic year has shown us, with its debates over lockdowns, masks, and vaccines, how easy it is to get everything wrong. You Bet Your Life is an essential read for getting the future a bit more right.
Sine Yaganoglu trained as a neuroscientist and bioengineer (PhD, ETH Zurich). She currently works in innovation management and diagnostics.
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Amidst accelerating environmental change and intense urbanisation, there is growing enthusiasm for building sustainable and ‘natural’ cities. Yet, when a flourishing eco-futuristic urban imaginary is enacted, it is often driven by a specific version of sustainability that is tied to high-tech futurism and persistent economic growth. In a Southeast Asian context, no city or country better encapsulates this than Singapore. But the pursuit of a singular narrative of progress has very specific consequences, particularly when that progress benefits some but not all beings. In this episode, Dr Natali Pearson is joined by Dr Jamie Wang to shed more light on the implications of Singapore’s growth fetish, and its implications for humans and non-humans.
About Jamie Wang:
Dr Jamie Wang is a Sydney Southeast Asia Centre Writing Fellow, a research affiliate in the Department of Gender and Cultural Studies at the University of Sydney, and an editor of the journal Feminist Review. She has a PhD in Environmental Humanities and Cultural Studies from the University of Sydney. Her interdisciplinary research focuses on the intersections of environmental humanities, urban geography, more-than-human studies and sustainable development in the context of planetary urbanism, climate change and environmental injustice. Jamie’s recent project ‘Reimagining the More-than-Human cities, stories of Singapore’ has explored the multifaceted pressing urban environmental issues, from urban greenery to housing development projects, transportation, water infrastructure, and urban agriculture, with a geographic focus in Singapore. It asks how we might develop ways of re-thinking, re-seeing and re-storying cities through foregrounding their more-than-human worlds. Jamie is also a writer and poet.
For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac.
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In this episode I spoke to Professor Peter Cappelli about his new book The Future of the Office: Work from Home, Remote Work, and the Hard Choices We All Face (University of Pennsylvania Press, 2021). The COVID-19 pandemic forced an unprecedented experiment that reshaped white-collar work and turned remote work into a kind of "new normal." Now comes the hard part.
Many employees want to continue that normal and keep working remotely, and most at least want the ability to work occasionally from home. But for employers, the benefits of employees working from home or hybrid approaches are not so obvious. What should both groups do?
In a prescient new book, Cappelli lays out the facts in an effort to provide both employees and employers with a vision of their futures. Cappelli unveils the surprising tradeoffs both may have to accept to get what they want. Cappelli illustrates the challenges we face in drawing lessons from the pandemic and deciding what to do moving forward. Do we allow some workers to be permanently remote? Do we let others choose when to work from home? Do we get rid of their offices? What else has to change, depending on the approach we choose?
His research reveals there is no consensus among business leaders. Even the most high-profile and forward-thinking companies are taking divergent approaches:
Facebook, Twitter, and other tech companies say many employees can work remotely on a permanent basis. Goldman Sachs, JP Morgan, and others say it is important for everyone to come back to the office.
Ford is redoing its office space so that most employees can work from home at least part of the time, and GM is planning to let local managers work out arrangements on an ad-hoc basis.
As Cappelli examines, earlier research on other types of remote work, including telecommuting offers some guidance as to what to expect when some people will be in the office and others work at home, and also what happened when employers tried to take back offices. Neither worked as expected.
In a call to action for both employers and employees, Cappelli explores how we should think about the choices going forward as well as who wins and who loses. As he implores, we have to choose soon.
Peter Cappelli is the George W. Taylor Professor of Management at The Wharton School of Business and Director of Wharton’s Center for Human Resources. He teaches awesome sounding courses like How to be the boss and Managing and motivating. Some of his areas of research are human resource practices, public policy related to employment, talent, and performance management. He publishes in journals like theAcademy of Management Journal and Harvard Business Review and op-eds in many magazines like The New Yorker or the Atlantic magazine.
Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. Editor New Books Network en español. Edita CEO.
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When philosophers have approached virtual reality, they have almost always done so through the lens of metaphysics, asking questions about the reality of virtual items and worlds, about the value of such things, and indeed, about how they may reshape our understanding of the “real” world.
Grant Tavinor finds that approach to be fundamentally mistaken, and that to really account for virtual reality, we must focus on the medium and its uses, and not the hypothetical and speculative instances that are typically the focus of earlier works. He also argues that much of the cultural and metaphysical hype around virtual reality is undeserved.
But this does not mean that virtual reality is illusory or uninteresting; on the contrary, it is significant for the altogether different reason that it overturns much of our understanding of how representational media can function and what we can use them to achieve.
The Aesthetics of Virtual Reality (Routledge, 2021) is the first book to present an aesthetics of virtual reality media. It situates virtual reality media in terms of the philosophy of the arts, comparing them to more familiar media such as painting, film and photography.
Grant Tavinor speaks to Pierre d’Alancaisez about some of the fundamental features of virtual reality, the implications of working in a picturing medium, as well as the challenges that VR poses to the philosophy of the arts and ethics.
Grant Tavinor is Senior Lecturer in Philosophy at Lincoln University, New Zealand. He has published widely on the aesthetics of videogames, virtual worlds, digital media ethics, and the philosophy of technology.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
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Crossover Month at Recall this Book ends with a glance sideways at the doings of our pals Saronik and Kim, hosts of the delightfully lapidary podcast High Theory. Refresh your sense of them with Recall this Book 52: they joined John to showcase their distinctive approach, taking as their topic "the pastoral." Or, just click Play without further ado to hear their thoughts on teletherapy, a concept that proves far more familiar, and omnipresent than we at RtB had realized. Take those omnipresent signs for the Suicide Hotline, for starters....
In this 18-minute gem of an episode, Hannah Zeavin talks with HT about teletherapy, from Freud’s letters to suicide hotlines to therapy apps. This mediated practice is the topic of her new book The Distance Cure: A History of Teletherapy (MIT Press, 2021). You can learn more about Hannah’s research and teaching on her website: zeavin.org
Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected].
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Dr. Stephanie (Sam) A. Martin’s new book, Decoding the Digital Church: Evangelical Storytelling and the Election of Donald J. Trump (U Alabama Press, 2021), is a fascinating exploration of the way that sermons, particularly those delivered by white evangelical pastors with sizeable congregations, link together storytelling, patriotism, conservative and Republican politics, and American exceptionalism. Martin’s work is a rich and deep textual and rhetorical analysis of sermons that are delivered both in person and online. These sermons—delivered over the course of more than a decade—reach many listeners and believers since they are given by pastors who preside over churches with congregations of at least 2000 members. And Martin teases out the focus of so many of these sermons, which are not always directly discussing or addressing politics, but have and continue to create an understanding of the white evangelical individual within American society.
Decoding the Digital Church explains that part of the thrust of this understanding is to position white Evangelicals as both insiders and outsiders simultaneously. Part of this context, as explained via these sermons, is that the American Founders were the original evangelicals, thus contemporary evangelicals have an original claim to the benefits of being the first true Americans. This is also combined with the nostalgic rendering of America’s past—building on the concept of American exceptionalism as well. At the same time, the content of these sermons opens the pathway for Evangelicals to disavow the ill-effects of their political choices, absolving them of the responsibility for their votes or those they support for elected office. Martin provides a “digital rhetorical ethnography” to understand the narratives that are coming through the white evangelical megachurches. To unpack the threads of these narratives, Martin uses a variety of methodological and disciplinary perspectives for her research, including approaches from political science, rhetoric and communication, sociology and ethnography, and religious studies. This is an accessible and important study of the connection between evangelical storytelling and the evangelical community’s understanding of its place and role in American society.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj.
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Uber's April 2016 launch in Buenos Aires plunged the Argentine capital into a frenzied hysteria that engulfed courts of law, taxi drivers, bureaucrats, the press, the general public, and Argentina's president himself. Economist and anthropologist Juan M. del Nido, who had arrived in the city six months earlier to research the taxi industry, suddenly found himself documenting the unprecedented upheaval in real time. Taxis Vs. Uber: Courts, Markets and Technology in Buenos Aires (Stanford UP, 2021) examines the ensuing conflict from the perspective of the city's globalist, culturally liberal middle class, showing how notions like monopoly, efficiency, innovation, competition, and freedom fueled claims that were often exaggerated, inconsistent, unverifiable, or plainly false, but that shaped the experience of the conflict such that taxi drivers' stakes in it were no longer merely disputed but progressively written off, pathologized, and explained away.
This first book-length study of the lead-up to and immediate aftermath of the arrival of a major platform economy to a metropolitan capital considers how the clash between Uber and the traditional taxi industry played out in courtrooms, in the press, and on the street. Looking to court cases, the politics of taxi licenses, social media campaigns, telecommunications infrastructure, public protests, and Uber's own promotional materials, del Nido examines the emergence of "post-political reasoning": an increasingly common way in which societies neutralize disagreement, shaping how we understand what we can even legitimately argue about and how.
Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. To know more about Sneha's work, please visit www.snehanna.com
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Today I talked to Helga Nowotny about her new book In AI We Trust: Power, Illusion and Control of Predictive Algorithms (Polity, 2021).
One of the most persistent concerns about the future is whether it will be dominated by the predictive algorithms of AI - and, if so, what this will mean for our behaviour, for our institutions and for what it means to be human. AI changes our experience of time and the future and challenges our identities, yet we are blinded by its efficiency and fail to understand how it affects us.
At the heart of our trust in AI lies a paradox: we leverage AI to increase our control over the future and uncertainty, while at the same time the performativity of AI, the power it has to make us act in the ways it predicts, reduces our agency over the future. This happens when we forget that that we humans have created the digital technologies to which we attribute agency. These developments also challenge the narrative of progress, which played such a central role in modernity and is based on the hubris of total control. We are now moving into an era where this control is limited as AI monitors our actions, posing the threat of surveillance, but also offering the opportunity to reappropriate control and transform it into care.
As we try to adjust to a world in which algorithms, robots and avatars play an ever-increasing role, we need to understand better the limitations of AI and how their predictions affect our agency, while at the same time having the courage to embrace the uncertainty of the future.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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A true understanding of the pervasive role of software in the world demands an awareness of the volume and variety of real-world software failures and their consequences. No more thorough survey of these events may be available than Thomas Huckle and Tobias Neckel's Bits and Bugs: A Scientific and Historical Review of Software Failures in Computational Science (SIAM, 2019). Their book organizing an extensive collection of episodes into eight chapters that expand on an array of flavors of failures, increasing in intricacy from precision and rounding errors to the software–hardware interface and problems that emerge from complexity.
As I see it, this book serves three audiences: Instructors of computer engineering or numerical methods will find an educational text uniquely suited to a focus on software failures; software engineers will find an equally unique reference text; and students of the practice or the history of computational science will find a fully blazed trail through these complicated stories. Dr. Huckle joined me to discuss his and his coauthor's motivations for assembling the book, a sampler of the chapter headliners, and some of his thoughts on new and evolving computational tools with their own attendant opportunities for failure.
Technical readers will appreciate the mathematical excursions that rigorously introduce topics essential to understanding each chapter's headlining episodes, the exercises and MATLAB code provided at the book's website, and links to sources at Dr. Huckle's website. I found value in the recurring lesson that real-world failures arise from the coincidence of multiple, often multitudinous errors, as well as in the authors' consistent emphasis on the real human toll that the study of these errors is driven to prevent. That said, all readers may appreciate the fanciful taxonomy given in the introduction and the amusing (though sometimes apocryphal) idiosyncratic failures surveyed in the appendix.
Suggested companion works:
Thomas Huckle completed a degree program in mathematics and physics education and in pure mathematics, received a doctorate in 1985, and acquired his postdoctoral teaching qualification (habiliation) in 1991 at the University of Würzburg. A German research Foundation (DFG) grant enabled him to spend time performing research at Stanford University (1993–1994). In 1995 Professor Huckle joined TUM as professor of scientific computing. He has also been a member of the Mathematics Faculty since 1997. His primary research area is numerical linear algebra and its application in fields such as informatics and physics. His work focuses on solving linear problems on parallel computers, image processing and reconstruction, partial differential equations, and structured matrices.
Tobias Neckel has studied applied mathematics at the Technical University of Munich (TUM) and received a doctorate in Computer Science at TUM in 2009. He is currently senior researcher in scientific computing at TUM and has conducted research at the École Polytechnique, France (2003), the Tokyo Institute of Technology (2008), and the Australian National University (2017). His research interests include the numerical solution of differential equations, hierarchic and adaptive methods, uncertainty quantification, and various aspects of high-performance computing.
Cory Brunson is an Assistant Professor at the Laboratory for Systems Medicine at the University of Florida. His research focuses on geometric and topological approaches to the analysis of medical and healthcare data.
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In Living Books: Experiments in the Posthumanities (MIT Press, 2021), Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project -- not as linear, bound and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality.
Our conversation highlights the performative nature of publishing, the possibilities and limitations of open access, balancing experimentation with fixity, and how publishing practices are intertwined with neoliberalism, scholarly identity, technology, and culture. In addition, we discuss the different forms that this work has manifested as, including the digital open access version on PubPub, as well a call for researchers, publishers, and institutions to make room for more experimentation in their academic performances.
Sarah Kearns (@annotated_sci) reads about scholarship, the sciences, and philosophy, and is likely over-caffeinated.
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a World Brain, as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of The War of the Worlds and other science fiction classics, was imagining something like a predigital Wikipedia. The World Encyclopedia would provide a summary of verified reality (in about forty volumes); it would be widely available, free of copyright, and utilize the latest technology.
Of course, as Bruce Sterling points out in the foreword to this new edition of Wells's work, the World Brain didn't happen; the internet did. And yet, Wells anticipated aspects of the internet, envisioning the World Brain as a technical system of networked knowledge (in Sterling's words, a hypothetical super-gadget). Wells's optimism about the power of information might strike readers today as naïvely utopian, but possibly also inspirational.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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Since 1945, America has spent more resources on nuclear technology than any other national project. Although it requires a massive infrastructure that touches society on myriad levels, nuclear technology has typically been discussed in a limited, top-down fashion that clusters around powerful men. In Infrastructures of Apocalypse: American Literature and the Nuclear Complex (U Minnesota Press, 2020), Jessica Hurley turns this conventional wisdom on its head, offering a new approach that focuses on neglected authors and Black, queer, Indigenous, and Asian American perspectives.
Exchanging the usual white, male “nuclear canon” for authors that include James Baldwin, Leslie Marmon Silko, and Ruth Ozeki, Infrastructures of Apocalypse delivers a fresh literary history of post-1945 America that focuses on apocalypse from below. Here Hurley critiques the racialized urban spaces of civil defense and reads nuclear waste as a colonial weapon. Uniting these diverse lines of inquiry is Hurley’s belief that apocalyptic thinking is not the opposite of engagement but rather a productive way of imagining radically new forms of engagement.
Infrastructures of Apocalypse offers futurelessness as a place from which we can construct a livable world. It fills a blind spot in scholarship on American literature of the nuclear age, while also offering provocative, surprising new readings of such well-known works as Atlas Shrugged, Infinite Jest, and Angels in America. Infrastructures of Apocalypse is a revelation for readers interested in nuclear issues, decolonial literature, speculative fiction, and American studies.
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Can We Be Wrong? The Problem of Textual Evidence in a Time of Data (Cambridge UP, 2020) by Andrew Piper tackles the problem of generalization with respect to text-based evidence in the field of literary studies. When working with texts, how can we move, reliably and credibly, from individual observations to more general beliefs about the world? The onset of computational methods has highlighted major shortcomings of traditional approaches to texts when it comes to working with small samples of evidence. This Cambridge Element combines a machine learning-based approach to detect the prevalence and nature of generalization across tens of thousands of sentences from different disciplines alongside a robust discussion of potential solutions to the problem of the generalizability of textual evidence. It exemplifies the way mixed methods can be used in complementary fashion to develop nuanced, evidence-based arguments about complex disciplinary issues in a data-driven research environment.
Andrew Piper is Professor and William Dawson Scholar in the Department of Languages, Literatures, and Cultures at McGill University. He directs .txtlab, a laboratory for cultural analytics at McGill, and is editor of the Journal of Cultural Analytics.
Katie McDonough is Senior Research Associate, The Alan Turing Institute.
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Technology in World Civilization represents a milestone history of technology. First published in 1990 and now revised and expanded in light of recent research, the book broke new ground by taking a global view, avoiding the conventional Eurocentric perspective and placing the development of technology squarely in the context of a “world civilization.” Case studies include “technological dialogues” between China and West Asia in the eleventh century, medieval African states and the Islamic world, and the United States and Japan post-1950. It examines railway empires through the examples of Russia and Japan and explores current synergies of innovation in energy supply and smartphone technology through African cases.
The book uses the term “technological dialogue” to challenge the top-down concept of “technology transfer,” showing instead that technologies are typically modified to fit local needs and conditions, often triggering further innovation. The authors trace these encounters and exchanges over a thousand years, examining changes in such technologies as agriculture, firearms, printing, electricity, and railroads. A new chapter brings the narrative into the twenty-first century, discussing technological developments including petrochemicals, aerospace, and digitalization from often unexpected global viewpoints and asking what new kind of industrial revolution is needed to meet the challenges of the Anthropocene.
Hussein Mohsen is a PhD/MA Candidate in Computational Biology and Bioinformatics/History of Science and Medicine at Yale University. His research interests include machine learning, cancer genomics, and the history of human genetics. For more about his work, visit http://www.husseinmohsen.com.
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The object as solid, having three dimensions, is not just a different formal trend, but a paradigm shift; a reconceiving of how the architectural object is produced and experienced, changing the very concept of objectivity and meaning of architecture. This book celebrates the potential of the strange object, which finds its origin in the proto-space―the moment between the becoming of the idea and the ultimate shape it takes; the state of the still obscure and ‘uninhibited’ object outside the established framework of signification. As seen through an examination of 10 projects by Archi-Tectonics, this strange object is proof of the very capacity of the object to generate new habits and meanings.
For close to a century, modernism was the norm, presented to culturally aware citizens as the expression of modern life. It arrived hand in hand with medical advances, mass standardization, and a shared ideal of what the ease and speed of the modern lifestyle could offer. Only in the early years of the 21st century did our widespread allegiance begin to shift away from modernism and towards a new social realm. The digital revolution introduced online societies, niche cultures, and digital design. Digital manufacturing facilitated opportunities of surface patterning and the fabrication of one-off special building components, removing the constraints of standardization in the construction industry and celebrating the experimental. Testing designs through prototypes allows for a much more informed decision-making process. The focus is on precise, rigorous research and development, rather than representational models.
Now, after nearly two decades of implementing digital tools, we have reached a new platform where digital design and robotic production are the norm, and by extension, digital craft and integral design are as the future. This has been particularly important in the rethinking of advanced digital design processes. As showcased and examined in Strange Objects, New Solids and Massive Forms (Actar, 2022), from the earliest projects and regardless of scale, Archi-Tectonics has valued performance over form, design intelligence over style. Through prototypes and mock-ups, process documentation and testimonials, the book presents 10 current and recent projects that celebrate the particular and singular over the ideal and universal.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
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What does America’s growing dependence on modern information technology systems mean for the management of its nuclear weapons? In his new book, Cyber Threats and Nuclear Weapons (Stanford University Press, 2021), Dr. Herb Lin explores the promise and peril of managing the bomb in the digital age.
A Senior Research Scholar at the Center for International Security and Cooperation at Stanford University, Dr. Lin cautions that management of the future nuclear enterprise will require a series of difficult tradeoffs: between integrity and reliability, functionality and security, and usability and security. Moving beyond a historical focus on the command and control of nuclear forces, Lin argues that these compromises will affect each aspect of the US nuclear enterprise, from technology acquisition and maintenance to operations and employment.
On the podcast, I talk to Dr. Lin about what historical near-misses can tell us about future nuclear threats, how digitization could magnify the risks of deception and misperception, and the applicability of Silicon Valley-style software development practices for the Pentagon.
John Sakellariadis is a 2021-2022 Fulbright US Student Research Grantee. He holds a master’s degree in public policy from the School of International and Public Affairs at Columbia and a bachelor’s degree in History & Literature from Harvard University.
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In Asphalt: A History (U Nebraska Press, 2021), Kenneth O’Reilly provides a history of this everyday substance. By tracing the history of asphalt—in both its natural and processed forms—from ancient times to the present, O’Reilly sets out to identify its importance within various contexts of human society and culture. Although O’Reilly argues that asphalt creates our environment, he believes it also eventually threatens it. Looking at its role in economics, politics, and global warming, O’Reilly explores asphalt’s contribution to the history, and future, of America and the world.
Mohamed Gamal-Eldin is a historian of Modern Egypt, who is interested in questions related to the built environment, urban history, architecture, social history and environmental ecology of urban centers in 19th and early 20th century Egypt, the Middle East and globally.
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What is digital vigilantism? How do Chinese citizens seek justice online? How does digital vigilantism reflect contemporary Chinese technological and socio-political development? In a conversation with Joanne Kuai, a visiting PhD Candidate at the Nordic Institute of Asian Studies, Qian Huang, lecturer and PhD Candidate at Erasmus University Rotterdam, explains the growing phenomenon of online collective action against an individual to protect a shared value and the consequences of it.
Digital vigilantism refers to citizens’ practice of weaponising online visibility for retaliation when collectively offended. Qian Huang speaks to the Nordic Asia Podcast about her research on Chinese digital vigilantism, a part of the research project funded by the Netherlands Organisation for Scientific Research (NWO) entitled Digital Vigilantism: Mapping the terrain and assessing societal impacts. Qian Huang is also the co-editor of the book Introducing Vigilant Audiences (Open Book Publishers, 2020)
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
About NIAS: www.nias.ku.dk
Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast
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In the wake of labor market deregulation during the 2000s, online content sharing and social networking platforms were promoted in Japan as new sites of work that were accessible to anyone. Enticed by the chance to build personally fulfilling careers, many young women entered Japan's digital economy by performing unpaid labor as photographers, net idols, bloggers, online traders, and cell phone novelists. While some women leveraged digital technology to create successful careers, most did not. In Invisibility by Design: Women and Labor in Japan's Digital Economy (Duke UP, 2020), Gabriella Lukács traces how these women's unpaid labor became the engine of Japan's digital economy. Drawing on interviews with young women who strove to sculpt careers in the digital economy, Lukács shows how platform owners tapped unpaid labor to create innovative profit-generating practices without employing workers, thereby rendering women's labor invisible. By drawing out the ways in which labor precarity generates a demand for feminized affective labor, Lukács underscores the fallacy of the digital economy as a more democratic, egalitarian, and inclusive mode of production.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
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Book Industry Month continues with a memory-lane voyage back to a beloved early RtB episode. This conversation with Martin Puchner about the very origins of writing struck us as perfect companion to Mark McGurl's wonderful insights (in RtB 67, published earlier this month) about the publishing industry's in 2021, or as Mark tells it, the era of "adult diaper baby love."
Aside from being a fabulous conversation about Martin's wonderful history of book production through the ages (The Written World) this episode brings back happy memories of Elizabeth and John piling their guests into a cozy sound booth at Brandeis, the kind of place that's utterly taboo in Pandemic America.So travel with us back to 2019 for a close encounter with the epic of Gilgamesh. The three friends discuss the different stages of world writing--from the time of the scribes to the time of great teachers like Confucius, Socrates and Jesus Christ, who had a very complicated relationship to writing.
In Recallable Books, Martin recommends the fan fiction website Wattpad; Elizabeth recommends "No Reservations: Narnia," in which Anthony Bourdain goes through the wardrobe. John feints at recommending Dennis Tenen's book on the writing within coding before recommending the Brautigan Library.
Come for the discussion of writing, stay for the impressions of Gollum!
Discussed in this episode:
Episode transcript available here: Episode 6 Puchner 3.28.19
Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected].
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What happens when the human brain, which evolved over eons, collides with twenty-first-century technology? Machines can now push psychological buttons, stimulating and sometimes exploiting the ways people make friends, gossip with neighbors, and grow intimate with lovers. Sex robots present the humanoid face of this technological revolution―yet although it is easy to gawk at their uncanniness, more familiar technologies based in artificial intelligence and virtual reality are insinuating themselves into human interactions. Digital lovers, virtual friends, and algorithmic matchmakers help us manage our feelings in a world of cognitive overload. Will these machines, fueled by masses of user data and powered by algorithms that learn all the time, transform the quality of human life?
Robert Brooks, Artificial Intimacy: Virtual Friends, Digital Lovers, and Algorithmic Matchmakers (Columbia UP, 2021) offers an innovative perspective on the possibilities of the present and near future. The evolutionary biologist Rob Brooks explores the latest research on intimacy and desire to consider the interaction of new technologies and fundamental human behaviors. He details how existing artificial intelligences can already learn and exploit human social needs―and are getting better at what they do. Brooks combines an understanding of core human traits from evolutionary biology with analysis of how cultural, economic, and technological contexts shape the ways people express them. Beyond the technology, he asks what the implications of artificial intimacy will be for how we understand ourselves.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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In their open-access publication, Making AI Intelligible: Philosophical Foundations (Oxford University Press, 2021), Herman Cappelen and Josh Dever argue that philosophers of language can contribute to a deeper understanding of artificial intelligence. AIs known as “neural nets” are becoming commonplace and we increasingly rely on their outputs for action-guidance, as when an AI like Siri hears your question and says, “There’s a pizza shop on the corner.” Our use of words like “says” suggests an important question: do AIs literally say anything? Should we understand their outputs as utterances with meaningful content? And if so, what makes that content meaningful, and how is it related to the processes which result in that output? Cappelen and Dever take up these questions and propose a framework for answering them, abstracting from existing externalist approaches to develop a “de-anthropocentrized” externalism for AI. The book introduces readers not only to issues in AI surrounding its content and interpretation, but also to concepts in philosophy of language which may be relevant to these issues, serving as an invitation for further investigation by philosophers and programmers alike.
Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras (and stuff).
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Japan's nationalist right have used the internet to organize offline activism in increasingly visible ways. Jeffrey J. Hall, investigates the role of internet-mediated activism in Japan's ongoing historical and territorial disputes. He explores the emergence of two right-wing activist organizations, Nihon Bunka Channel Sakura and Ganbare Nippon, which have played a significant role in pressure campaigns against Japanese media outlets, campaigns to influence historical memorials, and campaigns to assert Japan's territorial claim to the Senkaku/Diaoyu Islands.
In Japan's Nationalist Right in the Internet Age: Online Media and Grassroots Conservative Activism (Routledge, 2021), Hall analyses how activists maintained cohesion, raised funds, held protests that regularly drew hundreds to thousands of participants, and used fishing boats to land activists on disputed islands. Detailing events that took place between 2004 and 2020, he demonstrates how skilled social actors built cohesive grassroots protest organizations through the creation of shared meaning for their organization and its supporters. A valuable read both for scholars seeking insight into the dynamics surrounding Japan's history disputes and territorial issues, as well as those seeking to compare Japanese right-wing internet activism with its counterparts elsewhere.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
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In the early 2000s, mainstream international news outlets celebrated the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers—and depicted it as a liberatory site that gave voice to Iranians. As Sima Shakhsari argues in Politics of Rightful Killing: Civil Society, Gender, and Sexuality in Weblogistan (Duke UP, 2020), the common assumptions of Weblogistan as a site of civil society consensus and resistance to state oppression belie its deep internal conflicts. While Weblogistan was an effective venue for some Iranians to “practice democracy,” it served as a valuable site for the United States to surveil bloggers and express anti-Iranian sentiment and policies. At the same time, bloggers used the network to self-police and enforce gender and sexuality norms based on Western liberal values in ways that unwittingly undermined Weblogistan's claims of democratic participation. In this way, Weblogistan became a site of cybergovernmentality, where biopolitical security regimes disciplined and regulated populations. Analyzing online and off-line ethnography, Shakhsari provides an account of digital citizenship that raises questions about the internet's relationship to political engagement, militarism, and democracy.
Sima Shakhsari is Associate Professor in the Department of Gender, Women & Sexualities Studies at the University of Minnesota. They are interested in transnational feminist theory, transnational sexuality studies, non-Eurocentric queer and transgender studies, Middle East studies, empire, militarism, neoliberal governmentality, biopolitics, digital media, refugees, diasporas, and political anthropology. They earned their PhD in Cultural and Social Anthropology at Stanford University and have held postdoctoral positions at the University of Pennsylvania’s Wolf Humanities Center and the Women’s and Gender Studies Department at the University of Houston. Before joining UMN, they were Assistant Professor of Gender, Sexuality, and Women’s Studies at Wellesley College.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
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Did you know that you're more likely to die from a catastrophe than in a car crash? The odds that a typical US resident will die from a catastrophic event—for example, nuclear war, bioterrorism, or out-of-control artificial intelligence—have been estimated at 1 in 6. That's fifteen times more likely than a fatal car crash and thirty-one times more likely than being murdered. In What's the Worst That Could Happen?: Existential Risk and Extreme Politics (MIT Press, 2021), Andrew Leigh looks at catastrophic risks and how to mitigate them, arguing provocatively that the rise of populist politics makes catastrophe more likely.
Leigh explains that pervasive short-term thinking leaves us unprepared for long-term risks. Politicians sweat the small stuff—granular policy details of legislation and regulation—but rarely devote much attention to reducing long-term risks. Populist movements thrive on short-termism because they focus on their followers' immediate grievances. Leigh argues that we should be long-termers: broaden our thinking and give big threats the attention and resources they need.
Leigh outlines the biggest existential risks facing humanity and suggests remedies for them. He discusses pandemics, considering the possibility that the next virus will be more deadly than COVID-19; warns that unchecked climate change could render large swaths of the earth uninhabitable; describes the metamorphosis of the arms race from a fight into a chaotic brawl; and examines the dangers of runaway superintelligence. Moreover, Leigh points out, populism (and its crony, totalitarianism) not only exacerbates other dangers but is also a risk factor in itself, undermining the institutions of democracy as we watch.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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Yuri Kostenko’s Ukraine’s Nuclear Disarmament: A History (Harvard Ukrainian Research Institute, 2020) is a meticulous account of how the Ukrainian government made a decision in the 1990s to give up the nuclear status. The book includes unique documents from the private archive, which Yuri Kostenko shares with the readers. Ukraine’s Nuclear Disarmament provides not only an account of nuclear weapons elimination in Ukraine, but also offers a broader picture of the political environment in which Ukraine found itself after the fall of the USSR. What political players participated in the construction of the newly formed independent state? What challenges did the country face? In addition to this retrospective approach, the book also provides insights into the present moment, particularly in terms of the ongoing armed conflict initiated by Russia in 2014. Yuri Kostenko mentions that the occupation of the Crimea and the subsequent Russian military aggression against Ukraine were not a surprise to him. The book engages with the consequences of the nuclear disarmament and prompts the readers to draw parallels between the decisions that were made in the 1990s and the current international position that was created for Ukraine.
Nataliya Shpylova-Saeed is a PhD candidate in the Department of Slavic and East European Languages and Cultures, Indiana University.
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What do you make of Amazon: The new Sears Roebuck? A terrifying monopoly threat? Satisfaction (a paperback in your mailbox, a Kindle edition on your tablet) just a click away? John and Elizabeth speak with Stanford English prof Mark McGurl, whose previous books include the pathbreaking The Program Era.
Mark faces that question squarely in his terrific new book, Everything and Less: The Novel in the Age of Amazon: if you want to know even more about it, check out the NY Times review by RTB's own book-history maven, star of RTB 46, Leah Price. Mark ponders when service became an idiom for the relationship between writer and reader and how strong a claim he is willing to make about Amazon's impact on the modern novel (pretty strong!). Finally, he tackles the key question: is the genre of "Adult Diaper Baby Love" (a breakout hit in Kindle sales; google it at your peril!) the perfect metaphor for Amazon's effort to soothe, pacify and succor its infantilized consumer-base?
Mentioned in the episode:
Laura Miller, Reluctant Capitalists: Bookselling and the Culture of Consumption
Public libraries going trashy or classy: John wrote an article about this topic, praising a compelling database, "What Middletown Read"
Recallable Books:
Walter Tevis, Mockingbird (1980)
Ray Bradbury, Fahrenheit 451 (1853)
Anthony Trollope, The Warden (1855)
Transcript available here
(or Visit the Recall this Book Transcript page)
Upcoming: Mark's discussion of the history of books and book publishing inspired next week's blog post: tune in next Thursday to find out more! It also sent us back to the archives for a golden RTB oldie starring Martin Puchner. That will appear, freshly rewrapped for the occasion, just before Thanksgiving.
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Hate speech can happen anywhere - in Charlottesville, Virginia, where young men in khakis shouted, "Jews will not replace us"; in Myanmar, where the military used Facebook to target the Muslim Rohingya; in Cape Town, South Africa, where a pastor called on ISIS to rid South Africa of the "homosexual curse." In person or online, people wield language to attack others for their race, national origin, religion, gender, gender identity, sexual orientation, age, disability, or other aspects of identity. Caitlin Ring Carlson's Hate Speech (MIT Press, 2021) examines hate speech: what it is, and is not; its history; and efforts to address it.
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
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Connected: How a Mexican Village Built Its Own Cell Phone Network (U California Press, 2020) is the true story of how, against all odds, a remote Mexican pueblo built its own autonomous cell phone network—without help from telecom companies or the government. Anthropologist Roberto J. González paints a vivid and nuanced picture of life in a Oaxaca mountain village and the collective tribulation, triumph, and tragedy the community experienced in pursuit of getting connected. In doing so, this book captures the challenges and contradictions facing Mexico's indigenous peoples today, as they struggle to wire themselves into the 21st century using mobile technologies, ingenuity, and sheer determination. It also holds a broader lesson about the great paradox of the digital age, by exploring how constant connection through virtual worlds can hinder our ability to communicate with those around us.
Hussein Mohsen is a PhD/MA Candidate in Computational Biology and Bioinformatics/History of Science and Medicine at Yale University. His research interests include machine learning, cancer genomics, and the history of human genetics. For more about his work, visit http://www.husseinmohsen.com.
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Data is now central to the economy, government, and health systems—so why are data and the AI systems that interpret the data in the hands of so few people? Alex Pentland and Alexander Lipton's Building the New Economy: Data As Capital (MIT Press, 2021) calls for us to reinvent the ways that data and artificial intelligence are used in civic and government systems. Arguing that we need to think about data as a new type of capital, the authors show that the use of data trusts and distributed ledgers can empower people and communities with user-centric data ownership, transparent and accountable algorithms, machine learning fairness principles and methodologies, and secure digital transaction systems.
It's well known that social media generate disinformation and that mobile phone tracking apps threaten privacy. But these same technologies may also enable the creation of more agile systems in which power and decision-making are distributed among stakeholders rather than concentrated in a few hands. Offering both big ideas and detailed blueprints, the authors describe such key building blocks as data cooperatives, tokenized funding mechanisms, and tradecoin architecture. They also discuss technical issues, including how to build an ecosystem of trusted data, the implementation of digital currencies, and interoperability, and consider the evolution of computational law systems.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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Politics for the Love of Fandom: Fan-Based Citizenship in a Digital World (Louisiana State Press, 2019) examines what Ashley Hinck calls “fan-based citizenship”: civic action that blends with and arises from participation in fandom and commitment to a fan-object. Examining cases like Harry Potter fans fighting for fair trade, YouTube fans donating money to charity, and football fans volunteering to mentor local youth, Hinck argues that fan-based citizenship has created new civic practices wherein popular culture may play as large a role in generating social action as traditional political institutions such as the Democratic Party or the Catholic Church.
Hinck considers the ways in which fan-based social engagement arises organically, from fan communities seeking to change their world as a group, as well as the methods creators use to leverage their fans to take social action. The modern shift to networked, fluid communities, Hinck argues, opens up opportunities for public participation that occurs outside of political parties, houses of worship, and organizations for social action.
Politics for the Love of Fandom shows how fan-based citizenship performances help us understand the future possibilities of public engagement, as fans and creators alike tie the ethical frameworks of fan-objects to desired social goal, such as volunteering for political candidates, mentoring at-risk youth, and promoting environmentally friendly policy.
Dr. Ashley Hinck (she/her) is Assistant Professor of Communication at Xavier University specializing in digital media, fandom, citizenship, social activism, rhetoric.
Dr. Lee M. Pierce (they/them) is a rhetoric scholar and speech critic at SUNY Geneseo and host/ess of for New Books Network channels in Language and Media & Communications.
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In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots: State Violence on Camera in Israel and Palestine (Stanford UP, 2021) studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography-closer, sharper, faster-would advance their respective political agendas. Most would be let down.
Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-optimism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age.
Mathew Gagné in an independent writer, scholar, and educator, currently teaching in the Department of Anthropology at the University of Toronto Mississauga.
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Matthew Ricketson joins to discuss how newsrooms, the engine rooms of reporting, have shrunk. A generation of journalists has borne witness to seismic changes in the media and this book shares their stories as essays and narrative interviews. Names include from more than 50 Australian journalists – including Amanda Meade, David Marr and Flip Prior – Upheaval: The Great Digital Disruption in Journalism and Its Aftermath (NewSouth, 2021) reveals the highs and the lows of those who were there to see it all.
Matthew takes us inside frenetic and vibrant newsrooms at the peak of their influence, and the difficulties of adapting to ever-accelerating news cycles with fewer resources. Some left journalism altogether while others stayed in the media — or sought to reinvent it. Normally the ones telling other people’s stories, in Upheaval journalists share the rawness of losing their own job or watching others lose theirs. They reveal their anxieties and hopes for the industry’s future and their commitment to reporting news that matters.
Matthew Ricketson is presently the professor of communication at Deakin University, previously inaugural journalism professor at the University of Canberra between 2009 and 2017. He ran the journalism program at RMIT for 11 years, and worked on staff at The Australian and Time Australia magazine. His last news media role was Media and Communications Editor at The Age.
Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). [email protected]
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Katherine Chandler's Unmanning: How Humans, Machines and Media Perform Drone Warfare (Rutgers UP, 2020) studies the conditions that create unmanned platforms in the United States through a genealogy of experimental, pilotless planes flown between 1936 and 1992. Characteristics often attributed to the drone--including machine-like control, enmity and remoteness--are achieved by displacements between humans and machines that shape a mediated theater of war. Rather than primarily treating the drone as a result of the war on terror, this book examines contemporary targeted killing through a series of failed experiments to develop unmanned flight in the twentieth century. The human, machine and media parts of drone aircraft are organized to make an ostensibly not human framework for war that disavows its political underpinnings as technological advance. These experiments are tied to histories of global control, cybernetics, racism and colonialism. Drone crashes and failures call attention to the significance of human action in making technopolitics that comes to be opposed to "man" and the paradoxes at their basis.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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How have Black women lead a digital revolution? In Digital Black Feminism (NYU Press, 2021), Catherine Knight Steele, an assistant professor of communication at the University of Maryland, places digital Black feminism within the longer-term context of Black feminism and Black women’s experiences in America. The book considers examples from the Black feminist blogosphere and offers a comparative analysis of early Black feminist pioneers and key contemporary voices. Posing questions as to the dangers of commodification and the limits of the digital sphere, as well as celebrating Black feminist success, the book is essential reading across the humanities and social sciences and for anyone interested in digital life today.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
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Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before.
Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades.
Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University’s Dodge College of Film and Media Arts.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
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For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. In Information Activism: A Queer History of Lesbian Media Technologies (Duke UP, 2020), Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on the fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
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When Google announced that it planned to digitize books to make the world's knowledge accessible to all, questions were raised about the roles and responsibilities of libraries, the rights of authors and publishers, and whether a powerful corporation should be the conveyor of such a fundamental public good. Along Came Google: A History of Library Digitization (Princeton University Press, 2021) traces the history of Google's book digitization project and its implications for us today.
In this conversation, we hear from Roger Schonfeld about, not just the history of book digitization, but the dynamic and intricate relationships amongst libraries, publishers, and technology corporations. In addition, we talk about the ongoing conversations and community-lead projects that hint at what the future of book and scholarship digitization could look like.
Sarah Kearns (@annotated_sci) reads about scholarship, the sciences, and philosophy, and is likely over-caffeinated.
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Neoclassical economic theory shows that under the right conditions, prices alone can guide markets to efficient outcomes. But what if it it’s hard to find the right price? In many important markets, a buyer’s willingness to pay for one good (say, the right to use a certain part of the radio spectrum range in San Francisco) will depend on the price of another complementary good (the right to use that same spectrum in Los Angeles). The number of possible combinations can rapidly become incalculably complex. Such complex markets require new collaborations between economists and computer scientists to create designs that are both incentive compatible and computationally tractable.
In Discovering Prices: Auction Design in Markets with Complex Constraints (Columbia UP, 2017), 2020 Economics Nobel Memorial Prize winner Paul Milgrom discusses some of the new economics theory he has developed to help address these challenging contexts, in which neither unfettered market forces nor top-down planning will work well. In our interview we explore these ideas in the context of the most complex auction ever created, the FCC’s broadcast incentive auction. This auction, designed and planned by a team led by Professor Milgrom with his company Auctionomics, purchased underutilized broadcast spectrum from television stations and sold it onward to telecoms providers. This reallocation helped improve wireless network performance and pave the way for 5G wireless services, while also generating over $7 billion for the US treasury.
Host Peter Lorentzen is an Associate Professor in the Department of Economics at the University of San Francisco, where he leads a new digital economy-focused Master's program in Applied Economics.
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Octopuses can open jars to get food, and chimpanzees can plan for the future. An IBM computer named Watson won on Jeopardy! and Alexa knows our favorite songs. But do animals and smart machines really have intelligence comparable to that of humans? In Bots and Beasts: What Makes Machines, Animals, and People Smart? (MIT Press, 2021), Paul Thagard looks at how computers (“bots”) and animals measure up to the minds of people, offering the first systematic comparison of intelligence across machines, animals, and humans.
Thagard explains that human intelligence is more than IQ and encompasses such features as problem solving, decision making, and creativity. He uses a checklist of twenty characteristics of human intelligence to evaluate the smartest machines—including Watson, AlphaZero, virtual assistants, and self-driving cars—and the most intelligent animals—including octopuses, dogs, dolphins, bees, and chimpanzees. Neither a romantic enthusiast for nonhuman intelligence nor a skeptical killjoy, Thagard offers a clear assessment. He discusses hotly debated issues about animal intelligence concerning bacterial consciousness, fish pain, and dog jealousy. He evaluates the plausibility of achieving human-level artificial intelligence and considers ethical and policy issues. A full appreciation of human minds reveals that current bots and beasts fall far short of human capabilities.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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We are tethered to our devices all day, every day, leaving data trails of our searches, posts, clicks, and communications. Meanwhile, governments and businesses collect our data and use it to monitor us without our knowledge. So we have resigned ourselves to the belief that privacy is hard--choosing to believe that websites do not share our information, for example, and declaring that we have nothing to hide anyway. In Privacy Is Hard and Seven Other Myths: Achieving Privacy Through Careful Design (MIT Press, 2021), a computer privacy and security expert argues that privacy is not that hard if we build it into the design of systems from the start.
Along the way, Jaap-Henk Hoepman debunks eight persistent myths surrounding computer privacy. The website that claims it doesn't collect personal data, for example; Hoepman explains that most data is personal, capturing location, preferences, and other information. You don't have anything to hide? There's nothing wrong with wanting to keep personal information--even if it's not incriminating or embarrassing--private. Hoepman shows that just as technology can be used to invade our privacy, it can be used to protect it, when we apply privacy by design. Hoepman suggests technical fixes, discussing pseudonyms, leaky design, encryption, metadata, and the benefits of keeping your data local (on your own device only), and outlines privacy design strategies that system designers can apply now.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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What is the impact of Internet technology communication in China? How do Chinese people view "privacy" differently from the western perspective? How is the newly passed China's Personal Information Protection Law going to impact people's lives? In a conversation with Joanne Kuai, a visiting PhD Candidate at the Nordic Institute of Asian Studies, Elaine Yuan, an Associate Professor in the Department of Communication at the University of Illinois, Chicago, talks about her recent book, The Web of Meaning: the Internet in a Changing Chinese Society (University of Toronto Press, 2021).
Elaine Yuan's research focuses on how new and emerging forms of communication mediate various social institutions and relations. She has extensively researched the subjects of network and mobile communication, social media, digital infrastructure, and cultural change processes. Her latest book examines the role of the Internet as symbolic fields for reproducing the cultural practices of privacy, nationalism, and the network market in China.
Through three empirical cases – online privacy, cyber-nationalism, and the network market – the book traces how different social actors negotiate the practices, social relations, and power structures that define these evolving institutions in Chinese society. Examining rich user-generated social media data with innovative methods such as semantic network analysis and topic modelling, The Web of Meaning provides a solid empirical base to critique for critiquing the power relationships embedded in Chinese society's very fibre.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
About NIAS: www.nias.ku.dk
Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast
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Wonder how America's individual inventors persisted alongside corporate R&D labs as an important source of inventions beginning at the turn of the early twentieth century?
American Independent Inventors in an Era of Corporate R&D (MIT Press, 2021) by Eric S. Hintz presents a candid look into the history behind the phenomenon.
During the nineteenth century, heroic individual inventors such as Thomas Edison and Alexander Graham Bell created entirely new industries while achieving widespread fame. However, by 1927, a New York Times editorial suggested that teams of corporate scientists at General Electric, AT&T, and DuPont had replaced the solitary "garret inventor" as the wellspring of invention. But these inventors never disappeared. In this book, Eric Hintz argues that lesser-known inventors such as Chester Carlson (Xerox photocopier), Samuel Ruben (Duracell batteries), and Earl Tupper (Tupperware) continued to develop important technologies throughout the twentieth century. Moreover, Hintz explains how independent inventors gradually fell from public view as corporate brands increasingly became associated with high-tech innovation.
Focusing on the years from 1890 to 1950, Hintz documents how American independent inventors competed (and sometimes partnered) with their corporate rivals, adopted a variety of flexible commercialization strategies, established a series of short-lived professional groups, lobbied for fairer patent laws, and mobilized for two world wars. After 1950, the experiences of independent inventors generally mirrored the patterns of their predecessors, and they continued to be overshadowed during corporate R&D's postwar golden age. The independents enjoyed a resurgence, however, at the turn of the twenty-first century, as Apple's Steve Jobs and Shark Tank's Lori Greiner heralded a new generation of heroic inventor-entrepreneurs. By recovering the stories of a group once considered extinct, Hintz shows that independent inventors have long been—and remain—an important source of new technologies.
Nathan Moore is a history Ph.D. candidate and graduate assistant at Auburn University.
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As algorithms become ever more significant to and embedded in our everyday lives, ever more accessible introductions to them are needed. While several excellent technical and critical treatments have emerged in recent years, i had not come across a book for the general public that would provide a deep sense for the intuitions and motivations behind their development. Chris Bleakley's new book offers this and more: conceptual rigor woven into historical vignettes in a style that i believe general readers will find truly enjoyable to read.
Poems that Solve Puzzles: The History and Science of Algorithms (Oxford UP, 2020) is itself a quite poetic book, in which echoes of ideas and variations on themes can be heard throughout. Its stories encompass the early hypothetical and mechanical computers, the charactered rise of weather forecasting, the origins (and lulls) of machine learning, and the sensational competitions between master game players and artificial intelligence. The book traverses a long historical arc, but each episode is a quick read, remarkable in their ability to convey depth and rigor in crisp, plain language. It was a delight to talk with Chris about these and other aspects of his book.
Suggested companion works:
--Simon Singh, The Code Book
--George Dyson, Turing's Cathedral: The Origins of the Digital Universe
--Greg Kohs (director), "AlphaGo"
Chris Bleakley is Head of the School of Computer Science at University College Dublin. He graduated with a BSc (Hons) degree in Computer Science from Queen's University, Belfast, and a PhD degree in Electronic Engineering from Dublin City University. After college, he was employed as a software consultant by Accenture and, later, as a senior telecommunications researcher at Broadcom Eireann Research.
Cory Brunson is an Assistant Professor at the Laboratory for Systems Medicine at the University of Florida. His research focuses on geometric and topological approaches to the analysis of medical and healthcare data.
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Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer: Other Urban Intelligences (Princeton UP, 2021) reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models.
Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the “city-as-computer” metaphor, which undergirds much of today’s urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city’s many moving parts, from spinning hard drives to bridge repairs.
Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design.
Shannon Mattern is professor of anthropology at the New School for Social Research. Her books include Code and Clay, Data and Dirt: Five Thousand Years of Urban Media and The New Downtown Library: Designing with Communities. She lives in New York City. Website wordsinspace.net Instagram @atlas.sounds Twitter @shannonmattern
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
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There's a lot of hype about robots; some of it is scary and some of it utopian. In this accessible book, two robotics experts reveal the truth about what robots can and can't do, how they work, and what we can reasonably expect their future capabilities to be. It will not only make you think differently about the capabilities of robots; it will make you think differently about the capabilities of humans.
Ruth Aylett and Patricia Vargas discuss the history of our fascination with robots—from chatbots and prosthetics to autonomous cars and robot swarms. They show us the ways in which robots outperform humans and the ways they fall woefully short of our superior talents. They explain how robots see, feel, hear, think, and learn; describe how robots can cooperate; and consider robots as pets, butlers, and companions. Finally, they look at robots that raise ethical and social issues: killer robots, sexbots, and robots that might be gunning for your job. Living with Robots: What Every Anxious Human Needs to Know (MIT Press, 2021) equips readers to look at robots concretely—as human-made artifacts rather than placeholders for our anxieties.
Find out: •Why robots can swim and fly but find it difficult to walk •Which robot features are inspired by animals and insects•Why we develop feelings for robots •Which human abilities are hard for robots to emulate.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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As governments and corporations mine our “entrenched culture of sharing” to invade privacy (down to Target creating an algorithm to figure out which shoppers are in the 2nd trimester of pregnancy) what happens to democracy? Can democracy survive with no (or very little privacy)? What if the citizenry cares little about privacy and or is unwilling to protect it? If surveillance is here to stay what are the prospects for individual autonomy? citizenship? democratic discussion and deliberation? Life after Privacy: Reclaiming Democracy in a Surveillance Society (Cambridge UP, 2020) argues that we should not focus on protecting individual privacy; privacy is NOT “our best hope” for ensuring a “democratic future.” Instead, we should channel Hannah Arendt and focus on the public realm and how it supports political freedom.
Dr. Firmin DeBrabander is a Professor of Philosophy at Maryland Institute College of Art and the author of two previous books: Do Guns Make Us Free?: Democracy and the Armed Society (Yale University Press, 2015), and Spinoza and the Stoics: Power, Politics and the Passions (Bloomsbury Press, 2007). He writes social and political commentary for the New York Times, Washington Post, LA Times, Chicago Tribune, Boston Globe, Baltimore Sun, Salon, The Atlantic and The New Republic.
Daniella Campos assisted with this podcast.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
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Over the past 15 years, journalism has experienced a rapid proliferation of data about online reader behavior in the form of web metrics. These newsroom metrics influence which stories are written, how news is promoted, and which journalists get hired and fired. Some argue that metrics help journalists better serve their audiences. Others worry that metrics are the contemporary equivalent of a stopwatch-wielding factory manager. In All the News That's Fit to Click: How Metrics Are Transforming the Work of Journalists (Princeton UP 2021), Caitlin Petre offers a rare behind-the-scenes look at how metrics are reshaping the work of journalism.
The book is based on Petre's interviews and ethnographic observations at Chartbeat, Gawker, and the New York Times. Across the organizations, she finds that newsroom metrics are a powerful form of managerial surveillance and discipline. However, unlike the manager's stopwatch that preceded them, digital metrics are designed to gain the trust of wary journalists by providing a habit-forming user experience that mimics key features of addictive games. She details how metrics intersect with newsroom hierarchies and norms, as well as how their ambiguity leads to seemingly arbitrary interpretations of success. As performance analytics spread to virtually every professional field, Petre's findings speak to the future of expertise and labor relations in contexts far beyond journalism.
Caitlin Petre is an assistant professor of journalism and media studies at Rutgers University. Jenna Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast.
Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast.
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Today I talked to Angelica Malin about her new book She Made It: The Toolkit for Female Founders in the Digital Age (Kogan Page, 2021).
Female entrepreneurs don’t tend to receive the same funding assistance as do their male counterparts, but in turn they have the advantage of often connecting more effectively with their target markets. It’s their soft skills, in effect, that can see them through observes Angelica Malin. Plus one should never forget the power of having a greater purpose, a sense of mission by, for instance, by addressing a need that other, often male entrepreneurs may overlook. This guest has no fear of public speaking, whatsoever – and it shows. This is a very engaging episode as Angelica gives crisp, lively answers to questions like: why it helps to be personal and quirky in addressing journalists, how Instagram has changed in recent years, and how Taylor Swift helped make She Made It possible.
Angelica Malin is the Editor-in-Chief of About Time Magazine and the U.K.’s rising voice for championing women founders and entrepreneurs. She’s appeared on the BBC News and LBC Business Hour and has been featured in The Telegraph, Forbes, and Real Business.
Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Politics. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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Our bodies are scanned, probed, imaged, sampled, and transformed into data by clinicians and technologists. In Giving Bodies Back to Data: Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology (MIT Press, 2021), Silvia Casini reveals the affective relations and materiality that turn data into image–and in so doing, gives bodies back to data. Opening the black box of MRI technology, Casini examines the bodily, situated aspects of visualization practices around the development of this technology. Reframing existing narratives of biomedical innovation, she emphasizes the important but often overlooked roles played by aesthetics, affectivity, and craft practice in medical visualization.
Combining history, theory, laboratory ethnography, archival research, and collaborative art-science, Casini retrieves the multiple presences and agencies of bodies in data visualization, mapping the traces of scientists’ body work and embodied imagination. She presents an in-depth ethnographic study of MRI development at the University of Aberdeen’s biomedical physics laboratory, from the construction of the first whole-body scanner for clinical purposes through the evolution of the FFC-MRI. Going beyond her original focus on MRI, she analyzes a selection of neuroscience- or biomedicine-inspired interventions by artists in media ranging from sculpture to virtual reality. Finally, she presents a methodology for designing and carrying out small-scale art-science projects, describing a collaboration that she herself arranged, highlighting the relational and aesthetic-laden character of data that are the product of craftsmanship and affective labor at the laboratory bench.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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Contrary to the claims of many of today’s advocates of computerized instruction and online learning, efforts to use technology to improve the education process are hardly new. In Teaching Machines: The History of Personalized Learning (MIT Press, 2021), Audrey Watters recounts the attempts over the past century to use technology to improve educational procedures. These began over a century ago with psychologist Sidney Pressy’s effort to invent an “automatic teacher” that would eliminate drudgery by automating test scoring. While such efforts gained momentum in the 1930s, the attempts by manufacturers to profit from such technology often complicated their introduction and adoption. In the 1950s B. F. Skinner gave new life to these endeavors by developing devices and processes that applied his theories of behavioral psychology to the learning process. Though the idea of “push-button education” seized the public’s imagination and stimulated efforts to introduce his teaching machines to the classroom, by the end of the 1960s the growing backlash against Skinner’s ideas and regimentation in education ensured the demise of his vision of the automated classroom.
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Cultivating Knowledge: Biotechnology, Sustainability and the Human Cost of Cotton Capitalism in India by Andrew Flachs (University of Arizona Press, 2019) tells a story of how farmers in rural south India evaluate agricultural success through shifting calculations of social meaning, performance, and economic aspirations. Navigating multiple avenues of incentives, Dr. Flachs moves beyond the hidden links of consumption and production to concerns about how people engage with global change on the level of the farm field. By choosing to plant either genetically modified or certified organic cotton seeds, farmers risk their livelihoods by participating in diverging courses of sustainable agriculture. The farmer’s choice of seed reflects a performance of transformation regarding knowledge and agrarian sensibilities within rapidly changing socioeconomic and material realities that are influenced by both a colonial past and the neoliberal present. As Andrew put it, “a seed is a choice that cannot be taken back.(3)”
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Throughout American history to the twenty-first century, regardless of the laws, court decisions, and changing political environment, the Second Amendment has consistently meant this: That the second a Black person exercises this right, the second they pick up a gun to protect themselves (or the second that they don't), their life--as surely as Philando Castile's, Tamir Rice's, Alton Sterling's--may be snatched away in that single, fatal second.
In The Second: Race and Guns in a Fatally Unequal America (Bloomsbury, 2021) historian Carol Anderson powerfully illuminates the history and impact of the Second Amendment, how it was designed, and how it has consistently been constructed to keep African Americans powerless and vulnerable. The Second is neither a “pro-gun” nor an “anti-gun” book; the lens is the citizenship rights and human rights of African Americans.
Through compelling historical narrative merging into the unfolding events of today, Anderson's penetrating investigation shows that the Second Amendment is not about guns but about anti-Blackness, shedding shocking new light on another dimension of racism in America.
Dr. Carol Anderson is the Charles Howard Candler Professor and Chair of African American Studies at Emory University. She is the author of One Person, No Vote, longlisted for the National Book Award and a finalist for the PEN/John Kenneth Galbraith Award; White Rage, a New York Times bestseller and winner of the National Book Critics Circle Award; Bourgeois Radicals; and Eyes off the Prize. She was named a Guggenheim Fellow for Constitutional Studies. She lives in Atlanta, Georgia. Connect on Twitter @ProfCAnderson
Dr. Lee Pierce (they & she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast RhetoricLee Speaking. Connect with Lee on Twitter, Instagram, and Gmail @rhetoriclee
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One of the most fundamental aspects of modern life is that much of it is lived on and through social media. We create profiles, post pictures, update stories, and even find new careers and lovers on various sites and apps. But is all this good for us? Our always-online way of living has been called into question for quite some time now, with many people, young and old, finding themselves burned out and disconnected in a world with no shortage of connections. So what does this prevalence of social media mean for our society at large?
This question is one of the starting points for my guest today, Matthew Flisfeder, in his new book Algorithmic Desire: Toward a New Structuralist Theory of Social Media (Northwestern UP, 2021). While he is curious about the affects of social media on society, he also spends much of the book trying to flip the question around and ask: what does the structure of our society mean for social media? Flisfeder is interested in thinking of social media in it’s social, political and economic context, seeing the form our current social media takes as a gateway into broader social and economic structures. This broad Marxist vision is brought together with the theories of subjectivity developed in recent critical theory, particularly of Slavoj Žižek, to better understand both the ways social media hooks us into exploitative mechanisms, but it also gives us some offramps for possible resistance. Flisfeder is no luddite; not only is he himself an enthusiastic user of social media, but his critique here is meant as a course-correction rather than an all-out condemnation. If social media today produces alienation rather than true connection, then what does that tell us about society more broadly? And, more provocatively, what does it mean for broader social critique to take the social in social media seriously?
Matthew Flisfeder is an associate professor of rhetoric and communications at the University of Winnipeg. He is also the author of Postmodern Theory and Bladerunner and The Symbolic, the Sublime, and Slavoj Žižek’s Theory of Film. You can follow him on Twitter.
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The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work.
In The Filing Cabinet: A Vertical History of Information (U Minnesota Press, 2021), Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into books, stacked in piles, curled into slots, or impaled on spindles. The filing cabinet organized loose papers in tabbed folders that could be sorted alphanumerically, radically changing how people accessed, circulated, and structured information. Robertson's unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an "automatic memory" machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women's nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today's digital world.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
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Retired from life after 38 years in several roles at IBM, the prolific academic production of James W. Cortada now continues telling his side of the story of his long-term employer. In particular the challenges and tribulations of a unique organizational culture, how it was created, how it led to success, how it resisted a process of reconfiguration. IBM: The Rise and Fall and Reinvention of a Global Icon (MIT Press, 2019) covers a significant time span. The 20 chapters in the book are organised into four sections: origins (1880s-1945), market dominance (1945-1985), crisis (1985-1994), and renewal (1995-2012). Reading this title cover to cover is no small feat and not recommended (or intended) for everyone. In this podcast, Cortada tells us about his trajectory as a writter and how the book was put together.
Bernardo Batiz-Lazo is currently straddling between Newcastle and Mexico City. You can find him on twitter on issues related to business history of banking, fintech, payments and other mussings. Not always in that order. @BatizLazo
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Increasingly we live through our personal screens; we work, play, socialize, and learn digitally. The shift to remote everything during the pandemic was another step in a decades-long march toward the digitization of everyday life made possible by innovations in media, information, and communication technology. In The Digital Environment: How We Live, Learn, Work, and Play Now (MIT Press, 2021), Pablo Boczkowski and Eugenia Mitchelstein offer a new way to understand the role of the digital in our daily lives, calling on us to turn our attention from our discrete devices and apps to the array of artifacts and practices that make up the digital environment that envelops every aspect of our social experience.
Boczkowski and Mitchelstein explore a series of issues raised by the digital takeover of everyday life, drawing on interviews with a variety of experts. They show how existing inequities of gender, race, ethnicity, education, and class are baked into the design and deployment of technology, and describe emancipatory practices that counter this--including the use of Twitter as a platform for activism through such hashtags as #BlackLivesMatter and #MeToo. They discuss the digitization of parenting, schooling, and dating--noting, among other things, that today we can both begin and end relationships online. They describe how digital media shape our consumption of sports, entertainment, and news, and consider the dynamics of political campaigns, disinformation, and social activism. Finally, they report on developments in three areas that will be key to our digital future: data science, virtual reality, and space exploration.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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While i find it pretty easy to recognize when i'm reading articles in complexity science, i've never been satisfied by definitions of complexity and related concepts. I'm not alone! Researchers' own attempts to define complex systems incorporate a mix of folk wisdom and fraught assumptions anchored to a menagerie of contested examples. The field was ripe for a 2013 article proposing a unified account of complexity, and it's no less ripe today for this book-length expansion.
In What Is a Complex System? (Yale UP, 2020), philosopher of science James Ladyman and physicist and mathematician Karoline Wiesner systematically interrogate popular definitions. They break the most commonly cited features into three bins: truisms on which there is universal agreement, the conditions necessary for complexity to arise, and various emergent products of complexity. A key insight of their account, for me, was to understand emergence as a relation between features rather than one feature among many.
The book is compact, accessible, and at times profound. Indeed, James and Karoline bring the lessons of their account to some of the most consequential complex systems of our time, including Earth's climate and biosphere as well as our global social media ecosystem. I was honored to host them in conversation on this episode, and i encourage listeners to pick up the book itself for deeper dives into the topics we discussed.
James Ladyman is professor of philosophy at the University of Bristol and works mainly in the philosophy of science. Karoline Wiesner is professor of physics at the University of Potsdam and uses information theory to understand complex systems.
Cory Brunson is a Research Assistant Professor at the Laboratory for Systems Medicine at the University of Florida. His research focuses on geometric and topological approaches to the analysis of medical and healthcare data. He welcomes book suggestions, listener feedback, and transparent supply chains.
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In Radiant Infrastructures: Media, Environment, and Cultures of Uncertainty (Duke UP, 2020), Rahul Mukherjee explores how the media coverage of nuclear power plants and cellular phone antennas in India—what he calls radiant infrastructures—creates environmental publics: groups of activists, scientists, and policy makers who use media to influence public opinion. In documentaries, lifestyle television shows, newspapers, and Bollywood films, and through other forms of media (including radiation-sensing technologies), these publics articulate contesting views about the relationships between modernity, wireless signals, and nuclear power. From testimonies of cancer patients who live close to cell towers to power plant operators working to contain information about radiation leaks and health risks, discussions in the media show how radiant infrastructures are at once harbingers of optimism about India's development and emitters of potentially carcinogenic radiation. In tracing these dynamics, Mukherjee expands understandings of the relationship between media and infrastructure and how people make sense of their everyday encounters with technology and the environment.
Noopur Raval is a postdoctoral researcher working at the intersection of Information Studies, STS, Media Studies and Anthropology.
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Death and the dead body have never been more alive in the public imagination--not least because of current debates over modern medical technology that is deployed, it seems, expressly to keep human bodies from dying, blurring the boundary between alive and dead. In Technologies of the Human Corpse (MIT Press, 2020), John Troyer examines the relationship of the dead body with technology, both material and conceptual: the physical machines, political concepts, and sovereign institutions that humans use to classify, organize, repurpose, and transform the human corpse. Doing so, he asks readers to think about death, dying, and dead bodies in radically different ways.
Troyer explains, for example, how technologies of the nineteenth century including embalming and photography, created our image of a dead body as quasi-atemporal, existing outside biological limits formerly enforced by decomposition. He describes the "Happy Death Movement" of the 1970s; the politics of HIV/AIDS corpse and the productive potential of the dead body; the provocations of the Body Worlds exhibits and their use of preserved dead bodies; the black market in human body parts; and the transformation of historic technologies of the human corpse into "death prevention technologies." The consequences of total control over death and the dead body, Troyer argues, are not liberation but the abandonment of Homo sapiens as a concept and a species. In this unique work, Troyer forces us to consider the increasing overlap between politics, dying, and the dead body in both general and specifically personal terms.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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This book sounds an alarm: after decades of being lulled into complacency by narratives of technological utopianism and neutrality, people are waking up to the large-scale consequences of Silicon Valley–led technophilia. This book trains a spotlight on the inequality, marginalization, and biases in our technological systems, showing how they are not just minor bugs to be patched, but part and parcel of ideas that assume technology can fix—and control—society.
The essays in Your Computer Is on Fire (MIT Press, 2021) interrogate how our human and computational infrastructures overlap, showing why technologies that centralize power tend to weaken democracy. These practices are often kept out of sight until it is too late to question the costs of how they shape society. From energy-hungry server farms to racist and sexist algorithms, the digital is always IRL, with everything that happens algorithmically or online influencing our offline lives as well. Each essay proposes paths for action to understand and solve technological problems that are often ignored or misunderstood.
Mathew Jordan is a university instructor, funk musician, and clear writing enthusiast. He studies the history of science and technology, driven by the belief that we must understand the past in order to improve the future.
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We are now living in the richest age of public memory. From museums and memorials to the vast digital infrastructure of the internet, access to the past is only a click away. Even so, the methods and technologies created by scientists, espionage agencies, and information management coders and programmers have drastically delimited the ways that communities across the globe remember and forget our wealth of retrievable knowledge.
In Architects of Memory: Information and Rhetoric in a Networked Archival Age (University of Alabama Press, 2020), Nathan R. Johnson charts turning points where concepts of memory became durable in new computational technologies and modern memory infrastructures took hold. He works through both familiar and esoteric memory technologies—from the card catalog to the book cart to Zatocoding and keyword indexing—as he delineates histories of librarianship and information science and provides a working vocabulary for understanding rhetoric’s role in contemporary memory practices.
This volume draws upon the twin concepts of memory infrastructure and mnemonic technê to illuminate the seemingly opaque wall of mundane algorithmic techniques that determine what is worth remembering and what should be forgotten. Each chapter highlights a conflict in the development of twentieth-century librarianship and its rapidly evolving competitor, the discipline of information science. As these two disciplines progressed, they contributed practical techniques and technologies for making sense of explosive scientific advancement in the wake of World War II. Taming postwar science became part and parcel of practices and information technologies that undergird uncountable modern communication systems, including search engines, algorithms, and databases for nearly every national clearinghouse of the twenty-first century.
Nathan R. Johnson is assistant professor of Rhetoric at the University of South Florida. His work has appeared in the Journal of Technical Writing and Communication, Poroi, Journal of the Association for Information Science and Technology and enculturation: A Journal of Rhetoric, Writing, and Culture.
Connect with your host, Lee Pierce (they & she) on social and Gmail @rhetoriclee
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Lives of Data: Essays on Computational Cultures from India (Institute of Networked Cultures, 2020) maps the historical and emergent dynamics of big data, computing, and society in India. Data infrastructures are now more global than ever before. In much of the world, new sociotechnical possibilities of big data and artificial intelligence are unfolding under the long shadows cast by infra/structural inequalities, colonialism, modernization, and national sovereignty. This book offers critical vantage points for looking at big data and its shadows, as they play out in uneven encounters of machinic and cultural relationalities of data in India’s socio-politically disparate and diverse contexts.
This episode features a discussion between Sandeep Mertia (book editor and contributing author), Aakash Solanki (contributing author) and Noopur (host and contributing author). The discussion begins with the contents of the book but moves on to a broader conversation about STS as an interdisciplinary formation in India and the global South.
Noopur Raval is a postdoctoral researcher working at the intersection of Information Studies, STS, Media Studies and Anthropology
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Design and Spirituality: A Philosophy of Material Cultures (Routledge, 2021) examines the philosophical context of our current situation and its implications for design. It explores how modernity and our constricted notions of progress have contributed to today’s crisis of values, and argues for a re-establishment and re-affirmation of self-transcending priorities, together with an ethos of moderation and sufficiency.
A wide range of topics are covered, including material culture and spiritual teachings; sustainability and the spiritual perspective; traditional and indigenous knowledge; technology and spirituality; notions of meaningful design; and how particular material things can have deeper, symbolic significance. There are also reflections on areas such as the language of design; busyness and its relationship to wisdom; design and social disparity; and traditional sacred practices. While not avoiding issues that are controversial, and sometimes hard-hitting, Design and Spirituality gets to the heart of the key issues affecting us today and presents them in a highly readable and accessible format.
The author is a leading thinker in the field and he presents his arguments in a manner that invites the reader to reflect and think about where we are going, why we are going there and what really matters.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
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Javier Guerrero's "Narcosubmarines: Outlaw Innovation and Maritime Interdiction in the War on Drugs" (Palgrave MacMillan, 2020) is about the encounters of Colombian drug smugglers and the Colombian Navy, both in the open seas and along coastlines. Guerrero specifically examines the technologies involved in the War on Drugs, such as the narcosubmarines and patrol boats, the knowledge required to transport drugs and the knowledge required to stop the illicit flows.
The author presents compelling new evidence for advancing an understanding of technological innovation in antagonist contexts, as well as the symbiotic and co-evolutionary character of the process of technological innovation in the War on Drugs. This book will appeal both to practitioners and scholars interested in the War on Drugs and the production of technologies in outlaw contexts.
Geert Slabbekoorn works as an analyst in the field of public security. In addition he has published on different aspects of dark web drug trade in Belgium. Find him on twitter, tweeting all things drug related @GeertJS.
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Today I talked to Carla Diana about her new book My Robot Gets Me: How Social Design Can Make New Products More Human (Harvard Business Review Press, 2021).
Carla Diana is a robot designer responsible for the creative aspects of Diligent Robotics’ new hospital service robot named Moxi. She created and leads the 4D Design masters program at the Cranbrook Academy of Art, wrote the world’s first children’s book on 3D printing, LEO the Maker Prince, and she cohosts the Robopsych Podcast.
The author is intrigued by where technology is headed—the “electronic guts” of high-tech offerings--at the same time that she never loses focus on what kind of gut reaction a user will have in interacting with a product. This episode therefore ranges from discussing modalities central to Diana’s work (sound, movement, and lighting) to addressing how important it is for designers and engineers alike to engage in “bodystorming” exercises that align everyone around what the user’s experience will be like. Delight and ease of use are both key criteria in achieving success. If there’s a Frankenstein aspect to helping bring robots “alive,” fortunately Diana is somebody concerned with all the ethical challenges that arise.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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In this interview, I talked with Professor Sonia Livingstone about her book Parenting for a Digital Future: How Hopes and Fears about Technology Shape Children’s Lives (Oxford UP, 2020). The book is co-authored with Alicia Blum-Ross who is the Public Policy Lead for Kids & Families at Google. Professor Livingstone is a professor in the Department of Media and Communications at the London School of Economics and Political Science. Her research examines how the changing conditions of mediation are reshaping everyday practices and possibilities for action. She has published 20 books on media audiences, specifically focusing on children and young people’s risks and opportunities, media literacy and rights in the digital environment. Professor Livingstone currently directs the Digital Futures Commission with the 5Rights Foundation and the Global Kids Online project with UNICEF along with various other prestigious affiliations.
Najarian R. Peters is an Associate Professor of Law at the University of Kansas and a Faculty Associate at the Berkman Center for Internet and Society at Harvard University. Her research interests and teaching areas focus on privacy and emerging technology. Email her at: [email protected] or [email protected]
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In the first half of the twentieth century, urban elevated highways were much more than utilitarian infrastructure, lifting traffic above the streets; they were statements of civic pride, asserting boldly modern visions for a city’s architecture, economy, and transportation network. Yet three of the most ambitious projects, launched in Chicago, New York, and Boston in the spirit of utopian models by architects such as Le Corbusier and Hugh Ferriss, ultimately fell short of their ideals.
Modern Mobility Aloft: Elevated Highways, Architecture, and Urban Change in Pre-interstate America (Temple UP, 2020) is the first study to focus on pre-Interstate urban elevated highways within American architectural and urban history. Amy Finstein traces the idealistic roots of these superstructures, their contrasting realities once built, their impacts on successive development patterns, and the recent challenges they have posed to contemporary urban designers.
Filled with more than 100 historic photographs and illustrations of beaux arts and art deco architecture, Modern Mobility Aloft provides a critical understanding of urban landscapes, transportation, and technological change as cities moved into the modern era.
Amy Finstein is an Assistant Professor in the Department of Visual Arts at the College of the Holy Cross, where she teaches modern architectural and urban history.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
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Completed in 1938, the Trans-Iranian Railway connected Tehran to Iran's two major bodies of water: the Caspian Sea in the north and the Persian Gulf in the south. Iran's first national railway, it produced and disrupted various kinds of movement—voluntary and forced, intended and unintended, on different scales and in different directions—among Iranian diplomats, tribesmen, migrant laborers, technocrats, railway workers, tourists and pilgrims, as well as European imperial officials alike. Iran in Motion: Mobility, Space, and the Trans-Iranian Railway (Stanford UP, 2021) tells the hitherto unexplored stories of these individuals as they experienced new levels of mobility.
Drawing on newspapers, industry publications, travelogues, and memoirs, as well as American, British, Danish, and Iranian archival materials, Mikiya Koyagi traces contested imaginations and practices of mobility from the conception of a trans-Iranian railway project during the nineteenth-century global transport revolution to its early years of operation on the eve of Iran's oil nationalization movement in the 1950s. Weaving together various individual experiences, this book considers how the infrastructural megaproject reoriented the flows of people and goods. In so doing, the railway project simultaneously brought the provinces closer to Tehran and pulled them away from it, thereby constantly reshaping local, national, and transnational experiences of space among mobile individuals.
This interview is part of an NBN special series on Mobilities and Methods.
Mikiya Koyagi is Assistant Professor of Middle Eastern Studies at the University of Texas at Austin.
Alize Arıcan is an urban anthropologist and incoming Postdoctoral Scholar at Rutgers University's Center for Cultural Studies. Her research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
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The figure of the human looms large of the history of philosophy, from the ancient Greeks speculating about featherless bipeds to contemporary programmers wondering if they can recreate human intelligence with a series of algorithms. Much philosophical thought in the last few decades has involved much speculation about the human subject, even if it was often hostile to the idea that there is such a thing, rather than an odd effect of linguistic and cultural practices. Other critics have pointed out that the idea of a universal human subject has often been used to legitimate and cover up nefarious political ideas and practices.
Still, many thinkers today continue to argue for an ontology that includes a unique place for the human subject. One of these thinkers is my guest today, Zahi Zalloua, here to discuss his new book Being Posthuman: Ontologies of the Future (Bloomsbury, 2020). Written both as an introduction and intervention, it kicks off with a long history of humanism and its critics, which helps set the stage for the four chapters that make up the main book. The first explores cyborgs, and the ways technology is slowly becoming a part of our lives and what that might mean. The second explores animals and our treatment of them, and what our willingness to send them to slaughterhouses and consume them in enormous quantities says about us. The third explores new theoretical frameworks such as Object Oriented Ontology and New Materialism, and the place of the subject in these frameworks. The final chapter looks at race in Afropessimism, and what a true emancipation might look like. In all this, Zalloua combines theoretical frameworks with cultural analysis, giving the book a sense of accessibility and relevance to our current moment (as well as a couple plot-spoilers for Black Mirror and Sorry to Bother You). Those interested in philosophy and critical theory, and particularly the work of Slavoj Žižek will find this to be both an accessible and provocative text.
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The American atomic bomb was born in secrecy. From the moment scientists first conceived of its possibility to the bombings of Hiroshima and Nagasaki and beyond, there were efforts to control the spread of nuclear information and the newly discovered scientific facts that made such powerful weapons possible. The totalizing scientific secrecy that the atomic bomb appeared to demand was new, unusual, and very nearly unprecedented. It was foreign to American science and American democracy--and potentially incompatible with both. From the beginning, this secrecy was controversial, and it was always contested. The atomic bomb was not merely the application of science to war, but the result of decades of investment in scientific education, infrastructure, and global collaboration. If secrecy became the norm, how would science survive?
Drawing on troves of declassified files, including records released by the government for the first time through the author's efforts, Alex Wellerstein's book Restricted Data: The History of Nuclear Secrecy in the United States (University of Chicago Press, 2021) traces the complex evolution of the US nuclear secrecy regime from the first whisper of the atomic bomb through the mounting tensions of the Cold War and into the early twenty-first century. A compelling history of powerful ideas at war, it tells a story that feels distinctly American: rich, sprawling, and built on the conflict between high-minded idealism and ugly, fearful power.
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What are digital inequalities? In The Digital Disconnect: The Social Causes and Consequences of Digital Inequalities (Sage, 2021), Ellen Helsper, a Professor of Digital Inequalities in the Department of Media and Communications at the London School of Economics, explores the unequal nature of our now digital world. The book introduces the corresponding fields theoretical framework, as a way of blending a huge range of empirical and theoretical material that provides the basis for a global analysis of digital’s relationship to economic, social, and cultural inequalities. Clear, engaging, and easy to follow, the book poses important questions as to who is valued in the digital world, as well as offering lessons for how we might address the causes and consequences of digital inequalities. The book will be essential reading across social science and humanities, and for anyone interested in understanding and changing the digital world.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
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The word ‘data’ has entered everyday conversation, but do we really understand what it means? How can we begin to grasp the scope and scale of our new data-rich world, and can we truly comprehend what is at stake. In Data Lives: How Data Are Made and Shape Our World (Policy Press, 2021), renowned social scientist Rob Kitchin explores the intricacies of data creation and charts how data-driven technologies have become essential to how society, government and the economy work. Creatively blending scholarly analysis, biography and fiction, he demonstrates how data are shaped by social and political forces, and the extent to which they influence our daily lives. He reveals our data world to be one of potential danger, but also of hope.
Noopur Raval is a postdoctoral researcher working at the intersection of Information Studies, STS, Media Studies and Anthropology.
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The “smart” city of today looks little like what experts of yesteryear expected them to. In this book, Aaron Shapiro, Ph.D. takes readers on a behind the scenes tour of the smart city and shows the revolution in urban technology that is currently taking place in large metropolitan areas around the United States. Technology has fundamentally transformed urban life. Throughout Design, Control, Predict: Logistical Governance in the Smart City (U Minnesota Press, 2020), Shapiro develops a new lens called logistical governance in his effort to interpret and understand urban technologies. This lens was used to critique urban future based on extraction and rationalization.
Through ethnographic research, journalistic interviews, and his own hands-on experience, Shapiro helps readers peer through cracks of the façade that smart cities are bearing. He investigates the true price New Yorkers pay for “free,” ad-funded WiFi, finding that it is ultimately serving the ends of commercial media. Shapiro also builds on his experience as a bike courier delivering food for a startup company and examines how promises of “flexible employment” in the gig economy paves the way for strict managerial control. And he turns his discussion toward the current debates about police violence and new patrol technologies, asking whether algorithms are the answer to reforming the ongoing crises of criminal justice in large urban cities.
Through these gripping accounts of new technology in urban areas, Shapiro and Design, Control, Predict make vital contributions to conversations about data privacy and algorithmic governance. Shapiro provides a ground level account of a timely and important piece of research in Design, Control, Predict. This piece can be used when comprehending urbanism today and when identifying strategies to advance the critique and resistance to a dystopian future that is often viewed as inevitable.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant“, was published in Gender Issues Journal. He researches culture, social identity, and collective representation as it is presented in everyday social interactions. He is currently studying the social interactions that people engage in at two annual festivals that take place during the summer months along the banks of the Mississippi River. You can learn more about him on his website, Google Scholar, follow him on Twitter @ProfessorJohnst, or email him at [email protected].
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Social media has become the front-and-center arena for feminist activism. Responding to and enacting the political potential of pain inflicted in acts of sexual harassment, violence, and abuse, Asian American and Asian Canadian feminist icons such as rupi kaur, Margaret Cho, and Mia Matsumiya have turned to social media to share their stories with the world. But how does such activism reconcile with the platforms on which it is being cultivated, when its radical messaging is at total odds with the neoliberal logic governing social media?
Pain Generation: Social Media, Feminist Activism, and the Neoliberal Selfie (NYU Press, 2021) troubles this phenomenon by articulating a "neoliberal self(ie) gaze" through which these feminist activists see and storify the self on social media as "good" neoliberal subjects who are appealing, inspiring, and entertaining. This book offers a fresh perspective on feminist activism by demonstrating how the problematic neoliberal logic governing digital spaces like Instagram and Twitter limits the possibilities of how one might use social media for feminist activism.
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
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How has social media shaped contemporary society? In The Social Media Age (Sage, 2021), Zoetanya Sujon, a Senior Lecturer and Programme Director in Communications and Media at London College of Communication, analyses social media, from pre-history through to our more contemporary critical turn. The book considers a wide range of issues and perspectives, from platforms and power, through data and dating, to selfies and surveillance. Packed with a vast range of case study material, including reflections on #BlackLivesMatter, social credit systems in China, and influencer culture on YouTube, the book is essential reading across the arts and humanities, as well as for anyone interested in our current, social media, world.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
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Where racism and sexism meet—an understanding of anti-Black misogyny. When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time.
In Misogynoir Transformed: Black Women’s Digital Resistance (NYU Press, 2021), Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
Dr. Moya Bailey she/her/hers is Assistant Professor of Africana Studies and Women’s, Gender, and Sexuality Studies at Northeastern University and is currently an MLK Visiting Professor at MIT. Connect with Moya on Instagram @transformisogynoir and on Twitter @moyazb
Dr. Lee Pierce (they & she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast RhetoricLee Speaking. Connect with Lee on Twitter, Instagram, and Gmail @rhetoriclee
Also mentioned in this episode is Zakiyyam Iman Jackson's interview with New Books Network about Becoming Human: Matter and Meaning in an Antiblack World
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Providing one of the first comprehensive, cross-cultural examinations of the dynamic market for sexual services, this book presents an evidence-based look at the multiple factors related to purchasing patterns and demand among clients who have used the internet.
The data is drawn from two large surveys of sex workers' clients in the US and UK. The book presents descriptive baseline data on client engagement with online platforms, demographics and patterns of frequency in different markets, information on smaller niche markets and client reactions to exploitation, safety and changes in the law.
Teela Sanders, Barbara G. Brents and Chris Wakefield's book Paying for Sex in a Digital Age: US and UK Perspectives (Routledge, 2020) makes clear that a variety of situational as well as individual factors affect the willingness and ability to purchase sexual services. The view that emerges shatters the stereotypes and generalistions on which much policy is based and demonstrates the complexities surrounding who pays for sex and the contours of sexual consumption in consumer culture.
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
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Tetyana Lokot's new book Beyond the Protest Square: Digital Media and Augmented Dissent (Rowman & Littlefield, 2021) examines how citizens use digital social media to engage in public discontent and offers a critical examination of the hybrid reality of protest where bodies, spaces and technologies resonate. It argues that the augmented reality of protest goes beyond the bodies, the tents, and the cobblestones in the protest square, incorporating live streams, different time zones, encrypted conversations, and simultaneous translation of protest updates into different languages. Based on more than 60 interviews with protest participants and ethnographic analysis of online content in Ukraine and Russia, it examines how citizens in countries with limited media freedom and corrupt authorities perceive the affordances of digital media for protest and how these enable or limit protest action. The book provides a nuanced contribution to debates about the role of digital media in contentious politics and protest events, both in Eastern Europe and beyond.
Tanya (Tetyana) Lokot is Associate Professor in Digital Media and Society at the School of Communications, Dublin City University.
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Hello Everyone, and welcome to New Books in Gender and Sexuality, a channel on the New Books Network. I’m your host, Jana Byars, and I’m here today with Pallavi Guha, assistant professor in the Department of Mass Communication at Towson University in Towson, MD, to talk to her about her new book, Hear #MeToo in India: News, Social Media, and Anti-Rape and Sexual Harassment Activism, out this year, 2021 with Rutgers University Press.
This book examines the role media platforms play in anti-rape and sexual harassment activism in India. Including 75 interviews with feminist activists and journalists working across India, it proposes a framework of agenda-building and establishes a theoretical framework to examine media coverage of issues in the digitally emerging Global South.
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As Twitter enters its own adolescence, both the users and the creators of this famous social media platform find themselves engaging with a tool that certainly could not have been imagined at its inception. In their engaging book Twitter: A Biography (NYU Press, 2020), Jean Burgess and Nancy K. Baym (@nancybaym) tell the fascinating and surprising story of how this platform developed from a quirky SMS tool for publicly sharing intimate details of personal life to a major source of late-breaking news, political activism, and even governmental communication. This story explores how many of Twitter's most ubiquitous and iconic conventions were not systematically rolled out from a centralized corporate strategy, but so often driven by users who continued to innovate within the limitations of the platform they had to democratically create the platform they desired. Yet this story highlights the tensions along the way as Twitter has adapted to new and unforeseen challenges, business models, and social consequences as the experiments of social media have become increasingly powerful, influential, and contested. This book is a must read for anyone interested in the wild and changing landscape of internet communication and communities.
Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
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What is the impact of surveillance capitalism on our right to free speech? The Internet once promised to be a place of extraordinary freedom beyond the control of money or politics, but today corporations and platforms exercise more control over our ability to access information and share knowledge to a greater extent than any state. From the online calls to arms in the thick of the Arab Spring to the contemporary front line of misinformation, Jillian York charts the war over our digital rights. She looks at both how the big corporations have become unaccountable censors, and the devastating impact it has had on those who have been censored.
In Silicon Values: The Future of Free Speech Under Surveillance Capitalism (Verso Book, 2021), leading campaigner Jillian York, looks at how our rights have become increasingly undermined by the major corporations desire to harvest our personal data and turn it into profit. She also looks at how governments have used the same technology to monitor citizens and threatened our ability to communicate. As a result our daily lives, and private thoughts, are being policed in an unprecedented manner. Who decides the difference between political debate and hate speech? How does this impact on our identity, our ability to create communities and to protest? Who regulates the censors? In response to this threat to our democracy, York proposes a user-powered movement against the platforms that demands change and a new form of ownership over our own data.
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
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Why do we keep trying to solve poverty with technology? What makes us feel that we need to learn to code--or else? In The Promise of Access: Technology, Inequality, and the Political Economy of Hope (MIT Press, 2021), Daniel Greene argues that the problem of poverty became a problem of technology in order to manage the contradictions of a changing economy. Greene shows how the digital divide emerged as a policy problem and why simple technological solutions to complex social issues continue to appeal to politicians and professionals who should (and often do) know better.
Patrick Sheehan is a PhD student in Sociology at UT Austin studying work and careers in the digital economy.
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In his new book Taking Nazi Technology: Allied Exploitation of German Science After the Second World War (Johns Hopkins University Press, 2019), Douglas O’Reagan describes how the Western Allies gathered teams of experts to scour defeated Germany, seeking industrial secrets and the technical personnel who could explain them. Swarms of investigators invaded Germany's factories and research institutions, seizing or copying all kinds of documents, from patent applications to factory production data to science journals. They questioned, hired, and sometimes even kidnapped hundreds of scientists, engineers, and other technical personnel. They studied technologies from aeronautics to audiotapes, toy making to machine tools, chemicals to carpentry equipment. They took over academic libraries, jealously competed over chemists, and schemed to deny the fruits of German invention to any other land—including that of other Allied nations.
Drawing on declassified records, O'Reagan looks at which techniques worked for these very different nations, as well as which failed—and why. Most importantly, he shows why securing this technology, how the Allies did it, and when still matters today. He also argues that these programs did far more than spread German industrial science: they forced businessmen and policymakers around the world to rethink how science and technology fit into diplomacy, business, and society itself.
Douglas M. O'Reagan is a historian of technology, industry, and national security. He earned his PhD from the University of California, Berkeley.
Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at [email protected] or on twitter @craig_sorvillo.
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Digitization is reshaping creative industries. Old gatekeepers in music, publishing, television, movies, and other industries no longer play such an important role, and digital piracy makes it easy for consumers to avoid paying companies, artists, and writers for what they produce. On the other hand, independents can now cheaply produce and distribute creative works both to niche and mass market audiences.
In Digital Renaissance: What Data and Economics Tell Us about the Future of Popular Culture (Princeton UP, 2020), Economist Joel Waldfogel uses data about the quantity, quality, and mass appeal of these works to make the case that this has on balance made us all better off, resulting in a digital renaissance.
In this interview, we discuss the findings in his book and how he arrives at them. I also get his perspective on some developments since his book came out, like the rise of Spotify, non-fungible tokens (NFTs), and the impact of the pandemic on digitization. He also unwittingly gives me the opportunity to tell everyone with an Amazon device in the house to say “Alexa, Beethoven’s pathetic!” and enjoy the result.
If you want to buy the NFT for Waldfogel’s famously Scroogey paper “The Deadweight Loss of Christmas,” he is open to bids and promises to donate the proceeds to charity, unlike Scrooge. You can also follow him on Twitter.
Host Peter Lorentzen is an Associate Professor in the Department of Economics at the University of San Francisco, where he leads a new digital economy-focused Master's program in Applied Economics.
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The COVID19 pandemic has profoundly changed the landscape of K-12 education in our society. Last March, many states closed their brick-and-mortar schools and shifted to remote education. The massive shift is historic and unprecedented. Until now, while we see the light at the end of the tunnel in our battle against the coronavirus, millions and millions of students are still learning at home via online platforms. It is also because of this shift that digital learning all of a sudden has drawn attention from not only educators but also the general public from families to policy makers. Over the past months we have seen concerted efforts to invest in digital learning and improve the required infrastructure. In spite of this unexpected yet much welcomed attention from the society at large, digital teaching and learning a field has existed for a long time. Experts in the field have been documenting and exploring the best practice of digital teaching and learning. Today I am going to talk with three researchers who have been working in this field for a long time, Carolyn Heinrich from Vanderbilt University, Jennifer Darling-Aduana from Georgia State University and Annalee G. Good from the University of Wisconsin-Madison.
Last year, they published their new book with Harvard Education Press, titled Equity and Quality in Digital Learning: Realizing the Promise in K-12 Education (2020). It systematically studies the implementation and best practice of using digital tools to reduce inequities in educational opportunities and improve student outcomes. Although the book was out right before the start of the pandemic, the lessons, best practice and insights they highlighted in their book have so much to offer for educators, policy makers and families to navigate a teaching-and-learning landscape during and after this pandemic.
Carolyn J. Heinrich is the Patricia and Rodes Hart Professor of Public Policy and Education and Chair of the Department of Leadership, Policy, and Organizations, and an affiliated Professor of Economics at Vanderbilt University.
Jennifer Darling-Aduana is an Assistant Professor of Learning Technologies in the Department of Learning Sciences, College of Education and Human Development, at Georgia State University.
Annalee G. Good is co-director of the Wisconsin Evaluation Collaborative and Director of the Clinical Program at the Wisconsin Center for Education Research at the University of Wisconsin-Madison.
Pengfei Zhao is a critical researcher and qualitative research methodologist based at the University of Florida.
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In this episode, I interview David Wills, professor of French Studies at Brown University, about his book, Prosthesis, recently republished for its 25th anniversary by University of Minnesota Press. A landmark work in posthuman thought that analyzes and explores the human body as a technology, the book promotes the idea that the human body is open to supplementation by artificial addenda that operate both internally or externally and engage it in an unceasing arbitration with the environment. Questioning the opposition between animate and inanimate along with the logic of the automatic prioritization of living flesh, Prosthesis undertakes these assumptions by studying thematics of artificiality through the writings of Freud, Derrida, William Gibson, Peter Greenaway, and others.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
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In an era of increasing social isolation, platforms like Facebook and Twitter are among the most important tools we have to understand each other. We use social media as a mirror to decipher our place in society but, as Christopher A. Bail explains, it functions more like a prism that distorts our identities, empowers status-seeking extremists, and renders moderates all but invisible. Breaking the Social Media Prism: How to Make Our Platforms Less Polarizing (Princeton University Press, 2021) challenges common myths about echo chambers, foreign misinformation campaigns, and radicalizing algorithms, revealing that the solution to political tribalism lies deep inside ourselves.
Drawing on innovative online experiments and in-depth interviews with social media users from across the political spectrum, this book explains why stepping outside of our echo chambers can make us more polarized, not less. Bail takes you inside the minds of online extremists through vivid narratives that trace their lives on the platforms and off—detailing how they dominate public discourse at the expense of the moderate majority. Wherever you stand on the spectrum of user behavior and political opinion, he offers fresh solutions to counter political tribalism from the bottom up and the top down. He introduces new apps and bots to help readers avoid misperceptions and engage in better conversations with the other side. Finally, he explores what the virtual public square might look like if we could hit “reset” and redesign social media from scratch through a first-of-its-kind experiment on a new social media platform built for scientific research.
Providing data-driven recommendations for strengthening our social media connections, Breaking the Social Media Prism shows how to combat online polarization without deleting our accounts.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected]
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Jürgen Melzer’s Wings for the Rising Sun: A Transnational History of Japanese Aviation (Harvard UP, 2020) traces the history of Japanese aviation from its origins with hot-air balloons in the 1870s until the end of the Pacific War in 1945. Melzer’s narrative centers around three themes: transnational technology transfer and Japan’s efforts to attain technological independence, domestic efforts to mobilize public enthusiasm for aviation development (what Melzer calls “air-mindedness”), and the complicated interplay of aviation with military and diplomatic history.
The first chapters take us to the end of World War I, which was a turning point for Japanese aviation. Until that time, Japan had been most interested in French technologies, but the settlement of the Great War at Versailles provided an opportunity to take advantage of German aviation advancements. Parts 2 and 3 contrast the development of aviation in the Imperial Japanese Army and Navy, exposing crucial differences not only between the two services but within each one. Part 4 begins with Japan’s turn to American civil aviation technologies in the wake of the 1931 Manchurian Incident, and the subsequent impact of Japanese aggression and US retaliatory sanctions leading up to Pearl Harbor. The final chapter covers the fevered development of rocket- and jet-propelled aircraft during the war, and therefore in the context of resource shortages and a fast-ticking clock. Melzer, a former Lufthansa pilot, has written a book that will appeal to readers interested in STS, military history, international relations, and Western history, in addition to Japanese history aficionados.
Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University.
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Economist, data journalist, and best-selling author Seth Stephens-Davidowitz uses data from the internet to gain new insights into the human psyche. In his new book Everybody Lies: Big Data, New Data, and What the Internet Can Tell Us About Who We Really Are (HarperCollins, 2017), Seth has used Google searches to measure racism, self-induced abortion, depression, child abuse, hateful mobs, the science of humor, sexual preference, anxiety, son preference, and sexual insecurity, among many other topics. In this interview he explains how web searches are a kind of digital truth serum that reveals our hidden desires, insecurities and biases. He also explores other ways economists have used the explosion of new data created by the digitization of the economy to shed new light on old questions.
Peter Lorentzen is an Associate Professor in the Department of Economics at the University of San Francisco, where he created and leads a new digital economy-focused Master's program in Applied Economics.
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Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms.
While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations: Screening Sex in 21st Century Media (Indiana UP, 2021), award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex.
Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examining controversial strategies--from "real sex" scenes to scandalous marketing campaigns to full-frontal nudity--to reveal the critical role that sexual provocation plays as an authorial signature and promotional strategy within the contemporary media landscape.
A trailer for the books is available on YouTube. Both of San Filippo's IUP books are 30% off (through May) using code SANFILIPPO at iupress.org
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
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Are humans defining technology, or is technology defining humans? In The Coevolution: The Entwined Futures of Humans and Machines (MIT Press, 2020), Edward Ashford Lee considers the case that we are less in control of the trajectory of technology than we think. It shapes us as much as we shape it, and it may be more defensible to think of technology as the result of a Darwinian coevolution than the result of top-down intelligent design. Richard Dawkins famously said that a chicken is an egg's way of making another egg. Is a human a computer's way of making another computer? To understand this question requires a deep dive into how evolution works, how humans are different from computers, and how the way technology develops resembles the emergence of a new life form on our planet.
Lee presents the case for considering digital beings to be living, then offers counterarguments. What we humans do with our minds is more than computation, and what digital systems do--be teleported at the speed of light, backed up, and restored--may never be possible for humans. To believe that we are simply computations, he argues, is a "dataist" faith and scientifically indefensible. Digital beings depend on humans--and humans depend on digital beings. More likely than a planetary wipe-out of humanity is an ongoing, symbiotic coevolution of culture and technology.
John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations.
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As the push for a Universal Healthcare system in the United States becomes more and more popular among the American people, we’re beginning to have more public conversations about access to and affordability of medical care. While many of us may not consider our health insurance until we need it, for those with chronic conditions, the American medical system can be a nightmare of insurance claims bureaucracy and that prevents patients from getting the care they need at a cost they can afford. Worse, the rising prices of drugs and treatments developed in this for-profit system mean that some patients receive more medical care than they want or need, sometimes at the expense of their quality of life.
When a young Katherine E. Standefer was suddenly diagnosed with Long QT Syndrome—the same congenital heart condition as her younger sister—she was faced with what felt like an impossible choice: implant a cardiac defibrillator and be forever tied to the American Medical System, or take a chance with death. In her stunning debut, Lightning Flowers: My Journey to Uncover the Cost of Saving a Life (Little, Brown, Spark, 2020) Standefer explores this system as both a patient and a consumer, visiting factories in California as well as mining communities in Rwanda and Madagascar where the metals in her defibrillator were sourced to learn more about the true human cost of the device that was meant to save her life. Throughout, Standefer wonders whether her life is worth this price, and asks us to reimagine approaches to care—both in medical and environmental.
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Contemporary media leads us more than ever to an ‘acting at a distance,’ an acting entangled with the materiality of communication and the mediality of transmission. Action at a Distance (Meson Press, 2020) this crucial phenomenon thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entanglement of the material and the immaterial.
Three vivid inquiries deal with histories and theories of mediality and materiality: John Durham Peters looks at episodes of simultaneity and synchronization. Christina Vagt discusses the agency of computer models against the backdrop of aesthetic theories by Henri Bergson and Hans Blumenberg, and Florian Sprenger discusses early electrical transmissions through copper wire and the temporality of instantaneity.
Marci Mazzarotto is an Assistant Professor and Program Coordinator of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice often with a focus on film and television studies.
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As common as it is today to speak of the relative “height” of musical pitches or of the sense of “vocal space” as it opened up by particular recording techniques, we did not always understand sound to be spatial. How did it become so? In Stereophonica: Sound and Space in Science, Technology, and the Arts (MIT Press, 2021), Gascia Ouzounian (Associate Professor of Music, Oxford University; Fellow and Tutor, Lady Margaret Hall) explores the answer, drawing on episodes drawn from the history of stereo technologies in the nineteenth century through to visual representations of and in sonic environments today. Ouzounian takes the reader from early innovations in the laboratory study of stereophony to the mobilization of the human hearing sense during World War I. Her account covers spectacular demonstrations of new sound-reproducing technologies in the inter-war period, the applications of new psychoacoustic theories of spatial hearing in both peacetime and in war, and right up to the 21st century, as the relation between sound and space are interrogated in contemporary sound installation art and radical interventions in the urban soundscapes of modern-day Beirut, Lebanon. This entry into sound studies and the history of technology deals with an array of historical, instrumental, and artistic cases in the long history of spatial sound. The reward of following its broad purview is a rich web of connections that disclose sound and listening as a long-fruitful site not only of aesthetics but also of the ethics of space and place, thereby opening up further study in the intersection between sound studies and sonic urbanism.
Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies.
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Today on New Books in History, Dr. Evan Friss, associate professor of history at James Madison University in Harrisonburg, Virginia in the US to talk about The Cycling City: Bicycles and Urban America in the 1890s (University of Chicago Press, 2015). This book was originally released in 2015 by the University of Chicago press and we are chatting on the occasion of its paperback release in January.
Cycling has experienced a renaissance in the United States, as cities around the country promote the bicycle as an alternative means of transportation. In the process, debates about the nature of bicycles—where they belong, how they should be ridden, how cities should or should not accommodate them—have played out in the media, on city streets, and in city halls. Very few people recognize, however, that these questions are more than a century old.
The Cycling City is a sharp history of the bicycle’s rise and fall in the late nineteenth century. In the 1890s, American cities were home to more cyclists, more cycling infrastructure, more bicycle friendly legislation, and a richer cycling culture than anywhere else in the world. Evan Friss unearths the hidden history of the cycling city, demonstrating that diverse groups of cyclists managed to remap cities with new roads, paths, and laws, challenge social conventions, and even dream up a new urban ideal inspired by the bicycle. When cities were chaotic and filthy, bicycle advocates imagined an improved landscape in which pollution was negligible, transportation was silent and rapid, leisure spaces were democratic, and the divisions between city and country were blurred. Friss argues that when the utopian vision of a cycling city faded by the turn of the century, its death paved the way for today’s car-centric cities—and ended the prospect of a true American cycling city ever being built.
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Today I talked to Ming-Hui Huang about her book (coauthored with Roland T. Rust), The Feeling Economy: How Artificial Intelligence Is Creating the Era of Empathy (Palgrave MacMillan, 2021)
This episode covers the movement of the economy from brawn to brains to hearts. Put another way, the focus here is on the movement from the Physical Economy (farming, factories, etc.) to the Thinking Economy to now the dawning of the Feeling Economy. In the near-term future, artificial intelligence (AI) will handle the thinking tasks and humans on the job will focus on adding value through empathy and their interpersonal skills. The episode explores everything from workers re-skilling, cross-skilling and up-skilling to handle this change, to the impact of this change to being feeling-centric on our politics, educational practices, and the expectations of consumers. Of special note is that the new economic era may privilege female “soft” skills over the “hard” skills men are known by and often more comfortable with.
Ming-Hui Huang holds a number of posts. She’s a Distinguished Professor at National Taiwan University; a fellow of the European Marketing Academy (EMAC); an International Research Fellow of the Centre for Corporate Reputation, University of Oxford, UK; and a Distinguished Research Fellow of the Center for Excellence in Service, University of Maryland, USA. She is also the incoming Editor-in-Chief of the Journal of Service Research.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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Digital dualism, or a sharp division between online and offline activity as "virtual" or "real" has long been a feature of liturgical studies and discussions around worship gatherings for theorists and practitioners alike. Teresa Berger's new book @Worship: Liturgical Practices in Digital Worlds (Routledge, 2017) provides a manifesto for more nuanced thinking about digital mediation, materiality, ecclesial gathering, and sacramental presence in our digitally suffused world. While this book was published several years before the COVID-19 pandemic, the careful thinking Berger presents here can certainly guide church leaders and participants in present and future conversations as worshiping communities find themselves facing prolonged seasons of online gatherings and digital devotion.
Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
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Ronald Deibert is a professor of Political Science at the University of Toronto and the Director of The Citizen Lab, a public interest research organization that uncovers privacy and human rights abuses on the internet.
In his latest book, Reset: Reclaiming the Internet for Civil Society (House of Anansi Press, 2020), Deibert unites a growing corpus of academic literature on the perils of surveillance capitalism to show how today’s data-hungry communications technologies have poisoned our political institutions, our minds, and even our environment. Deibert believes that it is not too late to rescue our politics from our technology, and he argues that the answer lies not in silicon or code but age-old political principles. Look to Montesquieu, not Zuckerberg, Deibert tells us, if you want to find a stable framework for digital governance in the 21st century.
On this episode, in addition to all the above, Professor Deibert and I explore the economic engines of surveillance capitalism, the dangers of ritualistic privacy policies, the internet’s immense carbon footprint, and the importance of data privacy law, among other topics.
John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master’s degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor’s degree in History & Literature from Harvard University.
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It’s hard to avoid innovation these days. Nearly every product gets marketed as being disruptive, whether it’s genuinely a new invention or just a new toothbrush. But in this manifesto on the state of American work, historians of technology Lee Vinsel and Andrew L. Russell argue that our way of thinking about and pursuing innovation has made us poorer, less safe, and—ironically—less innovative.
Drawing on years of original research and reporting, The Innovation Delusion: How Our Obsession with the New Has Disrupted the Work That Matters Most (Currency, 2020) shows how the ideology of change for its own sake has proved a disaster. Corporations have spent millions hiring chief innovation officers while their core businesses tank. Computer science programs have drilled their students on programming and design, even though the overwhelming majority of jobs are in IT and maintenance. In countless cities, suburban sprawl has left local governments with loads of deferred repairs that they can’t afford to fix.
For anyone concerned by the crumbling state of our roads and bridges or the direction our economy is headed, The Innovation Delusion is a deeply necessary reevaluation of a trend we can still disrupt.
Mathew Jordan is a university instructor, funk musician, and clear writing enthusiast. I study science and its history, in the hope that understanding the past can help us make sense of the present and build a better future.
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For years, cybersecurity experts have debated whether cyber-weapons represent a destabilizing new military technology or merely the newest tool in the spies’ arsenal. In This Is How They Tell Me the World Ends (Bloomsbury, 2021), Nicole Perlroth makes a compelling case that cyber-conflict is quickly spiraling out of control. Worse, the United States set us down the precarious path we’re now on.
A cybersecurity reporter at the The New York Times, Nicole makes her case by taking us on a journey from the shadowy underworld of the cyber-arms market, to Silicon Valley, the White House, and the NSA’s elite offensive hacking unit, Tailored Access Operations. On this episode, I talk to Nicole about the nature of the cyber-arms underground, why the NSA has traditionally favored offense over defense, and why no one—not Congress and not the public—seems to understand the gravity of the cyber-threat.
We wrap up with a story likely to be of interest to the NBN community: someone—were not sure who yet—is hacking authors’ email accounts and stealing their manuscripts.
John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master’s degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor’s degree in History & Literature from Harvard University.
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The period of the "second slavery" was marked by geographic expansion of zones of slavery into the Upper US South, Cuba, and Brazil and chronological expansion into the industrial age. As The Reinvention of Atlantic Slavery: Technology, Labor, Race, and Capitalism in the Greater Caribbean (Oxford UP, 2020) shows, ambitious planters throughout the Greater Caribbean hired a transnational group of chemists, engineers, and other "plantation experts" to assist them in adapting industrial technologies to suit their "tropical" needs and increase profitability. Not only were technologies reinvented so as to keep manufacturing processes local but slaveholders' adaptation of new racial ideologies also shaped their particular usage of new machines. Finally, these businessmen forged a new set of relationships with one another in order to sidestep the financial dominance of Great Britain and the northeastern United States.
In addition to promoting new forms of mechanization, the technical experts depended on the know-how of slaves alongside whom they worked. Bondspeople with industrial craft skills played key roles in the development of new production processes and technologies like sugar mills. While the very existence of such skilled slaves contradicted prevailing racial ideologies and allowed black people to wield power in their own interest, their contributions grew the slave economies of Cuba, Brazil, and the Upper South. Together reform-minded planters, technical experts, and enslaved people modernized sugar plantations in Louisiana and Cuba; brought together rural Virginia wheat planters and industrial flour-millers in Richmond with the coffee-planting system of southeastern Brazil; and enabled engineers and iron-makers in Virginia to collaborate with railroad and sugar entrepreneurs in Cuba.
Through his examination of the creation of these industrial bodies of knowledge, Daniel B. Rood demonstrates the deepening dependence of the Atlantic economy on forced labor after a few revolutionary decades in which it seemed the institution of slavery might be destroyed. The reinvention of this plantation world in the 1840s and 1850s brought a renewed movement in the 1860s, especially from enslaved people themselves in the United States and Cuba, to end chattel slavery.
This account of capitalism, technology, and slavery offers new perspectives on the nineteenth-century Americas.
Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany.
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From facial recognition to online shopping, artificial intelligence has become the backbone of the internet and has led to an unprecedented extraction and utilization of personal data. As a result, AI has rapidly outpaced existing free speech, privacy, and national security law.
In The Centaur’s Dilemma: National Security Law for the Coming AI Revolution (Brookings Institute Press, 2020), Judge James E. Baker deploys his extensive experience in national security law to argue for AI regulation through legislation. By first tackling the creation of a precise definition of artificial intelligence, Judge Baker then vividly explains the national security applications and implications of AI. In part two, he goes about suggesting a purposeful, legal framework for addressing those national security applications and implications while exploring legal arguments in the absence of clear laws. This timely and insightful work provides an accessible primer of AI for legal generalists while demonstrating how technologists can thoroughly think about the safety and ethics of artificial intelligence.
Kyle Beadle is a recent graduate of Louisiana State University, where he studied International Studies and Spanish. He is now seeking a master’s in International Relations and Security.
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With its infamously packed cars and disciplined commuters, Tokyo’s commuter train network is one of the most complex technical infrastructures on Earth. In An Anthropology of the Machine: Tokyo's Commuter Train Network (University of Chicago Press, 2018), Michael Fisch provides a nuanced perspective on how Tokyo’s commuter train network embodies the lived realities of technology in our modern world. Drawing on his fine-grained knowledge of transportation, work, and everyday life in Tokyo, Fisch shows how fitting into a system that operates on the extreme edge of sustainability can take a physical and emotional toll on a community while also creating a collective way of life—one with unique limitations and possibilities. An Anthropology of the Machine is a creative ethnographic study of the culture, history, and experience of commuting in Tokyo. At the same time, it is a theoretically ambitious attempt to think through our very relationship with technology and our possible ecological futures. Fisch provides an unblinking glimpse into what it might be like to inhabit a future in which more and more of our infrastructure—and the planet itself—will have to operate beyond capacity to accommodate our ever-growing population.
John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations.
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Ben-Hur (1959), Jaws (1975), Avatar (2009), Wonder Woman (2017): the blockbuster movie has held a dominant position in American popular culture for decades. In American Blockbuster: Movies, Technology, and Wonder (Duke University Press, 2020), Charles R. Acland charts the origins, impact, and dynamics of this most visible, entertaining, and disparaged cultural form. Acland narrates how blockbusters emerged from Hollywood's turn to a hit-driven focus during the industry's business crisis in the 1950s. Movies became bigger, louder, and more spectacular. They also became prototypes for ideas and commodities associated with the future of technology and culture, accelerating the prominence of technological innovation in modern American life. Acland shows that blockbusters continue to be more than just movies; they are industrial strategies and complex cultural machines designed to normalize the ideologies of our technological age.
Charles R. Acland is Distinguished University Research Professor of Communication Studies at Concordia University, Montreal. He is the author of Swift Viewing: The Popular Life of Subliminal Influence and Screen Traffic: Movies, Multiplexes, and Global Culture, and coeditor of Useful Cinema, all also published by Duke University Press.
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What is life? For generations, scientists have struggled to make sense of this fundamental question, for life really does look like magic: even a humble bacterium accomplishes things so dazzling that no human engineer can match it. Huge advances in molecular biology over the past few decades have served only to deepen the mystery. In this penetrating and wide-ranging book, world-renowned physicist and science communicator Paul Davies searches for answers in a field so new and fast-moving that it lacks a name; it is a domain where biology, computing, logic, chemistry, quantum physics, and nanotechnology intersect. At the heart of these diverse fields, Davies explains, is the concept of information: a quantity which has the power to unify biology with physics, transform technology and medicine, and force us to fundamentally reconsider what it means to be alive—even illuminating the age-old question of whether we are alone in the universe.
From life’s murky origins to the microscopic engines that run the cells of our bodies, The Demon in the Machine: How Hidden Webs of Information Are Solving the Mystery of Life (U Chicago Press, 2020) journeys across an astounding landscape of cutting-edge science. Weaving together cancer and consciousness, two-headed worms and bird navigation, Davies reveals how biological organisms garner and process information to conjure order out of chaos, opening a window onto the secret of life itself.
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In The Mutant Project: Inside the Global Race to Genetically Modify Humans (St. Martin's Press, 2020), anthropologist Eben Kirksey visits the frontiers of genetics, medicine, and technology to ask: Whose values are guiding gene editing experiments? And what does this new era of scientific inquiry mean for the future of the human species?
At a conference in Hong Kong in November 2018, Dr. He Jiankui announced that he had created the first genetically modified babies—twin girls named Lulu and Nana—sending shockwaves around the world. A year later, a Chinese court sentenced Dr. He to three years in prison for “illegal medical practice.”
As scientists elsewhere start to catch up with China’s vast genetic research program, gene editing is fueling an innovation economy that threatens to widen racial and economic inequality. Fundamental questions about science, health, and social justice are at stake: Who gets access to gene editing technologies? As countries loosen regulations around the globe, from the U.S. to Indonesia, can we shape research agendas to promote an ethical and fair society?
Eben Kirksey takes us on a groundbreaking journey to meet the key scientists, lobbyists, and entrepreneurs who are bringing cutting-edge genetic engineering tools like CRISPR to your local clinic. He also ventures beyond the scientific echo chamber, talking to disabled scholars, doctors, hackers, chronically-ill patients, and activists who have alternative visions of a genetically modified future for humanity.
The Mutant Project empowers us to ask the right questions, uncover the truth, and navigate this brave new world.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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The story of the battlefield in the 20th century was dominated by a handful of developments. Foremost of these was the introduction and refinement of tanks. In Tank Warfare (Indiana UP, 2020), prominent military historian Professor Jeremy Black offers a comprehensive global account of the history of tanks and armored warfare in the 20th and 21st centuries. First introduced onto the battlefield during the Great War, tanks represented the reconciliation of firepower and mobility and immediately seized the imagination of commanders and commentators concerned about the constraints of ordinary infantry on the western front. The developments of technology and tactics in the interwar years were realized to a degree in the German blitzkrieg in World War II and beyond. Yet the account of armor on the battlefield is a tale of limitations and defeats as well as of potential and achievements. Tank Warfare examines the traditional narrative of armored warfare while at the same time challenging it, and Black suggests that tanks were no "silver bullet" on the battlefield. Tanks very much not being a sort of deus ex machina. Instead, their success was based on their inclusion in the general mix of weaponry available to commanders and the context in which they were used by various armies in the 20th and 21st centuries.
Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.
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In The Fabric of Civilization: How Textiles Made the World (Basic Books, 2020), Virginia Postrel describes how humans coevolved with textiles.
The story begins with our distant ancestors who used string to fashion the earliest tools. Then, ten thousand years ago, humans began farming not only for food but also for fiber to make cloth. In the intervening millennia, for people everywhere, an inordinate amount of human time and energy went into the growing, harvesting, spinning, weaving, and dying of cloth for garments, bedding, blankets, rugs, hangings, tents, tarps, sails, sacks, and all manner of containers and fittings. Based on investigation and practice, Ms. Postrel explains the artisanal processes and sciences involved.
In addition, this book is about how textiles shaped our society more broadly: labor, trade, tribute, collaboration (and also exploitation), credit, banking, migration (some voluntary, some forced), style and cultural restrictions, all figure into the discussion. The Industrial Revolution that began when steam power replaced human toil in the spinning of thread and the weaving of cloth, changed our world. Cheap, high-quality, cloth became available to people everywhere. In the twentieth century, the advent of plastics, of synthetic fabrics, transformed our world again. All of this, Ms. Postrel achieves in 250 beautifully-written pages, with numerous helpful pictures and diagrams. She also has a blog filled with videos explaining the processes she investigates in the book at https://vpostrel.com/blog.
Virginia Postrel is a journalist, author, and independent scholar. Her books include author of The Substance of Style, The Power of Glamour, and The Future and its Enemies. She is currently a columnist for Bloomberg Opinion and has been a columnist for the Atlantic, the Wall Street Journal, and the New York Times.
Krzysztof Odyniec is a historian of the Early Modern Europe, the Spanish Empire, and the Atlantic World, specializing in sixteenth-century diplomacy and travel.
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Consumers may love their products and services but, among politicians and activists, the big-technology companies are fast developing a reputation as the Robber Barons of the 21st century.
Google recently joined Apple, Amazon and Microsoft as a so-called “tera-cap” – companies valued at more than a trillion dollars. Add Facebook and the five tech giants alone account for a quarter of the S&P500. How have they managed this in such a short timeframe? Their critics claim that Mark Zuckerberg, Jeff Bezos, Sundar Pichai, Satya Nadella and Tim Cook are just digital versions of Henry Ford, Andrew Carnegie, Andrew Mellon, Cornelius Vanderbilt, and John D. Rockefeller – monopolists who control entry nto their markets.
Not so simple, claims Nicolas Petit in Big Tech and the Digital Economy: The Moligopoly Scenario (Oxford University Press, 2020). Concerns about privacy or the dissemination of “fake news” are valid but “looking at these predicaments through monopoly lenses is like using Facebook to get your news. It seems to do the job. But it might well be fake”.
“The picture of big tech firms as monopolists is intuitively attractive but analytically wrong,” he writes. “A better picture is one of big tech firms as moligopolists, that is firms that coexist as monopolists and oligopolists”.
Nicolas Petit is the Joint Chair in Competition Law at the European University Institute and the Robert Schuman Center for Advanced Studies in Florence.
Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors.
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In Voices from the Valley: Tech Workers Talk About What They Do and How They Do It (FSG Originals, 2020), the celebrated writers and Logic cofounders Moira Weigel and Ben Tarnoff take an unprecedented dive into the tech industry, conducting unfiltered, in-depth, anonymous interviews with tech workers at all levels, including a data scientist, a start-up founder, a cook who serves their lunch, and a PR wizard. In the process, Weigel and Tarnoff open the conversation about the tech industry at large, a conversation that has previously been dominated by the voices of CEOs. Deeply illuminating, revealing, and at times lurid, Voices from the Valley is a vital and comprehensive view of an industry that governs our lives.
Logic dissects the way technology functions in everyday lives. The titans of Silicon Valley, for all their utopian imaginings, never really had our best interests at heart: recent threats to democracy, truth, privacy, and safety, as a result of tech’s reckless pursuit of progress, have shown as much. We present an alternate story, one that delights in capturing technology in all its contradictions and innovation, across borders and socioeconomic divisions, from history through the future, beyond platitudes and PR hype, and past doom and gloom. Our collaboration features four brief but provocative forays into the tech industry’s many worlds, and aspires to incite fresh conversations about technology focused on nuanced and accessible explorations of the emerging tools that reorganize and redefine life today.
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Can we correctly predict the flip of a fair coin more than half the time -- or the decay of a single radioactive atom? Our intuition, based on a lifetime of experience, tells us that we cannot, as these are classic examples of what are known to be 50-50 guesses. But mathematics is filled with counterintuitive results -- and this book discusses some surprising and entertaining examples. It is possible to devise experiments in which a flipped coin lands heads completely at random half the time, but we can also correctly predict when it will land heads more than half the time.
James D. Stein's The Fate of Schrodinger's Cat: Using Math and Computers to Explore the Counterintuitive (World Scientific, 2020) shows how high-school algebra and basic probability theory, with the invaluable assistance of computer simulations, can be used to investigate both the intuitive and the counterintuitive. This book explores fascinating and controversial questions involving prediction, decision-making, and statistical analysis in a number of diverse areas, ranging from whether there is such a thing as a 'hot hand' in shooting a basketball, to how we can successfully predict, more than half the time, the decay of the radioactive atom that determines the fate of Schrodinger's Cat.
Cory Brunson is a Research Assistant Professor at the Laboratory for Systems Medicine at the University of Florida. His research focuses on geometric and topological approaches to the analysis of medical and healthcare data. He welcomes book suggestions, listener feedback, and transparent supply chains.
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Former social media executives tell us that the system is an addiction-machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience.
The Twittering Machine (Verso, 2020) is an unflinching view into the calamities of digital life: the circus of online trolling, flourishing alt-right subcultures, pervasive corporate surveillance, and the virtual data mines of Facebook and Google where we spend considerable portions of our free time. In this polemical tour de force, Richard Seymour shows how the digital world is changing the ways we speak, write, and think.
Through journalism, psychoanalytic reflection and insights from users, developers, security experts and others, Seymour probes the human side of the machine, asking what we’re getting out of it, and what we’re getting into. Social media held out the promise that we could make our own history–to what extent did we choose the nightmare that it has become?
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
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In this episode, I speak with Matt Rafalow, about his book, Digital Divisions: How Schools Create Inequality in the Tech Era (University of Chicago Press, 2020). This book provides an ethnographic study of students and teachers at three Los Angeles schools utilizing instructional technology. We discuss the role of play in learning, how disciplinary dispositions are influenced by race and class, and how the prevalence ed tech can reinforce existing social heirarchies.
His recommended books included the following:
Trevor Mattea is an educational consultant and speaker. His areas of expertise include deeper learning, parent involvement, project-based learning, and technology integration. He can be reached by email at [email protected] or on Twitter at @tsmattea.
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Most of our discussions about how “technology will change the world” focus on the global cities that drive the world economy. Even when we talk about China, we focus on its major cities: Beijing, Shanghai and Shenzhen.
Xiaowei Wang corrects this metronormativity in their recent book Blockchain Chicken Farm: And Other Stories of Tech in China's Countryside (FSG Originals: 2020), which explores how rural China is not just adapting the technology used around the world, but innovating on it.
In this interview, we talk about the frontiers of technology that are being charted in rural China, and why China’s countryside may be the best place to understand how technology, capitalism and society will intersect in the coming years — often in not altogether positive ways. We also talk about some of the more recent developments in how Chinese technology is treated in the United States, with reference to their recent articles: "WeChat Has Both Connected Families and Torn Them Apart" in Slate and "How the Theatrics of Banning TikTok Enables Repression at Home" in The Nation.
Xiaowei Wang is the creative director at Logic Magazine, whose work encompasses community-based and public art projects, data visualization, technology, ecology, and education. Their projects have been featured in The New York Times, the BBC, CNN, VICE, and elsewhere. You can follow them on Twitter at @xrw.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Blockchain Chicken Farm. Follow on Facebook or on Twitter at @BookReviewsAsia.
Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon.
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Monopoly, Solitaire, football and Minecraft are all games, but for C. Thi Nyugen they are also an art form – specifically, the art form of agency, our capacity to set goals and pursue them. In Games: Agency as Art (Oxford UP, 2020), Nguyen argues that a game designer sculpts agency by specifying the goals and abilities of the potential player – what the player should care about and what their abilities are in the game environment. The resulting disposable ends and interesting struggles yields valuable aesthetic experiences that enhance our capacities for autonomous agency. Yet Nyugen, an associate professor of philosophy at the University of Utah, also warns of the harmful effects of the gamification of real life, when the simple goals and motivations in games leak into our real- world agency and can lead to social and moral disaster.
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Are robots going to be our overlords? In Human Work in the Age of Smart Machines (RosettaBooks, 2020), Jamie Merisotis says they don't have to be. We can make them our friends.
Jamie Merisotis is a globally recognized leader in philanthropy, education, and public policy. Since 2008, he’s served as president and CEO of Lumina Foundation, an independent, private foundation committed to making opportunities for learning beyond high school available to all. Jamie previously served as co-founder and president of the nonpartisan, D.C.-based Institute for Higher Education Policy.
This episode covers the need to link ongoing learning and work in a virtuous cycle that provides workers with both meaning and stability. It addresses the challenges of the 4th Industrial Revolution and how in the new people-centered economy it’s important to develop those flexible skills and capabilities that will enable workers to distinguish themselves from what automation and artificial intelligence is capable of.
Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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This is the second episode of a two-part conversation with Hodgson, and in it we pick up our conversation on anticipatory systems and the role they play in ‘decision integrity’. Hodgson then talks about the second half of the book which focuses on “developing latent capacities beyond the analytical rational” and offers possibilities for more enlightened co-creation in these hyper-turbulent times.
In the view of Anthony Hodgson, fragmentation of local and global societies is escalating, and this is aggravating vicious cycles. To heal the rifts, Hodgson believes we need to reintroduce the human element into our understandings – whether the context is civic or scientific – and strengthen truth-seeking in decision-making; and that the application of appropriate concepts and methods, will enable a switch from reaction to anticipation, even in the face of discontinuous change and high uncertainty. The intended outcome is the privileging of the positive human skills for collaborative navigation through uncertainty over the disjointed rationality of mechanism and artificial intelligence, which increasingly alienates us.
In Systems Thinking for a Turbulent World: A Search for New Perspectives out from Routledge in 2020, Hodgson’s readers are introduced to concepts new to systems thinking that integrate systems thinking and futures thinking. Guiding readers through the unfolding of the ideas and practices with a narrative based on the metaphor of search portrayed in the tradition of ox herding, found in traditional Far Eastern consciousness practice, the concept of anticipatory present moment (APM) serves as a basis for learning the cognitive skills that better enable navigation through turbulent times. In his conversation with guest interviewer, Kevin Lindsay, Hodgson pulls together many of the threads with which long-time listeners of this podcast will be familiar and builds upon the work of Robert Rosen, a currently somewhat neglected pioneer of the systems field whose ideas about anticipatory systems has much to offer us in our current turbulent times.
This is the second episode of a two-part conversation with Hodgson, and in it we pick up our conversation on anticipatory systems and the role they play in ‘decision integrity’. Hodgson then talks about the second half of the book which focuses on “developing latent capacities beyond the analytical rational” and offers possibilities for more enlightened co-creation in these hyper-turbulent times.
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The digital age has thrown questions of representation, participation and humanitarianism back to the fore, as machine learning, algorithms and big data centres take over the process of mapping the subjugated and subaltern. Since the rise of Google Earth in 2005, there has been an explosion in the use of mapping tools to quantify and assess the needs of those in crisis, including those affected by climate change and the wider neo-liberal agenda. Yet, while there has been a huge upsurge in the data produced around these issues, the representation of people remains questionable. Some have argued that representation has diminished in humanitarian crises as people are increasingly reduced to data points. In turn, this data has become ever more difficult to analyse without vast computing power, leading to a dependency on the old colonial powers to refine the data collected from people in crisis, before selling it back to them.
Mapping Crisis: Participation, Datafication and Humanitarianism in the Age of Digital Mapping (University of London Press, 2020) brings together critical perspectives on the role that mapping people, knowledges and data now plays in humanitarian work, both in cartographic terms and through data visualisations, and questions whether, as we map crises, it is the map itself that is in crisis.
Doug Sprecht is a Chartered Geographer (CGeog. FRGS), a Senior Lecturer (SFHEA) and the Director of Teaching and Learning in the School of Media and Communication at the University of Westminster. His research examines how knowledge is constructed and codified through digital and cartographic artefacts, focusing on development issues in Latin America and Sub-Saharan Africa, where he has carried out extensive fieldwork. He also writes and researches on pedagogy, and is author of the Media and Communications Student Study Guide. He speaks and writes on topics of data ethics, development, education and mapping practices at conferences and invited lectures around the world. He is a member of the editorial board at Westminster Papers in Communication and Culture, and the journal Anthropocenes – Human, Inhuman, Posthuman. He is also Chair of the Environmental Network for Central America.
Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London
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Today I spoke with Dr Margaret Heffernan about her latest book, Uncharted: How to Map and Navigate the Future Together (Simon and Schuster, 2020). Margaret produced programmes for the BBC for 13 years. She then moved to the US where she became a businesswomen. She is the author of six books and a successful TED Talk speaker. She is also a Professor of Practice at the University of Bath.
In her 2012 TED Talk, ‘Dare to disagree’, she told the story Alice Stewart. This is the story of how clear, certain medical data, are not always enough to change rapidly our professional rules and personal habits.
In her 2019 TED Talk she argued that the more we rely on technology to make us efficient, the fewer skills we have to confront the unexpected. That’s why we need less technology and ‘more messy human skills - imagination, humility, bravery - to solve problems in business, government and life in an unpredictable age’.
In her new book, she explores the people and organizations who aren’t daunted by uncertainty: ‘We are addicted to prediction, desperate for certainty about the future. But the complexity of modern life won’t allow that; experts in forecasting are reluctant to look more than 400 days out’.
Uncertainty is clearly an important construct in both macroeconomics and behavioural economics. This book starts with an anecdote on the early life of a great American economist, Irving Fisher. His swimming accident and the discovery of his tuberculosis contributed to the development his research interest in stability and monetary economics.
Ranging freely through history and from business to science, government to friendships, this refreshing book challenges us to resist the false promises of technology and efficiency and instead to mine our own creativity and humanity for the capacity to create the futures we want and can believe in.
Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milano-Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. He is the co-convener of the EAEPE’s permanent track on Co-operative economy and collective ownership. Currently he is associate editor of The Review of Evolutionary Political Economy (REPE)
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In the view of Anthony Hodgson, fragmentation of local and global societies is escalating, and this is aggravating vicious cycles. To heal the rifts, Hodgson believes we need to reintroduce the human element into our understandings – whether the context is civic or scientific – and strengthen truth-seeking in decision-making; and that the application of appropriate concepts and methods, will enable a switch from reaction to anticipation, even in the face of discontinuous change and high uncertainty. The intended outcome is the privileging of the positive human skills for collaborative navigation through uncertainty over the disjointed rationality of mechanism and artificial intelligence, which increasingly alienates us.
In Systems Thinking for a Turbulent World: A Search for New Perspectives out from Routledge in 2020, Hodgson’s readers are introduced to concepts new to systems thinking that integrate systems thinking and futures thinking. Guiding readers through the unfolding of the ideas and practices with a narrative based on the metaphor of search portrayed in the tradition of ox herding, found in traditional Far Eastern consciousness practice, the concept of anticipatory present moment (APM) serves as a basis for learning the cognitive skills that better enable navigation through turbulent times. In his conversation with guest interviewer, Kevin Lindsay, Hodgson pulls together many of the threads with which long-time listeners of this podcast will be familiar and builds upon the work of Robert Rosen, a currently somewhat neglected pioneer of the systems field whose ideas about anticipatory systems has much to offer us in our current turbulent times.
Our guest interviewer, Keven Lindsay, is a 25 year veteran of the software industry, currently with Adobe, who recently began graduate work in Transformative Leadership at the California Institute of Integral Studies where he encountered Dr. Hodgson and his work first hand. While it was in this recent coursework that he was formally introduced to systems thinking, Kevin is rapidly becoming a systems enthusiast—recognizing the significant potential for the application of systems thinking in addressing big issues ranging from customer experience (CX), to social justice reform and climate action. We look forward to having Kevin join the channel as a full-fledged co-host in the very near future.
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Many assume that information technology will one day clear away the “fog of war.” But as Jon Lindsay shows in Information Technology and Military Power (Cornell UP, 2020), the digitization of warfare can also increase confusion and misunderstanding. To understand why, it is important to understand the micro-foundations of military power in the information age, where computers mediate almost every effort to gather, store, display, analyze, and communicate information.
On this episode, I talked with Dr. Lindsay about why he wrote the book, what the digital revolution means for modern warfare, and what we can learn from history about good and bad information practice.
John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master’s degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor’s degree in History & Literature from Harvard University.
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How are algorithms changing journalism? In Metrics at Work: Journalism and the Contested Meaning of Algorithms (Princeton University Press), Angèle Christin, an assistant professor in the Department of Communication at Stanford University, explores the impact of metrics and analytics on the newsrooms of New York and Paris.
Using an ethnography of two organisations, the book demonstrates the complexity, ambivalence, and difference in the use of metrics to make editorial and journalistic judgements. Covering a vast range of issues, from the history of journalism, through methods of managing organisations, to careers and pay, the book gives important insights into the current, and future, practices of our news organisations.
As a result, the book is essential reading for social science and humanities scholars, as well as for anyone interested in how we get the news we have today.
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Despite stereotypes of colleges and universities still stuck in the age of the blackboard and sage-on-stage lectures, a quiet revolution has been taking place on America’s campuses led by a diverse group of learning innovators. Digital technology is one catalyst for this “turn to learning,” but professionals leading the charge include instructional designers, media specialists, and experts in data analytics – as well as technologists - working in conjunction with faculty and administrators to transform higher education.
Joshua Kim, Director of Online Programs and Strategies at the Dartmouth Center for the Advancement of Learning, and Edward Maloney, Professor of English and Director of the Center for New Designs in Learning and Scholarship at Georgetown, document major transformations at colleges and universities that have been quietly taking place, even amidst noise about crisis and disruption, in their new book Learning Innovation and the Future of Higher Education (Johns Hopkins UP, 2020), Kim and Maloney were also behind the influential Inside Higher Education series 15 Scenarios for Higher Education that describes the various ways colleges and universities might open in the face of the COVID-19 threat, a series that was just compiled into a new book (introduced on today’s podcast!) called The Low-Density University.
Jonathan Haber is an educational researcher and consultant working at the intersection of pedagogy, technology, and educational policy. His books include MOOCS and Critical Thinking from MIT Press and his LogicCheck project analyzes the reasoning behind the news of the day. You can read more about Jonathan’s work at http://www.degreeoffreedom.org.
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Those who have followed this podcast in the past, and those who follow developments in cybernetics in the present, will be no strangers to the name Ranulph Glanville. This brilliant, multiple-PhD holding polymath who co-mingled cybernetics with ethics, pedagogy, and, above all, design, has, through his voluminous body of ground-breaking papers, had a greater influence upon the field than, arguably, any scholar since Heinz von Foerster.
At the 2015 Conference of the International Society for the Systems Sciences in Berlin, a group of self-proclaimed “Glanvillians” made up largely of former students and collaborators of Glanville, and a few interlopers like myself, met over a breakfast table at the Scandic Hotel, Potzdammer Platz, Berlin and, at the prompting of Thomas Fischer and Candy Herr, committed themselves to consolidating Glanville’s legacy and pointing the way to future extensions and investigations of his central claim that design is the practice of cybernetics and cybernetics is theory for design.
The result is Design Cybernetics: Navigating the New (Springer) edited by Fischer and Herr. Featuring an eclectic blend of mid-career and senior scholars, the assembled chapters probe the vital relationship between conversation and design, the commitments of a radical constructivist epistemology, the virtues of being “out of control”, the embracing of error, and the seemingly paradoxical notion of getting “lost with rigour” across a wide array of artistic and scientific domains.
As both the interviewer and a contributor to the book, I have, in the sprit of “walking our talk”, eschewed the erasure of error by editing and left, in full view, the meandering trail of a wandering and, at times, stumbling conversational journey featuring prolonged gaps in thinking, confusion between different articles by the same author, technical miscues, and even a pitched battle between my two cats, in order to model our commitment to process over perfection and personify Glanville’s favourite Samuel Beckett quote: “Try again, fail again, fail better.” I hope you find the stops along the way of this meandering journey as stimulating as I did.
Thomas Fischer is a design researcher, epistemologist and cybernetician. He is a Professor and Director of Research at the Department of Architecture at XJTLU in Suzhou, China. Thomas is also a Visiting Associate Professor at the School of Design at The Hong Kong Polytechnic University.
Christiane M. Herr is an architectural researcher and educator focusing on the areas of structural design, digitally supported design, radical constructivism, design pedagogy and traditional Chinese approaches to creative thinking. Christiane is a Senior Associate Professor at Xi’an Jiaotong-Liverpool University in China, where she directs the Master of Architectural Design as well as the Bachelor of Architectural Engineering programmes.
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How can we understand computerization as a social process? Life by Algorithms: How Roboprocesses Are Remaking Our World (University of Chicago Press, 2019) is a timely and welcome edited volume in which a set of interdisciplinary contributors explore how people make automated processes work, and how these systems reciprocally transform everyday life. From farming to finance—not to mention schools to prisons—the volume amounts to an urgent plea to remove the veil of corporate and government secrecy shrouding technologies that subtly restructure our social and material worlds without any semblance of democratic oversight. I spoke with the book’s editors, Catherine Besteman and Hugh Gusterson, about how to do the anthropology of algorithms, and what they learned from bringing these accounts together.
Mikey McGovern is a PhD candidate in Princeton University’s Program in the History of Science. He is writing a dissertation on how people used statistics to make claims of discrimination in 1970s America, and how the relationship between rights and numbers became a flashpoint in political struggles over bureaucracy, race, and law.
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Even before the Covid-19 pandemic, boosters of digital educational technologies emphasized that these platforms are vital tools for cultivating global citizenship, connecting students across borders, and creating a participatory learning environment.
In Bring the World to the Child: Technologies of Global Citizenship in American Education (MIT Press), Katie Day Good amply illustrates that there is little new about these promises of tech-enhanced education. She demonstrates that already at the turn of the twentieth century, education reformers and technology entrepreneurs promoted emerging media as the necessary tools for preparing America’s children for a century of movement, interconnection, and rapid change.
Good examines the promulgation of both hi-tech gadgets, such as lantern slides and stereoscopes, and low-tech innovations that reformers believed would open the wide world to children’s senses and liberate them from provincial ignorance. Good’s analytical focus is on how these purportedly cosmopolitan technological applications served to strengthen American power on the world stage and masked, reinforced, and excused domestic racial and ethnic disparities instead of confronting them.
Bring the World to the Child is a thought-provoking and necessary read for anyone concerned about how the present necessity of online instruction exacerbates inequalities in education and technological access.
Katie Day Good is Assistant Professor in the Department of Media, Journalism, and Film at Miami University in Oxford, Ohio.
Lance C. Thurner teaches history at Rutgers Newark. His research and writing address the production of knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the pedagogical applications of the digital humanities and the methods and politics of applying a global perspective to the history of science and medicine. More at http://empiresprogeny.org.
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Open source is the once-radical idea that code should be freely available to everyone. Open-source software was once an optimistic model for public collaboration, but is now a near-universal standard. But most open-source code is not developed by big teams or equitable collaborations; it’s maintained by unseen individuals who work tirelessly to write and publish code that's consumed by millions.
In Working in Public: The Making and Maintenance of Open Source Software (Stripe Press), Nadia Eghbal takes an inside look at modern open source software development and its evolution over the last two decades. The book draws from hundreds of interviews with developers, and serves as a first-of-its-kind anthropological investigation of the open source community.
Eghbal examines the role of GitHub as a platform for hosting code, the way software developers are (and often aren’t) compensated for their work, and the complex dynamics between maintainers, contributors, and users of open-source software.
Nadia Eghbal is a writer and researcher who explores how the internet enables individual creators. From 2015 to 2019, she focused on the production of open source software, working independently and at GitHub to improve the open source developer experience.
Matthew Jordan is a professor at McMaster University, where he teaches courses on AI and the history of science. You can follow him on Twitter @mattyj612 or his website matthewleejordan.com.
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What do medieval knights, suicide bombers and "victimhood culture" have in common?
Betraying Dignity: The Toxic Seduction of Social Media, Shaming, and Radicalization (Fairleigh Dickinson University Press) argues that in the second decade of the twenty-first century, individuals, political parties and nations around the world are abandoning the dignity-based culture we established in the aftermath of two world wars, less than a century ago.
Disappointed or intimidated, many turn their backs on the humanitarian, universalistic culture that presumes our inherent human dignity and celebrates it as the basis of every individual's equal human rights. Instead, people and nations are returning to a much older, honor-based cultural structure.
Because its ancient logic and mentality take new forms (such as social network shaming and certain aspects of "victimhood culture") -- we fail to recognize them, and overlook the pitfalls of the old honor-based structure. Narrating the history of honor-based societies, this book distinguishes their underlying principle from the post-WWII notion of dignity that underlies human rights. It makes the case that in order to revive and strengthen dignity-based culture, the concept of human dignity must be defined narrowly and succinctly, and enhanced with the principle of respect.
Continuing its historical and cultural narrative, the book discusses contemporary phenomena such as al-Qaeda terrorists, shaming via social network, FoMO, and some features of the emerging "victimhood culture". The book pays homage to Erich Fromm's classic Escape from Freedom.
Orit Kamir is founder and academic head of the Center for Human Dignity in Israel, and has taught law and culture studies at universities in Israel, the United States, and Europe.
Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithuanian Ultra-Orthodoxy (Hebrew). He can be reached at: [email protected]
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How are algorithms shaping our experience of the internet?
In Making it Personal: Algorithmic Personalization, Identity, and Everyday Life (Oxford University Press), Tanya Kant, a lecturer in Media And Cultural Studies at the University of Sussex interrogates the rise of algorithmic personalization, in the context of an internet dominated by platform providers and corporate interests.
Using detailed empirical case studies, along with a rich and deep theoretical framework, the book shows the negative impact of algorithmic personalization, the nuances and ambivalences in user behaviours, and their modes of resistance.
As we increasingly live our lives online, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how algorithms regulate our lives.
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In his book Black Transhuman Liberation Theology: Technology and Spirituality (Bloomsbury Academic, 2019), Philip Butler explores what might happen if Black people in the United States merged technology and spirituality in their fight towards materializing liberating realities.
The discussions shaping what it means for humans to exist with technology and as part of technology are already underway: transhumanism suggests that any use of technology to augment intellectual, psychological, or physical capability makes one transhuman. In an attempt to encourage Black people in the United States to become technological progenitors as a spiritual act, Butler asks whether anyone has ever been 'just' human? Butler then explores the implications of this question and its link to viewing the body as technology.
Re-imagining incarnation as a relationship between vitality, biochemistry, and genetics, the book also takes a critical scientific approach to understanding the biological embodiment of Black spiritual practices. It shows how current and emerging technologies might align with the generative biological states of Black spiritualities in order to concretely disrupt and dismantle oppressive societal structures.
Dr. Philip Butler is the Term Assistant Professor of Theology and Black Posthuman and Artificial Intelligence Systems at the Iliff School of Theology. He is also the founder of the Seekr Project, a distinctly Black conversational artificial intelligence with mental health capacities. His work primarily focuses on the intersection of neuroscience, technology, spirituality, and race. Currently, he is working to construct a Black posthumanism that is both critical and speculative in nature. He is also building a distinctly Black AI interface combining machine learning and psychotherapeutic systems.
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In Design Justice: Community-Led Practices to Build the Worlds We Need (MIT Press, 2020), Sasha Costanza-Chock, an associate professor of Civic Media at MIT, builds the case for designers and researchers to make the communities they impact co-equal partners in the products, services, and organizations they create.
This requires more than eliciting participation from community members, particularly if the goal is extraction. On the contrary, design justice demands a deep understanding of the community and its needs, engagement with community members, and a recognition of their expertise, along with reciprocation of value.
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To the average landlubber, the merchant ships that crossed the Atlantic Ocean in 1800 seem little different from their counterparts two centuries beforehand. By detailing how these ships were built and operated, though, Philip Reid shows in his book The Merchant Ship in the British Atlantic, 1600-1800 (Brill, 2020), how these vessels underwent considerable adaptation over the course of the 17th and 18th centuries in response to evolving technologies and the demands of their industry. As Reid explains, the first ships dispatched by the English across the Atlantic at the start of the period were sturdy galleons known for their versatility. These vessels, however, proved less profitable than their Dutch counterparts, which were less sturdy but far more capacious. Over time, British shipbuilders adapted to the Dutch example, with evolution occurring slowly though changes introduced at a variety of different points in the design and construction process. Nevertheless, continuities persisted, as shipbuilders and their operators often found themselves at the limits of what was possible given the intended purposes of the vessels and the boundaries of what was possible with the nautical technology of the era.
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In Hacking Diversity: The Politics of inclusion in Open Technology Cultures (Princeton University Press, 2020), Christina-Dunbar Hester, an associate professor in the USC Annenberg School for Communication and Journalism, explores the world of open technology – communities centered on knowledge sharing.
In particular, she investigates how these communities are considering the question of diversity and inclusion. Using ethnographic methods – interviews, participant observation, and deep readings of texts – Dunbar-Hester shows how the problem-solving ethos of open tech does not quite meet the challenge of structural social problems.
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Remember when Massive Open Online Courses (MOOCs) were going to shake higher education to its foundations by giving courses from the world’s most prestigious colleges and universities away free to the world?
Today’s guest, Jeffrey Young – Senior Editor at the online educational publication EdSurge and host of the Edsurge podcast – talks about his time on the front lines of MOOCs and other technology advances in higher education. Jeffrey covered the rise and alleged fall of MOOCs extensively at the Chronicle of Higher Education, as well as exploring the MOOC story beyond the headlines during a Neiman Fellowship at Harvard University. The insights he developed can all be found in his book Beyond the MOOC Hype. (Chronicle of Higher Eduction, 2013)
Over a million new people have signed up to take MOOC courses since the COVID-19 crisis hit. Does this represent a MOOC renaissance, or something else? Listen to our wide-ranging discussion to learn more about what MOOCs might mean today.
Jonathan Haber is an educational researcher and consultant working at the intersection of pedagogy, technology, and educational policy. His books include MOOCS and Critical Thinking from MIT Press and his LogicCheck project analyzes the reasoning behind the news of the day. You can read more about Jonathan’s work at http://www.degreeoffreedom.org.
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When we talk about technology we always talk about the future—which makes it hard to figure out how to get there.
In Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us about Digital Technology (Verso), Lizzie O’Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and social movements with modern theories of the mind, society, and self, O’Shea constructs a “usable past” that help us determine our digital future.
What, she asks, can the Paris Commune tell us about earlier experiments in sharing resources—like the Internet—in common? Can debates over digital access be guided by Tom Paine’s theories of democratic economic redistribution? And how is Elon Musk not a visionary but a throwback to Victorian-era utopians?
In engaging, sparkling prose, O’Shea shows us how very human our understanding of technology is, and what potential exists for struggle, for liberation, for art and poetry in our digital present. Future Histories is for all of us—makers, coders, hacktivists, Facebook-users, self-styled Luddites—who find ourselves in a brave new world.
Lizzie O’Shea is a lawyer, writer, and broadcaster. She is a founder and the chair of Digital Rights Watch, which advocates for human rights online, is a special advisor to the National Justice Project, and also sits on the board of Blueprint for Free Speech and the Alliance for Gambling Reform. At the National Justice Project, she worked with lawyers, journalists and activists to establish a Copwatch program, for which she received a Davis Projects for Peace Prize. In June 2019, she was named a Human Rights Hero by Access Now.
Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Her research intersects intellectual history, digital humanities and cultural heritage studies. She can be reached at [email protected]
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With the burst of new technologies in the 1870s, many inventors and visionaries believed that the transmission of moving images was just around the corner. As Doron Galili details in his book Seeing by Electricity: The Emergence of Television, 1878-1939 (Duke University Press, 2020), the half-century of speculations that followed did much to shape the development of broadcast television well before it emerged in the 1930s. Galili notes that much of this occurred within the context of contemporary technologies such as the cinema and the telephone, both of which pointed to the inherent possibilities of such an invention yet embodied very different ideas about image and communications. Seeking to conceptualize moving image technology, people often used the eye as a metaphor or model for how it might operate or the role that it would serve. Though the emergence of the cinema industry in the United States did much to shape the context in which television would develop in the United States, Galili shows how differing theories of visual media and society in the Soviet Union, Germany, and Italy offered alternate models that influenced how the new technology was received in their respective countries.
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In this interview, I talk to Dr. Ainissa Ramirez about her new book, The Alchemy of Us: How Humans and Matter Transformed One Another (MIT Press, 2020)
Dr. Ramirez examines eight inventions―clocks, steel rails, copper communication cables, photographic film, light bulbs, hard disks, scientific labware, and silicon chips―and reveals how they shaped the human experience. These fascinating and inspiring stories offer new perspectives on our relationships with technologies.
Ainissa Ramirez, Ph.D. is an award-winning scientist and science communicator
Najarian Peters is a new associate professor of law at the University of Kansas and a Faculty Fellow at the Berkman Klein Institute at Harvard University. Her research interests and teaching areas focus on privacy and emerging technology. Email her at: [email protected], [email protected]
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What is the culture of the tech industry? In The Culture of Women in Tech: An Unsuitable Job for a Woman (Emerald, 2019), Mariann Hardey, an Associate Professor in Marketing at Durham University, shows the ongoing inequalities faced by women in the IT industry. The book uses a range of case studies from across the world’s ‘tech cities’, drawing on interviews, focus groups, ethnography, and a feminist theoretical framework, to make clear the problem of the ‘women in tech’ label and the sexism in the tech industry. The book analyses the gendered spatial and career divisions of tech, making it an important addition to the literature, as well as essential reading for anyone interested in how this most essential modern industry works.
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Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)
Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.
John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at [email protected] and @johnwphd.
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Nick Prior—Professor of Cultural Sociology at the University of Edinburgh—discusses his new book, Popular Music, Digital Technology and Society (SAGE Publications, 2018). The book explores the social, cultural and industrial contexts for the changes that have taken place in popular music since the widespread adoption of digital technology by creators, distributors, and listeners from the early 1980s onward. Joining insights from the sociology of culture with key analytic categories from science and technology studies (STS), Prior examines a variety of contexts in which these changes have been felt, including the novel spaces and structures of both music production and consumption afforded by digitalization, the co-construction of vocal subjects and vocal sound-processing technologies, the tactical use of portable media by young urbanites to mediate their relationship to the city, and the conjunction of music and play in the ever-growing video game sector. In addition to an acute sense for their embeddedness in the social lives of their various users, Prior also demonstrates a notable fluency with the technologies he describes as well as a distinctively musical interest in the sounds that they have been used to produce.
Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies.
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How does technology shape music? In Digital Sampling: The Design and Use of Music Technologies (Routledge, 2019), Paul Harkins, a lecturer in music at Edinburgh Napier University, looks at the relationship between the rise of digital sampling, technology, and music. The book draws inspiration from Science and Technology Studies to explore the impact of specific technologies, such as the Fairlight Computer Musical Instrument, programming languages, and studio practices, on artists and producers. The analysis also thinks through the evolution of digital sampling across a variety of genres, including pop, folk, and hop-hop. Drawing on a wealth of examples, the book is essential reading for anyone interested in the history of music, the history of technology, and the history of contemporary culture.
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Technology has been instrumental in allowing audiences to encounter expressions of culture to which they may have no direct connection. The popular commercial platforms like Twitter and Instagram mediate culture, the affordances of each determining how aspects of culture translate on the sites. In his new book, Distributed Blackness: African American Cybercultures (NYU Press, 2020), Andre Brock, an associate professor at Georgia Tech, theorizes what it means to be Black online, particularly when the physical body can neither be understood nor constrained. Though considering topics like afro-pessimism and the digital divide, Brock particularly focuses on Black joy – “the embodied cognition where Black people express their relationship to the world through our joy in moving through it.”
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Cars are among our most ubiquitous technologies; one could say that the cultural lore of the postwar United States is written in tire marks. But as much as they have been a vehicle for liberation and expression, historian Lee Vinsel argues that automobiles have been shaped by government regulation through and through.
In Moving Violations: Automobiles, Experts, and Regulations in the United States (Johns Hopkins University Press, 2019), Vinsel combats the free market doctrine that auto regulation is fundamentally opposed to innovation. In part, he does this by historicizing the animus against regulation and the “innovation speak” that emerged in its wake. But the book itself makes a compelling argument for how the automobile has always been perceived by voluntary associations and governing bodies as a risk in need of taming. These shifting perceptions formed the basis for infrastructures that made the car into a more dependable, safer, and cleaner technology. Vinsel’s engaging narrative provides a model for studying technology and governance in the postwar U.S. in which policy instruments, built environments, and constructions of the human subject all share the road.
Mikey McGovern is a PhD candidate in Princeton University’s Program in the History of Science. He is writing a dissertation on how people used discrimination statistics to argue about rights in 1970s America, and what this means for histories of bureaucracy, quantification, law, politics, and race.
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The ubiquity of technology that collects massive volumes of all kinds of data lends itself to one overarching question: “What?” As in what is the purpose(s) of this collection? What are the benefits? And, what are the impacts?
In his new book, Too Smart: How Digital Capitalism is Extracting Data, Controlling Our Lives, and Taking Over the World (MIT Press, 2020), Jathan Sadowski explores this question and those related in an investigation of the expansion of “smart” technologies – networked devices enabling automated data collection and use. In exploring the interests inherent in the design and deployment of smart technology, Sadowski, a Research Fellow in the Emerging Technologies Research Law at Monash University, investigates the political economy of digital capitalism, and the implications of continued reliance on and permeation of smart technology.
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Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.
The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.
Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia).
Adam McNeil is a History PhD student at Rutgers University-New Brunswick.
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Everything we know about how planets form and how life arises suggests that human civilization on Earth should not be unique. We ought to see abundant evidence of extraterrestrial activity―but we don't. Where is everybody? In Extraterrestrials (MIT Press, 2020), science and technology writer Wade Roush examines one of the great unsolved problems in science: is there life, intelligent or otherwise, on other planets?
This paradox (they're bound to be out there; but where are they?), first formulated by the famed physicist Enrico Fermi, has fueled decades of debate, speculation, and, lately, some actual science. Roush lays out the problem in its historical and modern-day context and summarizes the latest thinking among astronomers and astrobiologists. He describes the long history of speculation about aliens (we've been debating the idea for thousands of years); the emergence of SETI (the Search for Extraterrestrial Intelligence) as a scientific discipline in the 1960s, and scientists' use of radio and optical techniques to scan for signals; and developments in astrobiology (the study of how life might arise in non-Earth like environments) and exoplanet research (the discovery of planets outside our solar system). Finally, he discusses possible solutions to the Fermi Paradox and suggests way to refocus SETI work that might increase the chances of resolving the paradox―and finding extraterrestrials.
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In Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions (Bloomsbury Academic, 2019), Thor Magnusson—musician, Professor of Future Music, and member of the Experimental Music Technologies Lab at the University of Sussex—provides a sweeping overview of the tools and techniques of music-making both before and after the dawn of computing as well a set of forward-looking strategies for thinking critically about our future relationship with new music technology. Importantly, Magnusson identifies many similarities between present and past sonic creative practices as he takes the reader through an impressive survey of music technologies spanning the analog–digital divide. Consistently thematising the act of writing throughout, Sonic Writing calls attention to the rich and continuous history of inscription practices such as staff notation, instrument building, phonographic sound recording, and programming digital synthesizer patches, practices that have been so intimately connected with the shared creation and enjoyment of music over its long and fruitful history.
Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies.
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Weaving together intellectual, social, cultural, and material histories, Theodora Varbouli and Olga Touloumi's book Computer Architectures: Constructing the Common Ground (Routledge, 2019) paints the landscape that brought computing into the imagination, production, and management of the built environment, whilst foregrounding the impact of architecture in shaping technological development.
The book is organized into sections corresponding to the classic von Neumann diagram for computer architecture: program (control unit), storage (memory), input/output and computation (arithmetic/logic unit), each acting as a quasi- material category for parsing debates among architects, engineers, mathematicians, and technologists. Collectively, authors bring forth the striking homologies between a computer program and an architectural program, a wall and an interface, computer memory and storage architectures, structures of mathematics and structures of things. The collection initiates new histories of knowledge and technology production that turn an eye toward disciplinary fusions and their institutional and intellectual drives.
Theodora Vardouli is Assistant Professor at the Peter Guo-hua Fu School of Architecture, McGill University, Canada.
Olga Touloumi is Assistant Professor of Architectural History at Bard College, USA.
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Hot Molecules, Cold Electrons: From the Mathematics of Heat to the Development of the Trans-Atlantic Telegraph Cable (Princeton University Press, 2020), by Paul Nahin, is a book that is meant for someone who is comfortable with calculus, but for those readers who are, it is a treat. It is a thorough study of the history and mathematics of the heat equation, which is not only important as an analysis of heat, its analysis marked the beginning of Fourier series. It came as a surprise to me that the heat equation was also instrumental in analyzing the problem of laying the transatlantic cable that was one of the great engineering feats of the nineteenth century. Although it isn’t necessary to work through the math to appreciate this book, I think that students studying this material would not only find Paul’s treatments easy to follow, but would benefit greatly by learning something of the history that surrounds the development of the analysis and applications of the heat equation.
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Arthur Asseraf’s Electric News in Colonial Algeria (Oxford University Press, 2019) examines the workings of the “news ecosystem” in Algeria from the 1880s to the beginning of the Second World War. The study of a society divided between a dominant (European) settler minority and an Algerian Muslim majority, the book tracks the development and impact of new information technologies—the printing press, telegraph, cinema, radio (and later television)—in Algeria from the late-nineteenth through the mid-twentieth centuries. Throughout its chapters, readers are reminded to resist Eurocentric and teleological frameworks of “modernization” that do not apply to societies like Algeria’s where such technologies coexisted with other forms of news circulation including manuscripts, song, and rumor/word of mouth.
The book is grounded in an impressive range of sources in multiple languages. It challenges ideas about the relationship between print capitalism and nationalism over the course of this pivotal period in both Algerian and French history. Interrogating the history of colonial hegemony in and through the analysis of how Algerians accessed and interpreted the news in myriad ways often not anticipated by settler and state authorities, the book also has far-reaching implications for how we think about knowledge and power in imperial contexts more broadly. Its pages are rich with exciting and fascinating moments and stories—of surveillance, violence, and injustice, but also of the counterforces of the Algerian subversion of and resistance to colonial oppression.
*Special note in March 2020: I hope you are all keeping safe and healthy and that this conversation with Arthur might be helpful in some small way right now—with work, teaching and/or as a distraction in this period of global pandemic. Thanks so much to Arthur, who was SO much fun to speak with & to all the NBFS listeners out there!
Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars(2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada and hopes all listeners are keeping healthy and safe at this difficult time in our world. If you have a recent title to suggest for the podcast, please send her an email ([email protected]).
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Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction.
The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more.
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The rise of digital technology is transforming the world in which we live. Our digitalized societies demand new ways of thinking about the social, and this short book introduces readers to an approach that can deliver this: digital sociology.
In What is Digital Sociology (Polity, 2019), Neil Selwyn examines the concepts, tools and practices that sociologists are developing to analyze the intersections of the social and the digital. Blending theory and empirical examples, the five chapters highlight areas of inquiry where digital approaches are taking hold and shaping the discipline of sociology today. The book explores key topics such as digital race and digital labor, as well as the fast-changing nature of digital research methods and diversifying forms of digital scholarship.
In this interview, Dr. Selwyn and I discuss the overarching question guiding this book: what is digital sociology? We go on to discuss how the classical figures in sociology wrote about, and engaged with, technology, the distinctiveness of contemporary digital sociology, key methodologies, and the research ethics related to digital sociological research. I highly recommend this book for students, professors, and anyone else interested in digital humanities, big data and computational methods, or science and technology studies. This would be a great book for both undergraduate and graduate courses related to digital media and social science.
Dr. Neil Selwyn is a professor in the Faculty of Education at Monash University. His research and teaching focuses on the place of digital media in everyday life, and the sociology of technology (non)use in educational settings. Neil has written extensively on a number of issues, including digital exclusion, education technology policymaking and the student experience of technology-based learning. You can find him on Twitter @Neil_Selwyn.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.
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In this episode I talk Stefan Lorenz Sorgner. Stefan teaches philosophy at John Cabot University in Rome. He is director and co-founder of the Beyond Humanism Network, Fellow at the Institute for Ethics and Emerging Technologies (IEET), Research Fellow at the Ewha Institute for the Humanities at Ewha Woman's University in Seoul, and Visiting Fellow at the Ethics Centre of the Friedrich-Schiller-University in Jena. His main fields of research are Nietzsche, the philosophy of music, bioethics and meta-, post- and transhumanism. We talk about his book Übermensch: Plädoyer Für Einen Nietzscheanischen Transhumanismus (Schwabe, 2019)
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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In his new book Robot Rules: Regulating Artificial Intelligence (Palgrave Macmillan, 2018), Jacob Turner explains why AI is unique, what legal and ethical problems it could cause, and how we can address them. It argues that AI is unlike is any other previous technology, owing to its ability to take decisions independently and unpredictably. This gives rise to three issues: responsibility―who is liable if AI causes harm; rights―the disputed moral and pragmatic grounds for granting AI legal personality; and the ethics surrounding the decision-making of AI. The book suggests that in order to address these questions we need to develop new institutions and regulations on a cross-industry and international level. Incorporating clear explanations of complex topics, Robot Rules will appeal to a multi-disciplinary audience, from those with an interest in law, politics and philosophy, to computer programming, engineering and neuroscience.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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The idea of the seductive sex robot is the stuff of myth, legend and science fiction. From the ancient Greeks to twenty-first century movies, robots in human form have captured our imagination, our hopes and our fears. But beyond the fantasies there are real and fundamental questions about our relationship with technology as it moves into the realm of robotics. Artificial intelligence raises very real concerns. Sexual activity is central to our very existence; it shapes how we think, how we act and how we live. With advances in technology come machines that may one day think independently. What will happen to us when we form close relationships with these intelligent systems?
In Turned On: Science, Sex and Robots (Bloomsbury, 2018), Kate Devlin builds on the science and the philosophy surrounding our most intimate relationship with technology. The scene is set with the history of the artificial sexual companion, then goes on to explore the "modern" robot and the twentieth century sci-fi that promised us our own robot slaves. An explanation of artificial intelligence and the urge to create sentient machines delves into our own psychology: how does desire affect our own behavior, and can we become attached to an inanimate object? Can robots make society a better place? And what can go wrong?
Sex robots are here, and here to stay--and more are coming. This book explores how the emerging and future development of sexual companion robots might affect us, and our society. It explores the social changes arising from emerging technologies, and our relationships with the machines that may someday care for us and about us.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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The increased datafication our interactions and permeation of data science into more aspects of our lives requires analysis of the systems of power surrounding and undergirding data. The impacts of the creation, use, collection, and aggregation of data are such that individuals from various communities face disparate, negative impacts.
In their new book, Data Feminism (MIT Press, Catherine D’Ignazio and Lauren Klein, call for changing the way we think about data and how it is communicated, particularly through visualization. D’Ignazio, an Assistant Professor of Urban Science and Planning at MIT, and Klein, an Associate Professor in the Departments of English and Quantitative Theory and Methods at Emory University, assert that the way forward is through a commitment to putting into action the ideas associated with intersectional feminism. This requires learning from an inclusive array of experts, many of whom have historically been neglected or ignored. They also assert the need for critical data literacy, which examines power asymmetries in and surrounding data, and challenges the myths and assumptions about data and in data science.
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In his book about enormous sea changes brought about by digital technology, Michael Rectenwald begins and ends his Google Archipelago: The Digital Gulag and the Simulation of Freedom (New English Review, 2019) with the political, in particular with the objectives of the Big Digital conglomerates as global corporate monopoly capitalists or would-be-monopolies.
Google Archipelago argues that Big Digital technologies and their principals represent not only economic powerhouses but also new forms of governmental power. The technologies of Big Digital not only amplify, extend, and lend precision to the powers of the state, they may represent elements of a new corporate state power.
In contrast to academics who study digital media and bemoan such supposed horrors as digital exploitation, in Google Archipelago, Michael Rectenwald argues that the real danger posed by Big Digital is not digital capitalism as such, but leftist authoritarianism, a political outlook shared by academic leftists, who thus cannot recognize it in their object of study. Thus, while imagining that they are radical critics of Big Digital, academic digital media scholars (whom Rectenwald terms the "digitalistas") actually serve as ideological smokescreens that obscure its real character.
Michael Rectenwald is a recently retired Professor of Liberal Studies at New York University, where he taught cultural and social history as well as academic writing.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
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We are in the midst of a robot invasion, as devices of different configurations and capabilities slowly but surely come to take up increasingly important positions in everyday social reality―self-driving vehicles, recommendation algorithms, machine learning decision making systems, and social robots of various forms and functions. Although considerable attention has already been devoted to the subject of robots and responsibility, the question concerning the social status of these artifacts has been largely overlooked. In Robot Rights (MIT Press, 2018), David Gunkel offers a provocative attempt to think about what has been previously regarded as unthinkable: whether and to what extent robots and other technological artifacts of our own making can and should have any claim to moral and legal standing.
In his analysis, Gunkel invokes the philosophical distinction (developed by David Hume) between “is” and “ought” in order to evaluate and analyze the different arguments regarding the question of robot rights. In the course of his examination, Gunkel finds that none of the existing positions or proposals hold up under scrutiny. In response to this, he then offers an innovative alternative proposal that effectively flips the script on the is/ought problem by introducing another, altogether different way to conceptualize the social situation of robots and the opportunities and challenges they present to existing moral and legal systems.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike.
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The State of Indiana denies one million applications for healthcare, foodstamps and cash benefits in three years―because a new computer system interprets any mistake as “failure to cooperate.” In Los Angeles, an algorithm calculates the comparative vulnerability of tens of thousands of homeless people in order to prioritize them for an inadequate pool of housing resources. In Pittsburgh, a child welfare agency uses a statistical model to try to predict which children might be future victims of abuse or neglect.
Since the dawn of the digital age, decision-making in finance, employment, politics, health and human services has undergone revolutionary change. Today, automated systems―rather than humans―control which neighborhoods get policed, which families attain needed resources, and who is investigated for fraud. While we all live under this new regime of data, the most invasive and punitive systems are aimed at the poor.
In Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor (St. Martin's, 2018), Virginia Eubanks systematically investigates the impacts of data mining, policy algorithms, and predictive risk models on poor and working-class people in America. The book is full of heart-wrenching and eye-opening stories, from a woman in Indiana whose benefits are literally cut off as she lays dying to a family in Pennsylvania in daily fear of losing their daughter because they fit a certain statistical profile.
The U.S. has always used its most cutting-edge science and technology to contain, investigate, discipline and punish the destitute. Like the county poorhouse and scientific charity before them, digital tracking and automated decision-making hide poverty from the middle-class public and give the nation the ethical distance it needs to make inhumane choices: which families get food and which starve, who has housing and who remains homeless, and which families are broken up by the state. In the process, they weaken democracy and betray our most cherished national values.
This deeply researched and passionate book could not be more timely.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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In her new book, Camming: Money, Power, and Pleasure in the Sex Work Industry (NYU Press, 2020), Dr. Angela Jones engages readers in a five-year mixed-methods study she conducted on the erotic webcam industry where she tells a pornographic story about the multibillion-dollar online sex industry that is colloquially known as “camming.”
Through camming, millions of people from all over the globe have found decent wages, friendship, intimacy, community, empowerment, and pleasure. This interview is full of stories from a diverse sample of cam models from all over the world whom Jones interviewed and observed as part of her five-year mixed-methods study. Cam models, like all sex workers, must grapple with exploitation, discrimination, harassment, and stigmatization. Using an intersectional lens, Jones was attentive to how the overlapping systems of neoliberal capitalism, White supremacy, patriarchy, cissexism, heterosexism, and ableism shape all cam models’ experiences in camming as a new global sex industry.
This thorough examination of the camming industry provides a unique vantage point from which to understand and theorize around gender, sexuality, race, and labor in a time when workers globally face increasing economic precariousness and worsened forms of alienation, and desperately desire to recapture pleasure in work. Despite the serious issues cam models face, Jones’s focus on pleasure will help people better understand the motivations for engaging in online sex work, as well as the complex social interactions between cam models and customers. In Camming, Jones pioneers an entirely new subfield in sociology—the sociology of pleasure. The sociology of pleasure can provide new insights into the motivation for social behavior and assist sociologists in analyzing social interactions in everyday life.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. He researches place and the process of place making as it presents in everyday social interactions. You can find more about him on his website, follow him on Twitter @ProfessorJohnst or email him at [email protected].
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Cryonics―also known as cryopreservation or cryosuspension―is the preservation of legally dead individuals at ultra-low temperatures. Those who undergo this procedure hope that future technology will not only succeed in reviving them, but also cure them of the condition that led to their demise. In this sense, some hope that cryopreservation will allow people to continue living indefinitely.
Francesca Minerva's The Ethics of Cryonics: Is It Immoral to be Immortal (Palgrave Pivot, 2018) discusses the moral concerns of cryonics, both as a medical procedure and as an intermediate step toward life extension. In particular, Minerva analyses the moral issues surrounding cryonics-related techniques (including the hypothetical cryosuspension of fetuses as an alternative to abortion) by focusing on how they might impact the individuals who undergo cryosuspension, as well as society at large.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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In her new book, The Digital City: Media and the Social Production of Place (NYU Press, 2019), Germaine R. Halegoua rethinks everyday interactions that humans have with digital infrastructures, navigation technologies, and social media as we move through the world. Dr. Halegoua draws from five case studies from global and mid-sized cities to illustrate the concept of “re-placing." In this book, Dr. Halegoua shows have different populations employ urban broadband networks, social and locative media platforms, digital navigation, smart cities, and creative placemaking initiatives to create built environment into places with deep meaning and emotional attachments. She argues that people use digital media to create a unique sense of place within rapidly changing urban environments and that a sense of place is integral in understanding the complex relationships humans have with digital media.
In this interview, Dr. Halegoua talks about the multidisciplinary nature of her work as well as the distinct contribution she sees film and media studies providing her in studying the digital, place, place making, and the concept of “re-placing”. Dr. Halegoua shares that her research could be considered multidisciplinary and we agreed that value is added to the body of research when a topic is studies across multiple disciplines. She also shared that film and media studies contributes some unique aspects that other disciplines do not provide.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. He researches place and the process of place making as it is presented in everyday social interactions. You can find more about him on his website, follow him on Twitter @ProfessorJohnst or email him at [email protected].
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The 21st century offers a dizzying array of new technological developments: robots smart enough to take white collar jobs, social media tools that manage our most important relationships, ordinary objects that track, record, analyze and share every detail of our daily lives, and biomedical techniques with the potential to transform and enhance human minds and bodies to an unprecedented degree.
Emerging technologies are reshaping our habits, practices, institutions, cultures and environments in increasingly rapid, complex and unpredictable ways that create profound risks and opportunities for human flourishing on a global scale. How can our future be protected in such challenging and uncertain conditions? How can we possibly improve the chances that the human family will not only live, but live well, into the 21st century and beyond?
Shannon Vallor's Technology and the Virtues: A Philosophical Guide to a Future Worth Wanting (Oxford University Press, 2016) locates a key to that future in the distant past: specifically, in the philosophical traditions of virtue ethics developed by classical thinkers from Aristotle and Confucius to the Buddha. Each developed a way of seeking the good life that equips human beings with the moral and intellectual character to flourish even in the most unpredictable, complex and unstable situations--precisely where we find ourselves today.
Through an examination of the many risks and opportunities presented by rapidly changing technosocial conditions, Vallor makes the case that if we are to have any real hope of securing a future worth wanting, then we will need more than just better technologies. We will also need better humans.
Technology and the Virtues develops a practical framework for seeking that goal by means of the deliberate cultivation of technomoral virtues: specific skills and strengths of character, adapted to the unique challenges of 21st century life, that offer the human family our best chance of learning to live wisely and well with emerging technologies.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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Three years after the withdrawal of the Open Internet Order – then-President Barack Obama’s attempt at codifying network neutrality by prohibiting internet service providers from discriminating between content – by the Federal Communications Commission, a need to holistically understand the net neutrality debates still exists. How can we make sense of the intensification of controversy, the advocacy and protests, and the political and corporate wrangling? In his new book, The Paradoxes of Network Neutralities (MIT Press, 2019), Russell A. Newman, an assistant professor at Emerson College, sets out to provide an explication of the debates surrounding network neutrality. To do this, Newman critically examines the narratives put forth that erase elements foundational for interpreting the trajectory of open internet regulation, as well as comprehending the systems and impacts of internet advocacy, and the disparate rhetorics involved in this cause.
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In her new books, Would I Have Sexted Back in the 80s?: A Modern Guide to Parenting Digital Teens, Derived from Lessons of the Past (Amsterdam University Press, 2019), Allison Ochs combines experiences from her childhood with her research and expertise on teens and teen culture to write about experiences of teens and parents in navigating smartphones and increasing access to digital spaces. Ochs work examines social media, bullying, porn, gaming, sexting, and media usage, addressing some of the major questions and concerns of parents today. Ochs combines her stories of the past, talking about how being a teenager has in some ways changed, but in others continues to be a difficult space to navigate and fit in. Would I Have Sexted Back in the 80s? gives suggestions on how to approach teens about emotional issues that all teens experience with the additional to the availability and usage of digital devices. Her works encourages readers to think about how they talk with teens learning to navigate the digital world.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected].
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If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.
Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.
Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to [email protected].
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Various emerging technologies, from social robotics to social media, appeal to our desire for social interactions, while avoiding some of the risks and costs of face-to-face human interaction. But can they offer us real friendship? In this book, Alexis Elder outlines a theory of friendship drawing on Aristotle and contemporary work on social ontology, and then uses it to evaluate the real value of social robotics and emerging social technologies.
In Friendship, Robots, and Social Media: False Friends and Second Selves (Routledge, 2017), Alexis Elder develops a robust and rigorous ontology of friendship: what it is, how it functions, what harms it, and how it relates to familiar ethical and philosophical questions about character, value, and well-being. In Part II she applies this ontology to emerging trends in social robotics and human-robot interaction, including robotic companions for lonely seniors, therapeutic robots used to teach social skills to children on the autism spectrum, and companionate robots currently being developed for consumer markets. Elder articulates the moral hazards presented by these robots, while at the same time acknowledging their real and measurable benefits. In the final section she shifts her focus to connections between real people, especially those enabled by social media. Arguing against critics who have charged that these new communication technologies are weakening our social connections, Elder explores ways in which text messaging, video chats, Facebook, and Snapchat are enabling us to develop, sustain, and enrich our friendship in new and meaningful ways.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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For years, drug overdose was unmentionable in polite society. OD was understood to be something that took place in dark alleys―an ugly death awaiting social deviants―neither scientifically nor clinically interesting. But over the last several years, overdose prevention has become the unlikely object of a social movement, powered by the miracle drug naloxone. In OD: Naloxone and the Politics of Overdose (MIT Press, 2020), Nancy D. Campbell charts the emergence of naloxone as a technological fix for overdose and describes the remaking of overdose into an experience recognized as common, predictable, patterned―and, above all, preventable. Naloxone, which made resuscitation, rescue, and “reversal” after an overdose possible, became a tool for shifting law, policy, clinical medicine, and science toward harm reduction. Liberated from emergency room protocols and distributed in take-home kits to non-medical professionals, it also became a tool of empowerment.
After recounting the prehistory of naloxone―the early treatment of OD as a problem of poisoning, the development of nalorphine (naloxone's predecessor), the idea of “reanimatology”―Campbell describes how naloxone emerged as a tool of harm reduction. She reports on naloxone use in far-flung locations that include post-Thatcherite Britain, rural New Mexico, and cities and towns in Massachusetts. Drawing on interviews with approximately sixty advocates, drug users, former users, friends, families, witnesses, clinicians, and scientists―whom she calls the “protagonists” of her story―Campbell tells a story of saving lives amid the complex, difficult conditions of an unfolding unnatural disaster.
Dr. Dorian Deshauer is a psychiatrist, historian, and assistant professor at the University of Toronto. He is associate editor for the Canadian Medical Association Journal, Canada’s leading peer-reviewed general medical journal and is one of the hosts of CMAJ Podcasts, a medical podcast for doctors and researchers.
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Every day, new warnings emerge about artificial intelligence rebelling against us. All the while, a more immediate dilemma flies under the radar. Have forces been unleashed that are thrusting humanity down an ill-advised path, one that's increasingly making us behave like simple machines? In Re-Engineering Humanity (Cambridge University Press, 2018), Brett Frischmann and Evan Selinger examine what's happening to our lives as society embraces big data, predictive analytics, and smart environments. They explain how the goal of designing programmable worlds goes hand in hand with engineering predictable and programmable people. Detailing new frameworks, provocative case studies, and mind-blowing thought experiments, Frischmann and Selinger reveal hidden connections between fitness trackers, electronic contracts, social media platforms, robotic companions, fake news, autonomous cars, and more. This powerful analysis should be read by anyone interested in understanding exactly how technology threatens the future of our society, and what we can do now to build something better.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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The “smart city,” presented as the ideal, efficient, and effective for meting out services, has capture the imaginations of policymakers, scholars, and urban-dweller. But what are the possible drawbacks of living in an environment that is constantly collecting data? What important data is ignored when it is not easily translated into 1s and 0s? In his new book, The Smart Enough City: Putting Technology in Its Place to Reclaim Our Urban Future, critical data scientist Ben Green, an Affiliate and former Fellow at the Berkman Klein Center for Internet and Society at Harvard University and a PhD candidate in Applied Mathematics, critically examines what it means for a city to be smart enough to fulfill the promises of urbanism, while at the same time taking into account the very real drawbacks of constant data collection, and overreliance on digital technology. To do this, Green examines various case study examples, while offering philosophical and critical histories of the city-related technologies that have led us to this era.
Jasmine McNealy is a scholar of media and technology. She teaches at the University of Florida.
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The Ethics of Space Exploration (Springer, 2016), edited by James S. J. Schwartz and Tony Milligan, aims to contribute significantly to the understanding of issues of value (including the ultimate value of space-related activities) which repeatedly emerge in interdisciplinary discussions on space and society. Although a recurring feature of discussions about space in the humanities, the treatment of value questions has tended to be patchy, of uneven quality and even, on occasion, idiosyncratic rather than drawing upon a close familiarity with state-of-the-art ethical theory. One of the volume's aims is to promote a more robust and theoretically informed approach to the ethical dimension of discussions on space and society. While the contributions are written in a manner which is accessible across disciplines, the book still withstands scrutiny by those whose work is primarily on ethics. At the same time it allows academics across a range of disciplines an insight into current approaches toward how the work of ethics gets done. The issues of value raised could be used to inform debates about regulation, space law and protocols for microbial discovery as well as longer-range policy debates about funding.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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Sexbots are coming. Given the pace of technological advances, it is inevitable that realistic robots specifically designed for people's sexual gratification will be developed in the not-too-distant future. Despite popular culture's fascination with the topic, and the emergence of the much-publicized Campaign Against Sex Robots, there has been little academic research on the social, philosophical, moral, and legal implications of robot sex. Robot Sex: Social and Ethical Implications (MIT Press, 2017), edited by Neil McArthur and John Danaher, fills the gap, offering perspectives from philosophy, psychology, religious studies, economics, and law on the possible future of robot-human sexual relationships.
Contributors discuss what a sex robot is, if they exist, why we should take the issue seriously, and what it means to “have sex” with a robot. They make the case for developing sex robots, arguing for their beneficial nature, and the case against it, on religious and moral grounds; they consider the subject from the robot's perspective, addressing such issues as consent and agency; and they ask whether it is possible for a human to form a mutually satisfying, loving relationship with a robot. Finally, they speculate about the future of human-robot sexual interaction, considering the social acceptability of sex robots and the possible effect on society.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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The future is a constant focus of anxiety, and we are all familiar with the pressures that come distinctively from automation – the transformation by which tasks formerly assigned to humans come to be performed by machines. These days, the stakes seem to be higher, as technology now seems poised to render nearly all human labor obsolete. What lies in store for us, and for the flourishing and meaning of our lives, once technology has relieved humans of the need to work?
In Automation and Utopia: Human Flourishing in a World without Work (Harvard University Press, 2019), John Danaher explores the issues facing us as we confront our own obsolescence. He defends the idea that a workless future is not only possible, but possibly utopian.
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Angelina Callahan talks about the Naval Research Laboratory’s Vanguard Project. While the launch of Vanguard 1 in 1958 was part of the Cold War “Space Race,” it also represented something more: a scientific platform for understanding the space environment as well as a test vehicle that would provide data for satellites of the future. Vanguard 1 is still flying. At 60 years, it is the oldest artificial satellite in space. Callahan is the Naval Research Laboratory Historian. She is also a co-author (with John Krige and Ashok Mahara) of NASA in the World: Fifty Years of International Collaboration in Space (Palgrave Macmillan, 2013). Her work has also been featured in NASA Spaceflight: A History of Innovation, the Navy War College Review, Seapower Magazine, and Federal News Radio.
Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration.
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Evan Friss, an associate professor of history at James Madison University, historicizes the bicycle’s place in New York City’s social, economic, infrastructural and cultural politics.
On Bicycles: A 200-Year History of Cycling in New York City (Columbia UP, 2019) curates a history of the key moments and individuals who worked to integrate the bicycle and the bicyclist into the urban fabric. Friss explores the long-standing debate over what a bicycle is—cars and walkers, he contends, had specific places on city streets. The bicycle was a different story. New Yorkers strove to define and redefine the relationship among New York City, its people, and their bicycles. Beginning with the fad of velocipedes and the arrival of the first modern bicycles on city streets in the second half of the nineteenth century, On Bicycles highlights key moments in cycling history. With each era, a diverse cohort of cyclists and municipal officials tasked with integrating—or banning—bicycles from city streets. Cyclists turned to bikes as a form of exercise as recreation, as a liberating technology, and as transportation. In Friss’s capable telling, cycling is a window into the nature of transportation, streets, and urban life.
Kara Murphy Schlichting is an assistant professor of history at Queens College, CUNY and author of New York Recentered: Building the Metropolis from the Shore.
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Humans are accustomed to being tool bearers, but what happens when machines become tool bearers, calculating human labour via the use of big data and people analytics by metrics?
Phoebe Moore's The Quantified Self in Precarity: Work, Technology and What Counts (Routledge, 2017) highlights how, whether it be in insecure ‘gig’ work or office work, such digitalisation is not an inevitable process – nor is it one that necessarily improves working conditions. Indeed, through unique research and empirical data, Moore demonstrates how workplace quantification leads to high turnover rates, workplace rationalisation and worker stress and anxiety, with these issues linked to increased rates of subjective and objective precarity.
Scientific management asked us to be efficient. Now, we are asked to be agile. But what does this mean for the everyday lives we lead?
With a fresh perspective on how technology and the use of technology for management and self-management changes the ‘quantified’, precarious workplace today, The Quantified Self in Precarity will appeal to undergraduate and postgraduate students interested in fields such as Science and Technology, Organisation Management, Sociology and Politics.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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Steve Fuller and Veronika Lipinska's The Proactionary Imperative: A Foundation for Transhumanism (Palgrave Macmillan, 2014) debates the concept of transforming human nature, including such thorny topics as humanity's privilege as a species, our capacity to 'play God', the idea that we might treat our genes as a capital investment, eugenics and what it might mean to be 'human' in the context of risky scientific and technological interventions.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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In Rethinking Human Enhancement: Social Enhancement and Emergent Technologies (Palgrave Macmillan, 2014), Laura Cabrera discusses three possible human enhancement paradigms and explores how each involves different values, uses of technology, and different degrees and kinds of ethical concerns. A new framework is advanced that promotes technological innovation that serves the improvement of the human condition in a respectful and sustainable way.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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Science and technology have shaped not only economic empires and industrial landscapes, but also the identities, anxieties, and understandings of people living in modern times. The book I’m looking at today, Made Modern: Science and Technology in Canadian History (University of British Columbia Press, 2018) explores the complex interconnections between science, technology, and modernity in Canada. Edited by Edward Jones-Imhotep and Tina Adcock, it draws together leading scholars from a wide range of fields to enrich our understanding of history inside and outside Canada’s borders. Organized around three key themes – bodies, technologies, and environments – the book’s chapters examine how science and technology have allowed Canadians to imagine and reinvent themselves as modern. Focusing on topics as varied as colonial anthropology, scientific expeditions, electrotherapy, the occult sciences, industrial development, telephony, patents, neuroscience, aviation, space science, and infrastructure, the contributors explore Canadians’ modern engagements with science and technology and situate them within larger national and transnational contexts.
The first major collection of its kind in thirty years, Made Modern explores the place of science and technology in shaping Canadians’ experience of themselves and their place in the modern world.
Edward Jones-Imhotep is a cultural historian of science and technology and an associate professor of history at York University. He is the recipient of the Sidney Edelstein Prize in the history of technology for his book The Unreliable Nation: Hostile Nature and Technological Failure in the Cold War.
Tina Adcock is a cultural and environmental historian of modern Canada and an assistant professor of history at Simon Fraser University. She is an associate of the L.R. Wilson Institute for Canadian History at McMaster University.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
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Never have so many possessed the means to be so lethal. The diffusion of modern technology (robotics, cyber weapons, 3-D printing, autonomous systems, and artificial intelligence) to ordinary people has given them access to weapons of mass violence previously monopolized by the state. In recent years, states have attempted to stem the flow of such weapons to individuals and non-state groups, but their efforts are failing.
In Power to the People: How Open Technological Innovation is Arming Tomorrow’s Terrorists (Oxford University Press, 2019), Audrey Kurth Cronin...
Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.
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With the advent of digital devices and software, self-tracking practices have gained new adherents and have spread into a wide array of social domains. The Quantified Self movement has emerged to promote 'self-knowledge through numbers'.
In The Quantified Self (Polity, 2016), Deborah Lupton critically analyses the social, cultural and political dimensions of contemporary self-tracking and identifies the concepts of selfhood and human embodiment and the value of the data that underpin them.
The book incorporates discussion of the consolations and frustrations of self-tracking, as well as about the proliferating ways in which people's personal data are now used beyond their private rationales. Lupton outlines how the information that is generated through self-tracking is taken up and repurposed for commercial, governmental, managerial and research purposes. In the relationship between personal data practices and big data politics, the implications of self-tracking are becoming ever more crucial.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
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“We cannot get answers to questions that cannot be asked.” Lundy Braun’s influential book, Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics (University of Minnesota Press, 2014) documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person’s lung capacity. The instrument has a long history, but since the 1970s, this common medical device has been built with a switch that forces users to choose: are these the lungs of a person who is Black or a person who is White? In its materiality, the instrument forces racialized and individualized answers to the question: What explains human variation? In doing so, the people who have imagined, built, and refined the instrument have foreclosed structural, political explanations of human difference—and in doing so, foreclosed the possibility of holding governments and corporations accountable, including in recent workers’ compensation lawsuits.
Lundy Braun tells the long history of this instrument as it passed between “knowledge networks” in the United Kingdom, United States, and South Africa within the contexts of medicine, law, and education. Admirably, Braun documents how and in what terms experts (unsuccessfully) questioned the spirometer’s epistemic authority and its racialization, as well as how experts partnered with social justice groups to use the spirometer for liberatory ends. The book emphasizes the contexts of war and industrial labor, the importance of standardization, and, above all, the role of the spirometer in creating and maintaining the “white norm” in the body.
Lundy Braun is Professor of Medical Science in Pathology and Professor of Africana Studies at Brown University. The interview was conducted collaboratively by Laura Stark [insert www.laura-stark.com] and students in her Vanderbilt seminar, History of Global Health: Omar Amir, Maggie Cox, Bryce Bailey, Donald Fitzgerald, Ashley Hunter, Jillian Jackson, Rohit Kamath, Zoe Mulraine, Liu Lanxi, Madison Noall, Catie O’Reilly, Isabella Schaffer, Katie Swift, Charlotte Whitfield, and Allie Yan.
For ideas and resources to use NBN interviews in your classes, please email Laura Stark at [email protected] or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015).
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We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.
However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.
In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world.
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A former advisor to tech companies on how to make their products habit-forming, Nir Eyal found that his own smartphone use was adversely affecting his family life. He took a deep dive into research and literature on the subject, and emerged with this new book (with Julie Li), Indistractable: How to Control Your Attention and Choose Your Life (Bloomsbury, 2019). The takes his expertise and applies it to consumers, to give us all a fighting chance to maintain control of our lives – online and off.
Based on research and punctuated with personal experience, Indistractable offers a theoretical framework for the powerful distractions each of us encounters every single day, and offers practical suggestions for managing our most valuable and truly limited resources, our time and attention.
Renee Garfinkel is a Jerusalem-based psychologist, writer, and Middle East commentator for the nationally syndicated TV program, The Armstrong Williams Show.. Write her at [email protected] or tweet @embracingwisdom
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From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.
In Race After Technology: Abolitionist Tools for the New Jim Code (Polity, 2019), Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.
This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.
Marshall Poe is the editor of the New Books Network. He can be reached at [email protected].
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Standards are crucial to the way we live—just look around you. A no. 2 pencil, perhaps? That arrived in an 8x8.5x20 shipping container? Standards allow your computer and smart phone to connect seamlessly with others. While it is clear that standards shape the material world we live in, someone decided that they should be that way. In a word, standards have a social life of their own. In Engineering Rules: Global Standard Setting since 1880 (Johns Hopkins University Press, 2019), JoAnne Yates and Craig N. Murphy look at the pervasive practice of private, voluntary standard setting as it grew out of a social movement of engineers. From the International Organization for Standards (ISO) to the World Wide Web Consortium (W3C), Yates and Murphy provide an engaging narrative about the people and processes responsible for making the technologies we have today work with one another.
Mikey McGovern is a PhD candidate in Princeton University’s Program in the History of Science. He is writing a dissertation on how people used discrimination statistics to argue about rights in 1970s America, and what this means for histories of bureaucracy, quantification, law, politics, and race.
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Frederic Tudor was the “Ice King” of early nineteenth-century America. It was Tudor who realized that ice, harvested from New England ponds and rivers could be shipped to the Caribbean. Shipping was cheap, because ships often went empty to pick up cargo; insulation could be made from sawdust, a waste product of the New England lumber industry. His first shipment was in 1806; after failure and adaptation, he was shipping ice throughout the Caribbean, and using leftover ice to bring back tropical fruit. In 1833, he began to ship ice to India, which would become his most lucrative market.
Tudor’s story is just one of those told by Jonathan Rees in his book Before the Refrigerator: How We Used to Get Ice (Johns Hopkins University Press, 2018). It’s the third book he’s written about what Rees calls “the modern cold chain.” That might not sound very exciting. But Rees is describing something very interesting indeed: how complex technological systems can develop without any central controlling force. There were no monopolies in refrigeration, no central government agencies. It just…happened. With a lot of work. How it did is the subject of our conversation.
Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts.
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Throughout the Age of Exploration, European maritime communities bent on colonial and commercial expansion embraced the complex mechanics of celestial navigation. They developed schools, textbooks, and instruments to teach the new mathematical techniques to sailors. As these experts debated the value of theory and practice, memory and mathematics, they created hybrid models that would have a lasting impact on applied science.
In Sailing School: Navigating Science and Skill, 1550-1800 (Johns Hopkins University Press, 2019), a richly illustrated comparative study of this transformative period, Margaret E. Schotte charts more than two hundred years of navigational history as she investigates how mariners solved the challenges of navigating beyond sight of land. She begins by outlining the influential sixteenth-century Iberian model for training and certifying nautical practitioners. She takes us into a Dutch bookshop stocked with maritime manuals and a French trigonometry lesson devoted to the idea that "navigation is nothing more than a right triangle." The story culminates at the close of the eighteenth century with a young British naval officer who managed to keep his damaged vessel afloat for two long months, thanks largely to lessons he learned as a keen student.
This is the first study to trace the importance, for the navigator's art, of the world of print. Schotte interrogates a wide variety of archival records from six countries, including hundreds of published textbooks and never-before-studied manuscripts crafted by practitioners themselves. Ultimately, Sailing School helps us to rethink the relationship among maritime history, the Scientific Revolution, and the rise of print culture during a period of unparalleled innovation and global expansion.
Lukas Rieppel teaches at Brown University. You can find more about him here, or find him on twitter here.
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As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.
How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.
Marshall Poe is the editor of the New Books Network. He can be reached at [email protected].
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Railroads and the Transformation of China (Harvard University Press, 2019) looks at the development of railroads in China from the late 19th century to the post-Mao reform period. Treating railroads as institutions, Elisabeth Köll charts how railroads and railway management companies were constructed and developed, how railway lines were disrupted by war, and then how they were re-organized and re-structured – often by re-packaging pre-1949 ideas – in the Communist period. Throughout Köll is attentive to historical continuities and disruptions, paying particular attention to the tensions that existed between centralization and decentralization, which, as she shows, ultimately created a system where regionally autonomous railroad bureaus exist within a centralized hierarchy. By drawing on sources that range from archival materials to oral testimonies, Köll has created not only the first comprehensive history of railroad operation in China, but also a book filled with fascinating details, including the absurdities of railroad accounting practices in semi-colonial China, what you learn when you look at the rate of railroad accidents during the Great Leap Forward (spoiler alert: as you will hear in the podcast, the rates are definitely not good!), and much, much more, all of which will be of interest to historians and railfans alike.
Sarah Bramao-Ramos is a PhD candidate in the Department of East Asian Languages and Civilization at Harvard University. She is interested in translation, Manchu language books, and anything that involves a good kesike.
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The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all.
Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
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Personalized healthcare―or what the award-winning author Donna Dickenson calls "Me Medicine"―is radically transforming our longstanding "one-size-fits-all" model. Technologies such as direct-to-consumer genetic testing, pharmacogenetically developed therapies in cancer care, private umbilical cord blood banking, and neurocognitive enhancement claim to cater to an individual's specific biological character, and, in some cases, these technologies have shown powerful potential. Yet in others they have produced negligible or even negative results. Whatever is behind the rise of Me Medicine, it isn't just science. So why is Me Medicine rapidly edging out We Medicine, and how has our commitment to our collective health suffered as a result?
In her cogent, provocative book Me Medicine vs. We Medicine: Reclaiming Biotechnology for the Common Good(Columbia University Press, 2016), Dickenson examines the economic and political factors fueling the Me Medicine phenomenon and explores how, over time, this paradigm shift in how we approach our health might damage our individual and collective well-being. Historically, the measures of "We Medicine," such as vaccination and investment in public-health infrastructure, have radically extended our life spans, and Dickenson argues we've lost sight of that truth in our enthusiasm for "Me Medicine."
Dickenson explores how personalized medicine illustrates capitalism's protean capacity for creating new products and markets where none existed before―and how this, rather than scientific plausibility, goes a long way toward explaining private umbilical cord blood banks and retail genetics. Drawing on the latest findings from leading scientists, social scientists, and political analysts, she critically examines four possible hypotheses driving our Me Medicine moment: a growing sense of threat; a wave of patient narcissism; corporate interests driving new niche markets; and the dominance of personal choice as a cultural value. She concludes with insights from political theory that emphasize a conception of the commons and the steps we can take to restore its value to modern biotechnology.
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What is the social role of data? In The Data Gaze: Capitalism, Power and Perception (Sage, 2019), David Beer, a professor of sociology at the University of York, considers this question by introducing the concept of the data gaze. The book is the third in Beer’s loose trilogy of work on data. It draws on Foucault’s work in The Birth of the Clinic to think through various theoretical and empirical examples of how the data gaze functions. The book considers theories of temporality and acceleration, along with the practices of analysts, engineers, and organisations in data capitalism, with the aim of questioning the objectivity assumed to be inherent in ‘data’. It will be essential reading to anyone seeking to understand contemporary, data, society.
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Electrified Voices: How the Telephone, Phonograph, and Radio Shaped Modern Japan, 1868-1945 (Columbia UP, 2018) explores the soundscapes of modernity in Japan. In this book, Kerim Yasar argues that modern technologies of sound reproduction and transmission have had profound—and often underappreciated—social, economic, and political effects. Observing that the “materialities of media transform people, institutions, and societies,” Yasar traces the early histories of sound reproduction in modern Japan and their consequences. Electrified Voices examines the development of media technologies—including the telegraph and telephone, phonograph, broadcast radio, and film—and their attendant oralities, auralities, and effects on language, nation, the performing arts, and even intellectual property law. As Yasar shows, sound reproduction changed language and attitudes about language, collapsed time and space, and shaped both individual and collective identities and practices. The impact of these technologies is indispensable to a clear understanding of modernity, and Yasar’s book is a welcome contribution to the scholarly literature on not just Japan, but histories of media and modernity as well.
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Whether in space colonies or through geo-engineering, the looming disaster of climate change inspires no shortage of techno-utopian visions of human survival. Most of such hypotheses remain science fiction, but in Spaceship in the Desert: Energy, Climate Change, and Urban Design in Abu Dhabi (Duke University Press, 2019), Gökçe Günel explores the United Arab Emirates’s planned Masdar City, an experimental attempt at designing an emissions-free society. The first parts of Masdar City opened beside the Abu Dhabi airport in 2010 as an oil-wealth funded initiative to establish the UAE as a leader in the renewable energy sector and to begin to prepare the emirates for a low or post-oil economy. Masdar attracted students and researchers from around the world to test, and be test subjects, for innovations including personal rapid transit, energy currencies, carbon capture and storage, and closed-loop resource circuits. Quickly, however, the master plan was abandoned as unworkable; but Masdar City has also not been a failure. Rather, Günel explores the interconnected social, technical, and political ramifications and adaptations involved in this attempt to design a potential fossil fuel-free future. She shrewdly criticizes the limitations of climate change strategies intended to protect the political economic status quo. Yet also, through deep ethnographic fieldwork with participants, Günel demonstrates the valuable role of anthropological insight in social and technological adaptations to a changing climate.
Gökçe Günel is Assistant Professor in the School of Middle Eastern and North African Studies at the University of Arizona.
Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene.
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It’s easy to take for granted that one can pick up a cell phone and call someone on the other side of the planet. But, until very recently, this had been a mere dream. Martin Collins’ A Telephone for the World: Motorola, Iridium, and the Making of a Global Age (Johns Hopkins University Press, 2018) explores how Motorola tried—and eventually failed—to turn this dream into a reality. Collins, curator of the civilian applications satellite collection at the Smithsonian Institution, tells a remarkable story, one that is deeply relevant to our interconnected present.
Using Motorola as a case study, A Telephone for the World tracks how U.S. businesses navigated the end of the twentieth century, a moment marked by the rise of neoliberalism, the economic challenge of Japan, and the end of the Cold War. Most significantly, the book shows how businesspeople at Motorola responded to global conditions, sought to create a global firm, and even constructed “the global as a way of life.” The book is therefore a deep dive into the mechanics of globalization, as seen from the inside of a global company. A Telephone for the World will interest historians of technology, communications scholars, business historians, and anyone who wants to know more about globalization.
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Medicine has lost its humanity. Doctors no longer have the time to make personal connections with their patients. In his new book Deep Medicine: How Artificial Intelligence Can Make Healthcare Human Again (Basic Books, 2019), Eric Topol explores how AI can help to fix many of the issues medicine is facing today. AI has the potential to transform almost everything doctors do, allowing them more time to make the human connection with patients.
Jeremy Corr is the co-host of the hit Fixing Healthcare podcast along with industry thought leader Dr. Robert Pearl. A University of Iowa history alumnus, Jeremy is curious and passionate about all things healthcare, which means he’s always up for a good discussion! Reach him at [email protected].
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Today I talked with Chris Bernhardt about his book Quantum Computing for Everyone (MIT Press, 2019). This is a book that involves a lot of mathematics, but most of it is accessible to anyone who survived high school algebra. Even a math-phobic can read the book, skip the math, and then more than hold his or her own in any but the highest-level discussion of quantum computing. For those of us who love math, the underlying math is elegantly simple and beautifully presented – and the same can be said of the non-mathematical material. as well.
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What does it mean to be famous on the Internet? How do people become Internet celebrities, and what can that celebrity be used to do? Dr. Crystal Abidin offers anthropological insight into these questions in her book Internet Celebrity: Understanding Fame Online (Emerald Publishing, 2018). Drawing on case studies from around the world, Dr. Abidin identifies the qualities that contribute to the making of internet celebrity. She explains how some internet celebrities become professional influencers and explores the global implications of the influencer industry. This accessibly written book is aimed at popular audiences and will be indispensable for undergraduate courses about digital culture, for academics who want a clear and cogent introduction to internet celebrity, and for anyone who wants to understand the online worlds in which we increasingly live.
Dannah Dennis is an anthropologist currently working as a Teaching Fellow at New York University Shanghai. You can find her on Twitter @dannahdennis.
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In The Synthetic Age: Outdesigning Evolution, Resurrecting Species, and Reengineering Our World (MIT Press, 2018), Dr. Christopher Preston argues that what is most startling about the Anthropocene -- our period in time where there are no longer places on Earth untouched by humans -- is not only how much impact humans have had, but how much deliberate shaping humans will do. To help us understand the Synthetic Age, Dr. Preston details the emerging fields of study and accompanying technologies that may allow for a world designed by humans. He walks us through the advent of nano-scale technologies to the possibilities of deliberate marco-level ecosystem and atmospheric management.
What’s more, we’re not only faced with a plethora of possibility, but journey through historical and ongoing debates regarding the ethics of it all. In fact, The Synthetic Age, is part history of emerging technologies, part mini-biography of all the key persons involved, and part window into the continued ethical debate among enthusiasts and precautionary voices. By the end, the reader is well informed on what lies ahead and is left with a charge – become engaged. After all, as Dr. Preston offers, the thing that should scare us the most about the Synthetic Age, is not the technologies themselves, but prospect of these world-shaping decisions not being made democratically. The questions that arise are too important to be left to the engineers.
Chris Gambino works at the intersection of science and policy in hopes of creating more informed decision-making.
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It's easy to get sidetracked while writing a book. But imagine being interrupted by the President of the United States. That happened to Tom Wheeler, who was in the midst of writing a history of communication networks when President Obama appointed him to be chairman of the Federal Communications Commission in 2013. Wheeler went from writing history to participating in it, making consequential decisions about net neutrality, cybersecurity, privacy, and the 5G mobile network.
Wheeler is a former President of the National Cable and Telecommunications Association and former CEO of the Cellular Telecommunications and Internet Association. He was inducted into the Wireless Hall of Fame in 2003 and the Cable Television Hall of Fame in 2009. After leaving the FCC at the end of President Obama's second term, Wheeler finished his book, From Gutenberg to Google: The History of Our Future (Brookings Institution Press, 2019). He is currently a visiting fellow in Governance Studies at the Brookings Institution. Wheeler’s previous books include Leadership Lessons from the Civil War: Winning Strategies for Today's Managers (Doubleday Business, 1999) and Mr. Lincoln's T-Mails: The Untold Story of How Abraham Lincoln Used the Telegraph to Win the Civil War (HarperBusiness, 2006).
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In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.
You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/
Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.
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Our guest today is Kartik Hosanagar, the author of A Human’s Guide to Machine Intelligence: How Algorithms Are Shaping Our Lives and How We Can Stay in Control(Viking, 2019). This is one of those rare books that I think everyone can read and I think everyone should read. In fact, knowledge of algorithms can in some sense be considered to be the literacy of the 21st century, and the author has written a book which can greatly held advance this type of literacy. If you want to become 21st-century literate, you should read this instructive and immensely enjoyable book.
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It's been called the first Internet. In the nineteenth century, the telegraph spun a world wide web of cables and poles, carrying electronic signals with unprecedented speed. In order to connect the entire American continent, however, the telegraph had to cross western territory, which brought a host of challenges, conflicts, and uncertainties. What happened when the telegraph crossed the Mississippi River? What natural obstacles had to be overcome? What role did the telegraph play in the displacement of native tribes? James Schwoch answers these questions in Wired into Nature: The Telegraph and the North American Frontier (University of Illinois Press, 2018). Schwoch is a professor of communication studies at Northwestern University. He is also the author of The American Radio Industry and Its Latin American Activities, 1900-1939 and Global TV: New Media and the Cold War, 1946–69, both also published by University of Illinois Press.
Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nathanbierma.com.
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We know, perhaps too well, the innovation-centric history of personal computing. Yet, computer users were not necessarily microelectronics consumers from the get-go; rather, earlier efforts to expand mainframe computing as a public utility made elite information technology accessible to a wide audience. In A People's History of Computing in the United States (Harvard University Press, 2018), Joy Lisi Rankin seeks to restore this broader perspective by situating the history of educational computing within the arc of U.S. social politics in the 1960s and 1970s. The result is a new perspective that challenges the business-dominated historiography of computing by explaining the convergence between the technical and social through efforts that began locally. As these projects expanded in scope, their advocates articulated a vision of "computing citizenship" throughout the rise of what we now call the "information age." Through a series of cases, beginning with timesharing at Dartmouth and the development of the BASIC programming language, through efforts by the state of Minnesota to make the fruits of its high-tech industry available to all, and ending with perhaps the most successful early computing network, the University of Illinois's PLATO project, Rankin makes a compelling case for a social history of computing. Historians of technology, education, and U.S. social history will all find a new resource—and perhaps a new timeline—in this beautifully researched and written book.
Mikey McGovern is a PhD candidate in Princeton University’s Program in the History of Science. He works on computing, quantification, communication, and governance in modern America.
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The first robot to walk the earth was a bronze giant called Talos. This wondrous machine was created not by the MIT Robotics Lab, but by Hephaestus, the Greek god of invention. More than 2,500 years ago, long before medieval automata, and centuries before technology made self-moving devices possible, Greek mythology was exploring ideas about creating artificial life―and grappling with still-unresolved ethical concerns about biotechne, “life through craft.” Mythic automata appear in tales about Jason and the Argonauts, Medea, Daedalus, Prometheus, and Pandora, and many of these machines are described as being built with the same materials and methods that human artisans used to make tools and statues. And, indeed, many sophisticated animated devices were actually built in antiquity, reaching a climax with the creation of a host of automata in the ancient city of learning, Alexandria, the original Silicon Valley.
In Gods and Robots: Myths, Machines, and Ancient Dreams of Technology, Dr. Adrienne Mayor tells the fascinating story of the earliest expressions of the timeless impulse to create artificial life and reveals how some of today’s most advanced innovations in robotics and AI were foreshadowed in ancient myth.
Adrienne Mayor is a Research Scholar in Classics and History and Philosophy of Science and Berggruen Fellow at the Center for Advanced Study in the Behavioral Sciences at Stanford University. She is a folklorist and historian of ancient science who investigates natural knowledge contained in pre-scientific myths and oral traditions. Her research looks at ancient "folk science" precursors, alternatives, and parallels to modern scientific methods. Her work has been featured on NPR, the BBC, the History Channel, the New York Times, Smithsonian, and National Geographic.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
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In his new book, Matthew Longo takes the reader on an unusual journey, at least within political theory, since his work combines a normative political theory approach with an ethnographic approach to understand both the conceptual and actual issue of borders as spaces that separate and distinguish states and nations, and individuals and citizens. The Politics of Borders: Sovereignty, Security, and the Citizen after 9/11 (Cambridge University Press, 2017) is not simply about the border because, as the book makes clear, borders are in no way simple, and what Longo has pursued in his work is the complexity that encompasses the theoretical idea of the border but also how and why borders are more diverse in understanding than we often ascribe to them. Longo interrogates what a border actually is, noting that the space itself is not quite the thin line between states that we often assume it to be, but a physical area that is co-administered by bordering nations, often collaboratively, thus blurring the line or space of sovereignty. Threaded throughout the book is the ongoing question of what constitutes citizenship, since borders and citizenship are braided together though the structures of the state, and the considerations of who is and is not permitted membership within a state. Longo has also included a substantial exploration of the role of technology and data in the actual understanding of how border security works in practice. This section of the analysis is particularly important to consider because, according to Longo, the focus on the individual and their data profile, shifts the understanding of state sovereignty and the responsibility for definitions of citizenship. This book is incredibly topical in a variety of areas, not least in the way that it contributes to our thinking about the border itself as a space and as a concept, the role of the state, and the growing domain of data and technology and how they are shaping ideas of citizenship.
This podcast was hosted by Lilly Goren, Professor of Political Science and Global Studies at Carroll University in Waukesha, WI. You can follow her on Twitter @gorenlj.
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Silicon Valley is understood to be one of the most fast-paced regions on earth, where innovation and upheaval are part and parcel of daily life. Imagine the challenge, then, when it’s your job to document and analyze the complex, intersecting, ever-changing cultures that comprise this famous region. In 2002, Dr. Jan English-Lueck tackled that very task in her book Cultures@SiliconValley. Now, fifteen years later, she has released a new edition that traces the decade and a half since that book came out, documenting what has changed in Silicon Valley and what has remained the same. In this episode I speak with Dr. English-Lueck about the revised Cultures@SiliconValley: Second Edition (Stanford University Press, 2017) discussing the original project as well and why and how she went about updating this important work.
Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment (Cornell University Press, 2011). Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To suggest a recent title or to contact her, please send an email to [email protected].
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Regia Rini is the Canada Research Chair in Philosophy of Moral and Social Cognition at the York University. Her research resides at the intersections of moral philosophy, psychology, and political epistemology. She also publishes popular work on topics concerning the social and political impacts of technology. She is currently working on a book about social media and democracy.
The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project.
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Megan Finn's Documenting Aftermath: Information Infrastructures in the Wake of Disasters (MIT Press, 2018) is a fascinating examination of how information infrastructures shape the ways that survivors and observers know and learn about disasters. Finn uses three historical case studies – major earthquakes in Northern California in 1868, 1906, and 1989 – to reflect upon the development of private and public information services and how these succeed and fail to inform local and distant audiences about disaster realities. Infrastructure breakdowns make visible the material bases of information systems, from telegraph to newsprint to internet, and how this materiality shapes access relative to social and geographical boundaries. Documenting Aftermath is a very timely book, for as global warming promises more frequent catastrophes, large-scale social media and government information systems increasingly dictate how information moves. More than ever it is necessary to question this arrangement and the oversights, inequalities, and possibilities for abuse of power therein.
Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in seventeenth- and eighteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene.
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At the dawn of the radio age in the 1920s, Frederick Du Vernet—Anglican archbishop and self-declared scientist—announced a psychic channel by which minds could telepathically communicate across distance. Pamela E. Klassen retalls Du Vernet’s imaginative experiment in her newest book, The Story of Radio Mind: A Missionary's Journey on Indigenous Land (University of Chicago Press, 2018). Following Du Vernet’s journey westward across Canada, Klassen examines how contests over the mediation of stories—via photography, maps, printing presses, and radio—reveal the spiritual work of colonial settlement.
Pamela Klassen is Professor in the Department for the Study of Religion at the University of Toronto.
Hillary Kaell co-hosts NBIR and is Associate Professor of Religion at Concordia University in Montreal, Canada.
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Jonathan W. White, an associate professor of American Studies at Christopher Newport University, is the co-author of “Our Little Monitor”: The Greatest Invention of the Civil War (Kent State University Press, 2018). Ever since their famous naval encounter in 1862, the Monitor and Merrimack (a.k.a., C.S.S. Virginia) have been part of American Civil War lore. In this work White and his co-author, Anna Gibson Holloway, investigate the history of one of the most popular elements of the American Civil War: the Monitor ironclad ship. The ironclads were innovative combat ships, which sat at the waterline and could prove effective against the then-dominant wooden-hulled ships of the world’s navies. Although other nations had designed ironclads, the U.S.S. Monitor’s encounter with the C.S.S. Virginia on March 9, 1862 was the first test of ironclads in combat. In this interview Professor White discusses the design and development of the Monitor, the famous Battle of Hampton Roads, the conditions under which crews served, and the popular memory of the Monitor from the Civil War through today.
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Paola Bertucci's Artisanal Enlightenment: Science and the Mechanical Arts in Old Regime France (Yale University Press, 2018) is an innovative new look at the role of artisans in the French Enlightenment. As savants attempted to appropriate leadership of the mechanical arts while deriding artisans as mere laborers, some of these refashioned themselves as artistes, capable of blending craft knowledge with intellectual esprit. Through the little studied and understood Société des Arts, these advertised their service and utility to the state and French economic and imperia expansion. As they fought for official appointments and academic recognition, they help solidify key the Enlightenment concept of technological progress. Through the eyes and experiences of artistes, the Enlightenment appears much less the product of intellectual breakthroughs, and instead, a reflection of the political economic strategies of artisans as they defined their role within the French empire.
Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in seventeenth- and eighteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene.
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McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with!
Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.
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Television started as a dream of nineteenth-century science fiction. It took its place in the twentieth-century home, and became a fixture of family life and a transformative cultural force. Today, televisions are both less visible and more present than ever, thanks to screens on our walls and in our pockets. Chris Horrocks traces the cultural history of the television set in The Joy of Sets: A Short History of the Television (Reaktion Press, 2017). Horrocks is a filmmaker and professor in the School of Critical Studies and Creative Industries at Kingston University in London. His previous books include Cultures of Colour: Visual, Material, Textual (Berghahn, 2012), and Marshall McLuhan and Virtuality (Icon, 2000).
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What are the hidden structures of the television industry? In The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways (Palgrave, 2018), Raymond Boyle, a professor of communications at the University of Glasgow‘s Centre for Cultural Policy Research, explores this question by focusing on the idea of talent. The book offers a rich theoretical and empirical engagement with the contemporary television landscape, giving detailed analysis of the history of talent development, as well as the impact of digital and new platforms. The shifting landscape of talent, television, and the infrastructure of cultural intermediaries is illustrated with key case studies, ultimately showing how the winners and losers of the talent industry map onto existing inequalities. The book is essential reading for anyone interested in contemporary media.
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What if guns “are not merely carriers of action, but also actors themselves?” That’s the question that animates and unites Jonathan Obert‘s and Andrew Poe‘s, and Austin Sarat‘s unique collection of essays, The Lives of Guns (Oxford University Press, 2018). In it, contributors discuss the political, social and personal “lives” of guns from a variety of perspectives. Join us to hear editors Obert and Poe help us consider new ways of thinking about American narratives of ballistic weapons.
Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians(New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017).
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Many people place the beginning of the American space program at 7:28pm, October 4, 1957 – the moment the Soviet Union launched the first satellite, Sputnik I, into orbit. This event prompted the United States to open up its own crash program to put first a satellite, then later, human beings, into space. The primary motivating factor for all this, was the fear of missiles being the primary delivery system for nuclear warheads at the height of the Cold War. Our guest in this episode –Nicholas Michael Sambaluk – makes the case for another perspective on the Eisenhower Administration’s decision to engage in space exploration. In his book The Other Space Race: Eisenhower and the Quest for Aerospace Security (Naval Institute Press, 2015), Sambaluk describes the checkered history of the Dynamic Soarer Space Glider Bomber – a.k.a. “Dyna-Soar,” a heat-resistant single seat-space shuttle that was intended to guarantee American aerospace superiority. Though ultimately canceled, the Dyna-Soar program’s legacy continues to this day in the form of the SR-71 Blackbird reconnaissance Aircraft, the Space Shuttle, and future orbiting space vehicles. Sambaluk is an associate professor of strategy at the Air University, at Maxwell Air Force Base, in Montgomery, Alabama.
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Physical journals, scrapbooks, and photo albums all offer their owners the opportunity to chronicle both mundane and extravagant events. But unlike social media posting, this analog memorializing of life happenings is not encumbered with the negative theorizing about why people choose to record experiences. In her new book, The Qualified Self: Social Media and the Accounting of Everyday Life (MIT Press, 2018), Cornell University associate professor Lee Humphreys argues that selfies and other social media life logging, like traditional journaling, is media accounting, which offers us a deeper understanding of ourselves.
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Science fiction is, at its core, about tomorrow—exploring through stories what the universe may look like one or 10 or a million years in the future.
Twelve Tomorrows (MIT Press, 2018) uses short stories to fit nearly a dozen possible “tomorrows” into a single book. Edited by journalist Wade Roush, the collection features stories by Elizabeth Bear, SL Huang, Clifford V. Johnson, J. M. Ledgard, Liu Cixin, Ken Liu, Paul McAuley, Nnedi Okorafor, Malka Older, Sarah Pinsker, and Alastair Reynolds.
The book is the latest in a series of identically titled books launched in 2011 by MIT Technology Review. The series explores the future implications of emerging technologies through the lens of fiction.
It’s the first time Roush, who hosts the podcast Soonish and specializes in writing about science and technology, has edited fiction. “The mission of Twelve Tomorrows is to highlight stories that are totally plausible from an engineering point of view,” Roush says.
In “The Heart of the Matter,” Nnedi Okorafur explores how suspicion of new technology can have real life consequences. In this case, plotters against the reformist president of Nigeria try to muster support for a coup by manipulating fears about the president’s new artificial heart, claiming that the organ—which was grown in a Chinese laboratory from plant cells—is powered by witchcraft.
In “The Woman Who Destroyed Us,” SL Huang describes the plight of a mother who wants to exact revenge on a doctor who used deep brain stimulation to treat her son’s behavioral and mental health issues. The changes in her son are so dramatic that the mother feels she’s lost her child, and yet the son is happy with the result, feeling that the treatment has revealed his true self.
If there’s one message Roush hopes readers take from the collection, it’s that people are in the driver’s seat when it comes to building and using new technologies. He hopes the book reminds people “that we do have the power to adopt or shun technology, that we can decide how to bring it into our lives, to what extent we want to use it or not use it. We can even influence the way innovation happens. We can tell scientists and engineers, ‘You know what? This isn’t good enough’ or ‘We’re worried about this. We want you to build in more safeguards.’… We have that power.”
Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe.
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Our world today is full of algorithms and metrics designed to help us keep up, to keep track, to keep going. New devices, such as the smartwatch, now make it possible to quantify and standardize every conceivable human activity, from keeping track of personal bests at the gym to getting a good night’s sleep—all from the comfort of our homes. But what do these measurements actually tell us about ourselves? What happens when the data sets for these functions are subjective? And how do we know whether we’re measuring ourselves accurately?
In her debut collection of essays, nonfiction writer Rachel Z. Arndt explores the answers to these questions, interrogating the methods through which we measure our lives in the modern world. Through a series of 19 researched personal essays, Arndt speaks from her own experiences managing her narcolepsy, participating in judo tournaments, analyzing the rituals of online dating and more in order to answer the question of what can be measured—or, more accurately, what cannot.
Today on the New Books Network, join us as we sit down with Rachel Z. Arndt to hear more about Beyond Measure available now from Sarabande Books (2018).
Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com.
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In his new book, The Fourth Age: Smart Robots, Conscious Computers, and the Future of Humanity (Simon & Schuster, 2018), futurist, technologist, and CEO of Gigaom, Byron Reese makes the case that technology has reshaped humanity just three times in history: 100,000 years ago, we harnessed fire, which led to language; 10,000 years ago, we developed agriculture, which led to cities and warfare; and 5,000 years ago, we invented the wheel and writing, which lead to the nation state. He tells us that we are now on the doorstep of a fourth change brought about by two technologies: AI and robotics. His book provides an essential background on how we got to this point, and how—rather than what—we should think about the topics we’ll soon all be facing, such as machine consciousness, automation, changes in employment, creative computers, radical life extension, artificial life, AI ethics, the future of warfare, superintelligence, and the implications of extreme prosperity.
By asking questions like “Are you a machine?” and “Could a computer feel anything?”, Reese cultivates discussion at the cutting edge in robotics and AI, and provides a framework by which we can all understand, discuss, and act on the issues of the Fourth Age and how they’ll transform humanity.
Byron Reese is the CEO and publisher of the industry-leading technology research company Gigaom, and the founder of several high-tech companies. He has spent the better part of his life exploring the interplay of technology with human history. Reese has patents, obtained and pending, in disciplines as varied as crowdsourcing, content creation, and psychographics. The websites he has launched, which cover the intersection of technology, business, science, and history, have together received over a billion visitors and he is author of the acclaimed book, Infinite Progress: How Technology and the Internet Will End Ignorance, Disease, Hunger, Poverty, and War. He joins me today to talk about his new book, The Fourth Age.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
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LikeWar: The Weaponization of Social Media (Houghton Mifflin Harcourt, 2018), by P.W. Singer and Emerson T. Brooking, outlines the history of social media platforms and their use in popular culture and modern conflict. The authors make comparisons to previous technological advancements (such as telegraph and radio) and connect the use of social media to a Clausewitzian view of war. The use of social media by insurgents, criminal organizations, and nation-states raises questions about whether the medium is the message or if new communication channels are propaganda in another form.
Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.
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Ben Epstein’s new book, The Only Constant is Change: Technology, Political Communication, and Innovation over Time (Oxford University Press, 2018), traces communication changes and innovations in the United States from the time of the Founding to the present, while also exploring how and where innovative use of communication becomes viable for political actors. Epstein connects a number of threads within the book, including a qualitative approach to communications studies that makes use of the American Political Development, or APD, framework as the structure to explore the disruptions in technology that allow for new forms of political communication operations to come forward and for political actors to choose to make use of these innovative forms for communication. Making central claims about how technological and political forces disrupt political communication activity and how these disruptions lead to new political communication orders, Epstein also examines who makes the most use of new information and communication technology, and how and where a new political communication order becomes embedded within our daily lives.
This is a clearly structured book—detailing the periods of technological revolution and then the responses to those revolutionary periods as the new form of technology becomes normalized within society and also within the political communication arena. There are also some important comparative case studies to help readers understand who may make the most out of new communication approaches, and whether these approaches may, or may not, make that much of a difference.
This podcast was hosted by Lilly Goren, Professor of Political Science and Global Studies at Carroll University in Waukesha, WI. You can follow her on Twitter @gorenlj.
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Though usually a background concern, the aging U.S. electric grid has lately been on the minds of both legislators and consumers. Congress wants to ensure the technological security of this important infrastructure. Consumers want to find alternative ways of powering their homes and businesses. Whatever the deliberation, the grid is topic of great concern in this era of both innovation in power and technological terrorism. But to grasp the current significance of the grid, it is important to understand its history. In her book, The Grid: Biography of an American Technology (MIT Press, 2017), Julie A. Cohn, a research historian at the Center for Public History at the University of Houston, offers an examination of the development of historical context of the grid’s development. In so doing she details the characteristics that make the grid a uniquely American technological creation.
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When you imagine the late-nineteenth and early-twentieth century, what colors do you see? Whatever comes to mind, Laura Kalba’s, Color in the Age of Impressionism: Commerce, Technology, and Art (Penn State University Press, 2018) will change the way you think about the contents, forms, and significance of the palette of this critical moment in the history of modernity. Examining the impact of emergent color technologies on French visual culture and landscapes, Color in the Age of Impressionism includes, but moves beyond, a discussion of the works and colors of Impressionist artists to consider color theory, dye manufacture, flower cultivation and gardening culture, fireworks, chromolithographic reproduction and collecting, autochromes and neo-Impressionism. Along the way, this is a history of aesthetics, art, fashion, technical innovation, and the modern markets of hue, tone, contrast, harmony, and shade during the “color revolution” of the decades Kalba explores.
Approaching the history of color in the period with the archival passion and conceptual tools of the historian of visual culture, the book pushes past the discussion and prescription of taste to delve deeper into the social, economic, technological, political, and cultural history of color in a France in the throes of the emergence of a consumer and capitalist society divided by class and other differences. A “bottom-up” history of color, Color in the Age of Impressionism takes seriously the question: How did ordinary French men and women understand realism, abstraction, and fantasy during the decades of the emergence of a modernity that included a spectrum of visuality, imagination, and techniques of representation? A winner of The College Art Association’s 2018 Charles Rufus Morey Book Award, the study will be of great interest to anyone fascinated by the histories of art, looking, spectacle, culture, and everyday life in France in the decades before and after the fin-de-siècle.
Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: [email protected].
*The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/.
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Small Wars, Big Data: The Information Revolution in Modern Conflict (Princeton University Press, 2018), Eli Berman, Joseph H. Felter, and Jacob N. Shapiro, takes a data-based approach to examine how actions can affect violence in asymmetric conflicts. Using data sets from Afghanistan, Iraq, and the Philippines, the authors evaluate several variables, including the role of civilians, mobile communications, and foreign aid projects. The book is data-rich and accessible, with findings presented at a tactical level and a policy level.
Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.
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In The Flight of a Butterfly or the Path of a Bullet? Using Technology to Transform Teaching and Learning (Harvard Education Press, 2018), Larry Cuban looks at the uses and effects of digital technologies in K–12 classrooms, exploring if and how technology has transformed teaching and learning. In particular, he examines forty-one classrooms across six districts in Silicon Valley that have devoted special attention and resources to integrating digital technologies into their education practices. Ultimately, Cuban asks if the use of digital technologies has resulted in transformed teaching and learning in these classrooms. His unexpected findings address not only edtech and its uses, but also the complex interrelations of policy and practice, and the many—often unintended—consequences of reforms and initiatives in the education world.
Larry Cuban, PhD, is Professor Emeritus of Education at Stanford University. He blogs about education at larrycuban.wordpress.com.
Hoover Harris, editor of Degree Or Not Degree?, holds a PhD in English and writes and speaks about trends in higher education. He can be reached by email at [email protected] or on Twitter @degreenot.
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In Middle Eastern history, the printing press has been both over- and under-assigned significance as an agent of social change. Hala Auji’s Printing Arab Modernity: Book Culture and the American Press in Nineteenth-Century Beirut (Brill, 2016) is not only a history of the American Protestant mission’s Arabic press in Beirut, which printed books for Ottoman readers during the 19th century, but a window into the world of Arabic printing at large. Auji uses art history to chart the transition between manuscripts and printed books, using a deep appreciation for Islamic art and book-production to highlight rupture and continuity. Text and non-textual elements are used to tell a story that was not local simply to Beirut, but had connections to the entire region and the development of printing in Arabic-language script at large. Part book-history, part art history, part intellectual history, Printing Arab Modernity ebbs between lithography and typography to tell an essential narrative of modern Middle Eastern history.
Hala Auji is an assistant professor of art history in the Department of Fine Arts and Art History at the American University of Beirut (AUB). She holds a PhD in art history from Binghamton University, State University of New York, an MA in Art Criticism & Theory from Art Center College of Design, and a BFA in graphic design from the American University of Beirut. Her research interests include: Arabic book and print culture, 19th-century Islamic art and architecture and the| history of modern science in the Islamic world, amongst many more. She can also be found at https://www.halaauji.net/
Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.
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The use of our data and the privacy, or lack thereof, that we have when we go online has become a topic of increasing importance as technology becomes ubiquitous and more sophisticated. Governments, advocacy groups and individual citizens are demanding that action be taken to protect their valuable data. But what does this sporadic noise amount to? B.J. Mendelson in his book Privacy: And How to Get It Back (Curious Reads, 2017) argues that a complacent citizenry and the overly-intimate relationship that corporations have with government has led to massive breaches of people’s privacy. Mendelson humorously explains the way people’s data is used and abused as he tracks the long history of government surveillance leading to an explanation of, what he believes, could be the solution to the abuse of people’s privacy.
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Today I was joined by Seamus Grimes from Ireland where he is Emeritus Professor at the National University of Ireland, Galway. With Yutao Sun (Dalian University of Technology), he just published a very interesting and timely book China and Global Value Chains: Globalization and the Information and Communications Technology Sector (Routledge, 2018).
President Trump has raised the intriguing question of bringing the manufacturing of companies like Apple back from China to the U.S. This book, however, argues that in this age of the knowledge-based economy and increased globalization, that value creation and distribution based on knowledge and innovation activities are at the core of economic development. The double-edged sword of globalization has transformed China’s economic development in the past few decades. Although China has benefitted from globalization and is now the second largest economy in the world, having become a global manufacturing power and the biggest exporter of high-tech products, it continues to be highly dependent on foreign sources of capital and technology.
The book explores the core of the Chinese economy from the perspective of the global value chain, combining analysis of inward investment, international trade, science and technology and innovation and economic development. Specifically, it investigates China’s evolving role with some innovative Chinese companies emerging in the global market and China’s ongoing efforts to become an innovation-driven economy.
This is a very interesting book on the complexity of the global industrial systems that are behind the production of the electronic goods that we use daily. Beside China and this specific sector, it is a timely warning for those that argue in favour of raising barriers or regulating otherwise the current flow of goods and components worldwide.
Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.
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Understanding Cyber Conflict: 14 Analogies (Georgetown University Press, 2017), edited by George Perkovich and Ariel E. Levite, uses analogies to conventional warfare and previous technological innovations to explain the complexities of cyber capabilities and threats. The essays examine cyber weapons, cyber warfare, and cyber defense using case studies that include the attacks on Pearl Harbor and the use of drones. This book is a worthwhile thought exercise to better understand how cyber conflict fits into existing frameworks of international relations and how cyber capabilities may affect existing norms of war.
Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.
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Sewing, knitting, quilting, the crafts related to fabric making, are usually not what we think about when we consider our digital communications devices. Yet, many of the activities that we find ourselves doing with our devices touching the screen, scrolling, swiping, etc. and some of the language that we use to describe our actions, draw from textile culture. In his book The Fabric of Interface: Mobile Media, Design, and Gender (MIT Press, 2017), Stephen Montiero, at Concordia University, explores the connection between the fabric arts and computing. In it he investigates the relationship between gender and the construction of media technologies. A particular focus of his is an examination of how, as in former years sewing was dismissed as women’s work, social aspects of digital technologies are gendered and dismissed as inconsequential. Montiero also details the eraser of the contributions of many women to the evolution of the technology that is now ubiquitous.
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In his book Playback: A Genealogy of 1980s British Videogames (Bloomsbury Academic, 2018), Alex Wade examines the culture of bedroom coding, arcades, and format wars in 1980s Britain. Wade interviews gamers, developers and journalists to better understand the cultural habitus of early gaming. Wade expertly explores the bedroom culture of early coders, examining the ways in which games were copied and distributed among players. He situates gaming in the underground subcultures of arcades, connecting early arcade cultures to present-day gambling and gaming. Wade analyzes the ways that 1980s gaming gave rise to today’s gaming industry. Through his in-depth research into 1980s British gaming culture, Wade argues that video games give insight into social, political, and cultural landscapes in ways that deserve exploration and recognition. Wade’s work on gaming and gaming culture is essential reading in games studies and media and his focus on sociology of gaming makes for an appeal to a wide audience.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected].
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My father has this personality quirk that drives me crazy. Whenever and wherever he travels, no matter how far, he refuses to reset his watch to the local time. For him, it’s always whatever time it is in Cincinnati, Ohio, even if all the clocks around him flash the fact that it isn’t, even if he’s taking my mother, for example, on their once-in-a-lifetime dream vacation to Hawaii and the sun is setting in perfect postcard colors. “No wonder I’m sleepy,” he’ll say, glancing at his watch. “It’s two in the morning.” I don’t know quite why it drives me so crazy. Maybe it’s his small refusal to accept where he is at that moment or maybe its his small insistence that, at any moment, he’s always home. I just know that, with a wristwatch and a strong will, my father has decided to ignore the laws of time.
It turns out that he’s not so different from most of us who fly frequently from one time zone to another. In his new book, Jet Lag (Bloomsbury Academic, 2017), Chris Lee illuminates what happens to us when, thousands of feet in the air, trapped in an uncomfortable seat in coach or luxuriously sprawled out in first-class, we race ahead of the clock or fall behind it. Suddenly the sun shines when it shouldn’t or the night comes to soon, and were out of synch, not only with time but, it can seem, with the world around us, even with ourselves. We’re jet-lagged, and, as Lee cleverly shows, were experiencing much more than an inconvenience. We’re experiencing something like modernity itself, where time, technology, and our global condition are not only made evident but also, as we stagger off our flights, exhausting.
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For most people the field of architecture is not what they think about when discussing artificial intelligence as we describe it today. Yet, architects are a part of the historic foundations of what we call the Internet and now AI. In her new book, Architectural Intelligence: How Designers and Architects Created the Digital Landscape (MIT, 2017), Carnegie Mellon associate professor Molly Wright Steenson, considers four of these designers: Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte, to examine how they included elements of interactivity in their projects. In so doing she illuminates how their work influences today’s technology.
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Our guest today was Dr. Jennifer Hart who talked to us about her recently published book Ghana on the Go: African Mobility in the Age of Motor Transportation (Indiana University Press, 2016). In this book, Dr. Hart traces the history of automotive transportation in Ghana from the introduction of the first motor vehicles during the early colonial period through the beginnings of the twenty-first century. Ghana on the Go focuses on the emergence and growth of commercial transportation which became the most prevalent way for Ghanaians to experience automotive mobility. Dr. Hart centers her narrative in the personal stories of drivers and passengers to examine how automotive mobility allowed for social and economic mobility building from an existing entrepreneurial culture. She threads these stories with a larger history of political contestation, economic development and state regulation to examine the long-term impact of automotive technology in the evolution of Ghanaian state, society and culture.
Dr. Jennifer Hart is an Associate Professor in the History Department at Wayne State University. Her research interests include African history and Urban History.
Esperanza Brizuela-Garcia is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History. She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011).
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For millennia, religions have concocted numerous manifestations of heaven and the afterlife, and though no one has ever returned from such a place to report what it is really like—or that it even exists—today science and technology are being used to try to make it happen in our lifetime. In the book we are looking at today, Heavens on Earth: The Scientific Search for the Afterlife, Immortality, and Utopia (Henry Holt, 2018), Dr. Michael Shermer sets out to discover what drives humans’ belief in life after death, focusing on recent scientific attempts to achieve immortality along with utopian attempts to create heaven on earth. From radical life extension, to cryonic suspension to mind uploading, Shermer considers how realistic these attempts are from a proper skeptical perspective and concludes with an uplifting tribute to purpose and progress and a word on how we can live well in the here-and-now, whether or not there is a hereafter.
Dr. Michael Shermer is the Publisher of Skeptic magazine, a monthly columnist for Scientific American, and a Presidential Fellow at Chapman University where he teaches Skepticism 101.
Carrie Lynn Evans is a PhD student at Universite Laval in Quebec City.
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With all of its entailed engagements with epistemology, emergence, and self-organization, cybernetics began (and arguably still is) the science of communication and control in the animal and the machine as it was coined in the subtitle of Norbert Wiener’s field defining book of 1948. While the reflexive turn of second-order cybernetics in the 1970s led the field down new paths (and, unfortunately, to the margins of mainstream academia) in the West, Soviet thinkers continued to develop the control scientific implications of the field in a manner that remained central to the scientific enterprise of that nation. In his densely packed book, Cybernetics: Past to Future (Springer Verlag, 2016), Dmitry Novikov provides a detailed and erudite analysis of the fields development as a kind of meta-science or philosophy of the varied strands of control theory across technological, biological, and social systems. As the current Director of the Institute of Control Sciences of the Russian Academy of Science, Dr. Novikov is eminently qualified to guide readers on a journey through the promises, challenges, disappointments, achievements and future prospects of the science of control and communication that will also introduce a global audience to the work of many eminent Russian thinkers in the field whose work has not been as accessible outside Russia as is deserved.
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As a historian I find myself constantly asking the question “Is that really new, or is it rather something that looks new but isn’t?” If you read the headlines, particularly those concerning the on going “Digital Revolution,” you would certainly get the impression that a Brave New World is emerging, one nothing like anything that we’ve seen before. And, in a way, this is true: we—meaning humans—have never lived in an environment with smartphones, social media, and the firehose of “information” that is the Internet. We’re always on and always connected in a way we have never been before.
But, as Andrew Keen points out in his smart new book How To Fix The Future (Atlantic Monthly Press, 2018), there is also a sense in which we have been here before, namely, in the Industrial Revolution of the late 18th and 19th century. Then, too, technology and new forms of organization upended the way almost everyone in the industrializing world lived. (For more, see Auguste Comte, Karl Marx, and Emile Durkheim, unless you like poets, in which case you should just read the British Romantics.) Some made dire predictions, others said heaven was around the corner. There was lots of suffering and, well, lots of progress. What we did, Keen points out, is essentially tame the Industrial Revolution such that it served humanity rather than humanity serving it. He says we can do the same with the Digital Revolution, and he tells us how. Listen in.
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Popular culture provides many visions of the future. From The Jetsons to Futurama, Black Mirror to Minority Report, Western culture has predicted a future predicated on innovations in technology. In his new book for the MIT Essential Knowledge Series, The Future (MIT Press, 2017), Nick Montfort examines the writings of previous futurist writers, thinkers, and designers to provide an understanding of how the future can be constructed. In so doing, Montfort argues that the future is something we can shape instead of only predict.
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We take electricity for granted. But the material grids and wires that bring light to homes and connect places are also objects of moral concern, political freedoms and national advancement, suggests Leo Coleman in his new book A Moral Technology: Electrification as Political Ritual in New Delhi (Cornell University Press 2017). The book is structured around three historical and ethnographic case studies—the pomp and show at Viceroy Curzon’s 1903 Imperial Durbar that ultimately left no trace on Delhi’s physical landscape; Constituent Assembly debates on nationwide electrification legislation; and anti-privatization consumer activism pursued by New Delhi’s neighborhood associations in the mid 2000s. Coleman argues that technological infrastructures are never a purely technical matter and always already entangled in political, legal and moral processes. Electrification in each historical moment—colonial enclave, fledgling nation and global city—generates meaningful, moral reflection on what constitutes the public sphere, self-determination and collective wellbeing.
Leo Coleman is an associate professor of anthropology at Hunter College, City University of New York.
Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here.
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Tom Mullaney’s new book The Chinese Typewriter: A History (MIT Press, 2017) provides a fascinating first look at the development of modern Chinese information technology. Spanning 150 years from the origins of telegraphy in the early 1800s to the advent of computing in the 1950s – the book explores the at times fraught relationship between Chinese writing and global modernity. It covers some of the earliest and varied attempts to make the Chinese script fit for Western communication systems, taking the reader on a journey through Chinese telegraphy, Morse code, typewriters and early computing. In addition, Mullaney includes reference to the many failed attempts, ideas and approaches in the history of Chinese information technology through a series of lively and insightful stories and people. Perhaps most interestingly, Mullaney covers how various inbuilt linguistic inequalities in turn eventually led to the evolution of innovative strategies and technologies, including input method and predictive text.
Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin – Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via [email protected].
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It’s no secret that we continue to live in the midst of digital revolution that continues to unfold in a rapidly accelerating fashion. Digital connectivity and the Internet of Things make possible not only Smart Homes, but Smart Cities. As with all technological revolutions, the road ahead is equally dotted with possibilities and pitfalls. Liss C. Werner and her colleagues brought together a collection of thinkers and practitioners in the realms of architecture, design, and urban planning to wrestle with questions around ways we might utilize today’s digital design tools to enable more responsive, resilient, and ultimately, inclusive and democratic forms of urban design and governance without tipping the balance over to a technocratic project that might imprison us within its algorithmic logics. All of the contributors to this discussion share the hope that the insights of second-order cybernetics might provide valuable guidance as we attempt to find that particular “sweet-spot” of human/machine interaction. Their insights are gathered together in Cybernetics: State of the Art edited by our guest, Liss C. Werner, and available free online from the Technical University of Berlin. As editor, Werner has skillfully crafted a dialectic arc that allows the productive tensions between digital utopianism and skepticism enabling a provocative investigation of the revolution that is happening whether we like it or not, and might help us find the means to steer its emergence in ways that are most beneficial for all of us and our environment.
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Technology is a form of material culture and is a human activity. The way in which humans view technology is a social construction in which people use social processes of interpretation and negotiation. The mundane rituals that humans carry out when interacting with technology are loaded with emotional overtones. The interaction with technology in most cases become habit. The dependence and isolation that result from technology use is invisible and seems natural to membership groups that use it. Chelsea Schelly, the author of Dwelling in Resistance: Living with Alternative Technologies in America (Rutgers University Press, 2017) and my guest for this episode, studied technology and the way in which people of four alternative lifestyles live without such dependency on technology. In our interview, we discuss the way in which people at The Farm, Twin Oaks, Dancing Rabbits, and Earthship Biotecture lived their daily lives by sharing some technology and living without most of it.
Chelsea Schelly, Ph.D. is an Associate Professor of Sociology at Michigan Technological University in Houghton. Dr. Schelly is also the author of Crafting Collectivity: American Rainbow Gatherings and Alternative Forms of Community. She is currently developing a project to further research the economy of these four communities.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled Down Lovers Lane: A Brief History of Necking in Cars. You can learn more about Dr. Johnston’s work here.
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When discussing Internet history, many within the United States believe the creation myth of an Internet born in Silicon Valley. But aspects of the Internet that we use for shopping, financial transactions, and social interactions, among other things, have roots in technological advances from other countries. In particular, 15 years before most Americans were online, the French government backed a communications technology, the Minitel, that revolutionized social, political, and financial interactions. In Minitel: Welcome to the Internet (MIT Press, 2017), Julien Mailland and Kevin Driscoll discuss the creation and spread of the Minitel and the particular influence it had on France, and ultimately what we call the Internet. In so doing the authors offer lessons for current regulatory debates.
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How can Lacan help us to understand the subversive potential of video games? In The Playstation Dreamworld (Polity, 2017), Alfie Bown, Assistant Professor of Literature at HSMC, Hong Kong, explores this and many other questions of the modern condition. The book offers an accessible overview of key psychoanalytic theories to understand the video game, in particular the video game experience and its impact on the social world. The book uses a plethora of gaming examples, drawing out the ambivalences and potentials in even the most seemingly un-revolutionary games. These range from the transformation of space and urban experience in Pokemon Go, through the more corporate or reactionary experiences of Uncharted, through to the subversive elements of Papers Please. The book is essential reading for anyone interested in understanding how we live, through video games, now.
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Zek Valkyrie teaches at the University of Colorado in Colorado Springs. His new book, Game Worlds Get Real: How Who We Are Online Became Who We Are Offline (Praeger, 2017), takes readers into the world of electronic games and the complex social relationships that they create. With the mainstream reader in mind, it serves as a primer for anyone interested in the how and why of gaming, as well as a solid introduction to social science concepts generally. The book does not presume apologetics for video games—to be sure, the author takes a direct approach to discussing the myriad social problems inherent in the medium. Along with the many positives to collaborative and competitive online play, major topics include sexism, masculinity, various gamer stigmas, identity formation, and consumption, among others. In this conversation we touch of all of these, as well as the books origins, how the author was able to include student work in the final publication, and his award-winning teaching methods.
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Big Data: How the Information Revolution Is Transforming Our Lives (Icon Books, 2017), by Brian Clegg, is a relatively short book about a subject that has emerged only recently, but is rapidly becoming a significant force in the evolution of society. Most of us have heard the term “big data,” but many of us erroneously assume that its just a lot of little data. It’s considerably more than that, and Big Data, which is an easy and fun read, serves as a terrific introduction to a topic which has an ever-increasing impact on many aspects of our lives.
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Since its invention, the Internet has become a fundamental part of our lives. Since the invention of social media, communicative technologies have changed our lives and influenced journalism and politics in ways that were unimaginable just ten years ago. In her book, Micro-blogging Memories: Weibo and Collective Remembering in Contemporary China (Palgrave Macmillan, 2016), Eileen Le Han explores how the social media site Weibo has influenced Chinese culture and politics. By analysing the relationship between three key tensions: control-resistance, past-present, and global-local, Le Han provides a unique and in-depth account on how social media is used in an increasingly globalising China. By focusing on specific events and how they were reported on, and more significantly, how they are remembered, Le Han explores the contentious topics of state-sponsored censorship, increasing nationalism and the collectivisation of memory. The first five years of Weibo were a turning point in Chinese society, a time in which the anxieties and uncertainties over remembering, were confronted by journalists, media professionals, pundits and ordinary citizens. Five years on how is Weibo fairing? And what does the future hold for Chinese journalism?
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Simone Muller’s Wiring the World: The Social and Cultural Creation of Global Telegraph Networks (Columbia University Press, 2016) is a superb account of the laying of submarine telegraph cables in the nineteenth century and the battles over them in the subsequent decades. Her book shows how expanding telegraph networks were instrumental in processes of capitalism, nation-building, and globalization. To track these grand developments, however, Muller reconstructs the network of people who built, managed, and fought over telegraph networks. She calls this eclectic collection of financiers, engineers, entrepreneurs, and politicians “actors of globalization.”
Muller’s book is an historical kaleidoscope that shows the multi-faceted meaning of telegraphy. Her actors imbued telegraphy with hopes of world peace, of Weltcommunication (a predecessor of the global village idea), of a global electric union, and of bolstering the civilizing mission. Even if submarine telegraphy never achieved these aspirations, her book demonstrates just how culturally and socially significant this technology and these networks were to the pre-WWI world.
Her book should be of interest to historians of capitalism, technology, international relations, Europe and the United States, along with anyone curious about the longer duree of globalization. Simone Muller is a principal investigator at the Rachel Carson Center for Environment and Society at the Ludwig Maximilian University of Munich.
Dexter Fergie will be pursuing his PhD in US and Global history at Northwestern University in September 2017.
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What better way to explore the history of media regulation than to go on a journey with the former chief economist of the FCC? Prior to introduction of the Federal Radio Commission in 1927, the radio spectrum was in chaos. Broadcasters were attempting to drown out their rivals with powerful signals and the detrimental effect on the public interest was profound. Or was it?
In The Political Spectrum: The Tumultuous Liberation of Wireless Technology, from Herbert Hoover to the Smartphone (Yale University Press, 2017), distinguished legal and economic scholar Thomas Hazlett challenges the notion that U.S. government intervention was vital to protect and save the industry. Hazlett argues that, for nearly a century, disruptive technologies, competition and alternative viewpoints have been quashed, by special interest groups claiming to know better. Hazlett blends his discussion on legislation with the rise of new technologies in a way that in accessible to everyone, even if you have no prior knowledge of media policy and the current landscape. This entertaining and fascinating read argues that, if you really want to achieve what is best for the public, you need to open the market to more competition.
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What is the role of the deejay in shaping hip-hop? Did deejays shape the technology that is used to create the music or were they simply consumers of mixers, faders, and microphones? What is the relationship between deejays and the manufacturers that produced the technology that made hip-hop possible?
Andre Sirois explores these questions in his book, Hip-Hop DJs and the Evolution of Technology: Cultural Exchange, Innovation, and Democratization (which can be downloaded for free here). Sirois is both a scholar and a deejay, and his book brings academic discourse into dialogue with working deejays. Hip-Hop DJs and the Evolution of Technology (Peter Lang, 2016) draws on extensive interviews with the deejays that have shaped hip-hop and the technology manufacturers who made the products behind the deejays.
The podcast covers the history of deejays, examining the three legends that are considered the founders of hip-hop: DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash. He looks at how they transformed the role of the deejay through their digging in the crates, the development of deejaying techniques, and how they developed a collaborative ethos among deejays even as they sought to develop their own reputations. Then, Sirois explores other deejays, such as DJ Trix, DJ Craze, the Scratch Hamsters, and the Invisibl Skratch Piklz, who worked with manufacturers, including Vestax and Rane, to produce signature mixers and other equipment. (You can view Sirois’s collection of vintage mixers at djpedia). The podcast also examines the complicated ways that deejays and manufacturers worked together even though few deejays received significant economic benefit from these collaborations.
Dr. Andre Sirois, also known as DJ food stamp, is an instructor at the University of Oregon, where he teaches courses on filmmaking and popular culture in the media. He has over 17 years experience as a hip-hop, scratch, club, and radio DJ. His scratches have been featured on numerous artists songs, including the gold-selling single by Spose, “I’m Awesome.” He is one of the founders of DJistory/DJpedia, a non-profit organization and archive dedicated to preserving and telling histories of DJ technology and culture.
Richard Schur, Drury University professor of English and Director of the Honors Program, is the host for this podcast.
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For the aristocracy in Britain and Ireland, country house living was dependent upon the labors of men and women who performed innumerable chores involving cooking, cleaning, and the basic operation of the household. In the 18th century, however, the Industrial Revolution began to change this by introducing new devices and systems that simplified a wide range of duties. In Technology in the Country House (Historic England Publishing, 2016; distributed in the U.S. by University of Chicago Press) Marilyn Palmer and Ian West detail the extensive range of innovations adopted by country house owners from the late 18th to the early 20th centuries and their impact on the operations of their homes and estates. As West explains in this podcast, though many of these innovations were labor-saving devices, often they required not fewer servants, but ones trained in the new tasks of how to operate and maintain them. Their introduction was often undertaken by owners out of a personal interest in the innovations of the age, or who adopted them because of their fashionability–motives which, as West explains, provide useful examples of how technology is introduced into society generally both then and today.
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Sharrona Pearl‘s new book is an absolute pleasure to read. Face/On: Face Transplants and the Ethics of the Other (The University of Chicago Press, 2017) looks closely at facial allotransplantations (FAT), commonly known as face transplants, in order to offer a careful and fascinating study of the stakes for changing the face, and the changing stakes for the face. Troubling the indexical relationship between the face and character and reminding us that “[t]he self has always been a set of choices,” Pearl explores face transplantation as it relates to cosmetic surgery and whole-organ transplants, the cinema of the 1960s, television shows, and more. She carefully and sensitively takes us into the debates among surgeons, bioethicists, and journalists that circled the first partial face transplant of Isabelle Dinoire in 2005, and offers a way toward a philosophical approach that brings together Levinas with the kind of (Deleuzian) subjectivity that allows for individuality through constant change and understands the self to be constantly in a process of becoming. The final chapter of the book also situates the analysis within larger contexts of online subjectivities and work with facial and bodily manipulation by artists and performers. It’s sparklingly written and well worth a read!
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The title of James Poyner’s book, Trump Tweets: His Social Media Phenomenon (Wilkinson Publishing, 2017), tells you everything you need to know about the world you about to enter. In temperament, and style, Trump was unlike any presidential candidate who came before him. The media and the public were enthralled with his antics. However, what stood out for many was Trumps thoroughly unique communication style. This book gives an in-depth look at how Trump used Twitter to attack, criticise, publicise and expand the reach of brand Trump.
Poyner uses several key events to move the book forward and tell the story of how Trump used Twitter, from the start of his presidential campaign right up until Inauguration day. Exploring not only Trumps tweets but the publics reaction to them, Poyner is able to capture unique moments in history and examine how they impacted the race to the White House.
The term Twitter-storm was coined long before Trump threw his hat into the presidential race but no other figure, since the social media platforms inception, has been able to cause a storm quite like Trump. Poyner leads the reader down the rabbit hole and through a world of tweets, trolling, tantrums and ultimately victory.
Trump Tweets is available now in Australia and will be available in the U.S. on June 1.
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Policymakers and the public clamored for maps throughout the first half of the twentieth century. Indeed, maps were a necessity for war, navigation, and countless other activities. Yet by the 1960s and 1970s, interest in maps waned while electronic coordinate systems emerged. But this was not solely a shift in technology, as William Rankin writes in After the Map: Cartography, Navigation, and the Transformation of Territory in the Twentieth Century (University of Chicago Press, 2016). The shift from maps to coordinate systems, and then eventually to GPS produced novel geographical subjectivities, navigational experiences and geopolitical arrangements. It was a shift in the meaning of territory itself.
By day, William Rankin is an assistant professor of history at Yale; by night, he is an award-winning cartographer, whose work you can find here. Rankin has also set up a website to accompany the book, at which readers can see the books images, data, and bibliography.
Dexter Fergie will be pursuing his PhD in US and Global history at Northwestern University in September 2017.
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Sophia Roosth‘s wonderful new book follows researchers clustered around MIT beginning in 2003 who named themselves synthetic biologists. A historically informed anthropological analysis based on many years of ethnographic work, Synthetic: How Life Got Made (University of Chicago Press, 2017) offers a fascinating account of the changing relationship between making and understanding in the life sciences, and of the metamorphoses of life itself as an analytic object. The chapters of the book consider traditional ethnographic conventions as they manifest in the case of synthetic biology and reflect the forms of life being built by the synthetic biologists: religion, kinship, economy and property, labor, household, origin tales. Interludes between the chapters function as keyword entries, each probing earlier articulations of what it meant to be synthetic in different contexts, from the synthetic fabrics industry to Soviet synthetic dance to music, chemistry, and much more. It is a beautifully written and totally absorbing study.
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Nowadays, it might seem perplexing for the founder of a seed company to express the intention to “shock Mother Nature,” or at least in bad taste. Yet, this was precisely the goal of agricultural innovators like David Burpee, of the Burpee Seed Company, who sought to use radiation and chemical mutagens to accelerate the generation of new plant varieties, a process otherwise requiring painstaking, slow, and resource-intensive artificial selection. Helen Anne Curry‘s Evolution Made to Order: Plant Breeding and Technological Innovation in Twentieth-Century America (University of Chicago Press, 2016) is a fascinating history of biotechnology that documents the interplay between genetic research and agricultural production; genetic engineering avant la lettre, one is tempted to say, although botanist A. F. Blakeslee, who figures prominently in the narrative, made a failed attempt to promote the designation “genetics engineer” to describe his work. Through the lens of three different technologies–x-rays, the chemical colchicine, and atomic radiation–Curry shows how chromosomes and genetic mutations became sites of speculation for industrial agriculture and of experimentation for amateur plant breeders. She deftly restores the experimental station, the marketplace, and the garden to their proper place as sites of knowledge production, showing that landscape and lab were perhaps never so separable as our modern conceit might make them appear.
This is part one of a series of new work on twentieth-century biotechnology–look out for further interviews featuring some great new work published by the University of Chicago Press.
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While the title of Matt Pearl‘s book, The Solo Video Journalist: Doing it All and Doing It Well in TV Multimedia Journalism (Focal Press, 2016), hints at a solitary existence, he shares experiences of many journalists who have inspired his work and emphasizes the community built around multimedia journalism. He has worked in television news for more than a decade and shares what he’s learned in a clear and logical way while still telling a story. The book gives a hands-on approach that walks the reader through planning a segment, dressing the part, conducting interviews and editing the content. For quite a long period of time, those in news media were part of a stable industry that hadn’t seen much change. The past few decades have been the opposite of stable. The expectations of those in journalistic roles are more fluid today. The definition of a multimedia journalist is a moving target of sorts, and Pearl has experienced adapting to those shifts and changes in the field. The book not only provides useful insights for college students, but also for veteran journalists who wants to expand their career horizons.
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Joshua Cohen is a faculty member of Apple University, and is Distinguished Senior Fellow at the School of Law, the Department of Philosophy, and the Department of Political Science at Berkeley. He is the author of several influential academic articles, many of which are collected in Philosophy, Politics, Democracy(Harvard 2009), and The Arc of the Moral Universe and Other Essays (Harvard, 2011). Since 1991, Cohen has edited the Boston Review.
The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project.
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In The Happiness Effect: How Social Media is Driving a Generation to Appear Perfect at Any Cost (Oxford University Press, 2017), Donna Freitas investigates the darker side of social media use and explains how pressure to appear happy and successful online can actually make people less happy in the real world. Using the stories of college students she interviewed as a framework, Freitas builds a dynamic argument and offers concrete tools for how teachers, parents, and society as a whole can help young people take control of their smartphones and of their own happiness. Donna Freitas is a Nonresident Research Associate at the University of Notre Dames Center for the Study of Religion and Society, and when she is not traveling for research she teaches in the Honors Colleges at Hofstra University. She is the author of Sex and the Soul: Juggling Sexuality, Spirituality, Romance, and Religion on America’s College Campuses (Oxford University Press, 2008), as well as several novels for young adults. A regular contributor to Publisher’s Weekly, she has also written for The Wall Street Journal, The New York Times, and The Washington Post.
Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have included National Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’s Book Writers and Illustrators (SCBWI). She’s also a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18
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Amit Prasad is widely admired for using Postcolonial Studies to explore questions about science, technology and medicine. In Imperial Technoscience: Transnational Histories of MRI in the United States, Britain, and India (MIT, 2014), Prasad looks at the linked histories of MRI research and development in India, UK, the USA to show how the patterns of exclusions created by imperialism continue to shape the topography of high-tech medicine. Pushing back against diffusion of science narratives, Prasad shows how the current story of the West (read: USA) as the center of MRI research and development was far from inevitable. The story was retrospectively, collectively created and has had the effect of obscuring the importance of transnational networks, idiosyncratic federal laws, corporate investments, and everyday habits of imagination in the production of medical technology. Prasad himself resists simple dichotomies because, as he writes, “The issue here is not simply the elision of the history of science in the non-West or its entrapment in within Eurocentric temporarily, but the very categories that the history of science takes as its objects of inquiry (80).”
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Social Media rewards snap judgments and blind conviction. Michael Lynch finds this troubling. Michael P. Lynch is Professor of Philosophy and Director of the Humanities Institute a University of Connecticut. His research concerns truth, public discourse, and the impact of technology on democratic society.
The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project.
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The wish to transcend one’s mortality, and the anxiety associated with being unable to do so, are universal human experiences. People deal with these in their idiosyncratic ways, often by transgressing rules and boundaries that serve as the parameters of civilized human coexistence. Technological advances expand our capacities for transcending our limitations, especially when they allow us to objectify other humans and humanize our objects. Such forms of perversion are the subject of Danielle Knafo and Rocco Lo Bosco’s new book, The Age of Perversion: Desire and Technology in Psychoanalysis and Culture (Routledge, 2016). In my interview with Knafo, we explore her redefinition of perversion and her view on its current and future manifestations and what it implies for the survival of humanity.
Danielle Knafo is a professor in the clinical psychology doctoral program at Long Island University and faculty member and supervisor in New York University’s postdoctoral program in psychotherapy and psychoanalysis. She has lectured internationally and published extensively, including her prior book, Dancing with the Unconscious, published in 2012 also by Routledge.
Listen to the interview by clicking below. To subscribe to the New Books in Psychology podcast, click here.
Eugenio Duarte is a licensed psychologist and psychoanalyst practicing in New York City. He treats individuals and couples, with specialties in LGBTQ issues, eating and body image problems, and relationship problems. Follow him on Twitter and Instagram.
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How do we do sociology in the digital era? In Digital Sociologies (Policy Press, 2016) Jessie Daniels, Professor of Sociology at Hunter College and The Graduate Center, CUNY, Karen Gregory a Lecturer in Digital Sociology at the University of Edinburgh, and Tressie McMillan Cottom, assistant professor of sociology at Virginia Commonwealth University, have brought together a wealth of scholarship to explore the challenge of digital. The book engages with a range of theoretical questions, including challenging the digital/traditional sociology binary, the role of institutions, digital’s impact on eduction, the racialized practices of Twitch, the meaning of motherhood, the quantified self, the question of the body, and the digital sociological imagination. The eclectic range of scholars, offering perspectives from across the academic life course and deploying examples from across the world, create an important intervention into our understanding of this emerging, and perhaps as a result of this book, established, field of study. Ultimately the book is a call for a new community of scholars to engage with this most important element of contemporary life.
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Matthew L. Jones’s wonderful new book traces a history of failed efforts to make calculating machines, from Blaise Pascal’s work in the 1640s through the efforts of Charles Babbage in the nineteenth century, incorporating an account of both the work and relationships of scholars and artisans, and their reflections on the nature of invention. Innovative in its approach and its form, Reckoning with Matter: Calculating Machines, Innovation, and Thinking about Thinking from Pascal to Babbage (University of Chicago Press, 2016) offers a thoughtful and beautifully-written history of technology that offers an important perspective on a division between two poles of writing the history of technology: “the collective, deterministic account of inventive activity and the individualistic, heroic, creative account (7).” In Jones’s hands, we are offered a third way of understanding cultural production in early modernity, one that did not bifurcate between imitation and originality, social and individual making, or design and production. Central to the story is the history of efforts to mechanize the process of carrying ones in addition, and this fascinating problem persists as a thread through many of the projects discussed in the book. On the pages of Reckoning with Matter, readers will not only enjoy a compelling account of machine calculation through the nineteenth century, but will also find the story of a frog that tears out the eyes of a fish, a man who designed machines for making breakfast, and discussions of the significance of credit and intellectual property, modern programming, sketching, imitation, and debates over the nature of thinking. Highly recommended!
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For the start of 2017, Dave Karpf is back on the podcast with his new book, Analytic Activism: Digital Listening and the New Political Strategy (Oxford University Press, 2016). Karpf is associate professor of media and public affairs at The George Washington University and author of The MoveOn Effect also published by Oxford. Much of the attention paid to digital politics is about speech. What did Donald Trump say on Twitter today? And who responded? Karpf’s book suggest that that attention has overlooked the other side of digital politics: listening. In Analytic Activism, Karpf focuses on how organizations use the digital footprints we all leave online to inform strategy. A/B testing and digital petitions allow political groups to hear what constituents care about and then later to use that information to mobilize and drive action.
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In his new book The Age of Sharing (Polity Press, 2016), the sociologist and media scholar Nicholas A. John documents the history and current meanings of the word sharing, which he argues, is a central keyword of contemporary media discourse. John interrogates the rhetorical work that sharing does as a practice, a form of communication and a business model. He argues that in the last decade, sharing has come to dominate the way we think about our online activities, and indeed, the way we live. He demonstrates, how the therapeutic culture that defined the twentieth century, now shapes how we perceive and discuss our personal and economic interactions both online and offline. Moreover, it was the therapeutic discourse that informed and energized the shift from sharing as a distributive practice of material objects to the ethos of sharing as caring. John combines a close analysis of social media sites such as Facebook and businesses such Airbnb with a linguistic analysis of the genealogy of the concept of sharing, the unknown history of Alcoholics Anonymous, and the subculture of hackers to explain the ascent of sharing as a daily practice and coveted social currency. Nicholas A. John is Assistant Professor in the Department of Communication and Journalism at the Hebrew University of Jerusalem.
Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at [email protected].
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In this episode, I speak with Heather Dowd, the author of Classroom Management in the Digital Age: Effective Practices for Technology-Rich Learning Spaces (EdTechTeam, 2016). Her book offers a series of structures for teachers beginning to use technology in their classrooms, including procedures, expectations, strategies, and methods for parent communication. We discuss what classroom management looks like in different school contexts as well as the impact of technology on organization, engagement, and community.
She recommends the following books for listeners interested in her work and our conversation:
Kagan Cooperative Learning by Spencer Kagan
Brain Rules: 12 Principles for Surviving and Thriving at Work, Home, and School by John Medina
The HyperDoc Handbook: Digital Lesson Design Using Google Apps by Lisa Highfill, Kelly Hilton, and Sarah Landis
Dowd joins New Books in Education for the interview. To share your thoughts on the podcast, you can connect with her on Twitter at @heza.
Trevor Mattea is an educational consultant and speaker. His areas of expertise include deeper learning, parent involvement, project-based learning, and technology integration. He can be reached by email at [email protected] or on Twitter at @tsmattea.
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Carroll Pursell‘s From Playgrounds to PlayStation: The Interaction of Technology and Play (Johns Hopkins University Press, 2015) explores how play reflects and drives the evolution of American culture. Pursell engagingly examines the ways in which technology affects play and play shapes people. The objects that children (and adults) play with and play on, along with their games and the hobbies they pursue, can reinforce but also challenge gender roles and cultural norms. Inventors who often talk about “playing” at their work, as if motivated by the pure fun of invention have used new materials and technologies to reshape sports and gameplay, sometimes even crafting new, extreme forms of recreation, but always responding to popular demand. Drawing from a range of sources, including scholarly monographs, patent records, newspapers, and popular and technical journals, the book covers numerous modes and sites of play.
Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have included National Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’s Book Writers and Illustrators (SCBWI). She’s also a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18
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With messages limited to 140 characters, Twitter once drew skepticism, even scorn, from journalists who saw little role for the social-media platform in their work. But as Alecia Swasy demonstrates in her new book, How Journalists Use Twitter: The Changing Landscape of U.S. Newsrooms (Lexington Books, 2016), many reporters now embrace Twitter as a means of cultivating sources, promoting stories and building their own “brands”as information providers. Swasy, a veteran business reporter who now teaches at Washington and Lee University, studied Twitter use at four metropolitan newspapers. She discovered that the humble “tweet”has become an integral component of a 24/7 news cycle in which reporters and readers engage in an ongoing conversation.
James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications
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In The Red Rockets’ Glare: Spaceflight and the Soviet Imagination, 1857-1957 (Cambridge University Press, 2013), Asif Siddiqi approaches the history of the Soviet space program as a combination of engineering and imagination, both necessary to achieve the launch of the Sputnik satellite in 1957. Beginning in the late 19th century, Siddiqi demonstrates that a popular fascination with space travel and amateurs engaged popular science were the driving forces behind the development of technologies that led to the Soviet space program. From the writings of Konstatin Tsiolkovsky to space exhibitions in the 1920s to Sergei Korolev’s pioneering work, Siddiqi challenges established Soviet narratives of the space program’s history.
Asif Siddiqi is Professor of History at Fordham University. The Red Rockets Glare was first published in 2010 and came out in paperback in 2013.
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It feels like schools are in the midst of unprecedented change — sometimes more in different places and sometimes more in different ways. Many people are thinking about education differently than they did a few years ago. Others still are learning and assessing in new ways, using different tools, and collaborating with different partners. But in what ways are schools changing the most? What happens when multiple changes occur simultaneously? How can people who have different relationships to schools prepare themselves and support change? In Education Nation: Six Leading Edges of Innovation in Our Schools (Jossey-Bass, 2012), Milton Chen draws upon his years of experience using television and the Internet to share educational material in order to explain what schools look like when separate school innovations begin to converge.
Chen joins New Books in Education for the interview. To share your thoughts on the podcast, you can connect with him on Twitter at @miltonchen2.
Trevor Mattea is an educational consultant and speaker. His areas of expertise include deeper learning, parent involvement, project-based learning, and technology integration. He can be reached by email at [email protected] or on Twitter at @tsmattea.
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Our modern networked world owes an oftentimes unacknowledged debt to Guglielmo Marconi. As Marc Raboy demonstrates in Marconi: The Man Who Networked the World (Oxford University Press, 2016), it was he who pioneered the concept of wireless global communications. As a teenager he was fascinated by the recent discovery of radio waves, and by the time he was in his early twenties he had developed an apparatus that used these waves to transmit and receive messages. Traveling to London, he demonstrated a gift for publicity as he established himself as a technological pioneer in an age of rapidly emerging wonders. Thanks to his unassailable patents, Marconi soon created a global communications empire, one that made his name synonymous with radio and was so dominant that it brought the nations of the world together in an unprecedented international agreement to regulate the field of wireless telegraphy. Raboy recounts Marconi’s roving life as a celebrated figure, the development of his multinational business concerns, and his later relationship with the Fascist regime of Benito Mussolini and the shadow it cast over his posthumous reputation.
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“Any sufficiently advanced technology is indistinguishable from magic.”
Clarke’s third law, coined in 1973, expresses the difficulty that people of any era have in reconciling the bounds of current knowledge with our experiences in a world full of marvels. In a fascinating investigation of role of automata in the culture of the medieval Latin west, E.R. Truitt’s Medieval Robots: Mechanism, Magic, Nature, and Art (University of Pennsylvania Press, 2015) traces the story of automata from their early appearance in the Latin west as gifts of foreign courts, to the literary manifestations of these objects, to the eventual creation of elaborate mechanical automata in the middle of the thirteenth century. Along the way, this history examines the nature of marvels, the constitution of natural knowledge, the text-based transformation of Latin intellectual culture, definitions of life and death, the spectacle of court, and the mechanics of the universe (8, 9). The cast of characters, both fictional and factual, embraces writers, travelers, and natural philosophers ranging from Liudprand of Cremona (c. 920 972), Pope Sylvester II (c. 946 1003) and Fr. William of Rubruck (c. 1220 1293), to Sir John Mandeville, witness of marvels mechanical and divine, and a Charlemagne whose stay in Constantinople brings him face to face with a pagan rulers powers of astral science that test the potentials of Charlemagne’s piety.
Our conversation about Truitt’s comprehensively researched and highly readable book ranges over C-3PO’s medieval forebears in the alabaster chamber, the religious rehabilitation of disembodied talking heads, the role of clocks and clockwork in the discourse shift from natural philosophy to mechanical engineering, and the political significance of lewd mechanical monkeys covered in rotting badger pelts.
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New technology has made us more connected than ever before. This has its advantages: instantaneous communication, expanded circles of influence, access to more information. And, of course, our connectedness has concomitant drawbacks including issues with privacy and safety. In Superconnected: The Internet, Digital Media, and Techno-Social Life (Sage, 2016), Mary Chayko, a professor at the Rutgers University School of Communication and Information, examines the influence technology is having on society and the ways that members of society are shaping the uses of new technology. Using scholarship from communications, information studies, sociology and other fields, Chayko weaves together an interdisciplinary analysis of what our myriad connections mean for the present and for the future.
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One of the most commonly used words right now in education is “innovation.” It seems to be part of any response to our collective anxiety over the fact that the way we educate children does not seem to have changed as quickly as the ways we access information, communicate with each other, or travel from place to place. Of course, before innovation was an education buzzword, it was a buzzword in Silicon Valley. It is easy to list examples of companies that are innovative — Google, Apple, Uber, etc. — but it is much harder to define. This leaves us to wonder, is innovation in schools just integrating more apps and touchscreens? If not, what is it? And if we want innovation in schools, how do we get there? In The Innovator’s Mindset: Empower Learning, Unleash Talent, and Lead a Culture of Creativity (Dave Burgess Consulting, 2015), George Couros, provides a framework evaluating whether school practices are truly innovative as well as a guide for leaders interested in fostering changes in their schools that are both original and positive.
Couros joins New Books in Education for the interview. To share your thoughts on the podcast, you can connect with him on Twitter at @gcouros.
Trevor Mattea is an educational consultant and speaker. His areas of expertise include deeper learning, parent involvement, project-based learning, and technology integration. He can be reached by email at [email protected] or on Twitter at @tsmattea.
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Television had been transformed by the rise of the format. In The Format Age: Television’s Entertainment Revolution Jean Chalaby, Professor of International Communication at City University London, charts the beginnings of the format for TV shows, through the globalization of the trade in TV formats, to conclude with reflections on the future of local and global TV markets. The book uses an eclectic set of theoretical frames, including Global Value Chains, World Systems Theory and work of the Annales School, to chart the political economy of the TV format. Using a wide range of examples, detailed case studies of local markets and local production systems (including the UK), the book shows how the format is now crucial to the modern television industry encompassing everything from the game show to the long form drama. The book will be of interest to all media and communications scholars, as well as anyone keen to know why we have the sorts of television programmes we have on our screens.
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Daniel Kreiss is back on the podcast with his new book Prototype Politics: Technology-Intensive Campaigning and the Data of Democracy (Oxford University Press, 2016). Kreiss is associate professor in the School of Media and Journalism at the University of North Carolina at Chapel Hill and an affiliated fellow of the Information Society Project at Yale Law School.
Why did it take more than 20 people to write a tweet for the Romney campaign? Why did dozens of new companies emerge from recent Democratic campaigns? Prototype Politics argues that each party has adopted digital technologies in some very different ways and that these differences have had major consequences. Democrats and Republicans have had varied approaches to investing in technology and in technology expertise. Once the technology leaders, Republicans have lagged behind Democrats in recent cycles, investing smaller amounts of money overall and placing much less organization emphasis on digital strategy. It remains to be seen how these differences will shape the 2016 election, but Prototype Politics offers a fascinating account of the changing role of technology has moved to the center of campaign politics.
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This is a book about the future – the historical future as three interconnected generations of atmospheric researchers experienced it and envisioned it in the first part of the twentieth century.
James Rodger Fleming’s new book is a big picture history of atmospheric science that follows the lives and careers of three men who worked at the center of meteorological research in roughly the first half of the 20th century: Vilhelm Bjerknes, Carl-Gustav Rossby, and Harry Wexler. Though it takes these three figures as orienting tools, Inventing Atmospheric Science: Bjerknes, Rossby, Wexler, and the Foundations of Modern Meteorology (MIT Press, 2016) this is not a biography of three lone geniuses: Fleming is careful to show that the emergence of atmospheric science was a team effort and the result of work by many people in different disciplines and areas. Fleming’s use of archival materials allows readers to appreciate the significance and roles of otherwise-overlooked or ignored historical figures, including Anne Louise Beck (who we discuss in the course of the podcast). Inventing Atmospheric Science weaves together the histories of technology, mathematics, hydrodynamics, the aerospace industry, global pollution, climatology, chaos theory, the US Weather Bureau, and much more into a clear and engaging story thats also a pleasure to read.
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Something we might think of as the Soviet internet once existed, according to Benjamin Peters‘ new book, and its failure was neither natural nor inevitable. How Not to Network a Nation: The Uneasy History of the Soviet Internet (MIT Press, 2016) traces the history of early efforts to network the Soviet state, from the global spread of cybernetics in the middle of the 20th century (paying careful attention to the different ways that cybernetic thought was articulated in different international settings) to the undoing of the All-State Automated System (OGAS) between 1970-1989. The book argues that the primary reason that the Soviets struggled to network their nation rests on the institutional conditions supporting the scientific knowledge base and the command economy. In developing this argument, Peters guides readers through a story about economic cybernetics, the relationships between military and civilian sectors of Soviet society, computer networks as metaphors for brains or bodies, saxophone-playing robots, fake passports to fake countries, computer chess, and much more. The conclusion of the book also considers some of the implications of the Soviet experience for rethinking our current networked world.
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I like to think
(it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving grace.
– Richard Brautigan, 1967
By the time Richard Brautigan distributed his fifth collection of poetry, All Watched Over by Machines of Loving Grace, on the streets of San Francisco, his reference to “a cybernetic ecology” was not an obscurantist metaphor so much as a direct nod to a pervasive and generative intellectual discourse. In The Cybernetics Moment, Or Why We Call Our Age the Information Age (Johns Hopkins UP, 2015), historian of technology Ron Kline traces the emergence of this protean discourse, along with the shifting demarcations occurring within and around it as cybernetics worked its way between technology and theorization of the social world. In doing so, he provides perhaps the most comprehensive and incisive history to date of American cybernetics and information theory.
While cybernetics began as a distinctly postwar science of communication and control, Kline shows how it was linked to but split off from discussions of the physical definition of information. Cyberneticians’ emphasis on circular causality was a major influence on mid-century social science, and cybernetic theory was a common frame through which electronic computers were discussed in the media. As the subtitle suggests, Kline also grapples with the coherence of the term ‘information age,’ whose advocates departed from cybernetics yet, as he argues, remained under its shadow. Through historicizing cybernetics as a ‘moment,’ Kline characterizes the activities of its larger-than-life adherents with a sociologist’s eye, while unearthing both the material and conceptual artifacts left in its wake.
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Greg Jenner’s A Million Years in a Day: A Curious History of Everyday Life from Stone Age to Phone Age (St. Martins Press, 2016), explores the history of the modern material world through the lens of a typical Saturday in the twenty first century. Jenner gives his readers a fascinating look at our daily routines from the medical origins of corn flakes to the ecclesiastical origins of the newspaper. Beginning with the ring of an alarm clock, Jenner explores historical conceptions of time with many humorous and illuminating facts from sources as diverse as French Revolution to the Harappan Civilization of the Bronze Age. Ambitious in its scope and always dedicated to giving his readers a good laugh, Jenner takes a lighthearted look at the improbable people, fortuitous accidents, and unusual places that helped create our modern material world. Jenner’s book closes the historical distance between the lives of earlier epochs. Jenner shows the familiar struggles of domestic life are not unique to our own time, but rather shared throughout human history. Whether the Neolithic, medieval, or otherwise, Jenner shows how our ancestors responded to the shared problems of the everyday from setting an alarm clock to cooking breakfast. Jenner also points out that many successful inventions were lost and then rediscovered (such as sewage systems and the Roman bath), questioning popular notions of the linear path of technological development.
James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at [email protected] and on Twitter @james_esposito_
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How can academics respond to the rise of social media? Or should they respond at all? In Social Media for Academics (Sage, 2016), Mark Carrigan, from the Centre for Social Ontology, offers an informed and reflective take on social media, with some practical guidelines for academics. The book introduces key concepts, such as digital scholarship, social media and ‘the public’, alongside discussions of specific platforms including twitter (Mark himself tweets @mark_carrigan). The book is not only a guide for academics who are interested in social media, as it considers the impact of new media forms on scholarship itself, with considerations of academic identities, academic networks and relationships, as well as the benefits and risks of embracing social media.The book is essential reading for any academic seeking an informed understanding of both the ‘how to’ and, perhaps more importantly, the ‘why’ and ‘what’ of social media for academics.
Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets@Drdaveobrien
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What is enjoyment and what can contemporary critical theory tell us about it? In Enjoying It: Candy Crush and Capitalism (Zero Books, 2015), Alfie Bown, a lecturer at Hang Seng Management College and co-editor of Everyday Analysis and the Hong Kong Review of Books, talks through the political potential of new forms of enjoyment. Using Candy Crush Saga, Football Manager, Gangnam Style, Game of Thrones, and the act of reading critical theory itself, the book argues we need to take enjoyment seriously. Enjoyment is understood in relation to work and capitalism, unpacking ideas of productive and unproductive enjoyment and how they might serve or subvert power and control in modern life. The book will be of interest to scholars across philosophy, literary studies, and the social sciences, alongside anyone with a smart phone, tablet or love of the television box set!
Dave OBrien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets@Drdaveobrien
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Teenagers live in their phones. As an educator you can try to pull them away or meet them where they are. The 160-Character Solution: How Text Messaging and Other Behavioral Strategies Can Improve Education (Johns Hopkins University Press, 2015) urges educators to meet teens on their must-have device.
Author Benjamin Castleman of the University of Virginia shows how text messaging combined with insights from behavioral science―more specifically the fields of behavioral economics and social psychology―can be leveraged to help students complete assignments, perform to their full potential on tests, and choose schools and colleges where they are well positioned for success.
In his own research, Castleman has studied how to use personalized text messages to reduce “summer melt,” in which up to 40 percent of high school graduates who have been accepted to college, mostly from underserved communities, fail to show up for the fall semester.
Behavioral strategies extend beyond texting and even beyond smartphone technology. By focusing on behavioral changes, Castleman demonstrates that small tweaks in how we ask questions, design applications, and tailor reminders can lead to better decision making and have remarkable impacts on student and school success. The 160-Character Solution makes a broader case for employing these behavioral strategies to improve educational outcomes from preschool all the way to college.
John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow on Twitter @Nudgeblog and contact him at [email protected].
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Symbols have meanings that change depending upon the cultural context. But how do we discuss symbols, their meanings, and their cultural contexts without an adequate vocabulary? Phillip Penix-Tadsen, assistant professor of Spanish at the University of Delaware and author of the new book Cultural Code: Video Games and Latin America (MIT Press, 2016), offers insight in to how culture is signified in video games, with a particular emphasis on Latin America. In Cultural Code, Penix-Tadsen examines how Latin America is represented in some of the most popular of games, as well as how Latin American developers, themselves, represent their various countries. In so doing, Penix-Tadsen investigates the emergence of video games as cultural currency, and advances a vocabulary for describing how culture is integrated in to all aspects of gaming.
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With the growth of social media like Facebook, Twitter, Instagram, and Snapchat, we are increasingly heading toward a radically open society. In Sharing our Lives Online: Risks and Exposure in Social Media (Palgrave Macmillan, 2014), author David R. Brake explores some of the social and individual harms that can arise from unwary social media use. Brake draws upon in-depth interviews with bloggers as well as scholarly research to explore why users may inadvertently reveal more online than they suppose. He explains in detail the social, technological, and commercial influences and pressures that keep us posting what we often shouldn’t and that prevent us from fully appreciating the risks when we do so.
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What is the “stuff” that fuels the information society in which we live? In his new book, Metadata (MIT 2015), information scientist Jeffrey Pomerantz asserts that metadata powers our digital society. After defining metadata-data that has the potential to provide information about an object-Pomerantz considers the various kind of metadata. This raw material provides descriptions about individuals and most every other thing in the world. This data allows people, places, and things to be found. According to Pomerantz, metadata has become infrastructural as it plays such a pivotal role about in all of the things we do, yet, it is invisible. This invisible foundational material is created and collected all the time, and has vast implications for governments, corporations, and individuals.
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Finn Brunton‘s Spam: A Shadow History of the Internet (MIT Press, 2013) is a cultural history of those communications that seek to capture our attention for the purposes of exploiting it. From pranks on early computer networks in the 1970s to commercial nuisances in the 1990s to the global criminal infrastructure of today driven by botnets and algorithms, spam’s history surfaces and shifts with the Internet itself.
Spam is a lively book packed with tales of the people responsible for sharing and stopping spam’s myriad of forms in email, web sites and social networks. This includes everyone from programmers and security professionals, marketers and lawyers, and con artists and thieves to name a few. Each person has personal experiences with spam and opinions about when they’re being spammed, but Brunton, a professor at New York University, reminds us about the critical role that communities, organizations, and governments have played in regulating spam. Ultimately, the governance agreed to by these groups defines spam in the contemporaneous moment, but more importantly, shapes spam’s future forms. As long as open communication platforms exist, so will spam. It is more useful to treat spam as signal about the quality of our digital interactions. The more our attention is captured and exploited the worse our digital communities are functioning. Like the mysterious meat in a can (and with full appreciation for all the spam lovers out there), a digital diet heavy on spam isn’t just unappetizing, it’s unhealthy.
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Paul R. Josephson‘s new book explores everyday technologies – fish sticks, sports bras, sugar, bananas, aluminum cans, potatoes, fructose, and more – as technological systems that embody vast social, political, cultural histories within relatively small packages. Fish Sticks, Sports Bras, and Aluminum Cans: The Politics of Everyday Technologies (Johns Hopkins University Press, 2015) traces some major themes through a series of fascinating and engagingly written case studies. As readers explore the chapters, we learn that fish sticks (the “ocean’s hot dog”) were created less as a result of consumer demand, and more as a result of over-production thanks to new technologies related to fishing, refrigeration, materials science, the postwar kitchen, and more. We learn about the invention of the sports bra as a story of “reverse gender engineering” that involved the transformation of jock straps. We learn of the colonial and postcolonial histories – of slavery, exploitation, technological innovation – staring back at us every time we look at a banana or an aluminum can. We learn to see French fries and high fructose corn syrup as “self-augmenting technologies.” We learn that there’s nothing strictly “natural” about natural disasters. And we are offered a glimpse into the use of large-scale technologies as symbols of state power in Russia. The book concludes with two more stories – of books and bicycles – that leave us with important lessons to take away from the book after we put it down. Enjoy!
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When we consider the television, we think not only about how it’s used, but also it’s impact on culture. The television, tv, telly, or tube, became popular in the West in the late 1940s and early 1950s and was seen as a form of entertainment and enjoyment for the family. Other “technology” that assists with leisure include things like rubber-soled shoes, books, and other digital devices. In their new book, Enjoying Machines (MIT 2015), Barry Brown and Oskar Juhlin, both scholars in the Stockholm University Mobile Life VINN Excellence Center, the success of a particular technology can be measured by how well it creates pleasure.
The authors argue that pleasure “is fundamentally social in nature,” and that to understand how technology supports leisure it is important to “produce a more sophisticated definition” of enjoyment. To do this Brown and Juhlin embark on an ethnographic investigation of technology and enjoyment that combines the sociological study of activity and the study of human-machine interaction. Over the course of their examination, the authors are careful to consider both the positives – enjoyment – and negatives – addiction- in relation to devices. Ultimately, Enjoying Machines offers a model of enjoyment useful for better understanding how to design useful machines.
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The genre of “platform studies” offers both researchers and readers more than an examination of the technical machinations of a computing system. Instead, the family of methodologies presents a humanist exploration of digital media from the perspective of the platform itself. That is, this approach contemplates the social, economic and cultural influence and significance of the technology. Although more formally identified by Ian Bogost and Nick Montfort in 2007 at the Digital Arts and Cultures Conference, the decades old platform studies discipline affords an understanding of the material manifestations of culture and creative work produced by computing systems.
In his new book, I Am Error: The Nintendo Family Computer Entertainment System Platform (MIT Press, 2015), Nathan Altice, a digital media creator and scholar, studies the NES system and the Family Computer, it’s precursor. More than considering the NES as a single entity, the author investigates the platform as a “network of objects and texts,” that go beyond a “stable configuration of hardware and software.” In this way, Altice dives deep to unearth the code and design decisions that shape the creative affordances of the NES, how users choose to play using the platform, and how the system was received outside of Japan.
The NES’s cultural reception is foundational for grasping a key theme throughout the book, that of “translation.” For Altice, translation produces errors – “new meanings, new expressions, new bodies, and new objects.” That is, the flaws in hardware and software, including the translation of language from Japanese to English, are not necessarily negative objects to be overcome. Instead, these bugs in the machine add to the performance of the games and the platform, and have very real social, economic, and cultural consequences.
I Am Error is one book in the Platform Studies series from MIT Press.
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Megan Prelinger‘s beautiful new book brings together the histories of technology and visuality to ask the question, “What cultural history of electronics can be extrapolated from a close look at the associated graphic art?” Inside the Machine: Art and Invention in the Electronic Age (W. W. Norton, 2015) treats the commercial and advertising art of the mid-twentieth century as an archive to explore the social and cultural engagement with electronics technologies during a particularly vibrant moment for the American graphic commercial arts. Incorporating text and image as sources to be read, Prelinger’s book moves from the beginnings of FM technology and vacuum tubes, to televisions and quartz crystals, to transistors and circuit boards, to digital computing and into space. Of special interest is the attention Prelinger pays to to the importance of graphic designers and staff artists at major labs and research centers. The book models an innovative and inspiring way to read graphic images as historical documents, and the story is a pleasure to read for specialists and non-experts alike.
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John Durham Peters‘ wonderful new book is a brilliant and beautifully-written consideration of natural environments as subjects for media studies. Accessible and informative for a broad readership. The Marvelous Clouds: Toward a Philosophy of Elemental Media (University of Chicago Press, 2015) is structured as a series of meditations on and explorations of water, fire, air, earth, and ether media. After a chapter that sets out some of the foundational ideas shaping the book and charts an intellectual landscape for rethinking media, each of the following chapters offers a carefully curated series of studies of particulars – dolphin jaws, candles, towers, watches, clouds, feet, bells, weathermen, Google, and more – as a means of examining the significance of infrastructure, forgetting, technicity, and other modes of understanding media. Peters asks us to come with a fresh perspective to notions that we otherwise take for granted, and the result is a thoughtful and inspiring account that brings together media studies, theology, philosophy, and the natural sciences in thoroughly compelling ways. Among other things, the book is a call for a “greener media studies” that “appreciates our long natural history of shaping and being shaped by our habitats as a process of mediation.” What if, Peters asks, we took nature instead of the mind as the “epitome of meaning”? What are the stakes of doing so? The result is among the most exciting and enjoyable books that I’ve read in some time.
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By now it is incontrovertible that new technology has had an effect on how regular people get information. Whether in the form of an online newspaper or a Google search, new technology has allowed individuals to access masses of information faster than ever before. What, then, has been the effect of digital tools on research practices? In their new book Knowledge Machines: Digital Transformations of the Sciences and Humanities (MIT Press, 2015), Eric T. Meyer, Associate Professor and Senior Research Fellow at the Oxford Internet Institute, and Ralph Schroeder, Professor at the Oxford Internet Institute, explore how digital tools have transformed research. To do this, Meyer and Schroeder use case studies to examine how new technology has, and continues to, change research in various fields, and what this means for the future of e-research.
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At New Books in Psychoanalysis, interviews are conducted using Skype. As the program is audio rather than video based, it never occurred to me to use the camera on my computer to see on the screen the person I was speaking to. Rather, I kept my ear turned acutely towards the authors, hanging on their every word while privately perusing my list of questions. I have joked with many interviewees that for all I know they are in their pajamas or naked. Truth be told, I have had no interest in seeing the authors during the interview. There was and is something about having the experience that the listener has on hearing, rather than seeing, the interview that may play a role in creating a certain kind of intensity and intimacy. So it was not lost on me that for this particular interview with Gillian Isaacs Russell about a book that looks straightforwardly at the impact of technology on the therapeutic relationship, that we would not be making eye contact. Though we could, I requested that we not do so. And anyway, of course, if you have used it, eye contact is actually impossible on Skype. We can see each other but we cannot lock orbs.
Our interview, as you will hear, is full of the same kinds of problems that one might have when working with a patient over the ether. At one point there is a bizarre reverb and everything Isaacs Russell says comes out in triplicate. We did not lose the connection though this has happened to me on several occasions while playing my interlocutory part. And of course we both had our anxieties about the capacity of the technology to connect us and to keep us connected but do bear in mind that we are not analyst and patient. Our relationship is layered with much less meaning or significance than that of the analytic couple. If the technology disconnected us, we would not wonder if it was something that one of us said. No one would have hurt feelings. We could keep it impersonal.
In Screen Relations: The Limits of Computer-Mediated Psychoanalysis and Psychotherapy (Karnac, 2015), Isaacs Russell asks a key question of psychoanalysts: what might be lost in working this way? The interview explores reasons why analysts have jumped in to use Skype and explores what the implications might be of the loss of two bodies in a room together. Her thinking is clear and the ideas she pits forth I found haunting. The age old question of what makes a treatment psychoanalysis came to mind when reading this book as I wondered if you can’t smell the patient, if there is not the risk of touch that is not acted upon, if there is not the walk out the door when the session is over, is essential grist for the mill irreparably lost?
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What do we know about the individuals who make comments on online news stories, blogs, videos and other media? What kind of people take the time to post all manner of information and context to material created by others? Joseph M. Reagle, assistant professor of communication studies at Northeastern University and a faculty associate at Harvard University’s Berkman Center for Internet and Society, examines these online pontificators and provocateurs in his new book Reading the Comments: Likers, Haters and Manipulators at the Bottom of the Web (MIT Press, 2015). Reagle categorizes the different kinds of comments, thereby organizing the different kinds of commenters into groups. In addition, Reagle considers both the function and value of comments in society. Just listen.
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Jessica Baldwin-Philippi is the author of Using Technology, Building Democracy: Digital Campaigning and the Construction of Citizenship (Oxford University Press, 2015). She is an assistant professor of new media at Fordham University. Baldwin-Philippi’s book fits into a larger Oxford series on Digital Politics which has been featured on the podcast in the past. She uses an ethnographic approach focused on understanding how political campaigns in 2010 had incorporated various technologies. She also collects original data on specific digital strategies, especially social media. But the book is not just about technology; Baldwin-Philippi tries to understand how campaigns shape citizenship and democracy through the tools they use.
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Tom Jackson‘s Chilled: How Refrigeration Changed the World and Might Do So Again (Bloomsbury, 2015) is a completely engrossing look into the history and technology of refrigeration. This book reads like an expanded chapter of James Burke’s classic book Connections.Refrigeration is not only one of the most important foundation stones of our technological society, it’s also one that we take for granted. It’s hard to say which is more interesting; the realization that people were aware of a cooling method almost two millennia before the birth of Christ, the history of refrigeration from the Middle Ages to the present, or the possibilities for refrigeration technology in the world of the future. Chilledis a fascinating look into one of the most amazing and important technologies that man has ever developed.
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Due in part to lobbying efforts on behalf of the human genome project, human genes tend to be thought of in light of the present–genetic components of human disease and differential risks associated with genetic individuals–before the future, what gets passed on to later generations. However, public understanding of genetics did not merely radiate from laboratories, as Alexandra Minna Stern‘s book, Telling Genes: The Story of Genetic Counseling in America (Johns Hopkins University, 2012) shows. Before the age of genetic sequencing and mass-produced tests, physicians from various specialties provided genetic counseling on an ad-hoc basis, most of which took the form of reproductive advice. Medical genetics had only been established in the 1960s, with the shadow of eugenics still looming large over a field that was now more inclined toward description of heritable conditions than prescription of reproductive sanctions and sterilization. The founding of the first master’s program in genetic counseling in 1969 established the institutional and intellectual basis for a new kind of health care professional, one that would further the reorientation of medical genetics toward patient-centered care.
Stern’s book connects this emergent professional identity to the broader history of genetic and eugenic programs in the United States. So, while this is a history focused on how the distinct profession of genetic counseling emerged as an alternative to traditional medical authority, it is firmly situated within the conflicts that have persistently plagued the development and application of human genetic knowledge. This orientation toward fundamental tensions is reflected by the book’s structure. While she begins with a historical overview of genetic counseling as a profession, the rest of the book is organized around issues; genetic risk and the questionable efficacy of disease apprehension; the politics of race inherent in population knowledge; the fundamental role played by disability in the understanding of inherited disorders; the gender politics of genetic counseling as a challenge to the medical establishment; therapeutic ethics; and the emergence of prenatal testing.
This highly readable whirlwind tour through the complex ethical and historical landscape of genetic counseling rewards those new to the history of genetics by virtue of its accessibility, along with those more familiar through the vast amounts of new source material it blends in seamlessly with broader frames. If you enjoy this book, look out for a new edition of Eugenic Nation, Stern’s first book on the politics of eugenics.
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Janet Vertesi‘s fascinating new book is an ethnography of the Mars Rover mission that takes readers into the practices involved in working with the two robotic explorers Spirit and Opportunity. Based on two years of immersive ethnography from 2006-2008, Seeing like a Rover: How Robots, Teams, and Images Craft Knowledge of Mars (University of Chicago Press, 2015) focuses on the visuality of the mission, exploring “how scientists and engineers on Earth work with the digital images” sent by their robots to make sense of Mars and to work together to explore it. Vertesi proposes a way of understanding image-making practices as a kind of teamwork: learning to see like a rover, here, is an embodied, skilled, social achievement. Building on Wittgenstein’s notion of seeing as, Vertesi conceptualizes these imaging practices in terms of an analytic framework of drawing as: the Rover scientists “use digital tools to draw Mars as consisting of different kinds of materials or surfaces, with implications for future viewings and for team relations.” From mapping Mars to robot funerals, it’s a wonderful study for readers interested in space exploration, visual studies, sociology, and STS alike!
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Jonathan Coopersmith‘s new book takes readers through the century-and-a-half-long history of the fax machine and the technologies that shaped and were shaped by it, from Alexander Bain’s 1843 patent to the computer-based faxing of the end of the 20thcentury. Faxed: The Rise and Fall of the Fax Machine (Johns Hopkins University Press, 2015) chronicles the transformations of fax wrought by a range of industries and technologies in the context of world wars and global economic changes. In Coopersmith’s able hands, the history of the fax machine substantively informs a number of fields and disciplines that might not seem immediately related to it: these include visual studies (as newspapers and the military helped drive the development of fax markets and technology thanks to the need for rapid transfer of images in times of war and beyond) and East Asian studies (as fax machines can be traced through the history of modern homes and businesses in Japan). Coopersmith tells a story of fax as a story of repeated failures that were nevertheless productive and germinal, whether they resulted from competition from other technologies and industries, compatibility problems in a fracturing market, or foundation-laying for the acceptance of the email and internet technologies that would ultimately surpass it. It’s a fascinating and elegantly told story of a technology that was, for many years, a constant element of the living and working spaces of many of our lives.
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Social media is now a pervasive element of many people’s lives. in order to best understand this phenomenon we need a comprehensive theory of the political economy of social media. In Culture and Economy in the Age of Social Media (Routledge, 2015), Christian Fuchs, a professor of social media at the University of Westminster, brings together a range of media, social and economic theorists to explain social media. Using Raymond Williams to draw attention to the material conditions of control, production and use of social media, including case studies from the USA and China. Most notably the book insists on understanding the international division of labour behind the seemingly ephemeral aspects of online interactions. The book is essential reading for all of those active online, as well as those working in the political economy and critical theory traditions. It is available here.
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[Re-posted with permission from Who Makes Cents?] Today’s guest discusses the history of aviation and how this provides a lens to interpret the history of capitalism and U.S. foreign relations across the twentieth century. Amongst other topics, Jenifer Van Vleck tells us how the airline industry helped solve various political and logistical challenges for the U.S. government during World War II and how the airlines relied on the government and vice-versa.
Jenifer Van Vleck is Assistant Professor of History and American Studies at Yale University. She is author of Empire of the Air: Aviation and the American Ascendancy (Harvard University Press, 2013).
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Charis Thompson‘s Good Science: The Ethical Choreography of Stem Cell Research (MIT Press, 2013) is an important book. Good Science explores the “ethical choreography” of the consolidation of human embryonic stem cell research in the first decade of the twenty-first century, drawing important implications for the possible futures of stem cell research by looking carefully at its past and developing an approach to what Thompson calls “good science.” The book compellingly argues that “a high level of political attention to the ethics of the life sciences and biomedicine…is a good thing for science and democracy,” especially as we have now reached “the end of the beginning of human pluripotent stem cell research.”
Part I of the book (Stem Cell Biopolitics) explores early attention to the embryo debate. Ch. 2 looks at stem cell research as it’s widely understood to engage ethical concerns, describing the “pro-curial frame” of stem cell research in the period under scrutiny, when promoting stem cell innovation involved aspirations to be pro-cure and there was an ethical focus on the procurement of stem cells and cell lines for research. Pt. II of the book (Stem Cell Geopolitics) looks at what happened domestically as the debate over stem cells moved from the federal to the state levels and back in the US, and then turns to consider transnational circuits that were crucial to those practices and conversations. Ch. 3 looks at three phases that made up the beginning of human pluripotent stem cell research in the US: the time around President Bush’s 2001 policy, the period when states “seceded” from that policy (exemplified by California’s Proposition 71), and the period around Obama’s 2009 policy. Ch. 4 looks at the transnational geopolitics of stem cell research in an era when stem cell research became increasingly international and research advocates were deeply concerned with international competition and “brain drain.” Thompson takes readers into laboratory environments in South Korea and Singapore in order to undermine a popular rhetorical binary of East/West that contrasted an “East” that had a pro-science spirit and lack of concern with the moral status of the embryo, and a “West” that had been taken over by anti-science religious fanatics and technophobes.
Pt. III of the book (Thinking of Other Lives) looks carefully at questions of research subjecthood. Ch. 7 focuses on human-human relationships and practices of donation at a time when a number of norms came under renewed scrutiny – including altruism, anonymity, and the alienation of tissue from donors – and this led to the conclusion that the old model for donation wasn’t working. In this context, there were increasing demands for reciprocity in various forms, and Thompson considers various models in California that rethought the relationships between donor/recipient and biomaterial/bioinformation. Ch. 6 focuses on the logic of using animals as substitutive research subjects for human-focused research, and calling for a move away from using animals as research subjects and toward using in vitro systems instead.
To do all of this, Thompson develops a methodology she calls “triage” which we talk about early in the interview. Good Science is a wonderful and critical book, and well worth reading and teaching widely!
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That games, particularly video games, could be viewed as art should come as no surprise. And yet, a debate exists over what is and should be considered art with respect to games. In his new book, Works of Game: On the Aesthetics of Games and Art (MIT Press, 2015), John Sharp offers context for the discussion of games and art. To do so, Sharp presents case studies of “Game Art,” “Art Games,” and “Artists’ Games” in an explication of three communities of practice that provide the foundation for the discussion of games and art. Game Art examines the use of games as tools for the creation of art. Sharp, then, examines the Art Game movement that pushes video games into the domain of other humanistic art forms. Finally, Artists’ Games examines the use of video games as an artistic medium that combines the aesthetics of artists and game developers. Sharp also discusses the potential for the the merging of the values of traditional artists and gaming communities.
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Greg Siegel‘s new book is a wonderfully engaging and meticulously researched account of a dual tendency in modern technological life: treating forensic knowledge of accident causation as a key to solving the accident, and treating this knowledge as the source for the future improvement of both technology and civilization. Forensic Media: Reconstructing Accidents in Accelerated Modernity (Duke University Press, 2014) argues that accidents, forensics, and media have been central to the emergence and evolution of this tendency. The chapters of the book trace the forms of media (graphic, photographic, electronic, and digital) that have been crucial forensic mediation since the nineteenth century, a period when the accident became “technologically modern” and the relationship between progress and catastrophe was transformed by the rise of “forensic rationality.” A series of fascinating case studies guides readers through the nature and implications of this transformation by introducing the rise of the forensic engineer, the inscribing apparatus of Charles Babbage, the “black box” technology of the flight-data recorder and the cockpit voice recorder, and the high-speed cinematography that offered a way of mapping and making sense of vehicle collision in the 1950s. There are some extremely moving moments nestled in the narratives of these cases, including a must-read discussion of last words and cockpit voice recorders in Chapter 3. Forensic Media is not only a gripping read, but will make a great addition to the syllabi for upper-level courses that treat any combination of STS, technology studies, media studies, and studies of modernity
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That privacy in the digital age is an important concept to be discussed is axiomatic. Cameras in mobile phones make it easy to record events and post them on the web. Consumers post an enormous amount of information on social media sites. And much of this information is made publicly available. A common question, then, is what can people truly expect to be be private when so much information is accessible. In his new book Privacy in the New Media Age (University Press of Florida 2015), Jon L. Mills (University of Florida, Levin College of Law), discusses another issue related to privacy in the digital environment: the conflict between privacy and freedom of expression. In so doing, Mills examines how the law, particularly in the United States, is always chasing advances in technology, and discusses how countries in the European Union have attempted to tackle this matter. Throughout the book he discusses famous court cases that illustrate the issues with privacy and new media in an attempt to come to a resolution for the dispute.
Just listen.
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What happens when you allow human materials to become property? More specifically, how does granting monopoly rights over genetic material affect the potential for innovation and research on treatments of disease related to those genes? In his new book, The Genealogy of a Gene: Patents, HIV/AIDS, and Race (MIT Press, 2015), Myles W. Jackson (NYU) considers this question by examining the history of the sequencing and patenting of the CCR5 gene, which was found to have an important role in HIV/AIDS viral infection. In doing so, Jackson chronicles the challenges to the granting of property rights over materials that occur naturally, and the legal and policy arguments both for and against allowing patents on these materials.
But the book is more than just an examination of the instability of patent law. On the contrary, Jackson provides an interdisciplinary examination of the history of CCR5, which analyzes the role of race, culture, medicine and other fields, to examine of the wider impact of science and science policy on society. Just listen.
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Screens are ubiquitous. From the screen on a mobile, to that on a tablet, or laptop, or desktop computer, screens appear all around us, full of content both visual and text. But it is not necessarily the ubiquity of screens that has societal implications. The significance is in how screens fundamentally change how we ingest information.
In her new book, Words Onscreen: The Fate of Reading in a Digital World (Oxford University Press, 2015), Naomi S. Baron, professor of linguistics and Executive Director of the Center for Teaching, Research & Learning at American University, asserts that despite the benefits of convenience and monetary savings, reading onscreen has many drawbacks. Using surveys of millennials in the United States, Japan and Germany, combined with anecdotes, and information from writers, Baron provides evidence of the impact of technology on reading, and thinking, in society.
Just listen.
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Social media and digital technology now allow researchers to collect vast amounts of a variety data quickly. This so-called “big data,” and the practices that surround its collection, is all the rage in both the media and in research circles. What makes data “big,” is described by the v’s: volume, velocity, variety, and veracity. Volume refers to the massive scale of the data that can be collected, velocity, the speed of streaming analysis. Variety refers to the different forms of data available, while veracity considers the bias and noise in the data. Although many would like to focus on these details, two other v’s,validity and volatility, hold significance for big data. Validity considers the level of uncertainty in the data, asking whether it is accurate for the intended use. Volatility refers to how long the data can be stored, and remain valid.
In her new book, Big Data, Little Data, No Data: Scholarship in the Networked World (MIT Press, 2015), Professor Christine L. Borgman, Presidential Chair in Information Studies at the University of California, Los Angeles, examines the infatuation with big data and the implications for scholarship. Borgman asserts that although the collection of massive amounts of data is alluring, it is best to have the correct data for the kind of research being conducted. Further, scholars must now consider the economic, technical, and policy issues related to data collection, storage and sharing. In examining these issues, Borgman details data collection, use, storage and sharing practices across disciplines, and analyzes what data means for different scholarly traditions.
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Reverse Engineering Social Media: Software, Culture, and Political Economy in New Media Capitalism (Temple University Press, 2014) by Robert Gehl (University of Utah, Department of Communication) explores the architecture and political economy of social media. Gehl analyzes the ideas of social media and software engineers, using these ideas to find contradictions and fissures beneath the surfaces of glossy sites such as Facebook, Google, and Twitter. The book draws upon software studies, science and technology studies, and political economy to contextualize the institutionalization of user labor in our growing social media landscape. Looking backward at divisions of labor and the process of user labor, he provides case studies that illustrate how binary “Like” consumer choices hide surveillance systems that rely on users to build content for site owners who make money selling user data, and that promote a culture of anxiety and immediacy over depth. Gehl also goes beyond a critique of these inherently undemocratic systems to outline proposals that can shape our collective online future for the better. An idealized social data system, he argues, should be “decentralized, transparent, encrypted, antiarchival, stored on free hardware, and geared toward collective politics over atomization and depth over immediacy and surfaces.”
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In his new book, Developer’s Dilemma: The Secret World of Videogame Creators (MIT Press, 2014), Casey O’Donnell, an assistant professor in the department of Media and Information in the College of Communication Arts at Michigan State University, takes the reader inside the game development process. An ethnographic study of the people and the process of videogame creation, Developer’s Dilemma considers the interactions between engineers and designers, publishers and executives, all motivated to ship out the completed product to the public. The dynamics of these relationships are shaped by the organizations, policies, and the marketplace, leading to a system of creative and collaborative practice that is not always in balance.
O’Donnell uses the imagery of the videogames in his book, breaking the chapters into levels that include “bosses” and final rants. Both the book design and O’Donnell’s masterful storytelling provide much-needed insight into the obscure world of videogame development. Just listen.
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Although the push to persuade everyone to learn to code is quite the current rage, the coding movement has roots that extend back for more than a few decades. In 1980 Seymour Papert published his book, Mindstorms: Children, Computers, and Powerful Ideas, arguing that learning to code would help children to better understand not only educational subject matter, but how to think. This book influenced the push in the early 1980s to place coding in schools. This early “learn to code” movement, though revolutionary, was unsustainable for many reasons.
In the new book Connected Code: Why Children Need to Learn Programming (MIT, 2014), Yasmin B. Kafai, Professor of Learning Sciences at the University of Pennsylvania’s Graduate School of Education, and Quinn Burke, Assistant Professor in the Department of Teacher Education at the College of Charleston, reexamine this early movement and the necessity of reintegrating coding into the K-12 curriculum. Kafai and Burke, too, view coding education as essential in assisting children in understanding how to think about different subjects. But the authors do not simply theorize coding as helping with computational thinking. Kafai and Burke assert that learning how to code is productive for computational participation. That is, programming helps learners not only with thinking, but also with communicating and making social connections. Computational participation, therefore, has ramifications that go beyond the schoolhouse.
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Wikipedia is one of the most popular resources on the web, with its massive collection of articles on an incredible number of topics. Yet, its user written and edited model makes it controversial in many circles. In Wikipedia U: Knowledge, Authority, and Liberal Education in the Digital Age (Johns Hopkins University Press, 2014), Thomas Leitch of the University of Delaware English Department has written a book that challenges many of the criticisms of Wikipedia. Yet he also reviewed the importance of authority as an issue with all research in the twenty first century.
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Without a doubt, the paramount duty of a municipality, of any size, is the delivery services to its constituents. These services range from the seasonal-think snow removal, to the daily-ensuring traffic lights work, to the critical-think trash removal. Cities, particularly those in large urban areas, are tasked with finding ways to respond to issues important to the people for whom they work. New technology and data collection platforms are assisting municipalities to respond to the needs of citizens, and changing the relationships between the government and the governed. In their new book, The Responsive City: Engaging Communities Through Data-Smart Governance (Jossey-Bass 2014), Stephen Goldsmith, Daniel Paul Professor of Practice at Harvard University’s Kennedy School of Government and director of Data-Smart City Solutions, and Susan Crawford, John A. Reilly Visiting Professor in Intellectual Property at Harvard Law School and co-Director of the Berkman center, detail how urban centers are using technological solutions to engage citizens and improve services. Examining cities as diverse as Boston, Chennai, Rio de Janeiro, and others, Goldsmith and Crawford explore how engaging citizens and government with technology can increase a city’s social capital and build trust in local government.
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Hidden algorithms make many of the decisions that affect significant areas of society: the economy, personal and organizational reputation, the promotion of information, etc. These complex formulas, or processes, are thought by many to be unbiased and impartial and, therefore, good for automated decision-making. Yet, recent scandals, as well as information uncovered by researchers and investigative reporters have uncovered that these algorithms may not be as neutral as believed. At the same time, there is no mechanism, legal or otherwise, that would force organizations to make these hidden processes transparent for evaluation.
In his new book, The Black Box Society: The Secret Algorithms That Control Money and Information (Harvard University Press, 2015), Frank Pasquale, a professor of law at the University of Maryland, and affiliate fellow at Yale Law School’s Information Society Project, explores the significant influence that hidden processes have on finance, search, and reputation. Pasquale examines the increasing corporate, and government, surveillance of consumers, and the incongruity between the secrecy allowed to corporations in comparison to that allowed to regular citizens. In so doing, he calls for greater oversight, transparency, and enforcement to help restore organizational trust and to combat the possible deleterious effects that technical secrecy may have.
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Words have meaning. More specifically, the definitions attached to words shape our perspective on, and how we categorize, the things that we encounter. The words of “technology” and “innovation” are exemplars of how definitions impact perspectives. Ask most people what they think of when they hear these words, and most often they will respond pictures of computers, the Internet, and mobile systems. But these pictures fail to encapsulate the true meanings of technology and innovation because they are narrow, and reflect bias toward the idea of the digital or information society.
What’s needed is a broad view of technology and innovation that encompasses a wide variety of the ways that different communities solve problems. In Transient Workspaces: Technologies of Everyday Innovation in Zimbabwe (MIT 2014), Clapperton Chakanetsa Mavhunga, an associate professor of Science, Technology, and Society at MIT, asserts that technological innovations are ways in which regular people solve the problems that they face in everyday life. Focusing on communities in Zimbabwe, Mavhunga demonstrates how innovation happens not only in laboratories or studios, but also in the spaces where individuals encounter obstacles.
To do so, Mavhunga details how creativity can be found in the mobilities of African people. In addition, he makes evident the folly in ignoring and sometimes criminalizing traditional knowledge when that technology has, time and again, proven indispensable.
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Johanna Drucker‘s marvelous new book gives us a language with which to talk about visual epistemology.Graphesis: Visual Forms of Knowledge Production (Harvard University Press, 2014) simultaneously introduces the nature and function of information graphics, awakens readers to the visual interfaces prevalent in our daily work, and considers how paying careful attention to visual interpretation can serve a broader humanistic agenda. Drucker urges us to think of graphic forms of knowledge not as mere presentation, but as interpretation, as “arguments made in graphical form.” Here, images are not necessarily fixed displays of information:Drucker suggests a way to think about images as producers of knowledge. Once we understand and approach a graphic display as a generative technology, it opens up some fascinating ways of imagining the future of the book, of reading, and of composition. As a thoughtfully and beautifully produced volume, Graphesisalso challenges our visual and material expectations for a book-as-object in its form as well as its argument. This will be a fascinating and compelling read for anyone working in/on/with visual forms of knowledge production in the humanities (digital and otherwise) or the history of the book. It is an excellent and productive book to think with, to create with, and to teach with.
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Neurotechnology in National Security and Defense: Practical Considerations, Neuroethical Concerns (CRC Press, 2014), edited by Dr. James Giordano, is an impressive collection of essays by authors at the cutting edge of an emerging field which links neuroscience and national security. The book dispels myths that this confluence has solely offensive applications by outlining a variety of defensive and medical applications for neurotechnology in military and national security settings. By blending ethical and moral concerns throughout more technical discussions, this volume is likely to appeal to an audience beyond scientific specialists in the field. As neuroscience continues to flourish and develop more rapidly, thoughtful consideration of its possibilities and perils in the sphere of national defense and security is increasingly necessary. Giordano and his colleagues have done a great service to their readers by laying a strong groundwork for future examinations and ethical debates on this burgeoning and complex topic.
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Carolyn L. Kane’s new book traces the modern history of digital color, focusing on the role of electronic color in computer art and media aesthetics since 1960. Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code (University of Chicago Press, 2014) places color at the center of media studies, exploring some amazing works of art and technology to understand the changing history of the relationship between color as embodied in machine code and screen interface. Using a methodology called “media archaeology” that is informed by the work of Foucault, Nietzsche, Kittler, Heidegger, Stiegler, and others, Chromatic Algorithms traces a transformation of color from optics to algorithms. The chapters trace a history of synthetic color in Western aesthetics and philosophy, the rise of Day-Glo, the aesthetics of color in video art from the 1960s and 1970s, the technology of color TVs, the connection between color and notions of transcendence and utopia, “democratic color” and Salvador DalÃ’s urinated-upon pen, the early history of art/engineering at Bell Labs, the technology of digital infrared visualization, the aesthetics of “Photoshop cinema,” bioart and its glow-in-the-dark bunnies, and the work of some amazing artists including Lillian Schwartz, Jeremy Blake, and many many others. It is a gorgeous and fascinating study of color, technology, visualization, the digital, and beyond.
As you work through the book, I highly recommend searching the Web for some of the amazing work described in its chapters. I’m based in Canada and so some of the following links may not work for you: in that case, just try searching on your own for the title:
The rock opera Battle for Milkquarious! https://www.youtube.com/watch?v=_zDMhwq3pcA
Jeremy Blake, Winchester Redux http://vimeo.com/16485005
Zbigniew Rybczyński, Tango http://vimeo.com/9033947
Paper Rad: http://www.paperrad.org/
This site has some clips from Lillian Schwartz’z Proxima Centauri: http://lillian.com/kinetic/
You can browse video clips from WGBH’s New Television Workshop here: http://main.wgbh.org/wgbh/NTW/
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The media system in the United States could have developed into something very different than what it is today. In fact, there was an era in which significant media reform was considered. This was a time when media consumers were tired of constant advertising, bias, and control by corporate entities, and instead wanted more “public-oriented” content. Sound at all familiar?
In his new book, America’s Battle for Media Democracy: The Triumph of Corporate Libertarianism and the Future of Media Reform (Cambridge University Press, 2014), Victor Pickard, an assistant professor of communication at the Annenberg School for Communication at the University of Pennsylvania, examines the debates on media reform and policy from the early 20th century, focusing, in particular, on radio. Pickard revisits the significant media policy conflicts to analyze why the American media is the way it is, and how it could have been. In so doing, he considers what the current American media system means for the Web and other new media.
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Failure by government agencies to share information has had disastrous results globally. From the inability to prevent terrorist attacks, like the 9-11 attacks in New York City, Washington D.C., and Pennsylvania, to the ill-equipped and ill-fated responses to disasters like the nuclear meltdown at Fukushima, and Hurricane Katrina, a common denominator in all of these events, and those similar, was a lack of inter- and intra-government information sharing. In his new book Traversing Digital Babel: Information, E-Government, and Exchange (MIT 2014), Alon Peled, associate professor of political science at The Hebrew University of Jerusalem, conceptualizes a platform that would incentivize inter-agency information sharing. Called the Public Sector Information Exchange (PSIE), the platform would not only enable the trading of information, but also offers the valuation of information assets. In this way the PSIE creates an inter-government economic system. In detailing of the opportunities and threats to such a system, Peled offers examples of how similar systems have been implemented in governments throughout the world, and uses interdisciplinary training and experience in information technology and political science to describe a system and rationale that could offer assistance to those looking for simplified and efficient government.
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In the early days of the Internet, optimists saw the future as highly connected, where voices from across the globe would mingle and learn from one another as never before. However, as Ethan Zuckerman argues in Rewire: Digital Cosmopolitans in the Age of Connection (Norton, 2013), just because a connection is possible does not mean disparate voices are being heard. Instead, things and not ideas have become more connected; we now live in a world where is easier to get a bottle of water from a tropical island halfway around the world than it is to get (let alone comprehend) news from that island.
Zuckerman, a media scholar and activist based at MIT, suggests despite our perceived “connectedness,” the wired world is actually becoming more provincial and narrow, as we shift from professionally curated news and information, to search engines and algorithmically selected information based on previous “likes” and those of our homogeneous social circles. In other words, we are getting more and more of what we already know we want with ever-greater efficiency, but not what we need to be informed participants in a global world.
In an expansive analysis that takes on everything from the global response to modern pandemics, to Greek philosophy, to the “Arab Spring,” to musical hybridization across cultures, Zuckerman calls for a world of “digital cosmopolitans,” where those who can bridge between communities are called upon to foster deeper, more nuanced conversations around the globe in ways that fulfill the promise of expanding technological opportunities.
At once a thoughtful analysis, an engaging history, and a bold call to arms, Rewire offers readers a deep understanding of how media is evolving to shape and be shaped by global voices. As such, it has vast implications at both personal and geopolitical levels for the future of information, technology.
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After the Second World War, the Hungarian Marxist Georg Lukacs described National Socialism as a triumph of irrationalism and a “destruction of reason.” It has since become commonplace to interpret modern European intellectual history as a prolonged struggle between the Enlightenment and Romanticism. The Enlightenment is generally valorized as identical with rationality, mechanism, cosmopolitanism, liberalism, progress, optimism, and secularism, while Romanticism is often connected to holism, irrationality, conservatism, nationalism, myth, pessimism and, eventually, fascism.
John Tresch (University of Pennsylvania) questions these dichotomies in his new book The Romantic Machine: Utopian Science and Technology after Napoleon (University of Chicago Press, 2012). In our interview we discuss what made steam engines Romantic, which technical illusions awaited early nineteenth-century Parisian theatergoers and how Saint-Simonians could envisage future society as a Romantic machine.
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Don Lincoln‘s new book, The Large Hadron Collider: The Extraordinary Story of the Higgs Boson and Other Stuff That Will Blow Your Mind (Johns Hopkins UP, 2014), presents an insider’s view of the largest physics experiment of our time and the discoveries that have come out of it over the past few years. A senior scientist at Fermilab and collaborator on the Compact Muon Solenoid (CMS) experiment at the Large Hadron Collider (LHC), Lincoln provides a thorough and personal account of its assembly and early years of operation, including a disastrous malfunction just days after turning on, the unfolding saga of the Higgs boson, and the emergence of exciting new questions that can now be asked. Throughout the chapters, he weaves in relevant scientific details to explain the operation of the accelerator, its massive detectors, and everything they can tell us about the universe. Packed with rich analogies and approachable personal anecdotes, this book will be of interest to anyone curious about modern particle physics and the enormous international collaboration that is currently underway to further our understanding of this exciting field.
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There is no doubt that innovations in technology have had, and are having, a significant impact on society, changing the way we live, work, and play. But the changes that we are seeing are far from novel. In fact, most are a continuation of changes to society and societal structure with roots in the past. So argues Hugh F. Cline, adjunct professor of sociology and education at Teachers College, Columbia University, in his new book, Information Communication Technology and Social Transformation: A Social and Historical Perspective (Routledge, 2014). According to Cline, the technopanics, or strong objections to new technology have happened since the days of Aristotle. In spite of the objections, technological innovations can positively advance societal interests. Mixing history, sociology, anthropology, and technological studies, Cline provides context for the examination of how ICTs are impacting society.
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Social media is a phenomenon that continues to grow and attract much attention in the form of consternation, commentary, criticism and scholarly research. Any attempt at truly understanding social media communication practices and tools requires interdisciplinary analysis, the examination of the technology from the varying perspectives of the groups of users, developers and experts with respect to the issues surrounding it. It also should include a look at the changes social media has and continues to bring to various fields, particularly with respect to professional communication. Jeremy Lipschultz, Isaacson Professor in the School of Communication at the University of Nebraska at Omaha, discusses the impact of social media on various mass communications professions in his new book Social Media Communication: Concepts, Practices, Data, Law, and Ethics (Routledge 2014). In his book, Lipschultz examines the various theories and practices connected to social media communication, and how this emerging form of communication differs from the traditional.
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John Tresch‘s beautiful new book charts a series of transformations that collectively ushered in a new cosmology in the Paris of the early-mid nineteenth century. The Romantic Machine: Utopian Science and Technology after Napoleon (University of Chicago Press, 2012) narrates the emergence of a new image of the machine, a new concept of nature, a new theory of knowledge, and a new political orientation through a series of chapters that each use the work of a single figure to open up a world of romantic machines.
Part 1 of the book looks at the work of physical scientists whose model of precision experiment and math was transformed by an encounter with romantic philosophy and aesthetics, and introduces the electro-magnetic work of physicist AndreMarie Ampre, the instrumental practices of Prussian geophysical researcher Alexander von Humboldt, and the labor theory of knowledge in relation to the instruments of astronomer and politician Francois Arago. Part 2 looks at the impact of technology on theories of the self and the human, focusing on the fantastic arts and public spectacles featuring new discoveries in optics, mechanics, and natural history. (Readers will find lively discussions of dioramas, hallucinatory opera, symphonies, museums, magic shows, and expositions, here.) Part 3 treats the utopian thinkers and engineer-scientists of the late Restoration and the July Monarchy, looking at religiously-inflected social technologies of conversion, communication, and temporal coordination in the work and thought of Saint-Simon and his followers, printer and literary critic Pierre Leroux’s work and theories, and Auguste Comte’s instruments of thought and paper. It is a rich, elegantly argued work that offers not just a history of science and technology, but also a tracing of the roots of some contemporary continental philosophy, as well.
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Since the 1990s, the music industry has been going through a massive transformation. After World War II, the primary way audiences participated in the music business in the period between 1945 and 1990 was by purchasing records and attending concerts. The internet and the mp3 file, however, have changed how people are listening to music.
In Popular Music in a Digital Music Economy: Problems and Practices for an Emerging Service Industry (Routledge, 2014), Tim Anderson explores how the music industry is changing from selling records as its primary purpose to a new paradigm in which artists must be entrepreneurial, audiences are end users, and record companies are investing in music brands, not simply records. Anderson’s book is a great guide for this new world. In his book, he draws on a wide range of examples from Moby and Lupe Fiasco to Amanda Palmer and Jonathan Coulton. He also introduces readers to the role that music supervisors, such as Alexandra Pastavas, are playing in film and television.
Dr. Tim Anderson is an associate professor at Old Dominion University in the Department of Communication and Theatre Arts. He is also the author of Making Easy Listening: Material Culture and Postwar American Recording. Dr. Anderson can be contacted at [email protected]. His website is http://timjanderson.weebly.com.
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Daryn Lehoux‘s new book will forever change the way you think about garlic and magnets. What Did the Romans Know?: An Inquiry into Science and Worldmaking (University of Chicago Press, 2012) is a fascinating account of the co-production of facts and worlds, taking readers into the sciences of Rome from the first century BC to the second century AD. Masterfully blending approaches from the history and philosophy of science, Lehoux traces the significance of the “threefold cord” of nature, law, and the gods in making up the early Roman world. The chapters use the works of Cicero, Seneca, Galen, Ptolemy, and others to explore topics making up the foundation of a history of Roman science, including the importance of divination to Roman politics and natural knowledge, the relationship between optics and ethics in the Roman world, and the entanglements of law, nature, and witnessing. What Did the Romans Know? also contributes to philosophical debates over the theory-ladenness of observation, scientific and historical realism, and relativism. Lehoux ends his account as an “epistemological coherentist,” suggesting a model for thinking about and with the sciences in history and beyond. On top of all of this, the language of the text sparkles. It’s a wonderfully enjoyable read.
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Josh Lerner is the author of Making Democracy Fun: How Game Design Can Empower Citizens and Transform Politics (MIT Press, 2014). Lerner earned his Ph.D. in Political Science from The New School for Social Research, and is now the Executive Director of The Participatory Budgeting Project, a nonprofit organization that empowers communities to decide how to spend public money.
Lerner asks the question at the start of the book: Can games make democratic participation more fun? He does not mean game theory, he means actual games. Designed activities aimed to infuse the rules of a game to political decision making. He traces the use of gaming to advance public participation through Latin America, with particular attention on Rosario, Argentina.
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Ronen Shamir‘s new book is a timely and thoughtful study of the electrification of Palestine in the early twentieth century. Current Flow: The Electrification of Palestine (Stanford University Press, 2013) makes use of Actor-Network Theory as a methodology to trace the processes involved in constructing a powerhouse and assembling an electric grid in 1920s Palestine. The book brilliantly shows how electrification “makes politics” rather than just transmitting it: under the auspices of British colonial government, the material processes of electrification produced and affirmed ethno-national distinctions like “Jews” and “Arabs” and the spaces they came to produce and inhabit in Palestine. The electric grid, here, “performs and enables (or disables) social formations through the physical connections it establishes and its attachments to other entities.” The episteme of separatism and the roots of what would become a partition plan were born in this context, as Shamir shows. The first part of the book (chapters 1 & 2) explores these phenomena by looking at flows of electric current to streetlights and private consumers who were lighting their homes and businesses. The second part of the book (chapters 4 & 5) looks at the attachment (or not) of the electric grid to railways, industry, and agriculture. The third chapter acts as a pivot between them, examining the processes by which the measurement and standardization of current became a potent social force, creating new divisions between areas of the city of Tel Aviv, public and private spheres, and kinds of consumers. Whether you’re interested the history of Palestine or the historical sociology of science, this is a fascinating, inspiring study well worth reading!
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The conversation about the Web and social media skews toward a discussion of the potential for connections, and how both individuals and organizations are using the media to communicate, to form communities, and to conduct business. Lacking, for the most part, is an investigation of the design of these spaces and how design, both good and bad, encourages or provokes certain kinds of interactions. In her new book, The Social Machine: Designs for Living Online (MIT Press, 2014), Judith Donath, Faculty Fellow at Harvard University’s Berkman Center, explores the theory and practice of interface design, and analyzes how design influences online interaction. With a view toward inspiring designers, and others, “to be more radical and thoughtful in their creations,” Donath provides a detailed examination of topics to be considered for beneficial design.
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In his new book, Imperial Technoscience: Transnational Histories of MRI in the United States, Britain, and India (MIT Press, 2014), Amit Prasad, an associate professor of sociology at the University of Missouri, examines what he calls the “entangled histories of MRI” by studying the development of the technology in the United States, Britain and India. In this way, Prasad deconstructs West/non-West technological and cultural divisions, as well as elucidating Euro/West-centrism in the histories of technology. To do so, Prasad examines five key aspects of MRI research: invention, industrial development, market, history, and culture. In so doing, Prasad provides a critique of the situating of the origin of modern science in the West.
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“One doesn’t so much read a death certificate, it would seem, as perform calisthenics on one…”
From the first, prefatory page of Lisa Gitelman‘s new book, the reader is introduced to a way of thinking about documents as tools for creating bodily experience, and as material objects situated within hierarchies and relationships of labor. Working beautifully at the intersection of media studies and history, Paper Knowledge: Toward a Media History of Documents (Duke University Press, 2014) curates a thoughtful and inspiring collection of moments from the expansion of a modern “scriptural economy.” The case studies explore fill-in-the-blank forms in the context of late nineteenth century job printing, typescript books and scholarly communication in the 1930s, photocopies and photocopying in the 1960s and 1970s, and PDF files in the 1990s and beyond. The final chapter is a fascinating exploration of what it might look like to write a situated history of amateurdom and the figure of the “amateur,” a theme that recurs throughout the preceding chapters. Though all of these cases are carefully rooted within a US context, the insights gleaned from them potentially apply to a much wider and trans-local conversation about the documentary media of writers and readers. It is a history of documenting as an epistemic practice and documents as instruments, and that history is consistently and productively entangled with concerns about reproduction, access, labor, and the emergence of a bureaucratic self. Along the way, Paper Knowledge helpfully opens up some persistent historiographical notions that benefit from such opening, such as “print culture,” “digital humanities,” “authorship,” and other categories that have defined the history of and with communication, and that animate contemporary debates within academia and beyond.
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Scholars and commentators have used metaphor in an attempt to describe the Web since public access began. Think of ideas like the information highway, cyberspace, the digital library, etc. In her new book, The Leisure Commons: A Spatial History of Web 2.0 (Routledge, 2014), Payal Arora, an assistant professor in the Department of Media and Communication at Erasmus University Rotterdam, takes a novel approach to the use of metaphor by examining the parallels between public common spaces and Web 2.0. In the book, Arora uses an interdisciplinary approach to exploring the historical, geographical, political and social issues related to public parks. In so doing, Arora, provides a foundation for how policymakers, organizations and individuals may conceptualizes the debates surrounding common spaces, particularly Web 2.0.
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The continued growth of online gaming and virtual worlds has effects not only in the analog world, with games and social media organizations taking stock options public, but also in the worlds created online. Many games and platforms allow users to involve themselves in virtual labor, to own property, and most importantly to make purchases. This one of areas where the analog and virtual crossover. And the question for platform providers becomes how to capitalize on user interest while earning money. In the new book Virtual Economies: Design and Analysis (MIT 2014), Vili Lehdonvirta, a research fellow at the Oxford Internet Institute, at the University of Oxford and Edward Castronova, professor of communications and cognitive science at Indiana University provide a detailed examination of the underpinnings and motivations for the creation of virtual economies. Lehdonvirta and Castronova consider various international examples to provide a comprehensive look at the markets that continue to be embedded into all kinds of online, and offline, interactions.
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How much do we really think about the technology that we spend so much time using? More specifically, have you really ever considered the possible effects that the use of technology like your laptop, tablet, cellphone, etc. has on your reading, writing, and overall production of materials? In her new book, Reading Writing Interfaces: From the Digital to the Bookbound (University of Minnesota Press, 2014), Lori Emerson, an assistant professor of English and founder and director of the Media Archaeology Lab at the University of Colorado at Boulder, examines how ever changing technology mediates between what we read, write, and otherwise produce. To do this, Emerson combines both media archaeology and literary studies, and examines the possible dangers of the constant moves towards “invisibility” of the technology, and the rhetoric surrounding buzz phrases like “ubiquitous computing” and “user friendly.”
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Inherently problematic in most mainstream discussions of the impact of technology is the dominant western or global northern perspective. In this way, the impact of technology on societies in developing countries, the impact of these societies on technology, and how those technologies are used is often ignored or marginalized. In his book Favela Digital: The Other Side of Technology (GSA Editora e Grafica, 2013), David Nemer, a doctoral candidate in Social Informatics at Indiana University, analyzes the ways in which the people of the slums in Brazil are using technology. Using photography as the dominant medium, Nemer explores the questions of whether, and how technology is a tool for both empowerment and disempowerment.
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The “cloud” and “cloud computing” have been buzzwords over the past few years, with businesses and even governments praising the ability to save information remotely and access that information from anywhere. And an increasing number of organizations and individuals are using the cloud almost exclusively for their computing and storage purposes. The question remains, however, whether there is an actual understanding of what the cloud is, and the issues and implications that surround the growth in cloud storage and computing. In To the Cloud: Big Data in a Turbulent World, Vincent Mosco, a Professor Emeritus of Sociology at Queen’s University, where he was the Canada Research Chair in Communication and Society, describes the political, social, and cultural issues surrounding cloud computing. According to Mosco, “cloud computing serves as a prism that reflects and refracts every major issue in the field of information technology and society.” In To The Cloud, Mosco examines this prism and considers the historic, present day, and future implications of cloud computing.
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In Birdmen: The Wright Brothers, Glenn Curtiss, and the Battle to Control the Skies (Ballentine Books, 2014), Lawrence Goldstone recounts the discovery and mastery of aviation at the turn of the twentieth century–and all the litigation that ensued. Foremost amongst the legal battles in early aviation was the suits waged between the Wilbur and Orville Wright and Glenn Curtiss. Goldstone offers an in depth view of that struggle.
From the publisher: “While the Wright brothers’ contributions to aviation are so famous as to be legendary, the ruthlessness with which they stifled their competitors remains largely unknown. The feud between the Wright brothers and Glenn Curtiss was a collision of strong, unyielding, profoundly American personalities. On one side was a pair of tenacious siblings who together had solved the centuries-old riddle of powered, heavier-than-air flight. On the other was an audacious young motorcycle racer whose aircraft became synonymous in the public mind with death-defying stunts. For more than a decade, they battled each other in court, at air shows, and in the eyes of the scientific and business communities. At issue were more than just the profits from a patent, but control of the means of innovation in a new age of rapid industrial change. The outcome of this contest of wills would shape the course of aviation history– and take a fearsome toll on the lives and livelihoods of the men involved.”
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Social media is ubiquitous, and teens are ubiquitous on social media. And this youth attachment to social media is a cause for concern among parents, educators, and legislators concerned with issues of privacy, harm prevention, and and cyberbullying. In her new book, It’s Complicated: The Social Lives of Networked Teens (Yale UP, 2014), danah boyd, a Principal Researcher at Microsoft Research, Research Assistant Professor at NYU, and Fellow at Harvard University’s Berkman Center, demystifies teen use of social media for communication. In particular, boyd uses ethnographic interviewing and observation techniques to examine the how, what and why of youth use of sites like Facebook, Twitter, and MySpace.
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In As If: Modern Enchantment and the Literary Prehistory of Virtual Reality (Oxford, 2012), historian Michael Saler explores the precursors of the current proliferation of digital virtual worlds. Saler challenges Max Weber’s analysis of modernity as the disenchanting of the world, and demonstrates that modernity is deeply “enchanted by reason.”
Saler demonstrates this argument by examining a new phenomenon: adult engagement with and immersion in fictional worlds. He argues that from the 1880s, a growing number of individuals both in Britain and in the US were enticed by fictional characters such as Sherlock Holmes to “communally and persistently” inhabit worlds of the imagination. Readers were drawn in particular to a new literary genre “The New Romanticism” that rose in Britain in the 1880s. The genre combined the objective style of realism with the fantastic content of romance. Novels such as “Drakula” and “Treasure Island” made the fantastic seem plausible through the use of scientific detail and the inclusion of maps, photographs and footnotes. Victorian readers had acquired a sophistication that enabled them to immerse themselves in the fiction while keeping an ironic distance from it. Their delight was derived from their awareness to the fabrication rather than from being deluded by it.
In addition to a theoretical framework, Saler provides an in-depth and enjoyable exploration of the work of authors that dominated the genre, and of the communities they inspired. Three chapters explain contemporary fascination with the novels of Arthur Conan Doyle, H.P. Lovecraft and J.R.R Tolkien. The chapters also elaborate the important role of readers in sustaining their success. As such they provide an important contribution to the history of fan culture. Finally, Saler offers a defense against labeling the engagement with imaginary and virtual worlds as escapism. He argues that imagined worlds should be valued as safe havens to reflect on the ‘real’ world and consider social and cultural change. A space to practice empathy and tolerance that teaches us to think of the world not in “just so” terms but through the more forgiving “as if” perspective. Imagined and virtual worlds are a reminder that the ‘real world’ too is a social construct that can and should be questioned.
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The Oxford University Press series on digital politics has produced several new books that we have featured on the podcast. Interviews with Dave Karpf, Dan Kreiss, and Muzammil Hussain are available in previous podcasts. One of the latest from the series is Jennifer Stromer-Galley new book Presidential Campaigning in the Internet Age (OUP 2014). Stromer-Galley is associate professor in the School of Information Studies at Syracuse University.
This excellent new book is a bit of a walk down memory lane. Do you remember the early search features on Yahoo! and those slow loading webpages of the late 1990s? Stromer-Galley pieces together the use of the internet from 1996 through 2012. We learn about some of the ways the promise of the internet to democratize the presidential campaign process has largely failed. Presidential websites have nearly always sent information out, but rarely invited information back in. And even when they have, that information has never been as central to the campaign as often promised.
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Digital Communications Technologies, or DCTs, like the Internet offer the infrastructure and means of forming a networked society. These technologies, now, are a mainstay of political campaigns on every level, from city, to state, to congressional, and, of course, presidential. In her new book, Presidential Campaigning in the Internet Age (Oxford University Press, 2014), Jennifer Stromer-Galley, an associate professor in the iSchool at Syracuse University, discusses the impact of DCTs on presidential campaigning. In particular, Stromer-Galley takes a historical look at the past five presidential campaigns and the use of the Internet by incumbents and challengers to win the election. The promise of DCTs with respect to political campaigning was greater citizen participation in the democratic process. Stromer-Galley analyzes whether DCTs have lived up to this promise, or if the idea of the Internet promoting great political engagement is merely a myth.
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Paul-Brian McInerney is assistant professor of sociology at the University of Illinois-Chicago. He is the author of From Social Movement to Moral Market: How the Circuit Riders Sparked an IT Revolution and Created a Technology Market (Stanford University Press 2014).
McInerney’s book tells the fascinating history of the Circuit Riders and NPower, the leading organizations in the nonprofit information technology social movement of the late 1990s. He ties together excellent elite interviews with social movement leaders with a clear institutional history of the time period. There is so much for political scientists, sociologists, and economists to learn about how social movements work.
For listeners, McInerney mentions one of the presentations made to funders to support the movement. See Rob Stuart’s Circuit Rider presentation here.
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The image of online gaming in popular culture is that of an addictive pastime, mired in escapism. And the denizens of virtual worlds are thought to be mostly socially awkward teenaged boys. In his new book The Proteus Paradox: How Online Games and Virtual Worlds Change Us-and How They Don’t (Yale University Press, 2014), Nick Yee asserts that the common stereotypes of gaming and gamers are not, and have never been, based in fact. Massively multiplayer online role-playing games, or MMORPGs as they are called, attract a diverse community of users with a range of ages, economic statuses, and motivations for playing. Basing his conclusions on his own research into online gaming and virtual worlds, Yee finds that far from creating separate worlds with new rules for its member, MMORPGs reinforce the social norms from offline society.
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Much of the progress in technology today has come about as a result of innovators who did not seek prior approval from regulatory bodies and such. Yet, even with the beneficial results from innovations like the commercial Internet, mobile technologies, and social networks, a disposition exists to be overly cautious with respect to new things. Adam Thierer calls this the “precautionary principle” in his new book Permissionless Innovation: The Continuing Case for Comprehensive Technological Freedom (Mercatus Center, 2014). The “precautionary principle”–which, Thierer argues, is based on fear and concern about loss of control–limits the creativity inherent in unfettered tinkering. In contrast, Thierer advocates “permissionless innovation,” an attitude that would allow experimentation to continue without hinderance. Of course does not mean that there is no use for policies for new technology, as some developments require regulation. Policymakers should, however, take a “wait and see” approach to setting rules for innovative products.
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We tend to take for granted that much of the innovation in the technology that we use today, in particular the communication technology, is made possible because of standards. In his book Open Standards and the Digital Age: History, Ideology, and Networks (Cambridge University Press, 2014), Dr. Andrew L. Russell examines standards and the standardization process in technology with an emphasis on standards in information networks. In particular, Russell examines the interdisciplinary historical foundations of openness and open standards by exploring the movement toward standardization in engineering, as well as the communication industry. Paying careful attention to the politics of standardization, Russell’s book considers the ideological foundations of openness, as well as the rhetoric surrounding this ideology. Notable also is the consideration of standardization as a critique of previous ideology and a rejection of centralized control.
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Just as there is no one way to write a biography, nor should there be, so there is no rule dictating that biography must be about the life of a person. In recent years, the jettisoning of this tradition has led to a number of compelling explorations of the lives of commodities (such as salt or the banana), texts (Gone with the Wind, for example), diseases (including cancer or cancer cells), and even the Atlantic Ocean. The latest entry into this realm of biographical inquiry is Robert Neer‘s Napalm: An American Biography (Harvard University Press, 2013).
As the title suggests, this is a consciously American biography, meaning that Neer (a core lecturer at Columbia University) traces the arc of the life of the incendiary gel whilst also situating it in a national context. Napalm is, after all, an American invention and, as Neer writes in the prologue, “It’s history illuminates America’s story, from victory in World War II, through defeat in Vietnam, to its current position in a globalizing world.” Much as napalm sticks to everything it encounters, so it sticks to our national history, splattering into the lives of those involved in its creation, the victims of its use, and the way America- to this day- wages war.
*To briefly highlight another emerging biographical trend, many authors are now posting their research online so that it is easily accessible to readers. Thus, the endnotes of Napalm: An American Biography, including relevant hyperlinks, can be accessed HERE.
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Thomas Bey William Bailey is the author of Unofficial Release: Self-Released and Handmade Audio in Post-Industrial Society (Belsona Books, 2012). He is a psycho-acoustic sound artist and writer on saturation culture. Thomas traces the history of self-released audio from its origins in mail-art networks of the 1970s to the present day practice of using antiquated media – the humble cassette tape – for the dissemination of experimental sounds. Net-labels, mp3 blogs, tape traders, and their many casts of characters are examined along the way as changing technologies impact the strategies for resilience among self-releasing audio artists.
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What if there was an instruction manual for television? Not just for the casual consumer, but for college students interested in learning about the culture of television, written by some of the field’s top scholars?
In How to Watch Television (New York University Press, 2013), editors Ethan Thompson and Jason Mittell have put together a collection of 40 original essays from some of today’s top scholars on television culture. Each essay focuses on a single television show, and each is an example of how to practice media criticism on an academic level. Thompson, Associate Professor at Texas A&M University-Corpus Christi, and Mittell, professor at Middlebury College, also contributed essays to the collection. As the authors explain: “This book, the essays inside it, and the critical methods the authors employ, all seek to expand the ways you think about television.”
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How does conducting fieldwork on another planet, using a robot as a mobile laboratory, change what it means to be a scientist? In Working on Mars: Voyages of Scientific Discovery with the Mars Exploration Rovers (MIT Press, 2012), William J. Clancey explores the nature of exploration in the context of the Mars Exploration Rover (MER) missions of the first decade of the twenty-first century.
From 2002-2005 (and with additional interviews thereafter), Clancey led a group of computer and social scientists who acted as participant observers of the MER science team. The resulting book is a fascinating study of the scientists and engineers on the team, their living and working conditions, the relationship of their project to other exploratory and laboratory contexts in the history of science, and the implications of their work for current and future interplanetary missions. Working on Mars beautifully uses rich ethnographic fieldwork to open up larger conceptual issues for the field of science studies, while never losing sight of the aesthetic, personal, and professional lives of MER scientists as individuals. Readers will learn about what it’s like to live on local Mars time, how virtuality is crucial to the experience of MER scientists and engineers, what it means for a scientific team to share a robotic laboratory-body, and why understanding and communicating the poetics of this research may be crucial to realizing the goals of space exploration in the future. It is a wonderful, rich, and sensitively-wrought account.
Working on Mars was recently awarded the Gardner-Lasser Aerospace History Literature Award by the American Institute of Aeronautics and Astronautics. Congratulations, Bill!
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We tend to understand the modernization of Japan as a story of its rise as a techno-superpower. In East Asia: Technology, Ideology, and Empire in Japan’s Wartime Era, 1931-1945 (Stanford University Press, 2013), Aaron Stephen Moore critiques this account in a study of the relationship between technology and power in the context of Japanese fascism and imperialism. Moore traces the emergence of a “technological imaginary” in wartime Japan, exploring how different groups (including intellectuals, technology bureaucrats, engineers, and state planners) invested the term “technology” with ideological meaning and power in the course of discussing and shaping national policy. Paying careful attention to the ways that technological and colonial development co-produced and challenged each other, Moore’s story respects the archives of both text and practice: the book deeply cuts into into the intellectual history of technology in the context of Japanese empire, while also following the activities, material difficulties, and large-scale products of many thousands of engineers as they traveled to Korea, Taiwan, Manchukuo, and China to build roads, canals, ports, dams, cities, irrigation, sewage and water works, and electrical and communications networks. It is a fascinating case study that informs a larger global historiography of the modern technosciences, while also using the social study of technology to extend the historiography of Japanese empire.
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MP3: The Meaning of a Format (Duke University Press, 2012) is a fascinating study of the MP3 as a historical, cultural, conceptual, and social phenomenon. In the course of an account of the MP3 that has surprising connections to telephony and the economics of perception, Jonathan Sterne usefully shifts our attention from media-in-general to a more specific focus on material formats, “the stuff beneath, beyond, and behind the boxes our media come in.” MP3 explores the process by which AT&T learned how to make money from the gaps in human hearing. By the 1980s, Sterne shows, engineers had developed methods for using what cannot be heard within the audible spectrum as the basis for a system of data compression for digital sound transmission. The same decade saw a subgroup of the International Organization for Standardization, the Moving Picture Experts Group (MPEG), devise a standard for digital video and audio with the help of a series of tests that gauged listeners’ levels of sonic annoyance. Sterne shows how the MP3 format emerged out of these overlapping material and social contexts of perception, technics, and experimentation. There are cat pianos and cat telephones (not what you think!) here, as well as accounts of cybernetics and information theory, histories of the domestication of noise, considerations of the challenge of archiving digital mashups, and vignettes about Suzanne Vega and Tom’s Diner. It’s a wonderful book about an important part of our daily media landscape, and it was great fun to talk about it!
A review of MP3: The Meaning of Format can be found in Public Books here.
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In our digital world, it does seem like paper is dying by inches. Bookstores are going out of business, and more and more people get their news from the internet than from newspapers. But how irrelevant has paper really become? As Ian Samson argues in his new book, Paper: An Elegy (Harper Collins, 2012), not only is paper still vital in our society, it pretty much dominates all our lives. From advertising to currency, to board games and origami, paper still revolves around most business and leisure. Even “post-paper” products, such as e-readers, imitate the aesthetics and feel of paper, mirroring it in spirit if not in product. And how many of us have heard, “yes, I have an e-book reader, but I just really like the feel of a book in my hand”? In this interview, Ian Samson tells us about the history of paper, its uses throughout time, and our love affair with the “ultimate man-made material.”
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How do you measure a star?
In the middle of the 20thcentury, an interdisciplinary and international community of scientists began using radio waves to measure heavenly bodies and transformed astronomy as a result. David P. D. Munns‘s new book charts the process through which radio astronomers learned to see the sounds of the sky, creating a new space for Cold War science. A Single Sky: How an International Community Forged the Science of Radio Astronomy (MIT Press, 2012) uses the emergence of radio astronomy to upend some of the commonly-held assumptions about the history of the modern sciences. Munns emphasizes the relative freedom of radio astronomers that stands in contrast to the popular meta-narrative of Cold War scientists bound by the interests of the military-industrial complex. He also shifts our focus from the more commonly-studied individual local and national contexts of science to look instead at scientific communities that transcended disciplinary and national boundaries, blending accounts of Australia, the UK, the Netherlands, and the US into a story that emphasizes the importance of cooperation (not competition) in driving scientific development. In addition to this, A Single Sky pays special attention to the importance of material culture (especially that of big radio telescopes) and pedagogy in shaping modern radio astronomy. It’s a fascinating story. Enjoy!
For more information about The Dish, a film that Munns mentioned in the course of our conversation, see here.
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The advent of very powerful computers and the Internet have not “changed everything,” but it has created a new communications context within which almost everything we do will be somewhat changed. One of the “things we do” is governance, that is, the way we organize ourselves politically and, as a result of that organization, provide for the individual and public good. In his fascinating book Accelerating Democracy: Transforming Governance Through Technology (Princeton UP, 2013), John O. McGinnis examines the promise and peril of advanced computation and Internet communications for our democracy. The former (promise), he says, is great if we think deeply about the impact of the new media on politics and public policy. He proposed that we take the bull by the horns and experiment with new technology so that governance can become both more democratic and more efficient. He suggests a number of ways in which the potential of the new media can be made to do just this. Listen in.
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Nicco Mele is the author of The End of Big: How the Internet Makes David the New Goliath (St. Martin’s Press, 2013). He is Adjunct Lecturer in Public Policy at the Kennedy School’s Shorenstein Center on the Press, Politics, and Public Policy, Harvard University. Mele writes as a technology expert and as a witness to history. He served as a campaign staffer for the Howard Dean for President Campaign in 2003. He and his colleagues implemented many of the web-based campaign innovations that resulted in President Obama winning the 2008 presidential election and define the modern American political campaign. Mele links that experience with radical social changes brought about by the internet. His title thesis, The End of Big, suggest that big institutions in nearly every sector of our lives (business, government, news) have been eroded and, in some cases, supplanted by smallness. An enthusiast for technology, Mele also cautions against the risks associated with this transformation.
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It’s getting warmer, there ain’t no doubt about it. What are we going to do? Most folks say we should cut back on bad things like carbon emissions. That would probably be a good idea. The trouble is we would have to cut back on all the good things that carbon emissions produce, like big houses, cool cars, and tasty food imported from far-away places. We don’t want to do that.
So what’s a global citizen to do? One idea is to take control of the environment, engineering-wise. Why cut back when we can simply manage the carbon-cycle a bit like we manage the climate in hothouses? In Earthmasters: The Dawn of the Age of Climate Engineering(Yale UP, 2013), Clive Hamilton surveys the proposals big-thinking engineers have dreamed up to control the carbon-cycle on a truly massive scale. Some are wacky, others less so, but all are, well, very bold. Does any of it make sense? Can any of it be done? Hamilton investigates.
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“The humans are dead.”
Whether or not you recognize the epigram from Flight of the Conchords (and if not, there are worse ways to spend a few minutes than by looking here, and I recommend sticking around for the “binary solo”), Dominic Pettman‘s Human Error: Species-Being and Media Machines (University of Minnesota Press, 2011) will likely change the way you think about humanity, animals, machines, and the relationships among them. Pettman uses a series of fascinating case studies, from television programs to films to Sufi fables to pop songs, to explore the notion of Agamben’s “anthropological machines” and the human being as a “technospecies without qualities” in a modern mediascape that includes Thomas Edison’s film Electrocuting an Elephant, Werner Herzog’s Grizzly Man, and the interplanetary soundscape created by NASA (among many, many others). We recently gathered over Skype to talk about some of the major thematic and argumentative threads snaking through this book and Pettman’s recent exploration of totems in Look at the Bunny: Totem, Taboo, Technology (Zero Books, 2013). Both books take on the varied ways that love, technology, identity (both human and not), and economies have been transformed in a world that includes pacifist Orcs, voices without bodies, ecologies without nature, reptile-doctors, and pixelated lovers. Enjoy!
During our conversation, Pettman mentions a film about the zigzag totem that can be found here.
Cabinet Magazine, which also comes up in the course of our conversation, can be found here.
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Humans understand the world through stories, some short and some long. But what happens when the stories become so short that they, well, aren’t stories at all? In Present Shock: When Everything Happens Now (Current, 2013), Douglas Rushkoff explores this question. He points out that always-on, always “new” digital communications have essentially locked us into an ever-more data-rich “moment,” one from which we cannot really escape. The past becomes a few minutes ago; the future a few minutes hence. Of course it’s always always been “now” (as Buddhists will tell you), but now the “now” is far more captivating than ever before. What’s it all mean? Rushkoff explains.
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There are pigeons, cats, and Martians here. There are CT scanners, dentures, computers large enough to fill rooms, war games, and neural networks. In Biomedical Computing: Digitizing Life in the United States (Johns Hopkins University Press, 2012), Joe November mobilizes this ecology of instruments and objects, people and programs, in a story that maps out the early years of the introduction of computers to biology and medicine from 1955 to 1965. As computing technology was gradually integrated into different spaces of biomedicine that were characterized by agents with very different agendas (a set of processes not without significant contestation), biomedicine and computing transformed one another. Life itself was changed as a result, as the objects of biomedical computing were translated into the kinds of system-entities that computers could describe. The historian of technology who reads November’s book will find fascinating stories of machines like LINC, ENIAC, and UNIVAC. The historian of science will find accounts of the ways that military funding shaped the computerization of biomedicine, windows into the mid-century work supported by the NIH, stories of the transformation of diagnostic medicine in the US, and chapters from the history of crystallography and molecular biology. The historian of networks and computing will find analyses of the importance of operations research, expert systems, and transdisciplinary research practices to the work of some of the central figures in the history of the computational sciences. In addition to all of this, November’s book can also be read as a history of the modern personal computer. (There are also men in RNA-themed neckties sprinkled throughout the early part of the story.) Enjoy the interview, and imagine as you listen that you’re here with me at the National Humanities Center, Skyping with Joe as a thunderstorm booms overhead, rain falls loudly outside the window, and brilliant humanities scholars share excited conversation about their work outside the door. It was a special afternoon.
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History is in many respects the story of humanity’s quest for transcendence: to control life and death, time and space, loss and memory. When inventors or companies effectively tap into these needs products emerge that help define their times. The Kodak ‘Brownie’ allowed average consumers – without the knowledge of chemistry or math of a Matthew Brady – to capture powerful images. Ford’s Model T gave the ‘working man’ the ability to travel further and faster than wealthy aristocrats of previous generations. The Timex watch made time accessible to anyone with a few bucks, whether they had interest in philosophical debates about the meaning of time or not. The Glock handgun is on this list of iconic products and while it did not democratize deadly force like the AK-47 it has made its own mark on the American psyche.
The Glock has become the standard bearer for American handguns, placing it at the center of some of the most important conflicts of our times from gun control to globalization. It was initially invented for the Austrian army, but its many innovations and the growing belief that American cops were outgunned by criminals made it first popular with law enforcement, and then later with gun enthusiasts of all types. Tupac Shakur praised the Glock and was later murdered with one. Municipalities railed against the Glock then later helped flood the streets with them. Paul Barrett‘s Glock: The Rise of America’s Gun (Broadway, 2013) is the story of a gun, but in a nation of 300 million guns, it tells a much larger story.
Paul was kind enough to speak with us. I hope you enjoy.
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In The Telegraph in America, 1832-1920 (Johns Hopkins University Press, 2012), David Hochfelder provides a taut and consistently intelligent history of the telegraph in American life. The book is notable for both its topical breadth—encompassing war, politics, business, journalism, and everyday life—as well as its focused, argument-driven chapters. Hochfelder describes how the telegraph’s important role in the Civil War set the stage for Western Union’s postwar dominance, which in turn provoked persistent efforts to nationalize and regulate telegraphy up through World War I. Hochfelder lingers on two of the telegraph’s principal clients, newspapers and businessmen, focusing in the latter case on the crucial importance of the telegraph-enabled stock “ticker” for modern financial capitalism. The book traces the telegraph’s effect not just on institutions but also the lived experience of ordinary people, who came to hunger for breaking news and real-time stock updates. The patterns of communication established by the telegraph live on, Hochfelder concludes, in the billions of texts and emails sent along fiber-optic cables—our own wire.
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Robert W. McChesney, the celebrated political economist of communication, takes the Internet, industry and government head-on in his latest book, Digital Disconnect: How Capitalism is Turning the Internet Against Democracy (The New Press, 2013). Digital Disconnect builds on McChesney’s previous works, spinning forward his scholarship to construct a remarkably current look at the Internet’s corporate and political landscape. “Almost all of the other books on the Internet, some of which are very good, sort of try to take a larger view of it,” McChesney says during the interview. “Because of where I’m coming from, because of my interests, I think that’s the one thing I could inject that draws from my past research, where I can speak with greater authority, that’s really not talked about by anyone else.” McChesney uses the book to argue that the Internet has become a hub of “numbing commercialism,” largely the result of failed government policies. Writes McChesney: “When the dust clears on this critical juncture, if our societies have not been fundamentally transformed for the better, if democracy has not triumphed over capital, the digital revolution may prove to have been a revolution in name only, an ironic, tragic reminder of the growing gap between the potential and the reality of human society.”
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Somewhere along the line, C.W. Anderson became fascinated with digital journalism and the culture that surrounds it: engaged publics, social networks, and the challenges to “legacy” media.
Rebuilding the News: Metropolitan Journalism in the Digital Age (Temple University Press, 2013) is the fascinating product of Anderson’s research into the Philadelphia journalism scene during the first decade-plus of the 21st Century. Once a thriving hub of traditional journalism, Philadelphia has become a living case study of the collision of digital media practices.
Anderson’s ethnographic research and spot-on academic interpretation paints a vivid picture of a sometimes innovative, sometimes meandering journalism scene. Although we are at the beginning of the digital journalism era, in Rebuilding the News Anderson nonetheless walks us through the new ecosystem, what seems to be working, what doesn’t, and where we go from here.
“Given all of the pain journalism has experienced in the past decade and a half,” Anderson writes, “it would be a shame to waste this moment.”
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From its earliest years, the United States was a nation of tinkerers: men and women who looked at the world around them and were able to create something genuinely new from what they saw. Guided by their innate curiosity, a desire to know how things work, and a belief that anything can be improved, amateurs and professionals from Benjamin Franklin to Thomas Edison came up with the inventions that laid the foundations for America's economic dominance. Recently, Americans have come to question whether our tinkering spirit has survived the pressures of ruthless corporate organization and bottom-line driven caution. But as Alec Foege shows in The Tinkerers, reports of tinkering's death have been greatly exaggerated.
Through the stories of great tinkerers and inventions past and present, Foege documents how Franklin and Edison's modern-day heirs do not allow our cultural obsessions with efficiency and conformity to interfere with their passion and creativity. Tinkering has been the guiding force behind both major corporate-sponsored innovations such as the personal computer and Ethernet, and smaller scale inventions with great potential, such as a machine that can make low-cost eyeglass lenses for people in impoverished countries and a device that uses lasers to shoot malarial mosquitoes out of the sky. Some tinkerers attended the finest engineering schools in the world; some had no formal training in their chosen fields. Some see themselves as solo artists; others emphasize the importance of working in teams. What binds them together is an ability to subvert the old order, to see fresh potential in existing technologies, and to apply technical know-how to the problems of their day.
As anyone who has feared voiding a warranty knows, the complexity of modern systems can be needlessly intimidating. Despite this, tinkerers can – and do – come from anywhere, whether it's the R&D lab of a major corporation, a hobbyist's garage, or a summer camp for budding engineers. Through a lively retelling of recent history and captivating interviews with today's most creative innovators, Foege reveals how the tinkering tradition remains, in new and unexpected forms, at the heart of American society and culture.
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Ines Mergel, assistant professor of public administration at the Maxwell School of Citizenship and Public Affairs and the School of Information Studies (iSchool) at Syracuse University, is the author of Social Media in the Public Sector: A Guide to Participation, Collaboration and Transparency in the Networked World (Jossey-Bass 2012). This timely and insightful book can be read by a host of audiences, from the scholar to the practitioner. The book relates the development of social media technologies to the open government movement of the last generation. It demonstrates how government agencies can better integrate tools such as Twitter and Facebook into their operations. In doing so, agencies can open a door to public input and deliberation. This is a book that should be read by political scientists interested in how federal agencies grown and change, but also by those in federal agencies who want to respond to calls for greater openness.
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Many of us in the western world don’t rely on bills and coins as much as we used to, yet the idea of cash money is still an ever-present constant in our minds. How often have you stopped to consider the idea of what “money” actually is on a larger scale, or where our changing habits could lead us? In his book The End of Money – Counterfeiters, Preachers, Techies, Dreamers, and the Coming Cashless Society (Da Capo Press, 2012), David Wolman examines our commitment to cash, its advantages and drawbacks, how it facilitates crime and poverty, even its health and environmental issues. With an engaging and accessible style he prompts us to rethink the notion of money, how it works, and what forms it could take in the future.
Wolman starts with a short history of cash, beginning with the official introduction of paper money to the Chinese monetary system in the 13th century and Marco Polo’s reaction to it 100 years later. Next we follow him around the globe to get a cross-cultural picture of cash today – including explorations of the cultural heritage and emotional value of cash, of an increasing trend in developing countries of people using their cellphones to transfer money to both businesses and family, and of counterfeiting and anti-counterfeiting technology. Along the way he enlists a wide variety of people to help illustrate these concepts: a Georgia pastor who views the end of cash as a sign of the End Times, a convicted counterfeiter (or “Monetary Architect”, depending on who you’re talking to), a coin collector with an ambivalent attitude toward coins, and a British “digital money guru” who views money as a menace.
David Wolman is a contributing editor at Wired magazine. You can follow him on Twitter at @DavidWolman. He is, in his own words, a “…guy who’s interested in seemingly small, simple, straightforward topics that in fact, when you put them under the microscope, are anything but simple.” This book is an excellent example of that, and an engrossing read. In our interview he spoke of his year-long experiment to go without using coins or bills at all, the meaning of privacy and security as it relates to money in a digital world, and what he sees as the future of “money”.
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Have you ever illegally downloaded a song from the internet? How about illicitly burned copies of a CD? Made a “party tape?” Bought a bootleg album? You may have done these things, but have you purchased a bootlegged song-sheet? In Pop Song Piracy: Disobedient Music Distribution Since 1929 (University of Chicago, 2011) Barry Kernfeld fills us in on the history of disobedient music reproduction and distribution since, well, before the advent of recording technology. Along the way he discusses the above mentioned disobedient distribution techniques along with a few others: fake books, music photocopying, and pirate radio round out the book. Kernfeld suggests that the history of pop music piracy is never ending, with battles of different types of disobedience taking similar forms: the music “monopolists” (song owners) attempting to enact prohibitions on illegal production and distribution, the failed containment of said production and distribution systems and, finally, the assimilation of disobedient forms into the mainstream production and distribution industries.
Barry Kernfeld is on the staff of the Special Collections Library of the Pennsylvania State University. He is the author of The Story of Fake Books: Bootlegging Songs to Musicians and What to Listen for in Jazz, and he is the editor of The New Grove Dictionary of Jazz. He is also a professional jazz saxophonist playing in Jazza-ma-phone and a clarinetist in local musical theater productions.
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Popular culture is replete with warnings about the dangers of technology. One finds in recent films, literature, and music cautions about the myriad ways in which technology threatens our very humanity; most frequently, the lesson is that the attempt to harness technology for the betterment of the world always backfires. It’s no wonder, then, that when it comes to biomedical technologies that promise to enhance human physical and cognitive capacities, many people tend to express deep unease or opposition. But once one recognizes that technological enhancement, including biomedical enhancement, is ubiquitous throughout human history (from the technologies involved with cooking and storing food, to medicine and therapy, to even literacy itself), one wonders whether the common concerns are warranted.
In Better than Human: The Promise and Perils of Enhancing Ourselves (Oxford University Press, 2011), Allen Buchanan surveys the contemporary enhancement debate, offers a diagnosis of what drives some of the views that he finds untenable, and proposes a nuanced view that fully recognizes the moral risks inherent in the enhancement enterprise.
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“Guns don’t kill people; people do.” That’s a common refrain from the National Rifle Association, but it expresses a certain view of our relations to the things we make that also affects our thinking about the scope of ethics. On this traditional view, human persons are moral agents, and artifacts, or products of technology in general, are just tools; they have no moral significance in and of themselves.
In his new book, Moralizing Technology: Understanding and Designing the Morality of Things (University of Chicago Press, 2011), Peter-Paul Verbeek, professor of philosophy at the University of Twente and Delft University, The Netherlands, argues persuasively that this traditional view is no longer tenable. Instead, we need to understand the moral role of technology as one of active mediation, and of ourselves as technologically mediated moral agents. Ultrasound, for example, isn’t just a matter of peeking into the womb; the fetus becomes a potential patient, the womb becomes an environment for moral decisions, and the parents become responsible for making these newly relevant decisions. In general, if “ought” implies “can”, and if what we can do is expanded and conditioned by technology, then the range and nature of moral decisions and actions must also be expanded and conditioned by technology, and the designing of technology itself can be seen explicitly as having an important moral dimension. In Moralizing Technology, Verbeek spells out this new view of the moral relevance of artifacts and some of its implications for moral subjects, technological design, and ethical theory.
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Daqing Yang‘s Technology of Empire: Telecommunications and Japanese Expansion in Asia, 1883-1945 (Harvard University Asia Center, 2011) is a gift to both historians of East Asia and scholars of science and technology studies (STS). Yang’s book dissects the body of the Japanese empire from 1853-1945 to reveal its pulsing “nerve system” in a network of communication technologies that extended well into Northeast and Southeast Asia. This extraordinarily rich and well-documented account moves from the first public demonstration of a working electric telegraph with the arrival of Commodore Matthew Perry, to the Japanese acceptance of the Potsdam Declaration. Along the way, Yang’s book offers wonderful glimpses of a range of sources that include the North China Telegraph and Telephone Co. company song, an adventure-action-romance film about telecommunications-enabled espionage, and experiments in early fax technology. We spoke for an hour (and could have spoken for many more) about this fascinating history of techno-imperialism.
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One hallmark of important art, in any medium, is a thoughtful relation with artistic precursors. Every artist reckons with heroes and rivals, influences and nemeses, and the old work becomes a part of the new. In Adam Bradley’s seminal monograph on hip-hop lyrics, Book of Rhymes, legendary MC Mos Def describes his desire to participate in posterity: “I wanted it to be something that was durable. You can listen to all these Jimi records and Miles records and Curtis Mayfield records; I wanted to be able to add something to that conversation.”
In the last thirty years, technology has transformed the conversation between past and present musicians: it is now possible to quote a previous work not only note for note, but byte for byte. The turntable and the sampler are the hip-hop artist’s quintessential instruments. The culture of hip-hop bricolage, coupled with intense commercial pressures in the recording industry and an inevitable proliferation of rip-off artists, has created difficult challenges for copyright law and for the concept of licensing. Several cultures must adapt to each other, and often they are doing so in the courtroom.
In a study both comprehensively theoretical and rich with the voices of musicians and producers, Kembrew McLeod and Peter DiCola have addressed together both the legal and the cultural implications of digital sampling in the music industry. Creative License: The Law and Culture of Digital Sampling (Duke University Press, 2011), in tandem with related multimedia projects from the Future of Music Coalition, lays out what they have learned and suggests a way forward for the industry in the digital age.
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In his new book The Googlization of Everything (And Why We Should Worry) (University of California Press, 2011), Siva Vaidhyanathan, professor of media studies and law at the University of Virginia, takes a close look at the powerful influence Google has on our society. He believes that by valuing popularity over accuracy, Google dictates what information is most useful to users, thereby changing societal perceptions of what information is relevant. In our interview, we talked about how Vaidyanathan’s American Studies training informed his analysis of Google, the problem of Google’s use in authoritarian countries, and how Google emerged out of nowhere to defeat all other search competitors. Read all about it, and more, in Vaidhyanathan’s illuminating new book.
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A recent editorial in the Moscow Times declared that in Moscow “the car is king.” Indeed, one word Muscovites constantly mutter is probka (traffic jam). The boom in car ownership is transforming Russian life itself, and for some not necessarily for the better. “The joy of personal mobility — that is, automobile ownership — has completely eclipsed the value of community life. But the joy of car ownership has long ceased being a joy and has instead become a burden, with traffic jams causing frequent delays, smog and even clogged sidewalks. We have created an environment that is environmentally, socially and economically harmful.”
While the detrimental effects of the car have only recently hit Russia, the automobile’s political, economic, and cultural significance dates from the early Soviet period. According to Lewis Siegelbaum‘s recent book Cars for Comrades: The Life of the Soviet Automobile (Cornell UP, 2008), what the Soviets called “automobilism” had multiple meanings. It represented a particularly Soviet understanding of modernity, one rooted in the promise of the socialist system itself. The car also symbolized power and freedom. Power in that the elite usually had cars and, during the Great Terror, cars came to be equated with the secret police. The car meant freedom in that those citizens lucky enough to get one expanded their “private” sphere through greater mobility and leisure. As Siegelbaum shows, the Soviet car may have been an unobtainable luxury for the vast majority of Soviet citizens, but its effects on the Soviet imagination were deep and long lasting.
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If technology is the site of digital culture, then robots are the future platforms of our social projections and interactions. In fact, that future is already here in small but fascinating ways. Mark Stephen Meadows is one of a handful of curious authors who have begun to explore the social ramifications of robotic engineering and his book We Robot: Skywalker’s Hand, Blade Runners, Iron Man, Slutbots, and How Fiction Became Fact (Palgrave Macmillan, 2011) is intended as a lively assessment of those implications and consequences.
The book sees Meadows touring the strange, wonderful, and unnerving production laboratories of Japanese roboticists, lifting unreal loads with the aid of an augmented limb, and being turned on by an uncannily sexy fembot as she smiles at him and moves her android features. In our interview I asked Meadows what we can expect from our machine compatriots of tomorrow, and why human intelligence might be slowly getting written out of the equation for the perfect bot.
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In their new book Search and Destroy: Why You Can’t Trust Google (Telescope Books, 2011), Scott Cleland, President of Precursor LLC, and Ira Brodsky, founder of Datacomm Research, aim to expose the unethical internet behemoth they believe to be hiding behind the motto “Don’t be Evil.” Cleland and Brodsky believe that Google has a hidden political agenda, and is attempting to shape the world to match this agenda by controlling your information, as well as who has access to that information. In our interview, we talked about how terrorists have used Google, why “Don’t be Evil” is an unimpressive goal, and the ways individuals can de-Googlify, if they so choose. Read all about it, and more, in Cleland and Brodsky’s troubling new book.
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In her elegant work of historical puppet theater The Crafting of the 10,000 Things: Knowledge and Technology in Seventeenth-Century China (University of Chicago Press, 2011), Dagmar Schaefer introduces us to the world of scholars and craftsmen in seventeenth-century China through the life and work of Song Yingxing (1587-1666?). A minor official in southern China, Song has earned a major reputation among scholars of Chinese history for writing the Tiangong kaiwu, a work on practical knowledge that covers topics ranging from salt-making, to gunpowder, to metallurgy. Schaefer’s book flesh out Song’s character, the social and physical world in which he lived, and the universe of his many writings, while opening a new stage for the study of technology and craftsmen in the early modern world.
In the course of our interview, we explored Song’s fateful picnic, his thoughts on the morality of things, and the use of images as a form of argumentation, and we considered what might happen if you put a fish in a box for three days.
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Can computers think? That was the question which provoked English mathematician Alan Turing to come up with what we call the Turing Test, in which a computer engages a human in conversation while a judge, unaware of who is who, looks on and tries to ascertain which participant is made of flesh and blood, and which of bits and bytes. Such a test is held every year in Brighton, England, where the most convincing human confederate is awarded a prize: The Most Human Human. There is also a prize for The Most Human Computer but to date no computer has ever been judged to be more convincingly human than a real person.
Enter Brian Christian who, in 2009, took part in this test (known officially as the Loebner Prize) with the aim of being awarded the prize for Most Human Human. He was successful, and in his new book The Most Human Human: A Defense of Humanity in the Age of the Computer (Penguin, 2011) he charts the methodology of his approach, his conclusions on the conceptual value of the Turing Test and the linguistic insights which arise during conversation with a machine. The artificial intelligence of machines remains relatively primitive, but their programming is canny, and they can even appear to have robust personalities and encyclopaedic knowledge on specialist subjects. Christian’s experiences, presented in the form of his book, provide the reader with an accessible and compelling avenue into the reality of contemporary machine ‘intelligence’, the idiosyncratic tapestry that is language and, most of all, the things which make humans human; the things which machines can’t (yet) do.
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This week New Books in Public Policy interviews Bob Goldberg about his new book Tabloid Medicine: How the Internet Is Being Used to Hijack Medical Science for Fear and Profit (Simon & Schuster, 2010). The book is a look at the way medical science is discussed and played out over the Internet. As Goldberg says on his website, tabloid medicine is “medical reporting or information based on or consisting of Internet material that sensationalizes and exaggerate the dangers of medical technology without describing the benefits.”
In the interview, Goldberg talks about both this problem and its implications, from parents refusing to vaccinate their children to suicidal people avoiding antidepressants for fear of overhyped side effects. He also discusses the role of those who seek to foment fear, as well as discredit their opponents, using new media and innuendo regarding inappropriate conflicts of interest.
Finally, Bob takes on the New Books in Public Policy signature question, “What policies would you initiate if you were king for a day?” and gives his policy prescriptions for addressing the problem of Tabloid Medicine.
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Here’s something I learned by reading Joel Wolfe’s terrific Autos and Progress: The Brazilian Search for Modernity (Oxford, 2010): the United States and Brazil have a lot in common. Both hived off European empires; both struggled with slavery and its legacy; both are profoundly multiethnic and multiracial; both have spent much of their respective histories settling a vast “wild” frontier (though, to be fair, it was already “settled” by indigenous people); and, most importantly for our purposes, both are car-crazy, and indeed for almost the same reason. In the United States, the automobile meant modernity. It was the implement with which we, Americans of every stripe, would “tame” a continent and thereby realize our national potential. The Brazilians, according to Wolfe, feel the same way. Joel does a masterful job of explaining how the promise of this crucial technology entered the Brazilian psyche and became not only the vehicle of modernity (pardon the pun) but also the symbol of everything modern. Along the way Joel explodes one of the foundational myths of modern anti-globalism (and what used to be called “anti-imperialism”), namely, that powerful “multinational corporations” muscled their way into undeveloped countries and fostered a crippling “dependency.” Not in Brazil. The Brazilians invited Ford, GM, and VW into the country with a full understanding of what they were getting; they embraced the values these corporations fostered, all of which were seen as “modern”; and when things weren’t working out, they essentially forced them to act according to Brazilian interests. The Brazilians were, so to speak, in the driver’s seat of automobilismo; the supposedly all-powerful multinationals were along for the ride. In the end, both enjoyed the journey, despite some rough patches. I’m happy to say, however, that this book has no rough spots at all. You will drive carefree from the first to the last page. Have a good trip.
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En liten tjänst av I'm With Friends. Finns även på engelska.